Cliche 1 check, Cliche 2 check ….Cliche 453271 check
So whatever you might look for in a typically cliche storyline ….you’ll be offered everything here ...from the very basic…. plot about contract marriage (ofc with a stupid reason) ... a melting iceberg ofc due to global warming (I mean cold ML becoming all sweet and kind …) a strict mother in law (who’ll eventually fall for our kind hearted cinderella) …. a sweet and cute grandma (who obviously adores FL from the very first interaction )...typical side characters….a bitchy SFL (who lives by the virtue- anything and everything for love) ….and a perfect secretary (free with cold ML's in dramaland ….it’s dramalands special combo) ….a bit sad childhood (why else would he be cold ...we need a reason ...ofc we do ...and they give a very obvious one... like always) ...a typical good for nothing FL’s bff (ahh ...or who else would support our hardworking, a bit too dumb and godess of goodness type FL through her very obvious hardships)…and well there’s no way we can forget our beloved SML(the never acknowledged saviour of our damsel in distress) ….after all we’re to suffer too ….So yaa as I said if you were to ever have a checklist for cliche’s this drama definitely owns a top spot ...but then when we talk of cliches, we talk of execution ...I wouldn’t say it’s a fresh execution ...but I’ll say it’s a decent attempt ….
You know with those contract marriage to love tropes there’s not much scope for freshness ...but still the leads portray a decent chemistry ...with fun moments scattered all the way …you are in for a decent ride …
Have realistic hopes and the show delivers well …hope for misunderstandings ...hope for SLS (second lead syndrome) hope for a not so necessary leap...hope for typical gender role reversal through horror movies and roller coaster rides (that’s the typical way to describe things...I am not a discriminating fella ...both are allowed to be scared...) ….hope for a lot of cute scenes and laughs...hope for fillers ….hope for a cliched drama ...and there you are ...this drama will meet all your expectations ! (aren’t you wondering ….why am I stressing so much on cliches ….bec the drama wouldn’t exist without them...no not even an ep)
The acting ...on point in most cases ...the third couple storyline was neither interesting nor fresh and I mostly skipped through them ….our main couple ...with a fairly high share of screen time ...do deliver and ...our second leads ….yep they do fit their roles perfectly ….but sadly do feel a bit underdeveloped …!
The company/work setup ...well I won’t say unrealistic ….but too convenient !
For the rest...music ….no I am sorry it didn’t catch my attention ...no rewatch value either….cuz the first watch also feels like rewatch ...lol
So well in short if you are looking for a cliched drama ...this one is a perfect bet ...with cute moments and every cliche you can possibly expect ….this just makes a proper time pass drama !
Hope you enjoy watching ...cuz I did too ...for I knew what to expect ….and this became a good watch !
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No time to die.
I have never watched a Chinese drama quite like Joy of Life. It Is pure entertainment, a heady, masculine cocktail of science fiction, political intrigue, espionage, martial arts and laugh out loud comedy. A dying young man laments his life cut short before he experiences the joy of life. He finds himself reborn an infant in another time with intact memories of the 21st century. Raised by his grandmother, this cunning, cynical know-all kid is expertly schooled in martial arts by his uncle Wushu (pun fully intended) and in medicine by a deadly poison master. Summoned to the capital by his distant father, Fan Xian sets off eagerly, anticipating the beginning of his carefree, happy existence. But his glee is short lived as someone wants to kill him dead. He finds himself saddled with a political marriage he is hell bent on squirming out of and his mother's legacy - control over immense wealth and the incredibly powerful Oversight Bureau. This is at odds with his desire to indulge in joyful pursuits and worse, catapults him right in the middle of a power struggle between two princes. Soon it appears as if everyone wants him dead. But Fan Xian literally has no time to die as he is swept away by a whirlwind of timeless secrets, murky political conspiracies, shocking betrayals and sinister encounters with opaque characters that could be friend or foe.Fan Xian is the central, core character that the plot revolves around;, there isn't really a female lead or a second lead. Fan Xian is a smart, ruthless and cunning rascal with very strong survival instincts who is not about to let anyone short change him of his second chance. His life philosophy and indifference to common inducements stymies family, friend and foe alike, leaving them at a complete loss as to how to motivate or manipulate him. Unlike his mysterious mother, a woman beyond her time, lofty aspirations like changing the world in the pursuit of social justice couldn't be further from Fan Xian's more self oriented goals. Until the world changes him when someone with joy of life shows him that there are things worth giving one's life to protect. This moves Fan Xian unaccountably, makes him do things against his nature and better judgement, it stays with him and forces him into the fray, to risk his life for what he wishes to protect. This pivotal moment and how it sparks a growing flame adds a defining dimension and substance to Fan Xian, one of the best written, most layered and entertaining characters I have come across in a long time.
This serpentine political chronicle satirizes the ruthlessness of man's ambitions and how it coincides with life's cruel and random vagaries. Most of the characters, including Fan Xian are scheming, ruthless, violent, deceitful and utilitarian. Bad things happen to good people, actions have consequences, people die, forgiveness and justice are not always possible. This underlying dark tone with its bitter notes and philosophical questions is so artfully disguised by the wit and humor that drenches this drama that it easily passes off as a comedy. The entire tone of a scene or a conversation can just shift with a bizarre interruption or a non-sequitur mundane question or digression that shouldn't even be funny but somehow is. The wit and comedy from clever word puns to baffling allusions to 21st century concepts are not merely for laughter's sake they are intended to hint at character traits, hidden motives and unspoken truths. The plot is action packed with many twists and is littered with thrilling martial arts encounters where moments of imminent peril can be unexpectedly broken by well timed comic relief.
To put it simply Zhang Ruoyun simply owns the character Fan Xian, it is unimaginable that anyone else can pull off this jaded, irreverent, manipulative and utterly irresistible rogue in such a compelling way. Even though this is not much of a romance, Fan Xian seems to have an affinity for and way with women that recalls Jin Yong's lascivious and vile Wei Xiaobao but in today's day and age, it is only acceptable that he is limited to one true love. From his hilarious sidekick the venal and wily Wang Qinian to his riotous siblings Sizhe and Rou Rou to his numerous antagonists, Fan Xian is surrounded by exceptionally well cast supporting characters that are properly fleshed out and have agency and free will. My personal favorite is of course the emperor, who is the best example how this drama dazzles with the art of the unexpected. I was completely nonplussed to see an emperor slither around in dishabille; with escaped hair tendrils and in oddly sensuous low cut nightgowns that flaunt his tanned bare chest. I was right there with Fan Xian in refusing to kowtow to such a slob and surprised he didn't have to leave a thumb or two behind as a result. Multiple clues to one of the big plot twists hide in plain site, from the oddly misplaced pieces of wardrobe and styling to the borderline goofy, eclectic 1980s subtly Latin background music. The unique and creative combination of casual (much dialed down) violence, cartoonish character traits, strange props, out of genre music, and the odd wit and humor in mundane dialogues reminds me of Tarantino, something I did not at all expect here.
