Reviews

A lunar apocalypse.

Silence is not empty, it's full of answers. It's upon us to find them out and unless there is an effort, it remains in nothingness. The sea that is full of beings, has the capability to engulf the entire world in it's womb, yet it knows it's limits. But what about the sea that's sleeping silently somewhere out there in the universe and knows no way of self-control? That's what we are here to discover.

THE SILENT SEA (고요의 바다) is a mixture of sci-fi, thriller and apocalypse; it has no romance elements and unlike most Netflix Korea shows, it's not gore and creepy, which means even for a thriller, it's not a heavy watch. The story is presumably an adaptation of "The Sea of Tranquility (2014), created by the director of this show. The drama is set up in far future (probably 100 years ahead). The world has changed a lot and the climate change has brought forward severe issues. Simultaneously, the development in case of aeroscience has sky-rocketed, resulting in easier travel to different planets and facile communication with earth.

A team of 11 has been formed to recover important samples from the moon, before they could shut down a station that faced a tragic accident 5 years ago, killing all the inmates. The team travels their on the spaceship 'Nuri 11' and sets out to 'Balhae Space Station' located on the lunar land. On their mission of retrieving the sample, they discover unusual activities and come to find out mysterious facts about the station that had happened 5 years back.

Song Ji An (Bae Doo Na) is a scientist who previously served as an astrobiologist but had to switch after a tragic incident to her sister. She was convinced to go on the mission. Han Yoon Jae (Gong Yoo) is a soldier for the space agency, who joins the team as it's captain. Dr. Jian's knowledge and Capt. Yoon Jae's leadership, are what drives the entire show.

Dr. Hong (Kim Sun Young) is a doctor who joined the team to provide medical assistance. Chief. Gong Soo Hyuk (Lee Moo Saeng) is also a space soldier who joins the team along with his space engineer brother Gong Soo Chan (Jung Soon Won). Lieutenant Ryu Tae Suk (Lee Joon), Chief Kim Jae Sun (Heo Sung Tae) are some other major characters.

The plot development is nice. The first 2 episodes that were expected to lay an introductory foundation, did a good job in establishing a good impression, except that they were slow paced. The space scenarios and the lunar premise were pretty intriguing to witness, for it also created a good amount of curiosity about what is next. I can't say that the entire story is immensely intriguing, because it had problems with pacing and storytelling. I expected some more back stories and for all of the characters, but it's understandable given the limited runtime. The gradual unfolding of mysterious facts and intentionally hidden secrets, were indeed intriguing. The ending, ummm, not something fabulous, that I was expecting but I liked how simple and meaningful it was.

Netflix Korea seems to be giving chances to previously failed or lesser experienced directors, writers and makers but it must try providing them with resources to nurture their skills. Just like Squid Game's, the director of this drama lacks profundity, though the show is not mediocre like SG. The pacing is inconsistent, not slow or rushed constantly that makes it boring or uninteresting of some sort, but a little noticeable.

The sound production is apt bcs it's Netflix, haha. The screen-editing is quite good; the connecting plots, revelations of elements and the suspense build up is up to par. CGI, well, Netflix is surely trying to improve thia area after serious criticisms; it was visible through this show. Even so, the CGI was actually poor in first 2 episodes, I can't lie about it though it improved with episode.

Writer Park Eun Kyo is an underutilized talent. She might seem a rookie to the audience, but she's the co-writer of the critically acclaimed Bong Joon Ho directed movie, "Mother (2009)". The basic concept of this show, though taken from another movie, had to rely on a well-written script, as the short movie was turned into a 360 minutes webseries. In that regard, jakka-nim has done a pretty good job. The overal story and screenwriting might not be something amazing, but overally as a show, it's a nice piece. Few things about the spaceship that went wary in the first episode could have been easily avoided but duh..

The drama addresses future world problems that we now only assume and predict with theoretical studies. The world has undergone enormous transformation due to severe climatic changes over years. Because of desertification, there is a scarcity of water as the water bodies including the sea dries down. All these are the concerns of future societies. The drama also narrates the possibilities that the future beholds in the area of space and planetary researches.

The pseudo-science created for the drama is compelling for sure. It is less of space science and more of a creative or fictional astro-biology. The lunar premise and the technological advancements are what we are gonna see in far future. Space show, in all aspects, is a new premise in the K-drama industry and it's good to see that it didn't entirely go phut. This is to a great extent an experimental drama. Just keep in mind that, the basic idea of the drama relies on astro-biology and not aero or lunar science.

There is a clear message of how greed and over-ambitious anticipations can bring destruction to mankind, even when it gives greater scope of research in science. Regret, responsibility and guilt are some other major elements incorporated in the characters. Good news is that, unlike many other Netflix Korea shows, The Silent Sea doesn't end with a cliffhanger. It didn't leave any single thing open or showcase any possibility of another season.

Overally, "The Silent Sea" is a good and interesting one time watch. The sci-fi elements and the actors are the prior reasons to watch this drama. I wasn't expecting anything excellent outta it since it's after all a Netflix Korea original show which is famous for creating 6/10 stupid shows. But anyways, this was good and moderately likable judging from all the points; be it technical and cinematic aspects or the message it wanted to convey. It's not very nice, still a decent watch, for sure.

P. S. Can't cite it bad just because of the poor CGI and faulty space facts used solely. There are plenty of aspects in a drama to be judged.

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Good :)

What a ride!
I must admit I had high expectations for this, and at the end I was a bit disappointed.
The story flows well and the acting is good, but I guess there are some parts that are a bit lacking.
I enjoyed most of the show, but didn't really get attached to TopMew's couple, even though I liked how they ended the story.

