The main actress and actor had such amazing chemistry that even after months, just hearing the song "Konayuki" by Remioromen breaks my heart. Thus being said the soundtrack is beautiful.
The reason I didn't give the rewatch value a 10 is because, despite this being a flawless drama, it's too heartbreaking for me to watch again. I would really love to, since it's my favorite, but I have never cried so much in my life. You will want to watch it again but if you are like me, you're not sure your heart can take it.
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The first thing I have to point out that this drama might not suit everybody's taste. It's TOO real, the bloodshed scenes, the battle scenes and the love scenes. If you can't get too real, don't start it.
Minors, skip this film.
So it's Goryeo –back before they tied their hair up, to our great advantage- and the king (Joo Jin Mo) is under the threat of losing his authority as an active king since Yuan –the empire in control- wants an heir to the throne. The king can't have an heir due to the fact that he's homosexual. (Again, if you cannot accept or respect homosexuality, don't start this). The king's lover and the one who's captured his heart for a long time is the Chief of the king's guards; Hong Lim (Zo In Sung).
Yeah I know!! When these are the two leads!!
With his country and throne on the line, the king resorts to one last option. He decides to make someone impregnate his wife (Song Ji Hyo). Only trusting in his loyal lover and friend, he gives Hong Lim the task. As Hong Lim and the queen make love trying to conceive, a new world opens up to them, and the tragedy starts.
Faced by betrayal, loneliness, abandoment, the king seeks revenge against everyone; first of all, against the one who meant the world to him, Hong Lim.
The story is too real it got me totally absorbed in the suffering of everyone. I couldn't not sympathise with everyone. The absurdity of life is inscribed on every scene. The sense of loss and how it empties us of our souls is engraved on the characters' forheads.
Regardless of the nudity and the sexually explicit scenes, the film is worth watching. It's too painfully awe-aspiring.
The cast did a great job here and I applaud every single person.
Well, I know that Song Joong Ki and No Min Woo are in the cast. Well they are there, almost with no dialgoue or screen time but it was so fun trying to spot them out of the other guards.
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Authentic Portrayal Of Asperger's
As someone who who has been diagnosed with Asperger's herself and as a mother of a son who is diagnosed the same I felt compelled to write a review for this drama. Tang Jung Sang is simply amazing and very authentic in the part of Gu Ru. I cannot stress that enough. Some people might try to disagree with me, but you have to understand, we all have different traits that manifest. Though I, as a female Aspie am totally different than Gu Ru, I still could relate to many traits that the character had and how they were acted out. My son is a lot more similar, though not as extreme, but he also has had professional therapy and has been raised by a mother who is also an Aspie. In the drama, it is shown that Gu Ru's father was the one who worked with him throughout his life, so of course he would still have many issues, though his father did such a a wonderful job just by accepting him and loving him for he is and teaching him. Honestly, the simple teachings his father gave to him were so very similar to how I have taught my son. His father was not autistic but still. He just knew how to get through to Gu Ru in such a patient, loving way. I mean, it is such a simple approach, how he shown doing things, but it is always the *right* way. That is exactly how parents of autistic children should communicate. I saw so many traits, however, that my son had when younger, before the years of therapy began. (Not ABA. I just want to make that clear before anyone jumps on me. I am talking social skills.) For instance, as a child, my son, like Gu Ru, would talk robotically and stim much more when overwhelmed. Also, he still walks very stiffly and won't make eye contact at all.Another thing that I must point out is very authentic is his ability to memorize what he sees. In my case, I cannot in the way he does, but I can memorize an accent if I hear it once and determine where the person speaking is from. My son can memorize languages and mathmatical concepts. Again, our traits, while similar, can manifest differently.
A number of shows and dramas have been coming out lately that make autism the focal point. I haven't seen all of them, but Move To Heaven nails it. I can also vouch because even though I have explained my and my son's differences to Gu Ru, I know quite a few just like him. In fact, while watching, it is easy to think Tang Jung Sang actually has Asperger's, he is that good at acting it out.
Anyway, on to the rest.
The story is heartwrenching in so many ways, but deeply moving. The main focus is actually the relationship between Gu Ru and his long lost uncle. His uncle appears like a selfish, uncaring slob, but as the story progresses, we get to understand him more and see his heart soften for his nephew. As usual, Lee Je Hoon is excellent. He is such a great actor. He can show a range of emotions and also, just like in Taxi Driver, he kicks butt in fighting scenes.
I give this drama a 9 because it is wonderful, beautiful and doesn't screw up showing autism. I would have given it a 10 but I was kind of hoping for a certain plot twist and it didn't happen. Lol (What did happen was still good, I just really wanted the other thing. Haha!) Also, it left off with something like...not a cliffhanger but something you are left waiting to see what and if anything happens there. It was totally on purpose as an opening for a possible second season on Netflix, I just hate it when they do that when nothing is confirmed. Don't leave peeps hanging! I do hope there is a Season 2. I will watch if there is.
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Kim Sun Ah made Kim Sam Soon one of my favorite K-Drama leads ever! Sam Soon is loud, stubborn, charming, emotional, unfiltered, and absolutely hilarious. She was equal parts frustrating, & inspiring to watch. She's not the usual passive female lead, and I loved watching her take charge of a situation. She is matched up with Hyun Bin as Hyun Jin Hun, who walks the line between arrogance & charm so expertly well. At first I didn't recognize him, because he looks so different in this compared to Secret Garden, but his performance in this reminded me of all the things I loved about him in that drama. Together, their chemistry made them a rom-com dream team. The fact that they didn't fit seamlessly together, and that they were not always good to each other, made their relationship feel more honest. I think they were the perfect blend between discord, and harmony. I could literally watch them go at it all day... in fact, that's exactly what i did. lol.
