Editorials 
A sensitive and emotional journey.
Yes, my rating may be high, but I don’t think undeservedly so.It’s hard to know where to start for this review, the film’s cinematography is stunning, attention to detail is just-so, while the characters are realistic and truly embodied by their actors. The soundtrack matched perfectly the events onscreen. When I left the cinema, walking home quietly at night, life felt beautiful. That is the feeling this film left me with.
I also loved the creative decisions made in storytelling, which added major depth and impact to scenes that may have stood out less otherwise. I love the film in a quiet and reflective sense; it doesn’t rush to throw so many things at the viewer at once (with the possible exception of subtitles, being a bilingual film). In that sense the film is much like a journey you go on together with the leads.
The attention to detail with language was not lost on me, as the characters knew each other longer, their language abilities noticeably grew and improved, which may seem small but is of major importance.
I have, at most, one critique for the film; which would relate to it being a bit cliché with one element, but this didn’t take away from my viewing experience, nor that of the friend next to me who didn’t notice it.
If you can watch this in cinemas I absolutely recommend doing so; albeit if you aren’t relatively fluent and literate in Mandarin or Japanese, it may be linguistically tricky. If you’re looking at this sometime in the future and debating if it’s worth your time, please give it a go!
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The acting is more than good with great chemistry from the whole cast...
The music was OK fitting but not much to make me excited...
I'll sure watch this when I need some laughs mixed with lots of cuteness :D
I loved this drama...I know the plot was simple but that gives it more points for me...no stupid drama staffed in the plot & unjustified misunderstandings...
They broke up & get back together in 2 min.s...because they love each other...
This is how characters should be...there wasn't any annoying characters & amazing finale...this how a drama should be...relaxing & yet not boring at all...
I had a good time & I couldn't get mad at my couple because together they were so good.
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May scratch your guilty-pleasure itch for trope-filled, angsty dog's blood drama
Okay, let's first be very clear, the ML is a serious, problematic P.o.S. for the first half dozen episodes or so, and their "explanation" (that he is bi-polar and was "cured"?) is just as problematic. This is a terrible portrayal of mental illness and using it as a throw-away story-telling device (it doesn't really get mentioned again for the rest of the drama) does such a huge disservice to an important issue. (C-dramas in general have a long way to go still when it comes to attitudes towards mental illness -- even in serious, high brow, well-scripted costume dramas, it's still common to see the villain "go crazy" at the end.)This is otherwise, your classic, trope-filled, angsty dog's blood low-budget soap; this should be very obvious from the get-go. So if you are looking for a high-quality modern romance grounded in reality, you can safely skip this with zero regrets. But if you're looking for a relatively short melodrama fix (20 episodes, 30 minutes each) with low expectations, this might satisfy that guilty-pleasure itch -- you have tortured break-ups, revenge, family drama, backstabbing, people who do terrible things for unrequited love, disapproving in-laws, an ML who really suffers and is put through the wringer when the FL finally leaves him, and an ML who changes for the better and is willing to give up everything for the FL. The only trope missing, as commenters joked, are twins. Don't expect a well-crafted script that offers character development that makes sense -- this is low-budget dramaland at its soapiest, so leave the over-thinking and expectations at the door, make a lot of assumptions, and fill in the blanks yourself. Do all that and you might find yourself not minding this ridiculous ride! And to be perfectly fair, when it comes to plot holes and making sense, there are many, many worse offenders out there.
I watched this primarily because I was curious to see He Riuxian as the FL -- she was stunning in Warm on a Cold Night and her character was pretty kick-ass from what I remember. I also liked Luo Zheng in some of his earlier supporting roles, and -- as my bio notes -- I'm a sucker for angsty journeys that end in happily-ever-afters.
A few good things I wanted to highlight:
-- Asian dramas love their over-the-top public proposals, or proposals that generally put a lot of pressure on the women to say "yes" out of obligation and guilt. So I was pleasantly surprised by a scene that calls out these types of proposals.
-- Modern C-dramas seem to love making their FL's look frumpy -- high-waisted jeans, boxy, unflattering blazers, ugly shirts, bad hairstyles, you name it -- one has to wonder, do the stylists hate them? Here, He Riuxian's character has pretty great style and clothes -- a genuinely rare sight in my viewing experience!
-- The mothers are hilarious near the end. The ML's mom starts off as your typical rich wife/disapproving mother. (It takes a very long time, but she ultimately just wants to see her son happy and comes to accept the FL, recognizing her kindness and formidable strength.) Her encounter with the equally disapproving FL's mother was fairly amusing, but the scene that had me cackling out loud may be when the ML sneaks into the FL's bed to snuggle .... only to stare right into the glaring eyes of the FL's mother, lol. Priceless.
