This Series Would Probably Have Been Put Together Better By A Single-Celled Organism...
With Kim Hong Seon, PD of masterpieces such as Voice and The Guest behind the works of the show , an ensemble of fairly talented actors ( not least Kim Rae Won, Kim Sang Ho Lee Da Hee and Kim Sung Oh) taking up the personae of screenwriter Chung Sung II ‘s characters( The Package,Your Honor), everything in relativity about “ L.U.C.A; The Beginning” screamed out " masterpiece" . Then, not even several episodes into the actual story, we find ourselves going down into the previously mentioned rabbit hole of cataclysmic screenwriting, which only seemed to crumble further into the abyss as the series went on...
The premiere episode of ‘ L.U.C.A’ did initially introduce some fairly innovative story writing techniques. The most evident offering hope for viewers to grow alongside our protagonist Zi O ( Kim Rae Won). Like our amnesiac main lead, we know little about Zi O’s world, identity and his mysterious link to detective Gu Reum ( Lee Da Hee). This should have by default allowed us to become attached to Zi O emotionally, had our hearts pulled out when he confronts the terrible and clandestine truths about his past and felt broken-heartedness to part with him and Gu Reum in the finale also.
Instead, trying to become attached to Zi O as a character even later on the show was fairly out of bounds for viewers . This is mainly because the characters lacked the innate, individualistic core of profound personality flaws and traits, rather than cliche plot mechanisms in order to keep a poorly-paced storyline motivated.
Whilst dramas often like to take the approach of the “ wild card” rebel trope in order to keep audiences entertained, this approach to Zi O soon began to collapse when every episode would follow this expected , fundamental structuring of Zi O having “ lost control of his powers again” or “ gone into a fit of rage” over a small (and often trivial) issue. It is not necessarily always a terrible approach to a character, but normally a show tends to foreground why this personality transition should be so shocking or surprising for viewers. Naturally, as we know little about his past, this aspect of knowing more about his identity , is drawn out of the question until later episodes. On the other hand, it is still interesting to note how Zi O’s character slowly begins to fall into the cesspit of lacklustre characterisation, even from his initial introduction in episode 1.
When Zi O is first introduced, he is notably marked as being “ different” by screenwriter Chung Sung II. He had few qualms over animal abuse , but somehow easily allowed his emotions to boil when someone who had grown close to him such as Gu Reum, was injured. This is not saying that Zi O should have remained an emotionless android in the drama, but it did seem peculiar for a character who struggled with emotional and psychological isolation over the course of the series, to suddenly see Zi O transitioning into emotional outbursts and tantrums. This can be mainly sourced to the problem of having few focal points over the course of the series which allowed Zi O to come to grips with his state of mind or mature as an individual.
It is important to address the controversial dilemma of miscasting for Zi O as well. Before anything else, it is important to state that Kim Rae Won is a good actor. However, Zi O as a written character respectfully felt slightly younger that Rae Won. This is not claiming that a “ fresher actor” would have been better at the role( as anyone would struggle with what was given to them by screenwriter Chung Sung II).Again, this is more the fault of poor casting than Won’s ability as an actor, however, it will certainly raise eyebrows for viewers to see a man nearing his 40s taking a temper tantrum as his character onscreen before storming off in order to ‘’ cool down’’.
This naturally draws us onto what led Gu Reum from being possibly one of the most profound female characters in a TVN drama, to a senseless cardboard cutout not even several episodes later. Gu-Reum is a character who was initially established as the “ advisory cop” archetype with a prolonged desire to find out what happened to her parents. It wasn’t honestly an original backstory, but it did bring the potential to explore Gu-Reum as someone caught in the crossfire between duty and morals over the course of the drama, who learns to becomes stronger as a consequence of her enmity towards Zi O.
Instead, Gu Reum seemed to have been a female lead drawn into this unexplained cliche of having an inferiority complex against her male associates in early episodes before being completed reverted into a “ damsel in distress” who faints, or gets clunked over the head by an object in the later storyline . Da Hee certainly was quite a good actress in the show, however, it was hard to take her role seriously when her character transitioned from intelligent cop to unintentional comic relief in seconds flat , especially due to with her relationship with Zi O.
The “ enemy to lovers” is a popular trope amongst dramas and given the right storyline and characterisation, this can work incredibly well. Yet, “ L.U.C.A; The Beginning”’s problem can be found by the sudden and illogical transition from Gu Reum being at Zi O’s throat in early episodes and Zi O “ accidentally” pushing her around with his powers, to Gi Reum suddenly eloping and holding his hand affectionately like a shy school girl not even several episodes later . If you think it can’t get worse than this between the two characters and their “ affections”, then (without any spoilers), it is important to confirm that it certainly does. Although this was necessary to the storyline, there’s little sense of actually building up the characters , let alone pairing them off from enemies to lovers in nearly seconds flat.
Whilst the pacing of the show was quick in parts, a major issue with its sudden fast-pacing can be found through the myriad of plot inconsistencies which arose throughout the drama. Whilst there are some evident reasons explained in the plot behind this, it naturally draws more concern how Zi O, a mutant who has never been registered for official residence was able to not to be caught as a figure of interest amongst CCTV footage after initial reports in the past as well as not legally queried over his job entitlement as well. Whilst minor, it often subjugated the drama’s “ unintelligent violence” without deeper meaning, or at least unique film techniques to make these fight sequences more than a brawl, but fine art.
Arguably our show has several “ main antagonists”, however, the most reoccurring and prominent “ puppet working for the brains” in the series appears as the gruff former-solider Lee Son ( Kim Sung Oh).With an interesting and personal motive behind the reason for getting back at Zi O, Lee Son had the potential to be a fairly well-crafted, Machiavellian antagonist with actual depth due to his experiences in the field and profounder reasons for working for nefarious scientist Ryu Joong Kwon ( Ahn Nae Sang). Instead, Lee Son turns more into the classic “ brainless and inhuman combatant ” than a worthwhile or interesting opponent, often resulting in his actions coming off as more “annoying” than “baleful” .
On the other hand, the one character in the show who was surprisingly intriguing came in the form of Choi Yoo Na ( Jung Da Eun). Although Da Eun hasn’t received as much credibility in performances as some of her costars , she did surprisingly capture interest within her well-performed role as the mysterious and laidback Yoo Na; a young woman who became a field agent for Jong Kwon’s organisation after the initial operation upon her leg ( as shown in the first episode). Yet like most side characters out there, Yoo Na didn’t really have the opportunity for viewers to see her character grow or deepen over the course or the series.
