This drama is highly rated, so I guess I have some explaining to do. That's one reason why I am writing this review - seeing that so many people absolutely adored this drama, I want to offer a somewhat different point of view. The other reason is that I feel like I want to sort out my thoughts about it.
So, did I like it at all? Yes, I did. Not because I thought it was very beautiful or extraordinary or anything, and not because I was swept away by the romance. No, on the contrary I found this drama to be very, very silly with too many plotholes, and even though I generally enjoy teacher/student romances I didn't feel a lot of "chemistry" in this drama. Part of it can be explained by the fact that the man lives in "The Hall of Emotionless", above everything else. But even so… At first I was disappointed with this drama and thought to myself: "What ever is this?!" but I learned to take it for what it was and enjoy iy as such. I saw this drama as light and fun, not a comedy but definitely impossible to take seriously, some things annoying and some things delightfully enjoyable.
The thing is, many things in this drama don't make a lot of sense, especially not the details. Things happen without reason or explanation all of a sudden and the characters are saying and doing irrational things sometimes. At Chang Liu they honour vitures like being "emotionless" and without desire and ambition. Yet all of the characters - except the male lead, sometimes - display all kinds of very human emotions all the time - like distrust and suspicion, jealousy, and a lot of importance is placed on the times when the disciples have to compete agains each other. They have to do their best to win, because there can only be one winner of course. I fail to understand how it is possible to fight for the spot as the sect leader's disciple without having any feelings about it. Also, it is against the rule to fall in love, but some people break the rule with no consequences.
The writing is definitely lacking, it does a terrible job at explaining the details and even the greater lines that would make the context - the setting, the basics of this fantasy world - come to life. We know that there are some "demons" and some "immortals" and some "humans". And there is some great, dark danger that is threathening the existence of the whole world. How and why I have no idea, but the "deity devices" that are spread out among the various sects (what is the purpose of these sects and what are they doing there?) can keep things in check. Of course, the bad guys are trying to steal these devices. All of this is sketchy at best. It seems like someone wanted to write a teacher/student story in a fantasy world, but didn't have enough imagination, and decided to roughly copy the manual of "Fantasy Story 1A". There they are "cultivating", which in some way or another means that they learn magic skills that mostly consist of being able to fly on the edge of a sword, push people away with a flash of light or create a shield around them, and make all those wuxia moves. The good guys live in golden halls, the bad guys live in dark, cave-like places, and their soldiers seem to be retired orchs who are sometimes very, very useless fighters. I really hated how boring and pointless the whole fantasy setting was. There is not even any real feeling of Good v/s Evil.
I liked, no, I adored many of the "bad guys" in this drama. I don't often fall for the characters that belong to or turn to "the dark side", but if it's done the right way, there is something about it that appeals to me. I liked Sha Quian Mo, aka Sha Jie Jie, from the start. I like the way he's so powerful and has almost complete control over his subordinates - he has quite a bit of that awesome great power that makes some people kind of hot - and yet he's so emotional and soft on the inside. Or at least a part of his inside... He was my favourite and with a better story, he could have been a wonderful character! Purple Fairy, too, is a character who is strong and proud and elegant, sharp and powerful. Too bad this is mostly ruined by her foolishness, her obsession with love that makes her kind of stupid, and weak. Even so, I always adored her and stayed a little bit on her side even when she did bad things. (As for the bad guys, Ni Man Tian was one I did not like at all. She was just a spoiled brat who was mean for no reason. No fun at all.) Dongfang was also an interesting character and one that I liked more and more, once I got past the first few annoying episodes. I also liked some of the supporting characters. (Yes, I'm saying that I like the supporting characters more than the main couple, but… I find that to be pretty okay. It's too bad the supposedly great romance didn't sweep me off my feet this time, but looking at the rating and the other reviews, I guess that's just me…)
It reverses good and bad, in a way. The people in the golden and pastel coloured castle are the good guys, but often they are colder and more cruel than the villains. Well, this is at least true about some of them. There are some lovable cliché good guys (minor characters who are sweet and give the leads support in the right moments) and some cliché bad guys whom you love to hate. Because of this "reversal" in the characters attitudes and actions (or should I say that some characters are actually rather multi-layered) it is sad that the setting is still so cliché. I dislike how they use colours so stereotypically, especially knowing that some c-dramas can be really beautiful. (I've heard that this is actually pretty good for its genre, but seeing as this is my first Chinese fantasy drama I can't compare it. It does have a few pretty sceneries but nothing special, in my opinion.)
This drama is like a big bowl of candy. Not premium quality, stuff, but sweet and colourful. Too much, but it kind of looks good. Even though you know it when you bite into it, that there's really not point in eating it, you just can't resist it. You just take another piece. And another, and another, until you're full and had enough. You shouldn't have started eating to begin with. But another day, you come back for more!
That's what this drama was like for me. I dislike a lot of things about it. I wouldn't recommend it for the romance - as much as I have a soft spot for teacher/student relationships, this couple did not move me. Even though I have to admit there were a few sweet moments, overall I find this romance utterly unromantic with no chemistry to speak of. Bai Zi Hua is a very stupid man whose decisions don’t make sense a lot if the time.
Well, there's one thing about it - this drama, I found it amusing! I was disappointed at first, because I had expected something grand and beautiful and exquisite (well, who can blame me, the second c-drama I ever watched was Nirvana in Fire and it kind of set the bar and made me have unreasonable expectations). I found this to be ridicilously silly. It really is. But once I accepted the silliness, embraced the comedy (although I'm not sure if all the things that made me laugh were meant to be funny) and tried to ignore the stupidness of a lot of the plot, The Journey of Flower quickly became my guilty pleasure. If I hadn’t had that feeling about it, I would have dropped it after four or five episodes… but I did watch the whole thing and didn’t skip anything except a few figthing scenes in the last half of the drama.
