This review may contain spoilers
Only if your bored
This story started in a relatively positive way and was pretty cute at the beginning. Both the male lead and second male lead were very attractive. The female lead was also quite beautiful in my opinion. The costumes were fun. The female lead was portrayed as a smart independent woman and the male lead as a kind and considerate doctor. Typical chinese drama writing, contract marriage so someone can get what they want. Usually male CEO has to get married but in this drama the female lead was the CEO who needed to get married. Not very inventive but ok! I really did enjoy the drama till about episode 18-20 and then it went completely off the rails. She turned into such a stupid selfish bitch and I really could not stand her in the last 15 episodes. Any woman who hides a child from the father is pretty despicable in my mind. It sends all the wrong signals about what is responsible and decent behavior. This kind of writing just really infuriates me. Why could she not go to Germany with her husband like any normal human would? I get that the writers wanted her to look like she gave him up to help him but really? Her career was over anyway so she chose to run away and divorce him instead of staying by his side as his wife. He loved her and she said she loved him but obviusly she had no idea what love was. She was so self centered and selfish. The writing just made zero sense in the last 10 or15 episodes, it felt like they changed writers or something. This drama could have been 24 epsisodes and it might have been saved. The supporting characters were also very typical, nothing horrible but nothing great either. The formula writing continued. I would say watch if you are bored with nothing else but woud recommend a few other newer shows before this one.Was this review helpful to you?
After watching this movie I was very disappointed. The story line was very weak and felt rushed. By the end of the movie it felt like I had missed most of the story.This would have been great as a drama because the story would have had more time to develop.
If you haven't seen the jdrama version or read the manga you might enjoy this. The story is really unique and interesting and this version was cute and funny. Even though I won't rewatch this movie I defiantly think it at least worth giving it a try.
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This review may contain spoilers
had me until episode 4
(potential trigger warnings in my review, talking about abuse and intimate partner violence)Overall: with a few tweaks this could have been a 9.5 series but I actively did not want the main leads together especially when 3 years later one of them was still a narcissist. It's sad but not surprising that people were victim blaming and calling Joe stupid. He wasn't stupid, he was an abuse victim (more below). Very similar aesthetics to KinnPorsche which made sense because it shared a director and screenwriter. It was adapted from the novel "Professional Body Double" by Shui Qiang Cheng which I didn't read and I based the series on its own merits. 12 episodes about an hour each. Aired uncut on iQIYI. First episode link: https://www.iq.com/play/my-stand-in-uncut-episode-1-1iwuiu9rlww?lang=en_us The production company also produced I Feel You Linger In The Air.
Content Warnings: death, grief, non con kissing, punch/violence, intimate partner abuse, held against will, gaslighting, manipulation, coercion, past suicide?, manhandling, vomiting, parental abuse, kidnapped, homophobia
What I Liked
- the premise
- showed a condom and discussed sexual position preferences
- had a good conversation at the beginning of episode 2
- wanting/ongoing physical affection in the beginning episodes
- sweet moments in the beginning episodes
- supportive sister
- production value (some really nice camera shots, use of mirrors, switching focus on foreground to background etc.)
