It tells an ordinary story in a refreshingly modern way, without giving up on those elements we inevitably associate to k-dramas and make them into the shows we are all addicted to: a love triangle or square of some sort, love obstacles of various nature, parents who meddle but without being completely unreasonable or out of this universe evil and a corporate sub-plot.
I wouldn't call this a romantic comedy. I think it's more of a life drama. There's romance, of course, and there's a mature, clever humour, but both these aspects are rationed throughout the narration in a sedate and yet very effective way. This is why I believe I do, I do isn't for you, if what you're looking for is a typical rom-com. The pace may deter some, and others could find the raised issues uninteresting or controversial.
I loved it because it offers the viewer a range of different points of view on subjects which are very common in real life, and not so common in the Korean drama world; there's no judgment involved, no stance is presented as better than the other. It's up to you to decide what you would do and how you would react in a similar situation.
A life drama is only successful when the characters are well outlined. And this is the true strength of I do, I do. I myself was amazed at how gradually and yet fiercely I got attached to some of the characters, mainly the two leads. They are both so well portrayed I ended up identifying without having a trait in common with either one.
Acting is spot on. I consider Kim Sun A a guarantee. I may not like all the dramas she acted in, but it's never been due to her. She enters the character in such a plausible way, she does not create fictional characters but real persona. Always believable, never predictable. And let me add how wonderfully satisfying it is when you finally land on a drama with an intelligent, self-assured, successful female lead who does not passively accepts events but make them happen!
The character of Tae Kang has been an amazing revelation for me. A cute thing who looks like a puppy and acts like one is all I believed he was in the beginning. I was very wrong. He's tremendously endearing and such a blend of childlike enthusiasm and caring maturity I couldn't help but being completely captured by him. My admiration goes to the actor for capturing the essence of his character and portraying it in such an adorable way.
The chemistry between those two is also a work-in-progress. Their feelings grow as the characters grow. We fall in love with Tae Kang the moment Ji An does, not before. I loved this aspect the most, as I am usually very frustrated by knowing a truth which the characters will be oblivious about for three quarters of a drama.
The secondary characters are normal people. They make mistakes, they gossip, they laugh, they get angry. With the exception of "madame CEO" - and her horrid taste in figurative art, allow me to add - I liked them all. Everyone has an arc and a role in this story. They are not thrown in just in order to fill empty spaces.
The music isn't unforgettable, but I must confess the main theme is addicting and the instrumental pieces very well chosen.
This isn't a drama I will run to re-watch as soon as it's finished airing. However, it has many delicious, thought-provoking and poignant moments I'll be more than happy to immerse in again in the future. I recommend this drama to everyone who likes a solid, modern script, unusually believable characters and a no-nonsense plot.
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Curtain Call
58 people found this review helpful
1The plot has enormous potential, yet more bite and sting really wouldn't have hurt.
The share of Makjang in South Korea's series productions seems to decrease noticeably. After 3 seasons of "The Penthouse" in 2021, taking the evil within the "´War of Life´ to the extreme, it might have been somewhat exhausted? Thus, "Curtain Call" may be a noticeably 'softened' Makjang series (if at all). In this manner however, the KDrama represents a social zeitgeist that should not be underestimated: the desire for reconciliation. Reconciliation with the North. Reconciliation between generations, between the past and today. Reconciliation between duty and dream. The search, the longing, the need for South Korean society to balance itself on a new level - finding peace. To me, that's what "Curtain Call" stands for.As so often, the focus is on the rich and beautiful. In this family clan, too, the third generation could disassemble itself in the fight for the golden spoon. But somehow things are a bit different here than otherwise in KDrama Orbit.
The head of the family is (quite progressively) a woman. Matriarchy instead of patriarchy, that makes a difference. While she probably represents business acumen and a strong leadership style, for all the respect she receives, she has NOT sacrificed her heart for her grandchildren and employees on the track. Also: For once, she (at least she) does NOT embody the incarnation of disparaging arrogance. She is NOT someone who mercilessly pursues her own interests without regard for human losses. In the contrary, there is a healthy dose of humility, because even in old age she is still close to the very simple roots of her origins. This is also because her homeland is in what is now North Korea. She remains aware of the painful separation throughout her successful life. No amount of money can turn back time or realign the political structures. Like that, she embodies a vicarious pain shared by many family histories across the country. And so an emotional bridge is practically built to the audience - ´halmoni´ gets some sympathy.
