Reviews

This is like a fine dining experience - to be savored and remembered. It deserves an 11/10.

Nirvana in Fire is an exceptional drama by any and all standards - nothing else I have watched comes even close to surpassing it. It truly checks all of the boxes in terms of a complex plot, an incredibly talented cast, excellent screenplay, well executed action scenes and overall movie-like visual impact and production quality.

This is the story of Lin Shu's single minded quest for justice and reform. His father, a powerful general in command of the 70,000 strong Chiyan army is framed as a traitor while away defending the Liang state. Victorious but battle worn, he is slaughtered along with his entire army before they have a chance to return to the capital. Young Lin Shu barely survives and re-emerges 12 years later as Mei Changsu, the mysterious leader of the powerful pugilist Jiangzuo Alliance. His appearance is completely altered and he is a sickly, shadow of the vigorous young warrior he used to be. He returns to the capital amidst a power struggle between the crown prince and his brother Prince Yu as the Divine Talent, a brilliant strategist regarded as an emperor maker. He plays them against each other and is on surface allied with Prince Yu while he surreptitiously advances the out of favor Prince Jing. The complexity in the plot arises in the brilliant and occasionally cruel strategies he employs to uncover the full extent of the conspiracy and all those complicit in his family's murder as well as to advance Prince Jing's position. This is not a story about revenge, it is about justice. It is also about reform as justice is worthless without reform. Making abiding changes to the court and the system that would be overseen by a just and moral ruler was an equally important outcome to Lin Shu/Mei Changsu. To achieve his mission, he had to do many things he considered despicable. Cleaning out the corruption in the court was the only thing he could do to make the senseless massacre of his family and comrades in arms mean something.

This is an impossible show to binge watch - I can at best get through two episodes in one sitting. We learn from the get go that Lin Shu is living on borrowed time. That imbues the drama with an omnipresent sense of sorrow and inevitability that grows as it steadily progresses towards the end. Whenever the mood gets unbearably heavy, there are welcome moments of brilliantly timed comic relief. The first episode is probably the most difficult to follow as most of the key characters are introduced all at once .Thankfully there are many excellent character guides online that are super helpful in the beginning. There are no unnecessary characters in this show; each one was brilliantly cast and has an important role in the unfolding storyline.

The role of Lin Shu/Mei Changsu is a complex one and not at all easy to play. This was without a doubt Hu Ge's defining role and he just killed it. Time and again he was able to subtly convey a multitude of intense emotions behind a superficially stoic expression. As Mei Changsu the strategist, he was brilliant, ruthless, calculating, Machiavelli and breathtakingly cruel when necessary while battling his self-loathing for the person he was forced to become. He is filled with longing, regret and fear of discovery as he re-encounters his former love, friends and relatives under this new identity. He masterfully portrays a callous indifference that masks unbearable hurt as his actions and morals are misunderstood by his best loved friend. As they inevitably begin to recognize his old mannerisms and think the unthinkable, he cannot help but tease them with the truth before skillfully evading their suspicions. The chemistry between Lin Shu/Mei Changsu and the rest of the cast and in particular Prince Jing (Wang Kai) is mesmerizing. Twelve years later Prince Jing still misses Lin Shu, his boyhood friend and cousin and was never quite convinced the Lin family could be guilty of treason. Despite his contempt for Mei Changsu's lack of moral scruple, the principled Prince Jing's soul knows him and he is eventually drawn into a strong and touching bromance with him . Equally moving were the rare smiles, flashes of humor and fatherly affection that emerges when Lin Shu/Mei Changsu teases Fei Liu, his lethally skilled and fiercely loyal boy protector. Despite his crushing physical weakness, he desperately lies to shield his loved ones from the extent of his suffering and true condition. I found myself grieving for not only the lost friendships and love affair that could have been but for the Lin Shu that Mei Changsu can never become again.

The character development in this drama is so sophisticated and multi-layered that even the worst villains of the piece are to evoke a sense of pity for their human failings and have some redeeming aspects. The story builds towards an epic climax that sees Lin Shu/Mei Changsu confront the person ultimately responsible for this terrible and unforgiveable betrayal. Both actors in this final showdown were phenomenal but I think the tyrant's rant from rage,to hubris, to denial, to defeat , to defiance and then finally to almost but not quite remorse truly blew me away. It is in this encounter that Lin Shu delivers his most excoriating, most tragic and and most damning indictment -"If you knew your son you would never believe he could betray you. If your son knew you, he would not have refused to believe you betrayed him." The script writing is powerful and we are treated to many emotionallly loaded lines but for me, this one was the one that summed up the root of the tragedy and made me weep for both of them. But Lin Shu/Mei Changsu was beyond tears. It is this ability to convey bottomless sorrow without shedding a tear that made this Hu Ge's unparalleled performance.

