An Under Appreciated Drama with Good Ending
When I watched the trailer for this drama, it looked very good. I was disappointed when I started watching. As it was tagged "tragedy", I was expecting serious and somber performance. The "tragedy" tag was later removed.The beginning of the story is comedic. Everything is silly, stupid and crazy, including the villains. The male lead looks villainous; the female lead cute with large watery eyes which tear up easily; the supposedly villain silly and funny. I was confused - is this supposed to be a comedy? I couldn't decide to continue or drop.
Ten episodes in, the mood changes. It becomes serious and intense. No more silly characters. Every character becomes mature and somber. Though there are still holes here and there, the plot thickens. I begin to empathize with the male and female leads. I even begin to love the supposedly villain who turns out to be an undercover. My heart begins to break with the pain General Wei Kuang is going through - his lost love, his love for the country and his predicament.
The building up of the story is important. Skipping episodes may make you confuse with why the characters make the choices as they do. Therefore, one may need to have more patience with the earlier episodes so that you can enjoy the later episodes better.
The final episodes are good compared to many other dramas. There are no unnecessary deaths. The evil doers end with what they deserve. The good people are rewarded with the fruits they sow. There are many lessons learned. There are also heart-wrenching moments, especially with the main characters, and one can feel the pain and sacrifices they make for the good of all.
This is a pretty good story. The main couple have been true to each other from the beginning till the end. Their love for each other never wanes, only stronger. They sacrifice for their country and for each other. They fight all the scheming and darkness hand-in-hand. They are open with each other, never holding anything back. There's never been any annoying misunderstanding between the two (many Chinese dramas love misunderstandings which I hate).
I love this story and the acting. My heart feels for General Wei, his pain when he returns from war and finds his love gone. But he never stops loving her, neither she loving him. It's a very touching story which you may enjoy.
I have truly enjoyed this drama. It may not be the drama of the year, but I feel it deserves our attention, and for us to give credit to the actors who have done a pretty good job.
Yes, this is one of those rare historical dramas that deserves to be watched and enjoyed.
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1Heavenly potential, demonic execution
The novel “Chong Zi”, penned over 10 years ago, features a once popular, now outdated premise — master-disciple relationship. To adapt such an old novel in 2023 is a risky move; not only has the audience already seen similar works that they would naturally draw comparison to (e.g. Journey of Flower), but even the official “synopsis” gives the entire plot away. There is not much room left to tell a compelling story, let alone something new and refreshing. This drama ended up having a very mixed reception and for good reasons. Here I will try to review this drama honestly by listing out why it is good and why it is bad.【Why is it good?】
— Interesting male lead —
One would think all this drama could offer is an old-fashioned story absent of any surprises. But behind the datedness, there lies an innovative gem. The highlight of the show, and a huge reason why people are enjoying it, is the male lead Luo Yin Fan’s intriguing characterization (and Jeremy Tsui’s perfect portrayal of him). Luo Yin Fan starts off being quite the typical gentle, warm and caring male lead, but behind that exterior lies something darker waiting to be manifested. While most anti-heroes eventually achieve greatness, Luo Yin Fan slowly descends into madness for love. If you’re interested in fifty shades of morally grey leads, then you’re in for a treat. This is as much a story about Chong Zi becoming a demon as it is about Luo Yin Fan going bonkers. They are like the mirror image of each other, or the yin yang couple — one has light under their darkness, and the other has darkness under their light. One is an immortal with a demon skin, the other a demon with an immortal skin. They complete each other like the Taichi symbol. This goes to show that there is no pure good and evil, a human is an embodiment of both.
— Thought-provoking message —
The side characters also illustrate this message — seemingly rightous immortals commit the most heinous of crimes, and inside their hearts live demons that are far worst than any physical demon in the story. The message is powerful and well presented. As a fan of the original novel, I came into this drama with very specific expectations — to see in action one of the most interesting male leads ever written, and to witness the beautiful symbolisms and character nuances from the original work. In these regards, the drama did a passing job at delivering. However, certain pivotal scenes from the source material (that were meant to tie into the core theme) were butchered by nonsensical changes in the story due to censorship and bad writing.
— Nice symbolism —
The Taichi symbol appears in the drama poster. It is also in the black-white necklace Chong Zi gifts to Luo Yin Fan. The costumes are simple but have symbolic meaning In them as well. Kind-hearted demons wear costumes that are mainly black but have white fringes, while evil immortals/fairies wear costumes that are white but have dark accent colors. The male lead, Luo Yin Fan’s costumes were mainly white at first, but gradually turned purple the more he fell for Chong Zi (“Zi” means purple in Chinese). I found that to be very cute. The OSTs of this drama were also very well crafted, with beautiful melodies and lyrics that were themed around each of the main characters.
