Unavoidable Fate which is tangled with a Human being and The God of Destiny
I love surprises and this one... having zero expectations from anything but then you start to love it, definitely counts as a surprise, right?This drama surely has the feel of Goblin from the poster to the very first scene of the drama, but still, it's not like Goblin though that's what I felt, for me one of the best short dramas I've seen so far especially it's made for binging. Now let's talk about the story. As I wrote in the title 'Unavoidable Fate which is tangled with a Human being and The God of Destiny.' I'll say it's cleverly written nothing feels draggy or unnecessary still we have some unanswered questions in the end.
The execution was done properly, I won't say we get the best acting here but surely not bad. It's cliche and cringes.... um very cringe (Who would have thought I would like cringe someday) but it's so enjoyable and funny and you enjoy every bit of it without getting bored. We get a well-made story and character in just 10 episodes who fairly are just 24-30 minutes. It's beautiful, the scenery and cinematography are the souls of the show. The music it's brilliant it goes with every scene I'll say it's the key point which absolutely makes the drama more special.
Overall it was full-pack drama best to binge! Fun, sweet, fantasy, romance, bromance, and little fluff.
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"Let's live together, the four of us."
If there is both hope and sadness to be found in the human condition, it is to be found in films like ‘Our Little Sister’. Nurtured by Koreeda’s empathetic and sensitive direction, it flourishes into showers of pink cherry blossoms and joyous smiles, evoking such rapturous beauty that you want to stay in the moment for just a little longer. But time moves on- the seasons change, the cherry blossoms fall to the ground and people say their farewells to each other. Through its harmonious balancing of dual aspects: optimism and melancholy, caring and abandonment, life and death, this bittersweet drama embodies the concept of ‘Mono no Aware’ (物の哀れ). There is vibrance and beauty in the existence of life, but it is also fragile, transient- under the watchful gaze of an old mansion and a giant tree, it blooms and fades away in the tiniest span of time. But ‘Our Little Sister’ emphasises- quietly but emphatically- that this is all the more reason to savor it in every moment, be it eating meals with your loved ones, feeling the sun streaming down on your face as you ride through a tunnel of falling petals or looking out at the grey waves after a funeral has passed.Moving away from this concept of ‘Mono no Aware’, Koreeda centres his drama on a fractured family unit and depicts how it heals-slowly- as the missing piece is filled by another. As he always does, he “turns the camera into a window” (to quote Brian Tallerico), capturing both the ups and downs, and the larger joys and tragedies with a masterful lucidity. I’ve already waxed lyrically on Koreeda’s other films so there isn’t much left for me to say as it ticks all of his boxes- damaged families, slow pacing, food scenes, passing trains, etcetera. One interesting thing that I would like to point out is how the composition of the (matriarchal) household has changed in the absence of the father and mother. Sure there are three sisters, but Sachi is ostensibly the mother-stern yet kind- while Yoshino and Chika are like unruly children. When Suzu enters the household, the two middle sisters move up the totem pole, resulting in the youngest sister being doted on as both a child and a little sister. And only when their real mother enters the picture are we reminded that Sachi is, herself, a daughter- even if her childhood was unwrought by the folly of adults. In depicting the shifting of familial roles, as he did in ‘Nobody Knows’, Koreeda provides a testament to the strength and adaptability of children (through three of them have grown up). Trauma may have shattered their lives, but through their shared companionship, they slipped back into the flow of life. Time spent together hardened and solidified the bonds between them, and having confronted and moved on from the past, their scars began to fade away.
The main deviating factor of ‘Our Little Sister’ from Koreeda's filmography is its soundtrack. Foregoing Gontiti's melancholy guitars or Bach's variations, Koreeda instead chooses a lush and sweeping orchestral score by the talented Kanno Yoko- a perfect complement to the scenic coastside setting of Kamakura. It seems not everyone liked this soundtrack, with some reviewers complaining that it is excessively sentimental, syrupy, sickly-sweet, something else with sibilance. However, I think that there is nothing wrong with it due to how this film is (intentionally) more of an audiovisual feast than Koreeda’s others. Similarly, the soundtrack could be accused of broadcasting the intended emotions too ‘obviously’, betraying Koreeda’s tendency towards the implicit and objective. But since the film doesn’t veer into being excessively sentimental or melodramatic, I don’t see a problem with this. In short, the soundtrack is excellent, and it is streaming on spotify and apple music for your listening pleasure.