{Warning - Spoiler ahead]

I love it that this show pretty much ends after the climatic peak with most of the loose ends tied up well ahead. Even though we know from the very beginning that Lin Shu/Mei Changsu dies, it still broke my heart. Nonetheless, the drama comes to a very fitting and satisfying end. While this was an enthralling, immersive journey from start to finish, I think I need to take a break with something less intense. I suspect this will remain the very best drama I have ever seen for a long time although I still love Ten Miles of Peach Blossoms best.

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Is it camp though? GAP and the messy politics of lesbian representation

We did it folks, Asia’s first full-length Girls Love. There is a lot to say about what GAP represents. As the name suggests, this was an earnest attempt to well, close the gap for lesbian representation in Thai cinema, which is mostly known for its variety of BL content. It's a groundbreaking drama that's breaking barriers for sure, but did it break the mold of mediocrity? This review will be a wild ride so let’s strap in (no pun intended!).

I’ve been advised to go easy on this drama and I will do my best. I fully recognize what GAP means and represents for Asian sapphics, and I also recognize that no one involved in this was going for art-house cinema. And I myself am also not immune to charming cheesy trash. But I can’t write this review without addressing GAP’s quality in some capacity.

Since I am trying my hardest not to lose my lesbian-license it might be a good idea to ease in with the good stuff:
GAP’s cinematography is a bit of a hot mess but it does have its more stylish moments. Surprisingly enough those ended up being the sex scenes. I genuinely felt like these were the visuals that the director put the most thought into (I will not comment on how I feel about that) and I appreciated that GAP didn’t feel the need to dial the steaminess down just because it featured two women instead of men. This was an aspect I had been largely worried about before GAP even aired. If BLs are produced primarily for a female audience, would that mean GAP would be produced for a male audience? The fact that the director/producer was male, didn’t ease my concerns. I feared that what I would be served was bound to be a product of sheer fetishization. But I also did not want GAP to feel sexless, just because it had female protagonists. Women having sexual desires is cool actually. Well, I am happy to report that I actually had no issue with how GAP portrayed lesbian sexuality. The male gaze might be impossible to escape but it was subtle enough that I, a bitter lesbian, could still get something out of those scenes.
I struggle with critiquing an actor’s performance, especially if it’s in a language I am not very familiar with, but I will say that Sam’s actress Freen brought a lot of charm and humor to her role. Sam is a bit of a bitch and while I don’t think that her character was executed brilliantly, I also recognize that a lot of measures were taken to make her more likable, which is an effort I can appreciate. One of those was making Sam sufficiently awkward, something that the actress embodied pretty well (maybe because she did feel a bit awkward, who’s to say). I appreciate this effort even more so, after I have been informed, that Sam actually behaves a lot worse in the source material. I think softening those edges was the right move for sure. But script changes aside, I thought that Freen’s characterization came across as charming either way. Charisma is a difficult thing to evaluate because it’s very subjective and also innate to a person, so it might be something that you can’t really praise someone for but I do think that Freen really did the absolute best with the material she was given.
I don’t want to imply that my favorite aspect of a lesbian love story was a male character but I do have to earnestly commend the show for Kirk. The show’s main antagonist is Sam’s grandma, someone so comically evil that all that’s missing is a big mustache she can twirl. Kirk is not that. In fact, Kirk is the guy that everyone at the office loves. Someone that at first glance might even seem like an ally. The guy your friends insist you should marry because he seems “like one of the good ones”. And Kirk is an absolute douchebag. This was a character that appeared likable, had solid motives for the way he behaved, genuinely believed he was doing the right thing, and he still managed to be a huge asshole in a way you had to build up to. Kirk didn’t “suddenly turn out to be evil” because he isn’t and he never has been. But his crime was entitlement. He believed he was entitled to the company as he believed he was entitled to Sam. It’s, dare I say, an attempt at social commentary, that managed to be both subtle and effective all in a show that tended to be painfully on the nose. Kirk as an antagonist amidst the mess was truly a breath of fresh air, I think the casting choice was also great. Choosing some BL-heartthrob to portray him was the right call.
I guess as far as representation goes, this is pretty solid. We obviously have two morally dubious sapphic disasters for our protagonists but we also have one trans woman who is not entirely played for laughs (and one that is….) and a butch/masc lesbian which is something you rarely see on TV these days. None of these characters are entirely “unproblematic“ representation but that is also such a boring standard to uphold so I can live with a little messiness if it means that we get a more diverse cast.
This is such a small thing and I am not sure if it even was intentional, but the OST when something 〜shady〜 was going on and when Sam and Mon were getting down to business were pretty much alike. This furthered the impression that their relationship was a bad and ominous thing that was happening. This might not have been what the show (that presumably is first and foremost trying to be a love story) was trying to imply, but since I have been blessed with both eyes and a brain, this was a conclusion I inevitably arrived at. The OST seemed to point at the concept that Sam’s and Mon’s inherent toxicity was supposed to be text instead of subtext, which I thought was neat at least.

