Mood: Niceeeee, mehh, okay...
The number of letters in each word that my title bears, is how I felt throughout the show. I know that's a funny way to interpret but I don't think the drama was that biggie to become very serious about. Skillfull FL living a pathetic life, talented ML living in shadows, him coming to rescue the FL, a tragic past surfacing, temporary breakup, etc. and then a happy ending.Produced by 'Blitzway Studios', "Love All Play" is a melo-romance cum sports drama which, natively titled as 너에게 가는 속도 493km (literally, 'The Speed to You is 493km). Written by Heo Sung Hye and directed by Jo Woong, the show was broadcasted on KBS2 while internationally distributed on Disney+.
The story follows the journey of a badminton company YUNIS, primarily focusing on bonding and relationship between the members, particularly the leads who go through thick & thins of life off the court, as a reflection of choices and decisions. The major plotlines of the story include the development of love lives between several couples as well as a huge accident of the past involving the leads. Notably, the drama doesn't really have the sport of badminton as it's major device, so don't expect to see a lot of it.
Park Tae Yang (Park Ju Hyun) was a former badminton prodigy who had run away for years following bribery rumours. Park Tae Joon (Chae Jong Hyeop) was naturally attracted to the sports who despite his skills have never been serious about himself. Yook Jung Hwan (Kim Moon Joo) is a star badminton player in the national athletic team with a huge fan-following. (Lee Yu Min) Seo Ji Hye is a member at Somang Bank badminton company. Park Jun Young (Park Ji Hyun) is Tae Joon's sister and a former badminton star.
In order to avoid any further spoiler, I am only mentioning the familiar faces in the show, which include: Jo Han Chul, In Gyo Jin, Lee Seo Hwan, Choi Seung Young, Jo Soo Hyang, Jeon Bae Soo, Lee Ji Hyun and Lee Doo Shik. The acting was okay-okay in overall though many of the characters are very unlikable.
Plot development...The plotline never had a goal to begin with, nor I was expecting, but the first half tended to focus on chemistry development between different couples, esp the leads. It was fluffy, cute and radiated smiles, as a basic romance story should. Similarly, the court scenes involving stupendous matches were surely revering, and I understand why most of the people including me, ended up expecting more of it, throughout. Unfortunately, the makers had different plans, which they'd been subtly indicating from the beginning though that was quite arduous to notice.
It becomes both slow and shoddy as soon as the 9th episode, where a major twist takes place. The thing that I hated the most was the dragging and exaggeration of a particular matter, involving a past accident, for 4 long episodes. No, it wasn't a slowburn segment and not like they were sticking to only that but for the whole story, it was needless to showcase the overstated emphasis, as if it were the main plot device; this lengthy portrayal was annoying. However, I was glad, the last 4 episodes escalated back to the original form and the recovery to damage was carefully done, to an extent, if not entirely. The way things changed in 13th episode was mesmerizing and 14th episode was a mixed bag of everything.
Toxic parenting and it's consequences: these 2 are the most takeaway home notes from this drama I believe, though the portrayal was frustrating and angering, bcs it should be. Let's not forget that reality is even worse. Burdening your child to aim and achieve to the highest point and attempting to extract out your happiness from that, and then latter turning that into obsession, these are very toxic. Blackmailing, gaslighting, forcing, emotionally abusing, sabotaging them from inside, etc. that we saw in this drama were in fact, shown for longer period unnecessarily, but let's learn from that too.
Having watched only 2 previous works, I am not really familiar with Heo Sung Hye jakkanim's writing patterns, but in easier words, I didn't like one and the other one which was lovable, became sloppy by the end. Coming to this drama, while I believe, they were able to draw a plotline which would be appreciated, with elements put forward with clear intentions, at the same time, they failed to establish any memorable profundity in the characters and bring the best out of them. The pilot episode that started with nothing noteworthy to offer, slowly turned into lots of court scenes, followed by the basic romance, which was cute. The very interval of the drama (ending lf 8th & beginning of 9th) enmarks the start point of a shoddy job. I can't say it was turned into a trash, but I didn't like it. The remarkable job is, in fact, done in case of dialogues; comforting, healing, motivating, inspiring and striking, each at their times.
Seemingly rookie director Jo Woong PDnim is, in fact, the maker of 2 heavily-plotted dramas, proving his worth in the job. However, "Love All Play" as a mild and basic drama with nothing remarkable, didn't suit his usual expertise, at least that's how I personally feel. I can't really specify any particular flaw with the direction of the show, but it bothered me at times, how certain things were jotted down and affixed and even annexed to represent the foregone stories of the characters. Otherwise, things like screenplay, screen-editing, scenario setup, etc. has been moderately handled. There is no extraordinary camerawork and no essence to cinematographic tools. The modern urban and suburb setups were greatly fitting though.
Composed by Park Se Joon, the OSTs, however, have aced the list. Truly, they are fantastic, mesmerizing and very much likable to a great extent. There are 10 OSTs in total.
# "There, There" by Baek a Yeon is melancholic softbeat track depicting regrets of letting someone go.
# "Secret" by Yun DDanDDan is a jolly track of first encounters and arcane feelings of love.
# "Flyin" by KEVIN that starts with an intriguing prelude, is a jovial song showing fluffy and cute moments in a relationship.
# In Jinho's touching soft voice, "Keep This Momemt" is a song of expressing your fondness.
# "When the door opens" by JT&MARCUS is used as the opening theme song which is an overwhelming track about one's passion and love for what they do. It's awfully energising and encouraging.
# "The distant future" by Jeon Sang Keun is a melancholic track depicting lingering affections and the pain of parting ways. The lyrics is so heartbreaking.
# "By your side" by 451 is a reminiscent track and got a very shooting melo.
Other tracks are...
# "Don't walk away" by LISA
# "Something" by SongSun
# "Time" by Park Janghyun
# "My own season" by Park Ju Hyun
# "Diamond" by Yong Hoon
# "Here you are" by Lylian
What i liked...
# The relationship between Tae Yang and Tae Joon as couples, from childhood friends to lovers, was something you can't help but fall in love with. The way the chemistry and bonding between them grew close and the way they supported each other, pushing their partners up the ladder, was both fun, emotional and gladdening at the same time.
