Reviews

Each other's "other half"

A driven plot, convincing actors, beautiful love stor(ies), sweet length, no fillers.

The screenwriter really created sweet and thoughtful ML and SML- the kind of men women dream of. Case in point: 1. ML wishes he can take sth to share the burden of his pregnant wife. He says its unjust that creation of a child, the pain of pregnancy and childbirth is only borne by the mother. 2. SML whose both a noble and a general helps SFL wash her stained clothes. He says doing laundry doesnt matter male or female. Even a female can wield the sword.
(_^-^) Im a sucker for men who respects women and cherishes their women.

Back to the story. I love the intrique and I love the kind of romance potrayed. The main CP has been married for 3yrs so theres this kind of simple everyday couple normalcy and then theres also this intimacy. Which Zhao Yi Qin and Rain does beautifully. Then theres the second CP, between a cold general with own motives and a kind princess. Her personality and kindness is just right to melt this general. I wanna say both female leads are so pretty and natural in their acting.

Lastly a short drama does not mean cutting corners on quality. The story flow seamlessly, no weird edits, the costume and setting all are lovely. Wish we have more of this kind of dramas produced- a riveting story, touching romance without wasting time on stupid misunderstanding or fillers. As of July, its my favorite short drama this year.

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Warm and fuzzy atmosphere, it hurts a bit but in a good kind of way, oh and lots of pining

Soramame and Oto meet for the first time and as a watcher you instantly know they have a connection which only deepens as they get to know each other. Both of them are talented in different fields but what they have in common is that they aren't living up to their true potential yet. They can rely on each other and help each other tackle the various hurdles life throws at each of them.

They banter with each other like siblings but at the same time you know they care for each other deeply. The mutual pining will tug at your heartstrings, it may become a bit frustrating at times but all in all their journey is quite plausible to me and I enjoyed it a lot.

It has to be said that the romance part of the series is not the main focus, each lead has a lot on their respective plate. If you're looking for a drama where there's an abundance of skinship or where the couple starts dating in the third episode or so, this drama might not be the right fit for you.

The atmosphere is what I love a lot about this drama. You get those warm and fuzzy feelings when they sit together at dusk (!) sharing what happened that day or to give the other a push in the right direction if they're stuck with something they're working on at the moment. The title of the series fits really well because a lot of the scenes take place in the quiet evenings when you can see the last sunrays of the day on their faces. The setting is very intimate and I liked the conversations they held.

The music underlines the cozy atmosphere, sometimes with a nice song and with the slow piano and strings version of said piece at other times - or no music at all which leaves the deepest impact. I already checked out Yorushika and put some of their songs on my playlists.

I'm by no means an acting expert but I think the cast did a very good job. They made me laugh and shed a few tears (which is not something that happens to me a lot when watching a drama) so in my opinion they accomplished their goal.

Rewatching a series is not something that I do frequently but I can safely say this one will be a candidate.

This has become one of my favorite romantic dramas from Japan. Most of the times there's a point at which I get bored but that was not the case here although I have to admit the ending was a bit drawn-out.

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Unintentionally hilarious

This series was honestly so bad it went back to being good again just for the amusement factor.

It looked like a high school film class project. They seem to have shot all the exterior scenes at the crack of dawn as there was never anyone around and they clearly couldn’t afford any extras. The acting was pretty appalling thought the guy who played Jing Jim Ming was the better actor of the two by far, the other guy , Ding Jun Jie wore the same expression throughout, even the sex scene had him looking entirely disinterested.

Both main guys were very pretty though, no denying that!

The plot was terrible, the series blurb made much more of the fake boyfriend thing when that was barely relevant. It just limped along never quite taking off.

Yet - - - I watched the whole series so there was something captivating about it somehow and now it’s ended I’m puzzled why I didn’t give up.

No rewatch factor, terrible music, yada yada.

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This drama is about five women who start living in the 22nd floor of building called Ode to Joy. It is about their lives and challenges in work and loves, but it is mainly about their growth as individuals and in finding a save haven in each other's company.