All in all, stellar work from the cast, costume designers, music producers and the source novel author.
We then shriek in agony as we witness this hard work go down the drain... due to the points below.
【Why is it bad?】
— Sloppy directing, writing and editing —
For starters, the director does a poor job grasping what the audience wants to see and what they don’t. Often times, people would wait for a certain scene in anticipation, excitedly picturing it in their heads, only to end up with a choppy, censored, and emotionally underwhelming rendition of what they were expecting. Meanwhile, uninteresting parts of the plot would take up more time than it should. Scenes that were meant to elicit emotions from the audience felt flat, and just like another commenter has said, "the angst is not angsting".
Behind-the-scenes clips would reveal that many scenes did not make it into the final release. This is due to censorship - protagonists cannot do anything borderline evil, master & disciple cannot be intimate with each other, everything that's core to the story is lost. Certain scenes do not transition well due to cut scenes. Each episode also does not start from the end of the previous episode and feels disjointed.
— Changing the novel in a bad way —
Certain parts of the plot were changed to make the male lead more likable and forgivable, which is understandable because the male lead in the novel does not deserve the female lead. But not all changes were good changes. Around 60% of the story and dialogue comes from the novel, and that 60% lives up to standards because they stem from the original author’s consistent understanding of the source material. But the remaining 40% that was added by the screenwriter, not so much. Dialogue was occasionally cringey and showed a general lack of logical thinking from characters. The forbidden aspect of the master-disciple romance was also removed, thereby causing certain character decisions and dialogue to not make much sense as they were originally written under the premise that master-disciple relationship was taboo. The screenwriter tried to come up with other reasons for the characters to do or say those things, but the reasoning was weak. (e.g. Ep.23-26). Many unnecessary misunderstandings were added just to drag the plot along. It’s fine to deviate from the novel and tell a different story, but have it make sense and do it only if it enhances the work.
— Poorly written side characters —
While the characters all serve a central theme or message, the characterizations of most of the characters are lacking. Often more than not, characters feel like tools to move the plot forward and do not resemble real-life people. Several evil female supporting roles have shallow character motivations and all serve the same purpose, and most male supporting roles are merely love interests (5 of them!) of the female lead but without solid chemistry. Reverse harem was probably meant to be a gimmick that sadly did not work out. Not only do those love interests lack screen time to properly flesh out their relationship with the female lead, they also fall in love with her for no reason. (Ironically, the one character who has the most chemistry with the female lead is not even a love interest.) Luckily, the main couple has decent chemistry to offer. The romance is a slowburn and the leads start off as more like teacher and student due to female lead’s childish personality at first, but this grows into something fiery and passionate later on when the female lead gets character development. However, it takes time for the ship to sail and some may find the chemistry lacking early on.
— Childish female lead —
A lot of people cannot get through the first arc of the story, mostly due to their distaste for the female lead’s childish, bratty and trouble-making personality. The female lead goes through a three-stage character development. She starts off like a kid — naive, impulsive, overly sheltered and spoiled, but has a kind heart that would help anyone in need. She is showered with love but caged like a bird. In her second life, she becomes more calm and composed, but also more possessive and insecure, like a young maiden in puberty. And by the end, she becomes more independent and free, takes justice in her own hands. Since she does not mature quick enough to satisfy certain audiences, if you hate childish female leads, this is probably not the drama for you.
— Costumes/Makeup/Props —
The costumes are the typical “funeral” style you’d see in other xianxia dramas — white, white, and shades of white. There are quite an amount of details they tried to add to the costumes, but the overly bright and smooth filter effects managed to undo all the hard work the textile team put in. The makeup was a hot mess. Handsome men looked less handsome with overdone eyeshadow. Close-up shots would reveal unblended powder and face-neck skin tone differences. As for the sets and props, they would’ve looked better with less CGI applied, since the CGI looks quite subpar for an S tier drama.
【Conclusion】
It may sound as though I hate this drama, but as a novel fan, this is the only adaptation I could root for, and I wished for nothing but the best to happen to this drama. Sadly, it didn't deliver to even half of its potential. I suggest the director and writer to either quit the industry, or stop working on this genre. There might not be a clear distinction between right and wrong, good and evil, but there definitely is a clear cut between good and bad storytelling, and sadly this drama falls into the bad side. For those who are interested in the premise, I recommend you to read the original novel instead.
