The Uncanny Counter Season 2: Counter Punch
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This review may contain spoilers
Uncanny Counter 2; A Disappointing Follow-Up To A Brilliant Series…
When Uncanny Counter hit our small screens back in late November 2020, viewers were in for a great treat under the writing of Yeo Ji Na . The series was filled with intriguing characters, lore and high stakes to keep the plot engaging and well-written. What was delivered to our screens in 2023 left a lot to be desired, not just straying from the original webcomic, but being poorly written.The basic plot premise of the second season returns to our ragtag group of heroes, The Counters. Now slightly older, Mun ( Cho Byeong Kyu) has begun helping to train the other counters. Ga Mo Tak ( Yoon Joon Sang) has doubled up as a cop and Counter to help the team, while Do Ha Na ( Kim Se Jeong) and Chu Mae Ok ( Yeom Hye Ran) are left to harness their powers.
However, trouble is soon on the horizon when a trio of evil spirits Hwang Pil-Gwang ( Kang Ki Young), Gelly Choi ( Kim Hieora) and Wong ( Kim Hyun Wook) become an increasing threat to the counters. With the help of new Counter Na Jeok-Bong ( Yoo In Soo), the heroes find themselves running into more problems than one, especially for Mun and his friend Ma Ju-Seok’s (Jin Sun-Kyu)‘s journey down a dark path…
To understand where one of the major issues of the show lies, I think it is essential for us to address the writing change. Yeo Ji Na’s talents as a writer really shone through in season one. Her ability to address complex issues and themes, as well as facilitate them to shape our characters made the series engagingly dark, comical yet also filled with mystery and adrenaline. The story had stakes because the main villain was threatening and similar to Mun, viewers were new to the world of Counters and learnt about the lore and world of spirits along the way. It made the story engaging and proved Ji Na to be a talented writer.
After season one and for various conflicting and directional reasons, Kim Sae Bom took over from Yeo Ji Na as the main writer for season two in production. Kim Sae Bom, most likely standing out for his involvement as a screenwriter for Bad and Crazy, has a very different approach to writing than Ji Na even from the offset. Is this a crime in itself? No. In fact, the initial premise of season two did seem quite interesting alongside theme shifts, especially with new characters introduced onto the field. So where did things go wrong with Sae Bom’s writing? The big issue lay with the plot and character changes feeling jagged and convoluted , as well as the evident decline of writing between seasons.
Season one was well-balanced between themes of action, angst, friendship, supernatural and aspects of tragedy. It was far from a flawless masterpiece ( and did struggle a little with balance in places), but it was self-aware of its themes and characters. Season two tries to mimic a “ similar balance” in the mould of a mystery comedy setup. The fights are still there , but while the action is present, the emotional deliverance leaves a lot to be desired, even from the balance of themes. This resulted in a notable struggle with the writer attempting to imitate Ji Na in his own style while falling short of being a decent copy. As a consequence, witty jokes from season one turning into toilet jokes ( repeatedly) and yelling random English phrases to enact as the comic relief of the series.
When the series attempted to take a darker turn in parts, it struggled a lot to be poignantly reflective as the previous season. A mixture of sloppily rushed writing ( particularly out of character choices) as well as questionable connection with the audience, did often make these scenes feel more arduous than moving. ( One of the best examples being early on when we see the guardians first reunite with their Counters. Considering the emotional impact of their challenges throughout the first season, the cheesy happy family moments between the characters was somewhat out of place. It gave little opportunity to reflect on the actual development in the relationship between the Counters and their guardians from the previous season.)
The acting of the series was admittedly a little mixed. Although the series has a good cast and some brilliant names introduced into the lineup , a mixture of overreacting and wooden dialogue did have a big part to play with some more cringe-inducing scenes . Some noteworthy performances did come through Seo Byeok-joon as Park Do-hwi, Ha Na’s first love, and Hong Ji Hee as Lee Min Ji, the tragic wife of Ju Seok, in particular. Both actors delivered good performances as their respected characters, even if the writing did not give their onscreen personas full justice.
Character writing is another mixed bag. Main lead Mun stands out in particular as the epitome of the show’s changed writing quality between seasons. In season one, Mun was very much the tragic bullied teen, who goes through a lot of character growth from naivety to teen angst ( mixed with powerful abilities) and then to genuine acceptance of his circumstances . He stood out as a fairly good protagonist because he changed and grew a lot from beginning to end, while still remaining true to himself. In season two, Mun is noticeably different from his earlier counterpart.
Of course, he is meant to be older and thus a little different from his teen self, but the more noticeable traits of Mun being somewhat anxious at times and fairly defiant, is changed for him playing the role of the comic man in the first- half . It isn’t necessarily bad seeing Mun grow out of his shell, but it felt odd considering how much Mun’s noteworthy personality traits were not carried over more in season two, especially by replacing a key aspect of Mun’s personality as a fairly reserved individual. In particular, season one featured heavily on Mun’s deep bonds with only a few people in his life. He needed deep connections with people such as his two best friends and grandparents ( and eventually the Counters) to form genuine relationships. These were important parts of Mun’s life and helped him to carry on. In season two, while these characters do feature in some background scenes, it was beyond out of character to see Mun having such a “deep” bond a practical stranger. It did not reflect Mun as an individual, and even more disappointingly, did not convey the character we had come to love through his gradual growth.Episode eight and nine attempted to offer a “ twist” to Mun’s circumstances, but having already repeated the same concept from season one, it felt a little overused . Perhaps the only good aspect we saw through this “ twist” came through an opportunity to see some more traumatic sides to Mun’s inner-self, as well as his strong bond with Ha Na coming to light. However, the resolution to this convoluted “ development” episode was both rushed and incredibly sappy, giving little opportunity to actually explore Mun’s darker and more difficult issues at heart and growth.
Then there’s the other counters. Mo-Tak was beloved in season one for being the sarcastic “cool guy”, who helps out Mun. The fact that Mo Tak was going to play a bigger role in season two gave so much potential for this character, yet, rather than giving him an opportunity to be developed further , the show rendered him as the show’s jester; often spending most of his time making unfunny jokes and being the butt of someone’s jokes. To add insult to injury, there was also the attempt to weaken the previously strong fighting abilities of Do Ha Na and Chu Mae Ok. Considering their poignant backstories and strength, it was sad to see them being put on the back burner for most of the show . The series did attempt to offer some “ intriguing” aspects with Ha Na’s first love ( one of the few good aspects of this second season) and she did feature in some later episodes, as well as Mae Ok with her son, but aside from that, they were rarely given as much exposure as within the previous season. Choi Jang-Mul ( Ahn Suk Hwan) features again in the series, though while in season one he was the comical rich man (with a not-so secret crush on Mae-Ok), in season two he plays more of the role as a clown in some of his featured scenes.
Then there’s the new counter Na Jeok Bong ( Yoo In Soo), arguably one of the show’s greatest letdowns. Yoo In Soo is a good actor, but even he cannot entirely save his character from failing. Jeok Bong is meant to be the definition of the “ fool with a hero’s heart”. He is beyond awkward and useless at fighting, but he is seemingly a “good person”. The problem with Jeok Bong is that the writing confuses creating the unlikely and foolish hero with being likeable as playing the useless fool all the time. Rather than seeing Jeok Bong gradually grow or develop into a better person ( even through nuanced scenes like comforting others, or be given a more difficult issue to face ) he is still played out to be the fool for most of the series. Instead, a never -ending cycle of toilet jokes and failing fights pretty much encapsulates this character’s screen time time and time again . Whether the writers didn’t want Jeok Bong to grow from out of Mun’s shadow or be the “comic relief”, it is hard to say, but the writing direction this character was taken in was a sad reflection of wasted potential, questioning why another counter was even introduced in the first place . ( Aside from plot fodder.)