Tonight I also watched a few of the cut scenes on YouTube. They are... interesting, but including them (the ones I watched) would not have made the drama better in my opinion, only more frustrating.
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When Mr Wrong Turned Out To Be Mr Right!
I was anticipating this drama not only because of Chen Xing Xu as the male lead but also because of the director, Chu Yui Bun, whose works included "The Long Ballad" and “The Blue Whisper”. He also directed the other two dramas that made up the “Honey Trilogy” - “Ashes of Love”, “Skate into Love” and now “The Starry Love”.Well, I was not disappointed. The Starry Love has beautifully captured the twists and turns of destined love based on the theme of marrying the wrong man who turns out to be the right one.
The plot centered around a pair of twin sisters, the older sister Qing Kui, favored by the human race, and was betrothed to the Heavenly Empyrean. The younger sister, Ye Tan was considered a jinx and was bullied all her life.She was promised to the Voidwalkers (demon world) as the consort to the Crown Prince. On their wedding day, the brides were switched, setting off a series of trials, tribulations, rescues and romance.
This high-budget xianxia delivered what is expected of its genre, an engaging ride that takes the viewers through a journey filled with a myriad of emotions. Well-paced, the show swung from romantic to dramatic to funny quickly and smoothly, and it keeps the entertainment level high throughout the show. The ending was not what I had hoped for but I cannot lower my rating because the drama on the whole, was so well-executed.
The story never lost its momentum, and just got better and better. I like that the tropes that can take up to several episodes in other dramas, did not get dragged out and instead were resolved quickly. I never felt tempted to skip, and there were many scenes that I would rewatch just so I could appreciate the gestures, effects, and dialogue again.
The production was undoubtedly high-quality, and a lot of attention paid to the details. The cinematography, costumes and sets provided a striking visual impact, and the special effects/CGI were well-done, immediately evoking feelings of wonder and fantasy. Furthermore, the choreography for the fights, flying, and other action shots were done so superbly.
Overall, the script scores points with dynamic characters who struggled with their actions, who were not always clear if they were doing the right thing or what the right thing even was. Most good characters had flaws, and the villains had backstories that made them relatable and their actions justifiable. Viewers will come to understand what the characters went through, the reasons for their emotions, and their circumstances. I find myself connecting with the characters and rooting for many of them.
I have nothing but praises for the cast. Chen Xing Xu proves his acting chops again as Youjin, the ML. He did so well not only in the intense emotional scenes but also in simple scenes where the audience only needed to watch his face and feel the love that he had for YeTan, the FL. In the drama, CXX had to play 5 different characters of the same person which he pulled off wonderfully.
Landi Li’s acting as the FL left a firm impression, and I was blown away by her superb performance. I did not like her character, Ye Tan at first but I warmed up to her quickly especially after finding out more about her tragic childhood. I came to respect Ye Tan, someone whom I would describe as resilient and resourceful.
Still, Qing Kui, Ye Tan’s sister remained my favorite as she was the epitome of the strong FL. She was truly the iron fist in a velvet glove. Brought up refined and elegant, Qing Kui was the opposite of Ye Tan, but she was also intelligent and tough when necessary. She was brave and unafraid to love. To be honest, I shedded the most tears for her as for me, her sacrifice was the greatest. I also enjoyed Luke Cheng’s portrayal of Chao Feng who displayed conflicting motivations as he strove to protect his loved ones.
The entire ensemble did so well, and the supporting characters helped to carry this show. There was such good rapport among them, like the endearing sismance and bromance among the various characters.
Not surprisingly, the OSTs were on another level featuring Sa Dingding, Liu Yuning and Mao Buyi. The songs were very fitting and set a dramatic and emotional tone that is infused throughout the show. Interestingly, just like The Blue Whisper, there is a male and a female version of the same song. For posterity, I have listed the main tracks below.
Soundtrack list (I will add the Spotify links once available):
https://www.youtube.com/watch?v=C-PBZ8ZbSCM
1. 星落凝成糖 (The Starry Love) - 萨顶顶 (Sa Dingding)
2. 与子成说 (Speak With You) - 刘宇宁 (Liu Yuning)
3. 双花儿 (Flower Pair) - 双笙 (Shuang Sheng)
4. 天地无瑕 (Flawless World) - 萨顶顶 (Sa Dingding)
5. 天地无瑕 (Flawless World) - 毛不易 (Mao Buyi)
My verdict: I do recommend this drama! I love a good love story, and this was definitely that along with the angsty melodrama that is typical of a xianxia drama. Those looking for a complete story will likely be left wanting for more by the lackluster ending. However for me, I enjoyed the complex yet enduring love among the 2 main couples and prefer to imagine a bright future ahead of them.
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screaming, squealing and swooning.
oh my god what have they laced these episodes with! simply can't stop watching them. from the very first scene, the cinematography is breathtaking. i really love the setting of the show- winter aesthetic never fails to deliver. also, shooting abroad with the snowy backdrop was legit one of the best decisions made. it doesn't feel like watching 30 episodes. everytime an episode ends it feels like it's over so soon. everything is made so well to make it look like watching an extended movie, you'll find yourself casually transition to next and next episodes on autopilot.acting:
as expected, both Leo Wu and Zhao Jin Mai deliver standout performances. Wu Lei is the best on screen boyfriend for the year. oh boy, the way he's hopelessly in love and expresses himself with his entire being is simply adorable and incredibly sexy at the same time. he plays his character with so much nuance. man he conveys a range of emotions with just his eyes and even when he's just... there, he makes his scenes so impactful. i haven't seen many actors that have this much captivating aura tbh.
