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Thrilling. Unsettling to some extent. Additionally to an enthralling story you get great acting.
"The Cursed" puts Korean shamanism at the center of events. Shamans play their role again and again in KDramas - even if they are only indirectly present in the form of yellow adhesive talismans in red Hanja writing for fertility, luck, prosperity, etc. But in "The Cursed" they actively determine what happens. The shamans are distinguished by their spirit conection and/or have inherited their practice. To this day, Muism or Sindo - the shaman religion - is firmly rooted in everyday life as the oldest popular belief system.So you inevitably have to deal with magical rituals, shamanistic practices and (in this case) evil spirits who quickly possess people or e.g.. rather curse them. It is quite somber and frightening considering that mere human ability has little to counter these forces and practices.
Viewer ratings have more than doubled over the course of the TVseries. For South Korean audiences, the KDrama obviously struck a chord. For me it was an intense drama. Thrilling. Unsettling to some extent. Generally, I would recommend it, if you are open to face another realm besides our rational reality. Additionally to an enthralling story you get great acting. (No romance, though...)
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Acting/Cast: Acting is good enough, including the kid actor who acted as the teenage son. Park Hae Jin's acting is okay though I can tell he needs more experience working on his facial expressions while working with foreign actors & actresses...or it could be his portrayal of the hero who is 'numb' to feelings- a character who was hurt by love and views marriage as a practical arrangement for his career. He's also a brilliant businessman, often able to overcome whatever tricks his mother (the CEO) and her cohorts planned to keep him in line. In the end, the entire board was supporting him and his ideas, which made his mom admire his ingenuity but also frustrated that she could no longer control him. There are parts where you can see the glint of playfulness and genius behind the hero when he plotted to trick our heroine into accepting him. The heroine is well selected - she's cute (not beautiful per se) and has an air of 'common-ness' in her. She is assertive but kind and often would rather avoid conflict than to explain herself to others. To her, the hero is the biggest conflict she wanted to avoid as she knew he would complicate her simple life. Hence, she did all her best to avoid him - switching jobs and place of residence and even went into hiding!...but our hero's tenacity and persistence finally won him the woman! :)
Music: Nothing that stands out.
Rewatch value: Not too bad, considering there are some scenes I would like re-watch. Those are the ones where the hero pulls out every trick in his book to get the heroine. Pure fun.
Overall: To those of you who are used to the 'polished' look of Korean dramas and the brevity of Japanese dramas, you might find this drama (and any melo Chinese dramas) hard to swallow. The Chinese excel in making 'real' dramas, depicting as close to possible, the reality of life and relationships. There will be no fashion show, ridiculously good looking (and heavily make up) actors and actresses here. Even the so-called HD quality is no HD quality. Extremely 'rustic'. Equal weight is given to addressing family relationships and friendships and work life besides the romance story. For a Chinese melodrama, this is not a bad one to be watching. Overall rating: 7.5/10.
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Cute but couldn't avoid cliches
"Hello I'm at your service" is a lovely office romance that is both binge-able and cringey. One of those sweet, sugary dramas that we get every year from China but it still has some elements that you would enjoy. For me, it was a unique CEO male lead and the concept of your workplace being your family.Our ceo male lead, Lou Yuan (Miles Wei) appears like a cold, aloof, very typical at first but he is rather friendly and nice. He is not a total introvert either. Behind this perfect ceo is a down to earth, frugal guy who dotes on the female lead.
Contrasting to him is the female lead, Dong Dong En (Xu Lu) who is quirky and efficient at her work. As a customer service representative she is good at flattering people too. She is just too smart and knows how to talk through her way.
She works for a small company called Ba-Er (Eighty two studio) which has less employees but they all are like family members who go through hardships together. An amusing company which barely makes any money but stays up for nights to meet the client's requirements. The founders are like elders of the family where an employee is casual enough to nag or stare at the boss. They even dine together daily. Her bonding with them was one of the parts I loved in the drama.
Now coming up to what took 2 stars away. Its the stereotypes of a Chinese Romcom. You get a CEO, rich ML- poor FL story (which gladly is the main highlight here although they presented a very healthy relationship since Lou Yuan was not domineering and rather understanding), you also get a bitchy childhood lover out of nowhere (with zero self respect obviously), a toxic Ex (who you wish could die bald, many might enjoy this arc tho becoz I laughed a lot at the end).
But anyone watching this for the romantic story wouldn't get bored for sure. Along with these adorable leads we also get two second lead couples who have interesting stories going on parallely.
And all throughout this drama one thing you can definitely learn is how to butter up people. Like no one here is talking in a sane way without adding compliments. Its so cheesy at some scenes but its funny too. Comedy makes this drama light and an easy watch.
Overall, it was quite a mid, okayish drama that you can binge watch over a weekend or keep as a side dish for a strong ongoing angsty historical you're watching.
Sweet, a lot cliche yet fun!
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Flowers centers around the business of our girl's (Kang Hye Jung - Oldboy, Love Phobia, Welcome to Dongmakgol) parents which is nothing but setting up funerals for the deceased. Well, what do you think? Depressing, Sad, Sappy? If you think that way, then I'll try to make you think other way.