Story is obviously filled with toxic characters, but there is a lot of development.
In this sense, I think Khaotung (Ray) has done a tremendous job. If I have to make a note, I think that they skipped a little the mother's complex, in favor of Ray's choice to make everything better for Sand.
I want to be totally honest: I watched the series for Khaotung and First, and for Mark, and I couldn't stop because I wanted to see more of them.
That said, I think that some parts are just not necessary (the whole Boeing's plan and its liaisons with Sand and Top - I just got annoyed although I wanted to watch more of Mond's) and the overall story got a bit slowed down from episode 9 onwards.

I liked a lot the fact that they didn't force BostonNick, and that Nick finally chose to be by himself. It was great to see a happy ending. Nick was my favourite character overall, because he was always so pure and honest, yet caring. He was not trying to change Boston, but realized he was just faking the whole boyfriend thing and "I've changed, now I only see you" thing.
That was my favourite part.

I screamed when I saw Mix at the end, but it was unnecessary to the story xD
At first I thought they would've proposed a new version of Boston, but I'm glad they didn't.

Overall, it's an enjoyable story, "spicier" than usual for GMMTV and I guess a little bit more realistic than the average GMM series.
It's not a masterpiece, but you can watch it without thinking "oh gawd, I wasted a lot of time".

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A Cinematic Journey To Love...

When it comes to writing love stories, romance dramas often tend to blow out relationships heavily into cliche territory; the female or male lead is head over heels for their significant other, jealousy spins around their love interest approaching (respectfully) other men and women, and an onslaught of dramatic misunderstandings occur as a consequence.

When you decide to sit down and watch “ Run-On” for the first time, it may strike viewers as unusual to come across several prominent, atypical features within our leads and their relationships; the most evident being that our female heroine and translator Oh Mi Joo (Shin Se Kyung) and our male lead athlete Ki Seon Geom ( Im Shi Wan) are intrinsically written as individuals, rather than the typical “ unit” approach taken in most romantic dramas.

Shin Se Kyung is brilliant within her role as our fairly down-to-earth female lead Oh Mi-Joo; a talented and hardworking translator with a difficult childhood , Mi-Joo alongside her best friend Park Mae Yi ( Lee Bong Ryun) , is more focused on her career and struggling to pay the bills than anything else.Contrastingly, Ki Seon Geom ( again, brilliantly played by Im Shi Wan) comes from a wealthy family, has a successful career as an athlete, however, he is quite simply fed up from others using him, his money and status as a social climbing ladder as episodes progress. By a whim of fate, the two individuals from opposite walks of life end up meeting and gradually developing a relationship. However, this is also where the series hits its biggest snag as well.

The “ opposites attract” cliche is one of the most infamous storyline usages in romantic dramas, yet when it came to Run-On, one of the notable elements of a storyline intrinsically based on this cliche seemed to feel unexpectedly lacklustre. By default, it shouldn’t have done; Mi-Joo and Seon- Geom were well-rounded individuals with intriguing backstories , storylines and striking similarities as characters, yet, principally rather than playing out their similarities, the show seemed to ride too heavily upon their differences which often resulted in their relationship feelings fairly indifferent for viewers .

One reason behind this can be explained by Mi-Jo and Seo Geom’s relationship progression over the course of the series. Despite their differences, Mi-Joo had many similar impacts of her past like Seon-Geom, however, neither character really tried to reach out, to talk or bond over this matter either.This should have helped to bring our couple together more throughout the drama, however, this would have only been possible if the storyline had more of an arching development for our characters, (due to little sense of climatic building),strong pacing or intrinsic development over a course of sixteen episodes.

Alongside our main couple, the drama attempts also to introduce the romantic pairing between slightly naive art student Lee Young Hwa ( Kang Tae Oh) and the cynical young CEO of a talent agency company, Seo Dan Ah ( Choi Soo Young). Before commenting upon their relationship, it is fairly striking that Dan Ah has numerous deep and likeable qualities as a character ( despite her sometimes “ overly abrupt” personality); she isn’t written off as a figure of female animosity nor as the “ antagonist”, but rather an individual hiding deep secrets, a naturally hardworking businesswoman and who is the type that struggles to reach out to others both emotionally and socially ( often leading to both comical and sad misunderstandings).

Against all odds, the relationship between the pair was arguably more appealing to audiences than our main couple at times. This is intrinsically due to the fact that Young Hwa and Dan Ah are truly the epitome of different within their backgrounds, moralities and even personality types, yet are still able to develop and bond due to their similarities( particularly their admiration of art). On the other hand, their relationship will still notably lacking in depth; a consequence of several plot inconsistencies, tropes as well as the series possibly running out of time to not truly captivate “ life imitating art” to the fullest.

Overall whilst Run-On was an intrinsically sweet romance drama which had several surprisingly well-written characters, an appropriate ending , humour and touched upon several notable realistic issues including homosexuality, illness, mental health and family, notable relationship portrayals , development , plot holes and of course an overall didactic purpose for the show, felt both lacklustre and lacking in the grand scheme of things.

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Expected more...

I'll start from the beginning - the main reason why I started to watch this kdrama is because based on trailer, it was supposed to be mix of genres - school, detective, thriller, maybe GL. I know that GL series and movies in SK..well, very rare. And even if the series based on GL webtoon, then probably all GL stuff will be cut out from the series/movie. The only good, popular GL drama which I can remember is Handmaiden. I didn't expect from Friendly Rivalry something similar, but trailer looked promising. BTW, I'm not a big fan of LGBT series, but if they have a good story, I'll watch them...and probably because I'm a guy, I prefer GL movies and series. And as far as I know, GL in SK is much less popular than BL. So... I was hooked.

First 8-9 episodes were good. Not great, but good, interesting, with small detective parts, and mind games between Jey and Seulgi. You basically didn't know what to expect from Jey, what's on her mind, and this fact made the whole story even more interesting. So, the first half of the series, I would rate with 8. Pretty good story for its genre.