This is of course just the first of three seasons. And I must admit I dropped this after 5 episodes when it was airing. I don't even remember why I didn't like it at all at the time. On my second attempt, I was addicted from the first episode and enjoyed almost every minute of it. I do think that the Bei Qi arc was not at the same level of the first arc, which set a very high bar. I was less invested in the characters in the Bei Qi arc and I found Xiao En's big reveal too long winded and his giant secret overly built up. One of the main roles in this arc is very poorly acted and noticeably several notches below the level of the rest of the veteran cast. The actor tried so obviously to be opaque and inscrutable that I pinned them as a backstabber right away. Their fixed wooden stare failed to connect with Fan Xian at any level and in several scenes I felt like Fan Xian was talking to a mannequin or to himself. This made it look like after being so smart and distrustful for so long, Fan Xian inexplicably let his guard down way too easily. Into the final moments of the last episode Fan Xian continued to be dumbed down and was pretty much thrown under the bus to force that completely unnecessary ending "shocker" that I could see coming a mile away.
The biggest drawback of this drama is of course the long wait for season 2, which still has not even started shooting as of May 2021. However, this shouldn't hold you back from watching this now due to its high rewatch value. I rate this a 9.5 for now but it has a potential to be upgraded to a 10.0 if the next two seasons deliver.
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This review may contain spoilers
The ending truly ruined it all
This review will contain heavy spoilers for the ending.Revenge of Others was a fun ride, until the last two episodes that is. It's pretty rare for me to have the ending of a show completely change how I feel about it. There are good endings, meh endings and bad ones... but I've seldom felt that disappointed. Maybe I had too high expectations, maybe it was the straw that broke the camel's back. Revenge of Others' ending is cliché, lazy and basically just a middle finger both to the audience and the rest of the show. Early episodes were good, with flaws, yes, yet it was still solid. But nowadays, most kdramas are great at what they do, so you need the entirety of your work to be good, not just the beginning, not just the middle. It feels like Revenge of Others was half-assed, and any good this show had is overshadowed by the ending.
The most interesting thing about a TV show, as opposed to movies, is that you have time to grow attached to the characters. You become familiar with them and grow curious. You could say you actually care about them (especially if you're watching while the show is airing). That is the exact reason why you can't just dump a few lines on the viewers and call it a day. That's not only bad writing: it's like spitting in the face of said viewers.
So what was so wrong with that ending? To put it simply, the creators of the show tried SO HARD to give it a happy ending, despite it not matching the tone of the series, that they ended up... basically not giving it an ending at all. How did they do that? By not telling you anything and letting you decide what comforts you. Okay, let's be fair. They do tell you a few things, but not about what is important.
> Soo Heon has a brain tumor? Okay, he drops out to do his own shit for a while and you're free to imagine whatever pleases you after that. Did he die? Did his condition stabilize? That's up to you (who even cares, brain tumors are not that serious now, are they? It's not like he got his head banged way too many times. If the doctor is as qualified as his wife, he probably misdiagnosed him anyway). With it being such a central plot point, you'd hope for something a bit more conclusive than a "for now he's lucky". Truthfully, the tumor is just a plot device to make you doubt he is the killer because of the induced violent behaviors. So in the end, I just wonder what was even the point of us worrying about him?
God forbid they'd actually use his condition to truly talk about the hardships that come from it all. Not saying the show should've solely focused on that, that's obviously not the plot, but it would've been nice if it had been treated more seriously.
> Is Jae Beom in prison or not? You choose. Was there even any proof that he was manipulated by Gi O Sung? Did he completely take the blame? Does it matter? Should we care? Apparently not, since the show decided to completely erase his existence the moment he stepped in that police car. If he is lucky, the car was actually an interdimensional rift that took him far away from the land of trash ending kdramas.
Don't get me wrong, open endings are fine. I actually love them to death and dislike when everything is spelled out for you. However, this is not an open ending (and if it genuinely tried to be one, it's appalling). This is just a rushed, awful, uncreative and lazy ending that has (unfortunately) been seen again and again, either because the writers didn't know how to write a proper one, either because they were scared of negative reactions from the audience. Both options are bad.
This is an ending that screams that the writers had so little faith in their show, their characters and universe, that they believed viewers would lose interest the minute the mystery was finally solved, that they wouldn't be willing to give one more hour to properly say goodbye to the characters and learn what happened to them. And well, that's truly a shame since an entire episode dealing with the aftermath would've been a perfect way to wrap this up, because surprisingly the characters ARE interesting. As a viewer, I want to know what happens to these people, I don't want three fucking sentences from a narrator telling me: "this happened, oh and this too, everything was solved and we're living happily ever after, nothing is wrong in the universe!!!!"... For Christ's sake, either show me or actually write a proper open ending!
Those few sentences don't even cover everything that needs answers. I mentioned it earlier, but Jae Beom's story seems to end the moment he's taken away by the police, as if he wasn't a main character too. At this point I feel like they forgot to include him in the ending. Chan Mi vaguely mentions to Soo Heon that he confessed, but that is the last time we hear of him. Can you believe that we don't even know WHAT he confessed to? Did he confess to killing Park Won Seok only? Did he confess to the car shop murder too? What, you actually wanted to know that? Cope.
I don't understand how you can put so much care into developing an interesting storyline and characters, just to give up on giving it proper closure.
Seriously, I can't believe this. As far as I'm concerned, Gi O Sung is dead and Jae Joon supposedly disappeared forever, because that's definitely how DID works. That means Jae Beom literally has no choice but to take full responsibility, despite being taken advantage of and manipulated by the very person who tried to kill him. Because let's think about this for a second:
-He would first have to prove that he was pushed from the roof by O Sung. O Sung is dead, there's no way to prove it;
-He would then have to prove that he did indeed have a split personality, but since Jae Joon is gone forever after a few words from Chan Mi, good luck with that;
-Even if he managed to do that, he would have to prove that O Sung had gaslighted Jae Joon into believing Won Seok had pushed him, which led to his revenge, and that he, Jae Beom, wasn't aware of any of it. But guess what? O Sung is dead, Jae Joon is no more, so yeah, no doing that. They might have a few people testify, but I highly doubt that would lead to anything.
Not to mention, when talking about the car shop murder to Chan Mi, Jae Joon mentioned that Jae Beom would've covered for Soo Heon. Just because they are friends. Just because he is a good person. Which leads me to believe that after getting his memory back, he would be so guilt-ridden that he wouldn't even try to defend himself anyway. He seems like he would believe he deserves the worst punishment. At this point, the only thing that could save him is his parents' money, which I doubt he would agree to use to get himself out of this.