Room For Improvement
- I can't root for their relationship as explained below
- Ming was stupid, he could have easily shown his dad evidence first before telling him the other part, he could have shored up his financial situation first as well
- Joe's lack of agency, he had a bunch of awful things and felt cornered into doing things instead of it being his choice
- multiple failed redemption arcs
- trash characters have no consequences, just instant forgiveness for terrible things they did
- multiple romances introduced in the last 30 minutes of the last episode
- voice overs with exposition dumps
- some of the music didn't fit the tone (that fight in episode 4 was made comical instead of dramatic)
- wish a character hadn't been shown as extremely drunk at the end of episode 1
- love triangle, Sol overstepped and took away agency from Joe especially in episode 9
- nonsense stuff i.e. Ming just happened to have something at his house in episode 4??? Joe didn't have any bruises/blood on his face/head in episode 4, Joe happened to overhear key conversations, 1 person being extremely drunk and a stunt person not being able to get away
Thoughts on Grey Characters/Their Romantic Relationships
Sometimes these characters and their dynamic work for me and other times they don't. Here are the factors that I think about:
1. was there a realistic reason why the character/s acted the way they did in the past (sort of, but not to the level that Ming was at)
2. how bad was/is the treatment (extremely abusive and violent, Ming could have accidentally killed Joe in episode 4, 3 years later and Ming stays a narcissist he says "I always get what I want" and he actively ignores what would make Joe happy)
3. were both characters grey or was one squeaky clean (Joe was mostly squeaky clean but unbelievably dense in not believing that Ming wanted him and Ming was abusive and a narcissist and stayed a narcissist/manipulative and also stupid to not know why Joe didn't tell him something)
4. was there some kind of apology/amend making (verbal apologies, promised to treat him better/give him job opportunities, was sweet with him but to me it was just the make up phase of an abuse cycle)
5. was there character growth (no, 3 years later and Ming was still a narcissist which was reinforced in episode 9, he made decisions involving Joe without asking what Joe wanted because Ming did whatever Ming wanted)
6. do I believe that the characters will stay together in a happy romantic relationship (no, because for Ming it was about power/control and not love)
final verdict: I didn't want them in a romantic relationship together
Joe wasn't stupid, he was the victim of intimate partner violence
- Joe was the victim of physical, financial, emotional/mental and sexual abuse
- Ming didn't love Joe, he wanted to control him to get what he wanted
- abuse survivors can have a very difficult time escaping the abuse because abusers can be extremely excellent manipulators "if you hadn't done abc then I wouldn't have had to say/do xyz", also there are periods of nice times that trick the survivor into thinking the abuser does love them (the make up phase in the cycle of abuse), in the real world intimate partner violence is deadly and widespread, it is estimated that 10-40% of law enforcement officers are abusers and they are frequently the first people to respond, it's all very terrible and not at all romantic
If you or someone you love needs help, here is a resource in the U.S. https://www.rainn.org/
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KP shippers still trying to keep a good series down.
Its disturbing when there is a mafia series the KP shippers rush to the comment/review sections to attack the ratings of what they view as “competition“ to their beloved KP. I enjoyed this series and you will be missing out if you don’t give it a watch. It’s refreshing to see some of the production companies moving away from the toxicity that have been taking over the BLs recently. Many fan are upset with the size of Perth’s role in NLMG. Why? When he finished his last BL he said he would not be returning to BLs at all. Well that didn’t really work out for him and now he is back, fans should be happy it’s more than a cameo, he definitely couldn’t carry the series alone. I’m actually surprised GMMTV gave him a role at all after his vocal exit tbh. Take the negative reviews with a grain of salt. A series shouldn’t just be rated to send a message to the production company that some fans are not happy over how large an actors part is or how much skinship or negative behavior is shown. No worries, Love Syndrome is on the way for all those toxicity loversWas this review helpful to you?
18 Again , A Surprisingly Heartwarming Drama...
For those who don’t know, “18 Again” regurgitates the same fundamental premise of the American movie“ 17 again” (2009’). Yet rather than having Matthew Perry in a rugged business suit moping around for most of the opening of the movie, we are instead introduced to Yoon Sang Hyun ( Secret Garden, I Can Hear Your Voice) playing our very different protagonist, Hong Dae- Young.
In a slightly similar manner to his American character counterpart, Dae- Young isn’t living a happy life- his job as a practical handyman brings in only enough for him to survive, he is in the process of a divorce with his former teen sweetheart, Jung Da-jung ( Kim Ha Neul) and to make matters worse, he has totally lost touch with trying to connect with his two children Hong Shi-ah ( Roh Jeong Eui) and Hong Shi-woo( Ryeoun) since they have entered their teen years . A surprising miracle , however, allows Dae- Young to return back to his 18 year-old self ( Lee Do Hyun) as he attempts to relive his glory days back at high-school.
On the other hand, whilst comical misunderstandings from generation gaps to Dae Young’s best friend, Go Deok-jin ( Kim Kang Hyun) having to pose as his father are undeniably taken from the movie for comical effect ,
where the drama divulges in plot from the original movie is by adding a more bittersweet and crisp level of characterisation and backstory to our characters for viewers .
