After ep 14, it stopped making sense... and started making me uncomfortable.
After ep 14, it stopped making sense. The beginning half was funny and had a refreshing, lovable-without-being-cringe-y, clumsy, and amazingly BLUNT female lead, who was brave enough to do things that would only happen in a drama. It also had a no-nonsense, rational, and caring male lead, who reacted realistically! The female lead knew when she should cut her losses and own up to her schemes quickly. It was lovely to see certain conflicts resolved with such speed without repeat, but still have the male lead give her more opportunity to be around him the more he fell for her. They were a lovely combo that caused me to binge straight through to ep 14 (amazing tension) and made me anxiously wait for the next episodes. The ML wasn't your typical overbearing, unreasonable, cold ML...I loved his interactions with Ji Qiu. Around ep 14, I could even justify some of the ML's antics to provoke the FL, hoping that he would have a frank discussion with the FL in ep 15, but.... that never happened.I binged all the way from ep 15 to ep 24 with growing disappointment. After ep 15, a lot of the vehicles that drove the main romance were ignored, while a monster pile of other conflicts with new characters that were thrown in and resolved within minutes. There were a lot of unrealistic scenarios! While I'm glad for some quick conflict resolution, these new conflicts were unnecessary! The first half had plenty of other conflict that could be flushed out and resolved! While the two other pairings were cute and acceptable, how the drama went about creating one relationship (Si Qi's) and creating conflict in another (Ji Qiu's) was out of nowhere and hard to buy in. I would have loved to see more of a sisterhood between all of the ladies - sooo much potential there that the drama barely cracked the surface. FL's love rival had so much potential to be a supportive rival/sister and that was annoyingly destroyed. She barely had any screen time. I would loved to see the girls gang up on the ML for being a dork and putting the FL through (albeit brief) anguish. Qing Wu and Qi Nian's conflict should've been resolved earlier! That would have made Qing Wu's relationship more palatable, but also her commentary about her partner being legal to marry was so worrisome (smh!).
I love a fluffy cheesy romance and have seen my fair share, but in the latter half, moments got so trope-y (ML went into full overbearing CEO mode with some scenes) that my eyes rolled to the back of my head too many times to count (still squealed my fair share though for some scenes). First half, he was a solid balance of a hidden romantic, then went into full blown romantic, before going back into a repressed, controlling romantic for the last few episodes haha. He didn't ask her opinion for any major decisions involving the two of them, didn't express his feelings toward her properly, and admitted that he was a control freak. He wasn't before! He was a bit harsh to others, no-nonsense, warm to people close to him, and a workaholic before. He had this great storyline with his brother (Si Qi) that was resolved soooo beautifully, but then did a 180 with the female lead and said, "I'm going to be as controlling with you as I was with my brother even though that blew up in my face and I painfully and actively spent the last few years trying to make reparations (like wtf!). Female lead was basically a cheerful, straight-talking bunny, who somehow slinked into a submissive shadow in the latter half. When some of the "romantic" clips in the latter half were released, I actually couldn't watch them because they were that cringey/not romantic.
I was uncomfortable with some scenes with some side characters that skirted consent and harassment... but it's dramaland where these things are unfortunately normalized and utilized to brew conflict. I thought the drama had so much potential, so I'm left very disappointed. It started out being fresh and new and fell back to old C-drama antics and dramatics. The ending is pretty satisfying and cute though.
I loved the quality of the ML's acting until ep 14 (idk, his script was hard to deliver, so props to him) and loved the FL overall (she had plenty of cringe-y moments but was not annoying!) Xin xin (from Le Coup de Foudre <33) and Ji Qiu were played to perfection. I was impressed/moved by FL and Ji Qiu's crying scenes. Love the brothers' conflict and how it was resolved. Loved the grandpa. The FL's friends barely had screentime, but I liked their dynamic with her.
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Highly entertaining but also frustrating
Bossam: Steal the Fate managed to be one of those intensely polarizing dramas where many viewers laud the series as the greatest, most engaging thing ever to grace the small screen, while others condemn it as a terrible waste of time. This drama was able to achieve the highest viewership ratings (9.8%) of any drama in MBN history, and yet, if you read the reviews and comments on MDL, you will sense the opposite sentiment.As for me, I liked this well-written, intelligent and enlightening show that showed me another aspect of Korea's historical culture. Bossam was a custom in the Joseon period, in which a single man himself or through a hired hand kidnaps a widow by wrapping her up in a blanket at night and then makes her his wife. During those days, it was a way of getting remarried and an opportunity to get a new life for the widow who was obliged to live alone after her husband's death. Based on this custom, the drama unfolds the uncliched love story between the leading couple as they experience conflicts between social classes and families and survive being in the center of political struggles and turmoil.
Why highly entertaining?
From the get-go with the opening scene illustrations, I found this drama to be quite unique. It is a historical drama accompanied by non-traditional touches like the selection of eclectic songs and background music. The music producers deserved credit for being prolific and delivering quality tracks. The OST or BGM that underscored each scene was truly fitting and had elevated it to the next level for me.
Furthermore, the cinematography and directing were also a big part of the show's appeal, as one can tell that a lot of thought was put into each scene to evoke the necessary emotion and feeling. Every episode was nicely shot and expressed. Even details like how the hanbok skirt formed in a perfect circle surrounding a sinking woman was impactful. The settings and landscapes were lovely, like works of art. Visually, it was a treat to watch this show. The costumes and makeup also stood out for me because the show did not go for an idol drama feel with overdone makeup or glaringly obvious colors. The actors looked normal, good-looking nonetheless but refreshingly ordinary.