For the most part, the drama is easy to watch and the episodes go by fast. Good pacing with no time is wasted since there is a lot to tell in the given time. There are some stories that outshine others, but the story still gave a fair amount of screen time to all the characters. The music that accompanies it is excellent. The main theme song, sung by our main heroines, is perfect in portraying what this drama is all about, women of this era. The other theme song that caught my attention was Cinderella by Jiang Xin (Fan Sheng Mei) had really great lyrics that describes the hardships and hopes of women our generation.

If I were to look at the stories individually, I wouldn't call them original in any way. Not only that, you can say they aren't that realistic either. What makes this drama outstanding and memorable in my eyes isn't the over story, it isn't the result where our girls end, but the characters, the journey they take individually and together. It makes their world feel real and complete. Every new character we meet feels that he or she is playing their main character in their own world. While watching each episode, I found myself having so much to say about each and every character. Everything they did made sense in their mindset. Everything they say had a reason behind it. And the more we discover about the characters, the more the picture feels complete and everything starts making better sense.

Honestly, I could write an essay on each character in the story. None of the characters is perfect, each characters had good and bad points. But you know what the genius is in the end? At the end of the drama, we still have the same people, with the same positive and negative side, yet they felt more at peace and more satisfied with themselves than when we first them. There was definitely changes and development throughout the drama, but it is very subtle and didn't require any of them to change their personality.

While characters individually were all written well, and the relationship between the girls was great and felt the most genuine, when it came to the love relationships, the chemistry wasn't all there, and many times it felt awkward seeing the characters together. Somehow, when they went on dates, it felt like everyone was being pretentious. At times that suited the characters, but other times it felt out of place. It didn't bother me much, though, since the main theme of the story was the relationship between the girls, and that felt the most genuine with the most sizzling chemistry XD

The one thing that annoyed me most was the narration. First of all I just don't like the narrator's voice. And second, it's a wasted effort. In reality, the cast is all very capable, and they were great at expressing their thoughts and turmoil through their facial expression. NONE of them needed someone to tell us what they were thinking. It really annoyed me in the beginning, then I just tried to ignore it.

Before finishing the drama, when I heard there would be a second season, I worried that the story would drag. However, this isn't the case anymore. While the drama ended in a good place and I feel completely satisfied, there is a lot of potential for a second season and a lot more stories to tell. For that reason, I can't wait for it. I already miss those girls!

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Disclaimer: 7.5 is a very good rating for me, don't let that dissuade you from watching this. Grounded Chinese realistic dramas are very unknown overseas because it's rare they get licensed and subbed, and All Is Well is one of the few that people even hear about because of Daylight Entertainment. MDL ratings for Chinese dramas are incredibly inflated and I don't want to hurt this drama's chances by lowering its rating, but I also have a lot of issues with it. Just keep in mind that my 7.5 is probably like a 9 on a typical MDL scale.

Firstly let me say that the acting is on point, no surprise there at all. These are all talented cast who've worked for many years. Guo Jinfei as Su Mingcheng was the overall highlight for me as I felt his character was the most difficult to grasp and had some intense dialogue, many of which were improvised. Of all the cast, I hope he gets some recognition for his performance. They also added a touch of Suzhou culture to the drama by inserting Suzhou "pingtan" (a traditional form of performing arts sung in the Suzhou dialect) that usually matched the scenes they were edited to.

It's hard for me to review this for several reasons. I think most people watching this would enjoy it as a good, emotional family drama. But let's set aside emotional manipulation and convenient plot devices because I feel that's lazy writing. What ruined this show for me was the ending that broke away from the novel's original ending in order not to aggravate TV audience expectations. The amount of toxicity and abuse in the Su family could not have realistically been resolved the way it was in the show. As a result, characters went through typical whitewashing, which I think completely missed the point of the original story and does a huge disservice to Su Mingyu and all people who have grown up in similar environments.

