A Hidden Gem!
TLDR: Insomnia was a breath of fresh air, consistent with its storyline and gripping for all 13 eps. I can't exactly put into words how absorbed I was into the story.❛ Story ❜
I love plot above all and the plot of this drama is indeed quite amazing, everything is foreshadowed well and it stays interesting till the very end. When I started it, I wasn't expecting it to be THAT good and even managing to grab my attention with just the first episode.
It's really not what it may seem at first; what appears to be somewhat typical mystery drama about a mundane island in the beginning changes into something unexpected and dark. This is the first drama in which I couldn’t afford to fast forward any scenes because each episode of it kept me on edge of my seat and I loved every second of it.
To some, maybe the plot might be a bit predictable, but it doesn't lowers the enjoyment, it only proves that the plot-twists were believable enough for the viewers to catch and not get confused. Because plot-twists aren't supposed to be confusing, they're supposed to either caught you off-guard or make the story more interesting and complicated as new developments take place (at least that's what I believe, since I've watched my fair share of 'mystery' dramas that are a complete mystery for me to understand...)
❛ Characters ❜
The MC is the best thing about this drama. She's smart, strong, and capable without being unrealistically 'superior' (as in intelligence or other aspects) to other characters. She's exactly what we mean when we ask for a 'strong female lead' - someone who's not necessarily fearless or reckless, but brave enough to face her own fears and do the right thing.
As for others, they were great too! The side characters, whether they're likable or despicable, are really well-written and I love how they're written like actual characters rather than just some stepping stones for the MC. The whole cast also did a great job with their performances.
All in all, I'd really recommend everyone to give it a try! don't let the few amount of recognition it got discourage you because as I said before, it's a lot better than it might seem at a first glance.
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This review may contain spoilers
Finally, a story with real people and not caricatures!
Gong Suo Jin Zhi hit my IQIYI as Love and Strife out of nowhere. Relatively unknown actors but OMG! this is finally an adult production where there are no females who act like 5th graders, no villains who roll their eyes or grind their teeth. The script was solid, even if the story was not that innovative the characters were written with care and consistently put out the same vibe and logic. The director had done a really good job making it an even paced, low key, but interesting drama with good chemistry between the leads and interesting relationships between 2 other couples shown.From the get-go you wonder about the moral spine of the leads as they are not some caricatures/cliches of the cdrama stereotypes. Both leads are not flashing their attractiveness, but they are dressed well, with subtle make up and hairdos that fit. What this stands out for is the maturity of the interactions, relationships and characters. The daughter of a military family that was killed off is on the road to revenge -check. She is using herself as a bait and even a possible victim of abuse - check. The Crown Prince crippled and weak holding the grudge for the death of his mother - check. He is also shady about how he feels about his emperor father - check. Third prince villain-check - but he is not a bumbling baboon and actually an articulate, dignified, even if spoilt, dude with integrity. Have you seen that a lot? I did not. I actually liked him better than the grayish shade of the ML, but in the end, he gets what he deserves. And that Imperial consort, mom of the 3rd prince? Crazy jealous -check. Smarter than the emperor? You bet! And even 3rd princess does not come as an idiot, just as a woman stuck between her minister father and heir implied husband.
All the actors did an amazing job to be the characters they played. It was like a good theater performance: real, un-retouched at times raw and at times evoking the sense of them being just pitiful. You don't get grand gestures and doubled or tripled shots of the same scene for added grandiosity. People still spit blood and get splashed with it - you just don't see acting in it - you see people suffering and getting shocked. I give them all 10/10 for that and bow to the director for this!
Now on to relationship of the leads: You will get nice tension, lavish kissing and no shying away from showing what marriage of two people attracted to one another looks like behind the close doors. The shots of these embarrassing if you watch it on public transportation scenes is done very tactfully but long enough for all of us who like that stuff to smile. And what I personally enjoyed in the scenes of the couples interacting is what they don't say but show with faces, bodies and voice.
Even the ending was thoughtful- you don't get any stupid hang ups from misunderstandings, but there is an issue of trust, self-determination and power. Remember crazy emperor forcing the woman he desires to marry him? Well, for the crown prince who does not give his father an antidote as a revenge for allowing to kill his mother - what do you think he will do? And the woman who discovers that the husband she aligned with and started to love faked being poisoned by others without telling her - do you think she will stay with him?
