This review may contain spoilers
STORY- This story is just amazing, I don't really have words to describe my feelings for it. The drama was at it best when it was with the opera troupe. The main two characters are so well written and developed, you just fall in love with them. There friendship (bromance) is so beautifully written. I felt that the director and writer knew and understood the source material, they tried to respect the BL elements as best they could considering censorship. The only parts of the story I did not enjoy were the WWII elements, I found these parts to be pretty boring. This drama is just stunning and a must watch for story alone. Also the production was stunning from the costumes to the lighting it is a gorgeous drama. ACTING- Andrew Yin was AMAZING as Xirui. He really stood out to me, and I felt like he really captured the character of Xirui well. I was never the biggest fan of Xiao Ming but he did really well in this drama. The whole cast did a really great job.
MUSIC- I thought the soundtrack was really well done. The Peking Opera songs were so beautifully done.
REWATCH- I will most likely watch this show again. Even if this show is really heavy at times and can be a tearjerker, it just to stunning to not watch again.
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1A warm ode to our youth – one day, we will become someone that our past selves can be proud of.
Mental turmoil latched onto me the moment that I attempted to evaluate this drama with a rubric. To claim that this show is close to objectively “perfect” would be awfully far from accurate. But the more that I told myself to be impartial, to judge this drama as fairly as I did every other show that I’ve ever consumed, the more squeamish I got. After all, it's one of the most magical dramas I've ever had the pleasure of watching.The overarching plot of Dear Diary starts with a woman by the name of Chen Meiru. Like many young and hormonal creatives, she wrote a self-insert love story when she was 12, and paired herself with a handsome and devoted prince to boot. On her 24th birthday, he appears before her very eyes: a buff Babylonian man, wildly proclaiming his love for her. Hilarity ensues as the jaded careerwoman attempts to return to her normal life, haunted by the gorgeous prince, his loyal subordinate, and a beautiful love rival – each of whom she designed under her own pen as a starry-eyed child, but who are now composed of flesh and bone.
On the surface, Dear Diary is yet another kooky fantasy rom-com mess. In a genre teeming with titles, what instantly sets this one apart is that it’s legitimately funny…hmm, nope; “hysterical” is a more fitting term. Not once does it rely on cheap gags. All the jokes fit perfectly with the situation and are delivered impeccably. I had just gotten my wisdom teeth pulled when I started watching this drama, and the amount of pain I suffered due to failed attempts at suppressing my cackling was not trivial. Totally worth it, though. (Side note: some of the jokes may only be effective if you have prior understanding of Chinese culture. I took a look at the official English subtitles and they don’t provide any relevant context to understand these references. Booooo. If you're interested, you can visit my profile for a link to my fan-subbed version, in which I translate and explain these references.)
Is good humor this show’s sole asset? No, no, no. That’s the mere tip of the iceberg. Once you go for a deeper dive, you’ll discover that this show possesses a power that many others can only dream of: logic. Halle-freaking-lujah, it’s not mindless antics! Not only is there a methodical sequence of interesting events, there are actual reasons behind those events. I would like to thank these writers for displaying to their industry peers that “fantasy” is not a synonym for “has no rules.” In spite of a few plot holes (which are inevitable due to production reasons, as I’ll explain in a bit), the overall story is one of compelling, nonstop developments.
As you learn how and why certain events occur, more serious themes emerge. Whereas a great deal of creativity went into the layout of the story, an equal amount of thought went into tying it all back to reality. The fantasy elements become increasingly metaphorical in nature and the initial humor recedes to reveal the characters’ internal struggles. While I adore the comedy, the tone shift is truly brilliant and utilized fruitfully. Savor your joy – the higher your mood flies in the beginning, the more tears you’ll shed when later episodes wrestle you back down to earth.
How do the funny and somber components both work so well? Obviously, the writers and directors put in excellent work. But it would be a severe injustice to not applaud the actors. Across six lead characters (that’s right; six, with each of them bearing equal weight in the story), there’s not a single weak link to be found. They all interpret their roles very seriously, which allows you to immerse yourself into every scene – be it one of comedy or one of tragedy. I’m especially appreciative of the actors and actress playing the three characters risen from Chen Meiru’s diary. These characters would be extremely easy to exaggerate to the point of being awkward caricatures. However, because each actor gave due respect to the role that they played, every character feels real and their reactions suit the situation. Also, special shoutout for Bu Guanjin, who I swear has some of the best line delivery skills in the industry.
For the sake of clarity, I’ll go over the drama’s characters by splitting them into two groups: “human” and “paper,” the former being those in the story who are regarded from the get-go as “real” people, and the latter being those who rose from the pages of Chen Meiru’s journal. These paper characters, Murong Jielun, Ouyang Wenshan, and Jiutian Longnu, all start off as you would expect – horribly cringeworthy. Flat, one-dimensional; the pinnacle of an adolescent girl’s imagination. But, over the course of the story, their growth is the most impactful and satisfying of all. It’s through them that we witness the departure from supposed destiny, and the subsequent importance of taking your future into your own hands.