The plot has actually enormous potential: the grandson from North Korea, for whom the now old and terminally ill chair(wo)man longs in her last remaining weeks and months, was actually found. However, his personality seemingly doesn't lend itself to a peaceful happy ending - and so an actor who is versed in the North Korean dialect is introduced into the family as a fake grandson instead. He does his job so well that he ends up doubting his own identity...
"Curtain Call" manages to play out some of its punchlines in an emotional sensitive way. Nevertheless, the story remains more harmless than necessary and the potential isn´t realized. The KDrama doesn't take its chances, instead prefers to choose warm colors and soft images. All in all, "Curtain Call" might find its own pitch in the KDrama orbit, yet it keeps a low profile along the way and unfortunately does not take the next step. It rather remains kind-hearted and thus gambles away a dramaturgical chance. In my opinion, more STING really wouldn't have hurt. Too bad.
Nevertheless: "Curtain Call" is nice to watch. The cast is top notch. In places razor-sharp and at the same time pointedly funny, the KDrama also operates (especially against the background of the North-South dynamic) in a good mood with small socio-critical side swipes here, there and over there as well. The dialogues exploit this potential with relish. The bottom line is that "Curtain Call" is probably worth seeing if you DON´T feel like too much excitement, revenge, action, thriller, legal affairs or romance.
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A once in a blue moon treasure that is enchanting, magical and extremely addictive
After being sorely disappointed by the infamous 'Descendants of the Sun', I've learnt that the 'hype' surrounding a drama does not always translate to an enjoyable watch for everyone. So when this massively popular show popped up under my radar, I wasn't sold yet. At the time, I didn't get why 'The Untamed' was so popular and well-received. The synopsis seemed messy, the cast did not consist of any veteran actors, and the production value was not very high. But after digging a little deeper and reading reviews and recommendations, it seemed as if everyone was loving this show. So I decided to give the show a chance to live up to its expectations. It only took a few episodes before I was completely hooked and now, 50 episodes later, I can confidently say that 'The Untamed' is one of the best Asian dramas I've seen to date. This show has cemented a place in my heart and I feel torn having to part ways with Wei Wu Xian and Lan Wang Ji and the cultivation world.Story:
Not trying to take anything away from the acting, execution or production of the show, but the story is what elevates this drama into the tier of the elites. The plot is complex and the synopsis does not do the story justice. The show is based on the BL(boy's love) novel 'modaozushi' (魔道祖师), with the only major change being the lack of on-screen BL scenes. (mainly because of Chinese censorship. For me personally, this wasn't a particular drawback, because even without the direct display of affection, I interpreted the relationship between our male leads as something much more than just friends. Moreover, there is so much more to the story than just the relationship between the two male leads.) The generous 50 episodes means that the show can set the background and flesh out all of the characters thoroughly. The show may seem a bit slow-paced at first, especially in the few episodes of introduction, but then it rapidly picks up momentum and stays that way for the rest of its run. The show will take you on an epic adventure filled with action and battle, but also goes far beyond just that. There is an emphasis on relationships, whether it'd be friendship, sisterly/brotherly love or romantic love. Although the major focus of the story is the 'bromance/love' between the two main male characters Wei Wu Xian and Lang Wang Ji, the rest of the characters are interesting and layered as well. The storyline is well-paced, exciting and balanced, setting a solid foundation for the show to build upon.
Acting:
The voice actors for the characters were phenomenal and bought depth and emotion that most normal voices just cannot achieve. There are many notable mentions for the cast, but let's first talk about the two male leads. Xiao Zhan who plays Wei Wu Xian brings his lively, playful and good-natured character to life. Wei Wu Xian is portrayed in a way that makes him very easy to like and to root for. Xiao Zhan conveys his emotions through his vivid facial expressions and gives a very natural performance. Wang Yibo who plays Lan Wang Ji may come across as a little stiff and emotionless at the start due to his polar-opposite personality compared to Wei Wu Xian. But he softens up throughout the drama and I found Wang Yibo's ability to convey with his eyes particularly impressive. A standout for me was Meng Ziyi (Zoey) who played the character Wen Qing, a top doctor of the Wen Clan. Her character was strong and independent, and although she has a cold, harsh exterior, she has a good heart and righteous intentions. My view on her character changed drastically throughout the drama and I went from initially disliking her, to her becoming one of my favourite characters. And to top it all off she's very pretty.