The few songs during the show were really good. It reminded me of the quality in Princess Royal theme. BGM was discreet and not intrusive. and it was all superbly edited.
Fights scenes? OK Camera work? good Lighting? Amazing! I am very tired of night scenes where you can spot needles on the ground because the producer thought that the more light - the better.
Overall the underhanded way of this drama will probably make a lot of people forget it quickly. I, on the other hand, will look at it again because it is rare to see drama with characters that are not heroic, but human. That is why I am giving it 8.
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"First Impression is the Best Impression" - Proven False By Love Class 2
I agree with the people(in the comments) who stated that the first two episodes did not leave a good impression, also those two episodes are a bit confusing and make me lose interest in the drama. Hopefully I gave it a chance and I do not regret it. I don't know about others but I really really enjoyed it.I am not saying that it is completely flawless, that it is perfectly perfect. But I can just say that it is cute, lots of couples(literally not just 3...If you watch the drama you might just understand hehehe), a tiny little bit of mystery which I felt could have handled more wisely and mature. But kudos to the director, team and the leads the drama came out so well.
Talking about the characters and the actors, Lee Kwang Hee(Maru) is such a great actor.I fell in love with his character when he confides the cafe manager for minwoo...so cute and funny.I felt that nobody could have pulled that scene except for Lee Kwang Hee. I am already looking forward to his future projects. Also the dating class teacher is such a lovely person, I really liked her acting also her smile is so beautiful. The whole Kim An and Lee Hyun relationship felt so off for me, but the other two couples(maru x minwoo and joohyuk x sungmin) made it up for me. Also special mention to Sara(I don't this actress name) she nailed it and she is so beautiful.
I felt episode 10 is a bit draggy and totally irrelevant to the story and unnecessary as if they are forcing it to be the climax of the story. Other than that everything is great!!
Also, I did not watch the first season but the cameos of the first season's leads made this a season 2 for Love Class hahaha. So, no need to watch the first season, You will enjoy it for the story itself like I did.
P.S. - Great Support actors (especially Sara and dating class Teacher), Great Visuals, Good chemistry, Many couples, Short and sweet, Worth the Time.....So o watch it!!!
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Leads chemistry is the only strong point of the show.
The drama is a mix of many cliche tropes summed together but the story and its pace has been quite good so far. The drama as every other romantic C-drama has SML and SFL who are gonna try to separate the leads but get rejected and like every other drama they aren't the type to hear NO so will continue with their shit till the end.There are moments where the story felt a little dud but the sizzling chemistry of leads make up for it. Lu Yang Yang has improved a lot when it comes to her acting over the years while Zhao Zhi Wei is one good actor who can pull of both positive and negative roles well. Both the leads have strong chemistry and don't really hold back in showing it off.
I still think the drama could have been done in 24 or less as the last few eps will be quite draggy with the confrontations, cliche breakup and stuff. The ending is done fairytale, even the antagonists who have commit crimes and done shitloads of bad shit are easily forgiven and let go without any legal issue so it was quite crappy to watch.
It is a one time watch, if you are fan of the actors otherwise it can be ignored.
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This review may contain spoilers
Quiet resistance becomes power—ordinary lives spark change in this gripping historical drama
South Korea, 1987: a country under the control of an authoritarian regime, where freedom of expression is suppressed and political activists are brutally persecuted. Amidst this repressive atmosphere unfolds the KMovie “1987: When the Day Comes”—a political thriller that not only illuminates the events surrounding the death of student activist Park Jong-chul, but also showcases the collective power of a society rising up against injustice.Director Jang Joon-hwan weaves a dense web of dramatic force, historical accuracy, and emotional depth—creating far more than just a political drama. He delivers a silent outcry for democracy, civic courage, and collective remembrance. The story is staged like a relay race: the narrative jumps between journalists, prosecutors, students, and prison guards, showing how many small steps ultimately lead to a great change. The film for me is not only a cinematic masterpiece but also an emotional appeal to conscience.
Rather than following a classic hero, the film presents a mosaic of individuals who make great change possible through small decisions. Camera work and editing are precise, almost documentary-like, yet never lose sight of emotional resonance. Especially impressive is how the screenplay transforms seemingly incidental encounters—such as between a prison guard and his niece—into milestones of a historic awakening.