The villains of the series were unintentionally a little mixed. Their initial introduction did hold a lot of potential; a trio of nefarious evil spirits who gain Counter powers and are not afraid to kill others in their wake. The problem is that while they are played by very good actors, their characters struggle to be well-developed threats . In season one, the big bad of the series was just that; evil to the core and driven to complete his goals of bringing destruction and ruining the Counters . In season two, it’s hard to really work out what the trio actually wants aside from some measly power grabs here and duped powers . Sure, they want to stop the Counters from getting in their way, but where are the true stakes? Why are they so fixated on them to the point of going as far as they have done? What are their true goals aside from just being plot devices? As antagonists, they are fairly “evil”, just not particularly with a sense of impending threat or being a true foil for the Counters. The stakes could have been there, but season two does little to make them an imminent antagonistic force beyond obvious “ plot drive”. This is sad considering the fact that especially Hwang Pil-Gwang, as the leader of the trio, could have been a really interesting character if he had been developed properly as early hints suggested. Gelly Choi did get her moments later in the spotlight by proving that she is quite devious, but considering her featured screen time, Gelly and Wong were certainly underdeveloped and underused .
Last but not least with characters, it is hard not to mention Ma Ju-Seok, one of the show’s most divided characters for viewers. On paper, Ju Seok had a really interesting role; a “ nice guy” driven to the edge and Mun trying to help him. On the other hand, Ju Seok was simply a cause for plot rather than well-developed. One of his major flaws came through his “ deep bond” with Mun. The show constantly forces the message that Ju-Seok is a “good “guy, but the series forgets a key point in writing: show don’t tell. Rather than showing us these acts ( aside from helping Mun’s grandmother in some scenes ) we constantly hear the same narrative in dialogue that Ju Seok is a “nice person”, but not through very sincere actions or scenes in particular. To make it stranger, Mun is established to be intimate with a small circle of his family and friends, and takes time ( as shown with the Counters) to really develop intimate bonds. It makes little sense for Mun to suddenly trust Ju Seok on such a level ( helping his grandmother or not), without actually getting a sense of what has really drawn them to form such a friendship. For example, had Ju Seok played a role in scenes as an older brother/ uncle figure by encouraging Mun in other respects , then maybe this relationship would have been more poignant, or at least viewers could understand some of Mun’s trust in such a character . Instead, it rarely delivered the full intimacy it was suggesting, making it an odd spectacle to see Ju Seok try and go dark-side and for Mun to be so set on helping a near stranger . Ju Seok’s “ character arc” did have somewhat of a resolution, though it was rushed.
Perhaps the few strengths of this second season came through showing Mun’s darker issues ( though not in resolution), as well as the return of Mun’s friends Kim Woong-min ( Kim Eun Soo) and Im Ju Yeon ( Lee Ji Won). Although very much background characters, their teasing potential romance between the two characters: as well as their long-standing friendship with Mun, did provide quite fun and heartwarming in most of their featured scenes. Another minor character, Park Do-hwi ( Seo Byeok-joon), Ha Na’s first love, was also quite a delight. ( The series did seriously go about a very cliche way of his resolution , but his featured screen time was certainly engaging .)
The other issue at hand comes through execution. To put it simply, Uncanny Counter 2 struggles with pacing a lot. The major part of the series nearly drags along at a snail’s pace, trying to place some action in training montages and some villain scenes to lead up to the “ big showdown” . Later episodes did bit up the pace slightly and were slightly more engaging with the plot and some themes , but most episodes, especially the first-half, felt underdeveloped and quite repetitive. The ending was probably one of the show’s greatest letdowns. It certainly brought a bittersweet note for the show, but last minute plot points, which could have easily have flourished and been developed earlier on, were rushed and thrown in for quick angst. This lead the resolution to feel a little unresolved.
The directing of the series under director Yoo Soo Deong follows a fair sleek and basic cinematography. The CGI is decent enough, though compared to some of the more sleek palettes in season one, there is a little left to be desired for the eyes. The OST was okay; there were some good songs such as CRAVITY “Ready, Set Go” which helped set the mood in some scenes, and was quite catchy too.
Overall, Uncanny Counter 2 is not quite on the same level as its previous season both across the writing range and execution. It is understandable the show wanting to go in a different direction. Mun is no longer the naive kid we saw in season one, and has begun to grow beyond playing “ the heroic role” all the time. However, the way the show tried going about this with poor writing decisions made Uncanny Counter 2 feel a little rushed and convoluted in parts. There are definitely a few good aspects to the season , including accessibility to viewers who have not watched the previous part as well as some interesting characters and general setups . However, poor pacing did make this season feel out of place across thematic and writing styles. Overall, okay for a quick binge watch but that is about it.
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It's been a while since I've had so much fun watching a Kdrama!
OMG, this is so GOOD.From the very first episode, this drama will have you hooked.
There's something really special and unique about Mr Queen, I've seen several historical dramas but this ones a bit different. It's purely a comedy with a twisted interesting storyline to keep you captivated.
We follow Kim So Yong (Jang Bong Hwan) as she - or he? haha - discovers secrets within the palace, keeping viewers on their tippy toes. However, it's never too heavy as humour is sprinkled throughout scenes. It's easy to watch and although the episodes are long, they seem to fly by so quickly because of how entertaining they are.
The acting is something I must mention, both Shin Hyesun and Kim Junghyun are great for the characters they play and portray them perfectly, the director couldn't have picked better actors for those roles. It's like when Shin Hyesun is crying, I feel depressed and when she's content, I feel happy! The main characters all have their own story and dark secrets that we slowly learn about along the way. I'm was particularly invested in the Queen's true self, she's very interesting and there seems to be many dimensions to her character - not Jang Bong Hwan but the actual Queen.
I've been pleasantly surprised by how good this drama is despite my high expectations!
I loved how the story played out and I hadn't found myself getting bored while watching it which is always a plus. The OST is so so good, super addicting - definitely give it a listen.
If you want a good laugh, I totally recommend checking this out!
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As much as the plot was cliché, there are some things we need to point out about this show.
A lot of people think the plot is pretty cliché.Irrational, domineering boss ML and a starstruck ordinary girl FL. Contract Marriage. And Girl-Pretends-To-Be-A-Boy RP.
But I think some things need clarification.
1)The title is "Cute Programmer". I don't get why some people misunderstood the story to be about programming.
(=... =) when the title clearly hints that the story is about The Programmer. The CUTE PROGRAMMER, Lu Li, to be exact.
2)People called Luli, "the doormat FL". That's just so obvious that these viewers watched the show but never bothered to understand the plotline or the character settings.
This is a story about Luli who falls in love with a man. A man who lost his trust with anyone. A man who does not understand or refuse to understand social context more than he does 1s and 0s.
Imagine, if Lu Li could've just walked away when it was easier said and done. Then what about the years of affection she had cultivated for YiCheng? Was that a lie? A joke? A playtime series that took her entire youth?
Is it love if you could just walk away because everyone said you should?
3) Sure, Yi Cheng's character is annoying. And he treated Lu Li badly. But think about it.
His father never supported his dreams and his career. Constantly using his company and investment as a hostage and force YiCheng to what they want.
His first love and the only woman he allowed in his life,apart from codes, betrayed him, stole his work and sold it to the enemy.
It'll be weird if he didn't put up walls and kept angst at bay after all that, especially with his character setting.
But that wasn't the point, was it?
The point was how the "cute progammer" Lu Li's presence changed him and thawed the ice.