But after episode 9....I don't know how to describe it properly, maybe because of my bad english, but in simple words - story became overcomplicated, characters change their behavior almost every episode, transition between scenes became less fluent, more random. everything felt rushed, and the story's main theme changed completely. All gl stuff like in episode 4( I know it was a dream but still) and how ML look at each other in episode 8( don't tell that this how best friends look at each other, because it's not) was almost removed. Episodes 13-15..and especially 16 have too many strange, stupid, absolutely unrealistic scenes. I would rate the second half - 4 out of 10...but because ending wasn't as bad as I thought, I will rate the whole story with 5. It doesn't mean that I like the ending - it just not the worst, considering where story went. Below few thoughts about particular scenes, especially ending.

SPOILERS( BTW, I'm new here, so if anyone knows how to hide spoilers in review, please tell me)

I'm not a big fan of open endings, especially like in this series.
1). Box from Jey. Who brought the box??
2). Jey's dad. Basically, this man has nothing to lose now, and he's stalkering Seulgi like some maniac, waiting for her to reveal Jey's whereabouts. Even if Seulgi would like to go to Jey, if we consider that gift means "run away to me" how would she do that, if even her step-mom said that they can't move to another place, because Jey's dad is watching them?
3). What happened to Jey's sister after the events of the final episode? Everyone knows that she's alive now, but what's next? Where is she now?


Also, Ye Ri interactions with Byeong Jin. In first half there were plenty scenes, where she looked at him in a special way, but then they had only few interactions between each other. What was the point of those scenes in the first half?

It looks like as if in the middle of the series, screenwriters decided to change the script completely. And those changes weren't good.

I don't think that this series needs second season( even though there are a lot of events from the original webtoon which wasn't in series, but considering how the series script differs from the webtoon's story, and considering the ending...it's gonna be hard to make a proper story ), but maybe special episode or at least Q/A with the main cast about some scenes.

SPOILERS END

So, after all this why did I rated this series with 7? Because of acting and chemistry between cast. All four girls nailed their roles, especially Hyeri. I never watched anything with her, but I heard that here she played completely different character, not like her previous roles. And she nailed it. And her chemistry with Chung Su Bin is something not from this world) To be honest, I watched every new episode almost immediately after it aired, not because of the story, but because of their interactions. Also, Oh Woo Ri...amazing job. Interesting character, great acting, awesome chemistry with Kang Hye Won and Chung Su Bin.

I assume that, if there was another cast, and actresses wouldn't be as good as thoses four ( although Kang Hye Won was the weakest in terms of acting among them, in my opinion), this kdrama would receive much worse reviews and reception. But because of the acting. dedication of Hyeri and the whole cast, good cinematography, and considering that this series had very low budget, I can't rate it less then 7. Unfortunately, because of the second half of the series, even though there were great scenes, I can't rate it higher.

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refreshing slice of life- with some drawbacks

i didnt have any expectations for this drama at all, but it ended up being fantastic (for the most part). it was so authentic and organic, from the friendships to life situations. i found all of the characters to be very human and interesting to follow. this is one of the few kdramas ive seen that depicts humanity so realistically, with their flaws and growing pains.

i will mostly be discussing the negatives of this drama, because everything was good besides a few things that i felt prevented this drama from being perfect. ill still mention all of the good things briefly, and in short i recommend you watch this drama (i recommend only watching ep 1- the first ten min of ep 15 and calling it finished)

a slice of life romcom would be a good way to describe the plot. teenagers and adults alike are struggling amidst the imf crisis, and two young athletes struggle at friendship while competing. kim tae ri is endearing as 18 year old heedo, a fencing prodigy that is strong willed, stubborn, kind, and energetic. yurim, a gold medalist fencer, was difficult to like at first but she became a great friend and worthy of praise. nam joohyuk feels grounding as yijin, forced to grow up too quickly but learning to find happiness again with heedo. jiwoong and seung wan started getting more screentime later in the drama which i greatly appreciated as i thought they added a lot to the overall show. i loved discovering the hidden sides of themselves, how their opinions on the world as teens wanting to rebel in their own ways was slowly shown to us. overall i really enjoyed watching them all grow and form bonds with each other, it was truly the definition of youth.


the friendship between heedo and yijin was one of my favorite on screen relationships to date. i thought they would do well whether it was romantic or platonic and the show did a good job at showing why they would work together, but also why they wouldnt have. they started to rely on and support each other, becoming a source of happiness for the other person. but they were also in two different stages of life: yijin had to grow up too quickly and became more mature and grounded while heedo still had a sort of childlike optimism and persistence. these were traits that drew them to each other: what the other was lacking. they needed each other, but they were still growing on their own. regardless of the romance arc this friendship was just so believable, healthy and organic.

the friendship group formed between heedo, yurim, seungwan, and jiwoong was lighthearted and refreshing. what really brought them together was their willfulness and stubbornness, each in their own ways. heedo in fencing, yurims in her love for her family, jiwoong in his interests, seungwan in her morals. the drama touched on a lot of important subjects, especially with the jiwoong/seungwan school punishment arc. yijin also ended up as a part of this group, and i loved the mentor role he took on. he knew what it was like to grow up too fast, so giving heedo and yurim a school trip and reminding them to enjoy their youth was so heartfelt. when he stepped in to save seungwan from the reporter as well, hes using his knowledge to save them from going through troubles. there were a lot of parallels between the characters and the relationships depicted were all complex and realistic.


and of course the cinematography was unique to the show, the soundtrack was nice, and the acting- obviously- top notch. production wise i have no complains. the 90s vibe and aesthetic alone is enough to watch this drama. i compliment the writers for creating such realistic and smooth conversations and such believable characters.

some of my favorite moments:
-heedo telling yijin they should be happy with each other while running around at night.
-the mini school trip where they all sat on the beach watching sunset.
-the friend group watching the fireworks on the rooftop
-them watching heedo and yurims interviews on tv
-when heedo and yurim cheered seungwan on for quitting school
-jiwoong not being able to park the car and them all jumping around in happiness when they lifted it

some things i disliked about the drama that affected my rating:

1. false advertising

it doesnt actually take place when they are 25 and 21. its mostly when heedo is 18 (korean age) and yijin is 22. considering the description says “ Two people first meet when they are 22 and 18 years old and fall in love years later when they turn 25 and 21. “ i was a little confused. so why did they called it 2521 and give a misleading description & title ? probably because they knew the age gap might cause a problem, leading into my next point.