As for the humans themselves: you have Chen Meiru, Jiang Huizhen, and Duan Shuiliu. Each of them live drastically different lifestyles, but are ultimately as similar to one another as they are to you and me: full of youthful dreams, and also full of doubt. Perhaps we’d expect that them teaching the paper characters about life would be the primary focus. However, what is of more interest is watching them—the “real” humans—find hope within cruel reality by cherishing and loving those fictional, yet genuine paper characters. It’s poetic cinema, I tell you.
At its core, this drama is a tale of growth and self-worth; about overcoming insecurities and reaching for greater heights with the support of those around us. This storytelling is especially valuable for us women in the audience, who need more media in which ladies are permitted to be vulnerable, to be flawed, to be irritable. Of course, this message applies to you; whoever you may be. We all have our moments of weakness. We all have negative memories that hold us back. But through others and through our own self-reflection, we can find happiness.
Alright, so I’ve talked your ears off about all the good points. Then what made me initially waver away from giving Dear Diary such a high score? For one thing, the dubbing leaves a lot to be desired. It is extremely obvious that they recorded over existing dialogue for numerous scenes. I’m sure it was unavoidable, but dubbing will always get me in a huffy mood.
Secondly, and possibly most importantly, the pacing is far too fast. Like, “someone needs to dish this production a speeding ticket”-level too fast. 24 episodes at 20-some minutes a pop? It’s whiplash waiting to happen. In regards to the overall story, the length is tolerable; but as they say, the devil is in the details – the compressed timing creates a good number of plot holes, which leads to clunky development, which in turn harms intricacies in the characters and their relationships. Frankly, I didn’t find it to be a major issue; but the progression definitely doesn’t feel as natural as it could be. Here, I’d like to mention that the producers edited the entire show twice before it could air (due to reasons like our beloved censorship). Twice. Can you imagine how much precious content got cut out in the process? I could cry just thinking about it. Anyways, if the crew is willing to release an extended director’s cut—even if it’s secretly in some kind of drama black market—I might have some pocket money at the ready…just saying.
These issues could prove fatal for any other show, but I’m more than willing to overlook them all for Dear Diary. This is a rare drama where you can truly tell how much care and effort went into making it something of emotional value. You never get a sense that those involved in this production were in it to make mad bank or to revolutionize the Asian drama scene or even to be super dramatic. It’s just here with the modest goal of telling us a fun, soothing story. Whether it be in the realism of the acting, the craftsmanship of the dialogue, filming in Morocco and having the cast learn the Akkadian language for scenes referencing ancient Babylonia – there is no shortage of genuine dedication. There’s something exceptional about witnessing a passion project, bursting at the seams with honesty and sincerity, coming to life upon your screen. It warms my cold, cold heart. It inspires me to be just as heartfelt toward my own life.
While Dear Diary may not be “perfect,” it’s a perfect example of the sentiment that a show need not be flawless in order to receive love from its audience. When a writer cares deeply for her script and an actor his role, a viewer can instinctively feel it. That emotional connection, that soul alone can be enough to make a show into something special. Dear Diary possesses that soul. And I couldn’t be more grateful that the team behind it shared it with us, because it really is something special.
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It was VERY cheesy. Good for young kids to enjoy but not for me lol
This was probably the first time ever in my life where a girl made my heart skip and beat so fast, that ending was amazing and nana is amazing for it.
Huge plot twist and I wasn't even paying attention to the whole thing.
It was more like abuse and weird submissiveness to me that didn't make sense because she could have just said no many times.
Any way I won't watch this again because it's just not my taste. They were too young to act like this and I'm too old to watch youngsters act weird, although they're probably my age today.
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This review may contain spoilers
The Cute Kid Carried 2/3rds of the Show w/Help from the Leads
I have seen some of the cast in various shows before but this just looked like a rom-com that I may have enjoyed. To be honest though, it was very underwhelming. The reason it got the score it did was because of how messy the script was and that I essentially had to ffw most of the 28 episodes. The child actor was the best thing out of the entire show and he was smarter than his parents and all of the adults combined. He legit carried 2/3rds of the series with help from the leads.Pros: Not too many of those here sadly. As I mentioned the kid actor would probably be favorite because he would be the voice of reason for his parents and their constant quarrels. The leads had a great chemistry when they were together and there was decent comedy. The supporting cast was actually good (save for gorilla glue) when they were by themselves. But when the script started throwing them together at random, it went down the drain. The story had a lot of potential from the past to the present and growing and understanding, it just threw too many monkey wrenches into the mix which will be discussed below. I liked the flashbacks at the end of each episode as it explained what happened 5 years ago in detail.