Zhao Jin Mai's acting is equally commendable. she brings grace and authenticity to her role with subtle gestures. impressed by how she delivers her dialogues being expressive and realistic at the same time. overall they complement each other so so well. best duo of the year istg.
together their chemistry is top tier. I've not found a single scene where their chemistry is below perfection, its always sizzling. their interactions elevate the entire mood, there's like an invisible magnetic pull beutween them- like every glance loaded with unspoken intensity and sparks fly. forget butterflies i get the whole damn fireworks going on. Yin Guo and Yi Yang have this chemistry that's not just seen but felt and resonates.
lovable side characters:
also it's a huge bonus that the side characters aren't boring or annoying! Jiang Yang, Meng Xiao Dong and Wu Wei in particular stood out to me for being incredible support characters that we don't usually see in dramas.
• Wu Wei has this soft aura around him who's easy going, supportive and the kinda person you can always count for being by your side. when he was genuinely happy for Yi Yang and sheds happy tears on hearing about his comeback, wow that one scene showed how much he truly values and supports his friends.
• Meng Xiao Dong is prolly my fav of them all (no surprise there). he's hot, wears suits, has this cold unapproachable aura and hot (oh i mentioned it already nvm). he's the scene stealer in this show for me.
• Jiang Yang seemed cold at first but soon turned out to be a sweet guy who also goes beyond limits for his friends. i don't think he's much appreciated but man is the one who was persistent to bring Yi Yang back to court.
• also honorable mention to Xiao Tian who we saw more in the beginning and towards the end of series and was the first shipper of main leads lol. he's got this bubbly personality that automatically makes you smile.
i could go on and on about all the characters as well but if you haven't watched yet, I'll let you witness it firsthand. I'll just say it's hard not to love the characters- mentioned or not. they all have amazing chemistry and it truly shows how close their friendship is. they've picked just the right actors for the right roles I'm so satisfied. this cast really had actors that can act well. i could also say the same about the actresses but one stood out to me in particular- the actress who played He Jia (He laoshe's daughter); she was simply excellent with her delivery and micro expressions. unfortunately she wasn't highlighted much in the series but her performance was hands down the best among anyone here.
final words:
i can't say it's perfect, this show definitely has its own flaws. i would say there are some scenes that seems to not fit in with the pacing or overdone or even unnecessary at times. also I believe some scenes (like intimate ones) were cut off due to censorship. also I'm a little disappointed with the screentime of side characters, i was hoping to see more of other couples as well. but truly it can be overlooked by everything else that made up for it- like the stellar performances, mesmerizing soundtracks, not to mention the overall aesthetics, that combine together to create a cozy atmosphere that seems like a warm hug on a cold day!! it was such fun experience watching and swooning in the comment section (shoutout to angela who couldn't keep her excitement in like many of us and was so relatable with her timely comments). bittersweet to say goodbye to this show and hoping to see the cast in future works. snowstorm may have passed but it's always in our hearts ❤️
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A Dream Within a Dream: Not Confusing—Just Smarter Than Average
Some viewers struggle with A Dream Within a Dream because it doesn’t follow the usual formula. But that’s not a flaw, it’s intentional. This drama asks you to engage with nuance, not just react to surface-level tropes. A Dream Within a Dream isn’t trying to fit into a neat box. If you go in expecting a straightforward love story, you’ll be confused. But if you’re open to something layered, emotionally complex, and structurally bold, you’ll find a drama that rewards attention and rewatching.💫 Let’s Talk About the Heroine
Too many viewers get stuck feeling sorry for Nan Heng and overlook the true emotional core of the story, Song Yi Meng. She’s one of the most realistically strong females leads in Chinese drama, not because she’s cunning or hyper-competent, but because she’s deeply human. She’s smart, but not infallible. kind, but not self-sacrificing. Her strength lies in how she adapts, how she processes each new revelation, and how she makes decisions that balance survival with integrity.
From the start, Song Yi Meng is shown only the side of Nan Heng that reinforces her fear and distrust. She doesn’t get the luxury of seeing his inner turmoil the way the audience does. What she sees is threat, manipulation, and the looming shadow of a fate she’s trying to escape. And yet, she never sells out her family, friends, or even Nan Heng to protect herself. She navigates a world designed to test her, and still chooses compassion over cruelty, discernment over desperation, and love over fear.
🎭Exceptional Acting That Elevates Every Scene
Liu Yu Ning
Liu Yu Ning’s performance is powerful; he begins as a divine threat and gradually unravels into someone heartbreakingly human. His micro expressions are razor-sharp, a flicker of pain, a restrained smile, a glance that carries centuries of grief. He doesn’t overplay emotion, he lets it simmer beneath the surface, and that restraint makes every breakdown hit harder.
In action scenes, he’s magnetic. His physicality is fluid and commanding, never stiff or ornamental. Whether he’s wielding a sword or simply standing still, he looks like someone who belongs in a myth. And when he speaks? Every line is delivered with intention. He doesn’t just recite, he inhabits. His voice carries weight, his pauses are deliberate, and his emotional control makes even the quietest scenes feel charged.