Acting-wise, I am impressed. I have heard of Jung Il Woo's ability but this is my first drama of his and I am blown away. He clearly has the experience and acting chops to pull off a complex character like Ba Woo, born from nobility but grew up a street rat. Shown initially as a rogue who was obviously a little damaged, it was also quickly apparent that our male lead, the heroic outlaw, was a good and generous person at heart. Jung Il Woo's micro-expressions were on point, and there was an underwater scene where he executed the scene perfectly by just his expression alone. His visuals are not my usual preference, but in this show, in that persona, Il Woo just exuded manly sexiness.
Shin Hyun Soo's character, Lee Dae Yeop, got a lot of hate for being the clingy second male lead who could not move on. However, I had a soft spot for Dae Yeop, especially after finding out his back story and romance with the Princess as well as his background. His actions may have seemed rash and selfish at first, but he never wavered from his desire to protect and ensure the happiness of the only one he loved. I had high hopes for his character development, and he did not fail me up to the finale. My heart ached for him a lot, and Shin Hyun Soo was brilliant in portraying this lost soul. With his eyes alone, Hyun Soo showed the hopelessness and defeat that Dae Yeop must have felt, trapped with no way out between his family, duty, love, and his own desires.
Kwon Yu Ri, however, is the show's biggest hidden gem. Her acting as Soo Kyung/Princess Hwa In, a demure, well-bred but humble Princess who was also passionate, brave, and intelligent, left a firm impression. Knowing that she is a Girls' Generation member, I was not prepared for her wonderful performance. In a way, this drama was also about how the Princess chose her own happiness by freeing herself from the societal rules and obligations, and Kwon Yu Ri portrayed this character's growth well. I appreciate the female empowerment theme featured in this show, like when Ba Woo constantly praised and respected Soo Kyung's intelligence and strength.
With the addition of seasoned actors like Shin Dong Mi, Song Sun Mi, Seo Beom Shik, Yoon Joo Man, Kim Tae Woo, Lee Jae Yong, and Lee Joon Hyuk, you have a cast that was able to deliver the story effectively. The child actor, Ko Dong Ha, who played Cha Dol, has potential as well.
I love that the characters were shades of gray. We had the antagonists who felt justified in their actions, people on both sides helping each other for justice and principles, and there were the protagonists who made bad decisions, said and did things they did not mean in the heat of the moment. The show scored points with dynamic characters who struggled with their actions, who were not always clear if they were doing the right thing or what the right thing even was.
To me, the show's strongest point is the way it executed the plot. I liked how the drama encouraged and engaged the viewers' imagination. It was my imagination that filled in and enriched what the show's visuals or soundtrack both concealed and alluded to at the same time. At least, I prefer to think that what was left out was not a mere lack but instead a conscious artistic act of intentional omission and suggestion. Coupled with somewhat predictable plot twists but, when revealed, were simply shocking in terms of magnitude and nature, the result was a story that kept me engaged from start to finish, with each episode leaving me eager for the next one.
Why frustrating?
Even though I appreciated the moments of omission and suggestion, the conspicuous use of them for the romance between Ba Woo and Soo Kyung left me wanting for more. The chemistry between those two was palpable, and I wanted to see more than hugs. Ideally, I would have preferred more tantalizing or passionate scenes, but if not those, then at least some other obvious display of affections that provide the anticipation and build-up that one usually seeks in a show with a romance tag. That said, I did find the scenes between the leads incredibly romantic, especially with the setting, music, and dialogue. There was a dignified and pure way about how their love for each other was shown, and I did believe that they truly loved each other. I also like the phrase they used for each other "saranghae yeon-mohada (연모하다)" which means to love and long for someone. Seeing them together left a good feeling and I was satisfied with how they ended.
With the romance underplayed during the second half, the show somewhat got derailed by the heavier focus on the palace and court politics. The villain, Lee Yi Cheom, constantly got on my nerves with his audacity and arrogance, but really, this was a good thing because it showed how terrific the writing was. I was glued to the screen, on the edge of my seat, wondering what was going to happen to the OTP and the other good guys. Had I not wanted more romance and pleasant "slice of life" episodes featuring the main couple, I would have appreciated the political shenanigans even more.
Overall
I would rewatch this drama since there were many nuances and subtlety that I may have missed the first time. I also enjoyed the story and characters enough to watch them another time, although I am unsure if I want to feel Dae Yeop's pain again.
I do recommend that you try this drama out and see for yourself. Thematically for me, Bossam: Steal the Fate is a show that encapsulates life in many aspects and topics. It touches upon self-identity and personal growth, love (romantic and familial), respect and loyalty (to self, family, country, and principles), politics, societal obligations and problems, the balance of power and inequality, friendship, and more.
Side note:
For posterity, I have enclosed the link to the soundtrack list: https://en.wikipedia.org/wiki/Bossam:_Steal_the_Fate#Original_soundtrack
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I honestly admire the idea of the show and how well it was executed. With this type of story, things can easily go wrong. But ''Hi Bye, Mama'' never took this wrong step and it remained good till the end. Writer Kwon Hye Joo for sure knows how to write such heart-warming stories.
However, the reason why I'm not giving a better overall rating is because I think there were a bit too many side stories and characters. Somewhere around the middle, the story kind of dragged too much, then later on became better again. It's not the biggest flaw a show could have, but the fact that I got bored for around 4-5 episodes affected my rating.
The characters were overall very good and the relationship between them were excellently developed. Cha Yu Ri definitely grew on me a lot, the same goes for Gang Hwa and Min Jeong. The sismance between Yu Ri and Min Jeong was great too, I loved how they didn't make them hate each other or something. It just made the drama sweeter.
The acting was amazing! Lee Kyu Hyung with a main role, freaking YES! I've loved him since I saw him in Prison Playbook and I'm so glad that he finally had a main role. Kim Tae Hee, gosh, this woman! I swear to god, when I saw her in Yong Pal, I was so put off by her weak performance that I thought she's one of the worst actresses and I was even sad when I saw she was cast for this drama. But thank you, Tae Hee, for proving me wrong! She was brilliant as Cha Yu Ri, I was so impressed.