Instead of drawing a clear moral line, the film presents ambivalence: journalists who walk a tightrope; a prison guard yielding to his conscience; a student who moves from cautious skepticism to resolute conviction; an official who refuses to look away at a decisive moment. Their actions are subtle, their words sometimes hesitant—and it is precisely this that creates a realism far beyond mere dramatic staging. It is the “little” people—the inconspicuous, sometimes nameless figures—who give the film its depth and authenticity.
These figures serve as moral compasses in a system that punishes any deviation. Their choices are not loud heroic deeds, but quiet acts of resistance that pave the way for change. While the great battles move the audience, it is these moments that linger—because they show how democracy begins in everyday life: through the courage to embrace humanity.
In this, “1987” achieves something rare: the film not only celebrates the victors of history, but honors those who stood in the shadows—without whose actions no light would have illuminated the dark corridors of the past.
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SIDENOTE:
THE FRAGILE SEEDLING OF ‘DEMOCRACY’ and SOUTH KOREA IN 1987
South Korea in 1987 stood at a crossroads: The military leadership under Chun Doo-hwan clung to power, while the populace—above all, students and intellectuals—had been rising up with growing courage for years. The brutal torture and murder of student Park Jong-chul became a turning point. The subsequent response, the June Uprising, initiated the transition to democracy.
South Korea's path to democracy is remarkable for its dynamism and symbolic power – especially in the pivotal role played by ordinary people. While other countries liberalized slowly, the Korean people fought for their freedoms against a heavily armed and determined regime. The role of students, church networks, and the media was central—an example of how civil society can become the driving force for change.
The film does not depict these developments as a triumphant victory march, but as a difficult, fragile path on which many risked their safety, freedom, and even their lives. This realism makes the story tangible—and relevant.
What makes “1987” so explosive, too, is its current relevance. The film is not a nostalgic project—it flickers as a warning signal in times when democracies around the world are under pressure. Even today, we witness how the erosion of democratic institutions often happens gradually: through indifference, disinformation, and complacency.
How easily we forget that democracy is not a given—that it must be actively lived and defended. “1987” reminds us that you don’t need a “big moment” to take a stand—it is everyday courage that counts.
“1987: When the Day Comes” thus for me is more than a moving film—it is an invitation not only to discover South Korea’s past, but also to question our own present. What are we doing today?
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This review may contain spoilers
Miyazawa Hio is GORGEOUS XD sigh. Now then. Sometimes you just need a soft baby girl to remind you, that the things that 'sound ugly ' or 'strange' are just in our heads. When people look at gay people as though they're 'ugly' its just their own ugliness they reveal.And how the biggest problem we all have is that when we lie to others, we're really just lying to ourselves. I'm not gay. I dont love you. Every time we do this, we're just making things worse. Because no lie stays hidden forever and no closet is comfortable enough to hide your gay ass for the rest of your life.
That cheating double life will destroy you and everyone around you.
And I just love how fresh that little girl's perspective was, it was like fudge, why didn't I think of that lol I missed her when the movie ended.
But so why not a full ten stars?
Here's the reason.
There was just way too much of courtroom drama, it just didn't suit the tone of the movie that they set. I would have been fine if it was just a few scenes, instead of being the entire second half of the film! It kills the closeness they were showing in the first half, I don't know it just felt wrong. Felt like that lack of bonding in the second half just didn't work.
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4 Cs in a suit - Cringe Confusing Cute Casual
Almost dropped it because I thought it was another series taking toxicity too easily, but I was wrong. It´s just a bit cringe. :DGlad I gave the dropping a second thought because even though there might be better LGBTQI+ Series out there, The Tuxedo still deserves some acknowledgement with the budget and behind the scenes work considered.
Production / Music 7.0 >> 6.5
This series has some awesome shots and moments, which, like the music, fit the overall mood and vibes of Tuxedo - that already makes me feel like it´s worth watching because they kind of make the rather casual plot more exciting. The music (+BGM) was well chosen and composed but still had a rather low impact on me/ was not that memorable.