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Ruyi's Royal Love In The Palace's not about fighting in the harem, not about being on the top, having powers. It's about Ruyi's and Hong Li's love. From flames to dust, from a beautiful rose to that of a withered one. People might not get why wouldn't Ruyi fight and kill all of those who have done her wrong. It's not because she couldn't but she doesn't want to. She, from the start of the drama until the end, her heart and endurance are all because of her most beloved Hong Li (Emperor Qian Long).
Hong Li said that she's the one who changed after she cut off a strand of her hair. But no, Ruyi has never changed. Right from the beginning until her very last breath, she's still being that Ruyi who loves Hong Li wholeheartedly.
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Story: So if you've read the manga, watched the anime, or have seen either the Korean/ Japanese version you already know the story. For others the story may seem a bit weird but it has a lot of heart and it totally grabs your attention. Its a romantic comedy so its a story based around love.
Acting: Ahh soo much better than the Korean version, much much much better. Though the cast wasn't as pretty as the Korean version they were excellent actors. I already liked Matsumoto Jun from Kimi Wa Petto but this story made me fall in love with him. The main female Inou Mao is SOOO SOOO SOO much better than Goo Hye Sun and her horrible acting. I love the cast, and I thought the girl who played Shisuka was GORGEOUS! She was so pretty.
Music: I really liked the music it was cute and catchy. But I got annoyed after they played it over and over again.
Rewatch: Definitely will watch again when I'm in the mood for a good romance drama.
Forget the Korean version of the drama, why wasn't this my drama. Why did the Korean version have to be my first drama and ruin Kdramas for me for a while. If you want pretty sets and pretty actors go to the Korean version, but if you want awesome acting and true feelings this version is THE BEST!! LOVE LOVE LOVEEEEEE
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Honey as Lube, GO WATCH IT
THIS IS SO GOOD. Like actually GOOD good, not “I watch for the pretty faces” good (although yes, the faces are stunning). But I mean well-written, emotionally intelligent, gorgeously acted good. The chemistry between the leads is off the charts and Im pretty sure they are not acting, they are in a whole relationship and forgot to tell us. (I am in fact delulu)Anyway the chemistry between jin and akin is ridiculous. These two accidentally invented a new form of communication via eye contact because GOD DAMN, the way they orbit each other?? the tension?? the softness?? it’s so natural it makes other shows look like staged table reads. (Ya I am shading some bl's so what) THE POINT IS...it’s warm. it’s intense. it’s addictive.
The writing is tight, thoughtful and they actually use the characters' personalities and histories to drive the story, not just to sprinkle in backstory when it's convenient. everything connects.
Ok now let’s get into why boom and smart are actual sorcerers.
Boom’s physical acting is a whole experience. like, the man acts from his spine, from his kneecaps, you can tell what his character is feeling from the way he slumps his shoulders or tightens his hands. He uses his body language so so well.
And Smart’s vocal acting is unreal. the way he shifts tone depending on who he’s talking to, what he wants, what he’s scared of...ugh it’s so precise and layered. Sometimes he says something soft and i’m like “oh no... oh NO he means that.” his voice will crack just a little and suddenly I am spiraling.
And their scenes together?? good god, all of it is magnetic. I was locked in. The range is INSANE. like one minute I was laughing because akin is being a lovable menace and the next I am pausing the show to just BREATHE.
And YES. yes. there is a certain infamous scene involving HONEY (I know ya'll came in here for that trending honey scene) which sounds unhinged (because it is) but it’s also deeply emotional and a whole metaphor for love and indulgence and knowing someone so well you can give them exactly what they crave. It’s symbolic and it’s sweet and yes jin knows what akin likes and wants to give him everything and that is beautiful. I was deeply moved and deeply stressed. Peak television. okay, I want to frame it and then power wash it.
I hope boom and smart get everything after this. I hope they win awards. I hope they get roles that challenge them and let them show all the layers they have clearly got stored up. And I hope everyone watches this show so they can scream about it with me.
WATCH IT, fall in love. and text your friends “YOU NEED TO WATCH THIS” every 5 minutes. (Because mine screamed at me after saying I will drop it at episode 1, I picked it up and I love it so give it more than one chance please)
You’re welcome.
