This review may contain spoilers
One of those series whose true beauty unfolds only gradually
Happily, another jewel in the KDrama sky of 2025. Our Unwritten Seoul is one of those series whose true beauty unfolds only gradually—like the secret bloom of an evening primrose, opening quietly under the cover of dusk, revealing its radiance only to those who wait with patience.Many voices have called the series emotionally profound, poetic, introspective, healing… It spent weeks in the global Netflix charts and entered the Top 10 in more than 28 countries. At its heart, it is a drama about identity, self‑perception, and familial wounds. And within it, Park Bo‑young surpasses herself in a dual role as Mi‑ji and Mi‑rae.
What first appears to be a quiet drama reveals itself as a finely woven net of fate, self‑deception, transformation, and quiet hope. It does not show a world that is better, but one that is honest. A world where dreams fail, families grow weary, people live side by side without listening to each other. And yet: there are strawberries. There are warm embraces. There is the possibility of beginning again.
The story of twin sisters who exchange roles may sound familiar, but here it becomes a meditation on identity, self‑worth, and the longing to be someone else.
Park Bo‑young does not merely carry the series—she shapes it. As Mi‑ji and Mi‑rae—and, in truth, as four substantial versions of them: each as herself, and each as the other in disguise. She grows through the subtle distinctions of expression, the quiet shifts in tone and posture, the evolving body language. Rarely has a double role been so convincingly embodied.
Lee Ho‑su (Park Jin‑young) is not the typical love interest. He is a man marked by scars, visible and invisible. Half deaf, half estranged from his own body, he becomes a mirror of imperfection—the very quality that makes the series so valuable. His relationships with mentor, mother, past, and with Mi‑rae and Mi‑ji are told without pathos.
The cafeteria jobs, the small‑town life, the broken dreams—these make Our Unwritten Seoul a counterpoint to dramas suffocated by glamour. Even though its stars come from the KPop orbit, their performances reach a new level: restrained, reflective, human. Even the supporting characters carry their own stories, which gradually draw us in. This makes the world believable and layered. The supporting actresses Cha Mi‑kyung, Kim Sun‑young, and Jang Young‑nam add depth without overshadowing.
And then the deliberate contrasts: city and countryside, high‑rise and strawberry farm. The farm scenes are almost meditative—a place of healing. Han Se‑jin’s departure from the hedge‑fund world is more than symbolic: it is about rediscovering a way of life that does not need to be efficient.
The theme of self‑compassion also finds its place here: the series asks not only how we see others, but how we treat ourselves when no one is watching.
The OST serves as an emotional companion. The visual design is carefully attuned to the story. The series employs a chiastic structure, working with opposites and reflections so that the characters’ development and healing become visible. Even the colors shift gradually, reflecting the inner states of the protagonists.
In the end, the story closes a circle. The characters return to places where they began—changed, grown, carrying their old wounds, which now can begin to heal. Subtle, beautiful. And, indeed: valuable.
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A realistic and modern approach to love and healing.
This drama ain't your fluffy romantic love story full of cliche tropes but a modern and realistic one where both the leads have their own career, goals and views towards life. One is a town's boy who wants to live a slow and peaceful life while the other is a city girl with high ambitions and dreams.Both are different from each other and have their own baggage they carry within them while one is physically affected, the other is mentally. The leads have good chemistry and is shown through their teasing and lowkey flirting with each other. Things are kept at a good pace and aren't draggy.
One thing about this drama is that not everyone will like FL's character as some will find her selfish and annoying which she is too some extent and that she keeps on hurting ML's feelings which she does but then again this was never a drama with two perfect people. It has been more about two people, each having their own baggage and different way of living end up liking each other and seeing whether things work out or not. It is quite realistic and modern approach to love.
It is a good watch if you are looking something different and relatable type of a drama.
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Top-notch production that leaves you craving for more!
The scenery in this drama is simply breathtaking, especially the Jifeng Pavillion with its elegant woodwork and raining white petals that look almost like snow. The costumes, action scenes and CGI are also on point. I'm genuinely impressed with the high-quality production.It has a very similar feel to Ten Miles of Peach Blossoms and The Journey of Flower, which were also directed by Lin Yu Fen, perhaps a little darker and less fantasy-like. And just in case you're wondering, Pearl Eclipse is pretty much stand-alone so no need to watch the others in the Novoland series beforehand.