The lead performances were a clear 10 for me, and every minor character in the supporting cast was also really great, but I feel like I have to deduct at least 1 point for the 2 supporting leads. It's clear that Daniel Henney's purpose in this drama was to be eye candy. Most of his scenes involve him smiling at people while they teach him Korean language & culture. His acting was decent enough, but far from good. Jung Ryeo Won's performance was also underwhelming. As much as I loved to hate her character, there were also quite a few moments when I cringed through some of her acting scenes (in both languages). It was initially jarring to hear so much english spoken in scenes, with actual fluent speakers, but it made their acting inexperience much more obvious to me. The only moments of boredom I felt during this drama was when these two were the focus.
I admit that the plot wasn't exactly original, but it wasn't typical either. The love stories in this drama are far less innocent than the k-drama norm, which was nice to see. There were many great rewatchable rom-com moments between Hyun Bin & Kim Sun Ah, and they share one of the best kiss scenes that I've seen in a drama.
Music also plays a key element in the story, which I liked, but I wasn't particularly impressed with the soundtrack.
Overall, It's lol hilarious, yet emotionally realistic. Even when the tone of the drama began to change, It never lost it's momentum. I continued to be excited about watching each episode, and I enjoyed every one till the very end. This drama could have easily ended with a pleasingly cheesy conclusion, but instead the ending was simple, and inspiring.
I think all rom-com fans should have this on their "to watch" list. Forgive the old school phones, and the ugly clothes, and I think this stands up against any current drama. I agree that "My Name is Kim Sam Soon" is one of the best dramas that I've seen, classic or not. I can see myself easily watching this drama again, & again... while eating a lot of pastries, of course : )
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This review may contain spoilers
You must have heard cuteness overloaded but this series is cuteness exploded!!
Honestly why are they so Sodium Radium Potassium {Watch it to know what I mean ;)Starting with they are cute and not the kind of cute where you say they are cute and that's it. It's cuteness exploded. You can feel it through the screen. They would be the one flirting/ interacting/ having a moment but you would be the one blushing, squealing, banging your hands somewhere, gripping your bedsheets, covering your face/mouth and cheering for them. I am honestly in love with their love. They are extremely cute and I tell you that's not the only factor that makes it good.
This series could easily have been cringe BUT let me emphasize "IT'S NOT". It's honestly executed so freaking well and that's what makes it the best. A simple plotline if executed and put together the right way then this is what the outcome looks like i.e. mesmerizingly hooking, to add up extremely cute.
(******Spoilers in this and the next paragraph******)
The way the characters have been portrayed plus the emotions and imaginations of Tinn, my god he is a goner for Gun and ahem Gun ain't any less too. From their eye locks to their interactions to their dance to that pinky finger interlock scene to those cheek kisses to that forehead kiss to their first date oops what I mean is first hangout to those beach scene, to that notebook kiss to their poolside scenes and also many more scenes just just wow. My self control goes down the drains when I am watching them.
I don't have words to describe how much I love this and Tin's and Gun's friend circle makes this series so much more worth it. They are so good humor wise as well as friendship wise. And Tiw/ Tiwson deserves the best best friend award. He is a godly love advisor for Tin and I tell you he is the captain of mommyzhilla. Also Sound and Win damnnnn they are making my heart shake. They are so so so freaking adorable mahn. Each one of their scene be it a bickering scene or an extra sweet one, they nailed it. Also, Tiw Por the hints are blurry... scratch it TiwPor is real. They themself said it and showed it. These two babies they definitely deserve each other. The actors that played the roles of Tin and Gun's parents deserve a huge shout-out. They played it so well. I felt their love, their concern and them.
Talking about the music, I love each one of it from 'You have got ma back' to 'Just being friendly'. The cover MV of 'Just being friendly' hats off to it mahn. It's too good. Like freaking good. A 10 on 10 to the music, the set up and all those scenes and also the editing team nailed it. And the mv made me one of the shipper of Tiw Por. Now talking about, 'Smile please'.. oh my god I couldn't control my smile listening to it. It was too good from the lyrics to the MV. And 'Hook' what an adorable song. Also 'No one else like me' damnn I love this too. and 'Let me tell you' what a song from the lyrics to it's beat to the emotions behind it. The osts of MSP, they are healing plus each one of them has a very deep meaning lyrics. Plus using the song 'Once upon a time' to bid us goodbye damn it had me crying.
In short, a simple plotline at a glance but execution and entertainment wise- bang on it's hooking. I WAS AND STILL AM HOOKED and I can't help but add- their cuteness is blinding. To add up it's healthy, it's heart warming and trust me you'll feel the characters. In fact you'll fall head over heels in love with them. I really love the way this series makes me feel. This series is my comfort place and it gives me those nostalgic feels. I already miss this so much. I- I can't I still have so much to say about how good everything in this series is and how much I love this. But words wouldn't be enough, truly not enough. And I am not even exaggerating. For me this series had it all.
Highly highly recommended!!!
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This review may contain spoilers
The amount of hate that this drama is receiving is astounding to me because in my opinion this has been a stand-out drama among many other dramas that were considered vastly popular this year including Suspicious Partner, Strong Woman Do Bong Soon, and others. The other reviews on this site seem to be incoherent and sort of click-bait so I will try to be as analytical and straightforward as I can with my review. My overall thought is that this is a drama that is great to watch once and feel good about the romance, the justice system and the characters.Disclaimer: I am not a Lee Jong Suk or Suzy fanboy (or many other actors to begin with) so I have no personal feelings for any of the actors.
Disclaimer 2: I value storyline/plot and character/character development extremely highly and far above music which is also above replay value, but I will analyze each in their own category.
Storyline/Plot:
This plot is one of the most interesting yet not confounding plots (I’m looking at you ‘W’) that I have seen in a Korean drama in recent memory. Many recent dramas have been historical dramas that are trying to break the past tropes for a fresh feeling or are mundane/ “normal-life” struggles dramas that bring in new and ironically less “normal” characters. This is something different and interesting because it ties together two interesting aspects: fantasy which are essentially seeing the future through dreams and the justice system. Two aspects that are usually very different but through this drama are associated in a fresh way.
