4 couples, 4 different ways to deal with love, social background and values
First of all, I'd like to say that this drama is really powerful, with very good actors and musics.At first I came into this drama because of the poster showing three of my favorite actors. I really thought that it was a love story involving 2 guys in love with the same girl.... But there is nothing like that in this drama ! It's so much more interesting !
4 couples with 4 different love stories and different bonds between them. It's all about love, friendship, money, power, social backgrounds, social pressure and achievement. Can you do whatever you want to gain prestige and money ? Can you make people love you just because you want them to love you ? Can you make decison on behalf of others without even discussing it with the peolpe concerned ? Can you forgive ? Can you let it go ? Can you let bygones be bygones ? Can you confess your mistakes and pay for them ? Can you really know your heart and real desires ?
Those are some of the topics that you will find in the storyline. Love is one thing but most important are the decisions you make when you are in love and when things don't go as you wish.... certainly the message in this drama is that love can make you a better person as long as you take the right decisions and spend most of your time to cherish the one you love.
I really enjoyed watching Li Qin and Shawn Dou together again (they were so pityful together in Princess agent because of the onesided love). Are they a much better couple in here ? Well yes definitely, even though you have to wait till the last ten minutes of the drama to find the outcome.
One last word for actor Li Ting Zhe (Lin XiangYuan) : he plays the bad guy pushy and unscrupulous that we love to hate,... this actor is amazing and has got the most interesting role and character.... no spoiler but we finally cannot hate him.
So many good points make us forget script flaws, I recommend this drama because it is never boring and has a good pace : isn't it what we are looking for in any show ?
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1Only the good die young.
The second instalment of Sima Yi's story opens with his uncomfortable return to the capital to serve under the most unworthy Cao Rui, the ingrate he saved as a boy and put on the throne. Cao Rui grew up to be a monster and what he did to Empress Gao was a great historical injustice. The symbolism of Cao Rui being carried by Sima Yi is strong, suggesting their dynasty was held up by Sima Yi and most of this drama makes the case that the treacherous Cao family was unworthy and deserved to be toppled. I usually like Liu Han but did not enjoy how he portrayed Cao Rui. I was unmoved by his childhood trauma over being the product of an indifferent father who executed his mother and just drummed my fingers impatiently through his theatrics and unseemly antics with his vile eunuch. I did appreciate some aspects of his acting - he seemed cunning and slightly unhinged in the most dangerous of ways that made me feel fear for the Sima family.The highlight of the second season is without doubt Sima Yi's rivalry with Zhuge Liang, the greatest strategist of Three Kingdoms lore. It was heart wrenching to see two soulmates with such profound mutual understanding, respect and admiration locked in a ferocious life and death battle. Both bound by oathes they swore to dead emperors, one is handicapped by a strong master and the other by a weak one. It was just war brutal and simple; there was no right, or wrong, or good or evil; just opposite sides. The writer does a commendable job making the sophisticated military strategies exciting and accessible to viewers. This version of Zhuge Liang's famous Empty City Ruse/Kōngchéngjì/ 空城计 suggests Sima Yi was not really fooled, he just had a very strong sense of self preservation. Their encounters capture the essence of a resting dragon/wò lóng/ 卧龙 reclaiming the central plains from a hidden tiger 冢虎 (zhǒng hǔ), a rising talent. Alas, time was not on Zhuge Liang's side or history may have been different. Nonetheless, his trick from the grave on Wuzhang Plains left no doubt in peoples minds that " a dead Zhuge scares away a living Zhongda". It is remarkable that till this day, Zhuge Liang is the most revered strategist of Three Kingdoms lore and it remains almost a footnote in history that Sima Yi actually "won" Three Kingdoms. This arc broke my heart; I couldn't bear how Sima Yi exhausted Zhuge Liang and how unworthy both their emperors were.
The narrative inevitably peaks at the Zhuge Liang arc; their battles were the pinnacle of Sima Yi's accomplishments. After that, the drama really dragged. It wasn't necessary to dive into so much detail into the Cao Shuang arc. We really didn't need another long and boring example of what imbeciles Cao Cao's descendants turned out to be. The arc was incredibly predictable with repetitive ploys to try to indict the much older Sima Yi only to see him deftly turn the tables on his enemies yet again. The only highlight of that arc was the wild speculation around Sima Zhao's role in the death of Sima Shi's wife's death but that sub-plot didn't get wrapped up in a satisfying way. The only thing that kept me watching was Tan Jianci and Xiao Shunyao's excellent portrayals of the Sima brothers. I also found it quite cool that they cast an actress to play the treacherous and effeminate He Yan.