So overall, I liked ''Hi Bye, Mama'' and I think a lot of people would enjoy it. I'm just trying to be more honest with my ratings, you know. But yeah, it's a very addicting show and I'm glad that I stayed with it till the end.
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1office romance, age gap, employee/boss, food is the love language, coming of age late in life
This show had me from the moment they broke the egg yolk with the chopsticks in the opening credits for episode one. It’s about a younger man with a long cherished crush on his boss (ten years older and going through a mid life crisis) who decides to save and seduce said man with pancakes. It’s wholesome, comforting, sexy, and a very necessary narrative about still having hope, interests, and openness to affection at any age. It’s coming of age/queerness packaged in a subtle critique of expectations around masculinity and love and loneliness... and it’s beautiful.It utilizes hand-held and super close camerawork, long shots, dirty framing, and marvelous acting (stagecraft) from everyone. The directing style it subtle but very precise and tailored dirty framing (AKA lots of objects and other people’s bodies interrupting shots.) Notice the frame is only direct and uncluttered when they are eating or being extremely intimate with each other?
This show manages to make things that shouldn't be sexy so very sexy (like Togawa’s hamster cheeks - boy just wants to gorge himself, and not on food). It's truly art.
But there is so much more going on here.
Japan has a long tradition of using food, both the preparation and consumption, as an allegory for intimacy... ALL KINDS of intimacy (give Tampopo a shot, it’s a remarkable movie). And in this show the discovery of desserts, and the enjoyment of the experience of indulging, is explicitly both sexual seduction and emotional tethering. This is not just an exploration of youth for Nozue it is an exploration of desire and identity.
On the other hand, the want drips off of Togawa at all times, like true starvation. It’s epic levels of pining we are looking at and not just love but pure lust. It’s actually quite remarkable to see this done with Japan’s signature reserve, because the through line of the filming style and food allegory dictates they will simply have to show physical intimacy at soem point. But not of the explicit kind we get in the darker BLs from Japan (although they could easily go there), but of a truly sexualized romantic passionate kind that we don’t normally get from Japan in their softer BLs.
You see, there comes a point, when the food allegory has gone as far as it can, and Nozue recognizes that in episode 3, even as he doesn’t recognize Togawa’s desire. Because for him the desire has been made manifest though the medium of desserts... and now that sensation has been satisfied, he feels like that’s good enough.
But when Nozue shuts down the eating intimacy, Togawa was always destined to break open into into sexual need, just the way the egg yolk is broken open in the credits.
What is truly genius about this show is that when this finally happens at the end of episode 4, the camera switches to one long hand held shot. This kind of stage-craft reliant shooting is the ultimate form of filming intimacy - it is the camera’s form of trust:
The directer is trusting the cameraperson not to waiver,
the camera is trusting the actors to pull through for the entirety of the shot (no forgetting your lines on a long take, no missing your marks, no slipping out of character),
the actors are trusting the crew to capture it in that one moment when they give it their all.
This is the kind of theatrically-based close work is as near to sexual intimacy as actors and crew can get.
Thus the shooting style is, itself, a reflection of Togawa’s needs, of Nozue’s shock and realization and crumbling, of the levels of trust between them that are fracturing and reforming. It’s absolutely brilliant.
All that said I did find the final episode bit of a let down. Narratively it reverted back to pretty standard light Japanese live action yaoi, of the style I talk about here. I did expect a little bit more intimacy from this specific narrative even with Japan at the helm, at least showing the two of them cuddling in bed together or something very domestic if not kissing. I’m not surprised or upset that they returned to status quo, and this is still an amazing comforting unexpected gem of a show, but it’s not the 10/10 I thought it was going to be at the end of 4.
Still, solid and watchable and
DEFINITELY RECOMMENDED
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The comedy here is also golden. I tried to find a gif or a screenshot to show you all, but it’s so hard because the comedy is so *situational*. What that means is the jokes build on the knowledge you have from watching a previous scene, episode, etc. That’s smart comedy. There’s also cheap comedy – tongue in cheek poking fun at romcom tropes (that they also fully uitlize), quips, puns, slapstick, etc. I’m pretty sure I had laughed every single episode for 12 eps so far – and as a big loyal fan of comedy TV (of all kinds, from Western to Asian styles), I know how hard it is to sustain laugh even as plots develop and get more complex, with some dose of drama thrown in.
Speaking of plot, there is one, and it’s good! Often with “silly idol romcom”, the plot is on life support, which is usually the rom part. Here, there is an actual plot, and there are a few key high stakes that we are invested in, because we already care about our lovely characters. All of them are working towards their goals (most of them life and death!), in multiple steps, and the steps are met as we move through episodes. Nothing is stretched out for too long, no misunderstanding dragged on for dramatic purposes. Things that make sense to get resolved, do. Will I watch a drama with no plot just to see the romance? Yes (e.g. Her Private Life…) But when there is a plot, it makes it that much more exciting! How will our smart characters get out of their predicaments? How will get attain their goals, while still being together (some of their goals conflict, and also with their romance), since they gotta be together!
In any case, as you can see, I love romcoms, and I love them even more when they are smart, well executed, and have that magical “it” factor created by a synergy of actors, directing, and script. Though, let’s be clear, this is on the lower budget side, and it is an idol drama. It doesn’t try to be any grand historical drama, nor does it slack off and forget that a story, no matter how cheap, needs sense (we all been there, haven’t we?) I just love it when a drama makes clear promises, and delivers on them, with fireworks. I have a lot of chip on my shoulders on how romcoms, and just comedies in general, tend to be looked down upon because it’s “simple” or “silly”. “Simple” is not “simplistic”, and “silly” is not stupid. A well-done story is a well-done story, and that’s that.