Plot / Story 7.5 >> 6.5 >> 6.0
This is where it gets tricky and where the opinions divide the most. I agree that the story is kind of predictable and has a low pull-in effect on the viewer, however, the cliché overload and all the cringe scenes are still cute to me. Normally I´d heavily judge those stories if they were JUST based on certain clichés and I don´t think that this is the case here.
Acting/ Cast 8.5 >> 7.5
This is something that truly surprised me, Chap´s (Nawee) acting got so much better towards the end! His eyes started to become in charge of the mood-setting and even though he is not a perfect S tier actor, he still nailed the improvement, and I am here to acknowledge it, giving them the highest rating on this one. Green´s (Aiaoon) acting stayed solid and so did the rest of the cast.
Rewatch Value 6.0 >> 5.5 >> 4.5
I am glad for the effort of this series, but I am still a picky "rewatcher". HOWEVER, I´d still recommend it for a comfy series marathon during which you can cringe a lot. ((:
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Before watching this, I totally thought it would just be a high school fluffy drama but the story here is presented so well.
Everybody lived their part well, Keigo & Sora both possess a beautiful heart & Manaha is strong & cheerful.
Unlike other high school drama, I loved the fact that both ML are beautiful inside and out, no one is aggressive & pushy but they consider FL's feelings as a priority.
There is no charm equal to tenderness of heart. "Beauty is in the eye of the beholder" Indeed.
I'm glad, I watched "Black Cinderella".
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Immersive experience that makes you part of the plot.
Incantation is a 2022 found footage horror movie directed by Kevin Ko, loosely inspired by a real life case that happened in Kaohsiung in 2005. That said, the real events give more of a framework for the plot, and nothing that actually happened in the movie was related to real events. Apparently, it’s not easy to find any truly reliable info about it in English.Incantation might have one of the best opening sequences of any horror I have ever seen. By directly addressing the viewer, presenting the optical illusions in the context of the power of will and personal framing, and by asking the viewers for help - it’s hard not to feel the immediate immersion. Breaking of the 4th wall is an aspect that comes back quite a number of times during the movie, which made me far more engaged than I initially thought I would be.
What about the plot? We are presented with two different timelines - present time of Ronan trying to gain the custody of her daughter and the bond with her, and the past timeline explaining the fear and ritual she was a part of a few years ago. As much as it’s a horror, it’s also a drama - showcasing the variety of emotions a parent can feel in relation to their child, and the actions they are willing to take to help them.
Are the scares actually scary? Truth to be told, the few jump scares I’ve got were a bit disappointing? The core value of the show is the eerie atmosphere, which was built in a perfect way. From the start we know, the plot is leading to some awful events, so even the happy and warm moments between the mother and daughter feel bitter.
Incantation is a movie that obviously cares about the details of world building. The Buddha-Mother, hand gestures associated with it, chant, symbols and rituals were well designed and planned - created a cohesive picture of that fictional spiritual belief. That’s why, even though I knew it’s not real, it was impossible not to feel affected by what's happening on screen - especially during the “directly addressing the audience” moments. The minor detail I was especially impressed by, was the use of the after-image closer to the end of the movie. Small, clever trick that felt like the last nail in the coffin for me.
The acting was perfect. While all the adults did an amazing job, with Ina Tsai portraying the conflicted emotions, fear, desperation and hope in a clear and realistic manner, the one that surprised me the most was the little girl Huang Sin-ting who played Dodo. Not only was her performance great, it was amazing to see a child act like a child in a horror movie. Why they always try to present the kids as demons incarnated with cold and detached behavior is beyond me.
Any flaws? I do believe the movie was slightly too long. Keeping it around 90 minutes instead of 110 would be preferable for the pacing to feel more tight. While I understand it was important to present the relationship between Ruo Nan and Dodo in great detail, the moments diluted the tension quite a few times. Personally, I could do without a few jump scares, especially the “cheaper” looking ones - the movie just did not need them.
Best to watch for scares: alone, evening/night, headphones on, no distractions.
Best to watch for the analysis: buddy watch, talking about the symbolism as the movie progresses, trying to predict the outcome.
Trigger warning; trypophobia, child neglect/child harm, body horror, gore.
The movie has some rather… gross moments. Also, might be too much for people who strongly believe in the supernatural - I can see it messing up with someone a bit.