Whilst Sang- Hyun felt a strange and respectfully mismatched choice as the older counterpart of Lee Do Hyun, it soon became apparent how both actors were able to perfectly mimic the other in a fairly complicated manner. Do Hyun had to juggle between portraying his version of Dae-Young and Dae-Young’s new alias, Go Woo- Young in a mature lighting , whereas evidently Sang-Hyun had to channel the elements of being a high schooler again when the camera reverts Do Hyun back to his “ true-self”.
Respectfully this is also thanks to fairly good characterisation as well- rather than merely writing off Do Hyun as a love struck clown like in the movie ready to win back his wife . The reasons behind Do Hyun’s estranged relationship with Da- Jung and his children are far more complicated as a consequence of his biggest challenge in the drama , being to overcome his personal struggle by attaining an altruistic perspective for others, rather than allowing his past problems to consume his sense of identity .
In addition to this one of the most surprising examples of characterisation in the show had to be with Shi-ah ( Roh Jeong Eui), the teenage daughter of Do Hyun. Although Shi- ah appears in the first few episodes of the drama as a stereotypical teen through milking her father for cash , obsessed with her looks and a rebel at school , Shi-ah’s reasons for doing so are actually a lot more complicated than they first appear. Perhaps my only slightly annoyance with Shi-ah’s character portrayal was the desire to pair her off with the cliche of the dreaded stereotype of the “ goody two shoes” childhood friend ( Choi Bo Min) as well as disturbingly the bully of her brother ( Hwang In Yeop). It wasn’t that Shi- ah shouldn’t have had a romantic pairing in the show, however, it took away a lot of focus away from Shi-ah’s own story and familial relationships as an individual more than anything else.
On one note of appraisal, however, In Yeop’s character, Goo Ja- sung wasn’t written off like his American counterpart as merely just the “ superficial bully” of the story. Similar to a lot of real-life scenarios, Ja- Sung is a product of his own unhappy environment and thus only begins to learn from his mistakes as a consequence of others like Shi- ah and Dae- Young showing empathy towards him. This is perfectly shown is a tragicomic scene in one later episode of the series where after a certain incident, Dae- Young is able to bond with Ja-Sung (despite his initial anger over bullying his son ) over a similar incident also happening to him . Whilst a fairly sad and heartwarming scene, a great misunderstanding by Ja- Sung over Deok-Jin ( pretending to be Dae-Young’s father) leads him to comically claiming that Deok- Jin doesn’t “ seem the type” to do so.
This naturally moves us onto Ha- Neul as Da- Jung. Initially Ha- Neul’s portrayal as Da- Jung came off a bit too headstrong in the first several scenes of her character introduction, however, as the drama progresses Ha- neul peels back another layer to her character as rather than just a comical plot device through her portrayal of Da- Jung as an individual. Da- Jung’s past with Do Hyun from teen lovers to on the brink of a divorce offers Da- Jung new opportunities as a working news reporter and rekindled connections with her children, yet it also faces her with conflicting over rekindling the past by holding onto memories of Do Hyun as well as her friendship with Choo Ae- Rin ( Lee Mi do) or a new interest in baseball player Ye Ji- hoon ( Wi Ha Joon). Initially whilst Da-Jung’s character was fairly strong, a problem which clearly manifests near the ending of the show is the anticlimactic finale- it isn’t necessarily that the actual ending itself needed to be changed, however, the quality of logic by the end of the show or climaxes seemed to fizzle into nothingness at the end of episode 16.
Obviously not entirely touching new ground with the concept, 18 Again was rough around the edges in parts due to anticlimactic storylines, cliches and again an indulgence of product placement later on in the show ( without rhyme or reason in some cases). On the other hand, there’s no denying that overall 18 Again was one of the few decent dramas overall of 2020 with good acting , casting as well as fairly good characterisation amongst a bittersweet storyline . Although not flawless, 18 Again is a perfect drama to watch if you want something which will touch your heart.