After the Zhuge Liang arc, it struck me that even though I was fascinated by Sima Yi and often empathised with him, I just didn't liked him. I was not surprised that he became darker in his later years; this is foreshadowed from the beginning and was an insidious process throughout. The second half of this drama seemed to go on for an eternity. That ruthless, cowardly, cunning, wicked old tortoise Sima Yi just would not die! It offends my sense of justice that he lived to such a ripe old age. I guess it must be true that only the good die young.
This drama had at least 10-12 episodes too many. We really didn't need such a detailed the blow by blow of Sima Yi's much less interesting later years. Up to the Zhuge Liang arc, I rate this 8.0/8.5 but after that it's a 6.0/7.0 so overall this a 7.5 for me.
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To Match Her Freak
A Splendid Match is the kind of drama that knows exactly what it is from the very beginning. The premise itself is nothing groundbreaking. A noblewoman returns home, several men orbit around her life, and viewers are left waiting to see who ultimately becomes her “perfect match.” The answer is obvious almost immediately, but surprisingly, that never becomes a weakness. This drama is not interested in asking who gets the girl. It asks how two people become worthy of each other, and that distinction is what makes the story work.Gu Jin Zhao grows up exiled from her own family because of an old prophecy, yet instead of becoming bitter or fragile, she returns sharper, louder, and completely unapologetic about who she is. Raised with love by her grandmother rather than suffocated by aristocratic rules, Jin Zhao carries herself with a confidence that unsettles polite society. She refuses to indulge nonsense, refuses to tolerate injustice, and settles accounts immediately whenever she is wronged. Ren Min captures both her youthful charm and fiery stubbornness perfectly. Every time Jin Zhao stands up for herself, I found myself silently cheering like a proud sister watching family drama unfold at dinner.
What I appreciated most is that the story never turns Jin Zhao into a heroine waiting to be chosen. In true amor fati fashion, she embraces the life handed to her and bends it into something that belongs entirely to her. Marriage, for her, is not survival or social strategy. It is recognition. She wants someone who sees her fully without asking her to shrink, and among all four potential matches, only Chen Yan Yun truly understands that.
I am one of the minorities who liked how the narrative took time exploring Jin Zhao’s dynamic with every man in her life. While the male lead lacked (romantic) screentime in the earlier episodes, I thought the structure made sense. The first half focuses heavily on Jin Zhao and Ye Xian’s chaotic friendship, while the latter half gradually shifts toward Yan Yun and Jin Zhao’s partnership. It creates a natural emotional progression instead of rushing directly into romance.
Chen Yan Yun is, without question, her splendid match. Mature, wise, reliable, and quietly affectionate, he feels like the rare male lead who understands that loving a strong woman does not mean taming her. Ci Sha portrays him perfectly. The actor embodies the mature, manly, and reliable allure of his character. Chen Yan Yun never asks Jin Zhao to compromise herself for his comfort. Instead, he protects the space where she can continue being exactly who she is. Their relationship is built on mutual respect, trust, and admiration, which makes their romance feel deeply satisfying even within a fairly cliché setup. He may navigate political disasters effortlessly, but love clearly short-circuits his brain, and honestly, that made him even more charming.
Once they got married, this drama practically turned into a romantic buffet. The kisses, the hugs, the mirrored gestures, the teasing intimacy, everything delivered maximum flutter damage. I also appreciate that the production committed fully to their chemistry instead of hiding every kiss behind curtains, sleeves, candles, or strategically placed furniture like some historical dramas love to do. Their romance feels passionate because both characters themselves are passionate people. The physical affection supports the fiery nature of their relationship instead of existing purely for fanservice.
One of the strongest parts of the writing comes from how the drama handles emotional conflict after marriage. When Chen Yan Yun discovers the history between Jin Zhao and Chen Xuan Qing, the story wisely avoids the easy route of one dramatic argument followed by instant reconciliation. Instead, it lets Yan Yun sit with the discomfort. Of course it would hurt knowing your wife once actively pursued someone else, especially when that someone is your own nephew. The added realization that they may have ended up together had he not intervened makes the situation even more complicated. What made the arc work for me is that the drama allows Yan Yun to spiral through those ugly “what if” thoughts instead of pretending mature people instantly process emotions rationally. And true to Jin Zhao’s character, she refuses to lose herself trying to soothe him. Her “I won’t indulge him” line felt completely consistent with who she is. She loves deeply, but she refuses to abandon her own dignity in the process.