Flowers is not a melodrama. It doesn't put the characters of the story in extreme difficult situations so as to appeal to the emotions. It isn't a family drama, it may not even feel like a drama ! It will be hard to believe that its a show which deals with death and is actually hilarious and funny without being jokey and gag based. It touches you emotionally without making you sappy. You will feel the characters in your heart and yet you wont cry. It will provide you lots of hilarious and humorous moments. You won't feel dull at any point in the series.
The cast is good with our leads fully absorbing into their roles. You will probably remember Cha Tae Hyun (My Sassy Girl). He is the main character in this story and I think he was perfectly cast for this role. His exaggerated facial expressions are always funny but you won't find them ridiculous here. They will rather feel as honest feelings. The lead actress Kang Hye Jung is very natural in her acting. She just steps up her acting skills in each episode. You will feel like living in the drama. The second leads are OK. The parents are awesome. There are 2 more elders who would sometimes feel annoying but their screen time is small.
Doesn't your all time favorite drama has the most beautiful music? Remember 'Coffee Prince' and 'Shut Up: Flower Boy Band' ! Well, Flowers doesn't reach to that level but there are just enough scenes where the background music matches perfectly with what is going on in the screen. In fact, it is the OST that keeps your tears away. Its the exact opposite of OST of '1 Litre of Tears' where you cry because your heart, Aya and the background music all resonate to the frequency of 'tears'. In Flowers, it resonates to happiness and smiles. To your surprise, you will come across a 90's english song.
I have never rewatched any drama till now. Not even my top favorite one. But I feel like I can always return to watching this show as this is JUST NOT sad, even when talking about death. All other good shows leave me in a state of helplessness when I finish them and I don't know what to do ending up in an existential crisis for few days. But Flowers left me satisfied and happy in the end.
Overall, I will give this one a '9'. I would have given this a 10 if not just for that 1 single episode where I think it paced up a little giving away its charm a bit. But the show made up for it in the last 5 episodes.
Additional thoughts - There are few episodes which tell a smaller story and work well in moving the characters in that small story as well as the larger story of the series in itself. You can compare it with the episodes of 'Reply 1997'. Now wasn't that amazing !
And if you see this show, then do watch out for the flowers (I mean literally; there will be just a single scene for 2-3 seconds where a character is shown with some type of flower).
This show is indeed well executed. I just didn't wanted it to be so underrated.
Thank you for your patience.
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This review may contain spoilers
Ok so this review is dark and full of spoilers. aand I'm going to vent a lot my frustration so you may hate me if you liked this drama. Then just don't blow your bubble and stop reading now. xDI found this drama on netflix and at first it was our typical, full of cliché (and occasionally cringeness) love story: marriage contract between a poor thing who has a desease and the only donor compatible: the youngest and richest CEO of CEOs history that every woman would like to approach - but for some reasons he doesn't seem to be attracted by anyone, and rumors have him being in a triangle with his secretary male assistant and his male actor friend.
Asians are rather conservative about lgbt so none of them is actually gay, or at least bi. Bi would be a nice plot twist.
But instead we had a really shitty plot twist that will make your jaw drop underground.
Well the signals were there and some bells happened to ring for me, but I know that dramas are often a bit extra, so I wouldn't imagine what was going to happen.
First of all: she had to beg him several times because even tho he was on the donor's list (it means he signed himself in) he didn't want to agree to save her life. That's quite nasty for a premise even for the tsundere archetype to be honest.
Then as they start to "fake" their marriage (he asked her to marry him in exchange of her life, basically. She tought he was gay and needed a cover up - but that's her assumption, not a deception.) he starts to be a bit too controlling: he stated she - a grown woman - was forbidden to drink alcohol (not getting drunk, just to drink a beer for instance), was forbidden to wear skirts over her knee and things like that.
Actually the very alarm for me went on the moment she was walking at the mall with her friend and some guy stole her wallet, only to come back minutes later scared with that same wallet intact, begging forgiveness. How did her hubby knew? Wasn't he supposed to be at work, doing all that office stuff? (seriously I am always amused to see how much free time heads of conglomerates have to roam around instead of directing thousand people in dramaland. And they just sign stuff or scold people when they're rarely seen at their workplace LOL)
Some time passes and they spend lovely time together, they say cheesy stuff and flirt all the way.
And then the ugly thruth: we get to know that the marriage in fact was the masterpiece of the dick moves to approach a girl you like: he stalked, photographed her, got reports about her FOR TWO FREAKING YEARS and planned ahead the whole marriage thing by bribing doctors and forging documents about her having leukemia, when she was just anemic!! That would be GENIAL if only this drama was tagged under "thriller". But it's a rom com instead. How romantic! Let me spread some rotten flower petals here.
Because asking her for a coffee was too mainstream? We get to see in flashbacks she wasn't a cold, difficult to approach person, the exact opposite!! In fact he fell for her because they met by coincidence and she helped a stranger (him) without asking anything in return.