Cinematography/Effects:
The visuals of this show are splendid. The production value may not have been very high, but the show was still very aesthetically pleasing to watch. Lotus Pier and Cloud Recesses, the home of the Jiang sect and Lan sect, were breathtakingly beautiful, especially the amazing natural landscape. The special effects were nothing exceptional but they served their purpose and did not look exaggerated or choppy. The decorated robes worn by the characters gave them a noble, majestic look. The editing and directing was done well and the show was consistent and smooth throughout. In terms of the overall viewing experience, this show is very beautiful to watch.
Soundtrack:
The soundtrack of this show is easily one of my favourites. The obvious highlight is the duet by Xiao Zhan and Wang Yibo "无羁 / Unrestrained". I really liked the use of traditional instruments in this track, especially the bamboo flute. It was also a nice touch to have a solo, duet and instrumental version of this song. Even though the three versions are similar, the duet felt more powerful and emotive, whereas the instrumental was less pronounced and more of an accompaniment. I also grew to like the bamboo flute as an instrument because it can bring out so many different emotions, especially the sad and reminiscent ones. The sheer number of tracks released also prevents the soundtrack from becoming repetitive and allows different tracks to be used generously to establish the mood and enhance scenes.
Sometimes the best things in life creep up on you unexpectedly, and all it takes to discover them is a bit of patience and an open mind. Just like how one shouldn't judge a book by its cover, before you decide this show isn't for you, give it a watch. It only took a few episodes of 'untamed' magic to shatter my assumption that the show wouldn't be to my liking. 'The Untamed' is a rare gem that lives up to the hype. Definitely give this drama a shot and discover the wonderful world that awaits!
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This review may contain spoilers
The story started out in a slow pace but eventually picked up its pace after a few episodes. I love this kdrama! It has so many twist and turns in the storyline that keep you guessing. The story itself is riveting! It's a fusion of fantasy, melodrama, mystery, and romance. You'll feel different emotions as you go along. =) I love so many parts of the story--most notably was how Jeong Bum was vindicated after the mystery which labelled him as the serial killer in past life, was finally unraveled in the present life. =)The last scene initially got me stumped, 'coz it shows Jeong Bum lying in the hospital bed as Sa Bin begins to show him stuff in an attempt to wake him up. But after re-watching the last few scenes, I was able to discern it. =) The last scene (i.e. hospital) is like a flashback of the current scene wherein you find Jeong Bum in Sa Bin's bookstore reading a book and suddenly recovers his memory by recognizing Sa Bin from the window and uttering her name. So that flashback shows that he did undergo a successful surgery but temporarily lost his memory. Hence, the final scene is Jeong Bum recovers his memory in the bookstore and utters Sa Bin's name. =)
I love the ending--in her past life, she ended up with Detective Cha then with her present life, she ended up with Jeong Bum whose name has been cleared as the serial killer in the past life. =)
Pls. give this kdrama a chance! Don't be daunted by the negative reviews. =)
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The show gives us a peek into the lives of 5 friends, all college students on the cusp of becoming contributing citizens to society. Some have dreams they want to pursue, some have dreams they've had to let go and some are still trying to figure out what next. Their stories are all relatable and poignantly human. Inevitably you'll find yourself reevaluating your own life and wondering if you're on the path you set out for yourself.
Orange Days is also a sweet love story. About a beautiful, talented girl who lost the thing she loved the most, who was without hope and angry at the world because of her misfortune, and the boy who healed her soul with his kindness, his patience, his gentleness, his understanding, and most of all, his unconditional love. Kai, our hero, has got to be one of the most compassionate heroes I've ever come across. Massive kudos to the actor for bringing him so impressively to life!
Kai manages to be both masculine and incredibly sweet and sensitive at the same time and let me tell you it was pretty darn sexy to watch. Sae is one very lucky girl. All the while I kept thinking, where the heck was my Kai when I was in college? LOL I enjoyed every minute of watching these two on their journey to find themselves and each other.