So while Gi O Sung got the easy way out, Jae Beom will be the only one to suffer because of his deeds. In a way, O Sung killed him twice: the moment he pushed him from that roof, and the moment he himself fell to his death. While I do believe Jae Beom should face consequences for what happened, I don't believe jail time is the right thing. He should be admitted to a mental health facility. Ultimately, I would've been more satisfied if he had managed to kill himself. That would've been easier for him. Honestly, I cannot understand for the life of me why kdrama writers always think that death is proper comeuppance for plain evil characters. Dying is easy, life in prison is hell. O Sung should have to live through that. He should have to deal with everyone hating his guts and have his freedom stripped away. Had the show not been going for a happy ending, maybe that not happening would've been fine, but since it's not the case it just doesn't sit well with me that one of the kindest characters is getting this treatment, while the worst one just... died.
Aside from that, there are other elements that don't really make sense to me. For example, it's never really made clear how Jae Beom and O Sung's fight at the stables ended. Jae Beom seemed like he was ready to murder or at least severely beat up O Sung for what he did to him, while the latter would do anything to cover his own ass. Yet, the following day O Sung is unscathed and Jae Beom is chilling on a boat. How did that happen?
And whose boat was that? I'm guessing it belongs to Jae Beom's family but then when he was reported missing... isn't it one of the first places that should've been checked? I know the police are all sharing one unique brain cell but that's like the ABC of investigating a disappearance. The show runners wanted us to believe O Sung had killed/abducted Jae Beom, but come on... They try so hard to confuse the viewers and play the reverse psychology card, yet most people could guess who had done what and why ages before the end anyway.
Then we have this scene where every single student learns EVERYTHING through various text messages and immediately believes it, then proceeds to suddenly realize that "oh yeah, gi o sung did this and that!!!!", as if they all used to be aware of that fact, but collectively forgot, because no one seemed to have beef with him before that. I guess they could only remember him being super manipulative after reading those texts. Sure. Then they all lie to the police because of course, there's not a single outcast out of the loop, or someone that's scared to lie. It's a TV show, yadda yadda, but how can I not laugh at that? They didn't even HAVE to lie! Gi O Sung's fall was not only an accident but also self-defense, he was literally threatening a student with a box cutter after having abducted another??? I get they reaaaaally wanted to go for that tacky “If everyone decides to corroborate a lie, then it becomes the truth”, but that was so bad.
I want to gloss over a few other things too:
-Ok Chan Mi started out as a good character but got dumber and dumber as things moved on;
-Shin Ye Eun's acting (and a few others) seemed awkward at times. I'm not sure whether that was the script or not, but I've seen her in other shows and I remember her being fine;
-I get Jae Beom was her friend for a long time and overall a good person, but would Chan Mi realistically get over "him" killing her brother that fast?;
-When she was on that call with her brother, how could Chan Mi not hear Jae Beom's voice as he talked to Won Seok?;
-O Sung wanting to kill Won Seok was stupid considering they both had dirt on each other. They could've just left it at that and no one would have talked. But I guess since Jae Beom is technically the one that killed him, O Sung just didn't care;
-Everyone always seems to fall for O Sung's lies for some reason, even after it was established he could not be trusted;
-Jae Beom's timeline at the time of Won Seok's death wasn't clear and it was annoying. Was he back to school full time? Won Seok was surprised to see him again, so was he not discharged from the hospital yet? Then how did he leave without being noticed?;
-Did Jae Beom actually have a twin or was it split personality right from the beginning? This doesn't necessarily need an answer but I would've liked to know for sure;
-Jae Beom's parents knew about his DID but never tried to do anything about it. Maybe because it would give them a bad reputation (who knows, they don't explain why), but wouldn't you try to at least discreetly talk to a doctor about it? I don't think it's that hard when you have this much money;
-No one else ever noticed it except for O Sung? How did he even know? That would've been nice to learn about. It's like they're trying to give as less details as possible about the manipulation part, as if it wasn't a major plot point that the viewers would like to know about;
-The evil alter ego plot twist trope needs to stop. There are ways this could be interesting, but apparently never in kdramas. The way DID is constantly misrepresented in these shows is so tiring. I haven't even researched the topic that much but even I know this is not how it works. It was so badly presented in the 12th episode that I wasn't even sure if they were actually going for that or for some weird ghost possession bullshit. At this point I'm not even certain what I'd prefer;
-I'm not an expert but I'm positive we now have means to determine whether someone jumped, fell or was pushed from a building.
A few positive things:
-The dynamic and chemistry between the characters was quite good, and their friendship was really compelling;
-Most characters were interesting, there wasn't anyone I was particularly annoyed with;
-As I've said, I haven't researched DID that extensively (I have given up on a decent portrayal anyway), but I thought the way Jae Beom and Jae Joon were differentiated was a nice touch. I found the scene with Jae Beom signing using the wrong hand + name smart. The moment he switched the gun to his other hand as he tried to kill himself was heartbreaking;
-The show is entertaining and gets you hooked easily, it's mostly the end that acts as a wake-up call, making you realize that overall, the writing wasn't that good.
In conclusion, this is another example of a show that could have been a good one if not for its ending. In my opinion, the ending of a show is one of, if not the, most important part of it. If you mess that up, then you leave people with a bitter aftertaste, no matter how good everything that came before was. On the contrary, a particularly good ending can completely blow your mind and turn around your perspective of a show/movie. So you can't and shouldn't ignore a bad ending just because the rest was okay.
I feel like many interesting questions could've been brought up too. The writers could've addressed the topic of the Korean juvenile justice system (which is apparently known to be particularly awful), with how easily characters seemed to get away with the crazy things they pulled. Or if a murder is caused by the manipulation of a vulnerable person, then who's to blame? What punishment should be given? Are mental health issues like these even taken into consideration by the court?
I don't know, this was such a waste. I really wish they hadn't rushed the ending like that, my rating would've been much higher otherwise. It could also be a bit lower, but I tried to keep in mind the qualities from the earlier episodes too (consider that 6/10 is only 1 point above average/mediocre).
Well, what is done is done. I don't think I would recommend anyone to watch this unless they are prepared to face the disappointment.
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I cried, laughed, cringed, shouted, smiled, raged and did all sorts of things while watching this drama, I even had to make pause of few days cause I didn't want to finish it. Ever. I know, it may seem too subjective, I guess it is but if I take out all too attached feelings still this is a drama which deserves to be praised and greatly received.