# On that note, Junghwan and Yumin couple was also cute and fun.
# I can't say there is any definite sign of bromance here, but the bittersweet interaction between main leads, as well as thw guys in the show was fun. The same goes with the bonding between the girls.
# Seungwoo, the character had me intrigued from his very first appearance and though he didn't have an extraordinary journey or granding ending, it was gratifying and relieving to just see him.
# The slice of life elements incorporated came unexpected. Yeah! Most of the Kdramas has soft and meaningful sides to them but the show definitely goes beyond the typical amount. It was mainly reflected through the character thoughts of Park Tae Yang.
# Oh! The dialogues... I never thought this show of basic essence will have such provoking and thought-inducing dialogues that could be relatable to many of us. Kudos to the writer for this.
# The visuals have definitely been served and 80% was carried out by Chae Jong Hyeop, without any doubt. It was flitting to see so many young and handsome guys with athletic physique and their sports tracks, haha.
# Many points about sportsmanship that's been thrown shades upon, were absolutely applauding. From victories to celebration, loses to failures, from injuries to retirement and from an athletic spirit to mental health issues, everything has been portrayed in a positive light.
What I didn't like...
# The worst thing about the show was 9-12 episodes. These 4 long episodes were the most frustrating and angering as the writer attempts to drag a case throughout. I admit and understand that the particular incident and it's consequences were an important part of the story, but it felt unnecessary to give it the screentime it didn't deserve. It could have been 14 episodes if the matter persisted for only 2 eps.
# The character arcs for even the main roles weren't very prominent and impressive. PTY and PTJ exhibit some shades of naturalness and modernity but I feel that wasn't enough. The sloppy sketches and insufficient exposure led to the downfall of some while some others weren't even enjoyable.
# I understand this wasn't entirely about the game, badminton, but I would have loved if it were. Having watched another badminton drama recently, which wasn't really entirely about the sports but had lots of it anyways, I couldn't help but compare it with that. Also, the matches in the first half fueled my expectations, just to be crushed in the latter half.
Final remarks... I honestly won't say it is an underrated drama or a must watch thing, even so it did feel decent and is smoothly executed. The first half (8eps) was surely amazing, followed by 4 episodes that went downhill while trying to exaggerate one event unnecessarily, and then the last 4 episodes did give some relief by doing some post-damage recovery. It's q fair one time watch and should be given a try when you're craving something light.
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The Doting Wife
Not Rebel Princess, Monarch Industry, or Emperor Phoenix. The Doting Wife is the most appropriate name and should have been the official title of this long-drawn melodrama. After 2 months and 68 episodes, there can be no denying that although this drama is about Zhang Ziyi, it has nothing to do with her being rebellious (except maybe against her father), but rather everything to do with her being the loving wife who could “do no wrong” in an epic romance.This production wrapped up filming in 2018 and is ZZY’s first ever TV series. She personally bankrolled this project and even had the final say on casting decisions. She recruited a renowned production team, some of whom she had worked with in the past, and they include the following:
Director – Hou Yong (Jasmine Women, Hero)
Art Director – Han Zhong (House of Flying Daggers)
Cinematographer - Philippe Le Sourd (The Grandmaster)
Long story short, this drama absolutely toyed with my emotions and in all honesty, I was left rather disillusioned by the end of it all. However, I attribute this towards my personal expectations instead of an objective evaluation which therefore should not detract from what has been a well-made production. For the most part.
The Rebel Princess is based on Mei Yu Zhe’s first novel, Imperial Industry which was published in 2007 and released in two volumes, Emperor’s Industry Parts 1 and 2. It tells the story of A’Wu, a prominent noblewoman of Shangyang County with royal blood flowing in her veins and who possesses all the wholesome qualities of beauty and talents befitting a highborn. These qualities would eventually endear her to a renowned military commander, Xiao Qi. Together, they would overcome all obstacles and enemies near and far as their love conquers everything in their way to establishing a new era of peace in the kingdom. Something like that, as I was given to understand having not actually read the novel.
The drama pretty much plays out the general plot of the source material but with some deviation in the characterization of the main protagonist, according to viewers. Mei Yu Zhe (aka Amei) is a popular contemporary novelist who is famed for being the “Love Queen” of romance fiction.
Production, direction, art direction and set designs, costumes, cinematography, and sound editing:
The technical aspects are done to near perfection. This is a big budget production of the highest quality filled with a brazen display of grandeur and opulence. Every detail shown is gorgeous and visually stunning. The architecture of the palace and mansions, the lavish interior settings, and intricately designed luxurious costumes for the nobles. The cinematography comprising the effective use of interior lighting, exquisite camerawork and framing of many pivotal moments beautifully capture the essence of those scenes, which are further enhanced by the impeccable sound editing and accompaniment of orchestral BGM.
It’s worth mentioning that discerning and keen-eyed viewers have taken note of anachronisms that were present in the drama. In particular, the design and tailoring of certain costumes worn by A’Wu, among others. The more obvious one would be the Game of Thrones-inspired black armour worn by Xiao Qi’s battalion which simply couldn’t have existed in Imperial China. Although this is a work of fiction, I speculate that the drama is set during the Northern and Southern Dynasties, a period of internal political strife and wars between the central plains and the northern invaders. The scripted dialogue did quote Zhuge Liang after all from the preceding era of the Three Kingdoms. However, I shall suspend disbelief and accept the costume designers taking liberties on this aspect.
It has to be said that the drama progresses at a very uneven pace that corresponds to several major story arcs. The first 20 episodes were very engaging and fast paced. Subsequently after that, the drama slowed down with intermittent dramatic moments and minimal action of note, spread over the course of 30 episodes before slowly picking up the momentum again. The final episode was truly thrilling, but felt rushed, with many shocking twists crammed into a space of 45 minutes.
Acting and cast:
With the exception of the minor supporting cast, the leads and a number of the main supporting cast gave a decent account of themselves.