Cons: So much potential in this script but it was wasted. The past and present at first, it was understandable why both leads would be at odds but then once things started to become clear we still had an FL that refused to let go of her narrow-mindedness and it would just be this constant 1 step forward, 2 steps back. The amount of times something needed to be said or a kiss happen and they were interrupted went from silly to tropey and boring. Felt like their second chance start being interrupted by CJJ and back to the bus accident we went was more of a filler then anything else because it brought the leads to odds again and it either shouldn't have happened or placed earlier so it was more cohesive. It was so mismatched and out of place that it seemed like they ran out of how to move onto a proper reconciliation and needed to throw something in there that was already over with and understood.
Both support couples getting together was so confusing and ridiculous. One ran over her younger dude with a car and then turned into a cougar ravenous after her prey and the other happened like a very bad whiplash. One moment SML is finally going to confess to the FL after 4 years of hoping she'd randomly like him, the next he really likes gorilla glue, baby voiced, stalker chick and is ready to turn himself into a pretzel to show his affection when he couldn't utter two words towards FL. It was so out of any realm of understanding and just beyond confusing. I didn't feel chemistry between either couple. They were literal fillers when they--sans one--could have just been great friends and support systems to the leads. This was essentially two very forced romances on the audience that didn't need it.
What in the what was up with the villain? He wasn't even on anyone's radar other then being a lewd and womanizing bastard and then in the last literally 6 episodes they turned him into a viper of a monster that was ready to sexually assault, run over, beat up, harass, extort people, kill dogs, and lord knows what else. That Ding dude was a more believable villain than CQR because from his first appearance until his arrest, he was a predator. But they didn't do that to CQR, who didn't even appear in a half a dozen episodes. There was no evolution to his character, so to go from like 0 or maybe a 3 to infinity in antagonist land in literally under 10 episodes was ridiculous and a disservice for a person playing a supposedly important antagonist character. There were many other plot holes like this.
The literal flip of FL from "we're not meant for each other" to "yep, we're together", was too spastic and sudden. It could have been done way smoother. ML had promised her a zillion times already that he'd take care of her but only when he spoke for her to CQR after she'd beaten him up, then she was like "ok I'm yours." It needed a much smoother transition. No wonder in the last two episodes ML's heart started to give him problems again. She was so busy with her own life and world that it never even dawned on her that he was in trouble, even when his sister told her that he would hide things so not to worry others. Like that angered me because everyone was feeling bad for the FL but in this case, the man has gone above and beyond and you supposedly love him so much but you can't tell that he's not being honest with you? And you know so much about the heart and whatnot? It was quite unbelievable.
Would I recommend it? Only if you like messy plots. But personally only reason it got this score is because of the adorable kid. And I'm not rewatching this again. A lot of folks liked it and more power to them but it's not for everyone.
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This review may contain spoilers
YOU HAVE TO WATCH THIS GUYS!!!
10/10 that’s it. I don’t even know how to express my feelings about this show to be honest. Starting with the plot. It’s amazing. I watched OITNB series before so I really like that vibe. Tho I like Clairebell more5555. I have been following the two main actresses. Pangjie and Mabel has an undeniable chemistry and they can show it on the screen. Hopefully there will be more seasons because the 8 episodes won’t be enough. 3 more episodes to go. I recommend this thai gl to anyone and everyone!(;Was this review helpful to you?
Ouran High School Host Club The Movie
24 people found this review helpful
The soundtrack was nice and I am planning on buying it from Amazon.jp as soon as I can,
Costumes once again were superb but I didn;t like the small changes they made to tamakis. I think that is because I had gotten so sued to how he was in the series.
I will not spoil anything but I will say that if you are after a few laughs, watching Tamaki be dramatic, the twins being devilish and other such events which you'd expect from the show, watch it ASAP!
Will rewatch this as soon as I can :D
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Blooming like Blueming
The Eighth Sense was a masterful lesson in care and vulnerability that pulled no punches and went all out, not just in terms of outstanding cinematography and immersive storytelling but also diving into the mindset created by depression, trauma, and anxiety as well as the behaviors that result from tackling them alone and with support.The character of Jae Won embodied depression and trauma recovery so well:
Looking out at the world and your own choices from a fishbowl view. What you want to say and do and what you don't become blurred like water. And even being able to see it clearly doesn't mean you can reach out; grasp it. You're sitting outside yourself, numb to the world and unable to express what you truly want to because everything is just so heavy, and how could you drag someone else into that and weigh them down with you?
And then there's someone like Ji Hyun, not a savior or an angel but a person unexpectedly possessing gorgeous boldness and frankness, who understands and even when he doesn't is there to push when the net is wound too tight and listen when it's suffocating but Jae Won needs to undo it alone.