And that is what Romance of Tiger and Rose is – a well-done story
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This review may contain spoilers
He’s Her, but Not Really
The early episodes have a nice touch of magical realism that keeps viewers curious. It makes you want to keep watching just to understand why Kim Ji Eun turns into Kim Ji Hoon. Is there a specific pattern, a cycle, or maybe something related to their ancestors' background? And what about the matching tattoos between Kim Ji Eun and Kim Hye Ra? Are they supposed to mean something or affect the story in a bigger way?Personally, I really dislike Park Yoon Jae’s inability to stand by Kim Ji Eun when she’s at her lowest point. It’s like, “Hey, she’s your girl, so why are you still looking at Kang Min Joo?” We can’t blame Kang Min Joo too much since she’s a key part of the conflict alongside Yoon Jae’s parents, but Yoon Jae gets so caught up in being a guy who sees another woman that he almost completely ignores Kim Ji Eun’s struggles and her attempts to escape her misery.
I don’t really mind the awkward bromance scenes. They mostly show up when the show tries to be funny. But they feel very different from the romantic moments between Park Yoon Jae and Kim Ji Eun, which are sweet and more emotionally grounded. I get that the drama tries to limit physical contact to avoid making Yoon Jae’s relationships with Ji Eun and Ji Hoon feel too far apart.
Still, what frustrated me the most was how Kim Ji Eun and Kim Ji Hoon never actually felt like the same person. The show kept pushing that idea and sure, I tried to buy it, but come on, nothing about Kim Ji Hoon screams Kim Ji Eun. Not their emotions, not their vibe, not even the tiniest habit, It's like he just pose and act in feminine gesture, that's all. And seriously, if Kim Ji Eun magically turns into a guy, am I really supposed to believe she’d suddenly be into women? Yeah, right. They could have at least thrown in some shared quirks like how they laugh or how they cry just something to remind us that, hey, it’s still the same person underneath all that confusion.
In the end, the show just pats us on the back with a happy ending, pretending all the confusing questions never existed. Brilliant storytelling, right?
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1This review may contain spoilers
To let go is to embrace
Hello, dear Wispys~ Most of us have finally reached our destination (i.e. the finale of the story), while some are still 'experiencing' the journey together with Tang Li Ci and others. It was a wonderful journey for me, and I hope it was a splendid experience for you as well! (˶ᵔ ᵕ ᵔ˶)💞Loosely adapted from the novel “Enduring a Thousand Tribulations” by Teng Ping, the drama follows its sole main character, named ‘Tang Li Ci’, on his journey to accepting certain truths, letting go of obsessions, and sacrificing for the greater good. The story begins with the lavish wedding of a young woman named A-Shui, who allegedly sold herself to City Lord Hao Wen as his concubine to pay for her father’s funeral. However, the wedding is abruptly halted when a devastating tragedy occurs mid-occasion, at the hands of a single man, as if it were a blessing in disguise for the innocent, young girl. This mysterious assailant reveals himself to be Tang Li Ci, a cruel and cunning cultivator who supposedly gouged out the heart of his saviour, who was essentially family for seven whole years. Being accused of the brutal massacre, the true young master Tang embarks on a journey to clear his name, along with his faithful friend, who is more like a devoted follower, Chi Yun. That is how he meets new people, such as A-Shui, Zhong Chun Ji, and Shen Lang Hun, some of whom later become his newfound family… Our male lead will face several confrontations and betrayals as he steers his life towards an almost impossible goal of resurrecting his deceased senior brother, Fang Zhou, and making things right.
Unlike some historical C-dramas we’ve watched, [Whispers Of Fate] draws on a range of philosophical and religious themes closely connected to Buddhism, such as “letting go of the self” and “embracing emptiness”. Therefore, I would humbly like to interpret my review through the lens of Theravada Buddhism (School of the Elders), exploring certain plot points and identifying how they are interconnected with the concepts of “The Four Noble Truths”, “The Wheel of Life”, and “The Eightfold Path”, which I will provide relevant links below to aid further understanding. (..◜ᴗ◝..)✨
More than ten years before the incident at the Hao residence mentioned above took place, Tang Li Ci (formerly known as Ajibaner Tang Jia) was rescued and taken under the wing of a highly revered martial artist, Fang Zhou, who was the eldest disciple and master of the Zhoudi Tower. Fang Zhou bestowed the name 'Tang Li Ci' upon him with the hope that he would become someone special—someone who doesn’t cling to past grievances. Seven years passed, and the bond of brotherhood between them grew deep—so deep that Tang Li Ci could not accept the fact that Fang Zhou was nearing death due to old injuries sustained during a battle with Yi Que Yin Yang at Tiandu Peak. This obsession led him down a dark path, where he practised an unorthodox technique to transfer his healthy life force to Fang Zhou while absorbing the poison harming his senior brother into his own body. However, this attempt ended in disaster, resulting in Fang Zhou's instant de@th due to Liu Yan’s interruption. Still unable to accept this loss, Tang Li Ci clung to a final desperate hope. He dug out his senior brother’s heart crystal to 'nourish' it within his own body, ensuring that it would continue to beat. As if that weren’t enough, this crafty 'fox' even stole the ice coffin belonging to Wangyu Yuedan’s father, the former leader of 'The Palace of Fallen Jade,' to preserve Fang Zhou’s deceased body inside. (Yes, I know… He’s been a naughty boy, stealing other people’s belongings… (ᵕ—ᴗ—) )
All living beings experience suffering, both physical and mental. Tang Li Ci's situation serves as a perfect example of Gautama Buddha's famous quote, "the root of suffering is attachment." This celestial being felt his world crumbling when confronted with the First Noble Truth: suffering or unsatisfactoriness (known as ‘dukkha’). His intense longing and obsession to be with Fang Zhou, who had already passed away, led him to pursue an impossibly dedicated goal of resurrecting his deceased senior brother—this is a clear example of mental suffering.