The legendary Zhang Ziyi needs no introduction, where her list of achievements speaks for itself. She makes the transition from the big screen to the small screen seamlessly and the quality of her portrayal of A’Wu remained steadfast throughout, although towards the latter stages of the show I wished she had injected a bit more intensity and variety in the character’s expressions. The major qualm lies in the fact that at the age of 39, she played a 15-year old character at the very beginning. Nobody, not even her, can pull this off. Fortunately that story arc did not last long so all is forgiven once her character matures into adulthood.
Zhou Yi Wei was handpicked by ZZY for this starring role and we finally understand why. His phenomenal depiction of the stoic but hopeless romantic Xiao Qi has set many viewers’ hearts fluttering. Despite not possessing the effeminate looks and rabid popularity of boyband idols (which is a good thing, in fact), this is a real actor with a mature charisma that makes his version of the ML appears every inch the real life ancient general. His scene-stealing presence is no doubt cultivated by the immense talent that he has, as can be seen in his previous works in Tribes and Empires: Storm of Prophecy, and many others in his ever growing portfolio.
As for the supporting cast, I have thoroughly enjoyed watching Yu He Wei and Angie Chiu who portrayed husband and wife, as well as parents to A’Wu. These 2 veterans have been consistent for many years and their experience is extremely telling, particularly He Wei’s Wang Lin in the way he sold his performance to me. Yuan Hong was fun to watch with his Helan Zhen. Admittedly midway through I started to take him less seriously as a result of watching him in Blessed Girl which was airing concurrently.
In contrast, I wasn’t really invested in Yang You Ning’s portrayal of Zi Dan, as I felt his acting and expressions were somewhat mono-dimensional. Likewise Liu Duan Duan’s Song Huai En, the portrayal lacks the sufficient depth heading towards the bitter end. The weakest performance has to be from Zeng Yi Xuan as Wang Qian, A’Wu’s treacherous cousin.
Screenplay and characters:
Whether it is the source material or adaptation, or perhaps both, the way the story unfolds does not entirely meet my personal expectations. I went into this show anticipating something akin to Nirvana in Fire and The Rise of Phoenixes with heavy focus on clever political machinations and multifaceted power dynamics. I realise now that the core of the story is essentially about romance, jealousy and betrayals. Rather than a political drama with some romance, it is the other way round – an almost theatrical romance with some politics as a side story.
There is more than enough love, lust and toxicity to go around with every character in its multitude of forms. The non-exhaustive list includes attempted rape, sexual assault, three men pining for the same married woman, women pining for married men, the murdered lover, attempted drugging, forced contraception, pregnancies and miscarriages, child abuse, estranged marriages, forced marriages, secret affairs, old flames... And this is before we even get to the regicide, patricide and fratricide. Although this isn’t exactly my cup of tea, I have to acknowledge its single minded tenacity in defining for viewers the true definition of melodrama, complete with vicissitudes and histrionics.
The main characters are generally adequately written. A’Wu arguably does display traits of a Mary Sue, albeit a flawed version within this context. The author was perhaps attempting to showcase the character as virtuous, morally upright and principled but the character comes across as aloof and self-righteous instead. Meanwhile Xiao Qi is the shining example of the ancient heroic general and the perfect gentleman. Wang Lin, as the Prime Minister, is a character I particularly relished. Although an antagonist, I thought the character was worthy of a better ending than the one that befell him.
However I found it somewhat unconvincing and ludicrous how certain characters experienced sudden shifts in personality and motive towards the second half of the show. Song Huai En suddenly had his “head turned” having experienced confusing visions/ dreams of A’Wu. Helan Zhen, the imposing grassland warrior and mortal enemy of Xiao Qi, despite having his limb chopped off and falling thousands of feet off a suspension bridge only to survive to challenge for A’Wu’s affections. There are several other examples of irrational out-of-character behaviours but I shall end my nit-picking here before going overboard.
Action choreography:
This is primarily a historical with minimal wuxia elements, and therefore the action sequences are more grounded and less spectacular, which is the case with the sword fighting sequences. The action is instead predominantly focused on battles between opposing armies and on sieges laid on castles along with the use of catapults, chariots, war horses and other armaments. The battle scenes are fast, furious and frantic.
However the CGI utilised for the visual effects is not exactly the best in the genre and it has to be said that the camerawork for all battle scenes is average, with the typical reliance on repeated sudden zoom shots and unsteady pan shots while accompanied by dramatic sound effects. The coordinated stunts of soldiers engaged in fierce combat appear contrived, with only a handful of stuntmen performing the actual fighting. The armour worn by the soldiers appear obviously ill-fitted, especially the oversized unconventional helmets worn by Xiao Qi’s men, as opposed to those used by the palace guards and imperial soldiers.
Music:
The OSTs are one of the best ever composed for a historical drama. I love 3 tracks in particular. The beautiful opening theme Ode to Shangyang, the powerful ending theme At All Corners of the Earth which was performed as a duet featuring two men (most people were unaware that the”female” voice belonged to Zhou Shen), and the hauntingly evocative Hope For which slowly builds up to a climactic end.
Full listing as follows:
Ode to Shangyang (上阳赋) - Tan Wei Wei (Opening theme song)
At All Corners of the Earth (天涯尽处) - Hu Xia & Zhou Shen (Ending theme song)
Love in This Lifetime (爱于此生) - Elvis Wang
Looking Into the Distance (遥望) - Zheng Yun Long
Lonely Heart (孤心) - Shuang Sheng
Tomorrow (明夕何夕) - Mei Xi
Hope For (盼) - Claire Kuo
Overall:
Objectively speaking, The Rebel Princess is undoubtedly a beautifully-crafted drama. The execution of most aspects is done to near perfection. With the exception of the story, which I feel is overly melodramatic. The genre “Life” should not be tagged to this drama, because the depiction is larger than life and too heavily romanticized to be realistic, even as far as historicals and palace dramas are concerned. Despite my reservations, however, this drama is still worth a watch if you can spare your time for 68 episodes.
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All the puns on the series title are already taken, so I'll just say it's awful.
I'll start with the good:There's a scene where Gawin is almost naked.
End of the good.