The Eighth Sense is more than a romance. More than a Queer drama. It's cinema at its finest.
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Cuteness Overloaded ;D
Who would have thought I would find myself smiling like an idiot, grinning all time.If I've to describe it in word one without even thinking... I would say 'sweet.' Of course having a cat as one of the main characters is going to be adorable. But this just doesn't remain cute. In terms of story, its development, how characters are portrayed... how everything unfolds, it sure impressed me as I started it without any expectations.
The best part of the show would be the leads. I loved their characters, personalities. If you see Xiao Xiu (played by Gia Ge) you wouldn’t have to force yourself to believe she is a cat coz it feels so natural, from the very first scene of hers, the way she talks, the body moment, facial expressions even from the small gestures… you got cat vibes. I never expected this level of acting from a rookie actress like Gia Ge. She has only 2 dramas on her name this being her second drama and first time of having such a big role.
The same goes with You Lun I’m the first time seeing him... His acting is just so soo tranquil so is his character, Chi Yan. Chi Yan is calm composed, kind but kinda antisocial (having only one friend), distant from the world.. Living his life alone, and no intention to be different than this. His reactions are precious when Xiao Xu enters his life and makes it upside down and how their interactions happen, how they start to like each other.. The all process of these things happening, a big character development (but in a natural way) is so soothing and satisfactory to watch.
The weak chain of it would be the antagonists, as his character is not fully developed and nor having any proper reason for what he did. In this part, the writing was weak… but other than that there’s almost nothing that bothered me. Side characters, their stories are interesting. But nothing really overshadows the main lead’s story. This is so predictable, the story is simple as like any interspecies romantic story. But the characters, the small details, the acting, execution, the sizzling chemistry everything makes it more special different than usual. And of course, it is filled with sweetness.
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A Drama Which Certainly Doesn’t Have A “ Shining” Charm…
‘ Shining Like You’ is one of those dramas which upon paper sounds brilliant. It isn’t particularly original concept of “female lead goes to art school behind her parents’ back” and the “potentially handsome love interests” but there was still a lot of unlimited ground to explore messages, character growth and social themes. However the end result of ‘ Shining Like You’ is a mixed bag of wasted screenwriting and character writing potential with poor-editing and a discordant buildup.
On a positive note the acting is decent enough ( aside from a few questionable line deliverances) and the drama is a fairly lighthearted watch. The premise isn’t overly complex and follows typically obsequious lead Lu Qi Yi ( Wang Xi Xuan) rebelling against the wishes of her parents to attend a course in foreign languages at university by instead enrolling in arts school. However due to her more timid nature Qi Yi soon finds herself an outcast by struggling to fit in amongst the more expressive and extroverted personalities on campus. After an initial awkward meeting Qi Yi soon attracts the attention of outgoing and popular art student Fang Yan ( Simon Gong).
So if the concept and the acting aren’t the drama’s major problems then what exactly lets down ‘ Shining Like You’? Ultimately the downfall for the show can be found through two main factors; character writing (one of the drama’s major cataclysmic letdowns) and of course plot coherency. To address the former issue it is important to establish that plot coherency is crucial within dramas for viewers to make sense often of a storyline or setup . Of course sometimes screenwriters can purposefully make plot coherency more enigmatic for viewers with the intention of reflecting themes or messages ( dependent on the plot or storyline ). However , in “ typical” romance dramas such as ‘ Shining Like You’’s plot coherency is nearly always quintessential to helping viewers root for certain characters, understand developments of relationships and keep us intrigued with events that are soon to follow .
Naturally ‘ Shining Like You’ isn’t devoid of a basic plot but its descent can be found as a consequence of a mismatched narrative and timeline as a consequence of sporadic subplots , arbitrary jump scenes and disjointed patchy editing. As a consequence a quintessential moment could suddenly be skipped by a sketch scene or an arbitrary moment, which became confusing for casual and devoted watchers alike to keep up.
This brings us onto the second dilemma of ‘ Shining Like You’; the characters. One of the biggest elephants in the room is evidently our female lead Qi Yi. Our main female lead is the epitome of a carte blanche female lead. She’s used by the screenwriter to move the plot along when necessary but she rarely has more definitive characteristics or traits to make her feel sentient. For example considering that it was one of the major focal points of the entire drama, there’s little explanation or depth given to her her goals or raison d’être for applying to the arts school in the first place . Arguably she does make a quick passing comment towards “chasing her dreams” yet it’s hard to really understand or relate to Qi Yi’s drive or exact motives for hiding her attendance from her parents, when the drama has rarely delved beyond the surface of her goals, past or exact motivations.