The cast was brilliant. From Hu Ge as too intelligent and clever strategist with many secrets and Wang Kai as loyal, brave and reckless prince who were the main leads in this woven plot, to other side characters: funny and dense General Meng, sweetie pie and awesome martial artist Fei Liu, astonishing and beautiful princess warrior Ni Huang, calm smart and always looking relaxed consort Jing, joyful, carefree and weirdly intelligent Lin Chen, crazy over power and greedy Emperor, faithful and innocent Jingrui, the dignified Marquis Yan, the most loyal retainers of Su ge ge, all of them were simply outstanding, list is too long. ;)
The one who shined the most in this drama is no doubt Hu Ge as Mei Chang Su, he was truly amazing. Man who lost everything where he was young, who lived and fought with only one purpose- to avenge his family and all those innocent lost lives of Chi Yan's army. He became a grand and calculating man with intelligence higher than everyone's else. I loved how Hu Ge portrayed him, as cold, emotionless man who didn't let feelings get in the way and cloud his judgement not one single moment, always being rational and moving forward according to his plan which he was making for 12 years. Cause in this game he couldn't afford himself that, otherwise his enemies would easily defeat him. But under that shell he was the same Lin Shu, kind with good heart and will to fight against injustice and evilness. I fell so much for him, his gestures, mind, expressions, movement, everything was really powerful about that man.
And the other one who has won me was certainly Prince Jing. He was opposite of Su Zhe, quick-tempered and disobedient, always hot headed and too reckless but loyal, brave and firm in his decisions, I really respected that side of him, his unyielding morals and fighting for justice no matter what. It was so entertaining to watch two of them bickering, arguing and sharing their opinions, prince Jing was always bringing fear to Su Zhe cause he was the only one who could actually make Su Zhe's plans not going in the way they should and mess something up, I loved their bromance, their powerful bonding, their attachment to each other, they looked so cute, sometimes like a romantic couple. ;) And I think that Wang Kai really nailed it, he is such a talented and great looking actor, looking forward seeing him more in the future.
I enjoyed in the feeling they gave me, their characters so endearing and strong, greatly written indeed. I enjoyed in all of them but those two especially captured my heart along side with little monkey Fei Liu. What is so fantastic and attractive about this drama are so many awesome bromances, friendships, funny moments in all that seriousness and revenge fights, many of those characters were like a family, I loved their talking, their joking around the house, their ultimate protections towards each other, and that subtle, little amount of romance I really really loved, it was such a wonderful addition to all those powerful feelings.
Without even one little dull moment, I can only say KUDOS to the whole production team and the writers. Production quality is so high and impressive with great action scenes, wonderful costumes where even the shades of colours fitted perfectly to the characters who wore them and not to mention settings and sceneries, every scene shot outdoor was really delightful for watching and every scene shot indoor also was beautiful. Effects and CGI look very realistic, which is pretty awesome for some Chinese drama. And the best thing of course is the script, it is something the most important that made this drama to be this breath taking, intense and phenomenal.
Oh well what else did I expect when it's the same team from whom big names like Battle of Changsha (personally my fav.), The Disgusier, All quiet in Beijing and Love me if you dare are from? ;)
So if you like badass action scenes filled with fantastic developed story line, interesting plot with revenge, political maneuverings and intrigues, astonishing melodies (music in this show is so beautiful, whole OST is wow) and if you're into The Count of Monte Cristo kind of feeling then you should definitely give it a try. Plus many eye candies who weren't there just to be eye candy, they actually had a role and importance. ;)
It may seem too confusing in the beginning with introducing too many characters but after a few episodes you''ll get used to it, just don't give up.
I got too attached to this drama, too fascinated by its existence and in such an emotional state I dare to say that I'm anticipating more dramas like Nirvana in Fire, more dramas which will engrave in my heart and capture me in their little world for a lifetime. Thank you. Thank all of you who participated in making this grand and glorious show. I'll never be able nor I ever want to be able to forget this drama, the most wonderful Asian drama with most mind blowing script.
";In this world, there’s no carefree person. If you have desires and feelings, you won’t be carefree."
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Taxi Driver: School Bully Version
Teach You A Lesson was one of my most anticipated dramas this year and it didn't disappoint!Ep 1 was a great start after which the momentum stabilizes to a case by case format of troublesome school after troublesome school. Through 10 episodes, the drama covers all the major bullying crimes including physical violence, substance use, cyber crimes, stalking, defamation and scamming.
Kim Mu Yeol and his slaps keep delivering until Jin Ki Joo, P.O and Lee Sung Min join the action. The main cast comprising these four Anti-Bully Avengers definitely carried the show with their friendly camaraderie. Kim Mu Yeol has charisma for days and the swagger of a believable action hero protagonist, while Jin Ki Joo and the rest of the cast are equally engaging in their roles.
Having said that, I do want to mention that this show seems to have a lot of fourth wall breaking, preach-heavy moments. Satire usually hits when the message is more subtle and indirect so I do wonder if the ones who truly need these lessons both among students and the adults around them will get the message.
At the same time, it's very evident that the makers put a lot of effort into shaping the script in such a way that they'd cover all the possible domains of potential criticism from viewers beforehand. From public outrage from hypocritical human rights warriors to making sure they mention that they're only after the bad apples among both teachers and students and acknowledging the good ones that do exist and reassuring that their mission is for their protection, they've done a good job presenting a neutral unbiased view that keeps educational rights at the forefront.
While this helps theme-wise, this creative choice may have tipped slightly into becoming an overcorrection with constant repetition of similar thoughts across multiple episodes which has then also compromised the overall pacing of the show. This can put off some viewers who are more used to the steady build up of anticipation and dread in more conventional action/thrillers, especially high school themed thrillers set around a single school and one common enemy.
Regardless, this was a fun watch overall with a solid theme. Lots of entertaining action choreography and a healthy balance of humor and emotion.
Teach You A Lesson is a really fun addition to high school themed revenge dramas, this time with adults delivering the slaps-err-justice!
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Unique, refreshing and riveting!!!
This drama has indeed shocked me, I can understand it took a while to air because of various reasons one of them being censorship so let's say I had lost hope that it was going to be as good..or if it was going to even air but it finally did and here we are....This is definitely one of the best dramas this year...2024 hasn't been the best C drama year so I have to specially thank snowfall for pulling me right out of that slump.....
This dramas had a riveting, refreshing and sort of unique plot..that despite facing issues of censorship managed to keep you engaged and entertained..the story was a mixture of fantasy, action, suspense thrill and a bit of comedy but was also really emotional and heartwarming.
The characterisation was good..the characters especially the main characters were written to be complex but also interesting and also had personality..... except for the villain antagonist that came off as rather aimless and one dimensional but I can put him aside because these other characters made up for what he lacked.
The acting was absolutely incredible, I need to applaud the actors and actresses for devouring and being commited to their roles in a way that made me connected to them and the story.
Gao weiguang's character as Shen zhiheng was absolutely Mature charismatic but also principled, disciplined, kind and dignified..in addition to generating a really strong aura that made me love and appreciate his character.
Ouyang nana as Milan was such a precious Character, I love how she managed to portray a blind character so well, her eye expressions and body language was so convincing..and I loved her character development after she changed....she was smart, witty and charming....she was a great addition to the cast.
Win wins Character as Situ weilan was another amazing character, he was potrayed as grey and witty but also a bit mysterious....and generated this charming era....
These three had such amazing character chemistry and I enjoyed their interactions throughly.