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Intimate Relationships Are A Spectrum
Japanese BL writers are often fantastic at portraying life situations in a raw and realistically human way. As humans we are complicated and emotionally messy. We have dark sides and traumas that shape how we pursue romantic relationships and affection. In my opinion, rarely do we see media portrayal of a BDSM relationship in such an intimate and relatable way.We’re introduced to Mizuki and Yoh’s relationship from Yoh’s perspective. From the beginning, according to Yoh, we believe Mizuki is quiet, domineering and unkind to Yoh completely unprovoked and without context. As the viewer, we’re led to think Yoh is a domestic sexual slave in Mizuki’s home with no other options in life, outside of his own free will. As we continue the series, we learn that Yoh seems to like the dynamic of their relationship and often resorts to pouting and childish behavior when Mizuki doesn’t show him the kind of dominating attention he craves. He often provokes Mizuki’s jealously and possessiveness so he can be the “victim” of Mizuki’s gentle yet “cruel” behavior. Mizuki seems to understand this dark side of Yoh and he happily grants Yoh’s wishes. Even cooking and caring for him when Yoh loses his job and falls into a state of depression.
While reeling at the loss of his job and his status in life, Yoh takes his provocation of Mizuki too far. On an animalistic and subconscious level, Yoh is provoking Mizuki to find out how much he cares for him. As a result, Mizuki’s jealousy rages and he resorts to stalking and possessive behaviors, to bring Yoh back to his side, even though Yoh never considers leaving him. Since the two never clearly communicate their feelings or emotions, they often run with negative and exaggerated interpretations of benign day-to-day situations. When Mizuki finally reveals his true feelings and tells Yoh he cannot breathe without him, Yoh revels in this revelation but still doesn’t verbally reciprocate his feelings to Mizuki.
I personally love the push and pull by Yoh and Mizuki in this series. Yoh and Mizuki have a codependent relationship that makes them both happy and anxious, simultaneously. They know how to press each other’s buttons and it all seems to be, at least from Yoh’s side, for the sake of sexual gratification and arousal. Are they communicating in a healthy way, no, is the relationship kind of toxic, yes, but is it a realistic slice of life, absolutely. It’s obvious that they love and care for one another, but they show it in a way that differs from what society deems as “normal”. BUT they also require what we all want in a long term relationship, reassurance and stability. After 3 years living together, I believe we, the viewer, are meeting them at a pivotal moment in their relationship. Will they give each other the emotional and verbal reassurance they need to sustain a long term relationship or will their relationship crumble under misunderstandings due to lack of emotional transparency.
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dark, disturbing, disgusting, but beautiful
Such a story makes speechless. It's a story of two man who suffered a lot, especially one character has a deep trauma because he was sold as a child to a sick man who sold him out to other sick people who sexually abused him. It's a story of two people changing each other and heal each other, first in baby steps but later their bond grows strong.I can't describe what feelings go through you when watching this, It's the whole bandwidth from disturbing, disgusting, aghast, angst to beautiful when you see both getting closer together. Due to the theme it's not a fluffy, funny show, you normally expect a BL to be. This is not really a BL but a drama where two man happend to be gay and finaly love each other.
When you can stormach such heavy stuff, this is a must see. If you are too sensitive seeing abusive scenes, you may watch with friends and help each other process the episodes one by one, If you are suffering from depression or other mental problems, you should not watch it at all. It was extremly brave for the team to take on such heavy non mass compatible material. The actors did an incredible job, cinematography is top notch and we get an intro which does not spoil the whole series which is so common in many series. My respect goes out to all involved in this project delivering such a unique show.
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Story: [9.5/10] One thing that this drama does well is it takes very common story elements and turn it into something special. Have you ever seen a crime-solving drama? I have seen many myself. None has impressed me as much as this one. This show stands out from other crime-solving shows because it involves two people from different times attempting to work together to solve the same crime. There where a lot of flashbacks and events from the past that were used to help the characters in the present solve the different crimes. I must admit that initially I thought that this was not something that would have worked well with this type of show. However, in the end, the director and writers manage to mesh all of these elements together to create a great show such as Signal.
Although there were several things that kept me from giving the show a 10. One of the reasons that I didn't give the show a 10 has to do with the walkie-talkie. I wanted to know more about the walkie-talkie. I was a little disappointed by the end because I had some questions about the walkie-talkie that were never answered. I don't want to bring up the actual question because it may spoil a little of the show for you if you haven't already seen it. Just know that the walkie-talkie plays a very big part in the show and that I'm annoyed because they didn't answer my question haha.