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Too Short but Enjoyable - Cover Poster doesn't match the drama
Completed - 8/18/2022When I saw the cover poster of this drama and read the synopsis, I was expecting a mature and sexy show with a focus on our female lead's romance and career change. After watching this, I feel like I got cheated. This is a simple, fun and light watch which focuses not only on our female lead's career but actually her personal growth. I am not saying this is a bad drama, but it's not what I expected.
Umi is an overworked employee at a TV talk show. We follow her journey of switching careers, finding love and especially finding herself. Although romance is a part of the drama, it is not the main focus. This is a story about Umi. I enjoy getting to know Umi and following her journey. I appreciate that she's not the typical, quiet, naive female lead. In fact, she is a ball of energy and not afraid to go all out to get the work done. It is quite refreshing in a way. She's easy to root for, though she could be quite loud especially when she was screaming/screeching when snowboarding. Actually, there are many loud women in this drama, though none of them is annoying. Everyone is sweet and supportive of each other. It's quite nice to see that.
I like the three main male characters in this drama. This is my first time watching Honda Kyoya. He is quite cute, though he does look young. His acting is OK. It's nice to see Shirashu Jin as President Keisuke. I love him in "I Don't Love You Yet". It's also great to see a different side of Izuka Kenta as the weird and funny Satoru. He's no longer the innocent college student in the "Pornographer" or the cool hotshot in "Rinko Wants to Try". I quite enjoy the friendship between Jin and Kenta, and isn't it interesting that they both were in a BL drama before?
One thing I really like about this drama is the use of silence. There are many significant moments in the drama where there's no background music. The drama lets the actors and their dialogs take center stage, and does not use music to manipulate viewers' emotions. Viewers can really feel the emotions happening on the screen.
My main criticism would be the length and pacing of the drama. I wish the drama is longer. "Animals" is trying to cover our female lead's career change, romance and personal growth, all in less than 8 hours. I would have loved to see her slowly transitioning to her new job. She seems to fit in too easily and transition from a novice on makeup to someone who seems to be an expert within an episode or two. I want to see the romance develop more and have more scenes between Umi and Kazao. We see their cute bickering (which I like), but I want some more romantic scenes to see how they realize their feelings for each other. The romance lover in me is not quite satisfied.
I also realize I know nothing about Japanese fashion. I find most of the outfits that FL and her sister tried on for the interview and date are really ugly. LOL. Of course, this is just me. I am someone who wears just a T-shirt and jeans.😆
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This review may contain spoilers
This series does not work...
I have hopes for all JBLs, but this one was a big disappointment. I don't care if the actors are straight, bi, gay, pan or whatever, but if you have intense material, you have to make sure they deliver. They did not. There are only dead-fish kisses, the nc-scenes are between akward and ridiculous. I doubt there was one queer person on the set. And of course they did have neither a workshop nor an intimacy coordinator.We are lucky to have a direct comparision with "Fake Fact Lips". When actors really get into their roles, they can deliver even without any workshop. For sure "Fake Fact Lips" has the better script, the bigger budget but for sure also the much better actors. It does not mean that the actors in Fukami are bad, it's just they can't handle the intimacy this script and their roles require and so this series is a fail.
All good intensions, all good acting inbetween can't make up for the lack of intimacy and emotions. The story itself is not bad per se, everyone will easily understand it, but it should be a BL and there is no vibe of it at all. Of course 13 minute episodes do not help either to form a emotional connection, but this productions lacks even that. So for a japanese production this was utterly disappointing and you should not waste your time with it.
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180 Degree Longitude Passes Through Us
28 people found this review helpful
I am completely empty
This series was a blow to my emotions that I will never recover from. It's not just a depiction of a complicated story but a painful moment realization.Wang, who has been searching for the remnants of his father's memory his entire life is suddenly drawn to a house in the middle of nowhere. An oasis... a cave? a cage where the man holding the key to the mystery lies impatient.
An unstoppable force meets the immovable object. As a young man full of resolve and fire, crashes into a man that only knows fear and regret masked as prudence.
With a Strindberg-esque theater in it's core, this show brings blade-sharp monologues and dialogues with amazing rythm and ruthlessness. It plays into the inevitability of family and the unfortunate blooming of a love that grows like weeds in concrete.