Meanwhile, the ending of the show took a cliffhanger approach rather than particularly “ bittersweet” or “ happy”- appropriate for the genre, but nevertheless a little disjointed and arguably anticlimactic rather than an ending which felt complete and worthwhile.
“ L.U.C.A; The Beginning” can probably be seen as the epitome of the recent problem of “ throwaway” dramas emerging out of the action genre in South-Korea. With notable recent predecessors such as “ Alice” (2020) and “RUGAL” (2020) also suffering from the same fate of being high-budget extravaganzas, but often lacking screenwriting quality , it is probably fair to say that “ L.U.C.A; The Beginning” is the type of show to watch if you’re bored and want to binge-watch something with mindless violence without a second thought . However, “ L.U.C.A; The Beginning” greatly suffers from its own demise as a memorable and well-written show due to poor characterisation, miscasting, plot inconsistencies, deeper meaning and plot incoherency as well. A shame for a drama which had potential to be one of the best dramas of 2021 .
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What a disappointing last two episodes
I have such a mixed feeling of this drama. Up to Ep14, it was one of the perfect score 10 that made me cried so many times. However the ending of this drama was total disappointment. That’s why my review is rather low.It is well written family drama, sportsman-women ship, school friendship, teenage first love and etc. However the drama created such an anticipation how it will end, then it crashed me. The final episode was total disappointment, especially for ML. It may have been a bitter sweet teenage first love experience for FL, but ML was already a young adult with hardship due to family issues. That is one of the reason why I hoped the ending would be a happy one. It was too much hardship for young adult to down fall financially at such a young age. It would have been much better drama if ML and FL to stay together by overcoming the difficulties. Such happy ending may be a cliché but I will give 10 if this was happy ending.
Oh boy, I just have such a bad taste in my mouth after watching such a disappointing ending. It is funny thought, I do not dislike bad ending like ‘Moon Lovers’. It was such a heartbreaking drama, But I keep watching the last episode over and over knowing I would cry so hard.
Too bad there is no way to make season 2 since characters are already in 40ish. Especially FL closed her chapter, her true love , at the very end. It would have been better if it was an open ending to bring them back together and makes happy ending at season 2. I would liked if ML meets FL at funeral and finding they are still single. Then daughter was their love child. And she was finding their parents love story in season 1. Hmmmmm I should have been the director of this drama. LOL
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it isnt as bad as what other reviews said
maybe because mandarin is a language i speak almost everyday and I ve watched plenty of Chinese and korean dramas, but I don't find the plot confusing or messy. Yes, you have to understand what they are saying and honestly, subtitles don't seem to do the show justice. Basically, its about a girl who travelled to the present from 10 years ago [2011] due to a super full moon energy wave after her boyfriend pushes her from a cliff [not a spoiler] because of some secrets she know. in the present [2021], she met the male lead as the universe tied them together and they discovered all the secrets [she lost her memory as she travelled here] like who set a trap and conned his father etc midst of this main story line, there's someone using her for scientific research and they made her return back to time [2011] which allowed her discover more secrets. i wont speak more about the plot but its worth to watch if you like mystery solving! i will update this review when the last 6 episodes uploads :DEDIT: COMPLETED
FREAKING WORTH TO WATCH, I CRIED MY ASS OUT. THE ENDING IS SO BAD BUT SO GOOD PLEASE WATCH JUST FOR THE SAKE OF THE ENDING. EP 18-24 IS WHERE SHIT STARTS, WHERE IT GETS REAL AND SO SAD 10/10
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Story: The story was really good! A high school student pretending to be a 27 year old office worker seems absurd but it was totally believable. The mystery surrounding Lee Min Suk's brother was very intriguing but it wasn't the main focus of the drama and was only dealt with in the few last episodes. The drama focused on Lee Min Suk and how he grew as a character. The noona romance was okay too though I wasn't that invested in it. The star of this drama for me was Lee Min Suk. I went in thinking it was going to be like City Hunter, you know a quest for revenge and everything. But this turned out to be completely different. This drama wasn't intense, it was cute and funny. I loved how they used old drama cliches and gave them a twist to make them funny or different. I especially liked that Yoo Jin Woo's story was progressed along with Lee Min Suk's and he was given his due importance too.The story was very well-written and the pace of the drama was really good.
Characters: Seo In Guk did an amazing job as Lee Min Suk (and Lee Hyung Suk). First of all, I've always acknowledged that Seo In Guk is good-looking but during this drama I realized that he is gorgeous! Especially as Lee Hyung Suk (even though he appeared for like 1-2 episodes). Secondly, Seo In Guk is an extremely talented actor! And this role showed his talent to the fullest. He played the role of a high schooler so well, unlike someone else (Lee Min Ho I'm looking at you), that it was hard to believe that in real life he is 26. Lee Min Suk was endearing and funny and adorable. But I also loved the scenes where he got all serious and mature. I loved seeing him grow from a boy into a man! Seo In Guk's portrayal of both brothers was so good you could see who was who with the way he stood and talked. While Lee Min Suk was kinda sloppy, as expected of a kid, Lee Hyung Suk stood with confidence. Where Lee Min Suk talked in a cheery way, Lee Hyung Suk's voice was grave and serious. I simply loved Seo In Guk's acting in this drama!
Jung Soo Young is a character I would rather not talk about. She was uncomfortably painful to watch. I understood her character really well and I got where the writer wanted to go with her but Lee Ha Na's portrayal of her was not good. Jung Soo Young is a character I could have loved had Lee Ha Na did her justice. Soo Young is a socially awkward girl with seemingly no talents. I get the character. It was Lee Ha Na's job to make that character relatable, even likable. But the way she played her it felt like Jung Soo Young had some mental disability. Which was really very uncomfortable for me to watch. But of course, I did get used to her and then she didn't bother me much. But I never felt connected to her. I did feel sorry for her but only a little.
I loved loved LOVED Lee Soo Hyuk as Yoo Jin Woo! I loved how this time the broken bad boy was not the male lead but the second lead. And Lee Soo Hyuk played him really well! And did I mention how gorgeous Lee Soo Hyuk is?!! Because he is really gorgeous!! I could stare at him all day! I loved his story arc and how it all played out. I loved this broken bad boy with a good heart! But I never, for one second, believed that he was actually in love with Soo Young. I felt like he needed someone and since Soo Young was previously obsessed with him he figured she would be a good person to keep by his side. I never felt like he actually, honestly loved her.