One character I had a problem with was the supposedly antagonist Li yiyang, his character seemed aimless, and cartoonish and one dimensional and I wasn't sure about whether to take him seriously or not..he was so annoying and definitely not entertaining but regardless I have to commend Ryan Ren's acting in some scenes especially in the last Episodes..he did start off as overacting but I loved how he improved towards the end...it was indeed a development.
I must say I also enjoyed...the heart warming relationship between Gao weiguang and Ouyang Nana's characters Shen and Milan...it was heartwarming and beautiful despite them having subtle interactions.....I really yearned to see more of them.
This drama was visually appealing...the costume designs the cinematography everything was shot so beautifully....it was appeasing to the eyes.
The osts and soundtracks were amazing too.
Now which brings me to the part I kind of didn't like but also sort of understood..THE ENDING Iam still collecting my self to describe exactly what I feel about the ending..it felt a bit quick abrupt rushed....it would have sunk in more had it been a little longer...let's just say it definetly broke my heart but the series overall minus those last few minutes of EP 24 was amazing.
Do I recommend it ?
YES skip the last episode if you can't take a heartbreaking ending but watch the rest of the drams the only difference is that you might get too attached and connected as I was which would lead to a heartbreak.
All in all this is one of the best dramas this year!!! For me so I give it a 10 consider it an emotional rating because even if it wasn't the most perfect drama I was still entertained so much to give it anything less than that.....so enjoy!!! It's a nice drama.
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1. ZERO, let me say again ZERO, nada, nil, bupkiss, makjang. Twenty episodes with plenty of grim but no nonsense. The absence of time skips, noble idiocy, zombie spouses etc was so bizarre for a K Drama that its very sanity almost seemed makjang. It was the primary example of
2. The revolutionary idea that viewers might be intelligent adults, and treating them accordingly. Characters who behaved credibly, and stayed in character. When noble idiocy loomed, it was called out as BS, which it always is. Shite happens and the bad guys DO get away with it, but life can go on and happiness can still be found.
3. The music. Really intelligent and well thought out choices, from the best ever use of Mickey and Barbie Girl to the song that ALWAYS makes me think of Dan Aykroyd and John Belushi behind chicken wire - Stand By Your Man The music was note perfect and the use of so many English language songs really helped this old man feel the nostalgia feels.
4. The acting. Unlike many, I HATE Pasta to the the core of my soul with a loathing that will burn forever. It was the very first K Drama I ever dropped and I still resent it bitterly for wasting 9 hours of my life that felt like 9 weeks. I could rant about everything I dislike about that Drama for nearly as long as I could laud this one to the skies, which is what makes it relevant here. LSK's performance in this Drama showed that he's an actor, and becomes his character. From partway through Episode 2 I did not even think of him as the loathsome tyrant of Pasta once. A great performance as a real human being. I know that it was the same creative team too, which makes the credibility and humanity of the characters all the more remarkable to me. Oh Jung Se was as reliably awesome as ever, adding one more big black mark to the record of those criminals who wasted his talents in MHIYD
This is also the third Drama in a row where I watched an actress for the first time whose previous works had been panned but who delivered in style.Go Ara, Yoona and now Lee Yeon Hee had all been lambasted as pretty faces who can't act, but all three for me delivered solid performances worthy of commendation. I absolutely loved LYH's delivery of the "You're Mine, and I'm mine" lines, perfectly encapsulating the character she so ably brought to life. And of course, very much unlike Yoona, LYH got a good ...
5. Ending. Perhaps the most remarkable feat of this Drama was its conclusion. It took real courage to end the pageant when they did, but then to give a masterclass in how to wind down a Drama was equally remarkable. In her recap of Episode 18, koala talked about the K Drama fixation with the drama lasting until the last couple of minutes then a quick happy ending as the credits roll. Or a handshake and a smile, which in some parallel Universe apparently counts as a "happy ever after" ending. The alternative to this "cry, hurt, pain, anguish, separation - kiss,smile, fade-out" style is normally a soggy, pointless pile of sap that looks and feels like the fan service it almost invariably is. But here, even when the BIG drama was done and dusted, there were enough smaller dramas to make it feel like a real, ongoing story, even while it wound down toward a truly satisfying happy ending.
At times I reveal a tendency to be a bit hyperbolic in my reactions to negative characters. It's a tribute to the brilliance of the 3-4 episode wind down of this Drama that by the end, all that bile was gone, and I was OK with the two villains getting away with it, actually getting off scot free. Because the Drama eased off gradually and showed the OTP being so perfectly perfect for each other while still being believable human beings, I wasn't left ranting "you call THAT a happy ending, why aren't those two snakes being skinned alive and boiled in oil?" Instead I was (quite literally) smiling and clapping with delight at the ways the Drama surprised me.
I am so indebted to the soompi friend for never missing an opportunity to sing this Drama's praises, and completely understand why he referred to it as the new Gold Standard of K Drama writings. It quite unarguably is, and that is itself a real problem. Even though my tally of 60-something Dramas watched means I'm still a beginner, I'd already got used to lowering expectations and looking only for good characterisation and believable OTP chemistry in the Dramas I choose to watch. Now I feel like I've seen a glimpse of K Drama's own Asgard, where the Drama Gods sup on ambrosial shows we never get to see. The end of Episode twenty meant the beanstalk was hacked out from under me, and my brief ascension to the dizzying heights of this medium's potential was terminated, leaving only very happy memories and the sad conviction that "we will not see its like again" . Except, of course, when I watch all over again from the beginning, this time with my wife.
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Story/plot: -10- This drama had a cute, fun, and catch-worthy storyline! I absolutely loved how it was centered around swimming, mixed with life issues and dramas. I was intrigued from the very beginning to the very end, and although there were some parts that were dragged out, I couldn't really blame them; after all, they had to fill up 36-37 episodes... Even so, every episode hooked me in, and made me stay up late every night, telling myself "just one more episode" (even though we all know, that is never true :P). The ending is definitely NOT a downer! This ending was settled and it flowed smoothly and nicely.
Acting/cast: -10- LEMME TELL YOU! THIS CAST=PERFECTION! Xiong Dylan (Tang Yi Bai)+Tan Song Yun (Yun Duo)=so cute!!! They are the ULTIMATE couple and they were made to be the main leads. I squealed at their height difference every time, and their interactions on and off camera are also goals! Other than the main leads, I also loved how there were other cute couples around them like, for example, Huang Sheng Chi (Qu Rui Feng) and Wang Zi Xuan (Xiang Yang Yang). Not to mention, there were a lot of good lookin' guys in this drama! You need the right cast to carry out a good storyline and THIS CAST MADE EVERYTHING FANTASTIC!