The cinematography is beautiful, the use of lines and colors to depict meaning is raw and subtle at the same time. Its impossible to pinpoint the "good moments" because it's all so meticulously planned that everyone I tried to get a quote written down I ended up with a transcription of the entire scene.
It's not necessarily sad. I don't cry at "sad". It was just too much. The situation, the emotions, the dialogues are multidimensional and overwhelming.
Pond offered a gut wrenching performance that was always topped with a smile that passes through you.
F*ck, how this shit tore me apart.
If you do not find theater entertaining, if you like explicit, easy, quiet shows definitely skip this one. This is not your typical BL, for the ones coming towards it only because of that label. It is BL, but it became so much more.
This is not a "fun" ride. It's a story of a bird trying to convince another to leave the cage. The door is not locked, the air is much nicer up there... but how could you convince a bird with no wings to fly?
Id rather stay in the labyrinth than join Icarus in the sea.
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I liked it less than Season 1, but I still appreciated the new season!
I was literally in the middle of randomly rewatching season 1 of Yumi's cells when season 2 finally appeared! Yay!!! If you were a fan of season 1 then season 2 tries hard to recapture that magic and continue Yumi's story right from where the last episode ended. I was glad to see all of the old characters and cells return, but I will also confess that I am unapologetically team Wung, and was rooting for him more than Yumi at the end of season 1. I say that so that my bias is clear, although I will try to not let that cloud my review too much.I think the main issue I had with this season is that unlike season 1, which was a clear linear plot about the evolution of Yumi & Wung's love story, season 2 tries to possibly do too much. Yes, as you can see from the poster art, Yumi has a new main love interest, Yoo Babi from season 1. We do get to see their relationship turn romantic and get introduced to Babi's cute and festive cells, but a lot of time is also spent on Yumi's writing career, some new characters, and an appreciated update on Wung too. I didn't read the webtoon, so maybe they just tried to fit as much of the original content as they could into the story. Sadly, although Yumi's emotions and the storytelling overall is still super creative and often relatable, the actual plot starts to drag and get repetitive about halfway through. And although watching season 1 first makes the most sense, there are plenty of flashbacks for context just in case you skip to this season for Park Jin Young as the male lead.
He may not have been the ship I wanted to sail but he is cute, so I understand.
Speaking of Park Jin Young as Babi, I do think he played his role pretty well, but once Babi became the center of the story he also became super boring. He and Kim Go Eun do have some cute chemistry moments in the first episodes but there are also quite a few cringy-trying-too-hard-cute moments too. Their cells often have to save the day to keep the story fun, or make their fights much more engaging. Watching Yumi become super jealous and distrustful on loop was already annoying in season 1, but Babi always being even-keeled with the same bland smile or sad expression just made it worse. If you are a Park Jin Young fan I'm sure he will be sufficiently cute for you to enjoy but compared to the chemistry in season1 I was kinda disappointed. Side couples were often much more interesting than the leads were. Wung's character having a decent amount of guest star screen time helped a lot too, but he always wore a shirt this time : ( #imissedhisabs
The rest of the cast were the same quirky characters I liked in the first season with some good new editions. My favorite of the new characters hands down was illustrator Control Z. ("Zeeeeeeee" lol ). He was another character that saved me from wanting to drop the tedious love story parts. I was hoping Da Eun would be as involved in the story as Sae Yi was, but I feel like she was underutilized. I think because of the self-centered nature of the Yumi character some great performances are more like guest appearances than the feel of an ensemble cast. There were some literal good guest star moments too. Park Jin Joo's cameo was really funny.
And all of the voice actors were amazing once again! I truly missed their antics!
Another plot issue was, as inspiring as Yumi's writing pursuit was, without the cell's POV, that was boring to watch as well, and definitely started to feel like filler in the last episodes.
Kim Go Eun as Yumi grew on me too and had a little more life in her performance this time. Or maybe that's just compared to boring Babi. Bland Babi's character was never allowed to evolve much past pursuing Yumi. Or was the lined black and white version of Babi also a metaphor for his lack of a personality? Apparently, in the original story he's the fan favorite, but I had a hard time seeing his appeal in the show. Their relationship was shady from the start, which was also pretty hard for me to look past after liking Wung so much!
Would I watch this again? Sure. I would definitely skip past a lot of scenes but the same charm of the cells and getting frustrated at Yumi makes even this messy plot still fun to watch. The Cells are everything, and along with favorites (like naughty) they really got creative with some of these new cells... like the hilarious "hand"!
And yes, I still love the OST and the new song editions. I was very glad to hear certain songs again.