All the minor characters were great! The office people were your typical office people, gossiping and judging. They also provided very good entertainment. Team Leader Kim was very funny and so adorable! Jo Han Chul did an awesome job playing him and I loved seeing him onscreen! I loved how he cared so much about Lee Min Suk and all his anxiety breakdowns (I seem like a bad person saying I enjoyed his breakdowns but really, they were funny and added for comedic purposes). Jung Yoo Ah (Soo Young's sister) was super annoying at first but like her sister she became tolerable. I loved Lee Min Suk's friends! They were so supportive and super funny, with their chuppa chuppas and stuff! Lee Min Suk's dad was awesome! He wasn't his real dad but he cared so much for him that it was heartwarming and so beautiful. My favorite though was Min Suk's grandfather (his adoptive father's father)! Kwon Seong Deok was amazing, playing him and he was so funny and adorable and it was so heartbreaking! I really loved him! I loved how the minor characters played a more important role in this drama than they usually do in dramas.
Romance: I honestly believe Seo In Guk has good chemistry with everyone. Be it a girl or a boy, he has good chemistry with all. Just look at his previous works. He had amazing chemistry with Jung Eun Ji AND Hoya in Reply 1997. Even as a second lead he has awesome chemistry with the female leads (see Master's Sun). It was no exception in King of High School. He not only had great chemistry with Lee Ha Na but also with Lee Soo Hyuk! BUT I was not as much invested in the romance and the main couple as I would have had it not been for Lee Ha Na. The couple wasn't all that bad but they couldn't pull on the strings of my heart like the InHyun couple (Queen In Hyun's Man) & the Reply 1997 couple (Jung Eun Ji and Seo In Guk). So that 'something missing' thing I was talking about was my lack of love for the main couple.
Ending: The extra episodes really weren't needed. But I didn't mind them much. Most people are not satisfied with the ending and to be honest if I would've written this I would've ended it differently too but it wasn't that bad and I don't have much of a problem with it.
Overall: All in all this was a really good drama and most people might not have the problems with it that I did so I highly recommend it for anyone who is in the mood of a good rom-com.
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A deeply romantic classic wuxia
This drama is actually very different from the original novel. The first fourteen episodes follow the novel, but then the rest diverge greatly and essentially becomes a very different story. There are significant changes to the character of Zhou Zishu, and there is a major show only plot-point that makes his dynamic with Wen Kexing completely different. The plot itself is also nothing like the one in the novel, and several side-characters were given bigger roles in the overall narrative and even different characterizations. Tian Ya Ke, the source material, is a fairly straight-forward story, while Word of Honor is more like those dramatic, old-timey classic wuxia stories.First off, kudos to the scriptwriter! The pacing is top-notch, not too fast nor too slow. Nearly every scene ties in to the overall narrative, not a single episode feels draggy or unnecessary. No fillers to be found here! And while non-mandarin speaking watchers may miss this, it is very clever how the script incorporates poetry into Wen Kexing's dialogues. Not only is it a very clever way to subtly showcase his flirting, it also adds a layer of depth to his character. Since he grew up in the Ghost Valley and did not have his parents to teach him, it implies that he taught himself literature and the fact that he always uses poetry to express himself shows how proud he is of it. The tiny details are also impressive, like the difference in Gu Xiang's character when we first meet her. She acts like an exaggerated version of a young girl, and slowly becomes more and more genuine as the story goes on. The director did confirm that this is because Gu Xiang hardly ever leaves the Ghost Valley, and so she was trying to copy how she thinks normal girls act. I really appreciate scriptwriting that incorporates characterizations into details like this, because it feels very natural. It also gives the show good rewatch value because after you watch all the episodes and see everything that happens, you suddenly notice the subtle details you missed when you watch the show again.
There are many, many details that allude to future events, and dialogues that seem almost flippant in the beginning end up steamrolling you once you realize its significance in later scenes. Wen Kexing's "as a wanderer in this world, all I need you" sounds like casual flirting at first, but then you see how much depth that sentence holds once you see how their story ends.
The fighting choreography is very good, and really embodies the "fighting" in the classic wuxia I grew up watching. It's not just fighting, but also a sort of dance that reflects the dynamics of the characters. Sparring is basically Zhou Zishu and Wen Kexing's love language, and you see the evolution of their relationship in their fights too. Their fighting scene in the pink forest, in the lake before Zhou Zishu takes his mask off and in the ending are very similar to each other, but with small changes that reflect the evolution of their relationship. The way the story uses tropes to show the romance between the two main leads is excellent. The sparring in the pink forest, for example, is a common romantic trope in classic wuxia, and so is the hairpin scene in the latter episodes. Another noteworthy detail is that in the first episode the romantic connotations of giving a person a hairpin is shown in the scene between Zhou Zishu and his shidi's lover.
I really want to express how happy I am with the casting choices, especially with Zhang Zhehan as Zhou Zishu. Most actors can show strong emotions convincingly enough, but with characters like Zhou Zishu it's important to cast actors that can nail scenes that require nuance and subtlety. It was wonderful watching him transform from cold and sarcastic to warm and playful, and it was all done so subtly I actually didn't realize how much he changed until I was watching a scene and realized that not only was he the one teasing Wen Kexing, he was also the one initiating skinship??? And there's this specific scene in episode 12 where they're drinking together outside and when Wen Kexing calls out to him, you can see how he frowns and mouths something briefly before responding. It was a small but significant detail, showing the gradual decline of Zhou Zishu's hearing. There are many more details like this scattered throughout the show, and I really appreciate this kind of subtle storytelling versus scripts that are too on the nose and obvious.
Gong Jun also played Wen Kexing very, very well. He really embodied Wen Kexing's many faces, and it was wonderful watching his character slowly unravel. And although it's not necessarily a requirement for me, I love how well they match the physical characteristics of their characters. Zhang Zhehan is very athletic and has a very good physique, which just makes him much more convincing (visually) as the powerful leader of an assassin organization. Zhou Ye was perfect as Gu Xiang, her acting in episode 35 was especially chilling.
Also, a more personal opinion, but I like how they stayed true to the novel and portrayed both Zhou Zishu and Wen Kexing just as "masculine" as they were in the novel. I strongly dislike it when danmei adaptations make a character too effeminate. Of course, if the character is portrayed that way in the novel, then I have no issues. The problem is when when adaptations take a canonically more "masculine" character and portray him too effeminately, even when it's not the case in the original novel. Luckily, that did not happen here. There is something refreshing about a danmei that does not limit the personality and characterization of its characters based solely on supposed bedroom dynamics, and Word of Honor's casting and overall portrayal really delivered on that front. They really stayed true to Priest's (the author) work in that aspect.