4) To be honest, this show is very lighthearted. Despite all the cliché drama obviously pitched into this show, it wasn't a heavy series to watch. They manage to pull your emotions up when it starts to get strained because of the main leads' conflicts.
5)The side couples are interesting and yet didn't hog the screen time meant for the main leads. But had enough exposure to cultivate their own romances.
6)I've seen a lot of Zhao Lin's other works. And honestly, this was not his first time playing the assholish, arrogant husband that only realized how he loved his martyr wife when she left him.
If you alao have, then you'd understand how good this was compared to his previous works. His previous works were dragging and prolonged the drama for aesthetics. And was truly stressing and emotionally draining. But "Cute Programmer", despite the drama, never dwelled in it. And character and plot development were pretty fast-paced but never rushed.
I gave the story a 9 because the story was really cute if not for the cliché parts.
The acting and actors are all chef's kisses. Especially because I'm a fan of Bambi and Zhao Lin's works.
Soundtrack wise, could've been better but definitely a 9.
Wouldn't say it's good enough to rewatch. But I think I can see myself rewatching one more time, but never more.
All in all this was a pretty good drama.
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Blue is the warmest colour.
Blue indeed is a colour of warmth and as an object, is a compassionate ode to the vagaries of the heart. The emotional honesty, precision, abandon and need; all summed up within the blue, have been the greatest force of love and benignancy. Letting the blue sky meet the blue sea could lead to bedazzling consequences, opening unimaginable possibilities. "Our Blues", the drama and it's stories illustrate as well exhibit the blues of a varied spectrums of lives and the arrays to which the life can haul us to.Produced by 'GTist' and developed by 'Studio Dragon', "OUR BLUES (우리들의 블루스)" is an omnibus-themed Kdrama created and nourished by none-other-than one of the best Korean writer Noh Hee Kyung jakka-nim. Joins her, her partner-in-crime, Kim Kyu Tae PDnim, assisted by Lee Jung Mook PD-nim as a debutant who's in fact been the executive producer of several qualitative hits. With a super-duper multi-starrer cast, the show was originally broadcasted on tvN whereas Netflix is in charge of international distribution. This also marks Kim Woo Bin's comeback drama after 6 years long hiatus and has been shot in Jeju Oil Feild, while a fraction of it has been filmed in cities like Seoul and Mokpo.
Established against the backdrop of Korea's Pureung-ri in the famous Seogwipo, the 2nd largest city on Jeju-do island or the southern part of Jeju Province, "Our Blues" is formatted as an omnibus tale of 14 characters, divided into 8 stories, told in a total of 20 episodes. While the term "omnibus" literally refers to different stories in a single book, the drama takes on characters living in the same neighbourhood who are interconnected and their path crosses on a daily basis, but the manner of presentation emphasizes only 2 of them at a time. In simple words, at a particular, time only a few characters are the protagonist of the story, having them at climax/peak, whereas others are simply extrinsic parts of their lives, coming in and going out of the scene randomly.
The drama is a true example of what you called a star-studded cast, filled not only with soooo many popularly acclaimed and skillfully talented actors but also with renowned makers who have always proved their worth. Among many, the major cast are: Kim Hye Ja, Go Doo Shim, Lee Jung Eun, Cha Seung Won, Shin Min Ah, Han Ji Min, Lee Byung Hun, Kim Woo Bin, Uhm Jung Hwa, Choi Young Joon, Park Ji Hwan, Bae Hyun Sung and Roh Yoon Seo. Special mention to the child actress Gi So Yoo who played Son Eun Gi and won hearts with her realistic acting of a 5 years old child.
In supporting cast, the familiar faces are: Kim Kwang Gyu, Nam Kyu Hee, Cho Hye Jung, Baek Seung Do, Lee So Byul, Park Jee A and Yoon Byung Hee. Again, special mention to Jung Eun Hye who played Lee Young Hee, a person with Down's syndrome, who, in real, is someone with the syndrome, and did a spectacular job. There are so many other known faces in guest roles, here and there in the show.
Rather than writing a character description, describing different stories without spoilers is a better choice. It's important bcs the drama doesn't have a particular plotline, and as told earlier, it consists of several stories.
# Eun Hi and Han Su: The wealthiest fish trader Eun Hi, who's loved by the entire neighborhood, reunites with her long-missed first love Han Su, whom she dated during highschool but grew apart due to individual situations.
# Yeong Ju and Hyun: These 2 highschool students who live in the same apartment, and been friends since childhood, secretly start dating and plan to fly to Seoul after graduating. However, an unexpected hurdle come their way, disturbing their entire wishes.
# Seon-a and Dong Seok: Thinking she's hit the rock bottom, Seon-a travels to Jeju, where she meets his first love Dong Seok, whom she'd abandoned years back. Still, uncertain about their feelings, both of them become friends again and help each other comfort.
# In Gwon and Ho Sik: Considered brothers from different mothers, Ho Sik and Ingwon had been there for each other through thick and thins, but as life happens to them, they grow apart, resenting each other for years. Now that their children are involved, they seem unable to turn away, rather fight it off.
# Young Ok, Jung Jun and Young Hee: As Young Ok and Jung Jun grow closer, Youngok's uncertainties have always bugged Jung Jun, and he's afraid of being left back. There enters Young Hee, bringing love to the city and to the relationship between the couple.
# Eun Hi and Mi Ran: The highschool duo, the rich Mi Ran and the poor Eun Hi, known as princess and maid, respectively, has always been there for each other. But there exists misunderstandings created due to own's sense, which has to be dealt with.
# Chun Hee and Eun Gi: The boss of sea Chun Hee samchun is excited for her family's comeback to Jeju to live with her. But as life becomes cruel, not knowing what's happening, she is left to take care of her granddaughter Eun Gi, who's adorable yet irritating.
# Ok Dong and Dong Seok: On the verge of death, Ok Dong samchun wishes to make up with her son Dong Seok, who resents his mother and has separated for long. As they set out on their first and last trip together, will they be able to clear the distance between them?
I do wish to elaborate a little about the topics the drama has attempted to tease and start conversations about, and doing this separately without character names, in order to avoid spoiler...... The most important element the drama tries to emphasize on is depression and related mental health issues; through a character, the drama shows how severe depression affects the lifestyle of one as well as their relationship with others. I believe it's one of those few shows, having the real symptoms of depression, that can be triggering. The 2nd most important placed is Down's Syndrome, a specially-abled person and the way of embracing them; I loved how well they have tried to draw basic notions about the normalcy of it, it was simply overwhelming.
Unprotected sex and teenage pregnancy are 2 other important elements showcased in the story, through which the writer might not have put forth the cons of it, but using it she's demonstrated the possibilities of growths in relationships and strengthening of love. Through each of the stories, the drama again, has emphasized the power of confrontation. Confronting one isn't always intended to bring down the rival, rather it provides a great mean of bringing out all the inner thoughts, helping in clearing misunderstandings. On that note, the drama also highlights greatly on self-realization and putting forward the flaws of all the character, which is follows by learning and growth, no matter their age, gender, situation and roles.
One of the many things that I loved about the drama is how they have also clearly shown that, our feelings and complexes about our friendships and other kinds of relationships are not childish or silly, because our thoughts and emotions always carry some values and could burden us to unimaginable levels. Both male and female friendships, the similarities & dissimilarities and the gravities of sentiments have also been pointed out by the writer.