Overall, it's super hard to recapture the energy of a successful first season, which the writer even blatantly has Yumi stressed over during the show's last episode (very meta). What Yumi's Cells 2 does well is stick to what worked in season 1 without trying to repeat it exactly. I still never cried, but I LOLed often. It's still the perfect length to binge and re-binge, even if the story drags at times. I got some character updates that I needed. I still wished for more growth from Yumi, but through her chasing her dream I saw some. I was also satisfied with everything ending as it did, and how they implied what was next in Yumi's love life without me needing to see it all played out, but if they do decide to actually go for a season 3, count me in... again!
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"I just need to balance myself once, and I'll be safe forever"
This film shattered me in ways I cannot describe.Absolutely breathtaking in every way and suffocatingly lovely with excellent cinematography, colours, script, and acting.
The English title of this film is linked to the novel of the same name that refers to the structure of the story. It tells the parallel time and space that the man encounters many years later (2020, autumn: daegu, seoul, and busan) and brings him many references and dialogues to stimulate his inner reflection, especially in every parallel time and space will be interspersed with the memories of the mother on the sickbed or the only friend he was in love in the past, but no matter what, the movie buries the most secrets or the big event between him and his first love, which caused the two to go their separate ways and meet again. Even decades later, this also caused the man to suffer from the mental torture of the incident and the repressed personality shaping in these decades.
What remains unchanged is the fact that his mother passed away and his sister suffered from cancer. He learned to accept the pain he must go through. The constant possibility and modified memory are intertwined together, bringing rich and unique meaning of the same nature, when pointing and is linked to the latest meeting from the last parting between the two, the man will finally take that step, rush to the person he loves, and go with him no matter what. He didn't want to hold back any more, that "see you tomorrow" was a long, long time.
A must watch for it tells us that you can just embrace the one you love, tap your nose with your fingertips, turn your wrist around and make a gesture of praise, even if all the stories end in the same way, the one you love will exist in every universe.
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Fumo Chitai is an unusual Japanese drama (19 episodes length) but I believe that goes back to the fact that this was made to celebrate Fuji TV’s 50 years’ anniversary. Whatever the reason was, this drama was pretty well-made. This drama tells the story of man who was a leader tactician for the Japanese Imperial army during World War II but when Japan surrendered, he was considered a war criminal and had to go through a hellish trouble to go back to his country. After war, when Japan was devastated by loss and had to find a way to survive, Iki Tadashi has to live a life where he can use his brilliant mind to set the future of his country. He practically exchanged military war with economic war.
Of course, the journey isn’t easy at all and Iki has to face many ordeals to accomplish good deeds for his society. Moreover, he was confronted by greedy politicians, influential figures, people with tricky minds and others who use unethical methods while he had to keep his principles and beliefs to achieve greater good.
The reason why I became surer about my tendencies to Business dramas through Fumo Chitai is the screenwriting, there’s more wittiness in business dramas’ scripts. The screenwriter has to be very capable to keep the thrills and make the audience always interested in what will happen next using the complicated business theme. This drama’s screenwriter was pretty successful at keeping the drama captivating from the beginning until the very last end. He used “arcs” where the main character had to overcome an issue and straightly move to the next one. Certainly, all of the arcs were business themed like the defense ministry’s plane choice, the automobiles contracts, oil exploiting and so on. Without any exception, all the arcs of this drama were stimulating and fun to follow.
However, the reason that forbids me from giving the storyline and the drama a perfect score is the romantic part. It annoyed me and I am not saying that because of my general dislike for the genre but it was unbalanced. I know that a serious heavy drama like this needs a light side to it but that wasn’t cool at all, I am sure if they just focused on the family part then everything would’ve been great.
The acting was absorbing, I know Karasawa Toshiaki from a very long time ago but this is practically the first time that I considered him a high-class actor. I only thought that he was a good actor before but his performance here just engraved his skills in my mind. He was also accompanied by other amazing actors that made the acting department feel so high.
The characters were pretty well written for a business drama and their interactions were also appreciated. And let’s not forget that many foreign characters took part in this drama. However, the only spot-light character during the whole drama was without doubt Iki Tadashi, one heck of a smart male lead who always knows how to get out of troubles and bring profits for his society, company and colleagues. He’s simply a splendid man.
The drama was set from 1945-1970 or so. Thus, you can expect time jumps and somewhat old visuals to fit the drama’s setting.
Watch if:
-You like business dramas.
-You like intense twisty dramas.
-You like brilliantly intelligent main characters.