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One of the reasons why I didn’t immediately watch Love Rain is because of its 1970’s era. The first few episodes are really slow and dragging. Moreover, it’s hard to make viewers appreciate it because the target audiences of K-dramas today are mostly teens and young adult. I even had difficulty connecting with the characters in the 1970’s because I’m not familiar with Korea’s culture during that period. What I appreciate in this era was its cinematography. A lot of the beautiful shots of this drama came from the first 4 episodes. The 2012 plot has the typical formula in K-drama now a days. It was only different because of the family issue they incorporated in the story
I was impressed with how well JGK and YoonA played their two roles. They were able to show the difference in the characters and set it apart. You can easily pin point who’s from who without tracing any similarities in their attitudes or mannerisms in their acting.
I was surprised to know that Im YoonA is a member of Girl’s Generation. It’s no wonder I didn’t know because I’m not a fan of K-Pop groups. I listen to Korean songs and I like several singers and power vocal groups but I’m more into ballad than mainstream pop music. I honestly never thought of her as a singer first before an actress because she acts well. Yes, it was a little cutesy here and there but if the scene requires her to act mature, hurt or whatever serious emotion she has to portray, she delivers it—without frills. Just the right emotion needed in the scene. As I’ve said before, not all singers transitioning to acting ends up good. There are few artists who perform well in both worlds. YoonA is lucky to be one of them.
Love Rain is not for everyone. I understand that many viewers think that the plot didn’t work. I’m giving it 8 as overall score for the reason that I simply enjoyed watching it. I admit that there are parts I didn’t like and some are dragging, but then if I go beyond that and see what it really has to offer, it boils down to one thing—it’s a love story. I’m a simple-minded person but with all the dramas I watched and all the contemporary novels I read, I don’t get touched easily—I had that in Love Rain. I felt the pain, the loss, the love. It touched my heart—and that’s what I watch Korean dramas for.
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The Prisoner of Beauty is Pretty, But Not Profound
Let’s be honest, The Prisoner of Beauty is not a bad drama. It’s cute, watchable, and occasionally moving. But it’s also frustratingly underwhelming. The drama leans hard on familiar tropes, surface-level chemistry, and emotional shortcuts that feel more manufactured than earned. If you’re looking for a drama that deepens character through structure, this isn’t it. It follows the romance template to a fault, soothing in its predictability, but rarely impresses.💫 The Heroine
Man Man begins as a promising lead, smart, kind, and emotionally grounded. She’s introduced with the quiet confidence of someone who sees the world clearly and engages it with grace. But once she marries Wei Shao, that clarity dims. She’s rewritten into a familiar archetype, the self-sacrificing woman who suffers in silence, mistaking endurance for love.
Also, her strength doesn’t evolve, it dissolves. What once read as emotional maturity becomes passive devotion. She stops challenging the world around her and instead absorbs its disappointments, shrinking herself in the hope that Wei Shao will one day rise to meet her emotional needs. But he’s not written to be that kind of partner. Her longing is disguised as patience, and her silence is framed as virtue. The result is a character who appears strong on the surface but is ultimately defined by her willingness to wait, ache, and compromise for a man who falls short of the emotional reciprocity she craves.
🎭 Acting That Undermines Emotional Clarity
Song Zu Er
Song Zu Er’s portrayal of Man Man is undermined by a stylistic choice that feels more mannered than authentic. Her persistent whispering, carried through nearly every scene quickly becomes distracting. Scenes that should pulse with urgency or vulnerability instead feel muted by a delivery that’s overly breathy and jarringly unnatural. It becomes so stifling, it pushes past distraction into frustration. I found myself begging for her to just speak normally by episode 2.
Her crying, often childlike in tone, may elicit sympathy in isolated moments, those wide, pleading eyes and trembling lips is like a child seeking comfort. But across the arc of a romantic drama, this becomes her only mode of sadness, and it wears thin. She doesn’t evolve emotionally; she repeats. When the story calls for anguish, grief, or quiet devastation, her tears feel staged, not lived. You can see the performance mechanics at work, the cue hits, the tears fall, and she cries beautifully. But it’s beauty without depth, affect without authenticity.