Perhaps another weakness of the show is that it can be confusing at times. As I mentioned, there are a lot of flashbacks, and moments where we see events from the past. It often got confusing because the show would sometimes jump back and forth between past and present. On the flip side of all this, the show also had its' own strengths when jumping back and forth between the past and present. The writers of Signal did a very good job in setting up the different time jumps. As I would often find myself only confused for about 5-10 seconds before saying oh this is what is going on and I see why there was this flashback/time jump etc. In a way, I was never really confused at all because my confusion went away since the show itself answered most if not all of the questions I may have had about what was going on. This is a good thing because most shows don't do this. Other shows will often just leave you to wonder what the heck is going on the whole time.
Overall this show also kept a very good pace. It never felt like it went to fast or that it was dragging on.for too long. I applaud the director and writers for coming up with such a great story. They did a very great job in turning simple plot elements into a very sophisticated story. They didn't exactly invent a new genre or anything (or did they?). One thing is for sure though. They sure know how to tell a darn good story!
Acting: [10/10] All of the actors and actresses did a very commendable job during this whole drama. There were times where I was completely drawn in by the acting. In fact I cried at least two times during this whole drama. Let me just tell you now. I don't cry very often when watching shows. I rarely ever cry while watching sad dramas, let alone a crime thriller! This can mean one of several things. The first possible meaning is that the actors did a very good job acting. The second is that the story was very well told and that we were meant to cry at that part. I'm inclined to believe that it was a mixture of both. There where also several child actors and actresses in this show as well. Although they were all mostly pretty young, their acting only helped to improve this drama.
Music: [9/10] The music was very well made. If there was a suspenseful moment, suspenseful music that fit the scene came with at the right moment. All in all, the music helped enhance certain moments of the show depending on where it was needed. The OST to this show was nothing to scoff at either. Was it a ground-breaking OST that I will listen to for years to come? No, not really. However, it's definitely something that I will put into my playlist in the future.
Overall I definitely suggest you watch the show if you already haven't. You won't regret it! Objectively I can't give this show all 10s because it definitely wasn't completely perfect. However, subjectively it was one of the most well written Korean drama that I've ever seen.
Thank you for reading my first ever review on MDL! I hope you enjoyed it!
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Looking at the ratings made me feel like this drama is seriously underrated. Currently at episode 10, and I'm loving it to bits! Episode 1 started a bit slow, but it was crucial to understand the different personalities of the tourists. By the way, I loved the ahjummas! Wish they were part of the tourists also, which would have made it more interesting and funny to watch.
The supporting characters' relationships seemed cliche at first glance, but as they delve deeper into their background stories, it made me realise that this drama is all about "Don't judge a book by its cover" and the different kind of relationships between the tourists.
I found the pace to be good. I loved how they focused on each pair for each episode. I loved the back stories and the progress of relationships so much! I loved the male lead's character here. It was so unique. I'm glad he wasn't a typical CEO or this good looking handsome guy with a narcissistic personality. His character was hilarious and so were his interactions with people in France. There were so many misunderstandings about him from the very start which I found to be funny. I loved his character so much!
And for the elderly couple, at first I really despised the ahjussi. He kept yelling at everyone and complaining about everything. I felt really sad for his wife. But once I saw the backstory, I kind of understood why he behaved in that manner. I could also tell that he changed slowly throughout the course of this drama, though not to a drastic extent, which seemed realistic enough for me.
For the young couple, I thought they would have a happy "honeymoon" dating period in France. But man was I not expecting a deep relationship with misunderstandings and communication problems. Their relationship changed a lot throughout this drama as well.
And for the main couple... I loved the progress of their relationship. The misunderstandings between the two of them were hilarious. And man, Jung Yong Hwa's kisses have gotten A LOT BETTER. I hated the fish kisses in "The heartstrings".
There were so many unexpected twists which I really loved. Overall, it was an awesome drama to watch!
For those ONLY looking for romance, don't start this drama because the main focus is not the romance but the growth of the characters and their relationships. It was a really good refreshing drama for me.
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A solid 9! It's been so long since I've actually watched a Japanese drama that managed to deliver on multiple fronts. Netflix's last originals in this genre left much to be desired but I saw this one randomly appear a couple nights ago. 12 Episodes, 24 minutes a piece - I figured I could get through a few to start it off and see if it'll be watchable... Then holy crap, I become enthralled with it. I haven't binged through an entire drama with that much ferocity in quite some time!Each episode unravels more of the mystery that is Hyakumanen no Onnatachi. I found myself thoroughly immersed in the narrative dialogue that Noda's character goes into regularly throughout the show. It was SO EASY to get lost in his performance. There were a few scenes I was bawling my eyes out and I wasn't exactly sure why. The cast around him is solid and each of the characters has a well fit piece in the story. Noda's character is complex and easily lovable, but it takes a while to get used to his melancholy down tempo demeanor. I'd love to break it down more, but no spoilers! It's best to unwrap this gem for yourself.