As much as I enjoyed this show and gush about the script, it does have its shortcomings. The usual issues in the continuity of themes and the pacing of the last five or so episodes. Regardless, for me, the things the show did right definitely outweighs its shortcomings. Those who are expecting a faithful adaptation of the novel may not be happy with the direction this show eventually took, but as a stand-alone it really holds its own. With the issue of censorship in danmei adaptations, I did not expect this show to be as deeply romantic as it turned out to be, and I am still in awe of how they managed to pull this off. They could have gone for the fanservice approach, where they just give us suggestive moments without any real payoff, and yet they chose to develop the relationship properly and give it a real sense of intimacy and depth.
And lastly, I love that the ending credits song is essentially a summary of their romance. It starts with Zhou Zishu talking about his melancholic life and wanting to roam the world as an aimless wanderer, then Wen Kexing responds by lamenting about his own struggles and how it's a shame that he didn't meet Zhou Zishu earlier, and that he wants to give up "the adventures on horseback for a quiet life". Zhou Zishu then responds by saying he agrees to spend the rest of his days with Wen Kexing and the song ends with both of them singing ''I will be with you forever" at the same time. So yeah, kudos to whoever wrote that song because it really fucked me up after the ending. This show is insane and I am thankful to everyone who worked on it.
I love this drama so much!
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Messy & Inconsistent Script At Its Finest
Can you see how cool is the entrance of drama? Will the drama stay cool and maintain its quality? Boy what a roller-coaster ride the drama gave its viewers – it will certainly stay with me for a very long time without a doubt.Unfortunately, the only thing the drama did right is that they made Wang So a sage and a wise king. Other than that (aside from Lee Jun Ki & Kang Ha Neul’s amazing acting), I have nothing good to say about this drama. Sadly to say, this is one of the worst Kdramas I have ever seen (this probably because I usually drop bad dramas but I didnt for this one obviously since I dont love myself lol). This drama has one of the worst writing, directing and editing I have ever seen from a Kdrama. And for me this is a big indication of how awful is the drama since I dont really notice all those before (except bad scripts in general) but I truly feel it with every fiber of my being with this one.
Script: The script is the worst offender of this production. I seriously confuse why this writer got hired since her writing is very inconsistent and terrible. It is full of plot holes, unexplained happenings, dragged and rush script, poor characters’ developments and most of all, full of ridiculous and illogical plots. It seemed like her characters didnt seemed to function like a normal human beings would. I need the drama to make sense but I find myself wondering most of the times of why this and that happened. I need a legit and reasonable reasons for something to happen. Not just something you pluck from the sky thinking that you can fool the audiences. We have brains Ms. Writer, you cant expect us to buy your ridiculous plots again and again.
Directing: People said good thing about the director and his previous works but the direction quality of this production is pretty awful in general. The close-ups, soap opera zoom style and no direction input to new actors (according to Seohyun) made the directing suffers greatly esp for sageuk dramas which are known for quality production. I expect a creative directing or pretty shot from the director but instead I got the opposite of what I’m hoping for.
Editing: Hands down the worst editing I have come across from a Kdrama (and I have seen really a looooot over the years). The choppiness and shoddiness of it is out of this world. They dragged the storyline in the beginning and squeeze everything in the last 5 episodes. The fact that we have like 2 time-skips in a matter of 2 episodes are just laughable. And the fact that some of the plots didnt make sense due to the editing makes it really jarring and dreadful. I dont expect this from a pre-produced drama obviously.
Acting: Like I mentioned above, Lee Jun Ki is soo amazing as Wang So. His eyes conveyed lots of emotions and it just break your heart when you watch this drama as his character is very tragic and unloved. Kang Ha Neul is amazing as well. His characters is so underdeveloped and later forgotten by the time we reached the end (he has like 3 minutes screen time in the later episodes lol – what are you doing Ms. Writer?). The actress who play Lady Oh was great and IU improved a lot as the drama progressed. The rest of the actors are pretty much forgettable esp Seohyun as Woohee.
Soundtracks: Got to admit that the drama has one of the best OSTs for this year. But unfortunately, most of the songs are not suitable for a period drama. Why put a rap as part of the OSTs? And English words in the songs are so jarring when it was played as the background music. For goodness sake this is a sageuk and not a modern day drama. To have ‘baby baby boy’ playing at the background really killing you softly inside. :P
Money: This is a million dollar pre-produced drama but I really cant see where all the money went to. Goryeo and the Palace looks empty most of the times. Where are the servants, guards, armies, noble men, and the citizen? Why the attempted coup looks fake and underwhelming? Why the wigs look so fake? Why we can see the net for the mustache? Why the sets look cheap? Why the Palace only limited to the grand hall, court room, king’s bedroom and the hallway?!! Where did all the money went to?
I’m glad I didnt really care for any of the character so this drama didnt scar me like The Slave Hunter and Warrior Baek Dong Soo did. The writing got pretty bad at the end that I dont have emotional attachment to any of the characters anymore. One thing for sure, I will stay away from the writer’s future work – I ain’t gonna put myself in the same situation ever again.
By the end, I just want to see how this mess will conclude and boy it didn’t disappoint – I spent my time rolling my eyes watching the last 2 episodes (no tears since I was so mad with the ridiculous plots). :P Like I mentioned above, the only thing the drama did right is that they made Wang So a wise king. But thinking back, they should make him go all evil and greedy so the reasons behind everyone leaving him (even Ji Mong) will make more sense. I dont mind a tragic ending but I need it to make sense. I give this drama 4/10. I try to rate it higher but this flawed, and awfully illogical executed drama didnt deserve anything more than a 4.
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Major roll-eye (◔_◔) to the writer for her insistence of making Wang So the most tragic character ever – with very illogical reasons for everyone to leave him at the end of the drama. >.>
Wang So is a flawed character without a doubt – his obsessiveness or him killing the monks and horse but somehow Wang So’s fate is just very tragic from the moment he was born right until the end where he is left alone and lonely.
It is more tragic then any other Kdramas’ characters because it is his own family who dislike or abandoned him. Its not his friends or people that he has no blood relation but his own family members.
1) He lacked of love since he was a little kid. His own mother hurt him and left that big scars on his face and later throw him away.
2) His dad use him as a captive and send him away to other tribe to console some lady who lost her son (What a terrible childhood!). And he is not loved by the lady or his adopted family (Surprise surprise ◔_◔).