The message this drama passes along is that family is everything and no matter what, you should always forgive family because forgiveness sets you free. But I disagree, I find this message extremely invalidating and oftentimes unrealistic. Letting go of hatred is not equivalent to forgiving those who have abused you emotionally or physically. No amount of whitewashing, no reasons, serve as justifiable validation for people to treat you like trash, ever. Period. You can learn to let go of hatred so that you can free your present self from the grasp that shitty events in the past have on you without forgiving people who do not deserve your forgiveness, even if those people are family.

And that's why I'm conflicted about my thoughts about this. I don't feel like I have the right to decide how other people, such as Mingyu, personally handle these situations. We all choose our own way of moving on and letting go, and at best we can only be supportive instead of judgmental of what makes other people feel empowered and happy. I personally feel that the direction this drama went is rather fantastical and is something more often wished for than actually happens in real life. For a realistic production such as this, I expect less wish gratification and more stark realism. I can only say that in the original novel, Mingyu did not make certain choices she made in the drama, and I think the drama should have at the very least kept the choices she made in the book. Firstly because they make more sense character-wise, even if they are less wholesome; secondly because while I can't make decisions for Mingyu, the original author can and did, but her choices weren't respected. Most Chinese family dramas choose this type of ending, All Is Well did not bring anything new to the table even though it had the opportunity to.

There is also one error in the writing that doesn't actually affect the story, I only want to point it out because this is supposed to be a realistic drama and I really feel like the writer should have done some work here: The entire premise of this story is unrealistic in itself due to the fact that China established the one-child policy in 1980. The Su kids are obviously born after 1980, so yeah. Especially in a major area like Suzhou, given the Su parents' occupations (hospital nurse and school librarian) it's impossible that the Su family could have had 3 children.

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A Must-Watch Omegaverse Masterpiece

ABO Desire is my second favorite Chinese BL after Revenged Love, and it stands out as the first uncensored Omegaverse Chinese BL. It dares to go where most dramas would hesitate, delivering raw emotion, intensity, and a love that burns beyond boundaries.

I absolutely love all four male leads. Each one is stunning and talented, bringing depth, charm, and intensity to their roles. Their chemistry is magnetic, making every scene feel alive and impossible to look away from.

Some people say this drama is too toxic, but honestly, if it were not this intense, it would be just another ordinary romance. The psychological manipulation, the possessive love, and the emotional chaos make it addictive. Every episode keeps you on edge, and not once did I feel bored.

The library earthquake scene is easily my favorite. It shook more than the walls; it shook the soul. Hua Yong throwing himself over Sheng Shao You, shielding him from falling debris, from the weight of the collapsing world, was love in its purest and most painful form. The iron rod piercing his body was nothing compared to the thought of losing the man he loved. Blood stained the ground, but love stained his heart even deeper. If this is not love, then what is.

Hua Yong’s past mistakes were terrible, yet they were born from love too deep to control. His love pushed him to protect but also to deceive, and now the truth tears them both apart. Sheng Shao You’s heart bleeds from betrayal even as Hua Yong’s body bleeds from pain. He pushes Hua Yong away, not because the love has faded, but because the hurt has become unbearable. They drown not in the ruins of an earthquake but in the ruins of their own hearts. The body may heal, but the heart, once broken by love and lies, carries scars that time cannot erase.

What makes this Omegaverse world so beautiful is the freedom it offers. Gender does not matter. Love is simply love. Couples can marry, have children, and live openly. Even Sheng Shao You’s father’s acceptance of Hua Yong felt like a miracle. In so many BLs, coming out brings rejection or heartbreak, but here it brought warmth and hope.

Hua Yong dreamed of that happiness since he was sixteen. He already had a name for their future child—Hua Sheng—with the sweet nickname Peanut. Every detail of their future was painted in his heart long before it could exist. One quiet afternoon, Sheng Shao You told his brother, “I’m bringing your future in-law.” Just three words, yet they shattered Hua Yong’s composure. After fifteen years of silent love, those words turned dreams into reality.