The bad:
One fun fact about me is that I have severe scoliosis and awful posture which is why my physician ordered me to do extensive physical therapy for an entire year. This painful progress might have been erased entirely by sitting through this show as I had to watch it with my head permanently tilted. I am not exaggerating, nearly every second shot of GAP is a Dutch-angle (tilted picture). Sometimes this made sense. A Dutch-angle creates a certain uncomfortableness, an eeriness if you will. Also: Sam is in a higher position than Mon. The scales are tipped. But more often than not this was a creative decision that puzzled me. It’s obvious that the director just thought it looked cool so he decided to use it ALL THE GOD DAMN TIME WITH NO THOUGHT IN MIND. I thought about making a drinking game out of it but that would have been a genuine health hazard.
What is it that this company does? This is an office romance but I m not even sure what this office is ordered to do. Something something social media something something. I wouldn’t care about this if it didn’t play such a big role in the overall plot. Also: Sam wants to keep her company and we’re supposed to think that she is deserving of that but we never see her work ever. It is implied that she is harsh on her workers because their performance determines whether she can keep living her life or will be married off. Well girl, how about you do some work then? I get it, it’s inherent to the cruel nature of the exploitative capitalistic system that the CEO never does any actual work and only leeches of their employees so this is quite accurate to real life but GAP is a silly romance and I am supposed to root for the undeservedly rich. I can’t do that if I never see Sam actually achieve anything. Every little success is due to the work of someone else and it’s not because of her management style but despite of it. To a wage worker like me, this is quite the hard sell. And I actually kind of like Sam and for her to be a bitch and a bad boss at the start of this show is fine, but we never see the needed character development from her. Sure, she warms up a bit, but arguably not nearly enough to excuse her prior behavior.
Sam and Mon suck. Not nearly as much as individuals as they do as a couple. It’s not so much that they’re unhealthy, I think the show knew that to some extent and I don’t think all love stories in fiction need to represent what is desirable in real-life. It’s more that they were… annoying? Which is a weak criticism, I’ll admit. But their constant bickering never seemed worth what they were getting out of the relationship. I was never sold entirely on their love. They had chemistry, sure, but that is very little to build a relationship on. If this was supposed to be a fatal-attraction sort of deal where they cannot keep away from each other despite how unhappy they make each other, this drama also failed to address that in a productive way. I like messiness and flawed, dumb people (I myself belong to said demographic), but Sam and Mon only seemed to always reunite because the narrative needed them to. Not because they were good together or it seemed like something either of the characters would want.
The sound quality was pretty atrocious in a way that I can't explain how it even got like this. Some passages of dialog were completely fine while others sounded like they were recorded with a fork. But I am not a casual lakorn-watcher and I have been informed that for a production of this size and budget, this is quite normal so this is probably just something you have to get used to and I am willing to let this one go.
I want to address the plot but it’s difficult to critique something there is so little of. Which is fine, intricacy is not what anyone watched this for. I guess the story is best described by things happening. One thing happens and then another one. Are those events correlated? Who is to say. But things certainly kept happening, that’s for sure.

So, is GAP an amazing show? God no. Is it an okay show? Also no. Should you watch this? I don’t know, I honestly don’t. I don’t know if I am capable of celebrating something solely for what it might represent. And I can’t recommend this show no matter which framework I use to analyze it. But yet I find myself wanting to. I once wrote that there are two schools of thought when it comes to LGBT+ representation: Either “we want stories that represent our experience, even if painful at times” or “we want access to the same rom-com escapism that heterosexuals get”. And personally, I see value in both. The problem is that I don’t think that GAP managed to deliver either one though I can certainly see attempts in both. There are some hints of social commentary and there definitely is the over-the-top rom-com storyline. But GAP is not good, it simply isn’t.

Is it camp though?