Li Yi Tong
Li Yi Tong portrayal of Song Yi Meng is exceptional. The character is unpredictable, emotionally layered, and sharply funny. She had the difficult task of playing two versions of herself, one who naively falls for Nan Heng without knowing the full consequences, and another who is self-aware, burdened by knowledge of the original script, such as what happens to her, her family, and the cost of loving him. As her real feelings for Nan Heng deepen, she’s caught between foreknowledge and vulnerability, and Li Yi Tong navigates that tension with remarkable finesse.
What makes her performance even more compelling is her comedic timing. She brings a brand of humor that feels distinctly 80's 90's Hong Kong, quick, clever, and emotionally agile. Humor is notoriously hard to play, especially in a drama this emotionally charged, but she nails it. Her tonal shifts, her misdirection, her ability to pivot from satire to sincerity in a single breath, they’re masterful.
💞 A Love Story That Feels Earned
One of the most refreshing aspects of A Dream Within a Dream is how it builds its central romance, not through forced tropes or exaggerated tension, but through quiet, intentional intimacy. The love story between Nan Heng and the Song Yi Meng unfolds organically, shaped by trust, vulnerability, and emotional growth. It’s not rushed. It’s not manufactured. It’s earned.
Their chemistry is undeniable, but it’s not the kind that screams physical attraction every time they share a scene. Instead, it’s the kind of closeness that feels like two best friends slowly realizing they’ve become each other’s home. There’s a tenderness to their connection, a shared language of glances, silences, and emotional weight that makes every moment between them feel grounded and real.
And when the Song Yi Meng finally chooses to love Nan Heng, it’s a quiet resolution. Her trust in him is unwavering. No back-and-forth mistrust, no last-minute misunderstandings just to stretch the plot. Their connection doesn't lean on dramatic declarations or surface level chemistry, it grows from shared pain, mutual respect, and the quiet realization that, despite everything, they choose each other. Theirs is a relationship that feels lived-in, like two people who’ve been through the worst and still find comfort in each other. It’s subtle, satisfying, and deeply human, the kind of storytelling that respects both the characters and the audience.
🧠 Writing That Asks You to Think
Some viewers say the writing lacks emotional logic, but that’s only true if you’re expecting conventional payoffs. A Dream Within a Dream isn’t built for easy consumption. It’s a drama that questions its own structure, and in doing so, asks the audience to think more deeply about character, consequence, and emotional truth.
The dialogue is masterfully constructed. Every scene unfolds with intention, layering emotional tension, character insight, and thematic callbacks in ways that feel organic. You don’t just follow the plot, you start caring about every character, even the ones with limited screen time.
And the humor? It’s woven seamlessly into dramatic situations, never feeling out of place or forced. It’s clever, culturally resonant, and often used to highlight emotional absurdity rather than undercut it. Near the end, the writing revisit earlier themes, especially the concept of scene reset, with such precision that it brings the entire narrative full circle. It’s not just a callback; it’s a culmination. The story doesn’t just end, it resolves, emotionally and structurally, in a way that rewards viewers who’ve been paying attention.
🎬 A Finale That Actually Delivers
Unlike many dramas that leave secondary characters dangling in ambiguity, A Dream Within a Dream gives every major character a proper send-off. We see where they end up, what choices they make, and whether they find peace. It’s rare to get that kind of narrative closure, and ADWAD does it with elegance and intention.
🎶 Sound That Speaks
One of the most underrated strengths of A Dream Within a Dream is its music. The soundtrack isn’t just beautiful, it’s narratively precise. Every lyric is paired with its scene like it was written for that exact emotional beat. Whether it’s heartbreak, revelation, or quiet defiance, the music amplifies the moment without overwhelming it. It’s rare to see a drama where the OST feels like part of the script, but here, it absolutely does.
🔁 Rewatch Value That Keeps Giving
This is a show that rewards multiple viewings. On your first watch, you’re caught in the emotional whirlwind. On your second, you start noticing the patterns. By the third, you begin to understand each character’s position in the loop, what they know, what they fear, what they’re trying to change. Every rewatch offers a new perspective, a deeper understanding, and a fresh emotional angle. It’s storytelling that evolves with you.
📚 Let’s Talk Comparisons
So many reviewers on this site throw shade at and rate down A Dream Within a Dream, while praising The Prisoner of Beauty with a kind of disingenuous enthusiasm.
Let's be clear, there is obviously a bias at play, one that colors their entire viewing experience. They watch ADWAD through a lens of skepticism, picking apart characters and storylines that are simply too complex for them to understand or appreciate.
TPOB is fine. It’s an average romance story with familiar emotional beats. But it doesn’t take risks. It doesn’t challenge genre. It doesn’t ask you to think about storytelling itself. A Dream Within a Dream does all of that and more. If you rate TPOB higher, that’s a matter of taste. But let’s not pretend it’s because the writing is stronger. ADWAD is simply operating on a different level.
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Cliches & cliches… And I can still smell cliches!
Good Acting but nothing else…You can go through the sypnosis given in MDL, it's how this story starts… The same repitative Poor FL-Rich ML trope… & that also with a cold arrogant male lead who's actually a big hot-shot CEO as if there's nothing else in the world except him. The CEO offers her a deal (actually tricks her into signing it) and she willingly sells herself off to act as some WIFE.