2. the age gap.

ive seen some people defending it, 18 and 22 is not that far off after all. id love to say “this is just a work of fiction, lets just enjoy this wholesomeness!” but i just cant. especially because it IS a work of fiction and the writers couldve done this differently.
a four year age gap isnt a big deal between two adults at the very least in the same stage of life. if this romance actually happened when they were 21 and 25 i wouldnt be writing all of this right now. thats what the description states after all, and yet the romance happened prior. but heedo was a highschooler, an immature one at that- remember how she dated and broke up with a guy just to see what its like? she thought you have to wash lettuce with soap. when yijin and heedo were out together, it was so uncomfortable seeing her in a school uniform and him in a suit. yijin, despite being a good man, was an adult. not even a college student, but an adult living alone with a job out in the real world. luckily, they started dating when she was old enough to drink alcohol, so i suppose thats adult enough.
but i think the problem lies within his confession to her. we know they like each other, it wouldve been better build up and more comfortable for the general audience had the writers waited for them to both be full grown adults (or at least for heedo to graduate highschool) to have them confess. this is made worse by the fact that ALL of his friends highschoolers. i do understand that this is a small neighborhood in the 90s and it was all by circumstance- yurim due to family, heedo by accident, seungwan as the neighbor etc etc. but he rarely hung out with adults his age outside of work, that’s what makes this whole situation weird to me. and its not just yijin: in ep 10 seungwan tells yijins 15 yr old brother “ 4 more years? ill wait for you”. gross. what is with this show and its love for inappropriate 4 yr age gaps? overall im blaming the writers for not being a little more nuanced about a potentially inappropriate relationship. i dont think this is enough to write off the drama, but this is important to note:

this is the most avoidable problem in the whole drama, especially when since the beginning yijin has said “adults should only date other adults” and “highschool drama is for highschoolers, im an adult” and has brought up how young they all were and how different their lives were. the writers know this isnt okay and made a point to comment on it- but did it anyway.
i dont care if this age gap doesnt matter to you, i dont care if you think this specific situation is okay or if “the 90s were a different time!” or if “theyre both technically adults!” this drama has a responsibility to portray this relationship with a certain sensitivity. a few simple changes couldve been made to make it a little more acceptable to the general public, but like i said i dont think this is enough to swear off watching it.

2. yurims arc

the writers really pushed yurim as a bully from the beginning. she was cruel to heedo, belittled her, affected her personal and school life. she often played the victim despite constantly being supported by everyone around her. being poor and scared of losing was the excuse they gave her, it caused an inferiority complex. i didnt think this was strong enough to combat heedos problems, although i suppose theyre meant to be equal. yurim is poor and loved, while heedo is rich with a dead father and an absent mother. i understood what the writers were trying to do here. but the actual switch, the injeolmi reveal, was a weak turning point. if you watch the episodes one after the other, it makes it obvious how jarring and simple yurims personality shift was. pre ep 8, she caused the whole nation to hate heedo on her behalf and constantly belittles her. none of this matters until yurim sees that she was her internet friend. only this sparks her apology, which means if they hadnt been internet friends she would be forever cruel and unapologetic. this makes yurim seem continuously self centered and flimsy as a character. after ep 8 heedo and yurim are awkwardly kind to each other and start building a friendship. yurim kind of explains herself in the later half but i just thought they built the mean yurim up too well, or at least didnt put enough care into her arc. i am glad yurim retains some of those feelings (ep 11 she says she is still scared of heedo) so it isnt like she woke up a different person.
i guess your opinion on this depends on which you empathize more with, but i always felt more on heedos side. we saw her walk home alone after matches, advocate for herself, practice until she couldnt stand, be bullied by someone she admired, win a gold medal with no support from her coach or mother. im sure yurim went through difficulties, but it was heedos that were shown on screen, so i resonated more with her. all i wanted was the best for her, especially in terms of her and yurims relationship. and when heedo forgave yurim, their scenes were very cute and heartwarming and i did grow to love her and i enjoyed all of their scenes together. but i cant just pretend she wasnt a horrible person for half of the drama. heedo is clearly more forgiving than i am.

i did end up having to just let my feelings on this go in order to enjoy the drama, but i wanted to mention this.

3. the present time

this drama wouldve done well just focusing on the past. it felt unbalanced, we start off in the present and heedos daughter is sort of a narrator, but then we exist in the past uninterrupted for periods of time. i guess 2521 was going for a reply series kind of thing, but i would’ve preferred it to just take place in the past. the story of the friend group, the romance, the sports, the imf crisis, it was all enough to keep us going for the entire duration of the show. the present time brought down the whole mood of the drama and made it dip more into melodrama territory. i didnt want to worry about if someone was going to die or get amnesia. i didnt want angst, i wanted to watch what seemed like a lighthearted slice of life character based romcom as promised. like id be watching the characters laughing and having fun and bam- heedos daughter is on screen killing my vibe. or we are having a cute moment and we have a flash forward sequence that makes us question who breaks up with who. i dont think this drama needed extra mystery or suspense, it already had a sort of darker tone with the imf crisis (which was all but forgotten in favor of other side plots). yijins family troubles were as much sadness as i needed and like i mentioned before, there was plenty of side plots to keep this drama going. i guess some people didnt mind, but i definitely noticed much of the audience speculating on the ending constantly instead of just enjoying the show, which is major buzzkill for anyone wanting to watch and hoping to just enjoy it. perhaps this is just a personal preference but i strongly think this couldve been more powerful as just a slice of life. those are hard to pull off, and they were so close. i ended up not watching the future scenes as they ruined the vibe for me.