The Second Noble Truth (‘samudāya’) addresses the origin of dukkha, which is suffering caused by desire and attachment. This suffering arises from craving permanence in an impermanent world. These desires can manifest in wanting to achieve something—such as Tang Li Ci deluding himself into thinking he could bring the deceased Fang Zhou back to life—or in not wanting something, which reflects Tang Li Ci’s unfortunate fate associated with Yi Que Yin Yang. This latter aspect is a significant source of the misfortunes he has encountered.
In episodes 32 and 33, the male lead finally grasped the importance of letting go of his past obsessions, accepting them, and living in harmony with the present. From a Buddhist perspective, these small steps toward understanding one’s cravings and recognising the illusory nature of permanence represent significant progress toward the Third Noble Truth, or 'nirodha,' which means the cessation of suffering. 'Nirodha' signifies the potential to end our suffering and be liberated from the “Wheel of Life” (Bhavacakra). This concept illustrates the Buddhist belief in the cycle of Shengsi (生死), the Chinese transliteration of life and de@th, emphasising the interconnectedness of birth, death, and rebirth, as well as the teachings of karma.
Our male lead is determined to keep everyone by his side and to alter the tragic outcomes he has witnessed—the deaths of many innocent people, including his close friends and acquaintances. It is only when Tang Li Ci comes to understand his own suffering and its origins that he will truly grasp what it means to let go of these desires and embrace emptiness; this is what ‘liberation’ entails. As another quote states, “No one saves us but ourselves. No one can and no one may. We ourselves must walk the path.”
The fourth and final Noble Truth, known as 'magga', explains how individuals can guide themselves to achieve enlightenment by practising "The Eightfold Path". This path consists of right view, right intention, right speech, right action, right livelihood, right effort, right mindfulness, and right concentration. In simple terms, it is a guide that helps us move away from our cravings and towards ultimate freedom. In his final moments, Tang Li Ci reflected on the sincere wish he had made during the Lantern Festival:
“No matter how the world changes as years pass, I hope the people I care about, those who were with me, and friends who fought side by side…, can live peaceful and happy lives.”
When Tang Li Ci focuses on his desires, he becomes ensnared in the Wheel of Life once more, taking on different forms: first as a little white fox, then as a dragon. In the new timeline, he consistently serves as a guardian deity, protecting Shenzhou (神舟), which means Divine Land or Divine Continent, and its remnants. This role has led to the creation of the Legend of the Fox-Dragon. While it can't be said that he has fully achieved enlightenment—since he remains tied to that world by his attachments to friends and those close to him—it can be inferred that this protective Fox-Dragon may have finally grasped the Four Noble Truths before disappearing into the mortal realm. This occurs after he resets the world to a time before the existence of the Tianren realm and Yi Que Yin Yang.
Although time travel does not exist in Buddhism, ancient texts describe countless physical galaxies, solar systems, and worlds similar to ours (**which would be Shenzhou in the drama), collectively referred to as the “Thousand-Fold World System.” With that context in mind, here is my subjective interpretation: What if the Tang-gongzi we knew were reborn as an entirely different being in a world that resembles our own? At some point, he might have regained his memories due to his abundant spiritual powers, allowing him to ‘change the past’ and create a brand-new world filled with happy inhabitants.
And now… CUT! -ˋˏ✄┈┈┈┈ This is getting far-fetched… (๑´>᎑<)~* Let me finally present my humble insights on the drama...
Although the ending of [Whispers of Fate] may not be considered perfectly happy by all viewers, it is a drama that boasts stunning visuals, enchanting music, and a thought-provoking storyline. The production team paid close attention not only to the attractiveness of the main and important supporting characters but also to several minor characters who have only a few minutes of screen time. For instance, this includes the lesser-known members of Feng Liu Dian (House of Pleasures), the two goddesses guarding Ajibaner Tang Jia’s celestial mother during her pregnancy, along with other celestial beings.
One of the most charming aspects that captivated me was the music and the traditional instruments used. I was especially taken by Hong Gu’s arched harp, known as the Zonggaoji (originally called the "Saung-gauk" in Myanmar). This instrument is unique and rare, as it is not commonly seen in historical Chinese dramas. Among all the original soundtracks, my favourite is "春声碎 (Shattered Sounds of Spring)," followed closely by "临风吟 (Ballad to the Breeze)." "Shattered Sounds of Spring" feels like a soulful ode to Tang Li Ci’s longing and false hopes, as well as Liu Yan’s resentment towards him after Fang Zhou’s passing. In contrast, "Ballad to the Breeze" seems to convey that Tang Li Ci has finally come to terms with the truth and has moved past his earlier struggles. Additionally, the wardrobe designs for each character have been thoughtfully chosen not only for their visual impact but also to reflect the rich history of ancient China. Personally, I found Zhong Chun Ji's wardrobe choices less appealing. Unfortunately, her styling came across as somewhat over the top. For instance, her initial hairstyle at her introduction and the purple princess outfit paired with ocean-themed head accessories were particularly striking. (づ˶˃⤙˂˶)
[Whispers of Fate] can be a slow watch, and some viewers might feel that the story drags before reaching certain climactic plotlines. However, as you continue watching, you will find yourself hooked. The drama is undeniably complex, and it would have benefited from more thorough explanations of key events, such as how Ajibaner Tang Jia(Tang Li Ci) was injured and subsequently saved by Fang Zhou, as well as Tang Li Ci’s connections to Yemo and Yi Que Yin Yang. Additionally, the character arcs can be confusing, particularly with A-Shui.
A-Shui had great potential to drive the story forward with her intriguing, mysterious background. She was depicted as a pure-hearted woman who heals those around her with unconditional love and care, without any ulterior motives. However, she came across as a plain, blank sheet of paper left unused on a desk—without intention or purpose. A-Shui was one of the biggest enigmas for both Tang Li Ci and the audience. Unfortunately, her characterisation felt unsatisfactory. It would have been more effective if her relevance and importance had been hinted at in the earlier episodes, rather than being crammed into the later ones.