Things that convinced me to give a lower rating ~
☠ What's new? there's accidental kisses (too many of them), wrist grabs with long pause, constantly looking at each other moments (and me be like "Let's skip 30 sec" the same thing is still going on "Oh no! Let's skip more………" ) and ta-da this is how they fell in love, a bitch yet Beautiful looking 2nd female lead who plans obstacles, then ML saving FL like some superhero, the good 2nd male lead (who will never get the girl **actually sad for him** )… again what's new!?
☠ the villain here or 2nd female lead ~ doesn't gives a damn about her own life, has no self respect & just wants ML anyhow so she keeps pestering him even after he rejects her with insults… she is evil af… I wanted to shout at her. "Girl, wake up. He is married. He jumps around with his wife, praising her & what not. So please open your eyes. Move on. You are pretty, rich & talented. You deserve better." Oh! but she wants to be villain after all…
☠ The 2nd couple which is often like a life saver in a drama didn't stand out much here… like I didn't get half of their story & they were just not acceptable… how did they fall in love, where is the passion coming from…
☠ again, female lead is too helpless. Either male lead or second male lead backs her up for every development…
☠ They talk about fashion here & there but there's actually not much variety in clothing visible… actors had been repeating clothes constantly…
☠ Male lead is a stalker. Like let her be independent please…
☠ Female lead was taking advantage of SML till the end… like Girl he confessed to you already yet you keep talking to him as if nothing happened and even accepting extra helps from him…
Things that saved the drama some rating ~
☘ Sichen's mom
☘ The acting by Wang Zi Qi, Ian Yi, Zhong li li and others…
☘ Even though there were loopholes with the story yet the chemistry between Main leads felt real in some scenes… I guess it's their acting…
☘ Second male lead… not evil or selfish… he was ready to become just a friend & silently help her … I really pity him… T_T
☘ Fei'ang (Sichen's Assistant)
[ CAST ]
✦ Yin Sichen ( played by Wang Zi Qi ) — what a drastic change from Prince An/Xiao Jinyu in imperial coroner to Yin Sichen here. He looks good with modern outfits lol. But this alone was not good enough to carry out this drama. He was also good at making that wicked side smile lol… Nevertheless, I think he tried his best on the acting part.
✦ Gu Xixi ( played by Uvin Wang ) — Not having much to say about her. I think the way her role is… she didn't stand out much in the drama. She didn't impress me or disappoint me.
✦ Ran Xiwei ( Zhong Li li ) — Her outfits were on another level. I would like to have some of them in my wardrobe ;)…… well She acts nicely. Infact, great. After all, it's never easy to act an annoying character…
✦ Mo Zixian ( Ian Yi ) — I hope they gave him a different suit lol. He was literally repeating the same suit in the whole drama. He had a good role here & his acting compliments it. I wish to see him in a lead role someday…
✦ Mu Ruona ( Yang Yue ) …&… ✦ Shang Ke ( Li Jun Chen) form the 2nd lead couple here. They tried to form a decent story yet it wasn't interesting for me at all. I don't know it's the concept or the acting but it just felt weird between them and I can't help but skip their already less scenes…
[ MUSIC ]
❥♪I really like u♪ — Clairo Guo
❥♪Because of love♪ — Dou Zhiwen ~ it's the ending theme
❥♪Identify♪ — Zhao Wei Er ~ it's the opening theme.
❥♪Love is coming♪ — Zhao Bei Er
Tbh, I didn't liked any out of these…
[ REWATCH VALUE ]
Nah… has zero chances of rewatch cause there was nothing new or special. If you've watched other Contact-marriage or Fake relationship kind of C-dramas, you must have watched the same trope with different faces…
[ OVERALL ]
Give it a go if you're too bored or wanna watch cliches. It has all kinds of repitative cliches. A cheesy Romance drama including a bickering turned over-sweet couple and nothing else… a watchable drama for fluff lovers too… & I am warning you already, don't look forward to logics here lol
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plot with no stakes, no real consequences
it was cute and fun but if you’re looking for a serious story and/or a serious romance, this isn’t it. it’s one of those shows you watch in between shows that you’re waiting for.lots of plot twists that didn’t make sense, hard to follow what the actual rules are and what the stakes are, if any. i was so ??? that kang siyeol’s grandma was in ONE episode after the switch and then never again lol weird ass plot device that could’ve had more meaning but whatevs.
the chemistry was there, but i didn’t believe they were all in for each other. when there are rarely any stakes, even dying isn’t that permanent, then it’s hard for me to see strength in their connection. all the actors were great, but the roles they played didn’t have enough depth in their writing or directing.
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The plot was really lacking, first of all. This writer did that romcom + thriller thing in SWDBS, and I LOVED that, but the conspiracy plot in this one was simply underwhelming. Firstly, it was introduced early on, disappeared for a few episodes, and really came to the forefront maybe in episode 10-ish. It was resolved SUPER quickly and unsatisfyingly, and what I thought would really be the climax basically turned into a plot device to make the romance angsty. Even the sort of science/medical plot points were really shallow and had no real explanation or reason to them, and they seemed to just be there so the main characters would be separated by SOMETHING.
Speaking of the romance — I really did not feel any chemistry between the main characters at all. They’re both super high-profile actors who I know can do AMAZING things, but honestly from this drama you couldn’t tell. The first kiss was sudden and awkwardly forced, and I really didn’t even know they liked each other until they were like LET’S DATE. The romance was over-the-top cheesy in so many scenes, showing basically what happens when you use cliches and use them badly.