Do not watch if:
-You dislike business dramas. Seriously this is the perfect definition of how a business drama should be like.
-You’re looking for something fluffy or light.
Fumo Chitai is a glorious story of a man who reformed himself from dust in order to build his country while protecting his noble beliefs. It’s absolutely recommendable for the fans of intense, heavy and entertaining productions.
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This review may contain spoilers
Slow steps with questionable pacing and timeline. Also, let me just add I love Chot.
It's started off great but it fell flat towards the end. From time to time the plot and the timeline feels off and hard to progress. The plot is not consistent at all. Sometimes it's good and sometimes it feels like it's all over the place and honestly I can't quite grasp the time skip. I don't even know what the screenplay writers were thinking like where is the whole in between story, especially of Jaab and Jen??Also Pat and Jeng, they both have one hell of a chemistry but their storyline is seriously slow, like it can not even be called a slow burn. It leaps from 0 to 1000 and then the next moment they are back to 0. What I am trying to say is the pacing is a mess. This series could have turned out to be so much better. It had so much potential but it couldn't live up to it.However, hear me out, it's not the best but not the worst either; it's worth a try, especially the first half of the series.
The characters are lovable but then again sometimes a little annoying and even rash. Starting with Jeng, his character is most of the times calm, composed, reasonable, a little controlling and hands down his visuals. Also, it was kind of cute how he was so bothered about the manager performance appraisal review from Pat. And Pat is cute especially when he is drunk. He worries a lot and even messes things up but sooner or later he rectifies it too, of course after the damage is done though. Also, he cried a lot, more so, in the second half of the story and I wasn't quite a fan of it. I do get it that the writers wanted to portray him as a pure, upright and innocent person but he came off to be irritating at times. His actions were questionable and his reasonings didn't quite make sense.
The most disappointing part of the series for me was the story of Jaab and Jen. Damn!! Jaab and Jen , in the starting, the tension between them was so clearly evident. I was actually more interested in their story than the main couple's storyline even though I did love the main leads. I was manifesting them and somehow it worked. They ended up kissing and it left me in total awe - I was like 'WOW' but then at the same time 'What just happened?!' Right after that kiss, it just turned into ghosting and then out of nowhere there is Paint. Also, two years gap. Their story is officially a mess.
What I really really adore in this series is the bond between the two brothers: Jeng and Jaab, it's heartwarming. They bond and blend so well. They are effortlessly funny in the right amount and supportive too. Further, the friend circle of Pat is hilarious and also extremely supportive in whatever he does which is both good and bad but I love them especially Chot. Touchwood to the bond that Pat and Chot share.
Chot really is the MVP of this series. He is sassy, confident, funny in the right amount, a reliable friend, an understanding lover and a heart stealer. Also, the office plot in the starting is so on point from the part of not getting the credit for the work one has done to the gossiping colleagues and this kind of really riled me up.
The series is not the best but it's still worth a try.
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This review may contain spoilers
I have many thoughts about this drama. First the good: it is one of the most atmospheric and beautiful ones I've seen in a while, on par with the quality of Sword and Flower in its cinematic-like portrayal. The framework of certain scenes was just breathtaking. (Changing the aspect ratio at the end as well — just… outstanding). Also, it was very good at building up historical events, like the heart-wrenching fight of the Joseon people, the dread of being colonized by Japan, etc. The latter especially, every time a scene was characterizing that, the camera work paired with the ominous music portrayed the doom-and-gloom perfectly, enough to send chills down your spine. Its action scenes were a work of art as well, with the fast-paced sword work and quickness of biting bullets. When the drama focused on action, it was a joy to watch. If this had been the majority of the drama, I would’ve given it a higher score for sure.Another praise I want to give the drama is its realistic sets and costumes. I loved the mix of traditional and modern clothes, the slow-yet-rapid advancement of technology, etc. It really felt like we were given a glimpse of living in those “turbulent times,” as Ae-shin says at the beginning.
Which leads me to second, the cons. The elements of this drama that made me not rush to watch it, that always had me on the verge of feeling utterly unabsorbed and frustrated at times. The pace is just too slow at times; there are one too many longing looks between the two leads and lingering goodbye scenes. While it could be argued that the pace of the drama matches its tone and atmosphere, that it builds slowly because it’s reflecting how historical events slowly build up with tension until they explode, there’s a balance that unfortunately was mostly not reached. It leaned too heavily into following the slow precession of the hour hand instead of the quick ticking of the second hand on a clock (throwback to Hui-Seong). Those slow scenes lost the tension that is essential for a drama like this. I was reluctantly uninterested in many character-to-character moments when those should’ve been the spine of the plot. Instead, it was the political backdrop and those types of events that held the story together rather than the original story-beats of the drama itself.