But love, no matter how deep, cannot always protect against tragedy. Sheng Shao You’s brother, Shao Qing, spiraled into debt and darkness, dragging everyone with him. Despite countless chances and forgiveness, he betrayed them again, poisoning his own brother and raising a knife to kill him. Hua Yong did not hesitate. He took the blade himself to save Sheng Shao You. If that is not love, then what could ever be called love.

Hua Yong now stands at a crossroads between mercy and justice, torn between the love he protects and the family he must destroy to keep that love safe. Every choice bleeds with sorrow. What was once a dream of breakfasts, a child named Peanut, and peaceful mornings has become a war fought in the name of love.

ABO Desire is bold, thrilling, and emotionally devastating in the best way. It delivers passion, heartbreak, and beauty all at once. A solid 10/10 in my eyes, and an absolute must-watch for anyone who loves Omegaverse or Chinese BLs that dare to push beyond the ordinary.

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Most of the votes and reviews of this movie from regular viewers are generally between 6 and 8. Mine is not. I saw this movie nearly 10 years ago after a recommendation from a friend. I can still remember not only the beauty in the cinematography, the music, and interpretation of the life of a monk, but also in the wonderful acting and script.

This was a movie that showcased the beauty of life in all it's stages, what the world can show you if you only watch and listen, and how harmonious it can be. This is not a fast paced film, nor is it filled with alot of dialogue. However, 10 years later I still remember this film fondly and look forward to watching it again.

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Watch it for your favorite actor / actress

This is the first review I've written because I find the high rating (7.9 currently) puzzling.
Compared to other dramas of similar rating, I must say this is not on the same level.

I'm fan of the leads, so I'm watching the drama because of them. Unlike other comments, I find the acting more than acceptable (but I haven't read the novel, so I can't say if the characterization matches that in the novel). They are cute individually, but I also agree the chemistry is lacking - despite the cinematographer's efforts into building romantic picturesque scene that's just classically gorgeous (particularly those scene in those last episodes - you know the ones. yum.)

Except those few scenes at the end, the special effect was also horrible in the sense that it pulls you out of the story. The "inner force" is all just fan and wind, and the power feels a bit hallow on screen. The line trap that's virtually invisible is thick as a rope at times, and can just be cut through or repositioned if you're a character that needs to stay alive. It is impossibly deadly if you're a bad guy. The green screen effect and prop so obvious that again it looks more like a school project than a professional production. The editing is choppy. The exact same line repeated in consecutive scenes (as if they filmed it, and didn't know how which they want to use and decided to include both).

The fights themselves are not the most interesting choreography I've seen, and we've all seen these actors execute better fight scenes in other dramas. Every c-drama fight is a dance, but it's like watching a professional dancer dance or watching an elementary school production. The steps are simple - suggestive of a fight more than seeing and feeling it. For a show billing itself as a wuxia, the "wu" (meaning fight) element is surprisingly weak. This got worse in later episodes, where they skip the fight entirely. There is a scene where the character picks up their knifes indicating they are going to fight. The next scene is the bad guy on the ground suggesting there was a fight and the bad guy lost... which leads us to the biggest problem of this story - the writing. The political dynamics both of the court and of the martial arts world were brushed over. It leaves the viewers feeling like all the fights were just random. You're barely invested in the fights. You know good guys will win and bad guys will lose.

The drama has never set any tangible goal for any character. Zhou Fei leaves home for the sake of leaving home - no goals to speak of. Xie Yun's goal is achieved by the end of the first episodes, the rest of the time he's just wanting to live his life. Now, wanting to live his life has been the plot of many leading man, if only there was someone who doesn't want him to do that. But in fact, everyone wants him to just live a normal life and do nothing. So, yeah, our leading man is someone who's entire arc rests on do nothing. One could then say his arc is to support Zhou Fei, but Zhou Fei's arc seems to be supporting Xie Yun. So, again, circling around nothing...