The drama starts off with a master-disciple relationship between Fang Jianming and Fang Haishi that would soon blossom into a bittersweet and forbidden romance, where they're destined to meet but still restrained in many ways. It's not supposed to be a straightforward love, but rather the slow-burn and somewhat tormenting type. Yet, this is what makes those rare moments of sweetness even more precious. Personally, I find that the real charm of this show lies in its maturity and character development. But do get prepared, because you'll be taken on one crazy rollercoaster ride!
Yang Mi is literally in her element here playing a strong, cross-dressing FL. Despite the age difference, she still pulls off the role of the playful yet smart and daring young master Haishi very naturally. I think having Yang Mi doing her own dubbing really helps as well, so all credits to her. And those intense fighting scenes radiate some serious badass FL energy. I nearly forgot to breathe watching her shoot archery while spinning 360 on horseback! As she becomes Madam Pearl, we get to see Haishi swapping her boyish charms for a more mature and elegant persona, highlighting the different phases of her life. I particularly love her sibling bickering with Zhouying, they're such a hilarious comedy duo. But as much as they would tease each other, you can also feel their deep sibling bond and how they always have each other's back, especially Zhouying being the caring big brother that he is.
I'm going to be honest here, it took me a couple of eps to warm up to William Chan as Fang Jianming. I found his hairstyle a bit flat and awkward at first but I've grown fond of it gradually. He's graceful and calm normally but also fierce and intimidating when the occasion calls for it. I love how he's so protective of his disciples despite the cold front and prefers to selflessly suffer in silence, like all our favourite C-drama kuuderes (ahem... Ye Hua, Bai Zi Hua, Zhou Sheng Chen just to name a few). However, he's way too loyal and devoted to the Emperor that it's almost to a fault. It makes me often wonder whether they should just marry each other... Oh wait, they kind of did with the Baixi oath, where Fang Jianmiang has to act as a body double and shoulder all the injuries that befall Emperor Xu. This is surely not the 'love triangle' I had quite expected. Poor Haishi, it looks like she'll have a very fierce rival to beat, the bromance.
We're also greeted with another 2 couples along the way: Emperor Xu and Tilan, Zhuoying and Zheliu. While the fates of all 6 characters are very much intertwined, each couple still has its own pace and storyline.
The Emperor... sometimes I just want to reach across the screen and slap him hard. The guy can be so exasperating at times. His attitude towards Tilan at the beginning is uncalled for, regardless of his past suffering. As a ruler, Emperor Xu is not greedy or evil but he's not exactly empathetic or prudent either. Fortunately, his temperament does get much better and I quite like his 'passionate' bromance with Fang Jianming, as complicated as it may be. On the other hand, Tilan is portrayed as kind and supportive but I do find her character a bit weak sometimes. I guess her being a "caged bird", restricted by her royal upbringing and female status, serves as a contrast to Haishi who's "free" like a falcon having been raised as a boy in the imperial secret force.
Zhuoying and Zheliu is that one couple that you can never get enough of. I love how sweet and innocent their love is. It's adorkable seeing Zhouying gets all shy and love-struck in front of Zheliu, and then getting teased by Haishi for it. I kind of wish this couple has more screen time because the other 2 couples can get a bit too heavy at times.
I don't think there's much to say for the OSTs. I mean you open with Zhang Bichen and end with Zhou Shen, 2 of the best historical OST singers out there, so nothing can't go wrong. And the lyrics are so poetic and fit the story really well. Overall, it's a solid show with great cinematography and many unpredictable twists and turns. If you enjoy a good historical drama and not afraid to put your heart on the line, then this gem is for you.
FAVOURITE QUOTES:
"In our line of duty, people could die any minute. Every time we parted, it could be forever. So, I’m not afraid of death. I’m afraid that [Master] push me away or let me go.” Fang Haishi
"I don’t want [Haishi] to follow in my footsteps or take my path. She can’t be another Fang Jianming because I know better than anyone how painful that is. I don’t regret living like this but I hope the one I love can lead a normal and happy life.” Fang Jiangming
"[Emperor Xu] is my best friend. He is more important than my life. I took an oath to be faithful to him." Fang Jiangming
“All these years, others all think I’ve been tolerating Xu or even indulging him, but the truth is, I just want to protect him. The tougher he looks on the outside, the softer he is on the inside… as an emperor, he couldn’t share his pain with anyone.” Fang Jiangming
“Jianming, I’ve never expected you to be a loyal official. All I want is for you to live a carefree and happy life.” Emperor Xu
"Jianming, don’t underestimate Fang Haishi's feelings for you. Even if I don’t tell her, she knows you’re in a tough spot and she will do everything to protect you.” Emperor Xu
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1This review may contain spoilers
I had no idea what to expect going into it. And the little things I did expect were completely shut down. I don’t know if I’m just not yet used to the format/style of Taiwanese dramas, but it felt weird to me.But I liked it. I'm so torn about what to rate it, I keep going back and forth between 7.5 and 8. It's like a 7.8
There’s just something about it that kept me watching.