Another thing I liked was the portrayal of real behaviours of the old people; as in showing how they could be irritating, annoying, demanding and adamant about anything, frequently frowning and getting afraid instantly upon being screamed on and still crawling back to their own people, etc. These are not something to really complain about but most of the kdramas do not show it. Rather calm, relaxed and postured sides are the only tools used in typical Kdramas. I hope people don't misunderstand what I am trying to convey, it's simply a way of praising how realistically the makers have presented it. On that note, the makers were able to create a typical suburb environment and bringing out typical village lifestyle and human values.
Additionally, the show throws lights upon many small to big elements like: financial mishaps, aggrandizement of love, fraudulent intentions, custody battles, love for kids, reminiscence of foregone days, secrets and lies, shades of parenting, grudges from past, holding back thoughts, conflicts in group jobs, terminal illness, accidents, being long-term bedridden, poverty, bullying, etc.
The well-crafted show is a proof that something can be fun, exciting, thrilling, emotional and touching even when there isn't much going on in our lives or even in the contrary situations. The intricate and intimate glimpses into a character's life immerse you in their very worlds, not through glamorous and flashy visuals and actions, rather a realistic and relatable presentation; totally wandering, hazy, witty and totally absorbable. The drama successfully captures tumultuous moments, all the joys and all the growing pains meshed together.
The drama marks the comeback script of Noh Hee Kyung jakka-nim after a break of 4 years, but we know she was busy creating another masterpiece yet again. With the experience of over 2 decades and a half and creating numerous popularly acknowledged slice-of-life stories, jakkanim has comeback with a piece that is unique for Kdramas. The drama itself is character driven and the cerebral & in-depth portrayals of life remains the key feature, as her usual signature. The simple yet lesser discussed topics, the elements used to narrate the stories related and the touching plus triggering outcomes from each of them, everything has been sketched with lots if care and sense, that it directly hits the core of thoughts of the viewers.
As the maker of numerous highly acclaimed and huge budget dramas with skyrocketed ratings, Kim Kyu Tae PDnim is one of the top10 directors of Korea. Using the experience of almost 3 decades, he creates stories that most of the viewers are able to live than merely relating with their own lives. The presentation is all that matters, as they say, PDnim has proved to have mastered that craft, which clearly shows. Tell me a point that you thought was off about the flow of the show? Nothing, right? From screenplay management to scenario setup, from script interpretation to scene execution, from screen editing to accessory coordination and finally the filming supervision, everything reflects on how well PDnim has understood his job of absorbing the essence of the script, it's narrative and the storytelling style intended by the writer.
Cinematography of the show, as priorly expected from the audience because of the announcement of story being primarily set up in Jeju-do, went beyond the expectations. The agricultural land of varied green accompanied by propelling huge wind turbines, the coastal vincent and deeper navy blues of the sea paralleling with the story, the mysterious yet mesmerizing bed of ocean-floor decorated with planktons, abalones and conches and the sceneries of sunset and sunrise with contrasting yellow and orange hues, everything had their own significance and provided with alluring sights to the audience. Choosing the gauge, managing the speed, setting the sensitivity with diffusing filters and adjusting to an aesthetic frame with appropriate lens, the director of photography surely has mastered the art of moving photography.
The silhouettes of single houses with rock boundaries, having flowers blossomed on them, did serve as an unusual visual elements to me. I think I can stare at them for hours and still won't get bored. The marketplace was another location frequented by the characters, a place where almost all of them crossed paths on daily basis and from our pov, every single day. It was the place where several peak moments took place and served as a buffered zone, typical of village scenarios (though the show is set up in a town). The profuse number of occupations, little details added to their jobs and their ample contributions to the trade and business of the region, even so subtly, it's been shown resplendently.
The exclusive Jeju dialect (제주방언: bang'eon) used in the drama makes it even more indulging, particularly for people like me who're into language. The larger and more conservative vowel inventory of the dialect and nouns ending with ㅁ (m), make it unique. There were few moments where the characters used pure Jejueo for which the makers have given subtitles with standard Korean language.
Putting the emotions and momentarily paused reactions in a "frame" is how they want to emphasize that how the beauty of art is more to do with the backgrounds, rather than the art itself, which implies the small yet bonny inputs into our lives.
'Building back broken houses' (Ingwon and Hosik) or parts of it signify how the living entities always require to be mended with love, care and warmth. It's always wise to restore back what we have than desiring to get what we don't have. Even when things like approach and apology serve as saviors of relationships that you want to hold onto, do it.
'Harvesting abalone and conches, together', as the hanyeos said "We move as one", tells how unity is the key to prosperity. Before the fruits of prosperity can come, the storms of life need to first bring the required rains of testing, which mixes with the seeds of wisdom to produce a mature harvest. The lives of hanyeos reflected that a lot.
'Painting walls' (Dongseok and Yeong Jun) as a sign of renewing the preexisting ecstasy of life with a different colours, as your situations suit. Painting both dreams and nightmares, with one step further, painting own's reality, might result in eternity.
'Writing down the curiosity and thoughts' instantly is a tool for many to relief their pain, more than just keeping tracks. Dairy-keeping is not as simple as it seems and turning your diary into your best possible story, could be considered a miracle. While maintaining one, when you've struck the right vein, tiredness goes. It must be an effort, thinking wrong.
'One stone at a time', for life and prosperity; rock balancing is not new in Kdramas but through Ok Dong samchun, Noh jakka has tried to present the ways to extract hope from balancing rocks, slowly and steadily.
The coming-of-age essences to the stories and the characters serve as a perfect device to nourish the vitality of the messages the writer desires to give away to her audiences. The psychological and moral growth/transition of the characters, from a point of misery to prosperity or vice versa, has been a mesmerising chronicle to witness and preserve. Personal growth and change of them, contributed by different others, signifying the importance of community life, particularly in village, where all of them are protagonists of their own stories, makes it gratifying, which is again feathered by the beautiful dialogues, emotional responses and sumptuous actions & reactions.
Composed by Choi Seung-kwon and Kim Ji-soo, there are 10 OSTs in total, all sung by very skillful vocalists of South Korea, bringing back the OST queens back to track. I love how amazingly the OSTs have been used in the drama.
# "The Last" by Heize is my most favourite which is a comforting track about the warm moments in love.
# "Remember Me " by Davichi is a melancholic song about reminiscences.
# "With You" by Jimin (BTS) and Ha Sung Woon is a softcore and mesmerizing track depicting desires and confession.
# "For Love" by 10cm is a jolly romantic track as an ode to blooming love.
# "Whisky on the Rock" by Kim Yeonji is a retro-styled song with gracious vocals is an ode to the old and care free days.
# "ONCE AGAIN" by Winter and NingNing is a song about assurance of staying beside.
# "By My Side" by Taeyeon (GG) is a melancholically healing song about regrets.
# "Bye Bye" by Punch is a mellifluous song about missed opportunities.
# "Happy Song" by MeloMance is indeed a song about happiness and hopes.
# "STAR" by STAYC is about the beauty of love, written with gratifying lyrics.
The opening theme at the beginning of each episode with aesthetic set ups, as someone picks up the record for characters meant for that episode, playing the record player and unfurling their stories, all these provided great joy and was ecstatic.
Apart from these, the drama also has many old songs, not only Korean but non-Korean along with classic jazz, that has been either used as a background, or played/sung by the characters. The 1962 Italian pop classic song "Quando Quando Quando" by Tony Renis as well as it's English version cover by Korean singer Moon Haewon (문해원) is the most mesmerizing. "Our Blues,Our Life" by Lim Young Woong is a beautiful track.
My most favourite dialogue is...
"I heard this typhoon will pass by. But again, all of them do. Just like this typhoon, everything will eventually pass by soon. Now get some sleep, Yeong Joo-ah~ I love you."