Define “camp”, please. Well, camp describes “art or entertainment that deliberately does not follow traditional ideas about what is considered good in order to produce a humorous effect”. The two types of camp that exist today are purposeful camp and unintended camp. As the name implies, intentional camp refers to the purposeful use of camp in humor. Unintentional camp results from naïveté or poor quality or tastes. It’s “so bad it’s good”, it’s the love of the unnatural, artificiality and exaggeration. This sounds like an insult but truth is that camp and the LGBT+ community have been intertwined from the beginning. Being excluded from mainstream society and mainstream art meant that we had to create our own. And this is where we got our ability to celebrate the ugly and weird. Camp evaluates tasteless kitsch whereas the bourgeois feuilleton high culture scorns it. The camp's level of sensitivity ranges from intense adulation to sardonic, disinterested amusement. Therefore, the definition of kitsch and camp is mostly subjective. And in my subjective perspective, when I look at GAP and see the nonsensical plot, the questionable performances, the Dutch-angles, the fake crying, and the constant yelling, I see camp.
Is this too little of a basis to recommend something? That is up to you but this is the hill I choose to die on.

I understand why so many people needed this to be good. One of my first comments on here reads “If this show turns out to be bad, I will simply gaslight myself into thinking it’s good”. It’s not just the lesbian representation, it’s the longing for a story that is not dependent on men. And now that GAP failed to be even passable, there is the fear, that no one in Thailand’s entertainment industry will ever try again to produce a WLW-story. But truth be told, I think we will be fine. I have never been a BL-watcher but according to all sources, Asia’s first BL was absolute dogshit and yet the genre found its niche. More importantly, however, while successful representation is undeniably incredibly important, social progress comes first. Good LGBT shows, books, and movies have always followed social changes in the real world, not the other way around. As East Asia becomes more progressive, the entertainment they produce will inevitably diversify. But we shouldn’t put our hopes and dreams in these capitalistic constructs. Our liberation should not be dependent on how much money people can make off us. Instead of hoping that rich men in production companies tell our stories we need to get out there and fight for the rights and resources to tell them ourselves.

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unfortunately pretty much a failure

I went in this with not much expectation with that kind of plot and it ended being worst than expected.

So, let starts with some positive points before my rant :
- I actually like a lot the costumes and styling
- acting was okay
- music was okay
- not really good, but still a happy ending
- the friendship between the ladies and the guys
- side couple : this romance was pretty good, I liked the flow of it, but not enough scenes in my opinion. they sometimes disappeared for episodes and they were some of the only interesting parts. How it started as arranged marriage, but affection, trust and love gradually came
- I like ML’s mom relationship with him and FL

so now the rant :
- SML and « Love triangle » : what a pain to watch and it lasted for more than 30 eps. SML was the literal third wheel and the leech that you can’t get ride off. he was the kind guy, but why did he had so many screentime and always appearing. At time, I was like finally a scene with the leads, but didn’t last long before he appeared. Don’t get the people who wanted FL to end up with him, she never liked him, she rejected him and he still wanted to try ? and he wasn’t minding his business. Him confronting ML and that like deal they made, so weird. ML accepting that was weird too. But no wonder some liked him better, he had a lot of screentime with FL and they made so little importance on the leads for a while. I was happy when he said to his aunt that it was a misunderstanding (the edict for marriage) and that he wanted to annul it, but the next scene of him talking to FL, after she said it wasn’t possible with ML, he started talking about her giving him a chance, etc… (I honestly fast-forwarded, don’t know what happened after). Can’t believe this guy🤦‍♀️🤦‍♀️. even if ML didn’t existed, she wouldn’t like you. when she had no memories, she wasn’t attracted to him or feeling, it was only friendship. he didn’t had much to the story at all, his only purpose was what, helping FL ? Something he did to help could have been done by someone else, like saving ML in prison, in the end the dad acted.
- The amnesia lasted way too long, more than 30 eps. And after that, the leads broke up and it was just annoying. I can understand a bit FL, but she was still annoying. I thought after knowing she wasn’t his sister the story would progress more, but not really
- way too long, this didn’t need to be 40 eps. Boring and not interesting for most of the drama. Feel like nothing was happening, filler and boring side plot to the detriment of the relationship between the leads that wasn’t well written and not enough scenes or whatever. They were playing brother and sister for too long and not enough build up for a good romance, just like The Rise of Ning in which the romance was disappointing. Should have cut out that whole love triangle with ML’s mom or the third couple who in the end gave nothing interesting. It was only kinda weird that whole thing with his mother, they even edited out their kissing scene. and some side plot along the way and SML. Feel like maybe not enough focus on the case of ML's mentor or FL's family massacrer in general
- feel like they could have had good chemistry, but it couldn’t shine brightly. Kissing scenes were okay at best. they got back together end of ep 37. so they were together for max 5 eps ? I skipped some parts, don’t remember but dating era was short lived before the breakup. they had some few scenes that succeeded at making me smiles and that weren’t too bad. Another drama marked as romance that has almost no romance
- the last few eps with the revenge, the prince trying to take the throne, etc… were nothing exciting
- Poor choices from the director. I read scenes between the leads were cut and even the side couple. Just like in the last episode. FL « the bride » is here to snatch ML, but they edited it out??? ML is talking to that guy and next is them in the bridal chamber after the wedding that was never shown. What a big disappointment. And then, they talk and she’s like someone is missing, your sister. That was unnecessary dialogue

the leads character were okay to me. Never really disliked the ML like some comments I saw.