Both leads were standouts, but the supporting cast did a fairly good job too. I was drawn to Shohei who projected an air of infallibility, but was really just a lost kid searching for the love he never got from the most important woman in his life. I really liked him and wished his story had more development. He had a weird sense of fashion, though. I don't think young men wore such ugly-ass clothes, even in 2003/2004. LOL
Orange Days did not avoid the usual Asian drama clichés -- the ever present love triangle, the mandatory separation and what have you, but somehow it wasn't over played to the point where it got annoying (as is the tendency in a lot of other -- for eg Korean -- dramas). Issues were resolved quickly so that the characters' growth as people remained the focus.
All in all, what made this show an absolute joy to watch is that it's a great slice of life drama about overcoming grief and savouring the precious moments we have with the people we love. But it isn't pessimistic in its message. There's an undercurrent of hope that permeates the stories of each character. You get a nice dose of reality but not so much that you're unable or unwilling to escape into their world. It also reaffirms the fact that no matter where we're from, no matter our gender or our ethnicity the only race that really exists on earth is the human race, and we all share the same hopes, dreams and fears about finding our way in this life.
I don’t usually take notice of music, but I remember the music in this drama because it was so simple and yet so effective. Unlike the theme song in Autumn's Concerto (Taiwanese drama) that literally almost drove me mad, the music here served its purpose of evoking all the right emotions at the right time. Even though the same instrumentals were repeated throughout the drama, it didn't feel repetitive because it wasn't overdone to the point where it grated on the nerves.
I think anyone who watches Orange Days will come away with a joyous feeling of having just watched something great. And like me you'll probably be sad that it's over.
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I love that the movie fells so relaxing, is hard to explain but you feel light (and maybe you will feel a need to plant everything)
The characters were so natural, the three of them, and realistic, very good acting.
Another thing was the story, simple and perfect, and the way that talk about harvest season, it was very poetic, and very good incluing the food that she makes with the memories and the season.
The music was fine, but I prefer the sounds of nature.. perfect!
Omg was very good movie.
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A spy drama right from the start
"Time between Dog and Wolf" is a KDrama from 2007. But don't worry, the series still knows how to grip today. (I don´t even dare to imagine what a terrific spectacle the KDrama would be, if it would come along in the style of 2020 KDrama cinematography...)The story starts - as so often back then - with the childhood days, e.g. the small and big traumata from that time. The entanglements are laid out and there's a lot in it Makjang-wise. However, it is not your typical makjang, The story is exciting, has a good pace and the shadowed complexity makes it difficult to see through. "Time between Dog and Wolf" is a spy drama right from the start and leaves hardly anything out.
The title sums it up quite well. Actually, this refers to the Latin metaphor "Inter Canem et Lupum" - between dog and wolf. In the evening twilight it is difficult to distinguish, so to speak, whether a wolf or a dog is standing in front of you, although you can just about make out that it will be one or the other. It's not pitch black yet.
However, this expression does not only refer to the twilight, but also contains another metaphorical allusion: This is the time when the wolf goes hunting and the dog seeks its bed... Who stands before me, though? Can I trust?
Thus the 16 episodes consistently maintain their twilight... Wolves (mainly) and dogs (a few) cross paths. Sniff each other. Fight each other. Join together to form a pack. Are hunted and hunt. Give themselves away. Make up for it. The one. The other. And others again. On top of all that, love puts plenty of salt into the wounds.
Ultimately, the symbol is even suitable for this KDrama in a third respect. In addition to the topics 'distrust/deceit', 'hunter/hunted', there is also the fact that both dogs and wolves are extremely social pack animals...
This is a KDrama that has a lot to offer in terms of exciting and moving entertainment. Lee Joon-gi shows edge here even at his younger age. But all of them express their emotions with some intensity. This does not go bye unnoticed.
The fact that a considerable part of the action takes place in Thailand also brings unexpected exoticism into the scene, which doesn't hurt.
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This movie has a nice solid plot and story trajectory all the way through. It's real charm for me lay in all the atypical things about it. It is not standard rom/com fare. There is a serious and slightly gray quality to it that I actually found refreshing. This gray cast was in the set direction and writing but it was more to shape their circumstances. Let me assure you this is not a darkly written movie in a dramatic or depressing sense.
There were lots of moments I laughed out loud. Especially at some of the antics of Ji Woong. The scenes between Hong Sil and Ji Woong aren't overly cutesy but they are interesting and they make a great team as, unbeknownst to both of them, their feelings start to grow. Both actors sold their characters for me. Their chemistry together was good. The payoff at the end for both characters was worth 2 hours of my time.