Ironically, Chen Xuan Qing’s storyline only further proves why he and Jin Zhao were never meant to be. He may have been her first love, but he fundamentally lacks the courage and conviction needed to stand beside someone like her. Jin Zhao is drawn to his worldview and gentleness, yet in the end, he mostly awakens her protective instincts rather than standing as her equal. When forced to choose between safety and love, he chooses himself. That decision defines his entire character.
I honestly think the writers did Xuan Qing dirty toward the second half. His character practically takes a full tragic opera turn into pathetic lovesick territory. Zuo Ye portrayed his restrained misery very well, but the writing reduces him into someone consumed entirely by resentment. It is understandable for him to feel jealous of Yan Yun and out of place with the Chen family, but at some point his bitterness becomes exhausting because the Chen family genuinely treated him with sincerity from the beginning. The drama wanted emotional collapse, and boy, did it commit to it.
On the other hand, Ye Xian ended up becoming one of the most interesting characters in the drama for me. At first, he is basically a spoiled manchild wrapped in pretty robes and family pressure. Winwin embodied that mischievous youthful energy perfectly while still hinting at the burden beneath it all. His relationship with Jin Zhao works wonderfully as friendship because they are too similar. Putting them together romantically would be like throwing two fireworks into the same box and hoping the house survives. They bicker, annoy each other, protect each other, and genuinely care deeply, but they would absolutely self-destruct as lovers.
Episode 28 genuinely hurt. The wedding procession crossing paths with the funeral procession was one of the strongest scenes in the entire drama. While Jin Zhao and Yan Yun move toward happiness, Ye Xian stands there grieving the loss of his own love story. The way he lowered his gaze and stepped aside felt devastatingly mature. It was acceptance, resignation, and heartbreak all folded into one quiet moment. That scene alone deserves applause.
I also appreciated Ye Xian’s eventual growth. Watching him choose responsibility over obsession was satisfying because it finally felt like he matured beyond simply chasing Jin Zhao. Him addressing Yan Yun as Jin Zhao’s “fujun” carried more emotional weight than any dramatic speech could have. At the same time, the battlefield storyline constantly filled me with dread because it felt less like heroism and more like a beautifully wrapped suicide mission. Yes, from a character perspective, it makes sense. A man with limited years left would rather burn brightly on the battlefield than fade slowly in bed. But emotionally, it still hurt to watch.
The scene where Yan Yun carried Ye Xian’s body covered by the Ye flag genuinely left me speechless. Alongside the wedding versus funeral procession, it became one of the most memorable moments in the drama for me. Jin Zhao’s devastation afterward also landed emotionally, even if some of the screaming leaned slightly too theatrical for my taste.
As for the rest of the cast, the ensemble adds so much charm to the viewing experience. The sidekicks bring excellent comedic timing, especially Chen Yan Yun’s sidekick compete over who can gather information faster. Unfortunately for him, nobody gathers gossip faster than women. The Ji family was largely lovable aside from one permanently irritated aunt, while most members of the Gu family existed solely to test my blood pressure. The Chen family sat somewhere in between chaos and sincerity, though I appreciated that many of the women in the household remained reasonable and supportive.
The overall atmosphere strangely reminded me of Bridgerton mixed with a classic chick flick romcom. The “searching for the perfect match” narrative, the playful romantic energy, and even parts of the soundtrack carried that same exciting first-love feeling. The production quality is admittedly inconsistent at times. Certain shots and color grading occasionally look a bit cheap or overly template-like, but the emotional core of the story remains strong enough that I stopped caring after a while.
My biggest issue ultimately comes from the ending. After all the suffering, heartbreak, political turmoil, and emotional growth, I desperately wanted one final peaceful moment for the main couple. A quiet meal together, stargazing, attending a festival, literally anything warm and comforting. Instead, the drama fully commits to its fire symbolism until the very end. I understand the intention. Jin Zhao and Yan Yun are intense people who love fiercely and burn brightly together. Still, after everything they endured, I wanted softness. I wanted peace. I wanted my splendid ending.