3) The tribe lock, starve and sent him to the wolves that he ended up having to burn his only friend that is Mr. Tree since it was so cold during the winter (or is it because of the wolves?).
4) His Crown Prince brother, Moo ask him to replace him during the masked dance since he think someone is going to assassinate him. So its okay for So to die on his place? Both of them learn martial arts so its weird for Moo to ask him that request (But of course, So’s life is not that important I guess?).
5) His father’s reaction after the mask was removed – not worry about him being injured but quickly call for Moo and his safety.
6) He killed all the monks (what a fool lol!) for his evil mother but she still disowned and disgusted with his existence (stop Ms. Writer, stawp!!!).
7) All his brothers except Baek Ah didnt treat him right. Moo used him for the dance/marriage and Eun is too dumb(?) to care about his feeling when he ask So to show his scars. The rest just plain hate him without any legit reasons.
8) His mother call him for family dinner only to ask him to kill Moo. Attempt to use him to do her dirty work instead of accepting him as her son after he proved his worth for her attention.
9) The woman that he love; Soo didnt trust him enough that he ended up having to kill Eun with his own hands. By the time Soo decided to stop thinking about the future and be honest with him, it was too late.
10) His loved ones; Beak Ah & Soo are used again & again that forced him to do things that he hate to save them from harm.
11) He never wanted to be a King but later changed his mind since he is tired of bloodshed and everyone using him when they are on the throne (His father –> Fight Kitan, Moo –> Marriage with his niece, Yo –> Using Soo to threat him). He wanted to stop the killing cycle and Yo’s ruthless reign (Or so he thought ◔_◔).
12) He didnt want to marry evil princess Yeonhwa but the love of his life Soo said ‘its okay’ to straighten his position as the King and assured him that she wont give up and she is okay with the arrangement. (Which she didnt since no one will be okay with that kind of arrangement tbh).
13) His happy times with Soo are so brief that she left him and stay with Jung because she is pregnant. She is not honest with him and trust him enough that he will protect her and the baby. She probably think So will treat her like his father did to Lady Oh.
14) In the end, despite writing all those letters how she love and yearn for him, she still doesn’t trust him enough to tell him about their daughter. She probably think he would not respect her request about wanting the girl to stay out of the Palace. (Of course she couldn’t tell him via the letters, but still! ಠﭛಠ)
15) Everyone leave him for such ridiculous reasons; Baek Ah (??) and Ji Mong for he only loyal to the weak King Moo? Really? Why are you feeding us this crap Ms. Writer??!!1 And why I’m still watching? lol
16) Have to live the rest of his lives alone and lonely with someone that he hate. Cant love his son as it is a product of an evil Queen Yeonhwa...
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The Princess diaries but make it gay
Domundi new era and I’m HERE FOR IT.I know this has been one of the most anticipated series for the longest time, and I’ll admit I had high expectations and you know what I was not disappointed. there was apart of me that thought it this was going to be cringe and I’m glad I was wrong.
you can tell so much effort went into this. Now I am a huge DMD fan but I can admit they sometimes lack in the script or in places here and there. but this, this is everything I wanted and more.
music: fantastic
no cringe acting: that’s a plus
so far no silly sound effects: sign me the hell up.
good fight scenes: yes please
and the cinematography is chef’s kiss.
the wait for us to get here took forever, but you know what, the wait was worth it.
plus I NEVER give 10/10 across the board and yet here I did. fingers crossed it doesn’t let me down
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This review may contain spoilers
I had no idea when I started watching this drama that I would love it. Also, my girlfriend who has never watched a drama with me actually watched this entire drama and liked it. She was really annoyed at some of the angsty parts, but enjoyed it over all. This drama is well written and the directing and acting is excellent. I think this has a good balance of silly vs angst. I am not a huge fan of rom/com, but this had just enough melodrama also. I really love how the writer has the main couple communicate and that their issues don't last very long. It makes for a nice paced drama. I really think it is hard to go into much of the story line with out revealing spoilers. However, there is one point that I think is really important. Holding in secrets and lies will eat at your soul. Also, no one can be happy with you if you aren't happy by yourself Side note: I have read people that are upset because Yi Seok calls Hong Do ";ugly" through this drama. Normally I would agree, but he is doing it at first because she wouldn't believe him when he said she was pretty so she wouldn't trust him and follow him to recovery. Later he calls her that as a form of endearment. I don't think in any way the writer meant that as Yi Seok putting Hong Do down.
Chun Jung Myung is one of the most natural actors. His portrayal of Yi Seok is emotional and I was completely invested in his character. Choi Kang Hee is not everyone's favorite actress, but I like her. She was perfect as the troubled and quirky Hong Do. Poor Lee Jae Yoon as Detective Jang. Will he ever be in a drama where he gets the girl? Or at least the girl he is originally in love with? Ahn So Hee is so cute as Se Ro. I enjoyed her character immensely. She seems cocky and shallow, but she is really caring. It is amazing that she came from that family.
Jin Hee Kyung really knows how to pay the crazy biatch mother (I'm not even sure or her name). I really hated her from beginning to end. The other actors are good too.
I really enjoyed the music in this drama.
I will probably rewatch this at some point.
If you like a good love story with some comedy and some melodrama that is paced well, then I think you would enjoy this drama.
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The Ballad of Li Chang Ge
The drama tells the story of Li Chang Ge (Chang Ge is transliterated as “Long Song”, hence the title of this drama), a princess of the great Tang who after inadvertently getting embroiled in the vicious court politics of the royal family, ends up on a journey of self discovery during her self-imposed exile. Along the way, she discovers the true meaning of friendship, love, justice and sacrifice for the greater good.When I first heard about this production and read the synopsis some time early last year, and based on the cast involved, I fully expected it to be a romance-driven “light” historical featuring popular young idols. I then came across the trailer towards the end of 2020, which totally changed my perception - the drama looked every bit the dramatic and potentially epic production it was rumoured and publicized to be, while the outstanding OST songs by powerhouse performers sensationalized it even further. Since then my expectations were exponentially raised and I had been patiently waiting for it to air. Having completed it months later, I’m happy to declare - my expectations are utterly fulfilled!
Production
The Long Ballad is adapted from the China Animation Golden Monkey Award and Golden Dragon Award-winning manhua Chang Ke Xing by renowned writer Xia Da. It is directed by prolific HK director Chu Yui Bun who has notably helmed dramas such as Singing All Along, Noble Aspirations I and II, Ashes of Love and Skate into Love. Due to legal proceedings over intellectual property issues between the writer and the publishing company, this historical fantasy manhua remains incomplete, thus paving the way for the award-winning screenwriter Chang Jiang to develop the screenplay and, in particular, the ending to the story. She has a formidable portfolio of works comprising The Advisors Alliance, Growling Tiger, Hidden Dragon, Secret of Three Kingdoms and Novoland: Eagle Flag. As a result, what we get is a very well produced and executed historical drama.