Now, onto the actual plot. I think the pacing was done superbly well and the inserts of flashbacks was well timed. My main complaint about the plot was that there were a few plot holes that were never truly covered. Firstly, why is Suzy able to see dreams about random people when the original idea was that whoever saves you will be who you dream about just like all the other characters? How did Suzy start dreaming to begin with? What is the motive for the detective to hide that he does not know Suzy and Lee Jong Suk? These issues are sort of touched upon but glossed over because there is no real answer to them.
Besides plot holes, everything about this was very good. There are people that complain that the flashbacks and past were not impactful enough but the contrast between past and present that the director/producer used was actually well done. I knew that the plot would be interesting and good when the first episode consisted of Suzy killing herself and Lee Jong Suk struggling with what he saw in his dream just as any other person. Secondly, I believe that one of the strongest points of the drama was the incorporation of the premise of the show into the romance and the melodrama portion. There are some dramas that try to be too many things at once and often fail at all of them or are unable to incorporate all of them. This drama does a superb job of incorporating the dreams into the romance, the justice system, everyday life and the conflicts as a whole.
Overall, one of the best plots done in recent history. This drama is logical (including the fantasy of dreaming of course) and also touches upon some key ideas in an interesting way. What do you do if you know the future? Can you change it? Is changing the future the right thing to do? Is the legal system perfect? Morality over personal interest? All decisions have consequences whether you like it or not. All of these aspects are intricately woven into a very well written plot that presents multiple themes throughout.
Characters:
I believe the true strength of the show was in characterization of not only Lee Jong Suk and Suzy but also of the many side characters. Firstly, I believe that characterization must be logical and follow some “set of rules.” What I mean by this is that some dramas have side characters that perform actions for no real reason or their characters exist with only one thought running through their head. However, each of these characters has their own motivations and thoughts which can be perceived just by thinking about it from their perspective and the drama was shot in such a way and with such good pacing that each character seems relatable. Before I talk about Suzy and Lee Jong Suk, I will talk about each of the side characters and give examples of what I mean. There are 3 “side characters” that I must highlight to show why characterization is so strong and important in this drama. I don’t want to touch upon the detective because there were plot holes that I discussed earlier that I am still unsure about.
Suzy’s mom is an eccentric woman but when you get down to her character she is a person that is devoted to her daughter and her daughter’s happiness is the core of her being like many other mothers. Would you want your daughter to date a man that could get her killed? How about giving her false hope or causing her pain? The rating of the men around her daughter is a personification of what mothers actually do. Every action by this character makes sense.
Lee Yoo Beom or the main villain is an intricate character whose end-game is truly highlighted in the last episode. A self-driven, greedy individual who presents a façade of intelligence but struggles to stick with his own morals when gain is in front. This character through flashbacks and actions by Lee Jong Suk is strongly characterized as someone that would take advantage of another person while maintaining that he was simply doing the logical and right thing. The most impactful seems were when he was in the bathroom washing his hands or loosening his tie and cufflinks. These are small things that show a much more in-depth character. The washing of the hands to symbolize washing himself of his guilt. Or loosening his clothing when he is doing things that are morally wrong to symbolize the loosening of his morals. Every action about this character makes sense especially being driven into a corner where he ends up making the decision to kill a person he said knew him better than his parents. Every action made sense.
Han Woo Tak. Many people love this character and for good reason because he is the charming and loyal second lead that many people are supposed to feel bad for due to his unrequited love. However, his actions also make sense. From the beginning Suzy shows no romantic interest in him and it is clear to anyone that Suzy and Lee Jong Suk were more than friends from early on in this drama. Many other second leads in other dramas would do anything to become the love interest including ruining friendships and ignoring the obvious truth. That is the beauty of this character. He knows how to look and read other people. Woo Tak makes decisions based off of other people while still maintaining his outstanding morals. He decides to value his friendship with both main characters over his own love. Many people experience unrequited love in their life and end up just being friends. Sacrificing everything for a love interest that clearly shows no affection back is a sign of terrible character that does not fit with his logical and morally sound characterization.
Lastly, our two main lead characters. Many people say Suzy is just a pretty actress. I would say that this is by far her best performance and she perfectly acted out her character. How do you act out an optimistic yet afraid girl that constantly dreams about other people dying or experiencing death yourself? Suzy perfectly acted out a quirky girl that tries to always keep a smile on her face and not let her fears get to her. This character is very complexly written because it touches upon an interesting aspect of human psych. How do humans deal with pain and tragedy and fear? Some people become depressed, while others hide it. Clearly Suzy’s character was hiding her fears at the beginning while it was also clearly controlling her life ie. short hair and quitting her job. This character indicates that when you hide pain it can be harmful and cause your character to be much more falsely optimistic or pessimistic at times. Her character makes sense.
Lee Jong Suk’s character is also very interesting. His character is someone that has bettered himself from the past but still maintains his resentment for certain things and events ie. regret about his father and hate for Lee Yoo Beom. Many people say that a plot hole in this drama is that for such a smart character he does nothing except rely on dreams and other characters’ help. I would argue this is very realistic. No matter how smart someone is there are obstacles that they can’t pass without help. Do you kill 7 people, or do you get the criminal? Suzy helps him think outside the box. If you believe every character should have all the answers that means you are watching some very poorly written dramas. Do you unleash your anger, or do you allow the legal system that you believe in to work? Lee Jong Suk is not a super hero and that is very clear from this drama. He clearly struggles with the same emotions and understanding that I our other logical viewers would reach. The last key example is that he knows his best friend Woo Tak loves his girlfriend, but he does not outwardly show it. Other dramas would result in him fighting his best friend or going out of his way to disturb their relationship. But his character’s ability to read other people and trust his friends shines through and he does not complete many of the actions other main characters would do.