There’s naturally a big dilemma with the female lead’s “ personality” also. Qi Yi is intentionally supposed to be an “ introvert” but it often felt as though the series was never sure how to present her entire character persona. Introverted main characters can often be tackled in versatile ways by screenwriters from being simply “reserved” to “antisocial”, but opportunities for characters to grow, develop (or at least be explored in more depth) are often key to shaping out an introverted main character as an individual.
To some extent ‘ Shining Like You’ desperately tried to do this with Qi Yi and her “ difficultly to fit in” and “ reserved nature”. She’s supposed to be “shy and sweet” but it was hard to truly feel as though our female lead was seemingly struggling or suffering as a consequence of her personality. Qi Yi was often surrounded by allies or at least close acquaintances and therefore never really felt on the “ edge” of social exclusion ( as the series was desperately trying to make out in the beginning ), she was never really singled-out or excluded particularly by a greater majority of her peers( sans the cliche “ bully group” who picked upon more than just Qi Yi) and when she did exhibit “ antisocial” moments during the series her attitude was often petulant and childlike rather than moody or aggressive. Whilst the drama does try to offer a turn around by Qi Yi suddenly becoming “ prettier and more outgoing” , this was often ineffably unexplained.
Perhaps it wouldn’t be too bad if the series had offered that Qi Yi’s immaturity at times was a byproduct of the way her parents have treated her or her upbringing . However instead of at least giving Qi Yi time to mature or explore her feelings, the female lead was treated in a similar manner to a rag doll ; an object of affection for the male leads , whilst happily obliging to having her emotions torn apart by not just her potential love interests, but not putting her foot down against a fake friend in plain sight also.
This also brings us naturally onto the discussion of side characters in the drama. On one note the show does really shine through at times with how more unlikely characters have difficult pasts or can prove themselves to be true friends in time of need. However like a lot of cliche romance dramas ‘ Shine Like You’ and the dreaded “ best friends formula” is torn apart from “ friends to enemies” with the creme de la creme of cliches; “the dreaded love triangle”.
This brings us onto one of the biggest flaws of the drama between the actual lacklustre romantic series between Qi Yi and Fang Yan. Respectfully the chemistry between Wang Xi Xuan and Simon Gong is hardly passionate, but it is not where the major flaw of the series lies .
Whilst trope-worthy, screenwriters and directors can often strike gold by using time and scenes to allow characters to know one another or feel conflicted with their feelings. In ‘ Shining Like You’ it’s hard to really define one particular moment where these two characters really develop their relationship beyond being classmates or having early impressions of one another. There’s the evident side argument about their gradual feelings and helping one another out when it was necessary for the exposition, but this rarely allowed for more definitive writing opportunities.
Consequently it was bitterly ironic that it is was easier to root for who we were supposed to “ dislike” (as viewers), second male lead Du Ang ( Zhou Cheng Ao) , as he had more initial interactions and chemistry with the female lead. Of course rather than using this as an opportunity for the series to allow the male lead to come to terms with his own feelings or develop interactions between the main love interests, the drama enjoys using this time to make Fang Yan the typical “ moody, short-tempered and jealous potential love interest”. The ending consequently felt disappointing by failing to wrap up some major plot points.
So what is the ultimate takeaway from ‘ Shining Like You’ and is it actually worth watching? ‘ Shining Like You’ tries hard to create a “ lovely and cutesy love story” between our main leads. To an extent the series flourishes with satisfactory performances by our main cast and some more insightful side characters having their own backgrounds and pasts. On the other hand the series has a patchwork approach to storytelling and narrative with a feeling of discordant coherency between characters and the actual storyline. Slow pacing and sporadic plot jumps lead to poor and lacklustre character building and interactions between our main leads. Ultimately whilst ‘ Shining Like You’ might not make a bad binge-watch drama, there are certainly more entertaining, well-written, engaging and classic love stories in dramas to watch than this one.
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This movie has 2 part..first part of this series tells about Touji as the junior,who is popular as one-week man,dates with his senior,Yuzuru.Touji always accepts anyone who asks him to go date and will give answer 1 week after.Actually,he has crush on Shino.But as the time goes by,their relathionship getting serious...
Actually i'm a takumi-kun series hardcore (not series 1)..And after long time,this movie makes me get the same feeling when i watched takumi-kun <333
I hope this review will help you guys...don't forget to watch both of part of this movie ^^
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The acting was very good and believable. UTW made me feel every pain he was going through without him having to overact. LSH's acting was spot on. His personality suited his role. LSY was able to show me how her character has changed and grown in the 20 episodes of this drama. The supporting actors were also all so good.
I liked the music because it did not take away from the drama but set the mood of the story.
It was a great drama but I probably will not watch it again in the near future because of the slow pace. Watching this drama however made me feel like reading a very good novel by a really brilliant story teller; like Like reading Hemingway.