Technical Aspects
The drama features extraordinarily innovative visual presentations. In particular, the transitioning of ALL battle scenes from live action to manhua and donghua formats. Although not everyone is pleased with this and would prefer to see real action, I actually found it to be quite refreshing and artistically delivered. Additionally the usage of “monochrome against colour” juxtaposition to re-create memory flashbacks in certain scenes is creatively rendered.
Cinematography for the most part is quite exceptional, where overhead photography of the cityscape of Chang’an is featured, and some immersive camerawork for certain scenes particularly at Liuyun Abbey, and the cherry blossom valley in the grasslands. The indoor cinematography and the effective use of lighting ensures that the scenes depicted are never dim or dull. The use of soft filters and vibrant colour palettes provides a generally pleasant and vivid viewing experience.
The CGI effects are sparingly applied, although principal photography took place in Hengdian. While certain blips are exposed, on the whole it has been adequately presented. The horse-jumping at the bridge scene isn’t the most realistic, for instance.
Because this drama isn’t a full fledged wuxia, the fight choreography depicted is more grounded and practical. That said, there are demonstrations of “martial prowess” by the likes of the Taoist priestess Madame Jing Dan and the roving swordsman Situ Lang Lang in one of the more breathtaking moments of action. On the other hand, I can’t really comment on the action scenes on the battlefields, since they were not depicted as live-action. But generally there’s more than enough fight scenes to make up for the lack of massive sieges and battles.
Story and Characters
Despite being historical fiction, certain events and characters depicted are based on actual historical records of 7th century Tang Dynasty. The Xuanwu Gate incident, Emperor Taizong, the war between Tang and the Ashina clan of the Eastern Turkic Khaganate, among other depictions. The elements of both fiction and reality are seamlessly interwoven and thrillingly executed over the course of the entire 49 episodes. The drama has a very lively start and the pacing of the storytelling has largely been brisk and engaging. Multiple locations are showcased which sustains the momentum of the plot and provides viewers with a variety of scenery to savour. From the Tang Dynasty’s imperial city of Chang’an to the frontier city of Shouzhuo, the preceding Sui Dynasty’s ancient capital of Luoyang, the grasslands of Mongolia and the Northern Desert of Mobei.
There’s no question that the quality of the storyline is very good, which is attributed to the excellence of the source material and screenplay. However, as much as this drama is plot driven, it is also made that much more compelling by the depth of its central as well as supporting characters. I quite like the way most of the characters have been written. Apart from having sufficient character development, in particular Li Chang Ge, Li Le Yan and Hao Du, the interactions and chemistry between everyone in general are realistically and convincingly portrayed. This applies across the board to all the political factions as well as those without affiliations. I also think that the portrayal of women in this drama is deserving of praise. The major female characters are multidimensional and each of their respective story arcs is very satisfyingly fleshed out.
Cast and Acting
This is the fourth time I’ve watched Dilraba Dilmurat, having seen her in Swords of Legends, Liu Shan Men and The Flame’s Daughter. She delivers a commanding performance here and I think she has improved markedly since the last time I’ve seen her. Her portrayal of the FL made me even more invested in her character and thus her journey of redemption. The same feeling applies to Zhao Lu Si, whom I last saw in Dating in the Kitchen. This young lady is very versatile indeed and it is especially gratifying to see her infuse the character of Li Le Yan with so much believability and relatability.
As far as Wu Lei is concerned, many people seem to still view him as that baby-faced teenage bodyguard in Nirvana in Fire who has never really grown up to adulthood. Since NiF, I’ve seen his gradual development in productions such as The Imperial Doctress, and Fights Break Sphere. He has indeed matured into a fine young man with well defined chiselled features and his casting for the role of Ashile Sun is on point, where he gives a fine overall performance. My second time seeing Liu Yu Ning since Ultimate Note, he seems to excel in very similar roles - the stone-faced and distant sort of characters. However, his portrayal as the misunderstood and rather pitiful Hao Du is nothing short of commendable. It took a while but I eventually warmed up to his characterization. I saw a bit of Alen Fang in Jiu Liu Overlord (which I didn’t complete) previously and I think appearance-wise he does suit the character of Wei Shu Yu the way it was meant to be portrayed.
It’s worth mentioning the notable performances of the supporting cast in the form of veterans Geng Le, Cheng Tai Shen, Lu Xing Yu, and Yang Ming Na in the roles of Li Shi Min (Emperor Taizong), Advisor Du Ru Hui, Governor Gongsun Heng and Princess Yi Cheng respectively. Special guest stars who deserve acknowledgment are Sa Ding Ding, (the renowned singer who also contributes a track for the OST), Liu Hai Kuan (of The Untamed fame) and Richards Wang (In a Class of Her Own), for their memorable appearances as Taoist Priestess Madame Jing Dan, swordsman Situ Lang Lang, and King of Mobei Yaoluoge Pusa respectively.
Soundtrack
As usual, my habit of compiling the track listing for posterity. This drama has some of the most unforgettable songs ever composed and performed for a historical production. Featuring powerhouse singers Zhou Shen, Sa Ding Ding, Zhang Bichen and Jin Wen Qi. In addition, the lovely second couple contributes a song each.
Cocoon 繭 by Zhou Shen 周深
The Direction of Light 光的方向 by Zhang Bichen 张碧晨
If Return 如若归来 by Sa Dingding 萨顶顶
Falling Sand 落砂 by Jin Wen Qi 金玟岐
I Wish You Were My Long Lasting 多麼願你是我恆久的歌 by Zhao Lu Si 趙露思
A Love Like Before 一愛如故 by Liu Yu Ning 刘宇宁
Overall
Well made, well executed, well acted. The Long Ballad is a drama well done. If you’re a C-historical fan, do yourself a favour and get this on your watchlist asap. If you’re not a regular watcher of this genre but are intrigued by the premise, this drama would represent the perfect starting point in watching your first historical C-drama. As an added bonus, don’t worry about the curse of the C-historical for this one. Rest assured, you may enjoy it with a peace of mind.