Song Joong Ki is a 'characters' actor. Even if he has the looks to play a leading man, I hope he chooses wisely in the future because he's better playing a part with quirks and charisma. He has excellent comedic timing and a face made for acting through expression.
Han Ye Seul sells serious characters to me more than comedy so this part was perfect for her. I felt her emotion and I connected with the reasons why she was cut off emotionally and relied so completely on monetary security rather than the human kind.
I liked this movie. I would re-watch it again and I recommend watching if you are hesitating.
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This review may contain spoilers
Showing simple normalcy for generations of SK women being gagged&bound by society's endemic sexism
"Kim Ji-young: Born 1982" puts every die-hard Korea fan through their paces: how far does the love for country and culture actually go? The KMovie also does away with any illusion surrounding romanticized and socially idealized yearnings that revolve around the concept of 'in love-engaged-married-happy family'."Kim Ji-young: Born 1982" broke the 2 million mark worldwide as a bestseller (by author Cho Nam-joo). It is also considered the most borrowed book in two consecutive years after publication. The KMovie was also extremely successful. In South Korea, between October 2019 and November 2020 around 3.6 million people went to the movies to watch. In addition, numerous prizes were awarded throughout Asia.
Calmly, unagitatedly and almost objectively distant, the camera focuses on the ordinary life of a typical South Korean woman, wife and mother in her 30s. Actually, she doing quite well. We accompany her in her everyday life between laundry and kindergarten, with her (actually quite attentive, loving) husband, with her in-laws, with her family of origin, with friends, with flashbacks of her childhood and at work, and finally with the therapist. This could all be any live of many a South Korean woman. That's not special at all. It's so cruelly normal that it even hurts. By showing simple normalcy, the story also becomes an outcry for several generations of women gagged and bound by society's endemic sexism.
Gagged and tied up by such a conservative, rigid, discriminatory socialization that is literally burned into flesh, so hardly anybody even considers alternative role models and self-images. There is a lack of role models that give women something like self-love and self-confidence that go beyond identifying with role expectations by family and society. Women somehow grow up as prisoners of those restrictive expectations - in a prison with doors, that technically are not closed, yet in practice barricaded by the mercilessly experienced sexism since early childhood. Accordingly, there is a lack of awareness of human dignity beyond gender roles. For women and men alike. And as we all know, such awareness would be the first path to any change...
In this respect, "Kim Ji-young: Born in 1982" holds up a merciless mirror in a calm, objective and non-judgmental manner, which focuses on the great evil that everyone simply takes for granted. Apparently, around 68 percent of cinemagoers were women. At least, the other 32 percent were men, supposedly.
In one of the last scenes, (which, like all the others in the film, gains its power from the simple, unquestioned und yet unbelievable normality) the underlying emotional muteness is finally allowed to speak up - not loudly and rudely though, but objectively subjectively and, despite all the justified anger, consistently in all modesty calmly, too.
In the face of the spilled coffee, instead of accepting the comments and accusations of her social environment with shame, concern and apologetic words, the FL has her outspoken objections. She eventually stands up for herself... actually, you should think, quite simply, as if it were a matter of course. And yet: downright unheard of. Because: Shameless in the best sense of the word... she no longer lets others shame her for what and who she is. She is slowly but surely developing a somewhat healthy approach to her own self-confidence as a person with self-worth and self-love beyond gender - a person who cannot be reduced by tradition to just a family concerned role concept within a hierarchical society. From this, the FL nurtures a new attitude towards those who traditionally believe they have more value in the social ranking.
Just a comparatively small, handy book; just a two hour movie. The story of Kim Ji-young, born in 1982, has sparked a lot of discussion throughout South Korea. The common, everyday (South Korean) madness shown knows how to touch and quietly infuriate. For me in faraway Germany, too, the KMovie wasn't boring for a minute.
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--- Outlook ---
'If everyone would act up like that... where would we end up?' - In this sense, the book and the film also led to a horrified outcry within conservative circles in the country. The main actors in the KMovie, for example, had to endure hateful comments for even taking part in it. Just this factual inventory of normal madness of just about every woman in the supposedly modern, innovative South Korea got conservative minds going...
...on the other hand, women affected finally received the balm of cross-class compassion, which for a moment opened up the space for solidary, cross-generational sisterhood. As insignificantly common and simple as Kim Ji-young, born in 1982, may be, the social impact was equally great - the consistently overlooked, completely disregarded reality that has been systematically carried out for countless generations out of principle and tradition, discrimination against (in this specific case) South Korean women.