The emotional register she leans on is fragile, high-pitched, and juvenile. This creates a tonal mismatch that undermines the romantic narrative. In scenes meant to convey intimacy or mutual vulnerability, the imbalance is glaring. It doesn’t feel like two adults navigating the complexities of love; it feels like a grown man paired with a child. The result is a romance that feels unsettling, rendering the physical closeness between Man Man and Wei Shao performative and emotionally incoherent.
Liu Yu Ning
Liu Yu Ning’s performance is solid but subdued. He plays Wei Shao with a kind of emotional detachment that fits the character’s romantic limitations, but it doesn’t always translate into compelling drama. There’s a lack of internal tension, he’s stoic, but not layered. Vulnerability flickers in brief moments, but never fully lands. It’s a competent portrayal, but not a standout, and even Liu Yu Ning has acknowledged in livestreams that this wasn’t his strongest work.
💞 A Love Story That Feels... Uneven
The romance in The Prisoner of Beauty is built on physical closeness and contrived misunderstandings. There’s chemistry, sure, but it’s the kind that flickers in stolen glances and dramatic rescues, not the kind that grows through emotional resonance. The back-and-forth mistrust between the leads becomes exhausting, not because it’s intense, but because it’s repetitive. It’s hard to root for a couple when their connection feels more like a plot device than a lived-in relationship.
Wei Shao’s inability to express love is a central conflict. Man Man keeps hoping for grand gestures, and Wei Shao keeps failing to deliver. The result? A romance that feels like a loop of disappointment. There are cute moments, yes, but they’re the kind you’ve seen in dozens of other dramas. Nothing here feels earned.
🧠 Writing That Plays It Safe
The writing in TPOB is serviceable, but it rarely reaches for anything deeper. Emotional beats are too predictable. Misunderstandings are manufactured. And the pacing suffers under the weight of too many recycled plot points. The story isn’t disjointed, but it is draggy. When your central conflict is mistrust, and that mistrust hardly evolves until the last bit of the show, you’re left with a narrative that spins its wheels.
Additionally, none of the side characters stand out. They exist to move the plot forward, not to enrich it. This left the ending feeling rushed. It ties things up, but without the emotional payoff that makes a finale satisfying.
🎶 Sound That Fades
Liu Yu Ning’s OST is the only track that lingers after the credits roll. The rest of the audio landscape is forgettable. Music cues feel generic, and sound design lacks the precision needed to elevate emotional scenes. In a series that leans heavily on mood, the flatness of its sound design undermines its emotional texture. This was definitely a missed opportunity.
🔁 Rewatch Value That’s Limited
This isn’t a drama that rewards multiple viewings. Once you’ve seen the misunderstandings play out, there’s little incentive to revisit. The emotional arc doesn’t deepen. The characters don’t reveal new layers. It’s a one-and-done experience, pleasant enough in the moment, but not built to last.
📚 Final Note
TPOB is mediocre at best. If you prefer comfort over complexity, TPOB might satisfy. But if you’re looking for storytelling that respects your intelligence and emotional investment, this is not the show.
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Pit Babe Season 2, Final Episode – A Masterclass in Disrespect
Pit Babe Season 2 has been a frustrating ride from the beginning. Unfortunately, the final episode cemented what many of us feared: this production was sloppy, rushed, and made with zero care for the craft or the audience.It felt like the goal was to slap together something just to push to market and make a quick buck, rather than to tell a meaningful story or respect the fans who’ve supported this series from day one.
What truly pushed the fandom, especially SailubPon (AlanJeff) fans, over the edge was the complete erasure of a scene that had been heavily promoted. Not just by the actors themselves, but by the company. A significant, intimate scene between Alan and Jeff, played by Sailub and Pon, was teased for weeks. It was in the trailer. It was proudly shared by the actors, who spoke about how meaningful it was and how much work went into it. Over three hours of filming, for just that one scene. It was even included in the official photobook, which, let’s be clear, fans paid for before the final episode aired.