Even with his turbolent past with a severe father and a uncaring mother (she was a real bitch, let me say it moreover because she seemed a poor victim of the father too when she tried to steal his son's company at first occasion. wtf.) I think that's not logic at all. And also why his loyal assistant didn't warn him about the consequences, about how frong this was?? He planned to deceive her and confess the truth only when she had already fallen for him so she would forgive his actions: yeah sure, feed that to the dogs.
If only that she did exactly as he planned.
She discovered the truth, she got angry, she told him how suffocating is his behavior, HE LOCKED HER UP IN THE HOUSE WITH TWO GUARDS "FOR HER SAKE" when she wanted to leave and after couple of episodes they're back together. No consequences, no therapy.
Not to mention he begged her, telling her he wanted to change and after all that, she discovers he bought her apartment in secret. Psycho much? Hello? You didn't learn anything from all that mess?
But let's being serious for a second here because yes it's a fiction, it's a drama so "over the top or die trying" is our national anthem but I felt rather disturbed to see how lightly all the matter was treated. The friends, from both sides, just said: "oh, that's not cool" and that was it. Leaving aside the fact he didn't yell or hit at her, he, in fact, abused her. This was plain domestic abuse. He said what every perpetrator say in this circumstance "it's for your own good, I did it for you".
For the rest of the drama I kept being disturbed by it, I kept thinking the target of this stories are teens and they are easily influenced by everything around them. (It's not an asian only thing, I can use "after" by Anna Todd as another bad example.)
I just don't think it's a good idea showing manipulative characters justified and forgiven like that, without at least some therapy. Yes, he's a victim of his father too and I am prone to be more comprehensive, but it's not enough for me to excuse him or giving him a second chance right away.
I think it's also disrespectful towards all the people out there who are abused by their partner, trapped in this nightmare.
You may think "yeah but it's just fiction!" and I may agree with you except that seeing often those things as normal and romanticized even is very harmful for young minds. If he wasn't rich and handsome would you be on the same page as now?
Here's a really fitting example of what I'm trying to say: we're all educated that pink is a feminine color. A boy would be ashamed to wear pink (Jia Fei was more convinced that Wen Li was gay because he liked that very color) but isn't it just a pale hue of red? That's how our brain works: we get used to things and finally think they're normality. Ling Yi Zhou himself is a perfect example: he's so used to be manipulated by his father he thinks he's normal to treat his partner as some pet.
I was sad to see people willing to cheer for them at the end, while they were so severe to the second fem lead girl who basically did the same thing to Ling (she ipnotized and drugged him to forget his wife so she could stand a chance. This reminded me of Tom Riddle's mother. She tricked a guy to love her with a potion and when he woke up he left her pregnant with the dark lord. That would be a great lesson for both An Ran and Ling Yi Zhou).
I liked how Xia Lin and Chu Yan's friendship developed and that left me with the infamous second lead syndrome. He started as a bitchy rival, then he learned to respect her as a person and they become friends, they talked about stuff and helped each other: sometimes she rescued him, sometimes he rescued her. The true example of an equal and sane relationship.
For me the perfect ending would have been her escaping with him and the controlling dude being on therapy and then after few time trying again to have a relationship with another woman in the right way (or die, while trying to kill the girl and his friend who "stole" her), I think I will pretend that happened and forget about this whole stuff right away.
if it wasn't clear enough I won't recommend this at all xD I would rather keep watching the same old stuff full of clichés without abuse :/
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Perfect reflection of Corporate Affairs; Quite unique as a drama.
Let's say that ON THE VERGE OF INSANITY is the office Kdrama of the year 2021 or probably the best Office drama out there? I mean you ain't gonna find another Kdrama with pure office affairs (95%) in the story, so yeah!This drama is realistic enough for the audience working (or have worked) in corporate sectors to relate and reminisce their life as employees or employers. The drama touches various sides & shades of a regular corporate life such as: responsibilities, work pressure, competition among peers, colleague relationship, management techniques, job hunting, dismissal, resignation, worker layoffs, corruption, etc, etc.
STORY & PLOT:
There is no solid plot here to back the story. It's more of a slice of 'office' life Kdrama portraying the day-to-day life of people working in Electronics Industry at various positions and designations. But of course for the story's sake, the drama is set up in a time period during which the company is going through critical phases of financial downturn and rounds of laying off plus shutting down of branches.
Hanmyeong Electronics, famous for it's high-tech home appliances, is one of the top 3 Electronic Product Manufacturer in South Korea. The Company enters into a moderate financial crisis to tackle which the Head Quarter decides to shut down few of it's business departments and lay off more than half of the people working in those branches. So the major plot is all about the attempt to throw out the people and sell off a particular branch which also includes the competition to develop products and the efforts of survival in the company.
The story itself starts with these procedure in one of the semi-urban branches. Dang Ja Young, assigned to lead this is then transfered to another rural branch to reorganize and execute the selling off of another branch. Choi Ban Seok, an expert developer at the company is transferred from the previously vanished branch to this branch is forced to work with Dang Ja Young in the HR team. Han Se Kwon, a greedy and highly ambitious person always putting effort to climb the ladder, can go to any length get his work done.