Final Remarks... And just like that, once again, another drama has made me question my worth for daring to judge it; it took a lot of efforts to put my feelings and experiences into words. Another masterpiece slice-of-life drama is OUR BLUES which will be placed in the deepest cores of our hearts and remembered, for it was beautiful, healing and profoundly heartwarming, making us to think, resonate, rationalize and acknowledge the determinants life throws at us. I would have loved if it were more, I mean, at least that's what I desperately wished for. I would like to offer my gratitude to Noh jakka from offering us another spellbinding piece of art. Thank you to each and every one involved.
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Falling Into Your Smile falls flat, lacking depth in both storyline and characterisation
Sigh. This has been a sadly disappointing and underwhelming journey. I’ve been waiting almost a year and a half for this drama to come out, thrilled to see Xu Kai in a modern drama (just because he slayed Arsenal Military Academy). But unfortunately, despite all the hype, I was left completely underwhelmed and frustrated throughout Falling into your Smile, and alas it just fell flat on its face. I know this drama received rave reviews, and I myself tried my best to view it as objectively as I could, but be forewarned, unpopular opinions ahead.PROBLEMS
--The Storyline Itself--
I think the major turn off for this drama was its inseverable relationship with the internet/social media and how the toxicity of the online environment negatively impacted and influenced the characters. It was a major recurring theme throughout the drama and just felt over the top rather than impactful.
What made the story fall flat was the constant emphasis on the e-sports online forum being at the center of everything. Every time something was posted, over a number of episodes, we would follow the characters reactions and responses whether that be trying to mitigate the negative effects or finding a solution. And this sort of drama kept popping up and detracted from the storyline itself, the relationships between our characters and the actual e-sports competition. It left little time to properly explore team dynamics and character interactions. It felt like they were all being controlled by the comments of their fans and rather than promoting e-sports as a proud national sport that actually rather emphasised to their detriment the toxicity and negativity of the online environment, fans and their comments. And after awhile it got old and I felt frustrated, because it was obvious there would be a never ending onslaught attack on them and they just couldn’t catch a break to actually focus on what was important e.g. hand injuries, the feeling of winning, relationship and love, friendship and bonding etc.
The love story itself, for me, Lu Si Cheng fell too fast and too hard for Tong Yao and I felt it was completely unfounded. Though everyone’s been saying their chemistry was great, for me personally, I just couldn’t feel it. The bickering or banter dialogue lacked wit and class, and just felt plain boring and basic. And the whole height difference joke got old after awhile. It was a real struggle getting through the first 10+ episodes and I actually took a break from it. And sure it picked up when they started the kissing, but it just felt like a lack lustre relationship.
--The Game--
I really liked how we went into the gaming world, switching into the animations and really entered the game world. However, it stopped at that. The lack of explanation of: what was actually happening (they often just put up visuals of the game play and we had to decipher what was actually happening), the rules of the game and the avatar capabilities made the gaming scenes so much more confusing. The question on my mind was why where there so many competitions and which ones were actually important? There was no helpful commentary, no strategy for that matter and everyone kept switching game avatars that it made it so hard for me to keep up with who was playing who. This kept me distant from the gaming world, in addition to the games being entirely anti-climatic and very predictable. I think my main concern was that the competition gaming scenes felt like supplementary scenes to fill the main storyline rather than being the focal point, left on the backburner because there were so many other external problems at hand.
--Acting/Cast--
I’m sorry to say that I had issues with the acting and cast. I felt Xu Kai was pigeon-holed into this character of being tight faced and cold and tried his absolute best to bring some life into it, especially being one of his first modern dramas. I liked his characterisation and even development, from being well aware and acknowledging his flaws. Props to his ep18 7 minute monologue, that was some well written tight script writing that got his character and thoughts across really well.
Cheng Xiao as Tong Yao I thought was miscast and the only thing that worked was the height difference. Her acting felt expressionless, rigid and lacked the right emotion for the scenes. I couldn’t make out her character. I didn't really feel any character development, and she came across as arrogant, unapologetically righteous, and too easily influenced.
--Lost Potential--
They had an array of beautiful, lovable and ready crafted side characters, that were sadly dismissed as unimportant and majorly underutilised. In particular, Yu Ming (who had like one major scene in the beginning and then used as a side prop, despite having so much character potential to be explored), Lu Yue (brother dynamics that would have offered more insight into Lu Si Cheng's character), and Hierophant (this relationship was so fleeting and I don't know why, it could have been so well good if developed). These are such interesting side characters, I only wish their backstories and motivations were explored further, it would have helped craft rich characters and round off the team dynamics.
I think overall what got me was they were trying to cram too much into the storyline – while competing for the national title, juggling the pressures of social media and being a figurehead, the resistance of parents viewing e-sports as a mere game, managing the dynamics of the team, family relations and building a fresh relationship from scratch. All this in addition to the poor scriptwriting that felt flat and lacked the depth of clever conversation.
It’s honestly great to see an increasing number of e-sports dramas framing national pride come out on mainstream, as we learn and uncover more about the struggles and behind the scene challenges. I appreciate the drama’s vision and liked the world it was attempting to create both off and online, but just in this instance, it fell far from my expectations and I was left sorely disappointed.
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This review will probably never be noticed by the rest of the MDL community since there are a lot of reviews with high ratings for this drama, but I thought I'd write one anyways. I watched this drama because 1) it's pretty popular in China for a webdrama and I pretty much check out whatever is popular in China regardless whether it is popular here on MDL and 2) my best friend likes cute romances and I really wanted to make her watch something Chinese this winter break before we parted ways again.
Story:
What I liked:
1) The entire group of friends together was very fun to watch. Loved the chemistry of their friendship together. I didn't skip any friendship scenes.
2) Their high school lives were more interesting than their adult lives.
3) Need a friend like Lin Jingxiao in life. Supportive, smart, and caring.
What I disliked:
1) the main girl was literally SOOOOOO dumb like I don't think I know of a dumber female lead than her character. very few get into a good university like Zhejiang on their second gaokao
2) when Jiang Chen was jealous, he would act mean to her. I get this is supposed to be out of jealousy, but his actions seriously irked me.
3) Jiang Chen giving up the chance to go to Qinghua. And then almost giving up the internship opportunity. And also selling his car to pay for her manhua thing. Like yeah, I guess those actions are supposed to be romantic, but I thought they were straight up stupid moves.
4) liked the second lead initially. towards the end, I'd really wish he could just move on to someone else
5) lack of communication in their relationship was sooooo idek what to say lol
6) their break up was sooooooo.....anticlimatic didn't feel a thing
7) the drama felt like it was slowing down at the end
8) the second couple scenes were pretty boring, skipped a lot of their scenes as the drama progressed
9) I didn't like how even though Chen Xiaoxi knew her grades sucked, she hardly put any work into bringing them up. Like yeah, if she didn't want to ask Jiang Chen, then I get it, but her BEST FRIEND is literally one of the top students in the class and she still didn't use her resources LOL
Acting/Cast:
Acting-wise, they were okay. They're all new actors, so I have nothing to compare to. They weren't spectacular, but they weren't terrible either. I think one of my biggest issues was with Hu Yitian's line-reading skills. He speaks pretty unclearly and has poor enunciation (I am fluent in Chinese so this bothered me while I was listening, but if you don't speak it, then you should be okay with it). Also his voice is really monotonous LOL. But he's tall and pretty cute.
Music:
I don't really think there was much music played for this drama, but I quite like the opening theme song!! Ending theme song is meh but the opening one is nice.