I was a bit worried that a 12 episode, 24 minute format was going to be too short for the story. Kdrama is usually 55 minute episodes~, jdrama usually 45-ish. Mostly 12,16-24 episodes a piece. But often times these formats require far too much filler and much of a drama's 'tempo' is lost, this drama sets a fairly good pace without really feeling rushed.
No doubt people will disagree with this review, it's got a very unique vibe to it that may not be universally appreciated. I'd say it's worth a shot, you'll know in the first few eps whether or not it'll click for you. :)
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The acting was very good. I especially enjoyed the main couple's and Jiang Shan's (Shiqiao's mother) performance in the movie.
I love the soundtrack, most of the songs were created for this movie. I especially love the ending song, too bad I can't find it for download yet :(.
Overall, this was a very enjoyable movie. I`m glad I decided to watch it.
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It largely follows the life of the main couple, almost exactly the same as the wiki history on Empress Dugu. The biggest different from other historical dramas is that Dugu Jialuo's personality and values never change throughout the show. There's no turning ruthless or cold hearted. She is always as she started: well-meaning and smart. She never does anything out of hatred or revenge, and she puts the people and the country before all else - except her marriage with her husband. The side characters are all the ones who change, which sets a contrast to the leads. I think this is appropriate and showcases how history views them. They were known to be good rulers, both frugal, loyal and innovative.
To some viewers, this might mean the story isn't 'exciting' or 'dramatic' enough, but it sort of reflects life. There's quite a few time jumps with historical narration since life isn't always that exciting. I personally think that the drama achieved what they were going for which is to showcase the loyal love of this couple and their sacrifices to their country. Though they may have been a near perfect couple, others around them can't be as perfect in the face of power and greed. Some of these other characters truly frustrate you when you compare their life choices with those of the perfect couple. This was a well made comparison. I also think the main actresses' reactions to situations are pretty realistic. She can easily be hurt and feels remorse but still smart enough to calm down and think clearly.
Overall, watch if you like history, want some good life lessons and wish you had a husband/wife like that. Not really recommended for those seeking intense action and a fast pace.
Also what music? Not memorable during the episodes really... You really only notice it during the opening/ending.
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I will only talk about the BL storyline since I only watched In and Sun’s scenes and because it was mentioned that it’s supposed to be a separate story from Oh and Peach.Is the plot of In and Sun realistic? For the most part, yes. It is not mandatory for the story to be realistic but the series tackles an important real-life dilemma of gay teenagers, that is, falling in love with a straight friend. The charm of In and Sun’s arc relies on a real human problem that many viewers would find relatable.
The spark between In and Sun kicks off with an eye contact scene. It is very cliche but the music, lighting and slow motion effect made it so dreamy. It’s just exquisite. That scene is the very definition of love at first sight. It’s one of the scenes that I will never forget.
Unlike most Thai BL series, this one featured a legitimate gay character in the form of Sun. He’s not necessarily effeminate or feminine but the writers throw the usual stereotypes to his personality like reading gay novels and watching gay movies. He is not portrayed as a boy who likes girls until In entered his life. He is attracted only to boys and, above all, he knows who he really is and he can admit it to himself.
A character like Sun is one of the fundamental elements missing in most boy-to-boy romance nowadays. Mainstream BL series are obsessed with protagonists who are labeled as straight and who are masculine in nature. There is an irrational thrill in watching boys chasing after boys yet still end up being straight. The existence of Sun’s character (among others like Thee in Hormones and Rome in Puppy Honey) is another step forward for me.
On the contrary, we have the typical BL personality in the character of In who at first likes girls, then becomes in denial and then becomes confused. After all what he feels becomes clear to him, he still doesn’t want to be categorized with any label. It’s far from real but it is an appropriate balance to Sun’s character.
In is introduced as a bully. In the middle, he becomes a loner. After that, he is a great friend to Sun. Towards the end, he becomes a heartless, inconsiderate jerk. His character is all over the place. The script has failed to define who In is. As mentioned in the series, he can do anything and be anything he wants to be. He just doesn’t know it yet and that’s exactly what I feel about him. I wish he had more scenes projecting his point of view so that the audience know what he really thinks of Sun and their situation. His strongest moment is when he was talking to Ainam when Sun didn’t show up in the tutorial class because it shows a glimpse of his perspective.