The drama also portrays dirty sides of business and corporate sectors. People trying to drag each other down to save themselves, some others plotting tricks to humiliate others for personal grudges, some trying to gain from crisis, some committing corruption in the greed of money, etc are very well shown that implies the need of countermeasures to stop such deeds. OTVOI also emphasizes on hierarchy complexes in corporates as well as mistreatment and sexual harassment, which are some of the concerning issues in all kinds of workplaces.
Obviously, Dang Ja Young and Choi Ban Seok are the leads but there's no definite couple. There's no romance storyline which is totally fine but in the last 4 episodes there's a subtle portrayal of a developing closeness between the 2 leads.
The drama has few side minor storylines about office dating, personal and private lives of the main characters, friendship between adults, etc.
CAST & ACTING:
It's obvious that the drama isn't getting it's well deserving recognition internationally because of the cast but what matters are the acting skills of the actors and in this regard all the main and major characters are actually very good. It's sad that such a good and realistic story isn't getting the attention but I must say it's not everyone's cup of tea.
The story revolves around mainly 3 people though there are plenty of side and supporting characters with a fair share of screen-timing.
1. Dang Ja Young played by Moon So Ri is a workaholic long-term employee at Hanmyeong who aspires to become an executive director by the meana of her work. He has given her 100% to the company and has strived for its progress. She does whatever given to her as a responsibility and is very rationale. She's brave, competent and knows how to get her job done well. Despite the difficult road traveled, she never gives up. She finds herself in a tight spot after being appointed as the HR team leader of a branch soon to be sold off.
2. Choi Ban Seok (Jung Jae Young), a senior hardware developer with 20+ years experience has been successfully saving his spot in the company. He's very excellent at his job but mismanagement of company disgusts him. He gives up an international offer and after bring transferred to another branch he joins the TF team but soon after framed and shifted to HR, a dept he's no idea about. He still hangs onto the job and tries to learn. Fortunately, his skill gets him back to the R&D dept but he still faces issues from people who are jealous of his skills. His character and personality in this drama is something to love and respect. What a man!
3. Han Se Kwon (Lee Sang Yeob), the TF team leader and a prominent face of the company, is also the ex-husband of Dang Ja Young. As a person who's high ambitions he can literally do anything to stay at the top. He's very insecure of his skills yet clever enough to create opportunities for himself out of crisis and sly enough to escape out of downgrading situations created by him. Seeing Choi Ban Seok's skills and confidence he constantly tries to bring him down by playing cheap tricks. He keeps stopping lower shamelessly as the story progreses.
Choi Ban Seok is a family man with a daughter and both lives with his mother since his wife's demise. Dang Ja Young after divorce, lives with her friend Shin Jung Ah and has a mentally disable father at a nursing facility. She's divorced from Han Se Kwon who's currently dating a co-worker. Shin Jung Ah (Cha Chung Hwa) and Shin Han Soo (Kim Nam Hee) are siblings.
The drama has also some other good actors like Cha Chung Hwa, Ahn Nae Sang, Kim Nam Hee, Jo Bok Rae, Kim Joong Ki, Park
Won Sang, Park Sung Geun, etc. Other than these popular faces, there are also many young faces which are new & old as well as some known faces who did their roles well with the screentime provided. The character arc of all the major and minor character are very well-done.
DIRECTION & EDITING:
Given that this is the debut of the director, I think it's very good as well as suitable script for him. He's been able to do his job well hence creating good opportunities in furure. The screenplay editing also gives the vibe of perfect office environment with light comedy dominating intense moods. Background sound scores are very less giving it a urban drama vibes which I think is a good decision. In fact the OSTs are not utilized that much but that's very fine with me. One notable editing device is that for the later half of the drama, the episodes end with a prologue and in the next episode the story goes back to a day or two back that eventually leads to the scene where the previous episode had ended. I recall seeing this device in no other drama.
Many people might say it's boring because of the lack of a intense solid plot and urban editing but I'm very pleased for the fact that it is very realistic and throws light on real life events and issues in the corporate sector.
OSTs:
My only problem with the OST collection of this drama is that the production has unreasonably put Han Se Gwon in the poster of 4 tracks when he's an utter trash. Whereas Choi Ban Seok is featured in only one poater wtf. Also, Seo Na Ri, Han Se Kwon's girlfriend is got a place in one of the track posters as well as shown as one of the 4 main casts in the main drama poster z WHYYYY? She doesn't even share more screentime than side characters.
Okay, so OSTs are actually nice. The urban comedy drama doesn't use OSTs in the screenplay that much given the office environment to give off the perfect vibes. My favourite ones are "find me" by PL and "please" by The Daisy. The former is a jolly track creating moods for doing your work and the later is a softcore feel-good song. Other likeable ones are
"trace" by KLANG
"vacuity" by The Lime
"I dream of you" by Seo Sung Hyuk
"man's Love" by Kim Jin Woong
ENDING:
Last 2 episodes of the finale week are very good as well. One of the major twists that happened in ep 15th made me both sad and angry which also led me to expect something dramatic enough to turn the tables. Well, tables weren't turned as a countermeasure, rather the scenario led to a new beginning. I was sooo happy tbh watching the last 15mins of the 15th eps, it has quite a few time leaps, small or big. The 16th eps was even more dramatic (not so realistic) but I guess that was a reward from the writer for all the sad elements we had been witnessing throughout the last few episodes. Anyways, sooo glad it was a sorted, reasonable and happy sending.