Lastly, the chemistry. I would say it was okay and cute at times. I do not think it was as great as some viewers claim or as bad as others would say. It was simply a part of the story which I actually prefer. The romance was not overbearing and did not interfere with the story but instead was another key aspect of the story. Suzy and LJS love each other and would do anything for each other but that does not mean that they do or should. It was not the sizzling romance with smoldering eyes and hot kisses that many fans would hope for, but I honestly think this is more realistic. Love does not have to just be passion, it could be walking your girlfriend to work every morning or being jealous she is paying attention to another guy. It does not have to be star-crossed lovers with exaggerated lines that would die for each other at a moment’s notice. Even though there was a bit of that in this drama too.
Music:
I think this music was quite good. There were several songs that stood out to me including “When Night Falls” by Eddy Kim (which was probably the best song), “It’s You” by Henry (meh, I think the song fit but isn’t that great), “I Love You Boy” by Suzy (fits the drama very well and is also very good).
Rewatch value:
I rarely rewatch dramas but there were many good scenes and moments that you could rewatch for the aesthetics and the acting. I would say that of the recent dramas I would like to watch this drama again to think more about the other villains and the detective. They were all well written and correctly paced but I think I may have missed some key points.
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I didn't want to watch this drama because I didn't want of another 1 Litre of Tears.(I loved that drama when I first watched it, but it really serves the purpose of making you cry and I'm kinda sick of the genre right now) But it's alright because this one is completely different.
The story is very realistic and not filled with self-pity. In fact, it's a good thing you see Takuto cry in the opening because he hardly does in the drama ( and the few time he does cry he makes sure you cry with him). I won't say much about the story because I don't want to spoil, but all I can say is : this is not a 1 Litre of Tears copy/paste, so don't worry.
Also, I really like how the characters were written. They all have their importance. Even the school girl, who seems pointless at first, actually have a very important part to play in this story. I even got some good surprises : the little brother, for example. I hated him first, but in the end of the drama he was one of my favorite characters of the show.
Acting : Splendid. Realistic. Impressing. Award worthy. That kind of awesome. And no I don't say that just because Haruma Miura knows how to cry. He knows how to make a character who wants to cry smile and make the audience burst into tears. He knows how to show us that he's scared just by drinking from a bottle. He knows how to forget the camera and his everlasting handsomeness to show us how ugly his face can be when panic burst out. He knows how to control - and loose control- of his voice. Most of all : he can really express lots of emotions just using his eyes, which in this particuar case is a priceless asset.
The supporting actors also did a very good job ( I'm already a fan of Tabe Mikako for Kimi Ni Todoke and Ooku and of Kazama Shunsuke for Soredemo Ikite Yuku - from a psychopath to a cutie pie, is there anything he CAN'T do ?). They all really did a great job.
Music : Not a music to make you cry, more a stressful one. That's what I like. Not self pity, but fear of the life that's coming ahead, that's the point of the drama. But there are also sweet musics for the more positive moments. Anyway the main thing is : the music stayed at its rightful place. Helping the show, not trying to make up for an actor's lack of acting skills. There was no need for that kind of music since all the actors did so well. So as a result, there were lots of silent moments, which made the show even more realistic.
There is only one thing I'd like the point out, about this drama. It's too easy.
After seing the drama, a viewer could feel safe again, knowing that no matter what, there is always a way to cope with the disease. But what you could forget is that Takuto comes from a wealthy family, his father even runs an entire hospital. So all this pieces of equipment - none of them are free, and insurance only covers so much - are there because his family has the money. But surely not all the ALS patients have those kind of means. I'm sure they don't all live in Takuto's luxury. Also, not all the companies would accept to cope with an employee's sickness like that. They don't do a pre-hiring health check-up just for the fun of it. So, sure he has a terrible disease, but in his misery he's terribly lucky. I'm sure a drama about a poor, unemployed man living alone facing the same disease would have been unbearable to watch.
But doesn't keep this drama from being really moving and well done, with outstanding acting. Do watch it ! ^^
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No need to worry if you don't like heavy drama, it won't be that of a heavy drama at all, the overall cozy ambiance compensates for its heavy subject matter. This is a slice of life/food drama after all, so you can just chill, watch and enjoy. This is very similar to the Japanese movie "Little Forrest", they will show you how they cook the food then proceed to story, but unlike "Little Forrest" where it is 70% cooking 30% story, this drama is 80% story, so it has more plot and you won't lost into the story.
If you think it's already a big deal when Ossan's love uses mainstream actors to a gay drama, then this is more big deal than that. They not only have mainstream actors but established A-list actors. To give you an idea Hidetoshi Nishijima has a reputation of a tough guy in Japan, similar to Jason Statham in Hollywood. I also think it's a genius idea to cast him as the closet gay, his demeanor matches the character very well. Uchino Masaki (Tonbi, Jin), another A-list actor, portrays the more feminine character. Among the two I considered him the better and the more versatile actor, and this character he portrayed just added up to the vast range of characters in his resume. The chemistry of them both is phenomenal, they argue and makeup like a real couple. They also made decisions that even straight couples will be able to relate.
One of the highlights of this drama is when Kakei's mom told him "tell your co-workers you're gay, there is nothing wrong with being gay", and the actress who said this savage line is none other than Meiko Kaji, famous for Lady Snowblood series, the granddaddy of revenge movies which inspired Tarantino when he made Kill Bill. If you just realize what Lady Snowblood represents that time, and how it connects to what this drama represents this time you would also say the casting for this drama is really something, it's freaking genius.
Watch it not because it's a gay drama, watch it because it a very good story portraying a couple having struggles in our society and how they overcome those hurdles to become happy. This is a little gem here my friends.