Music: -10- This is my first drama where I truly payed attention and appreciated the song selection, and this is because the song selection for this drama is so memorable! Every song truly matched their placement during the moments throughout the drama. If anyone wants to take a sneak peak at a song example, here is my favorite, "Crossing the Pacific", which could be found here: https://www.youtube.com/watch?v=NY65i3DP9WA
Rewatch value: -8- Although I gave many complements about this drama, my rewatch value would have to be an 8. This is because since there were a lot of surprising twists and turns, rewatching the whole drama from beginning to end wouldn't allow the full attention this drama truly deserves. I will, however, re-watch all the cute moments the characters had with one another and beware! there are A LOT of cute moments where I guarantee you will squeal when watching!
Overall: -9.5- Overall, this drama was a cute and refreshing one to watch for me. My only downer is probably the rewatch value, but I still advice this to everyone because of all the positive things I stated above, from the storyline to the music, this drama made everything fit well altogether.
Thank you to everyone who read this relatively long review, but I hope whoever is reading this to give "My Mr. Mermaid" a try, and I hope you enjoy it as much as I did! :)
Chào for Now!
Lily L.
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This review may contain spoilers
Started strong but went downhill towards the end, such a shame!
This show started really strong for me. I thoroughly enjoyed the sweet chemistry between the leads. How I see it, I don’t see a sizzling chemistry between the leads, as you do for the second couple, however, they look good together and complement one another. The acting is also really great by both of the leads and I wish to see them in more works in the future.However, somewhere towards the middle, the show became a little drag. For a short series of 14 episodes with episodes not that long as well, I feel like it was unnecessary to include some of the tropes like a second male and female lead. It was not even executed well because it was so short that it felt like it was included just for the sake of having that drama instead of actually getting something out of it. Similarly, there were a lot of things happening without any context. Really poor writing and direction towards the middle which made me question if the writer has changed. They’re getting married out of nowhere and many other things happen like that which leave you questioning the entire plot and what exactly is happening.
For instance, Episode 13, though cute, was such a filler episode. No substance whatsoever. They're adding any random fight, argument, or misunderstanding now just to stretch it to 14 episodes. So many good subplots have been missed by their writing team like the business aspect (for the show focusing on her job so much at the start, that is barely covered anymore) or how they got married or even a better confession. As it is now, it starts feeling lame/repetitive/boring to me towards the second half. This was such a good plot, they definitely needed better scriptwriters.
The story in itself is quite simple, straight forward and sweet. I somewhat enjoyed it despite the lack of coordination because I enjoyed their scenes together quite a lot, so I kept my brain aside while watching. It’s an easy and fluffy romance that is a nice watch. Would recommend it for people who’re looking for some cute fluffy romance, no angst per se and no melodrama or toxic people per se (other than that one co-worker). Quite an easy watch (with too many plot holes).
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This review may contain spoilers
Had really high hopes for this drama. This drama is a gender bender which the female lead acts a male as a physican/doctors in hopes to find who killed her parents. Reasons why i didnt like the show as much
1) it took way too long for the male lead to figure out she was a female total eps 28 i think he found out more towards the last 10 eps
2) The storyline has potential but it developed in all kinds of different ways
3) after i have watched it still didnt figure out why the evil dude was evil ? like what relation did he have in the story ? he felt out of place , just inserted randonmly lol ( or maybe i missed it because I skipped some parts)
4)although she is a doctor she didnt not do much healing/ seeing patient
5) the story behind her family's death was also weakly developed
6) they ridiciously inserted the show's sponsor in the drama ( its a beauty mask sponsor... felt it really stretching it.
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I understand where this plot wants to go, and I even appreciated – to some extent - the never-ending shifts of most characters from one side to the other, when not somewhere in between. However, it gets a little surreal in the long run, to the point that the unpredictable becomes predictable: once you know nothing is as it seems, you're prepared to think the opposite of what they want you to think – hence seeing through the smoke curtain. Therefore, if it weren't for the heartthrobbing Paksa Adil and all the scenes he's in bar none, this drama would be a sequel of police actions going askew either because some corrupted high power butts in or because they are as incospicuous as a baobab tree in the desert. Not to mention the nth old, or fat, or old and fat villain sitting on some baroque chair and acting like a lunatic buddha ordering this or that killing. I need to confess: at times I yawned. And why do the powerful and corrupted always meet at Japanese restaurants? Does sashimi embody the "raw" quality of the Korean politics?
Unfortunately, there's no way to explain the faults of this plot without spoiling it. Suffice to know that I stopped watching it for the plot and just went for the way scenes were shot and acted. Now, if it were possible to rate direction and cinematography in particular, it would be a completely different story, since the drama is visually and technically impeccable. Attention to details, colouring and the use of light – or lack thereof - all are spot on and intensely evocative. I found many of the characters extremely interesting, constantly fluctuating between dark and shade – light is completely absent here – and the acting by Kim Yoo Mi and Choi Moo Sung impressed me no end. Kim Yoo Mi in particular gives life to an amazing character, extremely stubborn as a "boss" and wonderfully human as a woman. My liking of her character is all due to her acting, because, let's face it, the poor actress's actions consist mostly on moving from an armchair to a sofa with a glass of whisky in her beautifully manicured hand. It's therefore the subtle changes of her face that tell her story.
As for Jung Kyung Ho's, it'd deserve a review on its own, so mesmerizing it was. His character is the best written one: you can peel off layer after layer and there's still something to find. The actor's take of it, suavely ruthless and gracefully tormented, makes his Doc's Son into one of those unforgettable characters who are going to stay with you for a very long time. Without him, this drama would be nothing more than a morbid, blurred photograph of an improbable criminal world. His onscreen chemistry with Nam Gyu Ri and his "putative family" is palpable and great to watch, but then again, I think this actor would have great chemistry with a tree trunk, if needed.
On the opposite side of the spectrum there's Ji Hyeong Min, the super cop who got so much on my nerves I want to forget him with all my might. He goes from being as likable as an ingrown nail to suddenly grasping the situation to no avail whatsoever. Truth be told, the whole police force – the official one, that is – could have heavily contributed to the comic if this drama had a comic intention, which it doesn't. The level of corruption and the number of undercovers borders on ridicule.
The soundtrack is classy, powerful, always appropriate. In short, marvelous.
I am not going to rewatch this drama any time soon, if ever. Intense but frustrating, it is the kind of experience which leaves me with a bitter taste in my mouth, since the ultimate meaning of it seems to be that justice is a mere word, a utopia for philosophers and dreamers. I have no doubt this is so in real life too, but at least when dealing with the world of fiction, I'd rather be deceived.
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The Body-Swapping Trope Done Right…
The body-swap trope can often be a slippery slope for quality screenwriting in dramas .However whilst " The Day of Becoming You" doesn’t exactly stray far from its " body-swapping” predecessors as a concept, screenwriter Wang Xiong Cheng surprisingly uses the tiresome trope well in order to explore character growth and the relationship between the main leads .