CONCLUSION:
The best thing in "On the Verge of Insanity", for me, is Choi Ban Seok, a personality that I will aspire to be. He's confident, morally upright and is always focused. His way of talking and behaviour acc to person were so on point, I fell in love with him. Dang Ja Young is surely an inspiring character with a lots of traits to learn from, loved how strong she is. Han Se Kwon is a character that should be hated and openly shamed. It's unfortunate cheaper people exist in the corporate world for real.
Again, I am sad this drama isn't doing well internationally in real time but hopefully people will recognize later. The drama is definitely a very good work, if not excellent. The way it throws light upon harsh truth of corporate affairs and the measures to tackle it are very real.
Overally, this drama is nice and deserves a place in the top 20 Kdramas of the year 2021. PLEASE watch this and I am sure that'll be worth spending time on. I binged it in 2 phases but I am sure the episode by episode progression of this drama would have been quite interesting and anticipating for those who watched it ongoing. This will go down as one of the best Office Dramas that Korean Drama Industry has ever produced. That's all.
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1Sword in hand, righteous in heart. 手中握剑, 心中有义.
It was a windy and snowy day. Lei Wujie, a young swordsman wanders into a remote snow-capped inn. Xiao Se, the richly garbed innkeeper is set upon by bandits. The valiant Wujie intervenes and a fiery battle ensues. Appalled by the destruction, Xiao Se travels with Wujie to Xueyue City to collect usurious compensation. Along the way, they are caught in a vicious multi party melee over a mysterious golden coffin. They are swept out of harm's way by Wuxin, a powerful and enigmatic unordained monk. Thus begins the adventures of a loan shark innkeeper, an intrepid airhead and an irreverent monk. On their journey, they make as many deadly enemies as they do lifelong friends. Sword in hand, righteous in heart 手中握剑, 心中有义, the young friends set out on a quest for justice and their vision of jianghu or the martial world. In jianghu there is no absolute right or wrong, just an individual sense of morality and righteousness; the higher values that each swordsman is willing to give their life to protect.This addictive, high fantasy wuxia captures the spirit of rivers and lakes and the thirst of the wanderer to see where the skies end. The hilarious banter and unlimited friendship between the trio and their ever growing circle is immersive and exhilarating. I love that despite his superpowers, Wuxin needs Xiao Se to bankroll their travels and Lei Wujie has no sense of direction and gets Xiao Se lost all the time. Xiao Se (萧瑟; desolate) is a lonely and guarded character with a subtle air of loss and disappointment cloaked in sarcasm and arrogance. From the first instance he shares a curious understanding with Wuxin, another itinerant character with a cryptic past. They are both brilliant, complex and somewhat broken characters seeking answers and redress. Though younger in years, Wuxin is a wise, almost omniscient old soul, who is more at peace with his past than Xiao Se is. They find solace in Lei Wujie's simplistic, pure hearted idealism; his fearless youthful optimism and sense of invincibility. They are the core that attracts other great talents such as the redoubtable eldest martial brother Tang Lian, the strategic Ye Ruoyi, the divine healer Hua Jin and the sticky as fly paper Sikong Qianluo.
There is a lot to unpack in this story, beginning with the abundance of flamboyant and formidable jianghu characters. My personal favorite is Baili Dongjun, lush brewmaster and first city lord of Xueyue City. The prequel 少年白马醉春风 The Young Brewmaster's Adventure chronicles the youthful adventures of the colorful older generation of martial heroes. This explains the richly defined jianghu universe of legendary heroes and weapons and the fully realised characters with deep relationships and substantive backstories. Many surrounding characters are heroes of their own sub-plots that unfold alongside without seeming to digress from the main storyline. Loyalties notwithstanding, all five sword deities are moving and fascinating characters that make me want to know how their journeys begin. This drama is said to stay true to the original and the well loved manhua. This is likely due to the involvement of the novelist Zhou Munan (周木楠), whose prose is witty and simple, yet profoundly zen.
As the heroes converge on the capital, Tianqi City, the plot takes a political turn. The emperor is ailing and they are caught up in the battle for the throne between Prince Bai and Prince Chi. They race against time to unravel the old conspiracy that led to the downfall of Lord Langya many years ago. Fans of Langya List 琅琊榜 or Nirvana in Fire will recognise immediately that beyond the ranking of heroes, large chunks of this story pays homage to that masterpiece. The plot climaxes in an epic and heartbreaking denouement that reveals all the hard truths. While some villains could be better fleshed out and get off too lightly, the ending ties up all loose ends. Nirvana in Fire left me inconsolable but I am uplifted by how this version of the age-old battle for the throne story ends. Heaven's will does not always prevail over man's will; we have a choice in whether to take the lonely road or the one that is filled with friends.
It is obvious from the production values that the budget is modest at best but money is spent in all the right places. The styling of each characters is distinct and eye-catching and their weapons are badass. The fight scenes are intense, well choreographed, fast moving and exciting; the hallmark of a good wuxia. Each sect and swordsman have signature battle techniques and advantages that are well conceived and awe inspiring.