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Don’t Frighten the Horses
Well I got what I was wanting, something totally unchallenging. Yes I just wanted to veg out for a few days and this met the bill exactly. It also provided a good number of unscripted lmao moments as the ludicrousness - if that’s even a real word, it has the ring of a non-aural onomatopoeia - unfolded shamelessly before my eyes. It’s no Ming Lan, which is a pity because taken a bit more seriously it had all the ingredients. So how can I really get stuck into something that managed to keep me watching for all 40 episodes. There has got to be some good stuff there even though it undermined itself at every opportunity.The storylines had interest and they offered good opportunity for character development and showcasing contrasting character traits. This is mainly what kept me engaged for the duration, although even this wore a bit thin at the end. They were a series of set pieces rather than one long twisting narrative twisting and these varied scenarios were paced well and showcased different characters.
But the time taken to achieve remarkable results was drastically foreshortened. Things that should have taken at least two years were achieved in six months. In doing this, all sense of realism and difficulty was undermined and the whole drama, and particularly the characters, were coated with a gloss of immature fantasy. The script didn’t help by reducing the business conversations to a mockery. Simply by lengthening the time-frames and writing more credible business dealings the characters could have achieved so much more depth and been offered space to reveal determination, grit and courage which were not really evident in the easy-success-piled-on-easy-success procession. It was episode 32 before there was any bite and real consequences were more fully explored. Unfortunately, before and to some extent, after that, any nasty unpleasantness had a feel-good blanket pulled over it.
Although lip service was paid, the opportunity was mainly missed as there was no real exploration of the cost or difficulty. Things happened and slid by without much of the proverbial s**t sticking to the protagonists. In fact they glided through the whole thing with serene, wrinkleless (another impossible word) faces. I was less than impressed by Hu Yi Tian (Gu Yan Xi) who managed to get through virtually the whole thing with one facial expression, except for the odd occasion where the director requested him to open his eyes in surprise. Which he did, to mirthful effect. Zhang Jing Yi (Hua Zhi) was a little more expressive, but remained far too calm to be convincing. The chemistry between them was placid rather than fizzing without that visible excitement you get when you’re bang slap in love.
I was more invested in some of the minor characters who had more life and animation. It was a large cast and showcased female actors and the story was predominantly shown from the women’s perspective, particularly early on.
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i didn't want to watch at first because the main lead is old and i didn't really like ethan. but after watching the first episode i couldn't stop watching it. the story is not boring at all and focuses not just on the happenings but also on the people's feelings. i can finally enjoy watching the main role - as a reporter - trying to get the truth from famous people and confront them - as a strong-willed and fair woman. ethan is just like her back-up and i really liked it. the characters flew with the story instead of the story going with the characters. i hate it when a drama contains a actually nice plot but it ended up focusing on the characters and not on the interesting story anymore. i laughed, smiled and cried while watching the whole drama.
and the OST is jus perfect.
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At first i wasn't really sure if i should watch it cause the title ''Let's Eat'' wasn't very appealing to me to be honest. But i was hooked by the first episode! Lee So Kyung is soo loveable. There was nobody on the show that i disliked. Everyone was so adorable! It's a really light drama but not boring at all! I really liked the romance too. So much chemestry! *__* I'm really gonna miss all the characters.... :(
the ending was just perfect... it even made me tear up a little :')
What i learned from this drama ?
If worrying could make worrying go away, then we would have no worries... so let's eat :)
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And once again she did an amazing job in portraying the character of a tormented soul and a girl with many scars who commit some crime and in a facility for juveniles she then meets a warden and simply fall in love. Well, who wouldn't fall for the brilliant Mikami Hiroshi?, who was equally incredible in portraying the character of a unrecognized artist with secrets and who also slowly, through many conversations fall in love with her. It was so delightful to watch the two of them , how they talk, how they always use imagination and metaphor for their topics and how they gradually started to develop feeling for each other. I was honestly so hypnotized by the uniqueness of the scenario and the story, I liked very much how they in almost every episode mentioned some famous writer, painter, artist who was important for society, I liked how she had so vividly strong imagination and talked about difference between LOVE and ETERNITY, I remembered this sentence:" You have two buses. One is for Love and everybody is inside, talking, holding hands and smiling, but in some next stop they had to get off, the bus moves on. Everyone can see that bus. The other one is for Eternity, it's empty and the bus doesn't stop. Do you see it? Eternity is more important then love, it gives you freedom. "- something like that, maybe I didn't wrote exactly the same, but the point is there. Whole scenario was simply beautiful, I don't know which episode I liked more and which sentence was more perfectly said. With their chemistry which was so patiently built they made it to pull you in and become fascinated by them. So for the acting I give a ten. Not to mention Kubozuka Yosuke who is a pure genius and of the most outstanding actors ever, I adore him in every role, whether it's a drama or a movie. And in this one he was of course amazing, so twisted, dark and one truly lonely soul, he was a great addition to the whole drama.