I started watching when there were already eleven episodes out. I kept telling myself, “This is a good place to stop. I’ll do something else, I’ll go to sleep, and I’ll finish tomorrow” and then I’d finish the episode and hit the next button and the process would continue until I was caught up with the lives.
Here’s the thing: you have to watch this drama with an open mind. I’m sorry, but I could not take the plot seriously. It was pretty predictable, and, I know this is a korean term, but it was a makjang drama. I don’t know how else to describe it. It was so weird and cheesy and over-dramatic, but I found it funny and enjoyable. If you go into the drama expecting some serious movie-like mob drama, you will be disappointed.
It was so freaking cheesy. Like every possible cliche happened within the first episode. The entire drama was like this, but it didn’t bother me because I thought it was hilarious. I know some people get annoyed with cliches though, so I’m letting everyone know now.
Also, part of the reason I couldn’t take it seriously from the beginning was because everything happened so fast. Like a whole episode’s worth (or two) of plot set-up happened within the first like ten minutes? It moved really fast and it was really extreme. But don’t stop watching because of this.
Also there were some little details with the plot that bugged me. For example: not putting someone into dry clothes when they have hypothermia, a person who just had surgery walking around without crutches. The birth. But whatever, I’m a nit-picky person.
One thing that made me really happy was that Megan actually looked like a guy. The stylists did a really good job. It was the first time I’ve seen a gender-bender drama where the girl convincingly looked like a guy. Also, she blew me away with her acting. She did a really good job at acting like she grew up living like a boy. Her posture and the way she walked were so convincing.
The romance was so enjoyable, they had fantastic chemistry together. And they had so many amazing kisses! Like a ton of them! Passionate ones! The main lead was nice from the start, and was a genuinely good and caring guy. I am now a fan of Baron Chen.
There are some issues I had with the drama, I won't go too deep into them because most of them contain spoilers. Basically I docked points from the rating because of some issues I had with the plot and some of the acting. I thought the cast had great chemistry together, but the things that should have been taken seriously, I couldn't take seriously. However, overall I enjoyed it, which is saying something coming from a person who doesn’t really like gender-benders.
What really made me happy about this drama was that there was never any homophobia. “As long as two people genuinely love each other, does it matter who the partner is?” Like damn, the messages in this drama were so good, I’m kind of wishing they were actually gay to make a stronger point. The message still came across strong, and not just through our leads, but through the other couples too.
This was a fun drama, and despite the issues I had, I’m glad I watched it.
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Over the top, exaggerated
Not sure if this story even touches the reality of the fashion world, but the whole thing was so clichéd and looked like parts were borrowed from many other fashion movies.Not sure if it was meant to be a romcom or a slice of life - it didn't fit either genre.
It could have been classified as a light hearted sweet drama - but no!
I'm sorry it is not sweet. The over acting of all the characters makes you grit your teeth and bang your head for watching it.
Except for three , EVERY other character acts atrociously over the top. It could very well be the director or writer's imagination of the behavior of people who work in the fashion industry, but those poor fashion folks should validate this overbearing nonsense.
The only one who did a great job is the supermodel. Not only was she stunning, but she flowed through her role as a supermodel and kept her emotions beautifully underplayed. She was really a superb actor.
The other two actors who stood out were the ex- boyfriend and the editor of the magazine - who had really small roles.
The ML was so lost, the FL was all over the place trying to be the eternal goddess of goodness.
And everyone else - seriously- behaved like they were in some exaggerated street mime show.
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This review may contain spoilers
The complete lack of chemistry was fascinating to watch.
This drama should be studied. We need a whole master thesis presenting various theories about what happened, because it’s been ages since rom-com gave me this little, basically nothing in terms of romance between the main couple.What’s even more confusing is the fact I actually finished it, and I did not even have to force myself to watch it. Not many things worked in this show, but somehow I still kept watching the next episodes. Don’t know what weird spell this show put on me, but it worked.
On the bright side, production wise it was great. Not outstanding, but definitely on the high level of production. I wish we would get more in-game scenes since these were for sure entertaining.
What’s more, the second couple was amazing. What a refreshing pairing. Both Ha Jin and Sin Won are the type of characters I have seen in other projects. Their whole storyline was rather unpredictable in terms of typical cliches.