But when the episode dropped, the scene was gone. Completely cut. No warning, no explanation. Just a choppy jump in the edit where something clearly used to be. The fandom, confused and frustrated, assumed it might be saved for the “uncut” version released on the paid platform, as is often the case with more sensitive scenes. But no, it was missing there too. In what was falsely labeled an “UNCUT” episode. That’s not just poor editing. That’s false advertising.
This wasn’t just a creative choice. It was deception. Fans were sold something we never received. We were manipulated into anticipating and paying for content that was deliberately withheld, with no transparency or accountability. To this day, the company has offered no explanation. We’ve asked. We’ve waited. Silence.
What makes this worse is what happened to the actors themselves. Sailub and Pon were made to sit with the rest of the cast and watch the final episode live on camera. You can see them waiting, excited, like the rest of us, to see that scene. Something they worked hard on and had publicly shared their enthusiasm for. The shock and embarrassment when they realized it was cut was painful to watch. Imagine that. Being blindsided on camera by your own company. No warning. No chance to prepare. Just humiliation.
This isn’t just about fans being upset over a missing scene. This is about a complete lack of respect for the actors’ work, their emotional investment, and the trust of the audience. We’re not just disappointed. We’re heartbroken and angry. Until the company addresses this with honesty and accountability, that wound will remain wide open.
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1This review may contain spoilers
Tumbling down a rabbit hole of problems
Was it warm and healing as advertised?Not really, no.
This drama was at its best when it had this just-go-with-the wind vibe. But, for some reason, they decided to throw in a bunch of out-of-nowhere tragedies and drama that eventually took over and left warmth and healing on the backburner.
And while the ML was being sweet and thoughtful the FL was letting herself be walked over by others to an annoying degree. I can take slow growth in a drama, that's fine. But she actually didn't change in that respect. Also, the prominent excusing/dismissal of abuse left a bad taste in my mouth, tainting a lot of my attempts to enjoy Summer Strike.
I don't know, I guess I just expected more; which is funny because I started this drama on a whim.
Do I recommend watching it? If you're looking for more kind MLs, sure. Otherwise, this might be one to skip.
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Why I decided to watch The Moon/Sun is a long story which I'm kindly going to spare you. Suffice to know, 20 minutes in and I was hooked. This review is therefore dedicated to viewers who, like me, have never been fond of the genre.
Captivated by the details of folklore scattered throughout this drama, I decided to read up on their historical dependability. I so found out that the Saeguks of the past were all based upon true facts derived from Joseon annals, while the newer productions often deviate from this norm, by either introducing a few fictional facts on a documented background (fusion Saeguks) or creating a fantasy world in terms of characters, plot, even costumes. The Moon embracing the Sun falls into the latter category, so if what you look for is a lesson on how royalty lived in the Joseon era, you'd better forget this drama. This isn't a perfect Saeguk by far, possibly not a perfect drama either. It is, however, a perfect fairytale and in this light I believe it fully deserves the high marks many of us awarded it and the success it attained in Korea.
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The fairytale elements are all there from the very beginning. Prepare yourself for a journey into magic, undying love, friendship, betrayal, hate, tears, laughter, curses and so on and so forth. A childlike approach to the viewing is needed, lest you want to spend your time wondering at its credibility or lack thereof. And because a work of fiction should never be judged outside its narrative context, it is undeniable this story works, and works well. Now that I have completed it, I fully understand the complains of those who wished for a different epilogue for some of the characters, but personally I was prepared to face losses and would go as far as to say they were a necessity induced by the premises of this story.
I won't spend too many words on the acting. Everybody has sang praises for the teenagers' cast, which I second. Nevertheless, the adult cast was outstanding, Han Ga In included – it was truly hard to surpass the grace, beauty and artless charm of the 13 year old Yeom Woo. Han Ga In didn't steal my heart at first but sneaked into it with steadfast progression. She has one of the most pleasant voices I know. I was literally mesmerized by Kim Soo Hyun, but I won't lie: I have a hard time separating my hormonal reaction to my logical thinking, when it comes to him. Whatever the case, he gave life to a multilayered, unforgettable character.
I'd love to talk in detail about each and every endearing character – see on top the Eunuch and Wun – but I fear this is becoming long enough.