FULL REVIEW
https://thatjapanesedramaguy.blogspot.com/2019/07/drama-what-did-you-eat-yesterday.html
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The Yin-Yang Master: Dream of Eternity
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The Perfect Yin Yang
The Yin-Yang Master: Dream of Eternity is a much anticipated movie that went through hell and back, and literally pulled us fans into the same predicament. This production has been plagued by backlash against its director-screenwriter, Guo Jing Ming who lost a plagiarism lawsuit back in 2004 for a novel that he had published and since then, there have been those in the industry calling for a continued boycott of his works. On top of that incident, another accusation of plagiarism was made against him, this time for this movie where certain scenes resembled Marvel’s 2016 release of Doctor Strange. This fresh wave of backlash had resulted in the film being pulled from cinemas less than 2 weeks after its initial release in China on Christmas 2020. There were real fears that Netflix, which acquired the world-wide distribution rights, may pull the plug on this as well. Fortunately, it did not and the movie was released on the streaming platform as originally scheduled on 5 February 2021.Dream of Eternity is adapted from the novel series Onmyōji by Yumemakura Baku, with a fair amount of interpretation through the screenplay (as I understand from various news sources) written and directed by Guo Jing Ming. This is the 3rd incarnation of live-action based on the novel series, the first two were Japanese adaptations in 2001 and 2003, and comes into direct comparison (and probably competition as well, due to the timing) with another movie based on the Onmyōji mobile game (which is also inspired by the original novel series), The Yin Yang Master. To be perfectly honest, I haven’t read the novel series, played the mobile game, and even seen the two Japanese adaptations. So I went into this on a huge wave of anticipation and excitement based on rave reviews by nearly everyone who had seen the movie.
The plot focuses on the adventures of the lead character, cosmologist (Onmyōdō, the traditional Japanese art of esoteric cosmology) Qing Ming as he investigates strange cases linked to an overarching mystery involving the heavenly realm and a mystical artifact. This takes place in a fantasy world where supernatural beings (demons, and others that I’m unsure of how to classify) co-exist. Along the way, he develops a friendship (and bromance with hints of BL) with the Imperial Guard (similar to the Embroidered/ Brocade Jing Yi Wei guards) Bo Ya. Together they form a formidable partnership in tackling the unsavoury otherworldly (super)villains that get in the way of solving mysteries. They also encounter other intriguing supporting characters such as Princess Zhang Ping, Master Long Ye and He Shou Ye.
If the story depicted here is anything like the original source material, I’m severely tempted to start reading the novel series. Exquisitely intricate world building of the highest degree with equally fleshed out major and supporting characters. Little wonder a running time over 2 hours is needed to bring this entirely fantastical setting to life. It certainly did not feel that long at all, as the storytelling progresses at a reasonably engaging and quick pace with perfectly-timed intensity and thrills where it mattered. Perhaps an additional 15 to 20 minutes would have provided more richness and depth to certain scenes and the development of character build-ups and relationship dynamics.
The cast is one of the major reasons for getting excited over this movie. Mark Chao headlines the eclectic ensemble that also comprises the likes of Deng Lun and Olivia Wang. The award-winning Mark Chao is globally renowned for his role of Ye Hua in Eternal Love (TMOPB) as well as numerous other starring roles since he made his debut in the critically-acclaimed Monga a decade ago. Deng Lun is another big name in the xianxia series through his major role in Ashes of Love. Olivia Wang is probably not as universally renowned as the two gentlemen, but she has been no less prolific with a portfolio of works that spans 15 years in the industry.
The characters of Qing Ming and Bo Ya were delectably portrayed by Mark and Deng respectively. Mark invokes a particularly subtle kind of charm and sophistication as the titular Yin-Yang Master that makes him appear genuinely warm and sincere but with a dash of self-assured confidence. Deng’s Bo Ya is seemingly more minimalist with a stoic disposition permanently etched on his entire being. These two make for a great couple, whether as brothers-in-arms or even beyond the usual conventions. Wang was almost unrecognizable as the Princess Zhang Ping, even without the heavy Tang-esque makeup. I felt that although she was probably way out of her comfort zone in this role because it was such a controlled and subdued character to portray, her performance was on point. Her character is arguably one of the most enigmatically intriguing.
The most talked about aspect of this production that garners the highest praise from most viewers, with which I agree wholeheartedly, is its visual representation. This is a big budget production that seamlessly blends top-tier CGI technology, beautiful cinematography, and astounding choreographed sequences with breathtaking set designs and immaculate costumes that embody the world of Onmyōji, supposedly set in the Japanese Heian period. There is absolutely no way to describe how visually stunning this film is - you just have to see it for yourself. Principal photography fully took place at Hengdian World Studios and apparently this film and a sequel were filmed back-to-back in what is a planned series. The impressive visual effects were provided by the well-known Korean animation and motion picture VFX production company, 4th Creative Party which had produced feature films in Asia, Hollywood and Europe, most notably Okja, Snowpiercer, and The Host.
The music in the film is no less exquisite, composed by celebrated Japanese composer Kenji Kawai, famed for his works in Ghost in the Shell, Death Note and Ip Man series, among many others. The BGM for this production is one of the best in the fantasy genre, where traditional sounds blend harmoniously with contemporary tones. The OST lists 2 tracks used in the film, both of which are slow-tempo ballads:
Heart Fallen 心殇人 - Huang Ling 黄龄
Infatuation Tomb (Ending Song) 痴情冢 – Deng Lun 邓伦
Overall, The Yin-Yang Master: Dream of Eternity is an exceptionally well-crafted film that is stunning to watch, refreshingly straightforward and uncomplicated (despite the premise), and effortlessly enjoyable as well as fun. It’s a no-brainer, what are you waiting for? (before Netflix actually removes the content because of plagiarism issues...).