4. the ending
just trust me on this, dont bother with the last two episodes. the characters were completely different people, too much angst and a lot of decisions made by the end were so distasteful. the writers just stopped caring by the end. it just goes to show the drama was written to be anticipated for weekly ratings and not just to be enjoyed.

and thats the end of my review. i know it was mainly negative, but again- everything besides these points was top notch. id still recommend this drama to anyone.

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Amazing Acting | Brilliant Ending

This is the story of Liu Yikang, a real historical figure in the Liu Song Dynasty (420-479 AD). It was one of the most tumultuous eras of Chinese history. The aristocrats were wealthy and powerful, and the commoners were poor and suppressed. Parricides, filicides and fratricides were rampant. Historically Liu Yikang’s life ended tragically, killed by his own beloved and trusted brother The Emperor. The drama stops short of his tragic end (fortunately or unfortunately?).

In this drama, a lot of the events and villains are fictionalized. Though Liu Yikang (played by Qin Hao) is a real figure historically, his beloved wife Shen Li Ge (played by Li Qin) and her family are fictional. Despite their more than 10 years age difference, Qin Hao and Li Qin have very courteous chemistry together as a couple as there are no passionate kisses nor hugs (just a peck on the lips or a lean on the shoulder). Nonetheless, such chemistry doesn’t reduce our enjoyment of the plot and story. There are quite a few nail-biting close calls and frustrating near misses scenes throughout the drama, keeping the viewers sitting at the edge of the couch and captivating our full attention.

The drama starts with a bang, introducing Shen Li Ge as a beautiful and talented assassin. Li Qin is so beautiful that she looks amazing in every costume and hairstyle that she wears. As a fearless badass, Li Qin is convincing without losing her elegance. Her acting is on the notch.

Qin Hao is a veteran actor. He has the charisma as a powerful ruler. At the beginning of the drama, many viewers complain that Qin Hao is too mature to play the role. But Liu Yikang was exactly as this age during the time of the story. As the story develops, Qin Hao melts together as the Liu Yikang character; he gives a very convincing performance.

Both Shen Li Ge and Liu Yikang are facing a faceless mastermind. Despite taking down various powerful aristocrats who conspire to hurt them and their family, the plot continues to the very end, eventually revealing the identity of the mastermind behind all the destruction and killings, and his motivation for doing so. Though going through a lot of hardship and heartaches, Shen Li Ge and Liu Yikang combat the villains hand in hand and continue to outwit them with their determination and conviction.

This drama is filled with tropes, such as evil sister, falling off cliff (but not dead), loss of memory, accidentally kisses etc. There are also multiple unnecessary deaths just to make the characters martyrs. Many of the logic is illogical with flaws and plot holes. By the end of the story, there are still multiple unexplained loose strings.

I believe the visual director has had a field day with the palace décor. This is the first time I have ever seen such European inspired décor of the palaces with giant statues and water fountains. The mother consort’s clothing even matches her walls and furniture which may be a bit on the wild side of the imagination.

The ending is very typical of Chinese dramas – open to interpretations. Overall, if you like slimy infallible villains who always seem to outsmart the good guys, you may find this an exciting watch. If you’re an emotional person and have a tendency to invest deeply into likable characters, you may be in for some heartaches. For me, this is quite a good watch mainly because of the two main characters, Shen Li Ge and Liu Yikang and the fine acting of the actors.

With my epiphany which came one day later after the final episode, I find the ending brilliant. This is a drama strongly recommended (despite the tropes).

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My impression of "My Annoying Brother" is that its a great family type of movie, at least in my opinion...
I expected a sad story about how Du Yeong(D.O Kyungsoo)becomes blind and deals with his brother Ko Doo Shik(Jo Jung Suk)who goes out of prison(i remind you,a SAD story(its worse XD)). Well...it was actually really different from what i imagined. First the swearing is a lot, i dont know if Korea sees this as a family movie, considering they blur out knives and guns...And i like how they delivered the story! There was Comedy, swearing, family drama, sadness and tragedy(duh!what can you expect from the peson who made it)brotherly bonding and love, i'm glad the movie is not another sad tragedy movie hit ;) , which i expected from the person who made it(well....proved my expectations kinda....). The reason im giving the story 9.5 is because i feel something was missing, just a little in the beginning. Im still in shock from the ending, i did not expect it at all. So im not gonna give you a spoiler, watch it and see if your gonna be just as shocked.
The acting was great. The bromance made me scream, cry and laugh. It was funny to see the swearing which is really really a lot more than in any drama you have ever seen. Jo Jung Suk is one of my favorite actors because of this movie(in my top 3). His acting is out of this world, i did not doubt his acting for a second. Next lead D.O Kyungsoo: I was worried about D.O because, since "I Remember You" i havent seen him in a lot of dramas or movies. Gladly there was nothing to worry about,he is just as good as always. Lets hope we can see him in more dramas and movies.
Next: Park Shin Hye(Lee Soo Hyeon) was a big suprise for me when i found out about the cast. Her acting was great i'm so glad she was in this movie i cant imagine another female in this role (that's not an A list actress) to grab my attention. Otherwise the role would be very simple, bland and waste of screen time. She delivered the role of caring for Du Yeong so well, that felt it! I dont know why i expected romance between her and the brothers. I shiped her and Du Yeong so hard, but i have a feeling, that if it was a romance movie she would go to Ko Doo Shik and Du Yeong would be the sad second lead who is blind.... so maybe its not good to have romance in this movie after all but just cute, lovely-dovey bromance. The acting is a 10, best cast ever!
Now to the topic about the music in the drama. Its the only thing that didn't stick out enough to
impress me. I dont get it they had D.O Kyungsoo of EXO and Jo Jong Suk(they sang one song at the ending which was good) who can both sing couldnt they make them sing the songs or at least give the signers better songs! They werent bad dont get me wrong but they were not on the same level as the story,acting and visual of the cast and scenery. That's why im giving it 8.5.
As a rewatch value i would soo watch it again. Yes, yes and yes. I only wish i could watch it with my family but they don't even understand english. Thankfully i can watch it with my sister because its a great family movie that plays with your emotions. Even if there are a little shirtless scenes XD. 9.5
Overall its a great movie it had comedy it wasn't all sad like i expected it to be.(Thou from the discription is missing a few generes besides those "Comedy, Drama, Family, Life". Well what happens in the movie can be summed up in genre ''Life'' i guess.)The relationship between the brothers really made my legs jelly. I really liked it! Even if i gave the music 7.5 im still giving it a 10 for overall impression because the other movies that could hold my attention that long without me spacing off are only Train to Busan, Miracle in Cell No. 7 and Werewolf Boy. And as i said in the beginning SAD....prepare food and prepare a place where you can blow your nose and hang your face to dry after the movie...my face is still drying from all the tears....