this drama is one of the worst drama I watched this year. This is not a drama to binge watch, watching it while it was airing everyday and watching at 2x made it more watchable

anyway, don’t watch this if you are a romance lover and you plan to watch this for the romance

the thriller part and revenge wasn’t much better

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A film of two halves

The good bit is the first half:
So this film is amazing at the beginning - a brilliant "get the team together and do amazing things, nice guys finish first, rise over prejudice and have fantastic adventures" romp.

It looks excellent, the characters are really well realised, the dynamics between them are believable and for a change the writers show, don't tell, us who the characters are and what they are doing.

Then they kill off every single substantial female part one by one until we are left with a pretty naff mystic who disappears... and like it's 1973 the members of the team with a uterus die so the men have a reason to keep adventuring...

I just can't even...I loved it and then *sigh*

If you want to watch this, watch it until they get to the Mystic Forest then bug out of there and make up a better ending in your head.

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FEEL GOOD DRAMA AND ALSO CUTE!!!

This drama is so cute bot visuals and the storyline....This KBL has come after a long time and the wait is literally worth it.....Korean BLs are having a moment this year as they keep releasing one hit show after another. If you are done with Eighth Sense, Semantic Error and other KBL's and are looking for the next show, A Breeze of Love is here to watch!

For those who don't know yet A Breeze of Love is adapted from the “Weather Forecast Love” webtoon. The show tells the story of Ban Dong-wook, who has insomnia. His condition gets worse, especially on bad weather days. On one of these bad days, he coincidentally meets Lee Do-hyun, who becomes his haven. Soon, Do-hyun develops feelings for Dong-wook.

Unfortunately, his confession goes awry, and misunderstanding festers between the two. Fast forward to five years later, the two meet on campus and try to fix their broken ties..........


[THIS PART MAY CONTAIN SPOILERS]

I Really liked the first episodes. The close-ups, the camera work, the lighting, are all peak K-romance. The boys are gorgeous and they can act - we already have a good idea of their characters and the chemistry can be felt the moment they face each other.....also props to the girl who help them meet much faster 🤭
this one's cute haha especially Dohyun broooo he such a cutieeee so as Dongwook......also I was expecting that this one would be like " A Shoulder to cry on" (having no kissing scenes) but your bro is shocked when I saw that there is!!!!! I immediately screamed like omg that's such a memorable scene 🤭 the atmosphere, the feeling, the- AHHHH hahahah and also I think the title change for this one (well) it fits with the drama....no stress or whatsoever hahaha so if you are looking for a 'feelgood' drama that also has an aesthetically pleasing cinematography I'll recommend this to You! 💯🤍

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I have never seen In Time with You so I am not writing this in comparison. It is really hard for me to rate this drama. I absolutely love dramas where the man loves the woman from the beginning through every thing. Although this drama has that, it is so boring. I don't expect action or anything like that. I have watched many romance stories that I found moving and lovely. I didn't FEEL anything while watching this. I didn't even care if they ended up together or not at the end.

Ha Ji Won and Lee Jin Wook are good as Oh Ha Na and Choi Won. They have a good chemistry and it is fun to watch them fight and laugh. I don't know who Yoon Gyun Sang is, but he is the male version of an actress that is stone faced. He doesn't have much experience. So, hopefully he will get better. Ha Na's parents, brother, and friends help make the drama more interesting and better. I really liked when she would discuss her life with them.

Personal: I gave this drama a higher score because Ha Na and her mother spend the night in a hotel talking and it reminds me so much of spending time with my own mother. I love that scene the most and I will probably rewatch it over and over. I miss my mom, but that episode is some how comforting.

The music is good.

I won't rewatch this.

It is pretty ok as a light romance.

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I don't know why this drama hasn't got more fans. Personally, I thought it was very well acted, modern, with a lovely photography and enough romance to satisfy the romantics among us.