I thought the transition from children to adults was marvellously made, and not surprisingly my very favourite scene is the 8 years jump, both on a visual as well as an emotional and symbolic level.
There have been times when I wished they had made use of more open-space sets, but not only I have not enough experience in period dramas to know whether this is often the case, but following what I wrote before, the enclosed setting works well in creating a sort of fantasy bubble out of time and reality.
Little visual details made my day, and I have no qualms in declaring this drama displays the most beautiful letter ever shown on screen.
A huge part of this drama emotional impact is played by the music. Mainly instrumental and with lovely insertions of traditional instruments such as zithers, harps and lutes, it would be perfectly fit for a grand period movie. Notable mention for the minor key pieces, especially 'Like Petals, Like Flames', 'The Sorrow Song of Love' and the enchanting 'Butterfly Dance'. They all play on the viewer's emotion and are wonderfully suggestive of the scene they soundtrack.
As for re-watch value… I am toying with the idea of starting afresh next week. I suppose this says it all.
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This review may contain spoilers
This is so intense and fast pace like there's so much happening, yet I don't feel overwhelmed. Very big production, the money that went into this was huge. The attention to detail is mind-blowing.The acting is great, Huang xuan doing wonders, happy that he's able to showcase his acting here. His crying scenes are heartbreaking. Wang yi bo did a fine job, looks pretty good. In fact everyone's visuals are great. His and Huang xuan's characters only had one thing in mind..revenge, that changed as the story progressed.
Song qian nailed her role, her character is strong and smart. Her fighting scenes were fun to watch, her status doesn't hinder her from doing what she felt was right. She mostly uses that to her advantage. Song yi is adorable, Liu ran is the best wife that Er lang could have asked for. I would say that among the mains she has the highest EQ. She is able to help Er lang with that. She is just getting unnecessary hate, i agree that some of the things she does it questionable but the girl is in love and love makes people do stupid/immature things. Every time she is ignored by him, my heart hurts for her. Glad that Er lang started to treat her gently, like she is quite understanding. I would say that her character development was pretty good. I found their cp on the cute and innocent side while Si Yue and Gao Bing Zhu on the mature and intense side. Main problem between the cps is communication. The lack of it created unnecessary problems for them.
As for the supporting roles, my favourites were Bai lang, Shen fei, Yao niang and Yunzhi. Liked how whenever they showed up they just ligtened the mood, especially Bai lang, the man is so funny and he does it with ease. Shen fei and Yunzhi both priotise their masters (friends) happiness first. Shen fei always helping and protecting Er lang in every way he can. Regardless of how crazy it might be, he is always there for him. Yao niang was awesome to watch wished she had more scenes. The empress is feared by everyone, she holds so much power its frightening. I definitely did not like Liu feng, he was annoying, selfish and a waste of space.
I like how everyone was connected, each character protrayed well. The casting choices were good. The chemistry between the cast is great. The fighting scenes are pretty well done. The characters are complex, not necessarily easy to read. No one is set and stone, from the mains to the side characters. The plot is intriguing, captivating and clever. I like how everyone is trying to outsmart each other. No one is written dumb, like they have brain cells and the logic is there. It is quite fast paced but the flow of the plot is not affected. In fact that makes it even more appealing. It got me anticipating what is coming next. There is balance in the plot, no plot device is overshadowed by another. There are quite a few plot holes but doesnt really the storytelling.
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The only ordinary portion of this whole drama is the second lead couple. Both their relationship with each other to their struggles in work is something many people can relate to. It helps that both Ahn Jae-hong and Song Ha-yoon are very good at their jobs, enriching their performances with groundedness and understanding. I wished, episode after episode, that this drama was more about these two. They made this drama satisfying to me.
The main leading couple, on the other hand, is where many of this drama's weaknesses lie. Acting wise they weren't on their A game, Park Seo-joon especially. I'm just bored of him playing the same brash, shouty character over and over again. Their journey also don't feel genuine. Note that I said the journey, not the emotions, which I think the actors tried very hard at. There were too many external conflicts that became more and more ridiculous by the episode, further distancing these two characters from seemingly extras to actually secretly very much leads. In many ways, it felt like the drama was lying to me. Even their budding romantic relationship was off for me, as I found it to be childish with a big dose of unhealthy possessiveness.