The entire drama was over-the-top, especially in terms of humor. SWDBS had this too, but the main leads saved the drama with their cuteness. In this one, the “humor” was everywhere, and it was loud and obnoxious. Both the leads’ families were basically there to either cry or react over-dramatically, and as a result I hated basically ALL the family members. The only one I loved was Nam Tae, and I felt like his character and the relationship he had with Miran had so much unexplored potential. The same could be said for Byung-Sim, or Miran’s ex-boyfriend, and her two best friends who I loved as teenagers but HATED as adults.
And Na Hayoung. Dear god, Don’t even get me started on her. She really had no role other than to be an annoying pining ex who would remind everyone that time passed. I’m going to cut this section short by saying that basically all the characters except Nam Tae was BAD.
The one thing I’d say that this show had going for it was that the OST was pretty good, but the show itself was so bad I think it might’ve tainted the songs for me.
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The fact that the drama was shortened is kind of upsetting, because I can't imagine how sad the production team was when they saw the low ratings. However, I can't deny that there was no enough story to fill 16 episodes. And they kind of gave a proper closure to the story which was good.
So Meow is definitely a very cute, fluffy show and as a huge cat lover, I can't deny the fact that I kind of enjoyed watching it. I mean, the story is not the most brilliant thing ever, but it was nicely executed. The main couple is actually very cute and I found their interactions very sweet.
However, the main couple was pretty much the only thing I really loved in this drama. The second lead Jae Sun was such a pointless character. Sorry but I don't usually like second leads and you have to be a lot more to impress me. Here's a very unpopular opinion - I don't like Seo Ji Hoon's acting. Seriously, this man has one expression on his face all the time and he isn't convincing at all. If you look at his profile pic here on MDL, you'll see that expression of his. That is all he has. All. The. Time.
The acting was fine. Shin Ye Eun stole the show for me, her expressions and reactions were priceless. Myung Soo did a nice job at portraying Hong Jo and I think he suited this role very well. The only problem I had with the acting was Seo Ji Hoon. And he had a looot of scenes, quite unfortunately.
I was very impressed with the cinematography, though. The drama has some very pretty scenes which were definitely pleasing to the eyes. The OST was also cute, it suited the atmosphere of the show well.
So overall, would I recommend this show? Yes and no. If you're looking for something light-hearted and fluffy, then it might suit your taste and mood. Otherwise, this drama is not a must-watch and I don't think you'll miss a lot if you don't watch it.
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1This review may contain spoilers
Are there any bad ideas?
"Sh**ting Stars" Writer Production MeetingProducer: "So our primary storyline is a rom-com with Lee Sung Kyung and Kim Young Dae. Seems like a winner. What else are we gonna do?"
Writer: "How about a hint of a love triangle?"
P: "Sure."
W: "And a secondary romance."
P: "Love it."
W: "I'm thinking about a third romance too."
P: "Super."
W: "In fact, I've got ideas for another romance, maybe even two."
P: "We'd only be able to give the one about thirty seconds of screentime per episode, but so what? Let's do it. The other one gets no screentime but gets mentioned occasionally. That's no problem."
W: "And an anti-fan subplot."
P: "Awesome"
W: "We could also do a parent abandonment deal."
P: "Hell yes, let's do that too."
W: "Oooh, what do you think about a suicide by a childhood best friend?"
P: "Winner."
W: "A stalker?"
P: "Sold."
W: "Seriously? All this?"
P: "Yes. Absolutely and if you come with anything else, we'll do that too."
W: "How do we transition back and forth between all this?"
P: "There's gonna be a lot of hugging."
W: "Does that make any sense?"
P: "This is K Drama baby. We don't need to always make sense."
Does this sound exhausting and chaotic? Yes and that's "Sh**ting Stars". All of these things. Five relationships. Multiple dramatic subplots. Constant tone changes. Crises. Resolutions. Confessions. Binge drinking. And on and on and on.
Despite the kitchen sink and everything else in sight being thrown in, the more frenetic and messy things get, the better. The cast does a remarkable job at entertaining with a lot of these different elements. Lee Sung Kyung and Kim Young Dae are both terrific comedians and while they may not be entirely convincing as a romantic couple, they both consistently generate genuinely funny material. Lee Sung Kyung may not have the most varied range, but when she has a character in her element that matches her strengths - extreme extroversion and borderline emotionally manic - she's a joy. Kim Young Dae is slightly more subtle, relying on a slew of facial expressions and sly dialogue delivery. When the narrative around them is merely just average, these two are good enough with basic material to elevate the show to genuinely entertaining.
Park So Jin and Lee Jung Shin might not match the two leads in acting talent, but they do generate traction as a supporting couple. And Lee Si Woo is a gem as a pampered young actress that unexpectedly falls for her acting partner.
Unfortunately, the dramatic interludes come and go so quickly that they don't pack any punch. And with all of them centering around Kim Young Dae's Tae Sung, every time one of these subplots takes over, Lee Sung Kyung's Han Byul gets pushed in to a corner with far too little to do.
Worse, the most prominent character after the two leads is Yoon Jong Hoon's Yoo Sung. It's a bland character with a flat and one-dimensional portrayal. And when a relationship develops between Yoo Sung and Kim Yoon Hye's Ho Yeong, it's all awkward and uncomfortable.
Overall, "Sh**ting Stars" has some really entertaining stretches but mixed with some dreadful sections. But the two leads and the laughs they manufacture push this over the line in to recommended territory.
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Being familiar with previous dramas there was never an inkling to watch Bromance. It’s like eating the best ice-cream one has ever eaten in their lives. Once one has that experience it becomes borderline impossible to find another ice-cream whose texture might be better than that one. Coffee Prince, You’re Beautiful and Beautiful Boys are like vanilla, strawberry and chocolate ice-cream; the most amazing flavours in the planet for some, for others, might be mango, lemon and raspberry or any other flavour, perfect, unique, irreplaceable.