A large part of this film’s popularity is presumably due to its ensemble cast, all of whom performed excellently. Ayase Haruka and Nagasawa Masami, both mainstream stars, conjured forth their inner talent to give naturalistic, high-caliber acting. Kaho, in a far cry from her darker roles, was great as the goofy Chika- though I still found it hard to erase the memory of her as the blood-soaked vampire warrior K from 'Tokyo Vampire Hotel'. Suzu, then a newcomer, clearly had some measure of uncertainty- but this was perfect for her character, whose wide eyes radiated sincerity and later, well-earned happiness. Other names with considerable mainstream fame- regulars Kirin Kiki, Lily Franky, Kase Ryo, then Suzuki Ryohei, Sakaguchi Kentaro (in a subtle ‘Ore Monogatari’ reunion), Tsutsumi Shin'ichi, Fubuki Jun, Otake Shinobu (the mothers from ‘Soredemo Ikite Yuku’) and so on- also contributed to the vast stirring pot of talent. Another special mention to Oshiro Maeda, then a young lad, who I hope to see in more of Koreeda’s future works.
Compared to his other work, ‘Our Little Sister’ isn’t regarded as strongly by critics. It was apparently disparaged at Cannes and critics have looked down their noses at it, labelling it as “decidedly middle-brow”, “Kore-eda lite”, “frictionless” and worst of all, “boring”. To which I say that they’re just snobbish, pretentious and a bit too jaded. This film isn’t meant to be dark, conflicted, fraught with emotion. It is meant to be a feast for the senses and for the heart- and to that end it succeeds, leaving viewers emotionally satisfied and with just a tinge of wistful sadness. 8.5/10
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Man to Man's handling of its comedy was top notch! There were a number of moments that just had me rolling, especially when they were featuring the dynamic between stoic Kim Guard, Cha Do Ha and Yeo Woon Gwang. This trio kept me rolling. The effect that Woon Gwang and Do Ha have on the normally straight faced and unflappable Seol Woo kept me in stitches. I think this drama initially touted an amazing bromance between Seol Woo and Woon Gwang. I personally feel like there was some untapped potential that the drama could have played up a little more.
Overall, I think the drama had some trouble with balancing the suspense and romance. I tended to get a little tired of the political power plays. Nor was I ever all that intrigued with Mo Seung Jae's role as the main antagonist. I felt like the romance between Seol Woo and Do Ha seemed a little unnatural. I loved how they played off each other, but as a romantic couple ... the drama never really got me there.
Even though this drama can come off as a little unbalanced and a bit all over the place, its comedy is its saving grace. I so enjoyed watching Park Hae Jin play in a comedic role. His acting chops and range are on full display in his role as Kim Seol Woo, ghost agent and body guard. To be honest, I wish this drama was touted more for being about friendship and the family you choose. I worry that this drama will be remembered for not being able to live up to its hype, but I think it's a worthwhile drama. I would recommend it to anyone looking for a comedy with a little action on the side or anyone that is looking for some amazing Park Hae Jin eye candy haha!
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Lazy Writing and Even Lazier Character Arcs
This is going to be a very short and very harsh review. Especially towards Song Joong Gi.This, in essence, is extremely lazy overall. Everything except the production quality and most of the actors. The screenwriter basically just wrote a drama to give an excuse for the main character to be "cool, clever and smart" when in reality, he's not really none of the above.
Main male character wakes up in the body of the rich son of the rich family he used to work for before his "untimely death", with all the knowledge of what's to come in the future. It's not really difficult to "manipulate" events he already knows how it will play out. He knows the answers to the test. All the while, he's showing off this knowledge as if he's being wildly clever about it all. Boring. Lacks depth. And his only motivation throughout the entire drama is revenge for his own death for the choices he made himself that got him there in the first place. I mean, he worked for this God awful rich family for years and witnessed how ruthless and cold-hearted they can be. Did he really not see the backstabbing coming and thought that his dedicated and loyal years of service would make him any more special than any other "dedicated and loyal employee"? What made him think he was any more important than a disposable paper cup? And then when he dies, he wants revenge despite knowing they were double-crossing, greedy and lying people to begin with. Stupid. Dumb. Shaking my head while contemplating why I wasted hours watching this crap drama.
Sorry but I'm not impressed by Song Joong Gi's picks in dramas or his acting chops. His choices in acting roles are extremely boring and bland. He keeps going for the same "cool and collected" characters that are mega-macho-masculine with no real depth to their personality except to look cool while doing it all. Maybe he actually has some acting talent but he keeps picking the same roles over and over again so I can't tell until he picks more interesting roles. Now, whenever I see a drama with Song Joong Gi as the main, I immediately pass.