Music was appealing quite fine, intro song was really good. As for the rewatching, I thiink that I could watch it again in some distant future because it's a really good drama.
Definitely one thing is sure and that is that NO DOUBT J-dramas from the '90s are the best from every angle and that more people should be aware of that and make time to watch more of these kind of dramas, it's such a pity for them not to be seen and to be forgotten by the rest of the people. I can easily say that I always enjoy more in watching older dramas because of their emotional, mature, deep, natural and realistic content unlike now days shows. This one will for sure stay in your mind.
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Interesting 2nd life (redemption arc) but unsatisfying romance
“Scent of Time” does not seem to be a very popular drama and the main reason is due to its unavailability. I believe Youku did not have the drama available for their international audience. But HBO seems to be picking that up! The synopsis of the drama on MDL is also incorrect as this is not a drama about transmigration (since it’s a censored topic in China). The novel is about transmigration, but not the drama.I don’t have much expectations, but because I liked Zhou Ye very much in “Back from the Brink”, I want to check this out for her. And, she did not disappoint. Her acting was a standout among all the younger actors and she carries the show on her back. Her character, Hua Qian, is very easy to root for. She's smart, observant, and courageous. She was given a second chance to correct her past mistakes so that there’s a better outcome for her and her family in this second life. The redemption arc is a highlight of the show and I think it’s pretty well-written. There are plot twists I did not expect and the story is very engaging throughout the 30 episodes. I just wish the ending was a little better and longer.
Before I watched the show, I thought the romance plot with 3 male leads would be the highlight for me. You would think a reverse-harem would be a focus. Not quite what I expected. This story is about Hua Qian’s growth as a person. The men in her life are just a part of her character development.
Zhong Ye Lan was the first man in her life. One she was obsessed with in her past life and tries to undo all of that. Zhou Ye Lan has a lot of screen time in the first half of the drama. Though I like parts of their story, I do find Peng Chu Yue’s acting a little lacking, especially when compared to Zhou Ye. His character is more muted, and more quiet. Thus, it requires good acting to not appear bland and wooden.
Zhong Xi Wu as the Lord is an interesting character. He has a unique relationship with Hua Qian and has much better chemistry with her than the other two male leads. I just wish we got more screen time of the two together. Their romance is quite subtle on Hua Qian’s part. It was hard to see whether she had feelings for him, except for that one item (which I shall not spoil) and was shown in the later part of the drama. It’s also interesting to see Zhong Xi Wu lose his cool when it comes to Hua Qian. He actually lost his cool a little too fast and uncharacter-like for a lord.
Hua Rong Zhou is the trusted guard who vows to protect Hua Qian with his life. This character appears too perfect and boring. He’s also bland in the beginning and Zhang Yi Jie’s acting is a little wooden. He was much better when he wasn’t a lovesick puppy following Hua Qian around. I like that when he’s talking back and being a little bossy. Other than that, Hua rong Zhou is not charismatic enough to be a male lead.
The rest of the supporting cast isn’t bad, except for Mu Yao, played by Zhao Qing. Her acting is the worst of the bunch for me. She has that one bland look and dead eyes on her face all the time. The veteran cast (Elder Princess and FL’s parents) obviously did a much better job than the younger cast.
The production quality is pretty good. I like the hairdos, accessories and the costumes of the female cast, and the sets and props look decent. “Scent of Time” only has 3 songs in its OST but they are lovely, just a little overplayed. I am however disappointed with the dubbing. I wish the main cast had used their own voice.
Overall, I had a great time watching this drama. It has its fault, but as a whole, I like the pacing, the redemption and character growth, and I am really becoming a fan of Zhou Ye.
Completed: 11/9/2023 - Review #375
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