South Korean society is already shrinking. Earlier than expected. And much faster than expected. No wonder.
Women born in the 1980s by now increasingly began to feel painful about their corsets. A milestone!
Those who were born in the 1990s and 2000s, some among them started to increasingly openly dare to actively shake up the social corset - simply by no longer accepting their 'certain' female role. Another milestone!
However, there is still a long way between shaking up and breaking out or even redefining. Eventually, women can only take this step together with men, who also urgently need to work on their role models, their attitude towards women and a new social self-image. Only then can the shrinking of South Korean society be stopped - a shrinking that, in my eyes, is an expression of a massive imbalance between innovative, turbo-capitalist high-speed in the global fast lane on the one hand, and an ignorant, sexist conservatism on the other, which acts like a lead foot screwed onto the brakes. Nevertheless, growing forces are apparently pushing for an urgently needed, integral, truly progressive transformation of existing values.
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quirky and unpredicatble
I had 0 expectations when I started this drama, and the first episode alone had me floored.I know a lot of people might compare it to Goblin, and as far as I know that drama writer was involved in this project as well. It does have a similar feel, but the story and characters are all new.
The story is very interesting, and unfolds slowly episode by episode. I couldn't really guess what's gonna happen next. It has some weak moments as the diety characters are bit juvenile, but at the same time this is a lighter drama so I don't mind. The whole destiny making aspect is well-executed and serves a s acore of the story. There are many twists and turns too, and there are no filler episodes either.
The cast is full of rookies, actors who still hasn't had that one hit work. Some you might know from webdramas, some have played minor characters in bigger projects. I'd say the casting is spot on, and acting is overall good. Male lead might come off as "wooden" but at the same time his character is on more... colder side? So it makes sense. Everyone in this drama has time to shine and their characters get enough screentime too.
Music in this drama works well to set the mood, I really enjoyed it. I like most of the songs, the OST is really good. Overall the production value of this project seems to be pretty high for a shorter drama. The cinematography is well-thought out and art design too is very pleasing.
I'd say this is a perfect short drama to watch during a lazy weekend. The story requires bit more focus but overall it's still a more light type of story. There are no villains or anything like that. The main villain is fate, I guess. I see this drama as an exploration of what a story really is and can a destiny play out on it's own? It's surely a drama that won't bore you.
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This review may contain spoilers
Please bear with me as this is the first review that I have ever written. I usually see no need to let my personal thoughts on a series be known to the public, but this show was just exceptional.THE STORY
I binged the first 4 episodes with english subtitles, and by that point I was completely captivated by the story that I spent days searching for the rest of the show. The story explored issues in a way that I have never encountered before, and I found the drama and character settings to be awfully real. I fell in love with Mr Fahrenheit, I smiled every time I saw Ryouhei, and I really felt for Jun. I cried my eyes out at the end of the 4th episode. I cried for a second time when I rewatched it.
The first 4 episodes in itself got me dying to watch more, and once I finally watched the rest, it gave me a rollercoaster of emotions. I loved how everything felt genuine, and real. There were no stupid misunderstandings because of miscommunication. There were no convenient coincidences to move the story forward. There were no glitter and fluff to cover up the harsh nature of our world. Like this could be happening to someone right now.
The story made sure to explore everything in detail. There were no half-assed plot points that were thrown in and forgotten about. Jun and Makoto-san's relationship, the story of Mr Fahrenheit, Jun's mother, Ryouhei and Jun's backstory, and Miura-san, all were explored deeply, dynamically, and tied up neatly at the end. Even the smaller characters went through noticeable developments.
I felt very satisfied at the end of the show. I felt that everything was cleared up, and no questions went unanswered. Although, that abrupt ending made me want to punch the screen just a little bit.
ACTING/CAST
I found the acting to be really good. I'm not very good at telling apart good and bad acting, but I find a lot of Japanese acting to be cringey, but this definitely wasn't.
MUSIC
How could I not give this a 10? It was bloody QUEEN! The way that the show incorporated the queen songs and titles were so creative, and it really hit the mood of the scene perfectly every time. I didn't really notice the other music until I went back to search specifically for the music, and I guess that's a good sign, as the music didn't distract from the scenes, and instead enhanced the intended emotions.