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addictive yet tragic

First of all this series is tragic and not like most fluffy romcom bls with the usual story that actually gets much more attention , this is DARK romance with manioulation and suffering , red flags that occupy your mind by loving them and thinking about them inside the show and outside of the show .

this is the best bl in my opnion despite the hate that it gets because of omegaverse plot , yet this series is the reason many manhwa and novel readers started watching a bl .
this series is my obsession and it will take time for me to move on after it ends but my love for the actors will be forever .

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Where should I start?
1. STORY :
Okay, so before it even started to air, based on the trailers I could guess what the story will be about and I was right. A police officer has his daughter kidnapped by a bad guy A, but when he catches the bad guy A he actually discovers....it's a good guy B. Are they brothers? No, they can't be. The story is perfectly made, that it always entertains you. With each episode, you get closer and closer to the cause of the whole chaos. I really applaud the writer, because u can't see such dramas just anywhere. The plot is really unique and with unique twists.

2. ACTING :
I knew that this drama would be dope thanks to Yang Se Jong who I encountered first in The romantic doctor Kim ....and I was right. In this drama Se Jong played 3 characters and everytime I saw them, I had feeling that they are different people. To achieve such feeling in other person, it's very hard thing to do! I never saw other actors jobs so I can't really say whether they were bad before or not, but in this drama EVERY character showed emotions, as if it was a real story and not just acting. Everyone started to LIVE their role for real and that's how this masterpiece was created.

3. MUSIC :
Since it's action/sci-fi drama, u don't get much of the OST but there is one song which I fell in love and it's the ''Nightmare''. Currently it's the most played song on my Playlist, so I really recommend it!

4. REWATCH VALUE :
I don't really rewatch dramas, but I think this could be rewatched (?)
Look, in romantic dramas people rewatch it to see the romance and cheesy dates of main couple, but in crime dramas it's a bit hard cause the audience already KNOWS what will happen next, so it's not as thrilling as the first time.

5. OVERALL :
Amazing and unique plot, fantastic acting, good music, the plot-twists are the real killers

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A ride that starts with fun and chaos but ends up being a mess by the end.

I still remember watching Jim Carrey's "Liar Liar" and how a laughter riot it was filled with chaotic moments. When I read the synopsis of this drama, I knew it is gonna be a ball of chaos and that is exactly what it has been to most extent.

Go Kyung Pyo is a great casting for the role and damn he is humorous with his expressions and acting. Looking at his past dramas with him pulling off different types of characters, he has improved a lot.
I always wanted to see Kang Hanna in lead roles, so was quite happy to see her in this drama.

There are some cliche tropes used like the love triangle between ML,FL and SML but even with the triangle, things are kept humorous and simple instead of going for overly dramatic confrontations and stuff.

The first half of the drama is full of many funny, chaotic and dramatic moments but the second half is a mess with unnecessary storylines being added and finished rapidly. The story turned into a total healing melodrama with nothing to do with the main highlight of the title. It did become somewhat boring by the end and I am glad they only kept it till 12 eps cuz looks like even the writers knew they had no idea on what to do with story or how to end it.

Overall It is a decent watch.

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A Satire of the Ming Dynasty Society

Watching this drama from a satirical perspective of the society during the Ming Dynasty, when Confucianism was practiced at its utmost height, decorum and protocols were strict, harsh and repressive especially for the women, makes it a very enjoyable watch for me. Seemingly unlikely, we get a couple of very strong female characters in particular a know-it-all Mary Sue who always saves the day. All the characters and their relationships have realistically captured life in that orthodox and conservative society, and that can even be relevant in today’s world.

This story takes a bold look into the Ming dynasty society, its orthodoxy and conservatism, its inequality, protocol, manners, expectations, and consequences, with the hidden criticisms that all these had led to the slow decline of the society and the ending of the dynasty.

Accordingly, the drama draws its inspirations from the great classical “Dream of the Red Chamber” with several of the characters deriving their names in a combination of words from the classic novel. The whole story revolves around the high status, wealthy and powerful Sun (pronounced Soon) family, narrated from the perspective of the youngest son, Sun Yulou (Wang Yizhe) who has a high powered father, a doting mother, three brothers and four sisters, each has a story to tell.

Like in the classical “Dream of the Red Chamber”, this story also hints at “truth becomes fiction when the fiction’s true; real becomes not-real where the unreal’s real” by the use of a puppet show in telling the story. Cleverly constructed, there are hints and cross-references to hidden (and obvious) meanings throughout. Truth and falsity, reality and illusion are constant displays.

Undoubtedly marriages by the order of the parents tend to be the most painful experiences for almost every couple even in a society where filial piety is held as the highest order of all. In the high society, statuses and face are always the forefront consideration of any marriages which are used to advance the careers of family members, usually at the expense of daughters, though some sons don’t fare too well either. The consequences are expected: extra marital affair, adultery, love triangle, elope, rebellion - all brilliantly captured in the story.