Bromance will not top up the most amazing ice-cream one will ever have within the genre. Not because it’s bad overall, not because the script is bland, blasé, inconsistent and positively appalling, not because the acting is awful dabbing into dreadfulness at times making one cringe in agony, or the music so loud one that one is left tuning the sound down as not to hear the screen coil in desperation. Bromance will not become a favourite ice-cream flavour for either aficionados or newcomers for the simple reason that afficionados already have their favourite ice-cream and unless there’s nothing to watch, which there is with interesting plots most likely will stray from it and newcomers have their flavours to discover and Bromance does not make the top list, regretfully.
Bromance is a really good drama surprisingly and rather addictive from about minute 2 of episode 1 to the point where one will want to binge watch it straight.
The script is very consistent and full of texture like a raspberry sorbet, with the right balance and essence; the acting from an audience point of view is compelling and believable, bring the story to life in what seems like an effortless manner alternating scenes of pure screen silent screaming to giggles to a very loud laughter and nearly jumping on the sofa like a teenager being silly, enjoying a really tasty ice-cream, and not feeling one bit bad about it. The highlight being the end of each episode with entails the start of the next one when one binges on 15 episodes of Bromance in a day and half. To think that there are dramas that still have that effect on someone after countless dramas, some really spectacular, others not really but that’s the life of a drama enthusiast.
Zi Feng is a triad leader and the general manager of an amusement park. He commands respect although not as a villain but as a man who works hard, loves his family and protects those he cares about. Zi Feng is so incredibly human that is surreal and that humanity is what makes the audience empathise with him. He’s lovable as a male character; he’s honest and caring, incredibly loyal with a great sense of justice and responsibility but also struggling with his feelings for the person he loves in the beginning, a woman pretending to be a man. Zi Feng falls in love with Pi Ya Nou as a person, not caring whether or not Ya Nou is a man or a woman.
Ya Nuo is a young woman living as a young man due to a fortune telling prediction that she should leave as such until she reached her 26th birthday. She meets Du Zi Feng with whom she becomes sworn brothers but over the course of time develops feelings for him. Ya Nuo is fiercely loyal, kind and generous putting everyone’s needs in front of hers. She complements Zi Feng in ways that many female characters do not complement the male and for that the writers should be credited for. Megan Lai performs Ya Nuo brilliantly giving the character a life of its own.
Zi Feng and Ya Nuo should go down in Taiwanese drama history land as one of the most amazing couples ever to grace the screen so in tune they are with one another, like Ying and Yang.
The OST is particular vibrant with two solid exciting tracks performed by Bii, Ephocal Times & Back in Time.
Overall Bromance is a breath of fresh air in drama sphere biased towards old conceptual premises, however the mix of flavours between gender bender echo chic cliché with an original setting and character frames is like putting different ice-cream flavours in a blender. One might think that the consistency looks slightly off, that the taste might be just too familiar to give it a try but it’s left in awe wonderland when trying it out, wishing for more, needing more, wanting more and realizing that the ice-cream is nearly over so it’s better to start enjoying it while it lasts and before it melts.
The best things in life are those one has to wait the longest to achieve but in the end it’s all worth it!
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I must protect this world because when the Three Realms remain, you remain
When he understood how disguisable the whole world was, he was lack of strength and collapsed. But your love had always been beside you, protecting you during all ups and downs; Promises are going to be broken. Laws are going to be broken. It's restricted love, no one should fall in love but Love is born within our hearts, no one can escape it.Immortal Samsara/Agarwood like Crumbs is your classic xianxia drama with all the elements you're used to seeing in this genre. Nevertheless, these are executed in such a way that makes it a compelling and heart-wrenching journey filled with all kinds of emotions.
Sovereign Lord Ying Yuan has been ruling the Nine Heavens for over ten thousand years under the guidance of the Supreme Majesty, who has forbidden love for all Heaven's immortals, and the company of the other three sovereign lords. Since the very day Ying Yuan was born, he hasn't lived one day for himself but for the well-being of the six realms and all their living creatures, sticking to and not doubting once Heaven's rules. However, one day he runs into the witty and naturally talented immortal attendant, Yan Dan. He takes her under his wing to help her improve her cultivation, they start as a bickering couple with hilarious interactions, but as time passes by, and they spent more time together, they fall deeply in love with each other.
Yan Dan gives her all to protect and look after Ying Yuan during his lowest time. She gives him hope, shows him that he can also live for himself, and hands him one of the happiest moments of his life. At that time, the agarwood (their love) was already burning, but Heaven's rules and Ying Yuan's responsibilities wouldn't let them be together, so they entered a Samsara (The eternal cycle of birth, suffering, death, and rebirth).
Story:
Yan Dan and Ying Yuan's relationship complexity, building, and depth of their feelings are one of the aspects that I appreciate the most about this drama. If they want their love to blossom, they need to find the middle ground between their love and their responsibilities and start to understand each other's personalities, feelings, and burdens. The different experiences and hardships they go through in the drama, from the Heaven Realm to the Mortal realm, it's for them to grow as a couple and also individuals. Their character growth will surely don't disappoint, in fact, both of them are some of the most well-developed characters I've ever seen.