That would be the end, now we have reached the border to the bark side. And there is a lot to talk about.
I already talked about how weirdly weak the chemistry between the leads was. Not one scene awoke any butterflies in my stomach, there were zero sparks. By all means, the main characters felt like siblings, not like a couple. Sadly I think Choi Hyun Wook jumped into adult roles too fast, without graduating from university first. I do believe picking one or two titles set in the uni after all the high school dramas is the best option for the majority of the actors. He looked too much like a baby here, and how the character was written did not help.
And that’s what bothered me a lot - instead of making him an adult who has what is perceived as childish hobby, they actually made him childish. And with how mature and independent Su Jeong was, it felt like a babysitting job, not a romance.
Then we have Jung Hyo Seon - what was that? They painted her as a complete psychopath, zero understanding of human emotions, not just rude and cold, but simply abusive. Even in the last episode she was “confused” by normal human emotions, to then take 180 next two scenes and reconnect with Ju Yeon by apologizing. This just pissed me off. Not only did her development make no sense, it was insulting that it was accepted by people around her in the first place. Apology is a bit too weak when you were LITERALLY abusing your grandson for years.
The writing was just bad. 12 episodes, but it’s hard to describe what actually happened in the show since most of the topics and plot lines were poorly developed. Sure, they did bring some interesting topics like feeling embarrassed about your hobbies, need for acknowledgement and how it can negatively affect your life, guilt that comes from not addressing grief, inequality in the workplace, but none of them had any depth to it, worth reflection and discussion.
Overall, this is such a weird show. Majority of it does not work, but still makes you want to watch the next episode.
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My complaints break down into three groups - OST, plot lines and character traits.
OST: This may be my first k-drama with an all English soundtrack (if there were Korean tracks I failed to notice) and my first thought was how distracting it was watching people interact in a foreign language with somebody crooning in English in your earhole. After many dramas where the OST becomes as ingrained on your memories as the most touching scenes do, I wondered if Koreans watching dramas with more typical soundtracks are just as distracted by the constantly repetitive lyrics. If I never hear any of these songs again in any version I will count myself blessed.
Plot Lines: Every single storyline in this series had an unsatisfactory ending. Whether it be the relationship of the main characters, the friendship between Jin Ah and Kyung Sun, the behavior of Gyu Min or the sexual harassment in the workplace. In each case we were presented with an issue of conflict, there was much angst and aggravation until the worst possible outcome was realised (or forgotten in the case of the ex-boyfriend) - and then after a jump to the future there is brief resolution. I'm actually quite angry that such an important issue as sexual harassment in the workplace was given the treatment it got. I doubt anybody suffering from this treatment would feel inspired or hopeful about coming forward from watching this.
Character Traits: I will concede that in order for there to be drama, there must be conflict. Tropes like bad boy turns good or family disapproves of relationship all require failings of character and as a previous reviewer wrote "If you don't know anything about Korean culture or the passive characteristics of Asian, this drama will seem silly & annoying, and will never understand the reasons behind choices & actions made", I also recognise that these stories are being told through a different set of cultural norms. However just because something is prevalent within a culture doesn't mean it's right or acceptable and although drama as an art form is often about reflecting truth in society, it is also a medium for setting examples for how we could live. Nobody in this drama became a better person. Joon Hee was possessive and controlling until the end and Jin Ah was a compulsive liar throughout.
What I perceived as being a story about an unconventional relationship where true love wins out against negative cultural norms, turned out to be about a group of self interested and morally deprived individuals failing to grow as human beings. Truth in society indeed.
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This review may contain spoilers
It went from excellent to bad to worse in no time.
Let me start off by saying I really dig Korean BLs because they usually have simple plots, which is pretty much the standard most of the time (don't take this as a negative; I'm complimenting). That's exactly why I was so excited to watch this series. For the first five episodes? Solid 9.0 or 9.5, no doubt. But man, did things take a turn for the worse in the last 2-3 episodes. By the time episode 7 rolled around, I was just trying to finish it off, not because I was excited, but more because I'd already invested so much time into it.Let's talk about Se Heon and Do Yoon for a sec. These guys seem to have a talent for picking the biggest red flags around (Yes, Tae Yi is a major red flag; argue with the wall). Do Yoon's whole "I'll still love you even if you bully me" with Joo Ha? What stupidity! Then there's Se Heon, who forgives Tae Yi way too quickly after he S/A him. I mean, even if you want to argue that it wasn't the case, Tae Yi's response was not how a normal, rational person would react.