The acting is impressive and anchored by charismatic portrayals and compelling chemistry between Liu Xueyi's Wuxin and Li Hongyi's Xiao Se. Both characters are by far the fan favorites. Many characters were so well portrayed they deliver lingering impact beyond their screen time. The only notable exception is Sikong Qianluo, a cartoon character that has zero chemistry with Xiao Se. Someone must have sent them the wrong script because they seem to be acting out the role of the lovesick fangirl accosting a celebrity actor. But romance is peripheral in this saga and there are more riveting ones such as Li Hanyi and Zhao Yuzhen's story as well as that of Tang Lian and Fairy Rui.
This is a must watch wuxia, one that delivers all the best loved aspects of the genre. It has small flaws but I enjoyed it too much to want to pick at them. I will just leave it at that it would have been nice to see more of Wuxin and while the final fight scene was meaningful and satisfying, there were a few other clashes I would have loved to see. All considered, I am happy to rate this 9.0/10.0 and crown it the best wuxia of 2022.
PS - Don't forget to watch the 5 minute special ending episode.
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One of the most important points of this drama is that is answers EVERY question it posts in the beginning and throughout the series, it has not even once made me hang and guess (not that I wasn't trying, but I mean before the answer was given :P).
The fantasy plot was the main reason I started this drama and it did not disappoint me. The detective story went on very smoothly and I like that my guesses were wrong, I like being surprised by the drama.
To say anything about the acting is really unnecessary, as I enjoyed every second with JunKi and MinAh, they are brilliant, but their brilliancy is mostly seen not in the general picture that I would write about if talking about their acting the drama overall, but in the little moments, and maybe that moments will even seen to you not that important, but I was gasping for breath (note: JunKi's acting when his father was reading the Royal Order, MinAh's acting when she was telling him she did not want to leave him in 19th episode). Also Yun Woo Jin - fell in love with him... I was crying for who JooWal had become and how perfectly he portrayed the pain and fear of that poor person. I'm going to follow this guy now!
I am almost sure the music crew of King2Hearts was working on this, as I got the same vibe from the score. Absolutely matched with the feel of the drama, bravo~
I am going to miss my dark-mysterious-ghostly-but-lovely Arang ^^
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There's only one bad acting from a supporting character, so it didn't affect the story. I liked how realistic the business feels (although it's still a drama), and how the events happened. I wish the main couple got together sooner because at some point the FL rejects the ML because of some misunderstandings, but he made it clear he wanted her, so there was no point avoiding him. But if we ignore this tiny detail, it's an amazing drama.
We have many steamy kisses and affection, I was so happy about that. I loved the leads and loved their chemistry.
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The acting was great and, in my opinion, The Lover is one of the best acted drama out there. My biggest problem with the show was how a lot of scenes were stretched to the point they lost all the fun and made me feel like "okay, I get it. Just move on already". And some couples were given waaay more screen time than the others. There were definitely the main couples and the side character couples, which took a bit away from the show. I would have liked it if all couples had the equal standing.
The Lover has a high re-watch value because it's honestly fun and heartwarming. There are only 12 episodes and that¨s great, the show doesn't get any time to get draggy.
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This review may contain spoilers
Nonchalant, sassy, intelligent - a solid enrichment among law&order dramas
"May it Please the Court" is one of my favorite series amid the flood of Law & Order series 2022. I appreciate its witty and grounded touch. I also appreciate the playful, sassy and natural at ease dynamic between the two leads. You get wit without silliness and on top of that an exciting story. In addition, the question (which is obviously burning at the moment in South Korea) about the solid handling of the rule of law in the face of apparently overpowering forces that control politics, the executive and the judiciary, is intelligently incorporated into the network of relationships and case processing.The story is based on a book with real cases, written by public defender Jeong Hye-jin ("Let Me Start the Argument"). This makes the Disney production a solid enrichment for current courtroom dramas. In addition, this KDrama doesn´t try to downplay its KDrama roots in favour of international streaming market standards. The KDrama remains true to itself and doesn't rely on more violence or sex than usual It rather builds on proven emotional storytelling with an excellent cast and a loving eye for the nuances.
The intro offers an impressive, brilliantly cool stylization of the KDrama orbit, in which the one percent of society is always involved: the fircely quarreling, shaken by internal intrigues and secrets, outrageously rich family clan, in which everything is about the best law firm, the greatest impact on the prosecutor's office or the fat contract. Here you have to be clean, untouched, respectable (which you rarely are). The profession of choice is a lawyer and/or sooner or later assemblyman and ideally a presidential candidate.
So far, so good... we´ve seen it many times. Now, however, the story is driven by a new powerful perspective: the world of public defenders who handle legal cases from the world of ordinary, often destitute people at the bottom of society. Worlds clash - worlds both with people involved. The interface is incorporated by No Chak-hee, who has lived in either. As the number 1 in the law firm, in which she has just been promoted to the youngest partner, she is being transferred to the mandatory public defense. What she doesn't know: this is mere political calculation of her very esteemed superior. What she also doesn't know: the encounter with her new colleague and the world of public defense will unhinge her worldview and give her work new direction and grounding.