The plot is neither shallow nor particularly predictable. Until the end, the viewer does not know if the romance between the leads will have a future or not, because apart from the age difference - which isn't that big anyway - there are other, more important obstacles: opposite stances towards work and life in general, different social status, dissimilar goals. The good aspect of this love story based upon differences is that both learn one from the other. It's not the dramatic change of one of them overnight, in the name of love or another equally unrealistic reason.
The best part of the plot lies in the dialogues, though. They are clever, at times hilarious, at others quite deep. I loved learning of the process behind the creation of an advertisement, and why those people are often referred to as "the creatives".

The acting was very good, although I must admit at not having been swept away by Itoh Misaki's performance. There were times when she felt wooden and unconvincing. This lowers my acting mark to an 8, which would have been otherwise flawless, since everybody else did a great job, including Kame.

The music isn't my favourite, but it was chosen with great sense and is very fitting with the story told and the setting.

The photography deserves a mention too: there are some beautiful screen shots throughout this show. I can still see them with my mind's eyes today, more than 4 years after I've watched the drama. They are meant to create a visual pattern, parallel images which create a nice contrast between the incompatibility of the two main leads in the world of words, and the harmony between them on a more emotional level.

I will rewatch it. It gave me an energy shot at the time, therefore I keep it for future need of the same.

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I already finished the drama I just go back and re-watch watch it that is how good this drama is. I like this drama because of how the acting and setting out is done it's perfection the actors and actresses all knew what they needed to do no mistakes in the drama. Some dramas you can see the mistake but this drama is nothing. All the casts who are the characters are all top notch they all suit the role they were given. The music and scenery really gets yoy because of how beautiful it is.

The one thing I'm confused about is they never really explained why was there another Xun'er in the villain valley.

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It's for you only if you do like comedy

first of all it's not actor's fault, I'm sure they're doing their best, but this idea was bad since the start.

Is not easy to scream 99% time, but Yim has to do that for this role, what a waist!

I love the cast, but I also think they're ready for a serious story, with drama, maybe sensual scenes, I don't really know.

Unfortunally I'm sure I am not the only one disapointed with the choice to still in Bed Friends universe, because the production made it poorly.

Uea was sofiticaded and his boyfriend was warm and savage, we loved that, but now they are not interesting anymore, a truly shame.

Again, I loved the cast, even the two new ones, hopefully they got more elaborated roles in future, so I can have a great time watching them unshowed skills.

Give it a try, if you was able to giggle in the first episode, I think you can watch it without any problem <3

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Disappointing. It’s visually stunning, music is great, but that’s it.

I’m disappointed. The story is not good. Or maybe I just expected so much from the glimpse I had from the music video and reviews here.

The music video of Park hyo shin’s ost is a way better story than the entire series. It’s unnecessarily long just to keep dragging the episodes to showcase the beautiful cinematography.

Story: Why so long? Is it to cater for the countless slow motions and CGI? Or is it to make it seem like a big shot kdrama? Most of the scenes are empty, the order of the series is a mess, maybe they were just trying to be more historically accurate but if then they couldve just made a movie. The war that I was expecting for the last episode actually happened in the first episode, and it was just a glimpse. The feeling of patriotism that I’ve been waiting for was concealed in a very short scenes, then the lovestory-filled ending came up, then the end.

Cast/Acting: I don’t buy the main leads. Why does it have to be Lee byung hun? He might as well became the father figure for the main female lead. I could see hyun bin as a more fitting cast for the character. Kim tae ri, okay so many better actress to portray this role, but I can forgive this. The rest of the main leads, perfect.

Music: One of the best soundtracks in kdramaworld. Thank you Park hyo shin and Baek ji young.

Rewatch: No, because it’s so long and empty, I might actually fall asleep. Actually I did fell asleep so many times while watching this, I just woke up one morning and the entire series has been streamed out. Lol!

Overall: Very disappointed. Unlike the claims of other fans about this drama as patriotic, historical etc. it actually focused on the lovestory of the main leads, the main leads as in the five main leads.
There are only three good things about this drama.
1. The cinematography
2. The music
3. The mourning scenes in ep 20.

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Who knew forbidden love could be so romantic? On the way to the airport, or the way i want to see it, on the way to happiness was simply beautiful and so elegant despite the controversial concept it is about.



Let me break it down for you, the drama is about 2 beautiful loving soulmates who, by the time they meet, they already have settled down for the wrong people. The drama is about true and fated love, but in its core it talks about putting yourself, your needs first and choosing your own happiness over everything and everyone else. We deserve to be happy and nobody is entitled to strip us of this right!