Side characters are largely one-dimensional, and again lacks purposes. So often, I feel like why is that character in that scene? She has no skills and therefore no reasons to join this "mission". Eventually I concluded the actress needs screen time. So, even though there is absolutely no reasons for character x or y to be there, the script put them there because that's where the action is. The acting for some were flat - furthering my feeling of "huh?"

Low music scores because as the show progress, I find the music montages as just a way to fill time. Later episode also had very modern sounding music that pulls me out. I thought I was watching a James Bond movie...

I'm writing this review because I use this site to evaluate what drama to watch - and 51 ep is not a small amount of time. So, if you are fan of the leads, go for it. The plot is simple enough that you can watch it easily in 2x without issues. Honestly, this is a fine show if it wasn't for higher expectations. Had this been a show with no names, no supposedly good source material, and released without fanfare, it would have been just another average c-drama in the sea of internet dramas with rushed script and low production. Some reviews say this is their favorite drama of 2021, I suspect it's only because we're in January...

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My Strawberry Film — When Love Exists Only in the Eyes

Many viewers claim My Strawberry Film is “not really BL or GL.”
But this reaction says more about what we expect from the genre than about what this drama truly is. This is not a story about labels, kisses, or confessions shouted into the rain. It is a story about people who don’t yet have the words to name what they feel. And because of that, it is one of the most emotionally honest dramas I have watched in years.

A Story Built on Echoes, Not Declarations:

At its heart, My Strawberry Film is about how love is inherited, not biologically, but emotionally. Minami discovers that her mother, Mizuki, was once in love with her best friend Kaoru, now married to a man. When an old video of Mizuki is exposed online, Minami is forced to face the truth: her mother’s first love was a woman. This revelation doesn’t feel like a plot twist. It feels like a quiet earthquake. Minami begins to recognize herself in her mother. The same sensitivity. The same emotional intensity. The same instinct to care too deeply, too quickly. Her feelings toward Chika are not random; they are a reflection, a continuation of a story that was never allowed to finish. The series does not frame this as tragedy, but as inheritance: love passing through time, reshaped by a society that has only recently begun to allow it to exist.

Ryo and Hikaru: Love Without a Vocabulary

The emotional core of the drama belongs to Ryo. Ryo is an introvert who has been in love with Hikaru for a long time. But instead of confessing, he does what many queer people learn to do early: he supports from a distance. He hides. He waits.
For six episodes, he encourages Hikaru’s attraction to Minami, even though it quietly breaks him. The camera often places Ryo on the edges of the frame, watching from doorways, corners, behind glass. His emotional isolation becomes visual language.
Hikaru, meanwhile, does not understand himself. He is drawn to Minami because he projects onto her the look he once saw in Mizuki’s eyes in that old video—the look of someone deeply in love. But Minami never looks at him that way. The person who does is Ryo. The playground scene, where Hikaru finally asks Ryo if he has feelings for him, is one of the most painful moments of the series. Ryo hesitates. Hikaru’s eyes fill with fear. So Ryo lies. Not because he doesn’t love him—but because he does.

The Past as a Mirror

Episode 7 recontextualizes everything. Hikaru realizes that Mizuki’s gaze in the video was the gaze of a woman in love with another woman. He understands, perhaps for the first time, that love like this had no safe place to exist 25 years ago. And suddenly, he understands Ryo. When Hikaru finally says that Ryo looks at him the same way Mizuki looked at Kaoru, the series completes its emotional circle. Love has traveled through time, waiting for a moment where it can finally be named.
The final scene is not a spectacle. No kiss. No music swelling. Only two hands holding each other. And that is more than enough.

Why Some Viewers “Didn’t See It”

Many online reactions describe the series as “one-sided” or “not really BL.” But My Strawberry Film is not about resolution. It is about recognition. This drama belongs to the same cinematic family as His (2019), Taiikukan Baby (2008), and Asymmetry (2008)—stories where desire is expressed through silence, through gaze, through what is never said. It trusts the audience to feel. And if you were waiting for visible confirmation, you missed the emotional language the show is written in.