Finally, that leads me to the characters. I liked them overall, but I never fell in love with any of them. They had good character arcs (for the most part. Looking at you, Gu Dong-Mae, the man with a million lives) and the actors played them excellently, But there was just something missing, like a disconnect between the characters, their motivations, and the overall story. The characters felt more like an afterthought, a throwaway the director can rely on when they need the story to go forward, but couldn’t use a historical event yet, so they have the characters muse and muddle about in the same problems they’ve had since the beginning. I guess I felt like they weren’t fleshed out enough and didn’t feel like they were an essential enough part of the story, which seems weird because they are the main characters, and they’re /in/ every scene. They just didn’t feel… real enough? I don’t know. My favorites were Hina Kudo, Go Sa-Hong, and Kyle Moore. The other four were lost in their convoluted love-square and unrelenting, stubborn pursuit of a single passion, with the exception of Hui-Seong, who weaved in and out of the story seemingly uselessly until the very end. I liked his final resolution, at least.
I’ll leave it at that. Obviously I had a lot to say, so this drama is memorable in that way. I think it’s overall worth watching, but I would recommend it to people who are most plot-focused than character-driven, and even then to expect some meandering scenes. It was well-acted and brilliantly shot, and it does have many redeeming factors (those last three episodes even got a few tears out of me, which is rare). It’s a decent drama, it just has some outstanding flaws that unfortunately keep it from reaching its best potential.
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Loved the Taste Even Without the Long Beans
This show wont give you any bitter after taste. I fell inlove with the first episode, was consistent till the end!At first i was worried - there are so many cooking themed Thai BL shows that has disappointed me in the past - from "Bite Me" to "Baker Boys" to "Cooking Crush". For a country blessed with the richest treasure of cuisine, these shows ended up making me crave for more. So I am really glad to say that this show stands out among these titles.
The story also wasn't that unique, to be honest, and although it wasn't perfect, it is entertaining and adeptly executed. There are some plotholes here and there and there is very little character study but I liked how they showcased the food and I specially liked the competition angle of the show although we can see from a mile away that Plawan will definitely win it all.
For me Sailub as Oab and Garfield as JJ (are both delicacies cooked to prefection) were the anchors of this show. Pon as Plawan just like Benz as Metas were both annoying at the beginning - but as the series progressed their characters kind of grew on me to the point that I liked the four main leads equally. Some of the acting in the first episodes seems a bit overdone, but as you continue to watch it and get used to its flow then it became tolerable and to an extent enjoyable.
When Khaosuay appeared i initially thought they would fall into the trap of putting annoying girls (common to a lot of BLs) but Im glad that they didn t go in that direction and wrapped her story properly plus Belle is so gorgeoous you really just cant hate her. I would however say the most annoying character of the show was Kleua for being the pretentious sneaky villain of the show -they should have used a much stronger 3rd (or 4th if you count Khaosay) character in the Oab-Plawan love story because the matchup between Oab and Kleua just isnt equal enough and there's no way you'd believe Plawan would choose Kleua over Oab.
One thing I strongly hate in this is probably the very obvious product placements - yes, they were incorporated in the story but comeon a chef cooking instant noodles for his partner at a restaurant?
Did the series show enough to be unforgettable? Probably not, i would probably forget about its story after a few months. I dont even think it will win any awards anytime soon. Did I enjoy? Like i said, yes, immensely and its become one of the few things I look forward to every Friday. Will I recommend? Yes, very strongly and most definitely.
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1
1Can't judge a book by its cover.
Judge Dee is one of the most widely adapted and iconic ancient Chinese detective figures in popular culture. Di Renjie, or Judge Dee was a prominent Tang Dynasty official and twice chancellor to Empress Wu Tzetian. In the 19th century, Dutch sinologist and diplomat Robert Van Gulik translated an 18th century novel by an anonymous author Dí Gōng Àn/狄公案/Celebrated Cases of Judge Dee, into English. He went on to write numerous other Judge Dee mysteries, increasingly crafting Judge Dee in his own image. Van Gulik's books are regarded as a cultural bridge between East and West. They were devoured by the Chinese diaspora long before Tsui Hark fanned the flames with his wildly popular Detective Dee movies.Judge Dee's Mystery/大唐狄公案 loosely adapts nine cases from Van Gulik's novels for the small screen. This drama has notably high production values with lavish sets and costumes designed to create an immersive visual experience. The cases are well crafted with meticulous attention to detail and pay homage to Judge Dee's reputation as a people's hero; a champion of truth and justice for the common people. The cases highlight the discontent at some of Empress Wu's policies and shortcomings of the Tang Code, China's earliest legal code. Di Renjie gained many insights on the struggles and aspirations of the common citizens as magistrate of many important provinces across the empire. This shaped him into a great statesman and reformer in his later years; a chancellor often known to stand up to the formidable Empress.