REWATCH VALUE
I already rewatched the first 4 episodes while looking for the rest of the series, and I would definitely rewatch the entire thing again. Knowing the outcome of the story doesn't change the emotions it can make me feel. Oh god, I cried an unhealthy amount watching this (It's a happy ending tho, if that matters).
OVERALL
I loved this series so much, and I'm so glad I went back and found the un-subbed videos. It may be tough waiting for the english subtitles to come out, but I assure you, it will be worth the wait. Just make sure to see it through to the end, and you will not be disappointed.
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1This review may contain spoilers
Epos, drama & national frustration with impact – about the birthing era of Korean nationalism
"Bridal Mask" is a South Korean variety of Zorro - in this case hiding behind a historical Hahoetal ceremonial mask used in Korean tradition for satirical theater and shamanistic rites. The avenger of Japanese oppression hides behind the classic mask 'Gaksital', which symbolizes an innocent bride.This brings us to the central theme around which the dramaturgical web was spun: Korea's time under Japanese protectorate (1905-1910) and the annexation as a Japanese colony that followed a few years later (1910-1945). In this context, this KDrama has a lot to do with national self-image of the Korean people, which is still formative today. (If you are interested: See Side Note below.)
Accordingly, "Bridal Mask" was very successful as a KDrama and was extended by 4 episodes due to its success.
"Bridal Mask" is about the desperate attempt of the oppressed population to counteract the notorious oppression of the Japanese tormentors. As the story progresses, the rather inexcusably conformist anti-hero becomes the avenger of the downtrodden, whereas the once benevolent, noble, antirassist teacher becomes the unscrupulous avenging angel. The daughter of a Korean resistance fighter provides explosive fuel, turning best friends into bitter opponents and rivals for the heart of their beloved. Everything becomes dramatic in the highest degree - the romance, the bromance, as well as the resistance struggle against brutal oppressors, with or without bridal mask.
'Gaksital' squeaks into the most diverse excesses of Japanese tyranny, above all: torture as a common method of interrogation. The hero also thwarts the insidious with false promises recruited young women as sex slaves or comfort women for the Japanese soldiers. Finally, by his activities his compatriots are also encouraged to engage in civil disobedience.
The tyrannical, ruthless attacks of the colonial masters are historically documented. Active resistance from the population as well. However, the actual plot of the KDrama is completely fictitious: A Zorro-like swordsman behind a traditional bridal mask is not known. Also, at the time of the Japanese invasion, Joseon was already severely weakened politically. In this case, the assassination of the head of state is poetic liberty. (At the time of the emperor´s actual death in 1919, the country had already been a colony for 4 years.) Finally, the secret organization of the ´Kishokai´ and their vision for a greater Japanese empire are fictitious. This Kishokai did not exist. However, there is a kernel of truth in it, because ultra-nationalist secret societies, especially those associated with Japanese military, apparently existed actually.
Overall, the K-Drama brings a black chapter of painful Korean history with epic impact and highly dramatic emotional entanglements back to life. Eventually, the memory is perhaps still so painful, because it wasn't all that long ago. To date, there has been no reparation, remorse, or at least acknowledgment from the Japanese side for the suffering inflicted.
Japanese colonial rule is inseparably interwoven with the very special Korean national pride, because this period marks the birth of Korean nationalism in the first place. And the KDrama builds on that. "Bridal Mask" in that sense is first and foremost a highly Korean production for a Korean audience. (Nevertheless it is obviously gripping for an audience with other national backgrounds, too.)
By the way, it may also be no coincidence that the series aired on TV in 2012, when the Korean government first formally asked Japanese Emperor Akihito for an apology...
----------------- SIDENOTE: --- Romantic Korean nationalism ---
Whether Goryeo or Joseon, since the tribes of the peninsula were united under one ruling dynasty, the people lived largely introverted and rather isolated from the rest of the world until the late 19th century. Here and there the borders have always had to be defended against invaders or retaken, but the people on the peninsula had nevertheless remained adamant and had not actually actively mixed with others. Today, there is often talk of 'pure ethnic blood', which provides the breeding ground for a more romantically (vs. civic) tinged national identity: A Korean usually feels descended directly from the original ancestors. Consequently, a Korean will typically identify first with his/her ethnic roots and only then, at some point, as a citizen of the Republic of Korea.