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love like a storm
A masterful portrayal of the maladies of fledgling teenage love. Confused emotions from failing to separate friendship and romantic attraction, longing , pain from unrequited feelings, utter joy from being together, jealousy and the desire to possess; love is like a storm sweeping through the mind, enmeshing all the emotions. A teenage love is indeed special. Unlike the managed emotions of an adult who has learned to protect oneself , it is desperate and total. Such intricacies are rarely portrayed in dramas, more so in gay-themed dramas which unfortunately have a general lower quality. A must watch for all lgbt fans.From a general reading of the comment section, people please remember they are not experienced in love and cut Teh some slack . On one hand , he wants to do right by his friends, but the bitterness of unreciprocated feeling takes over making him manipulative and hurtful to others. Only when you grow up, you gradually learn to exercise restraint. So don't be to quick to judge him by adult standards
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THE BEST INTIMACY shown in a BL series with the most realistic portray of sex
I have never written a review before, but I had to do so after seeing how unreasonably harsh people were with this show. Yes, it is based on Mame's novels, but it actually brings out the best in them and improves upon them. She’s also not a screenwriter for LITA, so the series has a different feeling from her previous works. It's a rare gem with a beautiful cinematography and great acting and it's sad to see people skipping it because of the other reviews.First of all, let me get something straight. This series is not an all green flags show. There are definitely some questionable moments, so if you're looking for a fluffy series with a perfectly healthy relashionship, this series is not for you. HOWEVER, both of the relationships portrayed in LITA only start out questionably, later on they develop into quite healthy and well communicated ones. Many people even call Pai as a walking green flag. There is also a speculated hidden dynamic in Payu’s and Rain’s relationship that would explain most of ther “toxic” moments.
Now, when reading OTHER REVIEWS and seeing this:
"TW: (non-consensual touching, homophobia, manipulation, mind games, s*a*, torture)", you’d really think LITA is some kind of twisted show. But this is where the overreaction, too harsh of a criticism and Mame's hatewagon come in play, because:
IN REALITY:
- (mind games, s*a*, torture) refer to Sky’s past. There are some flashbacks and difficult scenes in ep 13, but that’s it.
- (homophobia) refers to a comment / question made by Rain in the first episode, it happened just this once and Rain regrets saying it instantly
- (non-consensual touching) yes, this one is valid.
Still, let’s clarify it a bit - it obviously refers to Sky's past (as most of the brutal and horrible tags do). It also refers to some actions attemted by Payu to Rain, but he never actually does anything in the end. It refers to a scene where he's sniffing / butterfly kissing Rain's neck (not really touching him) and also a scene where he tries to sleep with Rain (so non consensual kissing of his neck), but doesn't after Rain refuses him (though Rain has to say it like 4 times).
Compared to what is normalized and shown in the BL industry today though, it’s laughable that it's LITA that got tagged as 'The toxic show' out of all of them. Yes, there is an obvious dose of toxicity there, but the biggest shows have all done so much worse in terms of consent, like Cutie Pie - taking advantage of a drunk person, Tharn Type - forcing yourself on somebody, Kinn Porsche - taking advantage of a drugged person, torture and so much more. Even shows that have aired recently have done much more, like Big Dragon - taking advantage of a drugged person, Ai Long Nhai - taking advantage of a drunk person, etc. And people don’t say nearly as much about them.
I would actually argue, that apart from the scenes mentioned above and some problematic tropes, this show does a solid job at showing us healthy relationships. We can see it the clear communication, mutual respect and also in the way they interact with each others, which brings me to:
WHY I ADORE THIS SHOW SO MUCH
This series really portrays the most realistic intimacy and sex between partners. And I’m not only talking about the NC scenes, I’m talking about the CASUALITY OF KISSES AND TOUCHES. There is no slow motion and ten different angles for a little peck. There are hugs, pecks, kisses and butt slaps, all given casually, as it should be between partners in a relationship. And when it comes to the NC scenes, they not only portray lust, but also the intimacy and love that real couples have. We can see that both parties want it - there is no 'bottom who endures sex', both people want it and enjoy it equally.
In an interview, Boss (who plays Payu) explained that he had asked Neoul (who plays Rain) how deep (when portraying emotions) can they go in the intimate scenes, to which Neoul responded with “as deep as possible”. Boss also mentioned that they wanted to portay LOVE THROUGH SEX , and that’s exactly what they did. Pai and Sky did an amazing job too. And yes, their scenes didn’t have the same kind of loving and a bit kinky intimacy as Payu and Rain, but their realshionship was also based on completly different emotions which were portrayed very well during their intimate scenes (which were wild at times).
THE PLOT
Some people say that there is no clear plot in this series, but that couldn't be more wrong. It's just that the plot is focused mostly on the development of the relationships, the plot is the relationships. Another storyline throughout this whole show is the student life. I really love that it’s taken seriously and there are actual reprocussions for failing an exam / doing badly at school for the characters. All students know that going to uni is sometimes more taxing than a full time job, especially when studying something like architecture. For Payu and Rain there is also the subplot of bike racing, for Pai and Sky there is the subplot of mental healing and trauma. But the main plot is the couples' relationship developmnet, which may not be everybody's cup of tea.
THE STORY OF PAYU AND RAIN (ep 1-7) starts out kinda questionably like I already explained, but progresses into something amazing and sweet. I especially love the character development of Rain, who gets progressively more serious and responsible about his schoolwork and confident in his relationship and needs. I love how he strats teasing Payu back and expresses his own needs for intimacy (he’s not afraid to initiate the touches / kisses) and I love how patient Payu is with him. And can we talk about how this show lets Rain discover his kink and actually acknowledges it (especially in the special episode)? It's done so casually and there is no weirdness about it, it just becomes a part of their relationship. The characters can feel a bit unreal sometimes (Rain is sweet, but kinda cartoonish at times and Payu is a bit too perfect), but it doesn't take away from the rawness and realness of their relationship.
There is a suggestion that Payu and Rain have a Dom / Sub dynamic. It was brought to light by people from the scene, who said that it’s very easy to recognize once you are in the know. To me it makes a perfect sense and adds a lot more depth to their relationship. It’s shown in some obvious and many subtle ways (like Payu saying things like “Answer me”, “Sit still”, the constant conversation around rewards and punishment, etc.) and it shows their early “toxic moments” from a different perspective. If you are interested to know more, please read my reply to Meca’s comment under this review, it’s explained in details (it contains spoilers, so beware).