OK, not quite, although that's why I gave this a rewatch score of "3". I will rewatch that scene. Many times. Although there's a better Gawin disrobed scene in Not Me (and even without the Gawin nudity, one of the best scenes ever, period. But that's not important right now.)
Force does his best as a noob playing Akk, and has some real charm, although he leaned heavily on his sad-puppy-dog face, which is cute but gets tiresome by the end. To be fair, there are some cute scenes between the main pair - the scene at the LOL fake Eiffel Tower was a rare well-written moment - not fairytale perfect, but just right for people that have been best friends their whole lives.
On to the problems:
The writing is terrible. The entire plot (except for the last 2 eps which fling a series of non sequitur plot devices in the way of our heroes) hinges on Theo's hunt for Enchante, a mystery suitor who defaces a library book to leave one single message for Theo, which makes him obsessed with finding the guy. If they had several back-and-forths that were beautiful and meaningful, we could have invested in the idea of Enchante - but because this did not happen, it was completely mystifying why he cared about this, and since it's clear by watching the opening credits who Theo will end up with, it's doubly pointless, which makes the entire rickety plot unable to support the leaden weight of this series. (To be fair, they do give a solid explanation near the end why he cared, but it will make you hate him.)
This could have been at least partially salvaged by casting somene who can act as Theo. I hate to criticize actors, but Book is terrible. I will mitigate this by suggesting this series had poor direction and he was playing a truly awful character, so only the most charismatic actor could have made him remotely sympathetic. But I noticed that really talented actors like Gawin and Fluke weren't great in this series, so a lot of it is probably poor direction.
Which brings us to the character of Theo. Having a spolied-brat malignant narcissist as your main character is not a great idea. Theo is the most self-absorbed and selfish person I've ever seen as a protagonist in a drama. I can't think of a single thing he did for anyone in the entire course of the series. EVERYTHING is about him. His parents' marriage (the actors who play his parents are sexcellent - needed to throw that out there), saving the literature department, Enchante, it's all about him. He never once asks a friend how they're doing (even though his supposed best friend Akk looks tortured all the way through this) - he just seems to expect the entire world to revolve around him.
At one point, it's revealed that Akk knew about something that he was aware would upset Theo, but it was absolutely not his place to reveal it, and if he had, Theo would have rejected it and reacted even worse than he did. Theo is extremely upset that Akk didn't tell him about it and won't speak to him. The problem is that just before this, it is revealed that Theo had orchestrated a colossal, monstrous lie designed to manipulate Akk and which caused him an immense amount of pain over a prolonged period, so the hypocrisy is so mind-boggling that it's LOL funny, after you first stare numbly at the screen until it sinks in that you did just see what you saw. Also, what Theo is upset about and how he reacts to it is how a pre-teen child would process this, not a 20-something, where it's so immature and self-centered that you wish he were an actual baby so that you could shake him.
At this point you actively hate Theo and hope he dies (or is murdered by Akk) so Akk can get someone way better (like Saifa. Or one of the hot football extras). This is made even worse by the lack of chemistry between the main pair, which is curious because they have it in BTS and other promotional material. Some of that is also directing. For example, there's a key cuddling scene where there's a huge stuffed animal between them so their bodies aren't actually touching.
Some of these problems, as well as a possible reason for the weak acting by Book, is almost certainly that a soft-fliter is used throughout the series that is so strong that I thought I had glaucoma. I think a lot of shadings of facial expressions are blurred away by the soft-focus. Note to Thai BL productions: We don't care if an actor's complexion isn't perfect. Nobody's is. We don't love actors for their perfect skin, we love them for their six-pack abs and chisled pecs. And their acting ability. And their muscled thighs. And gorgeous faces. Pert butts. But mostly their acting and the character they're portraying.
I can't recommend this. There really aren't enough redeeming characteristics to be worth slogging through the terrible writing and enduring Theo. I hope to see Force in a better production than this, so we can see what he can do.
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To love and be loved
The King’s Affection is one of three sageuk produced by KBS this year, following River Where the Moon Rises and ending right at the start of The King of Tears, Lee Bang Won. It is also one of eight sageuk set during Joseon Dynasty, as well as nine overall to be aired this year. 2021 truly has been inundated with a number of K-historicals and fans of the genre are all the better for it!This firmly belongs to the fictional romance variety, the likes of Rookie Historian Goo Hae Ryung, Love in the Moonlight and the more recent Lovers of the Red Sky as well as the currently airing The Red Sleeve, albeit purportedly based more closely on historical records. The thing with romance-centric sageuk is that there is generally a wider scope of themes being depicted, in addition to the love story between the leads.
In this case, they include palace politics, melodrama, comedy and a fair amount of “fluffiness”, while commonly established tropes are added into the mix for good measure, comprising childhood connection, contract marriage, crossdressing or gender bender, found family, love triangle, and the star crossed lovers. So if you’re in the mood for a sageuk that isn’t too heavy in terms of historical accuracy or the seriousness of the politics but with enough light-hearted moments mixed with a dash of heart-wrenching events and a big dose of passionate romance, then this is definitely one to consider.
The drama tells the story of a pair of royal fraternal twins who switch places, with the female becoming the Crown Prince in her brother’s stead before eventually succeeding the throne, hence the appropriately given title for the drama. Along the way, the “King” develops affections for one of her subjects, amidst the intense political rivalries between various factions in the palace. Further complications arise to the already precarious situation in the form of dysfunctional family dynamics, forced marriages and murderous antagonists who are hell-bent on furthering their nefarious agendas.
The screenplay by Han Hee Jung, who previously wrote Gunman in Joseon, is adapted from the manhwa, Yeonmo (연모) by Lee So Young which was serialized between 2011 to 2014 and revolves around the fictional King Namjang but with references to real life historical figures from the late Yejong to early Seongjong era of the Joseon Dynasty. This is the first work from directors Song Hyun Wook and Lee Hyun Suk that I have seen.