Throughout their engaging journey, they'll meet fantastic and memorable supporting characters with their own compelling story to tell. Here I have to highlight the SML, Yu Mo, the bond he builds not only with Yan Dan but also with Ying Yuan is the epitome of how the human or maybe immortal relationships in this drama are filled with love, friendship, and support. He's the greenest SML ever, and one of my favorite supporting characters.
I went through divergent emotions, from sadness, frustration, disbelief, and pain to excitement, nostalgia, satisfaction, and pure happiness. Furthermore, the unfolding of the story comes with many unexpected turns and valuable life lessons for us as viewers about the meaning of true love, giving to others but also receiving, the real value of power and life, and much more which make this drama a treat to watch.
Acting/cast:
I have to praise all the cast for conveying in such a beautiful and touching way their character's feelings.
Cheng Yi played three different roles here, Ying Yuan, Tang Zhou, and Xuan Ye, and he showcased how fantastic and talented he is. Even from his body language, expressions, posture, eyes, and way of talking, you can differentiate them and feel their pain. One of my favorite scenes is two of these characters having a heartfelt talk, he interacting with himself had me crying. Undoubtedly, an astonishing performance.
Yang Zi's performance as Yan Dan and Bai Piaoliang was outstanding. I've seen many of her dramas, and though I loved many of them, Yan Dan is the first character of hers who has thoroughly grown on me. The shift from a worry-free, witty and young fairy who wanted to slack off and depend on her big sister to a mature and intelligent character with heavy burdens was perfectly displayed by Yang Zi's acting.
Yang Zi and Cheng Yi's chemistry is also remarkable, even their slightest interactions were especially memorable and heart-fluttering moments. Yan Dan and Ying Yuan, as stand-alone characters and as a couple have become my absolute favorites.
Looking forward to both Cheng Yi's and Yang Zi's dramas in the future. Likewise, I highly recommend watching Immortal Samsara's hilarious BTS for seeing these two comedians sharing one brain cell and having a great time filming this drama.
The supporting characters' acting was also touching and memorable. Praise for Ray Chang as Yu Mo, Fu Fang Jun as Xuan Xiang, Meng Zi Yi as Zhi Xi, Li Xin Ze as Hua Qin, Zhu Li Lan as Zhao Lan, and many more, I'm also looking forward to their growth as actors and future projects.
Music.
The OST was utterly good. Sometimes, I'd play some of the songs and cry. They played in the right moments, conveying and making deeper the characters' feelings. Some of my personal favorites:
- 无忘 (Never Forget) - 张磊 (Zhang Lei). "I once borrowed your eyes to warm up the coldest moment"
- 忘川 (Forget the River) - 成毅 (Cheng Yi). "Gently cover up all manner of the human world, and you will be dustless"
- 望辰 (Watch the Day) - 杨紫 (Yang Zi) "There is the person who broke into my heart and my dreams"
Rewatch value:
I don't usually rewatch any drama, but this is an exception. I rewatched the first ten episodes already, repeated many scenes countless times, and planned to binge-watch all this drama again in the upcoming days.
Reminders/random thoughts:
- The title of this drama, Immortal Samsara, as I commented, means the eternal cycle of life, suffering, death, and rebirth, which leads me to warn you that this is a very slow burnt, and heavy angst drama. Opinions on this were pretty divided. I felt the angst was very well-done and balanced since the main leads' decisions make sense and are not led by dumb misunderstandings or noble idiocy, but with the growth, they need to function together. However, other viewers may find it overwhelming. So know what you're getting yourself into XD.
- Rumours say that due to Chinese government episode length regulations, some parts of this drama were deleted. So some episodes' editing may come as choppy, I remember about two or three that were like this.
- If you take the time to think about the reasons behind the characters' actions, expressions, and decisions, I believe it'll enhance your watching as it did with mine.
- Drama-wise, they extended the mortal realm arc more than they should, but I still found it very enjoyable to watch.
- Keep in mind that the SFL here serves the purpose to catalyze YY and YD's story.
- This show has tons of parallels for the main leads, especially between Heaven and the Mortal realm, so it's fascinating catching on to them.
- Some of the supporting characters' stories also serve as "What if" narratives for the main leads' relationship struggle.
- If you have already watched this drama and you're just randomly reading reviews, I created an explanation of the ending for the viewers to check out: https://mydramalist.com/discussions/immortal-samsara-special/81271-summary-and-explanation-of-immortal-samsara-ending
Note:
This drama is 59 episodes plus two special episodes of eight minutes each. I recommend watching with some time gap between the ending and the two specials, as people who watched this drama while airing did, since the change of feelings and emotions may come as abrupt otherwise. That's why these two specials are not actual full-length episodes and were released days later of the actual ending.
Conclusion:
I consider Immortal Samsara as one of the best dramas I've ever watched. It has all the elements I seek in a drama, it was an exciting and thoroughly emotional journey, and I cannot put into enough words how much I love this show. I highly recommend to everyone to give it a try.
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This review may contain spoilers
The story within the story.
I love this show for the way it’s written and shown. I believe in all the dramas I’ve seen, this is one where it really gives us thorough background of the characters so it’s a well woven story of the people in it. It’s so well acted, yes I’ll get to the leads but all the others are doing a marvelous job in their own parts. I’m specifically shouting out the elders and much appreciation to their work. The leads have a great future in their industry as I can only see their skills as getting better.This story has everything from power struggles not just in crown but each involved families in its surroundings. I can see the well plan of details as well as story as it keeps us in all states of emotions. Yup, well balanced. I look forward to upcoming episodes but also with the foreboding notion it will come to an end. A very well written, directed, and casted production I’m thoroughly enjoying.
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