THE STORY OF SKY AND PAI (ep 7 - 13) is a story of healing. We've got a flamboyant CEO Pai and a sassy but traumatised Sky, which creates an interesting dynamic. Although their first meeting is questionable and Pai turns into a lowkey stalker for a bit, when he sees Sky for who he truly is later on, he turns into the biggest walking green flag ever. The way Pai's always there for Sky, being patient with him and honestly just being happy seeing him and being with him is beautiful - as is seeing him, the playboy he is, putting Sky's need for intimacy (or lack of) before his own. We can also see how Sky slowly opens up and doesn’t see sex (or himself for that matter) as dirty anymore. I appreciate the clear communication after a misunderstanding and how Pai always double checks before doing anything with Sky, just to be super sure.
Both couples turned out to be different in the end, in a good way. Rain and Payu are the sweet, loving, but kinky daddy / baby dynamic couple, who have the most scorchingly intimate but also sweet sex. Sky and Pai are the couple who are careful to double check consent and communicate things through, but also have a high sex drive and thus end up having the wildest sex with Sky being an obvious power bottom.
OTHER THINGS I LOVED:
- The show is fast paced (because it squeezes 2 books into 1 series), but that makes it perfect. There are no unnecesary conflicts just to drag it out. It’s a fairly straightforward and nice watch.
- The ACTING. Although sometimes there were shortcomings, you would never have know that all of the 4 main actors are rookies. They did a truly fantasctic job portraying the characters.
- The cinematography is simply BEAUTIFUL.
- The SPECIAL EPISODE is a cheffs kiss, please watch it if you haven’t yet.
- The breaking of the stereotypes when it comes to sex and portray of intimacy.
- The comedic duo that Sky and Rain are, their dynamic is super cute and funny as best friends.
THINGS THAT COULD USE IMPROVEMENT:
- The sound editing, it just wasn’t right sometimes. The loudness of the music was weird at places.
- The last episode felt a bit rushed, though the special episode definitely makes up for it.
- The problems with consent (like mentioned). Payu’s and Rain’s realtionship started a bit doubtiously and it was on a very thin line from being a non-con. Though if you count in the Dom / Sub explanation of their relationship, it may not have been as non-con as it seemed, but that’s up to you to decide. And Pai’s stalkishness at the beginning also felt very abuse of power-y.
- The series has a slight unrealistic / wattpady feel to it, it’s a clear fiction.
- Some undeveloped plot lines. I really want to know more about P'Pakin and the bike races, like who is he? Does he have connections to the mafia? How did he get to know Payu?
IN CONCLUSION, if you want a clean show where everybody is a walking green flag and there is 100% consent with everything, then LITA is not for you. But if don’t mind some toxicity and can bear to see Sky’s flashbacks of his difficult and abusive past in ep. 13, then PLEASE, WATCH THE SHOW. It has so much to offer, so much sweetness, cuteness and sexiness, it would be a shame not to give it a try. The intimacy, chemisty, cinematography and acting are all excellent. It also comes with a delicious special episode as a cherry on top.
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Of course, the romantic comedy elements are all there. The love triangle is killer. You will definitely have a second lead syndrome, even if it's only for a few fleeting seconds. But at the same time, you will never stop loving the male lead. The story also makes you laugh plenty. I haven't laughed like this while watching a drama in a long time. The writers didn't take even a minute for granted and the whole thing is an absolute joyride.
Another awesome thing about the story is how they covered a whole range of issues in a lighthearted and optimistic manner. We have the issues of male breast cancer, asexuality, live-in, two-timing, workforce rat-race, not-so-typical families explored beautifully in a way that only a Korean drama can pull off. The romance is top-notch. I love the chemistry between the two leads and between all characters in general. The comic timing is great.
Among the characters, I was absolutely invested in Hwa Shin's character. He is not perfect but the kind of growth the character showed from the very first episode all the way till the end, and the way Jo Jung Suk portrayed Hwa Shin's struggle in love and life, it was amazing. He absolutely killed it! I have watched everything Jo Jung Suk has starred in and this is my favorite of his works (so far). Gong Hyo Jin was her usual best. I love her in these naive roles that she plays. Both second leads were great. Jung Won was more perfect but Hwa Shin was more interesting.
Pal Gang's moms were hilarious and their interactions were something I always looked forward to. The company had an interesting setting. I loved Pinocchio and this time, it was nice to see a drama from an anchor's perspective instead of reporters. Pyo Na Ri's struggle to switch from a forecaster to an anchor was inspiring and something that was relate-able.
I am definitely rewatching this. Some scenes are so memorable and the chemistry is unforgettable. The music is great. My favorite song from the OST is "Yes! Love". I waited for it to release for a long time. Overall, it is going down as one of my favorites. And Jo Jung Suk has almost made it to my favorite actors list. Highly highly recommended for all kinds of moods!
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Comparison with Chinese original "Go Princess Go"
Since I watched both the Chinese original "Go Princess Go" and this Korean remake, let me comment on some similarities and differences, and why you should watch both :)1. Completely different storylines
Other than the "modern playboy's soul enters ancient queen's body" setting, everything else is redone. The Chinese drama was in the early webdrama days and featured an imaginary ancient time, while the Korean actually corresponds to one of the real kings in history. The Koreans took this short-lived king and remade him into a different (more interesting) character in the drama, and based a lot of clan feuds / political conflicts around this time period. This is very different from the Chinese drama, which had much less politics and much more just pure slapstick comedy.
So if you're into period dramas, this one will give you everything you need -- history, politics, as well as a very gripping fight for what is right.
2. AMAZING costuming and set
The Chinese drama was made in the early webdrama days with obscenely low budget, so they took the low budget and made it into one of their jokes. They had one electric fan to do all special effects with, they didn't have money for realistic costumes so they remade a lot of modern dresses, and the set was just ???
(That is not to say the Chinese drama is poorly made -- as I said, they took the low budget and they ran with it; and they made SUCH A FUNNY DRAMA from it that the historical inaccuracies can be ignored)
This Korean one, on the other hand, is made with a standard drama budget, so they really made the whole scenery so much more exquisite. Standard period drama costuming and accessories, and standard period drama sets... etc. Pretty clothes, pretty backgrounds -- what's not to like?