There are dialogues in the series that are really precious. The confessions are genuine. The rejections are harsh but honest. The arguments presented by the characters are truthful yet sincere. The meaningful conversations are mostly driven by Ainam. She is portrayed as a level-headed and logical person but at the same time she is compassionate. Instead of being the hindrance that the viewers expect her to be, she turns out to be instrumental to In and Sun’s relationship.
Throughout the show, Pluem has fared well in terms of acting but he wasn’t given much opportunities to explore his emotions deeply. On the other hand, I thought Chimon is excellent. His acting is subtle but you can feel the inner pain and struggle. That tear falling after he got rejected is heartbreaking. He has a certain depth on the way he interprets the emotions without being exaggerated.
Despite the plot’s weakness, it is very evident that their chemistry is extraordinary. They are the only BL couple that I can think of who can pull off matching outfits. It’s just effortless. They are so cute and adorable that you want their relationship to succeed.
Is it a happy ending? Yes and no. I can say that the story of In and Sun in the series finishes on a high note but the process to get there is emotionally exhausting. Sun’s point of view is very clear. I love how he tried so hard to keep a distance from In. Falling in love with a straight friend is a dead end. It is a losing battle. For me, this is where the moral of the story lies. No matter how much it hurts, walking away is the most rational and bravest move you could ever do when you fall for a straight friend. There is no other escape but to accept that some things are not meant to be and I applaud Sun for having the strength and courage to do that at such a young age.
The deciding factor whether it is a happy or sad ending depends on In. After getting confused and realizing that it is Sun who truly makes him happy, he has decided to give in and do whatever it takes to keep Sun by his side even if that meant being in a relationship with him. What falls short for me is how the resolution was executed. In’s character development is the weakest point because it was done abruptly. I wish his confusion was given more focus. It’s a bit scattered. The resolution felt like forced. As a result, there is no solid conclusion.
In the end, what matters most is Sun’s happiness because that’s what we all want. I see a great deal of myself in Sun. I found myself in his situation more than once in my life. That is why I’m rooting for him. Seeing him happy is a good enough ending for me.
Is the ending sustainable? In and Sun are still young. They are at the edge of 17. So far, what was established is a strong emotional connection between the two of them. We have yet to find out what will happen when their hormones start to kick in. If the writers stick to what is realistic, anything could happen. I had issues on how GMMTV heavily advertised In and Sun but I hope they will not put the new ship to waste. Pluem and Chimon’s chemistry is undeniable. Indeed, the ship is sailing. We need a season 2.
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1Sword in hand, righteous in heart. 手中握剑, 心中有义.
It was a windy and snowy day. Lei Wujie, a young swordsman wanders into a remote snow-capped inn. Xiao Se, the richly garbed innkeeper is set upon by bandits. The valiant Wujie intervenes and a fiery battle ensues. Appalled by the destruction, Xiao Se travels with Wujie to Xueyue City to collect usurious compensation. Along the way, they are caught in a vicious multi party melee over a mysterious golden coffin. They are swept out of harm's way by Wuxin, a powerful and enigmatic unordained monk. Thus begins the adventures of a loan shark innkeeper, an intrepid airhead and an irreverent monk. On their journey, they make as many deadly enemies as they do lifelong friends. Sword in hand, righteous in heart 手中握剑, 心中有义, the young friends set out on a quest for justice and their vision of jianghu or the martial world. In jianghu there is no absolute right or wrong, just an individual sense of morality and righteousness; the higher values that each swordsman is willing to give their life to protect.This addictive, high fantasy wuxia captures the spirit of rivers and lakes and the thirst of the wanderer to see where the skies end. The hilarious banter and unlimited friendship between the trio and their ever growing circle is immersive and exhilarating. I love that despite his superpowers, Wuxin needs Xiao Se to bankroll their travels and Lei Wujie has no sense of direction and gets Xiao Se lost all the time. Xiao Se (萧瑟; desolate) is a lonely and guarded character with a subtle air of loss and disappointment cloaked in sarcasm and arrogance. From the first instance he shares a curious understanding with Wuxin, another itinerant character with a cryptic past. They are both brilliant, complex and somewhat broken characters seeking answers and redress. Though younger in years, Wuxin is a wise, almost omniscient old soul, who is more at peace with his past than Xiao Se is. They find solace in Lei Wujie's simplistic, pure hearted idealism; his fearless youthful optimism and sense of invincibility. They are the core that attracts other great talents such as the redoubtable eldest martial brother Tang Lian, the strategic Ye Ruoyi, the divine healer Hua Jin and the sticky as fly paper Sikong Qianluo.