I gave it an overall rating of 6.5 because I don't rate any series below 5, and for the most part, it was enjoyable. It started off strong but dropped the ball towards the end. Let's just say it left me scratching my head. Honestly, I was hoping for A LOT better.
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Money Heist: Korea - Joint Economic Area - Part 1
79 people found this review helpful
Remake does the orignal justice
Although this was a remake of la casa de papel (money heist) it certainly does do the series justice in my opinion. I've watched and i am half spanish so when i heard there was gonna be a remake i thought ehhhhh i don't know if this is the right move by netflix because i thought the Spanish version was always gonna be the best however after watching the remake i think that the korean version of this show is as good as the original spanish version of the show. Certainly worth the watch even if u have already seen the original, there are some key differences in this remake to the original which makes the series a lot more exciting than you'd expect. I've noticed from the negative reviews that most people dropped the show within the first or second episode, all i can say to that is that if u give the show the chance and watch it fully it will grow on you and the unique storylines will certainly catch your attention here.Was this review helpful to you?
Taxi Driver: School Bully Version
Teach You A Lesson was one of my most anticipated dramas this year and it didn't disappoint!Ep 1 was a great start after which the momentum stabilizes to a case by case format of troublesome school after troublesome school. Through 10 episodes, the drama covers all the major bullying crimes including physical violence, substance use, cyber crimes, stalking, defamation and scamming.
Kim Mu Yeol and his slaps keep delivering until Jin Ki Joo, P.O and Lee Sung Min join the action. The main cast comprising these four Anti-Bully Avengers definitely carried the show with their friendly camaraderie. Kim Mu Yeol has charisma for days and the swagger of a believable action hero protagonist, while Jin Ki Joo and the rest of the cast are equally engaging in their roles.
Having said that, I do want to mention that this show seems to have a lot of fourth wall breaking, preach-heavy moments. Satire usually hits when the message is more subtle and indirect so I do wonder if the ones who truly need these lessons both among students and the adults around them will get the message.
At the same time, it's very evident that the makers put a lot of effort into shaping the script in such a way that they'd cover all the possible domains of potential criticism from viewers beforehand. From public outrage from hypocritical human rights warriors to making sure they mention that they're only after the bad apples among both teachers and students and acknowledging the good ones that do exist and reassuring that their mission is for their protection, they've done a good job presenting a neutral unbiased view that keeps educational rights at the forefront.
While this helps theme-wise, this creative choice may have tipped slightly into becoming an overcorrection with constant repetition of similar thoughts across multiple episodes which has then also compromised the overall pacing of the show. This can put off some viewers who are more used to the steady build up of anticipation and dread in more conventional action/thrillers, especially high school themed thrillers set around a single school and one common enemy.
Regardless, this was a fun watch overall with a solid theme. Lots of entertaining action choreography and a healthy balance of humor and emotion.
Teach You A Lesson is a really fun addition to high school themed revenge dramas, this time with adults delivering the slaps-err-justice!
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Amazing
Loving this BL!!! A nice fresh twist from most of the same BL story lines. I am falling more in love with Japanese BL's and the actors who play them with every new one i come across! I'm so in love with these leads and can't wait to watch the rest unfold. it's so hard watching the short episode knowing it'll be over soon and having to wait another.... or two to get more of my fix! This series they maynot be for everyone and your not going to be able to please everyone, so if its not for you do rate it low, still rate it on thr quality of the show for what its suppose to portray! Everyone is working hard on this production, Cast & Crew keep up the amazing work!!!Was this review helpful to you?
This review may contain spoilers
Different does not mean good.This was one of the most discussed and controversial dramas this year. Many viewers felt cheated, angry because result totally differs from synopsis and marketing materials (hard to say it is even about romance). On other hand it had most intense discussions I ever saw. It was very fun to watch it live and later join in the comments. Though this drama has zero value to binge watch it. If you missed some episodes, I do not recommend to continue.
As writers tried to achieve ratings, create turmoil between viewers they forgot whole purpose of the drama, what message they want to convey. Seems all unprofessional work was covered up under "art", like you cannot criticize art though it has obvious flaws. Producers chose wrong methods to deliver wrong message. They had all the talent (actors, cinematography) to do right way.
Producers described drama as "poem about love during four different seasons". Usually artful dramas conveys strong emotional message and at the end leave you baffled, reminiscing what and why it happened. Here it is not the case. Chosen actors are really great and drama had many emotional turning points, Cinematography is artful too, there are many symbolic and hidden messages. But as story goes, felt like you were played around. Episode after episode you get really unexpected things but it became unimportant as story goes nowhere. In the end feels like everything returns to very first episodes. What was in the middle actually did not matter. There was no meaning behind those emotions. I felt less and less caring about character's ending. It feels tiring to watch it.