Even so, I genuinely enjoyed A Splendid Match. It is a cliché done right. The plot may follow familiar beats, but the sincerity of the characters, the emotional storytelling, and the chemistry between the leads make it incredibly engaging. Despite an ending that left me emotionally robbed, the journey itself was entertaining enough to make me laugh, cry, scream internally, and grow attached to nearly everyone along the way. Sometimes that alone is enough to make a drama worth remembering.
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Okay....what i loved most about this movie was the stages of Su Jin and Cheol Su's relationship. Only the first 30 minutes are spent focusing on the two mains dating. The meat of the story is during their married life. I suppose the reason i love this aspect of the story is because most dramas now, focus on the chase, actually getting into a relationship. And once that happens the drama is over and this leaves a happy ending of infinite possibilities. i love that "A Moment To Remember" gives that same passionate and "head over heals" feeling (while not being cheesy) after their already married. Married life is often portrayed as an ending (and often a boring and suffocating one) when it doesn't have to be that way. Marriage can be fun and this movie shows that.
Even though the story of how the two mains meet and fall in love is brief, it doesn't feel rushed or lacking at all. they put in enough special little moments to build their characters to make you care about them.
What made me cry most is when Cheol Su cries in this movie. i don't know why, but something about a man crying just kills me every time.
Overall VERY GOOD movie. I stress just how good the acting was (esp. Jung Woo Sung oh god he's so hot) i would recommend this to anyone except if you hate crying.
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Soft and Cute series to watch
This series Is really heavy on the Comedy and musical theme,So u guys better not expect something like a drama or deep story if u want to watch this series.
It's very good show to watch if u want something soft and entertaining ..
Personally, I love all the couple in this series, they'all have a good chemistry , especially Ruk and IG
The song were very Excellent , no doubt ..
But I do hope they will make thia series available for internasional fans , Cause this series got so much potensial..
And I do hope they will make a Second season for this series , with More Drama and Character development of course .
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first part of the movie. It was somehow the background of the main
character and how he became his final self in the ending. However,
the second part of the movie was rushed, almost confusing, and it had
an open ending (that is a bad thing if they don't have a second movie
coming up...).
That said, the performances were good and the costumes were nice.
They did a good job with the atmosphere of the story, as it looked
epic and fairy tale like. However, the CGIs were not good and kind of
ruined the action scenes.
So, overall, six out of ten.
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For the story I would say it was okay. It was one of those shows that you basically knew what was gonna happen in the end so nothing was surprising yet since the episodes are short you quickly want to go to the next episode.
The music was good and the acting was good.
I would watch it again since it's short and because Astro is in it.
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That being said I do think the plot dragged a bit in the middle. I was bored halfway through the first month they went to training camp. It was understandable that Qian Rui needed to grow as a player, but it definitely could have been condensed into fewer episodes.
Overall though, I really really enjoyed this. I'd consider it a favorite of mine.
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Frustrated by a Plot Hole in Episode 2 but It was Good
I was enjoying but Episode 2 hit a snag. The main lead faces false surgery accusations, yet the show conveniently ignores what happened to the surgery recording. Did it disappear into thin air? No explanation. Realism matters, even in dramas. A simple line about the footage getting corrupted would've sufficed. I’m pretending that it’s just a live feed, not a recording and watching the show now. Annoying gap, hoping they patch it up in future episodes.
Continued after 2nd episode it was good but not that good. Some series make me drop in the middle but this was watchable. Sometimes I felt that the main leads could have been smarter. I don’t know how the law works on recording the surgery I continued watching considering that it’s was just a live feed.
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I found it fascinating the things I learned about the operations of a world class airport. The drama was peppered with a series of action/crime plot lines typical of American programming and some of these scenes were a bit clunky but they served only as a backdrop and did not deter me from enjoying the drama at all.
I was also intrigued by the secret agent, black ops theme. There is always something mysterious about such occupation and Lee Jung Jae was both charismatic and enigmatic in that role. Choi Ji Woo was right on as the confident professional brought in to run the airport. The only minor complaint I had was her language skills. Her character was supposed to be fluent in 5 languages but she clearly struggled with the English scripts.
The romance was my taste with the hate at first sight, misunderstood theme and the chemistry between the leads was icing on the cake. The human struggles also shone through. I could identify with the choices Ji Sung had to make between his duty, guilt for Myung Woo and his love for Do Kyung. And of course, there was a very deserving second lead to spice it up.