This very special national identity was directly born out of the developments associated with the opening of the country and an increasing international presence at the end of the 19th century. On the one hand there was hope for flourishing trade and technical innovation, on the other hand suddenly the USA, along with China, Japan and Russia, also wanted a piece of the pie and - more or less aggressively and consistently - took advantage of the opportunity and sometimes also inexperienced naivety of Joseon. As a result, resistance formed and the nationalist struggle for independence was born. It was necessary to use all conceivable means to preserve the nation´s autonomy and to protect the heart of Korean culture from invasions and encroachments by foreign nations. Particularly, resistance was directed against Japan's ruthless interventions in robbing the Korean people of their language, their own names, their religion and their dignity. Japan's declared goal was to discriminate against the Korean people and to assimilate them by any means (... and Japan wasn´t even squeamish with its own civilian population, being known for its brutality...).
At that time, Japan had deployed an omnipresent, almost overwhelming military and police presence that can hardly be compared with European imperialism as we (i.e. Europeans, as I am) know it. Hardly a day went by when the invaders did not have direct, mostly deliberately humiliating contact with the civilian population. So 4 traumatic decades can become a very long time...
This national frustration, pain and anger is still formative in the collective emotional memory. With "Bridal Mask",this receives a contemporary emotional safety valve in KDrama guise.
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Neither worse nor great
Its good but not enough to say great , it has a good storyline , their are few episodes totally hooked me and some of them were quite boring , Ig I liked more about the relationship between book and mud , cuz throughout the whole serie Ice was over reacting and also his actions were looking very fake and the character was shy also hesitant so I don't think I am satisfied with the acting skills , in other hand in the gl couple also sea was over reacting , overall I think the story could be more interesting , instead of making Ice a shy lead he can be more flirty also I didn't liked the way he disagrees with Saint and repeated it many times ... but I have to say that I liked the ost , if I have to choose the best episode then it must be episode 12 ....Was this review helpful to you?
This review may contain spoilers
and they were "friends"
Overall: I was going to give this an 8 or higher, but the final episode was pretty disappointing so I gave it 7.5. Still decent to just turn off your brain if you want a silly/gentle series. Watched on Gagaoolala, also on Viki.Content Warnings: professor/student, boss/employee, age gap/1 character under 18?, pet death, taking pictures without consent
What I Liked
- the cute moments
- how Meow in his human form acted like a cat (fyi that Meow is a different species, he's not a cat and he's not a human)
- Meow not judging the truck driver based on looks and how in a later episode they brought back that character
- a couple subverted tropes like the love rival
- the cutesy OST fits the vibe of this series
- when there was comic book like editing
- neutral, comedy sound effects
Room For Improvement
- Dermdem thought Meow was 17 or 18 but Meow acts much younger (ie can't use a phone, doesn't know what a haircut is, doesn't know why people kiss on the cheek, gets lost in a market, throws a temper tantrum)
- based on Meow's child like behavior/age, I didn't want a steamy scene, but the final episode was really disappointing to the degree that I'd likely label this as a bromance/womance... two people even denied having a romantic relationship (one said friends, the other said roommates). I think we are supposed to believe that all three couples will turn romantic in the future but they needed to show/say just a little bit more with at least one of the three couples.
- not a fan of the wig (gets a haircut in ep 4)
- odd/plot hole/non logical things - the intern first stated she liked her boss from college but then said she saw her at a vet???
- the power imbalances in all of the couples (although the one who was in a position of power does not use it to manipulate at all)
- enough of having women gawking/taking pictures of two random guys in a public place
- the professor's flat expression, they did give it an explanation but I don't like flat affect characters
- Manni's ineptitude and what she did in the final episode instead of calling Jin
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A little formulaic, but cute
The acting and dialogue are good, and there's no useless uke. The wardrobe is spectacular, and it's an easy watch.Maybe too easy a watch - I don't have any clear memories of the earlier episodes, so it's a bit forgetable. A few things that stand out is that despite the large power differential, the characters are equals, which is a refreshing change from the Thai formula.
There is an unfortunate plot trope in the second-to-last episode that it would have been very nice to avoid - it's a real stinker - and their relationship changes a bit fast, so I think it could have used two more episodes, and I'm starting to worry that BL writers are all alcoholics, but all-in-all it's a cute series, the leads are very attractive, and you can't really go wrong by watching.
But you're unlikely to remember it a few weeks later.
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