Yes the drama, on the surface, presents 2 married individuals who, because of different personal circumstances, fall for each other. Don't let this drive you away from this drama. The affair is introduced in the most romantic way possible without being glorified. It's not filthy in any way, quite on the contrary i'd say.



What made the drama stand out was easily the chemistry between the leads. Not the best i've seen but enough to charm you and make you get lost in the sparks. However, the best of the drama for me was the characterization. Seldom do we see such 3D, deep and well-rounded characters that feel like real people. This is one of the dramas that you have to read between the lines to properly comprehend that is going on and why. Many's the time i felt frustrated by the characters' choices and decisions, but this is human nature, scarcely logical sometimes. Moreover, i loved how even the "evil" characters had many layers but if you tried walking in their shoes you could understand where they were coming from, even if you still disagreed with their course of action. Good writing.



Sadly the drama was cut 4 episodes shorts and significant part of the storylines along with some characters were left unexplored. Still the writers did their best to complete the drama is a fulfilling way.



The drama is so natural, based completely on emotions and feelings, the plot devices for the story to unfold are strong and it is never really dragged or anything considering you're into romance and melodrama. However, there are certain drawbacks that refrain me from giving it a higher score.



First and foremost, i feel that the writers were really scared to actually go for it. The build up is there, the reasons, the excuses, the plot that is getting thicker and thicker, the chemistry which is sizzling but there is no climax. Generally the drama lacked the intensity that was needed sometimes, but the drama was special because of its mellow and calm nature. That being said, this aspect of the drama may make some viewers feel a little bored.



Story wise, the drama was solid, i only wished it wasn't so subtle when it came to the affair and also that they wouldn't deem some characters so evil just so they make other character look favorable. Too fake in my opinion.



Continuing to the acting, the overall experience was quite spectacular.

I've seen Lee Sang Yoon in other roles, wasn't impressed. Apparently i hadn't seen his flawless puppy eyes that he so effortlessly demonstrates here. Emotional and passionate, he pulled of his character impeccably.



Gotta hand it to Shin Sung Rok, for being a complete asshole (jn yet another drama i've seen him in). Takes talent to become the perfect antagonist and act like a complete jerk so realistically. His character was rather unemotional and shut down. It takes talent to act as an unemotional jerk and still pour part of your soul in the role! Luscious performance. An actor for me to look out for.



My personal favourite is, hands down, Choi Yeo Jin; the actress deserves more credit, she's been amazing in every project i've seen her in, but she shines here. Loved her character and the friendship subplot that she introduced, she was strong and intelligent and yet so loyal and dependable. Relateable and loveable.



My only issue was with Kim Ha Neul. Not that she was bad or anything, but i did feel that she overacted a lot especially while crying to the point it was fake and, moreover, i couldn't really relate to her in certain scenes while the plot was crafted so conveniently that anyone should have been able to excuse her and identify.



Overall, this is a good watch. Considering this is a melodrama it's not overly heavy, just the right amount. I'd recommend this to melodrama and especially romance fans. Be warned that the romance is not cute and fluffy here, but it is fullfilling (the chemistry is one you don't want to miss out on) in case you want to see something more "serious" let's say. I doubt i'll rewatch this, but it deserves a try.

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A basic romance movie done well

It was surprisingly really fun?
I was excepting the basic high school romance movie, with its cute moments, way too dramatic third part, rushed storyline, and nonexistent secondary characters, while still being entertaining enough, but it was not.

It doesn't reinvent the genre or anything, it was just a really good-quality high-school romance. And it's an original story, so it does not feel rushed, and everything/everybody that gets introduced actually gets a spotlight and a conclusion.

The goods :

- Good pacing where everything is wrapped up nicely.
- The characters were nice, and everybody got a lot of spotlights.
- No melodramatic part where the heroine cries for 15 minutes.
- No "villains" or misunderstandings that come from nowhere.
- Lots of cute scenes
- Nice twist
- Not a perfect hero and is portrayed as such. He is too honest and has no tact, which can be good and bad. He has to apologize for it and does.
- Not the usual "shy" heroine. She is portrayed as such at the beginning, but we see her layers during the movie.

The bads :

- The beginning is a little hard to get into. There's a lot of music, that cuts the flow of the movie, and it's doing "too much". But it calm downs after something like 15 minutes? In the same way, the acting is a little weird at the beginning, then it's better.
- There's a character that I couldn't really understand during the movie, and even if their actions are explained thanks to the ending, it doesn't change the fact I didn't understand them during a good part of the movie. Still cute though.
- Not necessarily a bad thing, but it is still a very basic romance movie. It doesn't change the world or anything.

A really nice movie. I didn't get bored even though it was almost 2 hours.