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1"I love dreaming, because in my dreams, you're actually mine"~ Victor ( Pov )
WARNING - This is my review according to my own feelings , if you don't like it then I have nothing to do . Don't come here to argue with me .Shine is shining brilliantly . MileApo's " Kinnporsche " created a STANDARD for every BL watcher, so we had high expectations and look they actually haven't disappointed us . The cinematography was top tier , sometimes felt like watching a hollywood movie.
This is a tale of 1969-1971. Apo Natawwin's acting deserves all the awards. He literally gives micro expressions in every episode. His role Trin holds aura. But the most interesting part is Tanwa , how did Mile play this beautiful and unique role ? In Kinnporsche, he was a scary mafia but here is a free spirit. The duality is insane. Once again proved, how professional he is .
I have to talk about another important character Victor. You will naturally like him . He deserved the honour of a MAIN CHARACTER. The chemistry between him & Trin , Gosh this pair stole the spotlight for me . Sometimes I felt , Victor and trin had better chemistry than Tanwa and Trin . Not as a MileApo fan but as a BL watcher I really wanted this couple badly. Why not ? His love for Trin is pure but poor him .
Although shine is shining but in a corner of a dark room probably Victor's soul is screaming
"I love you like a silent movie loves a talkie—I can feel every emotion, but you can never hear me."
Give this drama a try , you will not regret.
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Story: Same old same old- jerk guy falls for the naive country girl despite himself and ruins every chance at the relationship by being a jerk. Nothing new, but I always get sucked in anyway so....
Acting/Cast: Great. I was especially surprised that some of the Kpop stars were as good as they were. It can go either way most times. I wasn't familiar with any of Monsta X's previous acting work (if there is any) so I was happy with how they played the overworked boy band. Such a stretch -_- And Yoon Bora was adorable, no complaints here.
Music: Daebak! There is nothing that gets on my nerves more than when a drama is centered around the dance or music world and the songs are crap. Not the case here! Especially since Monsta X is involved and performed their own music. I downloaded it immediately after I finished the episode it was in.
Rewatch Value: Although i really enjoyed this one I much prefer Noble, My Love as far as rom com webseries, but this was a decent one wrapped in a couple of hours worth of marathoning.
Overall: It wasnt the best, but darn it, it gave me the warm and fuzzies. So if you're in that kind of mood I suggest this and say enjoy!
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Unmyeong (Fate) is a strange thing.
"BOSSAM: STEAL THE FATE" overally is not something very good but it's moderately average and worth a one time watch. But Bossam indeed is a different kind of Sageuk (historical Kdrama) and let me first time tell why you should watch it.1. The drama's basic plot is totally new. Bossam being an old Korean tradition could be something new for the natives but it's undoubtedly unknown to the huge number of int'l audiences.
2. The first of the drama basically is a romcom-story happening in the premise of a historical period. Royalty, Nobility and system, everything is related but politics and diplomacy have minimum involvement.
3. Be it joyous or melancholic, this drama has many warm poetic moments unlike other historicals which are full of tragedy with lots of angst.
4. Whatever amount of diplomacy has been shown in the script, it is very very skillfull. And it's like there's lot more diplomatic progression than wars and fights or stunts.
5. Jung Il Woo goes shirtless in the 1st episode itself showing his bulky transformation :p (not a spoiler at all) and that's quite a sight to witness. Also, he runs a lot in this drama.
STORY & SCREENWRITING:
Bossam is set up in the premise of Joseon era and is based on a age old traditional custom. Bossam basically is the forceful abduction of a widowed woman by wrapping them inside a sack and marrying them off with a man. Even though it has politics and diplomacy, as it should've since it's a sageuk, it has equal amount of warm slow-burn romance story and basic storyline involves cohabitation and mutualism. It's about how Bossam-ing a widowed woman by secret local peddlers changes the fate and lives of all the people involved as well as influences the entire system of a nation. The plot line development is very nice till the 8th episode with a vibe of uniqueness but after that a major revelation took place which changed the entire drama and made it a typical historical Kdrama where certain influential Minister is after the King's dethronement to get hold of the power. And after 10-11 episodes things become repetitive like someone plotting treason, scheming to kill another, preparing to defeat another in courtroom, rescuing someone in need, getting caught, etc etc... All these things happened back ti back in an alternative manner hence became boring and uninteresting to a certain level. They should rather have made it a 16 episode drama without dragging the story by writing the same thing over and over again.
DIRECTION & SCREENPLAY:
Well, it is the same as I described the story writing above. The screen-editing, organization of scenes and sound editing were pretty good till the major climax of 8th episode but after that the director could not do much given the script turned typical. It ain't that bad till the end though it could have been a lot better. So I would say the entire 2nd half is still finely bearable.
CAST & ACTING:
The casting for the respective characters is actually good. Jung Il Woo and Kwon Yu Ri picked a good script and justified their characters pretty much good. Other supporting characters were nice too but the problem is with the drama characters developed by the writer. The Female Lead showed a character development to a certain extent tbh but Jung Il Woo's character went downhill with a major revelation about his past. I expected a stronger him after the twist but the character instead lost it's essence. Shin Hyun Soo's character is very very annoying; he plays an important role in all the tragedy and helps the leads many a times, however he ruins many a thing in the 1st half of the story for his stubbornness and stupid desires. The little kid Ko Dong Ha who played Jung Il Woo's son did great in whatever he was given but after first half that pretty nice character didn't have many scenes and finally became lost towards the end. The supporting roles by Shin Dong Mi and Lee Joon Hyuk were pretty funny and compatible who made us laugh at many instances. Kim Tae Woo as the King has a complicated character. He gets charged up most of the times screaming and throwing things. Lee Jae Yong as the main antagonist played his character very very well and his acting his highly commendable.
OSTs:
To be very honest, there are plenty of OSTs and all of them are very good. Most of them depict either warmness or melancholy which were produced given the storyline. Even though the story becomes typical after the 1st half, the sound editing and OST organization is good. Special mention to the OSTs titled "Love Song", "Song of Destiny",
"Along the Trail", "Collar" and "Song of Bau". I loved especially "Song of Bau" which has a touch of traditional Korean music and it's so heart touching. "Angular Stone" is a track which is melodious and catchy one. Notably, in most of these songs traditional Korean musical instruments have been used.
There is no significant work of cinematography in the drama but the camera works is beautiful at places where they intended to capture hearts with the scene's warmness.
ENDING: It is rushed. I had a hunch from the ending of 18th episode that the last 2 episodes will be rushed in order to bring the drama to an end it did happen for which I wasn't surprised at all. I am okay with how the drama ended because at least that is reasonable but again I hope they would have ended it at 16th without dragging.