I highly recommend to anyone interested in watching wonderful story unfolding slowly in 20 episodes.
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Made in Korea
27 people found this review helpful
This review may contain spoilers
Made in Korea felt like a high‑gloss promise that ultimately left me puzzled.
I really wanted to love this series. Everything about "Made in Korea" — the cast, the production design, the cool prestige look — suggested that this would be the next big thing. But while watching, I slowly got that familiar feeling I sometimes have with shows that seem a little too confident in their own importance. The series aims for “masterpiece” status, but never quite pulls me in on a narrative level.For me, the six episodes felt like a structural dead end. They were too short to truly explore the characters as human beings trapped in a system, with all their contradictions and moral struggles. At the same time, they were too long to work as a lean, uncompromising espionage thriller. The show wants to be both — and ends up losing me somewhere in between.
What disappointed me most was how much is hinted at rather than actually told. Friendships feel more like setup than lived relationships, the Vietnam reference remains a decorative biographical backdrop, and the sibling dynamic feels like a dramatic premise rather than an emotionally grounded conflict. Many characters came across as symbols for power and betrayal rather than people I could really connect with. Everything feels like narrative furniture — present, but not truly inhabited.
My personal anchor was the prosecutor. Amid all the polished surfaces, he felt like the exception, and that’s exactly why he stood out to me. He didn’t feel like a plot device, but like someone who thinks, doubts, and hesitates. That some viewers felt he didn’t quite fit actually says more about the show than about the character. To me, he represented a version of Made in Korea that takes moral gray zones seriously — a glimpse of what the series could have been.
Hyun Bin and Jung Woo‑sung carry the show with their presence, but even they (and production design and camera and music) can’t make up for the lack of narrative depth. Especially Jung Woo‑sung often felt like he was acting in a much bigger, more complex project that never fully made it to the screen. Without the star power, I probably wouldn’t have finished the series.
In the end, Made in Korea feels like a “budget version of a blockbuster”: huge effort, but limited storytelling payoff. As a film, it might have been sharper. As a longer series, it could have allowed its themes to breathe.
As it is, it left me with the sense of a project that knows its own potential — and quietly avoids fully committing to it.
Not quite one thing or the other. For me a sort of aesthetic, but ultimately empty space.
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There were a lot of potentially interesting elements to this story. The fashion design aspect, the military/action aspect, and the business aspect. All three things that don't necessarily go together, but it seemed like it could work. The beginning of the drama wove those three plot points together fairly well in my opinion. Things seemed to make sense as you watched, but as you continued on, it basically seemed like they were giving up on these major plot focuses one by one.
Not even halfway through, most of the action side of it basically disappeared as they closed the plot that they introduced at the beginning of the drama. It went from being action scenes in almost every episode, to being basically nothing until the last few episodes. Honestly, the action side was the only thing keeping this from being completely another basic modern business romance.
I honestly feel like even the fashion element was thrown out of the window after a while. It went from focusing on designing for multiple different business projects and showing the designing process and trial and error, to just basically talking about it and saying "We're starting our own brand," but by the end was only really showing the business aspect of everything and everything else was just something they mentioned every once in a while to keep it in your mind. By the time they created the Qing Cheng brand, there was really NO mention of the design process. Scenes would go by and all of a sudden there was an entire store filled with clothes, whereas at the beginning when she designed the waterproof uniform, there was constant mention of how to make it, what materials to use, what the problems were, etc.
Romance wise, there was obviously a lot of that. It moved fairly quickly (the first kiss was episode 10 or so) and seemed to make sense as to why they fell for each other. There was a LOT of romance happening though. Four different couple pairings by the end of the drama. A LOT of split screen time between these four. There was a lot of focus on the second lead couple, but at this point the main couple was firmly established, so it was ok I guess.
ACTING:
Zhao Li Ying - honestly, ZLY is one of my favorite actresses. I think she always does a really good job with what she's given and shows a good variety of emotion and skill. This particular drama (and a LOT of people agree with me), I honestly think she shouldn't have taken up. Personally, I don't like her modern dramas (or modern dramas in general as they always end up about the same), but after seeing her being such a strong, smart, brave, etc. character in other dramas, it was really annoying to watch her just be such a Mary Sue character in this drama. She was talented and loyal and loving, sure. But that's about it. There were a lot of aspects where she was just a sideline in the process, or they talked about how important she was, but she didn't really show it. I have no problem with her having a cutesy role and whatnot, but I just feel like this character wasn't someone she needed to take up and there wasn't much about Lin Qian that made it a MUST HAVE role.
Jin Han - personally don't think he was that great. I've only seen him in supporting roles, and always as a bad guy, which I honestly thing suits him a lot better. I fall for male characters really easily in dramas, but there wasn't a lot about this role that I was infatuated with. The character himself was fine, but there was a disconnect for me between Jin Han's acting and the character coming to life.