Despite a few downsides, [Whispers of Fate] is definitely one of the best dramas worth watching. By paying closer attention to the details and themes, we can learn a lot from these characters about their choices and their consequences. The drama offers not only entertainment but also a rich narrative filled with knowledge about ancient Chinese culture, infused with artistic heritage, philosophy, and religious viewpoints.
┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈ . ݁₊ ⊹ . ݁ ⟡ ݁ . ⊹ ₊ ݁. ┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈
The following links may help clarify the concepts I used for my review:
The Four Noble Truths-related:
https://www.ebsco.com/research-starters/religion-and-philosophy/four-noble-truths
https://buddhasartofhealing.com/blogs/thangka/dharmachakra-the-wheel-of-law?srsltid=AfmBOorLcTPTx228ED37pwiRx-P8kp8WFuUEg0Ip4NDq-Lu0NHYxWHbu
https://buddho.org/buddhism/#the-truth-of-the-way-that-lead-to-cessation
https://www.worldhistory.org/Four_Noble_Truths/
The Wheel of Life:
https://www.oxfordbibliographies.com/display/document/obo-9780195393521/obo-9780195393521-0072.xml#:~:text=bhava%2Dcakra)%E2%80%94or%2C,concrete%20form%20abstract%20metaphysical%20concepts.
https://www.lionsroar.com/buddhism/wheel-of-life-bhavacakra/
Many-worlds system concept:
https://www.quora.com/Does-Buddhism-support-the-theory-of-parallel-universes
https://www.themindingcentre.org/dharmafarer/wp-content/uploads/2009/12/R450-160524-Parallel-universes-RB150.pdf
Famous Gautam Buddha Quotes:
https://www.vedantu.com/general-knowledge/gautam-buddha-quotes
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A must watch drama
This drama was great, one of the best I've seen. The story is so well constructed, all the actors portray such relatable characters, dialogue is so natural that the whole plot feels like it might just happen for real. After each episode I couldn't stop thinking about it and Brush Up Life became a hot topic among my own friends and family for the same reasons. The child actors also did an amazing job, not only are they cast well to fit perfectly for the adult versions of them but they way they act showing the same habits and quirks of the older versions was perfect. The first episode at first might seem boring or bland but its so necessary for it to be that way. I can guarantee that if you just push through the first 30 mins of episode 1 you will be hooked.Was this review helpful to you?
This review may contain spoilers
Story- 10/10I hate that this was just 6 episodes and I have to wait for the next season. The ending as always is a cliffhanger which I love because it just really makes me intrigued. From the 1st season I think my number 1 question was "What is the resurrection plant?" Thanfully we discovered more about it in this season. Though they didn;t fully give details which will hopefully be revealed during the next season. This season had a lot of bad deaths and good deaths. Overall it was really good but I didn't like how the royal family's bloodline was damaged. Though I understand why Prince Chang did what he had to do. It was really good and I recommend it!!
My favorite moment was when they showed Prince Chang and Moo Young's (The Royal Guard) experiences together. Like how their bond started which was really nice. (I'm trying not to spoil all the good details)
Acting/Cast- 10/10
THE ACTING WAS SPOT ON. IT WAS SO GOOD. I would like to say how well Kim Hye Joon (The Queen) acted. She made me hate her so much yet also really like her. The way she portrayed her character was just spot on. Jun Suk Ho made me laugh at how clumsy he was but his portrayal was really good. You can see how his character developed from a clumsy coward to a clumsy hero. Everyone else did really good but these were the ones that stood out to me.
Music- 8/10
The music was pretty good. It really paired well with the drama. It just increased my anticipation every single moment where something big was gonna happen. Which is really good. I guess there isn't much to be say about the Music other than it's good. I just wish there was more variety to it that would pair well with the drama.
Rewatch Value- 8/10
I would definitely rewatch this because just so damn good. While I'm waiting for the next season which always a long time I think I'll definitely watch this again.
Overall- 9/10
I would really recommend this Drama for those who are just starting K-dramas or those who don't want to watch drama's that are romance based. This is really good so watch it!
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BOY ISSUES JUST GOT BIG
TO ALL THE BOYSBoys don't cry, boys aren't emotional, boys are supposed to be strong, But what's the most beautiful moment of my life?
This show is a lot for an average person to take in, when dealing with abusive parents, poverty, family pressures, PTSD, suicide, promises, and everything that is part of a teenager's life. Seven beautiful boys from Seven different families living in Seven different worlds come together and are obviously trying to navigate the complexities of teenage hood, growing up, I'll be honest until now I'd never thought that Boy issues could get as big as Girls make theirs seem or even worse.
This is one hell of a bumpy and perfectly toxic friendship if you could sum it up and there'll most probably never be another show that beats this drama at that. A detailed account of the pain most people go through but you do not notice, the lies most people tell themselves to feel better and people who feel they get more than they deserve and those who get less instead, I had never imagined there could be a show that sheds more light on the meaning of youth and the pain of survival, the true meaning of perseverance.
The bromance is swoon worthy, every bit of it tastes no different from hot chocolate on a cold night. We've seen kids dealing with serious issues in EXTRACURRICULAR, WEAK HERO CLASS, THAT MOMENT AT EIGHTEEN, SCHOOL 2013 and AT A DISTANCE SPRING IS GREEN but perhaps none of those shows could hit deeper and more real than BEGINS YOUTH has
This is a show for the heavy hearted especially because it deals with primarily broken characters that are trying to heal. All relationships come pretty intense and vibrant and yet the characters seem very fragile but persistent when enduring everything. Besides, It is commendable enough that most of this series speaks to people who have gone through some of the worst extremes in life than one could imagine.