Sun Yulou rebels against his stern father and the social barriers of the time. He and Lin Shaochun (Bai Lu) pursue individual freedom, gender equality and to marry the partner of one’s choice. This couple has an initial sense of democracy, a rebellious spirit and courageous pursuit of love. Though well-read with traditional books of morals and ethics, Lin Shaochun toes the line from time to time. She convinces Sun Yulou to pass the Imperial exam so that he could become a government official and ask for her hand in marriage.

This is the first drama for Wang Yizhe as the main male lead. Many viewers don't feel he deserves such a role. For me, I would like to give him a chance without looking at him through tinted lenses. I feel his acting has brilliantly brought out the youthfulness of the character. He can look serious when he needs to, but in front of the family, especially his wife, he's just a big sunny boy that can be silly and Wang Yizhe delivers. Despite this being a main lead, it feels more like a supporting role because of how the character is being written, shot and edited.

Many viewers feel the main couple don't have the chemistry. Though they are both of the same age at 18, Lin Shaochun is more mature compared with Sun Yulou, and he always lets her have the final say. With that, it does feel that Sun Yulou a little brother who depends heavily on Lin Shaochun the big sister. For me, the lacking perhaps lies more on Bai Lu as she seems to be less enthusiastic and doesn’t share the same adoration and affection towards her supposedly husband as he has on her.

My Verdict
Despite some flaws here and there, this is a very enjoyable story with a series of side stories which are very well developed and in fact more interesting than the lead couple’s story. It consists a blend of realism and romance, psychological motivation and fate, and daily life with a grand plot hidden and span across multi side storyline. It can be hilarious at times, yet, bitter and resigned when it comes to the fate of some characters. The first episode is comedic and funny. I thought it's going to be light and laughable, but by episode 8, it becomes heavy and bitter.

This is a satire about misogyny, hypocrisy, class system, conservatism, inequality, all told in a very humorous way. Some parts are so funny that I laugh so hard.

The final narrative about how people make choices that determine their eventual endings: take kindness one ends well, take hatred one loses everything, seems to be a just decoy for the deeper meaning of the overall story – a silent criticism of the paternalistic system of the country.

Great story telling. Don’t miss it!

BRAVO!

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This was an okay watch, but it did not fulfill my initial expectations.
First, this show was too long for its story. Some episodes were an hour and a half, and there were 21 in total. If the show's length were to be shorter, R1994 would've benefited a lot. It began to drag halfway through, and it even got boring at times.
Also, this focused way too much on the husband mystery. The rest of the characters had nice stories, but since most of the show was about the husband's mystery id, their stories couldn't develop as smoothly as they should've. Instead, they were wrapped up out of nowhere in one episode. For example, Binggeure's.
Some people have also pointed out that Najung was quite empty, and it's true. She's the main lead, and the only thing she did in the drama was pine for Trash's love. The secondary characters had better stories than her.
I was also disappointed with the husband's ID, if it was just going to be like that, then why cause the dumped guy so much trouble and angst? The writers should've at least given him a better story, and maybe developed his character more, so it wouldn't feel as if he was just placed in the drama to make the main couple's story more interesting. I feel it was such a waste of a likable character.
I don't think I would recommend this to my friends, especially the ones who watched and loved R1997. There were good things in this show, but the flaws overshadowed them. At least for me.

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The Fine Line Between Love And Obssetion

Okay, let me just say, this show was like a rollercoaster of emotions from the very first episode, and I am still processing everything that happened. The characters are wild, the drama is next level, and let’s be honest — I couldn’t stop watching. It’s honestly like an addiction; I didn’t know if I was watching for the romance, the suspense, or just for the pure chaos of it all. Let’s break it down, character by character.


Daon
Daon is probably one of the most complex characters I've ever seen in a KBL. From the very beginning, you feel his vulnerability. He's trying to find his way in a world where he's constantly manipulated by people he cares about. The whole situation with Jaemin, Suhyeon, and Seong Hyeon just traps him in this toxic cycle, and it’s brutal to watch. Yet, the thing that makes Daon such a relatable and well-written character is that he isn’t perfect. He makes mistakes, he’s naive at times, and he falls for people who are clearly bad for him, but you can’t help but root for him.

Daon is caught between two worlds: the manipulation of Jaemin and the toxicity of Suhyeon, with Seong Hyeon being a much-needed anchor in his life. His relationship with Seong Hyeon was the only place where he could find peace, but it was also the place where he had to face his own trauma. Daon didn’t have a clear sense of what he wanted for a while because of all the chaos in his life, but once he started realizing what really mattered to him, he stepped up and fought for himself and for Seong Hyeon.

By the end, Daon chooses to live for himself, and the development is so satisfying. He moves beyond the toxic love Jaemin forced on him, rejects Suhyeon’s obsessive behavior, and starts to heal. He grows so much, and it’s honestly a beautiful moment when he realizes that he deserves better than all the manipulative crap he had to deal with. The final scenes with Seong Hyeon? Absolutely beautiful and heartfelt. It was everything he deserved after all the pain.


Jaemin
Jaemin is insane. No, seriously, I don’t know how anyone can watch his descent into madness and not be slightly terrified. At first, he seems like the perfect, charming person — the guy who has your back and is always there to help. But when you look closer, the truth starts to seep through, and it’s dark. His obsession with Daon is palpable from the very beginning. He manipulates Daon’s life, giving him money, tutoring him, and even going so far as to buy off Daon’s family — all in an attempt to control him. Jaemin doesn’t just want Daon; he needs him to stay under his thumb. It’s disturbing, but so well done as a character arc.

As the show progresses, Jaemin becomes more and more twisted, especially after he starts playing mind games with Daon, making him feel guilty, using his manipulative skills to control Daon’s feelings. He has this whole “I love you so much that I’ll do anything for you” mentality, but what he’s really doing is controlling Daon’s life and trapping him in a cycle of emotional abuse. The scene where Jaemin literally stabs himself to get Daon’s attention? Yeah, that's the point where I knew he was beyond help. He doesn’t care about anyone else’s feelings — he just wants to possess Daon at any cost.