Final Thought

My Strawberry Film is not about who ends up together. It is about the moment someone finally understands why their heart has always been restless. If you thought nothing happened, then maybe you weren’t watching the faces. Because in this series, every silence is a confession.

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All is good up to the last few episode / ending

Story :
I think the main story was good and it was really engaging, really like the part however when it comes to the ending, it became really shitty. I couldn't understand what was going on. It makes sense but doesn't make sense in the way that it just doesn't come together. It felt like they didn't had enough time or money to put in the effort. After ep 20, things start to go haywire imo.

CGI:
Despite it being a show where most of it is CGI, I think it is pretty good. The CGI don't seem too fake like other Chinese movies/dramas. It doesn't look like a 50cent CGI. Feels like a good $2 CGI.

Music :
No Much comment, think it is pretty good. I skipped the intro song and ending songs because it wasn't really that catchy but suits the mood. I binged watch every week once it is fresh out of the oven so I only listen to it once or twice per few ep.

Acting:
I don't know how others view their acting. The ML does has a pretty solid filmography so his acting is ok. The FL, many people complaint about her acting. I think there are quite a few moments where her expression do not tell me anything, particularly towards the ending but overall, I still can stand her and I think she is pretty good looking. The chemistry between them offset feels more real than the chemistry in the show. I felt that at the starting that there was no chemistry and I wanted to drop but I continued.

Ending:
I really cannot stress how this ending is like BOOM in your face. There is no real meaning I felt. It felt like I dropped into a pit and had no way of coming out. Will there be a second season?? Open ending?? I felt like the last 10 eps are kinda waste. of time.
There is no proper ending to the second male lead and the main male lead. The female lead also. Who the fk this master comes over "Hey , I am here to fetch you" Go where????? There is no proper explanation.


There are a lot of questions that I have in mind and I want to know:
1. Where is the FL's real home/ real past?
2. What happens to the ML and second ML now that this FL is going to leave?
3. How the hell did the two side characters (Xwien Ei, Jaoke) came back when they were gone during the fight?
4. What is the master's story? How did he went into that ring and the coming back out didn't really make big sense.

As you watch this show, please remove all your doubts from your head if not you will be like ????

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For a noir film, this is not as dark and complex or intriguing as I thought it would be. It can actually be a mainstream gangster/action movie. So on that score, it was a bit of a letdown for me if compared with say, Hong Kong director Wong Kar Wai's noir films which truly fit that description.

Having said that, G 1970 is thoroughly watchable. In fact I watched it twice. The first time was a blur because there were so many characters, and to be honest, all the men, and there were plenty of them - gangsters and politicians - did sort of start to look like one another after a while which made it difficult to understand the plot and storyline, not to mention having to read the subtitles fast left me a bit confused.

But when i watched it a second time, I enjoyed it much more because the story and characters became clearer to me.The action/fighting scenes are very realistic and well executed; there is a lot of blood and gore. The pace of the movie is tight and well controlled although I think the editing did leave some parts a bit patchy and not as smooth and seamless as it could have been.

Kim Rae Won shines as a baddie but I think this has to do with his "bad boy" look in the first place which makes his character believable but KRW does play his character very effortlessly and it is testament to the good actor that he is. Jeong Jin Yeong who plays Jong Dae's adoptive father is also an excellent actor - very controlled in his acting yet conveying volumes - pain, regret; you really get that he wants to leave his gangster roots behind and live a simple life.