No show made me smile and cry just as much eventually especially when dealing with overbearing parents, rigid societies and corrupted institutions because you would be surprised that high school life could become a physical and psychological living hell where we are all trying to survive. No show made me understand the meaning of living life and the need of not wanting to give up on it.
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Story:
I found the story concise, I don't remember fillers that motivate me to give headbutts to the screen. I don't know how but it has everything that a long drama has, in a very basic format: a good but clumsy girl, a brilliant guy with problems, funny supporting characters (whose ends are not to be alone, happily), and a mother with high expectations . Besides the child actors who are adorable and look great on screen.
Acting:
The plot doesn't demand great histrionic abilities except in Chapter 5 where you can really see the acting potential of kai, he lived up to expectations.
What I don't like:
Perhaps slightly feminist, but here Choco apparently can't succeed without the presence of any of the two male leads, and that frustrates me a little.
Finally, if you are able to spend 90 minutes of your time on something, you could watch this short drama without regrets. The story is adorable and relatively inspiring; plus you'll have the chance to see the handsome Kai on screen for more than an hour. However, if you gain a few pounds because of an endless desire to eat chocolate, don't blame me.
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1The story was basically followed the original storyline judging from what I saw in the comments, and so I guess they did a really good job of condensing a 30+ anime into 11 eps. Solid effort. Basically it followed the storyline of a normal uni student who was living life like it would have been for him, but when he accidentally picked up the 'Death' Notebook, his life took a drastic turn from there. Of course life doesn't always go smoothly, thus someone will appear to try and stop all his acts of 'justice' which is where the 2nd main lead comes in, and they begin their battle of wit to see who ultimately wins and becomes the last one standing. The story was very compact, exciting and nerve wrecking as I was always extremely tensed to know what might happen next. I watched the whole drama in the span of 3 days, even when I wasn't watching it, my mind would unconsciously think about it as well. That could explain how into it I was.
Acting/Cast
Like everyone has said I think Kubota definitely did a splendid job acting as Yagami Light. Especially as the story progressed and as the character of Light became more and more 'crazy', I could see the change expressed perfectly through the character. During the second half, during his monologues when he was 'Kira' it totally made me believe that he was 'possessed' with that voice and his facial expressions. Thoroughly impressed.
To be honest I started this drama because of L's actor Kento, so during the process of watching this drama I was very emotionally attached to L. I know that they 'changed' this character drastically from the original however I guess I really liked the change of being a 'clean freak' etc. Obviously I loved his acting as L, and even though I knew he was going to die, when it actually happened it still brought tears to my eyes.
Other than the mains I already really enjoyed the side characters such as Watari, Light's dad and the police crew. They all brought extra enjoyment and feelings to the story.
Maybe I was too into the story to notice any good music or soundtracks in general as I don't remember any music. However just judging from the background music during the drama, it fitted the atmosphere and was generally well put. Maybe I need to go back and watch again to find out more.
Overall this was definitely an intense ride of emotions. For someone who usually doesn't watch the thriller, psychological genre I thoroughly enjoyed Death Note and now that I've seen the drama I will definitely go check out the anime and maybe the movie. I reckon the story was well thought out, while it also makes people really notice about what 'power' would do someone on the deep side of things.
This is something that I would definitely rewatch many times, since it's honestly really awesome. I definitely recommend this to those who's watched the anime or movie. Even if they did change things if you watch it with an open mind, it's definitely an awesome drama, plus it's quite short being 11 eps.
Of course I also recommend it to people who like thriller, mystery and the psychological genre in general. This will definitely blow your mind.
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It was one of my highest anticipated dramas of 2017 and I was expecting that first episode in and I'd be ready to give it a solid 10. However, as I watched the series, one by one all my hopes came crashing down.
The drama's worst flaw was its lack of an original plot. The fact that it was extremely badly written with a truck load of plot-holes and stroppy pacing, didn't help the case. From the first episode to the last, I guessed everything that was going to happen. It was such cliché, same old bs that at one point, I was even correctly predicting the character's dialogues before they spoke them. I saw plot-twists coming from miles ahead. I knew exactly what the main leads were going to do and how they were going to do it. Trust me, it ain't a nice feeling when you're ten steps ahead of your main leads.
Some people say that a show is only as good as its antagonists and that is one another point where Witch Court loses out on. From the daily episodic rapists to the main antagonist, all the villains were less than mediocre and slight variations of one another. It's like they were trying way too hard to be evil but unfortunately, ended up being cheesy instead.
You know how when kids do something bad, like steal a cookie and you ask them about it and they're all innocent smiles to your face but the moment you turn your back, they start smirking mischievously, triumphant that they managed to ''fool'' you? That's exactly how the bad guys were in this show.
The cringey smiles and 'evil laughs' they gave behind our main lead's back just added to their extra personalities and not in a good way. I mean how many times before have we seen a story about a corrupt Mayor in power being the villain, acting all nice and kind infront of the camera? Too many times to count. Bring me something new, please.
All the side characters were poorly constructed, barely making any contribution to the plot.
At first, I was very intrigued by our male lead. He seemed like a breath of fresh air, unlike the typical macho alpha assholes. He was supposed to be this smart, gentlemanly guy who actually gave our heroine the upperhand. How amazing, right? Not really.
Even though he is made out to be different from all the other drama male leads, the show still shoves him into the 'cool tall neighborhood oppa' stereotype. I'm always amazed when everyday prosecutors adopt ninja fighting skills out of nowhere. But those things were the least of his problems, because as the show progressed he became increasingly annoying. I love my upright handsome guys who're adamant to uphold the law but, Prosecutor Yeo was just all talk and no show. He had the classic 'dumb but heroic' vibe throughout. Way too self-righteous and equipped with dramatic declarations, he didn't do any of the actual work and soon became a pain in the ass I could really do without.
Even though the show is tagged 'romance' there was nothing of that sort here. The main couple had no chemistry and they just seemed like regular colleagues on good terms.