Being a pre-produced drama that began principal photography in April, filming finally concluded in late November, halfway through the drama’s airing schedule, due to a number of delays caused by Covid infections to the crew and a fire that reportedly broke out at a filming set. Yongin Daejanggeum Park, the iconic MBC film set for historical productions, served as the primarily filming location along with several other famous landmarks and notable locales. These include Minsok Korean Folk Village in Yongin, Sangdangsanseong Fortress in Cheongju, Gwanghalluwon Ojakgyo Bridge in Namwon-si, Jeongseon-gun Doroni Pond (Gangmujang Pond), Itaesarangbawi Rock in Geochang-gun (Gangmujang Cliff), and Andong Seaside Film Set.
What I Liked
The production values are obviously very high and reflected not only in the nationwide filming locations but also the quality in terms of the visuals presented. In addition to the cinematic feel to the atmospherics courtesy of the excellent cinematography and post-production effects, the aesthetic art direction as well as the beautiful elaborately designed costumes certainly enhanced this aspect significantly as well. There is quite a fair bit of slow-motion immersive and “romance-themed” framing. I truly appreciated this approach to the visual language.
The direction as well as editing absolutely complements this aspect of the storytelling because the entire drama takes its time allowing certain key moments and scenes to breathe and leave a memorable impression on viewers. Although nothing to write home about, the action sequences and the choreography for the sword fighting appears quite decent for the most part and progressively intensifies as the story approaches the climax.
The grand scheme of the overarching plot and the conclusion. As soon as I had read the synopsis (which is rather spoilery, by the way), I knew that the conclusion to the story was going to be limited to only a handful of options, some of which probably would leave viewers somewhat distressed. Without spoiling it, I will say that the outcome of the story surprised me a little but in a good way. I also think that the drama ends as strongly as it starts, with episode 19 a particularly thrilling rollercoaster of emotions and adrenaline rush.
As far as the characterizations are concerned, the FL, her grandfather and the ML’s father stand out for me. Especially during the more serious segments of the plot development pertaining to the court intrigue. Each of them is extremely grey and buried beneath the many layers that they have embodied into their persona that sometimes I, as a viewer, become unsure of which mask that they put on is the "real" them. After years of pretending to be a man, the FL probably does not even know what it means to be a woman anymore, until her affections have been awakened by the very person whom she first developed feelings for, as a child. Physical attributes aside, her demeanour is utterly that of a royal Crown Prince.
The Left State Councilor, Han Ki Jae is a man who will stop at nothing to preserve his political powers, including his own flesh and blood. At times, the villainy of this character is truly awesome to behold. Likewise his retainer, the cold blooded and ruthlessly efficient Jung Seok Jo. If Han Ki Jae is Emperor Palpatine, then this man is Darth Vader. But beneath the facade of unrelenting malice lies a truly conflicted and tormented individual who knows deep down that he has sold his soul to the Devil.
The performance by all 3 actors for the aforementioned roles are the highlight of the drama for me. Park Eun Bin is absolutely phenomenal. This lady has so much potential given her track record for compelling portrayals in recent times, and her iteration of the gender bender is one of the best I’ve seen. Yoon Je Moon provides the perfect delivery of the antagonistic grandfather and politician of the Joseon court, where his subtly expressed passive-aggressive undertone imbues an added dimension to the depth of the characterization. Bae Soo Bin is much more action oriented given that he portrays quite possibly the best swordsman in the drama, Jung Seok Jo. In addition to the physicality and despite being a man of few words, the nuanced microexpressions on his face say it all, really.
Apart from the impressive trio, Bae Yoon Kyung’s Shin So Eun is noteworthy considering that she lacks screen time because she steals the scenes whenever she does make her appearance. I have to mention the child actress, Choi Myung Bin. Out of all the child actors I’ve seen this year, and there have been many, I do think that her portrayal of both Lee Hwi and Dam Yi is the best. Of course, at 13, she’s considered quite mature but her duality in depicting two vastly different characters, one of whom is male, sold it for me.
The soundtrack is very good, and I wouldn’t expect anything less. If there is romance involved, one can be sure that the music will no doubt play a major part in tugging at the heartstrings with emotional love ballads, of which there are plenty in this production. In this aspect, TKA definitely does not disappoint. My personal favourite is the main theme by LYn, which gets significant airplay via the infusion of countless MV scenes of the lead couple.
LYn (린) - One and Only (알아요)
Ro Woon SF9 (로운) -No Goodbye In Love (안녕)
Baek Z Young (백지영) - IF I
SUPER JUNIOR-K.R.Y. - Shadow of You (그림자 사랑)
An Da Eun (안다은) - I Believe
VROMANCE (브로맨스) - Hide and Seek (숨바꼭질)
Haeyoon (해윤) of 체리블렛 Cherry Bullet - Full of You (티가 나)
Room for Improvement
As much as I have waxed lyrical about the positives, TKA is not without its flaws but on the whole they aren’t overly detrimental to the storytelling. I think at times, particularly midway through the story, the fluffiness probably receives slightly more attention than is perhaps necessary. As a result, cuteness overload features prominently as fillers, where the leads behave out of character and out of place with the setting. Adorable but ridiculous at the same time.
Rowoon, portraying the ML Jung Ji Woon, has the physique to match the action scenes well. His chemistry with Park Eun Bin, as the only CP in the drama, is quite apparent and their scenes together are pretty convincing. My only gripe is the emotive aspects of his performance. Park Eun Bin appears the more superior performer and it truly does show, IMHO. The same goes for the other supporting cast of Nam Yoon Su and Choi Byung Chan as Lee Hyun and Kim Ga On respectively. I’m actually rather intrigued by the character of Kim Ga On, who I wish could have been more fleshed out because despite the potential of his backstory, his character arc never fully materialises into something more than the stoic persona throughout.
As far as the other supporting characters are concerned, Lee Pil Mo as King Hyejong, the FL’s father, appears somewhat inconsequential to proceedings before eventually becoming a mere plot device to the overarching plot. The character of the psychotic Prince Chang Woon who has a penchant for unmitigated violence, played by Kim Seo Ha, is clearly a cliche and written to be nothing more than an OTT antagonist. He comes across as a cartoon character whose only job is to provide angst and cringe. Meanwhile, Jung Chae Yeon has the unenviable task of playing the annoying airhead and occasional comic relief, Noh Ha Kyung. That said, the character is rather pitiful and I actually feel sorry for her in the end, which is a credit to the actress’ interpretation of the role.