It is tougher to see Lee Min Ho as a gangster, but on the occasions when he is out for blood and you see the anger and raw emotions - that's when he really stands out. It helps that he is not an all out baddie; he did not start out as a gangster and his psyche is such that he would not have been one if circumstances and fate had not dealt him such a hand. So he can be excused for looking exceedingly handsome while wielding a knife. I think overall it was a major transformative role for him and he truly delivered. Aside from anger and ferocity which he conveyed well, he also spoke volumes with his eyes when channelling ambition, despair and emptiness. You have to watch his eyes; it's all in his eyes. All in a great performance for a breakout role such as this. In fact, after sharing his pain and loss as Jong Dae, I had to get a dose of fresh air and made my way to the Innisfree store downstairs to look at his standee (he's their global brand ambassador) - there he was standing, smiling, fresh faced and youthful, with his Kim Tan look and that was when the contrast of characters really hit me, it was like i was looking at 2 completely different people, and that was when I realised he had really managed to change his image for the movie and he had done it very successfully. Forgive me for rambling about Min Ho; I am a fan!

The last scene is very touching, heart wrenching and symbolic and very well done; a fitting end to a roller coaster movie. On the whole, kudos to Yoo Ha and the cast; it was quite a ride!

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An Absolutely Wild Ride!

I went in with ZERO expectations after YouTube randomly recommended me the first episode, and let me tell you, the leads are both absolutely unhinged!

While I love the ML, the FL stole the show for me! This lady is no damsel in distress. If anything, she’s the one causing others’ distress half the time lol and is capable of saving herself and the ML too. They are logical to an extent and think like normal human beings, which I really appreciate.

FOR ONCE, we have an ML with a functioning brain, who does not welcome the supposed dead lover back with open arms and actually asks the FL for cooperation to check if this randomly resurrected chick is sus or not. Them acting like a couple in love absolutely cracked me up. From the looks of it, the ML probably enjoyed it a little too much and has no qualms choosing the FL over the random gege-ily-back-from-the-dead chick.

The ML and FL team up quite often to break open conspiracies, and it’s so nice to see the FL being the one with the loose screws. And the ML absolutely knows that, which makes their banter absolute GOLD! (especially when they’re offing people who offend them)

The chemistry is through the roof sans the usual violence in the name of affection. There's consent asked and given once they move past the murder-y phase. Not to mention, it’s an enemy-to-lovers done right where the ML was ready to off the FL in the beginning for supposedly causing his GF to die. But once he figures out something is fishy, he not only helps the FL find the truth about her cheating BF but also helps her punish her stepmom. All the while he’s still doubting her lmao

And they both don’t give two shits about the yappers around them. The nosey sister, the domineering grandmom, the slimy brother, the spoiled child princess, everyone is background noise for them to use at their convenience and dispose of as required.

But there's character development and I actually ended up feeling sorry for the 2FL. The whole diary thing was kinda random tho but okay. The SIL became FL's follower and the grandmom sorta just accepted the situation and gave up. Yay for that honestly!

I do have an issue with them letting people go rather than dealing with them, but they all do get what they deserve, and most of it happens in things seemingly unrelated to the leads, but totally within their purview, which makes for an interesting watch. Because they know how to borrow others’ blades to deal with others, and not directly get involved and tarnish their own reputation.

The ending 3-4 episodes were kinda weird tho. It was almost like the writers forgot they had a bunch of episodes left and ran out of ideas once the 2FL's identity was exposed. The push and pull didn't feel authentic since the ML was very much making heart-eyes at the FL but suddenly had an identity crises after the diary was discovered. Again, kinda weird, since it would've made sense for the ML to be confused about his feelings during the early episodes since he was supposed to love his kinda-dead GF but suddenly felt drawn to this girl who spoke and acted in a familiar manner. But once the FL had the epiphany that she liked this guy, she was very much committed to making them a thing. Gotta respect the hustle.

The swapped person plot was very reminiscent of the coroners diary and kinda felt being thrown in for shits and giggles to pass time. Maybe they were a 20 episode drama and had to extend last min. Never-the-less, the ending was decent so I'll let it pass.

Was quite worried the FL would probably sacrifice herself with all the assertions of loving herself the most (coupled with the ML's love of letting the antagonistic brother just go) but I'm very glad they proved me wrong. She really does have foresight and is well prepared for all the shit that might go down so props to her.