Jaemin’s final breakdown was a mix of regret and rage, and it’s honestly chilling how far he’s willing to go to keep Daon close. The whole “if I can’t have you, no one can” vibe was real. His final moments, when he’s arrested in that wedding suit and laughing like a maniac, were the perfect ending for such a manipulative, obsessive character. You almost pity him for how broken he is, but then you remember everything he did, and it’s impossible to sympathize with him. He’s a master manipulator, and it was satisfying to see him lose everything in the end.


Suhyeon
Suhyeon is a more interesting character than I expected him to be. He's just as messed up as Jaemin, just in a different way. Suhyeon is emotionally driven, and while he might have had Daon’s best interests at heart at times, he’s also selfish and manipulative. His jealousy and desire to control Daon is just as toxic as Jaemin’s, though his methods are different.

What I found most frustrating about Suhyeon is that he constantly thinks he knows what’s best for Daon, even when it’s clear he doesn’t. He tries to push Daon away from Seong Hyeon, even though the bond between the two is genuine and healthy. His whole mindset is, “I know what you need, so let me take control,” and honestly? That gets old real fast.

However, I have to give Suhyeon some credit for the way he does eventually come around. In the end, he realizes the damage he’s caused and tries to make amends. He helps Daon, even though it’s too little, too late. He knows he can't control Daon’s life anymore and admits that he was wrong. But honestly, by the end, I was just ready for Daon to let him go for good and move on with Seong Hyeon.


Seong Hyeon
Seong Hyeon is everything. He’s the literal light in Daon’s life and the one person who never pushed Daon into anything he wasn’t ready for. He’s patient, kind, and so emotionally intelligent, it’s crazy. The fact that Seong Hyeon sees Daon’s pain and doesn’t force him to make decisions before he’s ready is one of the most mature and respectful things we see in the whole show. He’s the rock Daon needed to survive all the drama surrounding him.

What I love about Seong Hyeon is that he’s not perfect. He makes mistakes, he gets jealous, and he misjudges things at times (like the whole hickey situation), but his growth throughout the series is real. He learns to communicate, to trust Daon, and to support him through the trauma. His willingness to wait for Daon and understand that it’s not an easy path is really what makes him so lovable.

The relationship between Seong Hyeon and Daon is a beautiful evolution. They go from being two people with a shared history to two people who genuinely love and care for each other. It’s not rushed, and it’s not forced; it’s gradual, like two souls learning to be together. By the end of the show, Seong Hyeon and Daon have the kind of relationship that you can’t help but root for — two people who can truly heal and grow together.


Daon’s sister was honestly one of the highlights for me, and I can’t believe how underappreciated she is. She’s the only one in the show with any sense at all. Her role is crucial in calling out the emotional manipulation from Jaemin and Suhyeon. She’s the first one who saw through all the nonsense and even pushed Daon to stop feeling guilty for choosing his own happiness. It’s not easy being in Daon’s shoes, and she’s there for him without any strings attached. Her advice and care are a steadying force, and I loved the moments when she had to step in and remind Daon that he deserved to make choices that were right for him.

Cinematography and Visuals
The cinematography in this show deserves a standing ovation. From the very first scene, you can tell that this isn’t just your average KBL. The color palette is gorgeous, with muted tones that perfectly match the somber and emotional tone of the drama. There’s a lot of focus on shadows and contrasts, which really adds to the intensity of the emotional moments.

The lighting is so effective in setting the mood. The dark, moody lighting during the more tense scenes, like when Jaemin goes full psycho or when Daon is struggling, creates a sense of unease and anticipation. On the flip side, when Daon and Seong Hyeon are together, the lighting softens, and the colors brighten up, reflecting the warmth and comfort they bring to each other. The stark contrast between the cold, harsh lighting in the scenes with Jaemin and the cozy, intimate moments between Daon and Seong Hyeon really highlights the emotional differences between these relationships.

The camera work also deserves praise. The close-ups on Daon’s face when he’s torn between his emotions, or the lingering shots on his expressions when he’s confronted with Jaemin’s madness, really let you feel everything he’s going through. The slow transitions between scenes and the occasional flashbacks help convey the passage of time and show the depth of Daon’s internal struggle.

The entire cast did an incredible job. Each of them brought their character to life—whether it was Jaemin’s chilling manipulation, Suhyeon’s obsession, Daon’s struggle, or Puppy’s warmth. Their performances made every moment hit even harder. The four of them were not in the same room for many scenes but the chemistry was just there!


Let’s talk about the kisses. These weren’t just any KBL kisses. The chemistry, the passion, and the emotional depth were all there. The kisses between Daon and Seong Hyeon were genuine, tender, and full of love. But there’s also a darker side to this story.
There’s an instance of sexual assault (SA) with Jaemin forcing a kiss on Daon. It's a deeply uncomfortable and disturbing scene that highlights Jaemin’s possessive and toxic love. Daon’s inability to reject Jaemin in that moment shows how trapped he feels, unable to break free due to fear and manipulation.
Similarly, Suhyeon also crosses boundaries with Daon, in a way that feels like another form of manipulation. Daon doesn’t fully reject Suhyeon either, because he’s scared of the consequences and doesn't know how to stand up for himself. These moments are crucial in showing the emotional and psychological struggles Daon faces as he navigates these toxic relationships.

Final Thoughts This show was wild from start to finish. It had so many twists, so much tension, and so much emotional depth. The characters — even the toxic ones — were so well-developed and complex that I couldn’t help but feel invested in each of them. Jaemin was terrifyingly fascinating as a manipulator, Suhyeon was equally toxic in his own way, and Seong Hyeon? Seong Hyeon was the kind of partner Daon needed. He didn’t force Daon to choose between him and the others; he gave him the space to figure it out.

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