Overall
The pros outweigh the cons, and I have absolutely enjoyed Park Eun Bin’s performance here. The story also provides an acceptable closure, much better than I had initially anticipated. The King’s Affection ranks as one of the better produced romance sageuk that I have seen this year.
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This review may contain spoilers
Well...That Was... At Least They Are FortPeat--- hihi?
Am I the only one who wanted to put a potato sack over that assistant girls head for all that overreacting in the earlier episodes? Yeah, no? okaii.And listen to this: Tongrak is so traumatized with his mother falling in love with a gigolo that he doesn’t even believe in love, so of course, his solution is to… *check notes** get himself a live-in gigolo. Child! Like?
Also, what the hell was up with Rak's sperm donor? No really, Rak's dad is a rubbish person. Mfer walked into the scene looking like he collects coupons and went: 'I want you to break up with my son because I want to be a good father to him.' HUH??? His whole motivation for being a bum went like this.
RAK’S BUM ASS DAD: Yes, I’m a sucky father and husband. But I want to make it up to my son and be there for him. So even though you make him happy, I want you to break up with him, so he can be miserable.
ME: Ah, so, we taking nonsense orders now. Alright. *drives to a church* Pastor, I’ll have the beef burger with cement, please.
RAK’S BUM ASS DAD: You make no sense.
ME: No you make no sense you bum ass sperm donor.
Quick Review:
Listen, this drama was a dumpster fire. It didn’t even know what it wanted to be. It want from being a sugar baby au, tags: (#islandlife #authorswriting #shortsrealshort #showerseks #crazydads #mentionedgigolos) to annoying cousins revenge plotline, to wanna be gangster dads, to bracelet selling island dwellers, literally pick a struggle. And the sad truth is, after all that, the story-line still felt flat to me. Though, except for wondering what will became of the gl couples, there wasn't any loose ends, cuz the writers had Rak's mother become the ex-machina. Not only did she take care of the dad problem, but also the cousin, all off-screen, and suddenly everything was rainbows.
Half the cast were so one dimensional. The cousin(literally what did she want? her whole thing was to remind us Rak's mom likes gigolos, okay, and?), the bum arse dad who showed up only to be a bum arse, and the actress friend who apparently likes whinny overreacting girls. The only characters I felt carried and kept my attention was that little girl, Meena (great actor, played her role really well), and Mahasamut. Fort have improved in his acting since LITA. Of course Peat to some degree as well, though a few cringy scenes. Hopefully they’d will improve even more in their next drama.
And were we supposed to feel sorry for Rak in the finale? cuz my arse was just annoyed. Literally, when they got together I was like, yaay?... sure, happy ending. Cuz, after everything Mut did, he still didn't want to commit to a serious relationship? Sure he had problems to work through, but after everything, even being the one to mend you and your mother's relationship, he still didn't want to admit his feelings, acting like a spoiled kid. His behaviour in the finale made me wanna throw tiny rocks at him. He did eventually realize his feelings, but at that point I’d already checked out, so instead of being sad and crying when they got together, I checked how much time was left.
That being said, Rak's fashion sense was cool, his short shorts were on point, and I love how he saw Mut and went, 'I went it, I get it. You like my island boy toy, geez thanks, just got him.' But his constant 'I don't love you' act annoyed the hell out of me.
Up until Mahasamut beat up Rak's bum arse dad, I was half/half on his character, liked him cuz he had no shame, and he was honest. After the beat-up he became my fav character. Imo, him mostly, and the chemistry he had with Rak was the saving grace of this sinking ship. Still can't believe he got that tattoo and ruined his beautiful neck, child, if you wanna forget someone get a hobby, don't ruin your skin.
Also the two female side couples went nowhere, and did we need to know the actress friend spoke french? It was so random, and a waste of screen time, cuz it had no follow up whatsoever. And that assistant girl. Do people really find whinny people adorable and cute? Because like, every time she showed up, I wanted to put a bag over her head, which is unfortunate, cuz the actress was so beautiful, but the role she was given to act was just unfortunate.
And I'm still not sure what that cousin girl who threw water in her own face wanted? Whenever she was on screen talking about whatever I was like, okay sure, whoever you are. What the hell did she want from Rak and why was she so angry her auntie likes gigolos? Did I miss the explanation?
Anyway, I remember all of us being in shock in that unholy shower episode, and counting wrappers, the tl was fun that day. Although there wasn't much going on here, and things felt flat to me, if you are a FortPeat fan, you'll sure enjoy this drama a lot, cuz their chemistry is still very great. So I'll recommend it. If not for anything, watch for the chemistry and Rak's fashion.
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1Would You Write Me a Better Script?
Oh, Jung Somin, the sh-t that I have to go through because of you.It's not bad, but not good either. Like, you literally have to turn off your brain to enjoy this. The writing is nonsense, the plot is ridiculous and irritating a lot of times. Especially the last episode.
Also, I'm so done with this "main characters have to know each other from the past" trope. It's so boring, honestly. The show wouldn't be any different without that.
The two main lead and some other side characters carried the show, but that's all. The adult baby and his family should've been removed from the show after the 6th episode.
My advice: Unless you really love Jung Somin or any of the actors, don't watch this if you can't turn off your critical brain. I don't know why so many Kdrama fans love to forgive or just ignore bad writing, but I'm not one of them.
I gave it a 6/10, because overall it's a lighthearted fun nonsense, but you won't miss much if you skip it.
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In the beginning, I liked that they provided a fresh musical spin on the Candy/Jerk pairing trope, and gave their second leads their own distinct personalities. But all of that seemed to break down somewhere around episode 10 or so, when the drama started focusing on one frustrating trope after another, rather than playing to its strengths: the acting, the music, and the lighthearted comedic tone of the show in general. I would have preferred better character development of the second leads, emphasizing more comedy rather than drama, and of course, more music.