I’ve previously seen the FL and my god, she’s improved by leaps and bounds. Haven’t seen much of the ML’s work, but he’s definitely on my radar now.

All in all, it’s an amazing watch, especially for a mini-drama, and if you’re looking for something with minimal dog-blood plots with sensible leads who have more than one brain-cell between them and actually TALK to each other instead of making wild assumptions from thin air, you should definitely check this one out! Kinda surprised it hasn’t blown up much, but I guess limited availability could be a reason too. Hopefully, we get better subs in the future :/

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Moments of brilliance, buried in mediocrity

I approached "Love in the Big City" both eager and guarded, as one who steps into a garden rumoured to bloom with rare flowers, dreading the thorns beneath. And indeed, my patience soon withered/waned under its oppressive sorrow and despair. A suffocating pall of misery clung to the gay characters. The very air seemed heavy and coagulated. And yet, I cannot, in good conscience, deny the actors their due. Their performances were of such distinction, such disciplined passion, that they elevated the poor script

Of those who graced the stage/screen, Nam Yoon Su did shine with a peculiar radiance. His readiness to partake, without the least restraint of feigned modesty or hesitation, in the delicate and tender manifestations of carnal affection between men, was an uprising against the profane doctrine of homophobia, gnawing ever at the fabric of society. Each kiss, each quivering proximity, was a venture into the "forbidden" and a courageous unveiling of a man's innermost self before another. Stunned I stood, for here were men, yielding mutually and entering the blessed harmony where desire is met with desire, or flame answers flame. Few were the sights that could rival the fair and beautiful scene

Having paid homage to the commendable virtues, I must, with sober and judicious mind, now dissect the manifold imperfections of "Love in the Big City." The narrative faltered at its threshold. Therein, a "straight" identifying woman, she whose eyes roved with lecherous and unbecoming intent on men, trespassed into the charged social space of a gay bar/club, a haven purposed for the free and boundless flowering of same-sex desire (31:07 of episode 1). This is no mere lapse in judgment, but a flagrant assault on the sanctity of single-sex spaces

What cause had the authors and producers for the unceremonious reference to HIV? HIV is not divine chastisement or a gay disease. The military doctor's diagnosis presumed a manner of transmission he himself deemed improbable. "Are you a top or a bottom? The truth is, the chances of spreading HIV to a sex partner are low" (39:50 of episode 5). Whence we may conclude that to afflict a gay character with the blight of HIV, while all else in his life proceeds unimpeded by the ravages of the disease, notwithstanding its low transmissibility or the accessibility of "curative" measures, is to commit an injustice altogether superficial, contrived to stir the blood of the audience and cast aspersion on the inclinations of gay men

Methinks it a wearying contrivance that "straight" identifying women are the sole passage through which the lives of gay men are revealed. A stranger to the sting of homophobia befriended a gay man and claimed the right to utter his sorrows. Is his voice feeble? Can it not speak for itself? Or is it that the ears of society are closed to the truth, unless it be spoken by one it takes to be "safe" and unthreatening to the established order? Be that as it may, the time is ripe for gay men and gay women to gather in brotherly and sisterly concord and recount the trials and joys of their lived experiences. They could find in one another a steadfast, compassionate friend

Evermore were the gay characters denied the solace of a blissful end. I marvel not. From the dawn of civilization, gay existence has been granted provisional legibility within the public sphere on condition that it be sentenced to a life of bitterness, celibacy, or exile. The possibility of societal tolerance rests on the disavowal of collective joy/happiness, the desexualization and deradicalization of same-sex physical intimacy, and the proscription of a viable, enduring future

There is an urgent need for narratives in which gay joy/happiness is the norm, however much they strain against the limits of the prevailing regime of plausibility. It is in their defiance of said plausibility that we can affirm the radical banality of gay flourishing, a mode of being so simple and unremarkable in its presence that it precedes the demand for justification

TL;DR I have, after deliberation, settled on a score of 6/10

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