Story begins great. Feels very modern drama there main characters are very realistic and has obvious flaws. SKJ plays dorky geeky student with low EQ. What catches the eye, that SKJ does not try to be laughable or pitiful, but having friends, loving parents though very lost in social world. LS plays uneducated down to earth hairdresser. She is early matured, street smart, strong, willful but emotionally underdeveloped - she cannot express emotions freely, holds everything inside her because of dark past. These both socially awkward people unexpectedly blossom into love. Feels like one fits another, they both are outcasts, but combined together they are much better than other couples. This early love symbolizes spring - pure, naive etc. Personally such unique and realistic beginning rose huge expectations from this drama.
Sadly then came time jump into summer. They meet again and fall in love again. This time their love is free, head spinning but also burning and full of conflicts. Leads chemistry was amazing. Here are introduced 2ML and 2FL. These characters are very vague and only bring contrast to leads and source to their insecurities. They have no background or actual connection to the story or leads. They were so unimportant that I double checked whether they are on "main" or "support" cast. This was first very huge mistake from writers.
It was really hard to understand which secondary characters are important which are not, because many of them from first charm disappeared and many new were introduced. Who knows which ones will be left at third charm. Most importantly they had different purposes or if had any purpose at all.
Secondary stories were really boring and actually do not add anything to main story. Interactions with secondary characters brings more chaos than direction. Due to lack of direction many viewers started to search for hidden meanings between these dialogues, purpose of these characters. I call it "rise of conspiracy creators". This created huge contradiction - is this drama is artful or actually realistic? I lost what I am watching and what I should expect.
But what actually happened that producers created diffraction between two sides - one is ML, his friends, family and other is FL, accordingly. Between these sides there is no interaction. This automatically caused discussion, comments from viewers, which side they support, who was right and who was wrong during couple conflicts. Also viewers could not communicate among-selves because some saw drama as "art" and discussed hidden meanings of love, fate. Other saw it as realistic drama and what should actually happen in similar life situation.
Then came autumn (third charm) and everything fell apart. Drama did not had good ratings of viewership because of unimpressive first episode and sloppy work of writers. It attracted by its uniqueness, but plot was not engaging and consistent enough. Writers needed to save this drama somehow. The only strong point was that it caused discussions. Then producers created seesaw. One episode causes hate for FL and support for 2FL, then next episode causes pity and support for FL and uncovers hidden facts. Cycle repeats. Discussions and conspiracy theories ("child was his", "she was forced to marry", "he should chose comfortable realistic love") reached peak.
It was fun to discuss, read comments, but something important was lost - reason to continue to watch this drama (except "I will finish only because I like actor or actress"). Suddenly drama became very dark, sad and worthy of tag "tragedy". Drama became kinda a joke - "I will see how will writers clean this mess". I felt, that I was promised to see character development, growth, maturity from students to thirties. I thought third part should bring towards closure, not create additional mess. It had zero connection to first two charms. Most importantly I did not expect that writers will make FL character hateful and same time pitiful, just in order to create more discussions. It was very cheap move from writers. None of the promises were delivered.
Character development is not "crying while eating bread in Lisbon" or "losing everyone, and when none left asking for a help". Maturity is not talking less or looking at each other without words. There was none of character development or maturity displayed, only depression of growing old and coping with that.
And ending oh my... This is not even open ending. They did not define their happiness, it is even open for interpretation that makes them happy. What values left unchanged or changed during these third charms? After 16 episodes actually I do not know nothing about main characters for certain. Such ending made viewer further away from main characters rather than closer.
Second charm conflicts raised so many serious questions and none of them were answered till the end.
Second and Third charm discarded every possible meaning of romantic happiness:
-not a kiss (they both were together, no need to clear misunderstandings)
-not engagement (YJ was married)
-not married life with children, (YJ and HC had that)
-not mature comfortable love, (JY and SE had that)
-not passionate love, (JY and YJ had that)
-not supporting, extended love, (YJ do not meet JY parents, both friends)
-not healing love (who heals JY pain from being dumped, they never talk about it)
-not friends (still in love)
-not separation and moving on (neither is a bad person)
Writers shot themselves in the leg, not leaving any possible way to end the romance. The very worst way to end drama. Ending was not about romance at all. All four main characters ended in misery, not able to move on and not able to fight for.