Suspense has the central characters fatefully under control. A series of murders occur. Crimes emerge behind old, long solved and forgotten cases. No Chak-hee realizes that even she can no longer wash her hands in innocence. Guilt. Innocence. Right. Wrong. Culprit. Victim. Justice. Injustice. The perspectives get a bit out of the sounding line.
KDrama at its finest. Good entertainment, while also being socially critical and up to date. Pithy. Nonchalant. Intelligent. Exciting. Romantic vibes included.
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I kissed a girl just to try it.
This crisp, cleverly written coming-of-age movie with a bit of a twist, explores the usual themes of first love, rejection, self-discovery, and accepting your family for who they really are. It is carried by persuasive and heartfelt performances by both Wu Lei and Zhang Zifeng whose restrained, nuanced portrayals convey the confusion of awakening youth and the utter depth of despair of first love and rejection. In this genre, young actors tend to lose my empathy by over-dramatizing and overacting in such angsty moments but these two truly moved me by not doing so. I also appreciate the well-timed light humor that diffuses tense moments and captures the ultimate resilience and optimism of youth.Zheng Yuxing and Chen Chen couldn't be more different - he is a bit of a rebel, the cool kid with a bit of internet following while she is a good student with bright prospects who unexpectedly flunks out. Thrown together by an outrageous lie, a mutual understanding that becomes a touching, unexpected relationship blossom between them. They embark on a most excellent adventure together as Chen Chen convinces Yuxing he must confront Ming, who is breaking his heart. Instead, they end up facing their feelings for each other and what it means for each of them culminates in an "I kissed a girl just to try it" kiss that says all that needs to be said. The chemistry between both leads is incredible and is exactly as it should be. I can't praise enough how these two young actors effortlessly show us rather than tell us the complex multitude of emotions they are experiencing.
Unfortunately for Yuxing and Chen Chen, there are too heavy consequences for their actions. Once again we see that young people are so much better people and I am left hoping these two stay that way on their long journey ahead. The ending is realistic with the right touch of wistfulness and hope.
So now is the time to confess that I only watched this because I wanted to see my favorite Wu Lei of unforgettable Fei Liu fame's first screen kiss. Needless to say, I got much more than I bargained for. While this movie has received backlash for not being upfront about what it is about, I think that criticism reflects a lack of understanding that that is the whole point. Who is Ming? That is the most irrelevant detail because it changes nothing. Yuxing's emotions, Chen Chen's emotions, our emotions, and our experiences are the same regardless of certain aspects of our identity.
The premise of this movie isn't the most original but the way it communicates its simple message is. And the acting deserves a standing ovation. This is an 8.5 for me with a strong recommendation to watch.
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unique dynamics with confusing execution
Overall: the bizarre editing/timeline in the beginning and lack of explanations made this unnecessarily confusing. I did like the different take on a love triangle. Aired on GagaOOLala and Viki.Content Warnings: harassment, manipulation
What I Liked
- this was a love triangle that I actually liked
- a morally gray character (aka good intentions, wrong actions)
- good production value (except for the odd editing)
- a female character who wasn't a stalker fan or evil ex
- the ending
Room For Improvement
- this has some bizarre editing and I had to re-watch the beginning of episode 1 to figure out what was happening, as an example in episode 2: first minute is a partial recap of episode 1 set 3 years in the past followed by five minutes of new scenes (presumably still in the past), then at 6 minutes in there is a recap of the last episode in the present and a new scene added, then at 10 minutes of 26 minutes we have the final scene of episode 1 and new scenes from then on
- they should have actually shown the kiss right away to explain their relationship three years ago and then they needed to confirm what their relationship is in the present
- never really explain what happened in the past or how all the "plans" would actually work
- lack of agency from Jung Woo and our supposed hero did the exact same thing that the villain did with making choices for Jung Woo instead of making choices with Jung Woo
- multiple mediocre kisses
Question - is self-publishing not an option in South Korea?
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1Three Blind Mice.
The Chinese title of this drama 天行健/Tiān Xíng Jiàn comes from a profound phrase 天行健, 君子以自强不息 from the ancient divination classic I-Ching. Loosely translated, it means in a dynamic world, gentlemen should constantly strive for improvement; to be virtuous. In the context of this drama, it alludes to how three very different individuals struggle for relevance against the overwhelming tide of history.This production's rich historical and cultural texture has been widely praised by history buffs. The nostalgic opening sequence seamlessly weaves in scenes from the drama with real footage from that era. It is set in early 1911 which was a pivotal time in modern Chinese history. By then, impoverished by civil strife and foreign incursions, the Qing dynasty was on its last legs. While clearly the time of emperors was ending, China's struggle with what form of government it would adopt went on for almost 40 years. In this story, the court is divided between conservatives (Imperial Household Department) and reformists (Prince Qi); both of whom are trying to preserve some form of constitutional monarchy. Tongmenghui led by Sun Wen (Sun Yat-sen) are rebels who want to do away with the monarchy and go down the path of a democratic republic. The powerful Beiyang Army, (then led by Yuan Shikai, the unnamed fisherman) was a deciding player in Chinese politics right up to 1949 and beyond. At the time, foreign powers including the Japanese, actively meddled in Chinese domestic affairs. Thus while there are indeed too many factions, this accurately depicts the landscape at the time
There is a lot to unpack as this is equally a plot and character driven story. A map leading to a fabled treasure is stolen from the palace. The various factions realize that such a fabulous treasure could make a meaningful difference to the success of their cause. Thus begins a mad dash of a treasure hunt that entangles three individuals who are disenfranchised by the changing times: the personal guard of the deposed Guangxu emperor, a swordsman in the age of guns and a Confucian scholar after the abolition of imperial exams. Can these three blind mice grappling with their own outdated ideals be trusted to see the bigger picture and ensure the treasure ends up in the right hands?