I won't give away the ending but I have to say it was one that still gives me goosebumps to this day.
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Not as frustrating as most lakorns
TL;DR coming straight from BPS with no experience with other lakorns, you'll be disappointed. However, it's actually pretty good.STORY:
TL;DR The love story's AWESOME, the plot is frustrating at best SPOILERS ONLY IN THIS SECTION OF THE REVIEW
The major issue I had with the story was the evil girl. *sigh* she was too much-- seriously... who acts like that??? Everyone in the drama is a serial cheater. They forgive the evil girl-- which is great, but how on earth could the leads allow her to LIVE WITH THEM???? Pope suspects she's trying to KILL Bella, so what does he do?? He "keeps a closer eye on the evil girl" Bruh. If your girlfriend's and unborn baby's LIVES might possibly be at stake, YOU KICK THE GIRL OUT. So yeah. Typical nang rai getting all up in everyone's business, with no one bothering to keep an eye on her.
That being said, I looovvveeed the love story! Min and Picha's characters were very well-rounded, especially for a lakorn. I loved how they showed Picha's difficulty in committing to another relationship (though it was a little frustrating). It's hard after a divorce! Especially a nasty one like hers! Any misunderstandings the couple had were resolved on the spot, which is something you NEVER EVER see in lakorns. They actually communicated with each other lol. Min was so patient and level-headed, but we also see that he's imperfect in his relationship with his dad. They're both so believable.
ACTING:
Pope and Bella have done it again! This drama made me realize something: not only do they have amazing chemistry, but their acting styles complement each other perfectly.
ALSO, REAL KISS SCENES. In which we see Pope, our favorite cinnamon roll, making use of his kissing skills-- another thing you NEVER EVER see in lakorns.
Everybody else was convincing and worked well together!
MUSIC:
I'm sorry Bella... but you need to stick to acting... amazing actress, terrible singer. Pope's passable at best.
The other songs were great, though!
REWATCH VALUE:
Only worth rewatching for Pope and Bella's scenes.
OVERALL:
A good lakorn-- not amazing, but good. Recommended for the avid Pope and Bella fan who has preferably seen a few lakorns before.
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Prisoner's Dilemma
A Life Borrowed, Jie Ming Er Sheng (借命而生), an art-house drama adapted from Shi Yi Feng’s novel, marks director Lu Chuan’s bold debut in television. This 13-episode series is a moody, incisive exploration of human nature, fate, obsession, justice, and a flawed system that ensnares everyone.The story opens in a prison, its high walls and barbed wire shrouded in foggy mountains where time seems frozen. Beneath the deceptive calm lies a crushing oppression, a hallmark of Lu Chuan’s atmospheric storytelling. From the outset, the audience is immersed in a soul-destroying sense of irrelevance and extinguished hope. Subtle dark humor—rarely this well-executed in Chinese dramas—elicits reluctant chuckles at unexpected moments, weaving depth, irony, and emotional complexity into the narrative.
Du Xiangdong (Qin Hao), a top police academy graduate, is as much a prisoner in this isolated detention center as the inmates. He forms an uneasy bond with foster brothers Xu Wenguo and Yao Binbin, brilliant mechanics who insist they were wrongfully accused of a capital crime. Xiangdong’s instincts scream their innocence, and uncovering the true culprit could be his escape from this suffocating place. But an accident sparks the brothers’ escape, with Xiangdong in pursuit. Binbin sacrifices himself, allowing Wenguo to flee, while Xiangdong, blamed for the escape, embarks on a 20-year cat-and-mouse chase to redeem himself by capturing Wenguo. What unfolds is a relentless quest for vindication that consumes both men.
The drama shines in its immersive visual storytelling and stellar performances, but it falters in narrative focus. The suspense plot, meant to drive the story, is its weakest link. The true culprit is glaringly obvious, yet the convoluted unraveling of the crime and its revelation feels unnecessarily tangled. The narrative veers into a riveting exploration of the broader fallout from a miscarriage of justice—a mother’s grief, a brother’s guilt, a lover’s unwilling betrayal. Scenes like the mother’s collapse under the weight of an urn or her heartfelt blessing to Sun Yunhong to move on are devastating and unforgettable. Lin Boyang’s silent, bottomless grief, conveyed through her taut face and expressive eyes, left me in tears. Yet these poignant digressions into maudlin and melodramatic arcs derail the manhunt’s momentum. Wenguo’s journey—his escape and reintegration into society—feels like an afterthought, despite Han Geng’s surprisingly mature and nuanced portrayal.