It had huge potential. It had moments with very deep emotions. But it was totally wasted by direction. It has mix of styles (hidden messages+reality) (romance+majkang). It has no message, no core of the story that follows, connects these three charms. Feels like it was three different stories with very open interpretation. Zero consistency and definitely not a poem. Actually it is hard to describe as a drama, because story goes nowhere.
Each episode was great in quality, acting amazing, each episode was enjoying to watch even if it was very sad. But overall at the end I feel it was waste of the time, because producers cheated me.
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Meh
Is something wrong with me? Is it me? Am I the problem? Why can’t I see what everyone else seems to see in this drama?Everyone was buzzing for this but I honestly hate having to wait in-between episodes and decided to not start this drama before more than 10 episodes were out. So I waited. And it just wasn’t what I wanted from it.
I wanted to love this so so so much. I needed this show, I needed a sweet, cozy, wholesome romance. There were days where I told myself to push through solely so I would live, to watch Homewtown Cha Cha Cha. And I can’t say that I was heavily disappointed, but I wasn’t impressed either.
I want to start off by saying this: Hometown Cha Cha Cha is fine. It’s okay. It’s not bad by any means. But it’s just not more than that.
There are plenty of things to like about this: A beautiful, charming setting that will hit you with homesickness for a place you have never been to. Two good-looking leads. A catchy OST. A fun premise. Lots of lovable side characters. I sincerely love Yeo Hwa-jung, she was my favourite character by far, and even though I am not too pleased with the conclusion to her arc, she had the backstory I enjoyed the most and all things considered, she’s probably my favourite aspect of the entire show. There were a few comedic moments that made me chuckle. It was an alright watching experience. But people are calling this the romance drama of the year and I’m just not on board with that.
The number one thing I read about this show was how refreshing and healthy it was. And I just don’t see it. This felt more formulaic than I expected it to. We have our male lead who is perfect in every single way and always correct. His one flaw is being too caring. We have our female lead whose only job is to be proven wrong by our male lead or get saved by him. This is fine, honestly, what are most romance K-dramas if not female wish-fulfillment? But is it particularly new or interesting? I don’t think so. This felt less like a healthy and realistic portrayal of adult relationships and more like a self-insert fanfiction. There are times when I want that from a story but this wasn’t one of them.
Surprisingly enough, even though I am easy to please in that regard, I wasn’t crazy about the romance between the two leads. I didn’t really understand the progression of them falling for each other, to me, that kind of came out of the blue. Which is a shame because I do think that the actors have chemistry. But it took ages for their characters to even become something close to friends. They had the same surface-level arguments every single episode, which always ended with Doo-sik proving Hye Jin wrong, and next thing you know I was expected to believe that the two were in love as well when I wasn’t even convinced that they liked each other.
I wasn’t impressed with the way this show dealt with Hong's past either. Since we only unpack his backstory in the last ¼ of the show, the first ¾ of the drama felt weirdly trivial. All of the sudden, the entire feel of Hometown Cha Cha Cha just changed and got way too depressing for its own good. And the extent of trauma our male lead had, was way too heavy to be resolved in the little time the drama had left. It really felt like this show bit more off than it could chew. The subject matters were a tad too dark and the writing a tad too clumsy. Instead of our male lead having this ultra-depressing past, I much would have preferred it if both of our main characters could have been just two regular people, with regular people’s problems that made them flee from their city lives (similarly to Lovestruck In The City for example). But sadly Hometown Cha Cha lost everything that made it feel realistic or relatable by that point. And I honestly had to force myself to sit through the last few episodes, something I definitely didn't expect.
Maybe I am being too harsh on this drama. Maybe I would have given it a higher rating if my expectations had been lower. I gave My Roommate Is A Gumiho an 8.0 out of 10, and on every level, objectively speaking, that’s a worse show. But I knew what I wanted out of My Roommate Is A Gumiho and it delivered exactly that. I wanted it to be dumb, harmless, cheesy, and cringy fun and that’s what it ended up being. But out of Hometown Cha Cha I expected more. Something more adult, more, fresh, more interesting. And it just wasn’t any of those things.
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This review may contain spoilers
A waste of time
Nevertheless is a K-Drama adopted from a webtoon with the same name. Before watching the kdrama, I have already read and finished the webtoon.*SPOILERS FROM THE WEBTOON*
In the webtoon, the story was straightforward because we know that PJE is just playing with Nabi. Nabi knew this NEVERTHELESS she still wants him. However, PJE continued being a player and Nabi ended up with Dohyuk, who had more depth in the webtoon.