This is the kind of drama that I should love - its my favorite genre featuring my favorite Chinese detective, set in my favorite Chinese dynasty and is helmed by a few of my favorite actors. The fight scenes are fantastic and the whole thing just looks gorgeous and bloody expensive. Which just goes to show you, you just can't judge a book by its cover. Because even though there are some really great moments, overall this drama just bored me silly.
The problem with the cases is that the four episode are too long when the villain is usually obvious from the beginning. There is not enough development of the suspects or the victims to make the audience care about the why-did-it. The audience also does not get to participate in the solution. Instead, the intricacies of the how-did-its are revealed as flashbacks in Judge Dee's mind's eye. The cases do get better in the latter half as they tie into Judge Dee's past and are shored up by the appearance of characters like Diao Xiaoguan (Zhang Ruoyun) and Lin Fan (Jiang Yi). Even then, the writing tends to tie the minute details together well while leaving big gaps on important things. Thus it is never fully explained what Diao Xiaoguan's motives were or what terrible thing the young scion of a noble household did that got him disowned and left to fend for himself.
The biggest issue with this drama is that Zhou Yiwei pretty much carries the entire crime-solving team by himself. None of the supporting characters are well designed and there is zero chemistry between Ma Rong, Qiao Tai and Judge Dee. This is made even more obvious when Deng Xiaoguan shows up and there is a tangible difference in the dynamics between everyone. Both of Dee's sidekicks appear and disappear inexplicably in the middle of a case as and when the plot requires. Ma Rong is written to be a comically obnoxious character but there is nothing funny about her obnoxiousness. This is the obvious the weak link in the cast and one that is utterly lacking in charisma that unfortunately gets too much airtime. Inasmuch as Zhou Yiwei and Wang Likun deliver a heart-stopping and mature portrayal of attraction and love at first sight, sadly Cao An is written to be a blank character; an elegant musician well past her youth clinging to a silly girlish fantasy over a highwayman (face palm). She only serves decorative purposes until the final case, where she finally gets to shine with her bravery and her foolishness.
In conclusion, this is a visually stunning production that stays true to its source material in terms of setting and thematic elements. However, despite some exciting and well choreographed action scenes, it fails to deliver truly captivating mysteries and is bogged down by lackluster supporting performances. While the cases in Strange Tales of Tang Dynasty (2022) are only a tad more tightly written, the humor and fantastic crime solving team dynamic elevates that series over this one. That said, Judge Dee's Mystery is not a terrible way to pass some time even though it ultimately falls short of making a lasting impression. I rate this Seasons 1 a 7.5/10.0. Season 2 has been filmed and should air by early 2025.