Steven Zhang ( playing seemingly cold idol Jiang Yi) and Liang Jie ( playing bubbly entertainment reporter Yu Sheng Sheng) were brilliant as our main leads. The duo had dynamic chemistry onscreen throughout and were perfectly able to mimic the mannerisms of one another during the " body-swap” scenes. Respectfully whilst Vian Wang ( playing Sheng Sheng’s editor and best friend Tong Hua), Shen Po Qing ( playing Sheng Sheng’s close doctor friend and her second love interest) and Jiang Yi’s fellow band members of ” Little Galaxy” faded more into the background than the main leads, their performances were equally good.
On a more critical note ” The Day of Becoming You" isn’t entirely the more ” realistic" imagining of the ”body-swap” scenario either . The jobs of main leads respectfully as a journalist ( Liang Jie) and an idol ( Jiang Yi) were often taken for granted by inconsistent timing schedules or evident responsibilities with their jobs often dismissed easily. ( The irony not lost that Liang Jie trying to make up for loss time by working late at night could come in early the next day to work, looking fresh as a daisy without bags under her eyes.) However, these points are more nuanced and as the show only uses these settings really for exposition , they can be overlooked .
Arguably what made our main leads and their pairing refreshing was the gradual process of development . It would be easy to have established Liang Ji merely as the “ significant other” in the drama without exploring further interactions, however, the series provides surprisingly heartwarming insights into her character’s sentience by her familial life as well as her friendship with Tong Hua.
This was perfectly contrasted by Jiang Yi and his “ complicated" family scenario with his father Jiang Dong Ha ( Zhang Lei) and his estranged younger sister Jiang Mo ( Cong Shang).Admittedly whilst it wasn’t the focalised subject of the series, it would have been intriguing to have explored more about Jiang Yi and his father’s reconciliation, than some of the earlier trivial scenes dedicated to his " secret crush” on superstar and close friend Xu Shu Yi ( Zhao Yao Ke). ( Only really provided to add " angst” and an ” obstacle” to the main romantic pairing.)
However, the drama arguably did allow time for Jiang Yi to heal some of his emotional wounds through his gradual alliance to friendship to affectionate relationship with Shengsheng. There were times this relationship did feel a little disconcerted by the sudden reversal of Jiang Yi’s " feelings" for Jiang Yi being dismissed so readily. ( Although Shengsheng’s feelings for Doctor Shen were slightly more drawn out, they suffered a similar fate of being disregarded when the storyline called for it.) Importantly but the relationship between Jiang Yi and Shengsheng was healthily built upon learning to trust and rely on one another by being ( literally) in one another’s shoes. The ending certainly offered an unseen twist which will likely surprise viewers, however, nonetheless does help to tie-off the more far-fetched moments of the storyline.
So, is “ The Day of Becoming You” worth watching? Whilst the show offers a more sugarcoated version of the respected industries and romance, there is something which is undeniably well-written about the body-swap scenario in order to allow the characters to grow, a main pairing who gradually developed an an unforeseen ending which surprisingly works. Definitely worth a watch if you’re looking for something easygoing and fluffy but with good screenwriting and acting on top.
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Choice A or Choice B, live life without regrets
This is not your typical rom-com. The drama’s concept of “what if” is that the female lead is at a crossroad and has to choose between two paths. The drama shows us how these two choices play out at the same time in a parallel sort of way (think the USA movie Sliding Doors). In episode 3, the drama splits in two. Timeline 1, the female lead gets off the bus and stays at her small town with her loving boyfriend. Timeline 2, the female lead stays on the bus and moves to the big city for work. Both timelines are real.Note, this is a female centric drama so the whole story focuses on Zhong Chu Xi two characters. There are two male leads Liu Xue Yi (small town boyfriend) and Lin Yu Shen (boss in the big city) which I felt shared almost equal screen time.
“Live life without regrets” is the message of the drama that the writers executed perfectly. The best thing about this drama is that it doesn’t sugar coat anything. It shows us the realistic and very human side of life. Relationships are not perfect, they are messy, filled with miscommunication, confusion but also love and warmth. Life is not perfect either and we should cherish the happiness we have, even if sometimes it’s only a little bliss. No choice is wrong or right, we just have to take it all in and navigate through the ups and downs of life.
POSITIVE:
- Realistic story about flawed characters with relatable and real life issues.
- No sugar coating. The drama always keeps it real to make sure we remember that sometimes real life does not work like a cute rom-com.
- Unique plot with deeper meaning about life behind it.
- Real life problems. The drama shows us raw and flawed communication between people that might not be considered healthy but it’s very much authentic to real life.
- Cute romantic scenes.
- No fillers or side stories. Almost all scenes show the main lead’s story (the female lead and her two male leads).
- No cheating. Even though there are two male leads in the story, the female lead doesn’t cheat and there are no love triangles.
- Realistic portrayal of life's highs and lows.
- Blend between daily mundane life in a small time vs a lavishing lifestyle in the big city.
- A mix of very sad and very heartwarming moments.
NEGATIVE:
- Melodrama vibe. The characters were constantly going through many challenges which made the drama very stressful to watch at times.
- Third party vibes. There is no cheating and no love triangles however the female lead does end up dating another man in one of the timelines so for some people that might be difficult to watch.
- Transitions between the two timelines are not always clear and sometimes it takes a few moments to realise we are watching the other timeline. You really have to pay close attention to not confuse the two timelines. It would have been better if the two timelines were more distinguishable, whether with different colours or the female lead’s appearance.
- Female lead being the scapegoat. The writers wanted to create more engaging drama for the viewers but at the cost of their female lead. Unfortunately, a lot of the times I felt all the problems and conflicts steamed from the female lead.
- Happy ending for both timelines however it also felt a bit open. I wish the drama showed us a few years into the future in each of the timelines.
OVERALL:
If you want a melodrama vibe, with a realistic story about flawed characters and the raw portrayal of messy relationships, watch this drama.
FAVOURITE QUOTES:
“We should cherish the happiness we have, even if it’s a little bliss”
“Whatever road you may choose, you may regret. But once you decide, you have to go on. It will end well”
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"Wanting to be someone else is a waste of the person you are."
Sure, people can change themselves and their life, and it's good when you are trying to better yourself and prosper. But when you want to change yourself just to surpass the standards of certain someone, you end up loosing yourself, which is immensely evident.REFLECTION OF YOU is a story of such desires and the constant urge of vengeance from someone who had pushed you off the cliff just when you were about to embrace your dreams. This is a story about two women: one who despite of her achievements, couldn't help herself in making choices and another who after loosing herself has become revengeful; both, thereby creating unavoidable consequences, that somehow drags their families into the mess. This is a story of love, desires, betrayal and revenge, as the synopsis states.
"Reflection of You (2021)" is the live action adaptation of the novel "Someone Who Looks Like You (너를 닮은 사람)", originally written by Jung So Hyeon (정수현)
Director Im Hyun Wook has done a very good job here, even as a newcomer with lesser experience; I am sure his work in his previous drama of similar genre, has helped him a lot. Yoo Bo Ra jakka-nim is a known and acclaimed face in the industry and she must be applauded for the stupendous plot development in this drama that carries several peaks and keeps the same intense throughout the series. Her method of storytelling as well as the monologue narrations and dialogue writing are all praiseworthy indeed.