I would only recommend watching if you are a fan of any of the main or second leads or interested just in the music, because the actors did an excellent job with the material they were given. Eun Ji was perfect as Chun Hee (and to be honest, should be required to sing in all of her future dramas, because her voice is just amazing), and Ji Hyun Woo did a great job fleshing out his character in a way that felt more three-dimensional, in spite of his actions early in the drama.
I don't have any plans to rewatch this, as it was frustrating enough the first time. Watch at your own risk, but fast forward through the angsty scenes.
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This review may contain spoilers
Two words: Criminally underrated!
However I can't blame anybody who doesn't like it. If you don't pay a lot of attention even to the smallest things, you will lost and think: it is a mess with so much plot hole and stupid decisions. It's a hard drama to watch and the amount of characters makes it more harder. A notebook fit well with this series. It was a not so good decision to not tag it as a Sci-Fi since the basics (DNA, surgery) are in fact not be too far from the truth. (Google is your best friend!)My recommendation is do yourself a favor and find out soon who is the serial killer, because later on -after episode 6- it won't be the focal point of the story. So you can focus on another really important details which will lead to the only big twist. From episode 7, the real question is not Who is? but What happened? and in the last episodes: Why? It's not a big deal to find out who is our psychopath tough you have to know what you should search for. (Checkpoint is on the end of the rooftop scene in episode 6!)
Sometimes the story seems over-complicated because it's overcrowded. It's a thrilling experience with a dark and very twisted world. I know It's hard to concentrate every single detail all the time but at the end it will pay off.
That's very interesting how the show presents its characters. We can't embraces the most of them. Maybe you can sympathize with them. The most likeable character is Moo Chi who has the biggest character development. We can feel his sadness and grief, sense his motivation... and what about his deep depression which led to his alcoholism. These characters are complex and interesting with morally questionable motives.
The bad guys are bad all through! Some of them are born that way (as a psychopath) and some become monster cause of events. (Not all murderers are psychopaths and not all psychopaths are murderers!) Our main serial killer is a mentally ill psychopath who murders anybody within his own rules. And the rules are very sick like him. He is a true psychopath with god-complex and delusions. His smile gives me goosebumps. But he is not the worst!
Technically, the cinematography and sound-design is excellent but in some scenes the edition and lightning is poor. I also don't like the censorship but its my overall problem with this genre in the Korean film industry. The themes are very interesting and important. There are a lot of social problems and moral controversies in this series. Viewers can see how detailed the criminal side of the show. Also Pyo Chang-won - a very famous Korean criminal profiler and expert on police studies- worked in the show and his lecture was an important part of the script. (He has a short cameo in the last episode) . There are references to real crimes as the infamous Cho Doo-Soon case which was inspired Bong Yi' s background story. Congratulation to the cast, especially to LSG. This is his best role without any question. If He won't win any award for it I will be angry as hell!
On the whole, It became my favorite psycho-thriller k-drama with its complexity. It is well-made and well-written but not for everybody. Who don't mind blood, violence, dark themes and world, just start it! This drama is unique in its genre.
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Massive Potential, Yet Poor Closure
Come on, who doesn't like this type of K-Drama/Series?The thrills, the tension, the hype every episode - discussing and debating theories, It was everything.
A classic whodunnit.
A Series where everyone is trapped in a kind of mysterious events and they're working together to figure out the truth lies behind. Similar to spirit to the like of AOUAD, DAS, and Alice in Borderland.
The concept of the series is fresh, The Werewolf/Mafia game, the excitement is simple: Citizens vs Mafia, every episode we will be greeted by new things while slowly finding the Mafia and uncovering the truth behind everything.
That's the core concept of the entire series and IT'S PERFECT with the fresh casting, dynamic characters, and every other the potential that it had.
Every watchers was engaged and onboard for the tension and cliffhanger every episode - a perfect K-Drama was created.
Until the actual plot arrived...
Lee Yoon Seo, the girl who is the center of everything. There's always a lead in every K-Drama, right?
She seems to be haunted by a mysterious girl from the beginning of the series and we are all wondering:
- Who is she?
- What is her connection to the game?
- Is she a past player of the game? or the game creator?
But then...
Who would've thought that those exciting mystery plot will eventually taint the entire goodness of the series?
Well, not a single person before the whole Park Se Eun story comes to light... everything was falling down afterwards - I don't even need to recite what happened at the ending.
We all expected everything was a game or some sort, just that there's no point of a never-ending revenge done by Se Eun's parents as the watchers are not even emotionally engaged with her story that much, it was just an icing on the cake - unfortunately a bland one.
Season 2? would love to see how it goes, though it will be very difficult to make up the disappointment.
---
I wish they could create a better closure, this K-Drama was great and fresh, nothing could satisfy me more than this type of theme/genre. It is very unfortunate that such brilliant idea and massive potential the series had - tainted by the pointless closure.
Props to all the cast, regardless some of their annoying characters - they're the MVP of the series, especially:
- Cha Woo Min as Go Kyung Jun - scene stealer for the earlier episodes of the series
- Ahn Ji Ho as Jin Da Beom - scene stealer for the last episodes of the series
Was it worth the watch? absolutely, wished the mafia game could stay longer - it was fun and totally enjoyable - a total 10/10 minus some flaws in the rules here and there.
Was it satisfying? not at all - at least not for everyone.
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One sentence doesn't mean that it's already bad and no sense.
I'm a Filipino and my mother is a domestic helper in short a maid but Im proud of it coz without her I wouldn't be successful. Let me tell you, I love watching chinese, thai, taiwanese, kdrama or turkish because it makes me relax. For me theres nothing wrong with just one sentence. I'm not also insulted when he said that because I know being a maid or DOH is a great job. Mind you, its a decent job. We have a lot of problems in our country by watching this it makes me feel at ease. You better think before you comment your hurting them also. Its not here fault they are just actors. To the casts and team don't mind the people with small brains and show them what u can do.❤️Was this review helpful to you?