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lackluster worldbuilding and a disappointing ending (watch suggestions)
Overall: Feb 22nd 2025 update - after the special episode I bumped up to 6.5. I can't bump it up more because the special had even more completely nonsense worldbuilding. However, I'm happy we did get the special https://www.youtube.com/watch?v=rIcdgalcMUE&feature=youtu.beI gave this series a 7.5 up until the final episode where I dropped it to a 6. 6 episodes about 40 minutes long. Aired on YoYo English Channel https://www.youtube.com/playlist?list=PLTB73Ibi_X3FNNIaLL1ZThNGuT0l-fFOL (not available in Japan or South Korea); GagaOOLala https://www.gagaoolala.com/en/videos/5066/i-will-turn-back-this-time-2025 (not available in Japan, South Korea or Thailand) and Heavenly (I believe it's available in South Korea/language is Korean) https://heavenly.tv/en/detail/839
Content Warnings: past intimate partner abuse/violence, blood, fight, death (it's complicated), slap, homophobia, near suicide, punch
Watch Suggestions (to skip a ton of angst, moping, terrible parent, etc)
- watch episodes 1-3
- in episode 4 skip 12-21 and 22:15-38:30
- in episode 5 watch 29-31:45 (stop at 31:45, trust me on this)
- skip episode 6, there are some sweet flashbacks starting at 23 minutes but I didn't enjoy them knowing how it ended
- watch the special episode https://www.youtube.com/watch?v=rIcdgalcMUE&feature=youtu.be
What I Liked
- relationship progression felt realistic
- supportive friends
- sweet/caring moments
- production value
Room For Improvements
- the cliche running scene and what happened at the end of episode 1
- 2 sponge baths in episode 1 was one too many
- a character didn't have a reason not to reciprocate in episode 3 because the "warning" came much later in the episode
- stereotype of handsy effeminate man
- toilet humor
- cliche saw something, made assumption and didn't communicate (luckily it didn't last long)
- convenient/nonsense worldbuilding: the mysterious guy refused to answer the question but left vague threats, didn't clearly established if the 2nd time was a different situation/world with the parents
- depressing parental stuff
- cliche noble idiot when that was more painful than telling him the truth (which would sound a bit crazy but he could have tried to explain the situation)
- nonsense stuff: everyone was very trusting in episode 2, why wouldn't he spend the whole day with him at the end of episode 3
- terrible ending: especially because it's from China the sad ending where 1 guy will be sad his entire life and they will never end up together felt homophobic, even the final phrase "if we are destined to part, then what is the meaning of our meeting" made me think "if this series was destined to have a homophobic sad ending, what is the point of watching it"
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Sunshine truly worths the name with a mature and slow- burn romance.
🍁OVERVIEW OF PLOT:The plot tells the story of female director who divorced her husband at the age of 36 'cause he is a scumbag. A 26 year old boy fall for her at their very first meeting when they met 10 years back 'cause she is the director who filmed his father for public advertisement which increases his respect towards his father's profession and give him motivation to study arts and design to motivate and aware society toward the hard workers.
🍁PACE OF STORY AND CHEMISTRY:
The drama has a slow pace and falls in the category of slow burn romance with many sweet and hilarious moments at times and ends with a happy ending. It kept me hooked to it from the very first episode as I like slow- burn romance very much. There is not much skinship and chemistry between leads is average.
🍁ACTING AND CHARACTERS:
🌿Sheng Yang : He is a hardworking, sensible, talented, warm-hearted person and has a great sense of humour . He is good at communication and don't give up easily whether to pursue his love or to build his career on his own. Xiao Zhan did a great job in portraying Sheng Yang with his natural looking acting and amazing emotion delivery just even by his face expressions. This character shows a development from being a little immature to purely mature without losing his basic character traits I mentioned above.
🌿Jian Bing : She is a brave woman who has courage to divorce her husband in her middle age after being married for 10 years. Her father was also a scumbag like her husband and she witnessed her father's dirty deeds at the age of 12. She told her mother about that but not long after she never seen her mother happy again and witnessed her death. It gives her a trauma and she started to hate her father but hated and blamed herself more for telling all that to her mother and begun to think that all adults' relationship is like this, so it takes her many years to divorce her husband. She is also a warm-hearted person and knows how to deal with tough situations with calmness and intellect. She became a very professional director and started her own company with her husband and best friend, even after divorcing him she kept personal and professional life seperate and continued their cooperation in company. She is a strong character and not like clingy, naive and childish female leads in most C-dramas. Bai Bai He did a praiseworthy job in portraying this character with natural acting.
Other characters are also pretty good other than the hockey couple, they really get on my nerves and I skipped every time they were on the screen. I don't understand why they were in the drama, just useless and waste of screen time.
Sheng Yang's parents are very reasonable, understanding and hilarious characters. They showed all the real concerns about relationship and financial problems very well. Sheng Yang's friends also showed a growth in character especially Pan Rou. The thing I don't like in drama is that they portray her scumbag ex-husband and father in a funny way and toned down the seriousness of cheating in a relationship.
🍁OST AND COSTUMES:
OSTs are average not very good and costumes and makeup are decent.
🍁CONCLUSION:
This drama is very down to earth and shows the real challenges in a person's life when it comes to relationship or career with a touch of healthy humour. It doesn't show a fully fantasized world but promotes hardwork, better communication and intellectual decisions. When other dramas just show us the importance of better communication to avoid misunderstandings, this drama tells us how to do it. Purely a mature romance drama. The leads needs each other. For Sheng Yang, Jian Bing brought a ray of increased respect and a new way of thinking in his life and as for Jian Bing, Sheng Yang brought a new hope and happiness in her life after an unsuccessful marriage and childhood trauma.
I would definitely recommend this drama to give it a try although it may seems to be boring to many people but it relies on deep understanding.
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