Now that we have gotten the overall storyline from the webtoon, lets talk about the drama. I came into this knowing that the writers would definitely change up some parts because we know that kdramas doesn't like to be faithful to its webtoon counterpart (True Beauty). My expectations were not met at all. This drama is just 10 episodes of repetitiveness and back and forth from the main leads whereas the background stories were definitely more compelling. I will be analyzing the main leads only for this review since some of the characters weren't in the webtoon.
1. Park Jae Eon: In the webtoon, he is your charming playboy who can't commit to a single girl. He tried to but his efforts were diminished by Nabi when she told his gf a very off-putting comment which ruined his relationship with Nabi and his gf. This scene happened in the drama. HOWEVER, somehow, for some unknown reason, he forgives Nabi and is suddenly infatuated with her for no reason. What makes her different? Well we don't know. The writers completely took a different approach and painted Park Jae Eon as a victim with a sad background story and can't convey his emotions blah blah blah. The story was supposed to be realistic but it turned out cringey and predictable. A typical "bad-boy-turned-soft-when-he-falls-in-love". People who like PJE only sees him through Song Kang's face. Prove me wrong
2. Nabi: In the webtoon, Nabi was more outspoken. In the drama, she's more passive. There is nothing compelling about her. Nothing interesting. She is a very bland character who needs to find herself first before committing and jumping into relationships. One minute shes angry at PJE and the other shes not. Like, what make up your mind?!?!
3. Dohyuk: In the webtoon, he is cute but as we got to know him we found out that he did it with a girl who had a boyfriend. Hence thats why we see him saying that he always falls for girls who have boyfriends. In the webtoon, he ends up with Nabi. In the drama, Dohyuk is just too smitten with Nabi that he sees everything in rose-colored glasses. Basically he'd do anything for Nabi. This kind of character could definitely bore some viewers so that's why I think the writers should've added more dimension to his character. Well, they should've added dimension to all of the main characters.
All in all, I wouldn't rewatch because the episodes are too long and the leads gets on my nerves. The OST is really good tho. The acting... well.... it could've been better. I think this drama would've been better if it was just a short webdrama instead of a long 10 episodes with 1 hour each drama.
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Goblin is a great drama. I went into it with low expectations, but I was pleasantly surprised, or more accurately, I was blown away. You can recognize a good drama by the way it makes you feel exactly what the characters in the drama are feeling. That's the way Goblin was for me, with each character, I laughed and I cried.
I'll TRY to keep the review sweet and short, so here are the reasons I enjoyed Goblin:
-The premise is unique. It's one of a kind. I haven't seen any other Kdramas with a similar plot-line to Goblin, so that was a plus point.
-The actors do a superb job. I could feel their emotions from across the screen. then again, nothing less to be expected from such a spectacular cast.
-The drama has everything, ranging from bromance, romance to mystery and suspense.
-The bromance is spectacular. One of the most epic bromance I've ever seen in a Kdrama. It made me laugh a lot, but it also had its heartwarming and heart-wrenching moments. Goblin and Grim Reaper's relationship is one of the best reasons to pick this up.
-The two couples- Goblin & Eun Tak and Grim Reaper & Sunny. Both couples had their own story. The sweet and cute moments of the Goblin couple & the sizzling chemistry between Grim Reaper and Sunny was enough to keep the 'romance' meter of the drama pretty high. You won't be able to get enough of the cuteness of Goblin & Eun Tak.
-The mystery of the characters. From 'the lady in red' to the king and queen, each episode just gave enough glimpse into their lives to keep us engrossed. It'll drive you crazy in a good way.
-Each minute of every episode was enjoyable. I didn't skip a single moment of any episode.
-The unexpectedness of the drama was really great. Just when you'd think you had something figured out, some twist would come along and surprise you. The writer sure did a tremendous job.
BONUS: Beautiful and addictive OST
I personally didn't find anything even remotely bad about it, but that's not to say other people won't, so here's a few things you should keep in mind before venturing into it.
-The age difference between Goblin [ (~939) he was 39 when he died and then immortal for 900 years] and Eun Tak (19).
-Comparatively less screen time for Sunny and Grim Reaper couple. But I suppose that's to be expected specially since the title alone indicates that Kim Shin (Goblin) is the main lead, so it's no wonder they get the most screen time.
-Worst product placement you'll ever see in a Kdrama. You might think I'm kidding but sometimes even the smallest thing can annoy you. I personally found those scenes amusing though.
So, to sum up- I LOVED this drama! Do give this one a chance, you won't be disappointed. Once you start it, chances are, you'll end up loving it. Happy Watching!
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