Surprisingly, the show did its flashbacks fairly well but like I mentioned before, the pacing was shit. Things that needed to be drawn out and be dramatic were so anti-climactic and things that needed to be rushed on were dragged out.
Some things that happened were so questionable because they were far out of the sphere of logic. Most of the times, our prosecutors won the cases because of convenient plot devices instead of actual smarts.
So seeing all these flaws, it's quite just that I rate it low right? But why then, does it pain me so much to do so? Well the answer is: Ma Yi Deum.
The heroine of this show was undeniably the saving grace. She was the only thing unique about the otherwise run-of-the-mill drama. Watching her antics was absolute bliss. Jung Ryeo Won brought forth a character that was extremely real and relatable. Often, I felt like she was my soul sister considering how many similarities I had with her. This is also why she was so easy to connect with.
I loved the fact that she went through life staying true to herself and not giving a fuck about what people thought. Even though, at times, she acted like she was all over the place, in reality she was a very composed and strong woman. Her face remained impassive in the worst of situations and she always had some clever tricks up her sleeve. Her bright smile, dark red lipstick and bad hair cases gave me so much life.
She was the one making the show, for every second she went off-screen the show turned utterly boring. Ma Yi Deum was so lovable and a character that I'll always remember. This is the reason why, even though I have a lot of problems with this show I still reccomend it so that other people can witness Prosecutor Ma's quirky weirdness and like me, be thoroughly entertained by it too.
The fact that the show revolved around rape cases is something I found to be commendable. Rape is a taboo topic and people often hesitate talking about it so openly and this show (while not perfectly) still managed to bring some fairly brutal cases on the forefront and that effort needs to be acknowledged.
The OST doesn't really stand out but the instrumental that plays at Ma Yi Deum's badass moments was really good.
I hope who ever reads this considers this review a good thing, instead of being let down because this will lower your expectations and then when you do end up watching the show you'll be pleasantly surprised.
While this is not a drama you can go in with the thought that your high hopes will be met, it is definitely a good time-pass.
Enjoy!
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Story [8/10] The story isn't exactly anything new or mind-blowing. Why does it deserve a 8 for the story then? The thing this drama does well is it does its comedy and romance very well. The story is your typical rom-com in the sense that you know how it's going to end. You start out with two people who meet. They fall in love. We see some angst in their relationship and bam they end up happily every after at the end. This drama is not too bad in the fact that the middle of the story is not to predictable even though the ending is easy to predict.
My main complaint from this drama isn't really the plot. As you can still have great k-dramas without complex plots. The thing that bothers me is the fact the characters are one dimensional (in addition to the simple plot). You can literally describe a lot of the characters in the drama in one word. I.e. You have a character who is the narcissist, one who who is loyal, one who is the klutz, another character who is frugal, and one who is lustful. If you've watched the drama, you probably know who I'm talking about. I find that stories that deserves a 10/10 has stories/characters that the viewer/readers can relate to and make connections with. I had a hard time making connections in this drama since the characters all seemed very unreal. I do realized that it's a drama and things are dramatized. However, at the same time, I don't believe the drama deserved a 10 in the story department (although I wanted it to be a 10). Hence I'm just giving some reasons as to why I docked points from the story category. This drama does great in the rom-com department, but not so great in the character development department.
Acting [10/10] The acting/cast in this drama was fabulous! I am especially a big fan of the two MC's acting. I especially loved their facials expressions. There are some pretty good kisses in this drama too if you know what I mean ;). My favorite one is probably the "chair push kiss". Someone should make a meme out of that. I also really loved Park Min Young's facial expression during the many comedic scenes. It's like she knows how to make the perfect face for the right moment. I was already a fan of Park Min Young and Park Seo Joon. However this drama has made me an even bigger fan now!
Music [9/10] I generally don't give music scores higher than an 8. However, I must say this drama did a very good job with the music. The music often made funny moments even more funnier. Other times it made awkward moments even more awkward. I think you essentially get the gist of what I'm trying to say here. The music in this drama helps put you in a certain mood when you hear it. Not many dramas do a very good at this. Often times the music is barely noticeable and does nothing to make a certain scene in a drama better. That's not the case here.
Rewatch Value [8/10] I also don't generally give out a high rewatch score. As most dramas are often a one and done kind of thing. However every so often you find a gem where you feel like a part of you is missing after you finish watching it. What's Wrong With Secretary Kim is one of those dramas. It makes me sad that this drama is coming to an end. There were so many moments where my emotions were bursting through because of a certain episode. Some times I was angry at the MCs for being annoying. Other times I'm anxious for the MCs because I want their relationship to go well. MOST IMPORTANTLY I spent a lot of time laughing while watching this drama. I would give this drama a 10/10 if we had emotional involvement as a new category.
Overall the story is probably the weakest link in this drama. Although a 8/10 for story is still great (in my subjective opinion). However, I often like to bring up both the good and bad thing about the drama. The drama does not get a perfect score for the story from because it's sort of your typical rom-com plotline with some one-dimensional characters. On the flip side it gets a 9 from me because it does its rom-com moments very well. You can feel the romance and the drama makes you laugh every single episode. It's probably one of the best rom-com I've seen in a while, if not to date!
The acting/cast is probably the strongest link in this drama. One of the things I noticed a lot in this drama is the facial expressions from the MCs. I really loved Park Min Young and Park Seo Joon's facial expressions in this drama. As I felt like their faces really added flavor to certain situations and made everything seem more realistic and hilarious. The music was also a very great asset in the sense that it played up certain moments. It made certain cute/funny/awkward scenes go from a 9/10 on the cuto/funnio/awkwardo meter to an 11/10!
All in all, this drama excels in many areas. It's definitely one of the best(rom-coms) dramas of 2018 that I've watched so far(what a great year for good dramas!). I recommend you go and watch it if you haven't already.
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