Rewatch Value:
Never rewatching this again LOL I mean the drama wasn't terrible but I was pretty bored and not captivated
Overall:
It's a good drama to watch if you have nothing to do, or if you're like me, have a friend who likes cute romances. I heard they deviated quite a bit from the book. "Prime example of an adaption gone wrong by removing all the likeable traits from the main characters. Chen Xiaoxi was never this brainless, and Jiang Chen never leads his potential love interests on. I would’ve preferred a story that spent more time on their adulthood (as in the original), especially when it’s clear the only purpose of the schoolyard love triangles was to drag out the episode coount." (Source: Cfensi). But yeah I really couldn't stand how brainless Chen Xiaoxi was.
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Story - 10/10 I loved the storyline, it was a mix of everything. Sweet, Romantic, Tragedy, Comedy, etc. The only thing that I thought sucked was that a lot of the characters led a really sad life ;( And I won't spoil, but they did take out a love storyline that I would've been very interested in watching!
Acting/Cast - 10/10 One word: AMAZING. This is the best cast I have ever seen... they all had lots of chemistry with each other. Even the young cast was overflowing with potential and I missed them so much when they left! Everyone played their role perfectly. I had decided to watch this drama mainly because of my love for Kim Soo Hyun (since WISFC days, he was genius there), Jung Il Woo, Yeo Jin Goo & Kim Yoo Jung (I LOVED THEM IN ILJIMAE!) and pretty Han Ga In. However, I fell in love with all the other actors too! Lee Won Geun and Song Jae Rim...I found myself wanting them to come on screen every second! They're both such hotties lol~ now I'm a huge fan of the both of them! I also loved Siwan, he did a great job and he was so adorable! I think he even looks better in sageuks than in reality. LOL. Hands down, best cast, I wouldn't change a thing :) *I also loved the eunuch!* lol~
Music - 10/10 Even when I wasn't watching the drama, I had the OST as replay, shuffle, you name it. :) All the songs fit the drama perfectly, even the lyrics. The instrumentals were amazing, just like a lullaby :)
Rewatch Value - 10/10 I would love to watch it again!!! Since it's my favourite drama :) keke~
Overall - 10/10 It was perfect! :) Please go watch it ;)
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TharnType 2 - A lesson in how to destroy a BL ship!
Congratulations to whoever wrote this story, whoever wrote this script, whoever directed this series, whoever edited this series! You literally took one of the best couples in the business, who had the best chemistry of all BL couples and turned them into a caricature and destroyed their chemistry! As many times as we felt awesome when Mew and Gulf got together in Season 1, this season I was actually uncomfortable in their romantic scenes. It wasn't organic, it was artificial and uncomfortable. I wanted it to end and I hated those cheesy dialogues, looking into each other's eyes and speaking nonsense in what amounts to a horrible b-grade movie with semi-porn music in the background!! I don't mind fan service, but please stop putting out stuff like fans are gullible and stupid! You took two great actors with great chemistry and for the sake of greed and taking advantage of fans, wrote a horrible screenplay, hired a juvenile director that can't direct and an editor who edits like a school kid and destroyed everything that was good about this series and these boys!! THIS IS NOT WHAT PEOPLE WERE WAITING FOR! AND THESE TWO BOYS DESERVED BETTER!Was this review helpful to you?
Another Level of Romantic Comedy Drama
At first I watched this drama, I actually think it would be a cross-dressing drama when the male lead would hard to convince the female lead about his real gender HAHAHA. But silly me, I am expected this drama way too low than the actual story. I must say that the drama is EPIC, the plot, the acting, the soundtrack, especially the unexpected villain are all ON POINT. Never expect this much for romantic comedy drama (who turns out to be melo in the second half of the drama).I love how this drama put the right song in the right scene, and make you remember that scene a lot because it was totally beautiful (especially the rain scene, the swing, and the fight scene).
I feel like a butterfly fulling my stomach after I finished watching this drama, and I know I would miss Dong Joo - Nok Du couple much. The parents-children relationship also getting me in tears much, applause to Jang Dong Yoon who brings the sad scene greatly, because when he's in tears, I feel my tears suddenly flows too. Such a great actor! Kim So Hyun acting is unquestionable, because she's veteran anyway.
For me, I am positively would re-watch this drama, because the story is so interesting (and probably would be hard to move on like I did in 100 days my prince), and Jang Dong Yoon is so handsome and pretty at the same time, it's like one package of cinnamon roll he is.
They have great chemistry on or off screen (you should watch behind the scene by the way). You know, the drama is successful if we want them together in real life, it's just exactly what we want for JDY and KSH HAHAHAH
If you haven't watched the drama yet, I think you should give it a try. If you expect the light rom-com which we could expect where the story would leads us, then you won't have it in Tale of Nokdu. Because, as I said before, this drama is another level of romantic comedy drama (in general) and would make you goose-bumped in every episode.
P.S : you will love our beloved and sassy Lady Kim
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1Soap opera level chaos in designer packaging!
I can’t believe I’m rating a Daou & Offroad series this low, but it is what it is.This is one of those dramas that seduces you in the beginning with attractive leads, dramatic tension and mystery around them simmering in the air and for a moment, it would fool you into believing that you have stumbled upon something gripping and intense. And then slowly...the realisation sank that all jazz and pretty people can't hide the fact that the story underneath is paper-thin and strangely uninterested in making ANY EMOTIONAL SENSE whatsoever. I won't say it didn't have the right idea or ambition but there was too much going on all the time and it kept tripping over and collapsing its own over-the-top drama.
The plot has a bit of everything except mystery or good action drama. It was like a daily melodrama stuffed with family revenge plots, emotional manipulation, corruption, and narcissistic parenting. And I am not talking about it in a fun or self-aware way, no. This is the kind of lakorn style exaggeration where logic has little or no place. The tone swings wildly. One minute passionate, the next unhinged and instead of intensity, it simply feels exhausting.
Let's start with the main couple, Pheem and Than, I don't know how to categorise or describe their relationship. It is disturbing in many aspects. There is morally grey, and then there is downright vicious. They fall into the latter. The manipulation isn’t cathartic either and neither does it teach either of the characters anything meaningful. It’s simply cruelty turned into a plot device. And because the drama never properly confronts the consequences of the behaviour, the entire relationship begins to feel hollow and unsettling.
Coming to other supporting characters, all of them I repeat, all of them, including Than and Pheem need to be in jail or in therapy. The so-called father figure is a walking nightmare. Even though he hasn't done the most vile things out of all the antagonist, he fuelled the feud between his 3 children. The siblings don’t fare much better either. The brother is a caricature of entitlement. The sister is written like the drama wanted her to be a cunning heir but forgot to give her depth. It’s difficult to root for anyone when half the cast is unbearable and the rest barely makes sense.
If there is any redeeming quality about this, that would be the chemistry between the leads. The weak script didn't help at all, but it would have been worse without them. Their interactions whether tense, tender or morally questionable still managed to bring a reaction out (happy or sad). Their chemistry felt like a flame trapped in this storm of weak writing. I feel like dialling down the melodrama and maybe bringing them on more screen would have worked better.
Production looked fine. The fight sequences were okay too but the CGI editing, like the bullets, was very lame. Acting-wise, I was not impressed with anyone. It wasn't bad at all, but nothing to run home about or anything that I will remember after today. I really hope their next projects have better script than this.
Overall, this was a good-looking drama with very little to say. It wanted to be edgy, dark, and with morally grey dynamics but it didn't translate on the screen. I will not recommend this but if you really want to watch it for the leads, please keep in mind the messy plot and lakorn-level drama.
Do not go in expecting to look for substance, tension, or character-driven storytelling.
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Identity Theft.