Cliffhangers galore
Probably the one thing that I hated and loved from the first season the episode cliffhangers, especially now as I wait for the finale. Really love this series it gets its hooks in you and won't leave, you'll dream about this show and the things that aren't quite explored. Love all the cast, they are all wonderful the collection of characters, yay and hugs to those writers they need accolades galore. This will move you and have you on the edge, definitely binge worthy series every episode you won't want to sleep because each mini cliffhanger will drive you insane. I really hope there's a third season I think there's plenty of material to expand upon. Praise to the actors and the crew, well done another brilliant season.Was this review helpful to you?
U-turn on expectations and clichés.
Not gonna lie - I dropped the show after the first two episodes. They were fine, but did not grab my attention. Next week I felt like watching a rom-com, so I picked it up again, and from that moment I just enjoyed the silly ride it took me for. They really played into, and at the same time broke all the cliches of kdrama rom-coms, and it was so much fun to watchThe story is something we have seen countless times - a fake relationship leads to a real one. Rich guy falls for a poor girl, yet few twists made it much more compelling and interesting. The female lead was not a damsel in distress - she is competent, friendly, strong. The male lead was not a cold lead - he is a cute and soft potato. The father was not evil, rather funny and a bit childish. The best friend second lead deal is dealt with in a realistic manner.
While the conflicts and issues between the main couple come from their different backgrounds, the second couple’s issues come from the differences of their personalities. Thanks to that we see a variety of interesting situations that kept me entertained.
That said, there was one side plot situation that had quite an impact on the characters and their behavior, but then was gone and never mentioned, simply because the current plot progression did not need it anymore. I wished we had some kind of closure or explanation for it.
The characters were all quite fun to follow. Except for the main cast that delivered a good performance, I want to talk about Seo Hye Won who played Jo Yoo Jung Young Seo's cousin. The girl was hilarious. Her random English lines with cartoonish subtitles on screen were some of the best scenes. She was extremely over the top, but it worked perfectly in the context of the show and overall tone.
While I have no huge complaints about any of the performances, I was slightly disappointed with Kim Min Gue. His character lacked expression. I get that he was this well mannered, stoic, logic driven guy, but I was just not completely convinced by his delivery.
It’s an over the top romantic comedy - funny sounds, funny animations, funny subtitles on the screen, but all of that was rather fitting and elevated the scenes - be it making them more funny, cute, sometimes cringe. I mean, the whole show is cringe, but I appreciate how they embraced that. Sometimes it’s the way to go - don’t take yourself too seriously, so people can enjoy it for what it is.
I don’t really have much to say about the soundtrack. All the songs were nice, cute and matching the drama, but the only one that truly caught my attention was Han Seung Yoon’s Whatever You Want.
Overall, if you are in the mood for romance, I don’t think you will find any better production from the past few years. It was cute, entertaining, did not have any over the top problematic plot lines, no random murder mystery we sometimes see in Korean rom-coms. Sometimes all one needs is good looking people falling in love with each other and all the cringe and sweet butterflies that come with it.
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À la poubelle!
With all the honesty in the world: IDGAF how it ends. Whoever wrote this script, I hope they never do it again.The story is so weak that even the fact that the actors are cutie pies doesn't save it. It's a boat that should never have been put to sea.My frustration reached its peak after episode 7.
I can understand a weak communication in a relationship, but to be so, SO DUMB and insecure... I can't take it anymore. And this is coming from a super empathetic person who always tries to understand both sides. But Ba Woo is something else.
I really hope this guy ends single. He was a terrible friend to Ji Hoon and he'll be the same as a boyfriend. Having someone so insecure around doesn't lead to anything good.
I don't even want to mention the fact that WE got more flashbacks than anything else in the last few episodes. Are we a joke to you?
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The best execution of opposite attracts. Da Li and Moo Hak are not just different from each other, but polar opposites in almost everything family background, education, nature, personality, the way of thinking, legit nothing is common. Still, they are like two pieces of the puzzle fitting perfectly with each other, their oozing chemistry is worth craving more.
I can't express in words how much I adore Moo Hak, he's one the best characters I've seen in dramaland. He may be loud, uncultured, silly sometimes stupid... but most mature, considerate at the same time most adorable person. A looot better than people who claim themselves high-educated and cultured. I love how many shades he has... and throughout the journey with exploring different parts of his nature. Now one may think its character development is, I strongly disagree. I think it is how he was in first place. The more I go deep into his character the fewer flaws I can see, I respect his perspective and being a realist... And thinking what life he has been through... where he worked hard to get where he is I don't consider him as money-grubber nor stingy, coz he's the person who knows worth of everything, then whatever it is: Money or People. He knows his priorities clearly and behaves as per.
Da Li may be a bit oblivious, idealistic.. and doesn't have much knowledge about how the world works she's definitely not spoiled princess. She's hardworking, she can face every problem with courage, she can take a stand for herself. I love her straightforwardness... she's a girl who can kick ass if it's needed. Finally, someone who acts as per their age lol... and not a teen who's in love for the first time, she's comfortable with physical intimacy as an adult.
I've seen a lot of secretaries, (I mean ofc everywhere is CEO lol) but Moo Hak's secretary is the best. She's not only a secretary but a very loyal friend, who can even threaten her boss's girlfriend. She's just COOL. And I love his hotel staff too lol... who can work as gangsters but also can give adorable reactions after seeing Moo Hak's fully smitten state.
Whenever each episode ended... I always felt unsatisfied, after thinking I got it why. Though it's not noticeable compared to the rom-com (not the multi-leads ones) this one has relatively less screentime of leads being together but I won't complain coz it's realistic.. people do have things-word to do other than dating, so when they aren't together they are doing work which needs to be done. It does have many.. many, a lot of annoying characters that you would love to FF.
Aesthetically it's simply stunning.. the sets, costumes, cinematography. And finally, both leads have amazing dressing sense, where Da Li legit feels like someone who knows about art.
It's cliche at the same time it's not...the tropes don't feel unnecessary. It does break many stereotypes. I really want to thank how they didn't pull Won Tak to love square. Girl and Boy can be just friends not every time a guy ends up falling for a girl. No stupid misunderstandings.. even if there are any 'Conversation' exist in their world.. and it's noble idiocy free!
As rom-com if fills its purpose fully.. having many peak moments of comedy and couple you want more and more.
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