This drama is weird to me because it showed one of the best examples of realistic dialogue and acting in the form of Seol-hee and Joo-man, but also made me aware what undeserved happy endings look like in the form of, well, the last two episodes. It wasn't a truly waste of my time but I wish it would've been better.
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Mint Drama!!
Dear Diary (我的巴比伦恋人 - My Babylonian Lover), is a 24 eps rom-com drama that narrates the story of how a diary that was once written by a 12-year-old girl come to life. The 12-year-old girl (Chen Meiru) once fantasizes and wrote a diary about herself as the woman whom the Babylonian prince single-heartedly love and would die for. However, her "diary" became known by everyone in her hometown. Thus, the 12-year-old girl was traumatized and she grew up to become a very closed and serious woman.This drama is not like any other rom-com drama, it is original and unique. Dear Diary has so many plot devices and themes used harmoniously together. The drama is well-paced and there is not a single dull moment. Dear Diary has many exciting, interesting, and heart-warming plots along the way. Moreover, the drama also transitions seamlessly between comedy, romance, action, and suspense. All in all, the element of fiction and reality are seamlessly interwoven and executed.
The quality of storytelling is very well done, this drama grips you every single episode, it makes you want to watch more and binge the whole drama. Some people might find this drama bizarre and weird (because yes, it is), but when you're watching this, just turn off your brain and enjoy the drama. The drama isn't all about romance and comedy, there is a deep message hidden in it. The drama has some really meaningful dialogues, and the drama also displays tremendous character growth in all characters. In addition, even though there are 3 characters who were technically "fictional characters", but they didn't feel fake or generic, they felt like real people. All the characters are well-dimensioned, it is very well-written. Though there might be some plot holes, the plot holes are forgive-able.
All of the main cast did a very exceptional job. The actors are really commendable for acting delivering their lines without laughing, as there are a lot of scenes that are really hilarious; e.g. drinking from a fishbowl. Moreover, the interactions and chemistry between everyone are also realistically and convincingly portrayed.
The production of Dear Diary is also executed immaculately, the writing, direction, and production team pays close attention to the whole drama that making it a perfect drama!! The production team went to Iraq, Morocco, and Paris to shoot some of the scenes and to accumulate Babylonian artifacts and resources. In addition, the drama also spent 2 years on post-production, with its dubbing and editing. Therefore, believe me, it won't disappoint you. The technical execution of this drama might not be top-notch, but it is interesting and beautiful. It has immersive camerawork for certain scenes and appropriate levels of color grading. Moreover, the high production value is also reflected in the set design, costume, everything is fantastic.
All in all, Dear Diary is a wonderfully produced drama, it has an engrossing plot, impressive cinematography, beautiful writing. Dear Diary will keep you on the edge of your chair, with its comedy, thrills, and suspense playing out at a compelling pace. With it, it deserves more attention and it is definitely one of this year's dark horse.
Plus, I love how each episode ending ends with this statement, "MeiRu, I’m marrying you. We’ll be in a monogamous relationship and I’ll never leave you."
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Then it happened. There was a storm hit or an earthquake or some radiation leak or some kind of cosmic unconscious thing happened that some how messed with the brains of the writers that made them **** up (insert various curse words here) the drama at exactly episode 35. That is where the BS began.This drama went left. So left it fell of a cliff..ugh i'm so mad the writers messed the whole thing up.
The romance between the main characters Monghee and her love life totally was just turned upside down, punt in a blender, pureed, frozen and thrown out to sea. That's how bizarre her story was. Don't even get me started on the 180 half the characters made. The only saving grace for this drama is the story of the youngest brother. I can't put my finger on what exactly happened but if you are going to embark n this journey good luck.
I for one am not happy with the way it turned out. I don't think i have cursed so much at the ending of a drama and i saw When a Man Loves (that says a lot). That ending made me puke ugh I need the 50+ hrs i invested in this drama back.
In other words DON'T DO IT.
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