A highlight is Shi Pengyuan’s reunion with Qin Hao (from The Bad Kids) as Yao Binbin, a young man brimming with promise. Though his screen time is brief, Binbin haunts every scene, his absence a stark presence. Qin Hao delivers another complex performance as Xiangdong, a good cop trapped by the system. His relentless pursuit of the brothers—choosing his own "escape" from the detention center over his instinct that they were wrongfully convicted — is textbook prisoner's dilemma. This turns him from a truth seeker into a blind tool of a flawed justice system; upholding the law but betraying his conscience and humanity. I felt torn between anger and pity for him, unable to forgive him though his obsession ultimately ruined his life. The shocking ending twist, while unexpected, feels like one digression too many, piling on unnecessary tragedy.
This drama dazzles with its avant-garde camera angles, dark humor, and sharp societal critiques. Its fatal flaw is overambition—too many threads dilute the whole. The non-linear storytelling and melodramatic detours sap the climax of impact. Yet, its breathtaking visuals and emotional depth make it hard to look away. I rate it 8.0/10.0, a beautiful but flawed gem.
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A crazy Drama, novel , unique and GOOD
I had very little expectations from this one, though I have been keeping an eye on this.But man it blew me away.... Its a roller coster ride. This is the first time I understand the power of original script done well(hope it stays so till the end).
Everyone in the cast did a great job and should be proud to have this in their portfolio.
A really bold move from the leads to choose such script.
In short it has Value, nice social message, great acting and costume and Comedy .
Since its science fiction, not everyone's cup of tea, so beware before you click and then criticize.
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The other characters( Chen Shao Chong, Yang Yu and Prof Zhong) are also very adorable, meanwhile Prof.Xiu Min Qi is very irritating.
I always thought that Chinese are always a step behind Koreans in terms of MEDICAL DRAMA, but this series proved that Chinese are even better. It includes proper climax and most importantly, tragedies.
Though this series got many criticisms from medical perspective, this doesn’t deny the fact that it is a nice drama.
Li Xue( director of Nirvana in Fire, Disguiser and Battle of Changsha together with Kong shen) really didn’t disappoint me. I will always love and rememeber this series and the characters included.
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Dragged out and repetitive plot
I think Chinese romance dramas are just not my thing. I watched this after Ashes of Love and both are so bad. Both have a plot that's repetitive and repeats the same few gimmicks for over 50 episodes.The good: the acting. Mark Chao was really good at conveying intense emotions. He has such expressive eyes. Yang Mi was quite good too. She portrayed three very different characters.
The bad: literally everything. Where do I begin?
1) The characters are boring as hell. I have particular beef with Ye Hua. He lost all personality after meeting Susu. All he does is pine and angst. I suppose I am watching a romance, so I shouldn't complain so much, but while I enjoyed the acting, I was so done with his character. Can we have something new other than the rinse-and-repeat of pining, hoping, angsting, pining, hoping, angsting? Also, Si Yin, Su Su and Bai Qian don't even make sense as a continuous character. The three of them are the same person? Really? Why don't they have any common personality traits? I'm not talking about the behavioral traits that Ye Hua used to identify Bai Qian, but I'm talking about continuities in her personality. Su Su was a blank slate after her memories were removed. She should be what Si Yin and Bai Qian were like without the trappings of social class, power and wealth, but she was nothing like her other selves. It was so weird. I don't buy her repeated rebirths/transformations. Also, how come she just doesn't care about her kid?
2) The plot in the middle part was literally just misunderstandings and everyone missing the person they need to talk to by seconds. The drama needed to make sure that no one knew what was going on, so that the two main characters' hidden identities could stay hidden, but it was really dumb watching them all just walk pass the person they need to talk to.
3) Villains who are evil for the sake of it. I am swearing off Chinese romance dramas. If I see one more female villain who became a villain because of jealousy, I am going to lose it. They are so flat and hateful. Also, there was a lot of bitchy infighting among the women. Bai Qian was an ass to nearly all the female characters.
I started skipping episodes around episode 30. The only thing that saved the last arc was the side pairing of Feng Jiu/Di Jun, who were actually more interesting than the main pair. I feel like I just wasted all those hours of my life.
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