3. The comedy is just as existent!
You'd think that with the politics and the real costumes, that the Korean drama would be much more serious and boring. Not true. Thanks to the scriptwriters' cleverness and the actors' amazing acting/adlibbing, we got just as funny of a story (if not more so). From the wild (history-friendly) re-explanations of common modern words in the "Queen's Dictionary" to the facial expressions and physical comedy, Mr. Queen will have you laughing on the floor and screenshotting all those ramyun references :0)
Basically you can treat Mr. Queen and Go Princess Go as two completely separate works. Both have their perks and charming points. Both are entertaining to watch. One requires a little bit more brain power than the other because of its extra enriched storyline (Mr. Queen), but the complexity is also what made this drama do as well as it did.
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PLOT:
Anyone looking for a fast-paced action packed drama, should look away now. This show really defines slice-of-life. I am sure everyone watching this drama could relate to one of the girls or even just a situation faced by the girls. I was able to relate to different situations and aspects of many of the girls personally and also have seen other friends/family facing similar situations:
- Jin Myungs hardships! I could especially relate to her feeling lost.
- Ji Wons non-existent dating life
- Friends who have faced similar situations as Ye Eun in their relationships/love life
- Eun Jae's hesitation, timidness
- Yi Na questioning herself and her decisions in the last 2 episodes or so
There have definitely other aspects. I just listed some that were especially relatable to me.
I was really glad that the plot focused on the girls the most and not the boys. It didn't take a detour. It was consistent. Each girl's individual storyline and character growth was moving, and the different episodes focused on different stories perfectly. The show shows us how the girls are important as individuals as well as their relationships with each other. It was very apt and moving that throughout, the relationship between the girls, them as a 5, was way way more important then their relationship with any of the guys/ or any one else tbh. They valued each other and nothing came in between them. It was very realistic in portraying their relationship, even though they lived together, and despite the closeness, each individual has their own personal hardships (defo last ep), and you don't share every single detail with everyone. Another point was that they didn't try to force the 5 girls being close to each other equally, it made perfect sense for some girls to be closer to each other then to others - this never undermined their bond as a 5 though. I could ramble on about this but I'll stop.
CAST/ACTING:
I don't have any complaints. I could imagine the actors as their characters perfectly. Never once did I doubt the acting, or imagine anyone else doing a better job. I was immersed in each and every character and that is partly due to the actors job (also story/director etc). The guys played their part really well, and very convincingly. I didn't think the acting was over the top or anything.
MUSIC:
The songs were so perfect! I have been replaying Sogyumo Acacia Band - Butterfly. There is something about the song that makes me just want to reminisce my youth and think about stuff (lol). It fitted the show so perfectly. It was subtle yet it did its job.
REWATCH VALUE:
I gave it a high rewatch value, because I'll probably rewatch this at some point - probably after university finishes and I miss my college days. Though I don't know if I'll be able to handle it. It has already made me feel so much, and taught me a few life lessons, I don't want to rewatch it and make it less impactful on 2nd watch. Its too soon now.
FINAL THOUGHTS
The highlight of this show is definitely the girls. The only negative I have is the shortness, but they sure packed a lot in 12 episodes. I know each girl's story didn't complete (in kdrama completeness - happily ever after sense), esp YE EUN at the end, but in true fashion of this drama and its genre: life isn't start and stop, its ongoing for them, they don;t all need to have a boyfiriend or everything figured out, because thats what life is for. They only showed us a snippet of their life and so we can't expect everything to end completely and perfectly.
[A lot of comments going around earlier about when Jin Myung will develop her backbone. Speaking from life experience, I know someone in similar situation who had and still has many many hardship, but keeps quite and deals with it all. It took her many many years before she finally came to realise that this is her life, and she needs to live it her way, that she need to speak up for herself and not put up with people who hurt her. So people don't just change overnight. It takes a lot of self-realisation and growth. And I'm glad the show touched on this the way it did, for everything to reach a limit before you finally break down]
Age of Youth was definitely one of the best written, acted, and directed kdrama I’ve seen so far this year (this and Signal). And I sincerely pray for a second season!
This is so long.
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The only main actor I had watched before was Yoo Yeon Suk, but I had not been a fan. I knew of Lee Byung Hun, but had never watched him in anything. I was blown away by the acting of all 5 main characters. Some may say otherwise, but I thought they were flawless in these roles. Kim Tae Ri was especially captivating. Her beauty and her voice were mesmerizing to me. Some thought LBH was too expressionless, but I found him quite the opposite. And when he unleashed one of his smiles, I was enchanted. For the first half or so, I felt like the chemistry between the Eugene and Ae Shin was very thick. There was a bit of shift afterwards, but nevertheless they had something there. I was very moved by the acting of the other three as well, and they all became very beloved characters that I rooted for. Dong Mae and Hina were the anti-heroes. And Hee Sung was a hero in disguise. They were all complex and compelling and I loved each of them for varying reasons. The extended cast was no less impressive, and no less part of this story - I couldn't even begin to name them all and what they added to the narrative.
The story is not all tears and sadness though. In the beginning, there is definitely some humor in the mix as well to keep it from becoming too solemn. The writer really did a great job carrying us forward with each new step that our characters faced. I loved all the relationships that were formed, and the bravery of the Righteous Army, and the people of Joseon who captured my heart. So when it got to the climax, we were more than ready ---and yet, somehow, not prepared at all.
The music chosen was excellent. Haunting and lovely. Sad March and The Day were the main songs. And a sad, melodious version of Greensleeves to top it off.
I know that I gave it a 10 for re-watch value. I would absolutely watch this again, but I don't think my heart could handle it anytime soon as it's already ripped to shreds right now! Even if you think that historical shows are not for you, I think everyone that loves Korean dramas and culture should not miss this show. I would not recommend this show to anyone that is looking for fast paced or satisfying happy bows. You would be looking at the wrong thing here. But if you want a story that will move you and mesmerize you, this is where it's at.
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