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Remake of Novel NOT Drama

FULL DISCLAIMER:
Okay, first of all people need to know that this is a remake based on Zhao Qian Qian’s novel which is also clearly stated in the opening sequence so don’t come watching this thinking it’s gonna be a copy and past version of the Chinese drama. I’ve not read the novel so have no idea how close the drama is. My advise would be to lower your expectations, better still have none and don’t compare cos you will most likely be disappointed.

Secondly, whilst I did try the Chinese version I dropped it after one episode so I was kinda happy when I found out that there would be a Thai version especially one that’s not yet another Korean drama. I do love Thailand for remaking as many Korean dramas as they have but honestly, it’s so darn refreshing that they went with China.

As always, starting with the negatives which for me were the second leads. I tend not to like them if I’m being quite honest and this was no different. I found them both annoying until I didn’t anymore but I also didn’t like Pai’s so called friend Wawa. I found her to be selfish and her scenes always consisted of her moaning which resulted in my skipping most of her scenes unless she was with Pai or Pupaa.

STORY
This is pretty much the usual Cookie Cutter school love story for me, I’m not much of a School drama fan. Nothing really new to bring to the table but I guess for me, I found the fluff of it all refreshing….explained in my final thoughts. Also, whilst I did love the fact that the drama wasn’t just about the romance, I would’ve loved to get more light on the friendship between Ta and Pupaa. One thing I didn’t really like is how Pai always needed someone to come and solve her problems for her. Whilst the drama is made from China origin, I loved how they still managed to incorporate some Thai stuff into it to make it feel a bit more Thai. My favourite parts of the drama were definitely the Special Scenes.

ACTING/CAST
The acting isn’t anything groundbreaking but considering the actress playing Pai is a newbie, I personally think she did rather well. I enjoyed the main couple the most and what little friendship was used, I thought they had nice chemistry and fitted the characters well.

MUSIC
I only noticed the opening song which I loved. Oh and the lyric free background music.

REWATCH VALUE
For me, yes because I’ve probably enjoyed it more than I ever imagined I would.

I’m not usually into the overly fluffy romcoms but as far as Thai productions go, this is possibly the fluffiest I’ve ever seen which is a huge deal for me as most Thai I watch tend to come from Channels 3, 7 and One31 so you know there is a big difference. I didn’t feel out of my comfort zone which is strange as I previously mentioned, I’m not a fan of fluff or school and some scenes you could tell were a bit too cringey but somehow I didn’t cringe as much as I normally would from other countries. It’s been a nice experience watching a drama without fear of someone getting kidnapped, assaulted or stalked by some killer. This is a true romcom and I wish more were like this - danger free!

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Might disapoint you if you believe everyone saying it's a masterpiece

Hear me out, I'm not saying this was crap. I liked it, it was a nice watch and I looked forward to it every thursday.

But I kinda believe that the reason the rating is so high is because of 1: The NC scenes, 2: The popularity of the original manga/anime, 3: the acting

I have to say, the NC scenes were truly incredible. Not only because they were explicit or special (Use of Honey as lube, crying s*x...), but because the rythm and camera shots truly made us dive into their intimacy. The acting was also amazing, specifically from Boom as Akin who killed it all the way.

Now, the story itself was a bit all over the place. Specifically in the beginning before they get together, Akin keeps going back and forth in the way he treats Jin, both their actions kinda come out of nowhere and the evolution of the romance doesn't really make sense. It gets better after they become a couple though.
In general, it isn't that much different from any other BL in term of process and storyline.

For the adapation aspect of it, I have to say I'm SO GLAD for how it turned out. They were pretty loyal to the original plot, but they took the amazing initiative to change Jin's character for the better. If you haven't watched the anime or read the manga, you might have been taken aback by the nonconsensual kiss in the beginning, or the slight toxic treatment when Jin ignored Akin cuz he was sick. Well, I agree it wasn't the best, but oh god how happy I was this was the only aspect to be worried about, when you know Jin in the original story constantly r*pes Akin and is overall a controling piece of sh*t that sometimes has a sweet smile which apparently is enough to forgive him. So yeah, this was such a good choice from the screen writer/director of the drama.
On the other hand, I was pleasantly surprised in the beginning when I saw they had decided to change point of view and take Jin as a main character instead of Akin. But then it seems they forgot about this whole idea as the story went on. It was disapointing how everything was always about Akin and we rarely got to dig deeper into Jin's character. It makes sense in the manga since Akin is the main character, but since they took that initiative of change in the drama, I wish they had gone all the way.

So yeah, overall worth it, but I definitely wouldn't call it a masterpiece

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