To be honest, I expected them to keep the storyline and screenplay as it is for the first half of the drama where they lived a common life staying in small houses, dealing with poverty and facing the odds together and. Even the kid's to part should be have been seen more. I would have loved to see the entire drama as a modern day story happening in a historical period with least politics, that'd have been a unique thing in the group of sageuk. So I am a bit disappointed to be honest.
So Overally, the drama is not bad rather I would say it's moderately average for which I give 7/10 hence indicating that it's worth giving a one time watch. I feel they dragged the ending to some extent for which many things became repetitive but in the end they had rush IDK why. They had the potential to do better but so be it since it's a over anyways. I started it because of the high ratings that I saw in articles saying it is MBN's highest rated Kdrama in their 10 years of history. Historical dramas getting immense recognition from Knetz is actually a big deal and It indeed is the best among all the MBN dramas tbh but it could have been better. You should try watching first 6-7 episodes and decide for yourself actually.
P. S. I will simp for the first half of the show.
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Before writing this review I was thinking how would I state my opinion about this seeing all the good reviews; should I be diplomatic or what? then I just decided to frankly spill it all out.
2-Storyline/Plot : It wasn't bad but it wasn't one of the greatest storylines that I've seen. The first episodes were somehow captivating but then it took the wrong turn, the kind of turns that made me skip many parts to get over with it.
3-Acting/Cast : Lee Min Ho was the main reason that I didn't drop this, I got to see him in a mature role after Boys Before Flowers but his character wasn't that appealing and it's all due to the stupid setting of the storyline.
Son Ye Jin wasn't bad as and actress but she was really annoying character since it was one of tthose usual dumb Korean female lead.
The supporting roles were good enough to get this drama going.
4-Music : It wasn't bad. Sometimes, it matched the scenes.
5-Rewatch value : Not one of the dramas that need to be rewatched.
6-The ending : It was your usual rom-com expected ending.
7-My impression: To be honest; not in a good way. At first I literally devorated the episodes but then I was waiting for the end.
I just lost intrest in the middle and I couldn't find my way back because there were too many boring moments that made me skip many parts.
8-Overall : I respect people who really loved this but it wasn't that special for me. I won't recommend it or cut it off, I just stated my opinion, you need to let your taste decide for you.
P.S: If you're not Min Ho's fan then don't waste our time on this drama.
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LOVE SCOUT: A mature workplace romance filled with tenderness and interesting characters.
I'll start off by saying "Love Scout" is written by one of my favorite screen writer Kim Ji Eun —the same person behind a favourite kdrama " why her " and my top drama from last year, "Wonderful World," and then "Lie After Lie," which I also loved. I'm thrilled to have another favorite series from her!The story revolves around a workplace romance between a female CEO of a headhunting company and her secretary, who happens to be a single father. Their first encounter is filled with tension, leading her to vow never to see him again. However, fate has other plans, and they find themselves working together as CEO and secretary.
One of the most intriguing aspects of "Love Scout" is the role reversal between the leads. Instead of the typical dynamic where the male lead is the CEO and the female lead plays the secretary, this drama flips that expectation. Our female lead takes on the CEO role, while the male lead becomes her secretary. This change not only adds a fresh perspective but also switches their personalities—she's cold and distant due to past traumas, while he embodies a warm, caring, and sunny disposition.
This reversal allows us to explore the characters in a new light, deepening our understanding of their motivations and struggles. It's fascinating to see how these dynamics play out, providing a unique take on workplace romance... this fresh approach to character roles makes "Love Scout" stand out in the genre.
This drama does a fantastic job of balancing romance with the work aspect, seamlessly incorporating moments of comedy and light-heartedness. The storytelling is so well done that nothing feels overshadowed; each element complements the others perfectly. The laid-back and relaxing setting adds to the overall charm, allowing viewers to connect with the characters on a deeper level.
The challenges faced in the headhunting business are portrayed through various character stories in each episode, making it engaging and relatable. The female and male leads navigate these obstacles together, showcasing their growth and teamwork. There are moments that are emotional and thought-provoking, adding depth to the narrative.
Another stand out aspect of love scout is the The character development....as mentioned in the start I've watched lots of series from the writer and she has a knack for crafting characters that are broken, flawed, and ultimately relatable, making them feel incredibly human. This drama is no exception.
The female lead, who is cold and distant due to past traumas, is portrayed as professional and strict in her work life, yet at home, she battles loneliness and insomnia. The gloomy atmosphere of her apartment reflects her inner struggles, highlighting a life filled with pain.
What I love about her character is that despite her challenges, she is headstrong and straightforward, confronting her feelings with remarkable clarity. She quickly realizes her emotions and takes the initiative to confess, showcasing her growth throughout the series. As she interacts with the male lead, we witness her gradual healing and transformation. She's not weak; rather, she embodies vulnerability while also being a fighter. This nuanced portrayal makes her journey compelling and relatable.
The male lead truly steals the show. He’s not just handsome; he embodies a warmth that makes him incredibly endearing. His professionalism and hard work shine through, but what really sets him apart is his role as a devoted father to his little daughter. Their interactions are heartwarming and will definitely have you swooning.
He excels in multiple roles—being a good friend, neighbor, and secretary, all while being an exceptional father and partner. It’s refreshing to see a character who genuinely deserves the title of a "green flag." He’s understanding, mature, and caring, showcasing a high emotional intelligence that makes him a fantastic listener. His intelligence is evident, but it’s his kindness and warmth that truly make him stand out.
Other characters are also interestingly written..like the second leads that aren't necessarily the main focus but I love their interactions with the leads and their interactions with eachother...then the work place employees who add to the comedy aspect of this drama and how they each contribute to the overall work place setting of the drama through different character stories.
Another thrilling aspect of this drama is undoubtedly the romance. It features a mature-themed love story that beautifully tackles all my favorite tropes. From workplace romance to the dynamic of "she fell first and he fell harder," and even the classic grumpy-sunshine and enemies-to-lovers arcs, this drama has it all. The transition from strangers brought together by misunderstandings to an incredible CEO-secretary duo is executed perfectly.
Their chemistry and tension are palpable, making their interactions both squeal-worthy and giggle-inducing. A standout moment for me was how they engage in simple yet profound conversations about life, work, and their relationship. After confessing their feelings, they sit down to discuss what they’ve become and what the future holds for them, and that heartfelt conversation is just so warm and touching. The romance is refreshingly mature yet cute and sensual, and I’m loving every minute of it!
The acting is undoubtedly amazing...and so are the osts..thag are beautiful and sensual.
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