Here we go again - yet another ill-fated master disciple relationship! This starts predictably with a jinxed mortal Wei Zhi barely squeaking through into the prestigious Egret Academy. There her astounding lack of talent catches the attention and empathy of her master, Yan Yue. He is an immortal sent to discover and vanquish the remnant of the phoenix bloodline that is a threat to the Three Realms. You would never guess who the hidden phoenix is or that this cold faced inheritor of the realms falls in love with his enemy?!?Within a tired and tropey premise, the plot design of Beauty of Resilience is actually pretty good with some interesting and innovative takes. I found the Egret Academy's challenge arc to be very enjoyable in a way reminiscent of the Triwizard competition in Harry Potter and the Goblet of Fire. And I was intrigued by the mysterious Zihua Book Pavilion and its Shylock like master who extracts his pound of flesh. I also like that the Heavenly Empress is not just a decorative vase but has a rather important function as the mistress of time. Even the concept of Hua Rong is fresh and mysterious. Yet these ideas just don't quite come together in a good way in terms of plot and character progression.
Indifferent character blueprints, mis-cast roles and uninspired portrayals are this drama's weakest features. While Guo Junchen's portrayals of multiple roles is technically faultless, he is not given much to work with. Yan Yue is just a cardboard xianxia archetype. He only gets to shine briefly as the morally conflicted Chen Yan and in his darker personas but enough to impress as a diverse young actor. He and Ju Jingyi look fantastic together and they actually have decent chemistry. While her acting here is more nuanced, Ju Jingyi, once again delivers the same old vapid, completely indistinguishable portrayal that is her comfort zone. This is compounded by her default styling with atrocious Persian princess head gear and heavy handed and unflattering eye makeup that makes her look like she just waltzes from one set to another. She actually has excellent comedic timing which sadly this humourless script gives her no chance to showcase. Mu Nan is the only engaging and empathetic character but is sadly matched up with the most tedious and mis-cast role. And that is just the tip of the ice berg in terms of how shabbily the writers treat him.
The supporting roles are one dimensional and the cast lacks experience, chemistry and rapport. Everyone is obviously acting and their relationships and interactions are so forced I couldn't engage with or care for any of them. There were way too many identity thefts going on where even the lead actors in the swapped roles are unconvincing as the characters whose identities they stepped into. It was so bad at times it was kind of funny. The villains are quite obvious from the beginning and they weren't satisfactorily dealt with. One of them perished so quickly I literally blinked and missed it. I went episodes thinking they were lurking for the right moment to pop out again. My hope for a satisfyingly long, painful and drawn out demise was never met.
This drama's strongest arcs are the early ones that take place in the mortal realm. After that the drama loses momentum and gets more ridiculous as it progresses. The ending however is quite original and quite cool but was so rushed and poorly executed that it took awhile for what actually happened to sink in. I would say this is something that you could watch up until the wedding in the second arc, skip all the messy and time wasting latter arcs and you'd still end up in the same place. The early arcs were a watchable 7.0/7.5 for me but I'd at most rate the latter arcs 5.0 for an overall rating of 6.0. Watch at your own risk.
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Botched remake
Unfortunately, this remake failed to deliver the sweet cute chemistry and heart that the original C version did.I loved the C version and was so excited that they were going to remake it in Korea, but I think they really miscast this. And the director did a poor job of giving the story some heart instead of the typical cringeworthy deliveries.
The main problem was the FL. She was trying too hard to appear young. If you ask your parents to give you an impression of a 3 year old, I bet it would be the same as the FL's acting. No idea why they casted her as there are a lot of other actresses who have natural aeygo that could have played this role. And then there's the problem with the ML. He looked too young and did not make me believe he was the smart studious type. And together, frankly it was clear that she was the nuna and he was the dongsaeng which makes it hard to believe in their characters. They pretty much had zero, if not almost uncomfortable chemistry for most of the drama. It wasn't until the very end that it got a little better and I think a large part of that is because the FL dropped the whole toddler act. To be fair, I do see potential in both of them...I just think they need to take baby steps instead of leaping to fill shoes that are too big.
I also thought the 2nd ML did not have any charm. I didn't find him very likeable where in the Cdrama, I would go back and forth between the male leads. Even if I didn't compare to the original, I would not have liked this drama. It's way too cringeworthy. I had to skip a lot of the scenes that made me want to vomit. It's interesting though because the script is almost the same and I did not feel that way at all with the Cdrama which I've watched a few times. Amazing what miscasting and bad direction can do.
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Ugh
After plumbing the depths of my brain in search of a suitable word to express my “enjoyment” – or lack thereof – of this drama, ugh is all I could come up with.Now, before I start my very long rant, a clarification is needed: this is about the second part of the drama, that is from episode 28 to 56. I thought the first was lovely and captivating, so full of promises it made the wreck that followed so much more painful to endure.
Truth be told, a few hints of puzzling directing and editing extravaganzas were given away in the earlier episodes: perhaps I should have doubted my choice when, 5 minutes into the very first episode, our dark hero is given a cloak to wear, he puts it on with whooshing grandeur, only to mount his horse the next second without it! It gave me such a delicious Doctor Strange vibe, with a flying cloak coming and going at its own accord.
Or I should have sensed looming trouble by the 5th time our hero – yes, he again – stood there like a war totem staring in the distance with fixed gaze. Please do not go micro-expressions on me: when something moved, it was clearly from the very natural and irrepressible need of the actor to blink, now and then.
That Ling Bu Yi was in fact a Marvel character under Han dynasty disguise, became more and more evident as the show progressed, what with slow motion sequences of him swirling Niao Niao around (but still staring in the distance) or appearing out of thin air with black guards in tow to save the day and the girl, not to mention surviving the most improbable wounds/falls/cataclysm etc. His acting improves in later episodes, as though he really started to feel his character, instead of just acting it which, as I’ll mention later, didn’t help the mess this plot became.
But, as I said, the story was still to unfold and held lots of promises. Then Part 2 came.
Another reviewer here said perhaps they employed 2 teams for this script and its mise-en-scène, and I second this theory. The A-team was responsible for Part 1 and a few scenes of 2 but then went on a holiday, on strike or sick-leave and left everything else in the hands of a trainee who didn’t know what to do with it.
Let’s address the elephant in the room first: Niao Niao.
We spent 27 episodes learning that this poor girl has been abandoned at birth in the unfriendly arms of the silliest grandmother ever created and an avid aunt. She had to fend for herself all her 15 years of age and grew up to be unpolished but independent, cunning and extremely intelligent. So much so, that when we are repeatedly introduced with other daughters, all of them born and raised the “proper way” and all of them, invariably, bitchy – with two lonely exceptions – I couldn’t help but deduce that if you want a child to grow up well, you need to abandon her, neglect her, starve her and slap her. The authors spent so much energy at creating a galaxy of female villains, young and old, that any analysis on the family dynamics that made Part 1 so intriguing flew out of the window. Was it a way to make Niao Niao shine by contrast? If so, shame on the author, for that’s a dirty trick indeed.
At first she is the epitome of an emancipated and courageous free-thinker, which gives out the false impression this drama were a celebration of female spirit; alas, there are so many quacking, quarrelling, cruel and jealous women around her that she ends up being the odd one out, hence defeating the object. To make matters worse, Shao Sheng herself slowly grows to become irritating and eventually insufferable.
When we finally come to Niao Niao realizing she wants to marry Doctor Strange… sorry, I mean Ling Bu Yi, I did ask myself why. Why? Trumpets…. Because he saved her several times! We know it because her “epiphany” consists on a series of flashbacks all involving him swooping her in his arms like the macho he is to prevent her from being hurt or killed. And yet she clearly and repeatedly stated she didn’t want to be treated like a damsel in distress. We all know he fell in love at first… hand, but I honestly still don’t know why and when Niao Niao fell in love with him. If her motivation were escaping her mother’s overbearing disapproval, then she chose the wrong environment to move to, something her mother and even Yuan Shen tried repeatedly to make her understand, of course to no avail.