Jung Hee Joo is a famous artists and essayist, married to a rich family. He got a loving husband and 2 adorable children: a highschool daughter and a 5yo son. She loves her family to the extent she can do anything for them and has to manage it along her artist life that she has built-up through passion. Gu Hae Won is a failed artist who has lost her path to happiness and changed from a happy-go-lucky girl to a revengeful woman. Both of them share a past that has ruinned themselves to different levels. The story shows their encounter after years, which involves the unveiling of the past events that has dragged them to hell and they try to bring down each other by any means. This major plot invoves many other characters involved with their individual lives and some sub-plots that is related to the main storyline, more or less.
What I loved about the production is that the script of the drama never ran out of substances. Whenever you feel like it might become boring and context-less, leading to subsequent exaggeration, the writer comes up with another enraging scenario which serves as a side dish. First episode successfully establishes an intriguing impression upon the audience, creating plentitude curiosity. In my case, I was mesmerized from ep1 to ep6 so much on my first day of watching that my anticipations was raised high. The way everything about their pasts got revealed within those episodes just so the viewers can draw the entire picture on their own, bothered me a lot as to what else they got to offer next. But I'm happy didn't go blank at all till the end. There's in fact no episode that didn't see development or was boring. The last 4 episodes become very intense, typical makjang vibes, that is frustrating and anger inducing like usual.
Jung Hee Joo (Go Hyun Jung) doesn't lack anything other than constant love and loneliness has grasped her.. She has seen the harshest of days but to her fortune, she falls in love with Ahn Hyun Sung (Choi Won Young), who always wants to remain flawless. Her family comes first to her and she's become very strong over years, despite which she's indecisive and can be easily manipulated that lands her in pickles many a times. Gu Hae Won (Shin Hyun Been) is a budding artist and was Hee Joo's teacher years back. She was a easygoing girl back then but situation and time has made her rude, arrogant, resentful and crazy for vengeance. She can now go to any extent to get her job done. She is married to Seo Woo Jae (Kim Jae Young), another aspiring sculpture artist who doesn't have any control over his feelings and can be reckless to get what he wants.
Other minor characters are Kim Bo Yun as Park Young Sun (Hee Joo's MIL), Kim Ho Jung as Lee Jung Eun (Hwain Museum Director), Kim Sang Ho as Yoon Sang Ho (Pub owner), Hong Seo Joon as Lee Hyung Ki (Min Seo's husband), Park Sung Yun as Lee Dong Mi (Hee Joo's friend), Seo Jung Yun as Goo Jung Yun (Hae Won's mother) and Shin Hye Ji as Lee Joo Young (Lisa's friend) , who are more or less good actors with experience.
Being a mystery-revenge thriller with makjang elements, this drama comprises of many important factors of reality. Loneliness being one of them, has won over almost everyone's mental health for which they choose to keep everything to themselves and be submerged within illusion. The worst part of it is not the pain inflicted by sad memories, rather the loneliness of it. Second being revenge, is a means to intrigue the viewers in here; they say, the best revenge is to unlike them who has caused the injury. But do people really believe in that? No! We are mostly who choose to avenge through damage, even so it is caused upon us. Obsession being another factor, proves once again that it in itself is a way of ruined beings to destroy themselves further. Of all human weaknesses, obsession is the most dangerous and the silliest. Also, lying being considered the worst habit of human beings, is something that can't be fixed. But we must remember, our lies catch up to us someday, somehow. Jealousy too is a factor that immensely dominate the story. The inner consciousness of one's own inferiority is something that can eat us out completely. Domestic violence, disturbances in marriage, parental love as well as negligence, bullying culture in highschool, greed, hate speech, extra-marital affairs, cheating, competition, insecurity, possessiveness, mistrust, etc are also a part of the drama.
I was worried the writer and director might forget about the few side plots that was incorporated into the major plot via the minor characters like Ahn Lisa (Hee Joo's daughter) played by Kim Soo An, Jung Seon-u (Hee Joo's brother) played by Shin Dong Wook and Ahn Min Seo (Hee Joo's SIL) played by Jang Hye Jin. Since there were long gaps before they brought forward the consequences of those scenarios, I was uncertain about them not turning into plotholes, but thankfully!
This has a set if good OSTs. My most favourite is "The Moment" by Lim Kim which is an English song that reminisces past and resonates the consequences with a sense of guilt and regret. The harmony in the track is very soothing, indeed. "Moving Away" by Savina & Drones is a lowbeat, despondent track with immense vocal works. "I Am Lost" by Lee Seung Yoon is a melancholic song about heartbreaks whose high note rhythms are enough to melt your soul. "Knocking On" by Jannet Suhh and "Midnight Sun" by Kim Kyung Hee are the other 2 tracks.
The sound production is also well done. The background scores and the OSTs have been utilized appropriately and were able to keep up the thriller plus makjang vibes throughout.
Knowing own-self is the beginning of all wisdom and can prove a great teacher. But the attempt to imitate someone else's reflection will only bring you misery and land in a horrendous & repulsive situation. What matters is the timely realization and withdrawal, followed by self-reflection and learning.
The finale week had the most dramatic consequences. 15th episode in fact laid a foundation for a superb finale episode but to my disappointment, that seemingly amazing seqence actually got wasted somehow; the peak at the end of ep15 somehow calmed down as soon as within 30 minutes of the 16th ep and the resr 1 hour of it was heading down some unknwon path. I don't wanna comment on it firmly bcs I am uncertain about the writer's intention, nor have I read the original work to be aware of it. But let me simply put it, that it might have another season, otherwise, we'll have to move on from it, considering that the drama got some plotholes. The ending sequences in the last 15 minutes have left me all confused and I have got at least 5 questions, which can be answered with another season only.
Its not new for Kdramas to have unsorted endings just to leave the audience to interprete and assume by their own but ai believe that's not the case here at all. I would have been happier if they had wrapped up the entire story within one season bcs I don't honestly see a potentially amazing drama out its 2nd part. Sure, this one is good but adding more to it will somehow feel like an unnecessary exaggeration, I think. Hoping to listen from the makers soon, I mean they should be clarifying about their intentions by now.
Overally, this is very good, if not something unique or groundbreaking but surely has different kind of moods and I thoroughly enjoyed the entire thing. It's more of a combination of mystery thriller and makjang, and not the typical frustrating makjang kinda drama. The last 6 episodes have the actual intense makjang stuffs, which might not be that sensitive. But anyways, enjoying this depends on your expectations and taste in makjang drama. For example, I am not a fan of intense makjangs so this mild dose was honestly good for me. It has it's own flaws of drawing plots and characters at few points but it's definitely worth the one time watch.
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