Everyone else - No one in the drama honestly really stood out to me as being amazing. Whether it was character wise or acting wise. Again, this might play into the fact that I don't really care for modern dramas, but overall no one gave me a particular sense of joy while watching.
Side note - the portrayal of Peter really blew my mind. Not so much that the acting was amazing, but just the characterization was just WOW. I know he was supposed to be a bad guy in the drama, but the pill popping, sexual harassment tendencies, and general psychotic-ness was just a LOT.
OVERALL:
The drama wasn't terrible. The story made sense overall, it just was fairly boring (really just predictable and meh) by the end of it and again, the main aspects of the story that were introduced weren't all upheld by the end of the drama, turning it into just another fairly standard modern drama. I also again always have high expectations for ZLY dramas and really do think she's a very good actress, but there wasn't much with this drama by the end that made it super worth it (especially knowing how popular and in demand she is and how full her schedule is, I just think this drama wasn't necessary). Don't really feel the need to rewatch as there wasn't a lot in the drama that was super memorable for me.
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I met a friend, at the edge of the universe
This show is perfection! There! It has been achieved. Arguably one of the best shows I have ever watched, Lost is a profound, philosophical, and incredibly romantic masterpiece that examines its characters in a moment of personal crisis. Depending on how you look at this show it’s about a couple falling out of love, about people falling in love, about finding your self-worth, about letting go of the residue of your trauma, and about healing your soul and stepping back from the edge to find a new meaning in life, in yourself, in your relationships. This show deals with death and death ideation with such patience and natural care that despite the heavy subject, the show never felt claustrophobic or bleak. The story follows its main characters through a crisis of humanity, yet it doesn’t make you feel miserable and nihilistic. Instead, it inspires warm feelings of being understood and seen and appreciated on a journey to find a new facet of oneself.Granted, this is not your typical drama or even melodrama watch. It requires a bit of a commitment from the viewer to pause and absorb the emotions quietly. The show does not have loud emotional moments that will have pay-offs of cheap reactions. There is no melodramatic event in this show. There is no grand gesture, no epic confrontation, no shameful and over-the-top confession. The biggest and most impactful events happen and pass by as you would expect them to in real life; with little noise and then life keeps going. That’s perhaps the most profound narrative climax that the show has achieved: that life goes on. It keeps going even if it feels like it should be over. All will pass and you will feel better soon. The calm and serene way that the camera follows stress-inducing events manages to truly reveal a new side to the story of its characters. It doesn’t communicate the distress and anxiety but the empathy to cheer the characters on as they survive the mundane hardships of everyday life. This might just be the best show I have seen all year long.
This show has everything:
1. A beautiful, profound friendship formed with delicate care and harmony
2. Kindred spirits healing together
3. The most beautiful father-daughter dynamic in any show I have seen
4. The hardships of everyday life
5. Dealing with loss and grief
6. The best romantic development I have seen in a long time
7. But very little physical romance (so don’t expect Eros love. It’s more of a platonic love, in the PLATOnic sense…I’ll elaborate later)
8. Suicide and depression and how to come back from the edge of life
9. Complex human relationships in which no one is a clear villain/victim
10. A very subtle and well-expressed reference to privilege and abuse in the entertainment industry
11. Profound symbolism and metaphors
Summary: Lee Boo Jung has hit rock bottom. She is working as a cleaning lady getting treated like crap, refuses to deal with her clueless husband, and now she even has a possible criminal record hanging over her head. At forty years old, Boo Jung feels like she has reached the end of her potential and has amounted to absolutely nothing. Her elderly father is the very last thing she cares about. Lee Kang Jae is only twenty-seven and has his own successful stand-in escort business but he is so ashamed of the person he has become and is so far beyond caring about himself or life that he wears apathy as a second skin. The two of them live at the threshold of each other’s lives. Then one fateful night, after the suicide of a friend and one lawsuit later, the two of them see each other for the first time. Really see each other. In a way that no one else in either of their lives has seen them. Fate, destiny, enemies, or money conspire to further entangle these two’s lives together. It might sound like a recipe for disaster but it ends up being a blessing in disguise.