There is a lot to unpack in this story, beginning with the abundance of flamboyant and formidable jianghu characters. My personal favorite is Baili Dongjun, lush brewmaster and first city lord of Xueyue City. The prequel 少年白马醉春风 The Young Brewmaster's Adventure chronicles the youthful adventures of the colorful older generation of martial heroes. This explains the richly defined jianghu universe of legendary heroes and weapons and the fully realised characters with deep relationships and substantive backstories. Many surrounding characters are heroes of their own sub-plots that unfold alongside without seeming to digress from the main storyline. Loyalties notwithstanding, all five sword deities are moving and fascinating characters that make me want to know how their journeys begin. This drama is said to stay true to the original and the well loved manhua. This is likely due to the involvement of the novelist Zhou Munan (周木楠), whose prose is witty and simple, yet profoundly zen.
As the heroes converge on the capital, Tianqi City, the plot takes a political turn. The emperor is ailing and they are caught up in the battle for the throne between Prince Bai and Prince Chi. They race against time to unravel the old conspiracy that led to the downfall of Lord Langya many years ago. Fans of Langya List 琅琊榜 or Nirvana in Fire will recognise immediately that beyond the ranking of heroes, large chunks of this story pays homage to that masterpiece. The plot climaxes in an epic and heartbreaking denouement that reveals all the hard truths. While some villains could be better fleshed out and get off too lightly, the ending ties up all loose ends. Nirvana in Fire left me inconsolable but I am uplifted by how this version of the age-old battle for the throne story ends. Heaven's will does not always prevail over man's will; we have a choice in whether to take the lonely road or the one that is filled with friends.
It is obvious from the production values that the budget is modest at best but money is spent in all the right places. The styling of each characters is distinct and eye-catching and their weapons are badass. The fight scenes are intense, well choreographed, fast moving and exciting; the hallmark of a good wuxia. Each sect and swordsman have signature battle techniques and advantages that are well conceived and awe inspiring.
The acting is impressive and anchored by charismatic portrayals and compelling chemistry between Liu Xueyi's Wuxin and Li Hongyi's Xiao Se. Both characters are by far the fan favorites. Many characters were so well portrayed they deliver lingering impact beyond their screen time. The only notable exception is Sikong Qianluo, a cartoon character that has zero chemistry with Xiao Se. Someone must have sent them the wrong script because they seem to be acting out the role of the lovesick fangirl accosting a celebrity actor. But romance is peripheral in this saga and there are more riveting ones such as Li Hanyi and Zhao Yuzhen's story as well as that of Tang Lian and Fairy Rui.
This is a must watch wuxia, one that delivers all the best loved aspects of the genre. It has small flaws but I enjoyed it too much to want to pick at them. I will just leave it at that it would have been nice to see more of Wuxin and while the final fight scene was meaningful and satisfying, there were a few other clashes I would have loved to see. All considered, I am happy to rate this 9.0/10.0 and crown it the best wuxia of 2022.
PS - Don't forget to watch the 5 minute special ending episode.
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Great but never dares to go all the way
Okay so it leans into emotional realism more than flashy romance, centering on the quiet exhaustion that comes from work, expectations, and unresolved feelings.The series does a solid job portraying burnout not as a dramatic breakdown, but as a slow, heavy fatigue that affects relationships and self-worth, which makes the characters feel painfully relatable. While the pacing can feel slow at times, it fits the story’s reflective tone and allows the emotional moments to breathe. The chemistry is subtle rather than explosive, relying more on shared silences and small gestures than grand romantic scenes.
One thing that I don't get it like it wants to be brave. The show hints at bold ideas about modern labor, automation, and emotional detachment through tech, but it never really digs deep into the ethical or social weight of AI... it mostly stays symbolic rather than critical.. The show plays it safe by softening the consequences and resolving conflicts too neatly, which undercuts the rawness it’s aiming for. So while it looks courageous on the surface for tackling burnout and vulnerability, it doesn’t quite push far enough to be truly uncomfortable or transformative. It ends up feeling cautious rather than bold—well-intentioned, sincere, but ultimately not as daring as it pretends to be.
Anyway it is a thoughtful, mature show that may not be for viewers looking for high drama, but it resonates deeply if you appreciate introspective storytelling and emotionally grounded narratives.
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