Men Sandao was once the emperor's guard who dared to love a princess. He was imprisoned when the emperor's Hundred Days' Reform failed. Twelve years later, he is freed on the condition he retrieves the fabled treasure that is desperately needed to shore up the national coffers. He is pitted against Zhuo Bufan, the leader of the impoverished Rongtian sect who seeks the treasure as a means to make his sect famous. His nemesis Dagu constable Wang Jialuo doesn't care about the treasure; he just means to hunt down and hold Zhuo Bufan and the Rongtian sect accountable for nine murders in his county. They are all flawed and obsessive characters who are smart yet frustratingly intractable in their beliefs. Even Men Sandao, the fullest and most intriguing character remains true to the only two things that matter to him from the beginning to the end. Similarly, Zhuo Bufan refuses to ditch his cause until his cause abandons him. The greatest zealot is Wang Jialuo, who is the product of everything wrong with the Confucian exam system; a tradition so steeped in rote learning over original thought he is utterly incapable of operating outside of the Qing code.
Men Sandao is Qin Junjie's best role to date, one he delivers with a mastery that matches the stagecraft of the many veteran actors in the cast. The way he habitually held his hands as if they were still in shackles moved me as much as the forlorn tear he shed at Guangxu emperor's grave. His natural chemistry with the rest of the cast elevated the character interactions all around. Despite their conflicting agendas, Men Sandao shared a mutual respect and understanding with Zhuo Bufan and was also able to manage the more difficult Wang Jialuo. I laughed uproariously at how he turned Lucky into his lackey and enjoyed his spirited debates with Liu Lin. I could tell he saw a lot of his younger self in her and their relationship was the one I found most moving. All of the roles that mattered, including the villain roles, were well executed with many memorable scenes featuring Prince Qi, Cunqing and Zhong Haichao. Lin Anjing was the only notable weak link in an otherwise stellar cast.
There is never a dull moment in this well-written screenplay that seamlessly fuses multiple interlocking character stories into the action and adventure. Told with dark humor, wit and irony, the narrative does not shy away from blood, violence and sudden death. Though a bit a bit heavy on slow motion and close ups, the action scenes are intense and well shot; with the occasional dose of bizarre humor. I laughed hardest at Wang Jialuo's Tarantino like foolish bravado in the face of certain death and his absurd resurrections. But laughter aside, I really didn't much care for him or Zhuo Bufan and their romantic entanglements. The only characters I rooted for were Men Sandao, Gege, Liu Lin and the ubiquitous Lucky with his uncanny knack for popping up just when needed. Though some characters got endings they didn't deserve, the ending overall is quite fitting and not surprising. This is ultimately a dark story, reflective of the times. One of the better dramas of 2024 for me that deserves more attention. I rate this 8.5/10.0.
Scroll down for more detailed spoiler ending thoughts.
MAJOR ENDING SPOILER COMMENTS
I found both Zhuo Bufan and Wang Jialuo's ending very fitting and oddly justified. Make no mistake, Zhuo Bufan was not a great guy. He betrayed many jianghu codes of conduct in his quest for greatness and sacrificed his sect members with callous indifference. It is no wonder they turned on him. He arguably would have never really given up were it not for the fact that the Rongtian sect was no more. He also conveniently forgot he promised Wang Jialuo that he would settle accounts with him and tried to ride off into the sunset after abandoning the treasure hunt. There was so much blood on Zhuo Bufan and Huo Qin’s hands including Wang Jialuo's shifu and the poor, heroic Tan Xian that there had to be consequences. Of course Wang Jialuo was no better and ultimately also betrays his true love and his beloved Qing code in his obsession with closing his case. It is both ironic and fitting that he was his own judge and executioner. It cracked me up that Men Sandao went after him in case for the tenth time he didn’t really die dead.
The most undeserved deaths were those of Lucky and Liu Lin, who were the true heroes of this story. They represented the best, most idealistic and hopeful voices of their movement and the future their world had to change for. Their deaths were not necessary and far more cruel and pointless than telling us that Men Sandao and Gege never reunited after Fujian. In any case, there were no lasting good outcomes for anyone during that time in history. Any survivors would have had to face an ugly 40 years of civil war with Tongmenghui ultimately ending up on the wrong side of history. So it has to be enough that they fought the good fight that led to the movement’s finest moments. RIP Liu Lin and Lucky Hao Han who was definitely a hǎohàn/好汉/good guy but just not that lucky.
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