Plot: There are multiple amazing facets to this story and I think the show has managed to execute each of them to perfection. First of all, this show does suspense and mystery better than all mystery shows I’ve seen out there. The story begins in medias res so when we find the characters, it feels like they are already in the middle of a bigger crisis. There’s a lot of information that is kept hidden from the viewer and they unravel as we learn them along with some of the characters and with each revelation the picture becomes more and more clear. This creates an excitement and anticipation that is usually not there for slow-paced and quiet shows like this. On the other hand, there are the journeys of the characters themselves. While Boo Jung and Kang Jae are the unrivaled protagonists, the show also has a plotline for all the side characters. Everyone seems simple and typical at first, like the evil mother-in-law or the bumbling husband. Yet, the show manages to follow their stories and reveal inner depths for them to the point that with the exception of two or three characters, all are extremely sympathetic. Even in the case of the unlikeable characters, there is still depth so that I couldn’t bring myself to be enraged by them. It’s just an incredibly human story. I came to care deeply for all characters and the writing is so amazing that by the end of it, all the characters get satisfying albeit realistic ends. There’s just something irresistible about a narrative that is so harmonious from the beginning to end. In a lot of ways, the experience of watching this show was more akin to reading a good novel, rather than watching a show.
The romance: Oh yeah, it gets its own category because I want to rant. This is not a romance-centered show. There’s romance in every cell of it. Love oozes out of the characters like tears. Everyone in the story is desperate to have it, to find it, to hold on to it. One of the less-likable characters in the show says: “Love? Is there still such a thing?” and I think that was the ultimate way to show how pathetic that one character was because everyone else was vying for love and struggling for it but this person was blind to that sensation and isn’t that the worst punishment of them all? Side-romances aside, the profound love between the two main characters truly surpassed what I have witnessed in a TV show so far. When we talk about platonic love, we usually think of a friendship of sorts, not romance. Yet, interestingly enough, platonic love as defined by Plato himself is not one that excludes sexuality and physical love but one that goes beyond it. In fact, there is a distinction to be made between amour platonique and amour platonicien. Here, the love was platonicien in the sense that it did have a physical aspect but it grew beyond that. Instead, it depicted two people coming together as kindred spirits.
Usually, in older woman/younger man dynamics or affair plotlines, the focus is on the sex. It’s on the physical chemistry between the characters and it’s usually not surprising when things fall apart. This show bypasses all that messy sh!t. Instead, it has the characters connect because their souls call out to each other. Their interest in each other helps them open up and express themselves even if ultimately words are left unsaid between them, they are forever changed for their connection together. That’s why it’s better than all the other stories. It’s a love that does not judge but elevates the soul and it was gorgeous. Even when typical melodrama hurdles get in the way, they float above those pesky things and focus on that authentic dynamic between them. I can’t praise the show enough for this.
Acting: A bunch of giants acted in this show. The acting was just…beyond amazing. So subtle and natural. From the male lead's heart suddenly beating faster in overwhelmed emotions to the slowly growing smiles of the female lead, to the tears that formed in Kim Hyo Jin’s eyes but just wouldn’t fall to the tired disappointment in Jo Eun Ji’s drooping shoulders, the cast out-acted the pants off each other! Just wonderful. Ryu Joon Yeol looks ethereal. He’s handsome, yeah but also not conventionally handsome? Like he’s beautiful in this beyond reproach way and that’s exactly the energy his character has. Then with a mature and seasoned performance, he slowly unravels that icy veneer of his character, and he becomes so human and vulnerable in the show and I just loved that. Jeon Do Yeon was beyond outstanding. She just brought Boo Jung to life in such a heartbreaking and natural way. Her character doesn’t have to say anything to express the most complex and difficult emotions. Her gaze is enough. I am truly in awe of her and this cast.
Music: I finally figured out my issue with music in East Asian productions. Unlike western shows that have soundtracks for each episode, East Asians have an original soundtrack with a few songs that are created specifically for the show and used for different scenes. Now, this will be fine when you watch one episode a week but if you binge it, then it’s like listening to the same songs straight for 4 days and everyone knows that’s the fasted way to hate a song! Here, they had more music than you usually expect from a Kdrama and they masterfully use them in tandem in such a way that nothing gets repeated so much that it’ll be irritating. I mean just as I thought they were going to play Hallelujah to death, the show stopped playing it altogether and it only came back once, many episodes later. An impactful return if there ever was one. In addition, the show uses silence as well as it uses sounds and so the calm and measured playlist melds perfectly into the pattern of storytelling and truly elevates the watching experience instead of interrupting it with loud bursts of noise or dramatic screaming by a singer.
Production: The aesthetic, the camerawork, the creation of spaces, lighting, attention to detail were all amazing. Time passes in this show!!!!!! I know, a shocker! There’s continuity. There is a timeline and the show stays true to it. It’s just a very well-thought-out production with great attention to detail. You can tell it was made with care and not just to make profits.
Rewatch value: YES! I already want to watch it all over again. This is a story I will definitely come back to when I need some feel-good but not boisterous watch.
Overall: What’s left to say? This is a story about not being able to go on living and then finding a way to do so anyway. It was just a joy and a privilege to watch it. I am so glad that I made the choice to watch it and I hope others will give it a chance and actually like it. It might not be for everyone though, I acknowledge that but it was definitely the perfect watch for me.
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