Possibly realizing the direction the show was (not) taking, the authors saw it fit to morph Miao Miao (no typo) into the most annoying know-it-all busybody in imperial China. I spent all the early to middle part of this Part 2 expecting her to pop up at every imperial council, palace banquet, chamber, garden gathering, private conversation to speak her mind on the subject and endlessly preach: and I was never disappointed, cause so she did! To further complicate my personal sense of propriety, nobody in the whole imperial court had anything to object to whatever she did or said – except of course the villains, whose sole scope of existence is to annoy Shao Shang and, by default, Super Ling. We know nothing of these villains’ story or upbringing, for all we know they too went through some sort of trauma, the same we are supposed to use to justify our main leads shortcomings. This dichotomy in treatment permeates the whole drama, depriving it of logic and ethic.
The whole palace part was a snoring fest for me, because at that point the format was repetitive and predictable. I am well aware this is fiction, but the idea that an Emperor of China spends all his waking hours, and some sleep I suppose, playing paranymph to his beloved Zisheng is ludicrous. Is he a nice character? No doubt, but isn’t he supposed to also lead a country in his free time? Doesn’t he have other children? Furthermore, everything about his grand schemes of having Shao Shang and Bu Yi “find each other” are comical, rendering the few heart-wrenching scenes bizarre and filled with shall I laugh or cry dilemma. He basically ruins the party by being the party’s buffoon.
And what happened to the pace? I distinctly remember often having a hard time following the subs in part one, so fast they were. Once in the Palace, dialogues became sooooo slow, at times they uttered one word a minute. The whole Empress arc was kind of painful to watch and tedious to read, and I breathed in relief whenever the Consort come into the picture. My watching became a series of: “here we go again!”, “let’s ff this”, “please come to the point”, “you already said that” and, of course, “ugh”.
The love story is the one which paid the highest price in all this, because it too became repetitive, lacklustre and now and then saccharine. How many times can we have these two standing there gazing in each other’s eyes? How many combinations of words can be used to say the same thing?
him - Trust me, I don’t want to control you
her – Don’t patronize me. I am who I am
me – Give me my 40+ hours back
It was incredibly anti-climactic from some beautiful scenes they gifted us with in Part 1. They had a deeper chemistry when they were separated than when they were together, like two positive poles that repel one another. Even their touches, kisses included, looked forced.
Then, suddenly the drama takes a U-turn and becomes gory, melo-tragic, messed up and slightly disturbing. Everyone talks about death, litres of blood are shed and the moral compass becomes so blurred I couldn’t empathize with any of the character. In fact, I started loathing them, mostly our main leads, who at this point I’ll call Brangelina, or Mr and Mrs Smith. “Let’s go save the galaxy, my love, but before that let us bite our arms and do some amusing slaying, just as long as we do it together!” Ling Bu Yi shows his true colours, and they aren’t the shades I like at all. It didn’t help that we have Miao Miao go from “I need no man” to “I can’t live without this man” passing by “You’re all bitches because you don’t respect your men” and other equally contradictory and preposterous statements.
The acting changed too in this Part 2. I’ve already mentioned Leo Wu’s improvement; ironically, his better acting came in pair with Zhao Lu Si losing spark and believability. She was marvellous as a rebel teenager, well blending insecurity and stubbornness; not so as a woman crazily in love. He aced the besotted glance, while she just looked at him as though she was reading a recipe in slow motion – granted, we were told she was a prodigy at everything except reading. I don’t even know what the heck she expected of this guy, at some point I thought she was more blood-thirsty than him and was miffed because he didn’t invite her to the murder fest. Her idea of being equal to her man consisted of becoming LIKE him and do everything together, even those things she had no knowledge, training or experience of. Equally important does not mean being the same. To put it simply, I never bought their galactic love, neither in words, nor in deeds or stance. By the end I felt something akin to aversion for them, both as individuals as well as a pair.
Re-watch? Thank you, but no thank you. The highlights of the drama to me were Shao Shang’s mother, the Emperor’s Consort and the Cheng family as a whole. I would gladly watch a spin off solely focused on them and a love story between Yuan Shen and whomever – except Miao Miao, obviously, who by now will be busy creating an efficient torture device for her deranged man to use.
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2x speed to the rescue.
I have barely any thoughts, because this had barely any plot. They just threw things at me without establishing them well, so for each conflict that happened all I could do was ask “why?” or “since when?”. How did I view the plot? They did not have the content for 12 episodes, each 45 minutes long, so they stretched whatever they had to the oblivion. When you have a slow paced show, with your actors moving slowly and delivering their lines slowly, you should not be adding slow motion on top of that. 2x speed to the rescue.The thing is, there were a lot of good elements in this. Great acting from both Mark and Zung. The supporting cast delivered a stable performance too. The chemistry was heartwarming and clearly there. The cooking scenes were beautiful and the soundtrack, even though at times cringy, overall, made me happy, and that’s the point. The directing just lost me.
Internal and external conflicts Aek was facing were not there until they suddenly were, and I was just supposed to accept that. Since when? All his outbursts of emotions made little sense and they never explained why he was so paranoid about every little thing in his life, when most of problems were exaggerated and could be solved with one conversation. The writer made him do quite a number of things that did not line up with how he was written in the previous episodes, just to insert more unnecessary drama.
Aue and his ex should never happen. One of the side plots that did nothing to either plot progression nor character development. She was there to add screen time. Instead , they could have shown more attention to the contest plot, explain why it's important for each character.
Overall, I don’t know. The show happened. I loved the first two episodes, good slow paced beginning to establish the characters and their surroundings, but then the pacing never picked up. It was slow the whole time, with few plot bombs dropped here and there. That said, I am excited to see more projects from both Mark and Zung, since I quite enjoyed what they delivered on screen.
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This review may contain spoilers
Disappointed based on the reviews
This is going to be a bit of a rant. I thought it was going to be a cool story about a girl who joins a gang to avenge her fathers death, goes undercover as a cop, finds and kills the killer, then either continues her life in the gang or is able to create a new identity after she kills him. While some of this happened, any trace of possibly not getting a stereotypical ending to the show disappeared over the last two episodes. Then the unnecessary romance? And sexual situation randomly with basically no development while her life is at risk. Just for the guy to die later. If you’re going to go the romance route, just do it, it’s like they thought of all the possible surprise things that could happen and just threw them all in with no thought. I just don’t get it. Then her fathers supposed deep cover. It’s understandable that a cop would be able to go undercover but to become basically partners with the boss of a gang is completely not plausible. They also went into no detail on how he was not only able to meet and join the gangsters or why they would ever have him be so deep in that cops would be tailing his daughter from home to school. If it had been something normal like they were best friends since they were younger, and they had scrapped the cop thing, it would’ve made more sense. Maybe could’ve even added a season to with the fl full gangster and the “ml” trying to take her down but also having a crush on her. But you don’t just join a gang randomly and become best buddies like that. But I guess anything to fuel the sunshine and rainbows ending that it was with the picture of her and her father even though she should literally be in jail for her crimes. I feel like I wasted my time watching this show. Maybe it was because of the short amount of episodes but it’s like they wrote this for some extra cash between dramas. I know I’m being harsh, but honestly i expected more maybe it was the synopsis that made me think it would be more than a revenge plot turned blocky redemption lone wolf drama.Was this review helpful to you?