The only saving grace is Lee Sung Min who is a fantastic actor with versatile talent and picks interesting roles, unlike Song Joong Gi. Lee Sung Min was half the reason why I watched this drama. The other half was me naively thinking there would be some big cool mysterious twist but it played out exactly how I thought it would, except the ending. The way they tried to make sense of a doppelganger paradox does not make sense. Writer basically was hoping that the audience were all unintelligent dumbasses and accept their lazy-ass writing.
I will not apologize and am not sorry for this review. This drama was awful. Writing sucked balls. Song Joong Gi was extremely tedious to watch. And ending was.......well, just no words.
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THE GOOD: Realistic relationships and romance done right. Also some pretty good acting and good pacing.
Having a realistic, wholesome romance seems so simple, yet it's amazing how much I love this drama BECAUSE of how well the romance and relationships are done. You won't find any cliche plot twists or evil and petty romantic rivals here. Instead, the villains in this show are time, distance, change, and circumstances of life. Sure, there are some romantic rivals, but it's astounding (and almost UNrealistic) how RATIONAL and normal they are! They respect the fact that the people they're interested in are in relationships and don't try to sabotage or intentionally mislead. Which seems pretty standard in real life but is really novel for drama-land.
Both Bu Guan Jin (who plays He Luo) and Bai Yu (who plays Zhang Yuan) are so great and natural in their respective roles and really bring each character to life. Part of what makes the show and the relationships and character growth feel so real is in the acting! There's no stiffness and they emote so well. The pacing of the show is also good, with time devoted to high school, college, and post-undergrad so that we can really watch the characters grow over time.
THE BAD: I'm being nit-picky but -- random anime scenes and confusing passage of time.
This might be a personal thing, but I really didn't like the anime scenes that frequently showed up in the beginning of the show, and gradually disappeared. I get that it might be an homage to the original novel, but to me they felt random and didn't really add to the story. I would rather get more time spent on some of the side characters!
I also found the passage of time really confusing throughout the show. The scenes flowed together, which made it feel like each episode was only spanning a few days, when in reality sometimes they would cover whole months or years. At one point I thought only a month of college had passed, when in reality the characters were already in their second year! What! I only remember two parts of the show where the passage of time was actually shown in captions. It would have been a lot less confusing if they had shown some sort of intermediate shot showing the passage of time. Maybe the seasons changing? It didn't really detract from the viewing experience, but just made me confused.
Overall, I would highly suggest watching Suddenly This Summer if you like realistic romance and slice-of-life dramas! It can be a little slow and doesn't have a ton of ups and downs -- I didn't really cry or squee -- but it's wholesome and will leave you feeling good.
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P.S - Its much much MUCH much much MUCH better than Dream High 2. :-|
So go watch it once.
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This review may contain spoilers
I like it... not so much however (AN HONEST REVIEW FROM A LONG TIME LAKORN VIEWER)
I really dragged myself to finish the show because my lovely Mark was the main lead. (Mind you, it's been awhile since I watched a lakorn since the airing of Baifern's 'Bai Mai Tee Plid Plew'. And I forgot how long lakorns are!! 1 hour and 40 minutes per episode!!) By the way, I really think Mark likes this cold and arrogant character, similar to his previous role in Kleun Cheewit.Anyways the story, I felt like there were really random parts of the story which took way too much of the show. Such as the hacking between our main leads. Then Myanmar. Then the Moei going off-grid to avoid him. I loved the scenes and they do seem relevant enough, I just don't think I need two to four episodes long in one issue. It was draggy, and the real excitement I actually got was from the beginning when they got married. Honestly, I felt that Yada and her abusive husband had more of an interesting story than this show overall was. I have to admit, I skipped so many scenes to finish the show. Why, because it takes 5 minutes for one scene between two talking people. DRAGGY AF.
I loved the way the writers made Moei's love for Thien consistent. Everything she does is for him, at some point in the drama it starts to feel stalkerish and obsessive but you know how dramatic Lakorn can get. One particular thing about Mew is that she plays her role really well. For example in scenes with Mark; she will constantly look at him and smile like an idiot because that is the character she is playing-- someone completely in love one-sided. Could be the script, but could be that she is an amazing actress.
I actually hate Thien's character. I just really feel like his character could've been written better. Mark executed the script great, just hated how bad they made the character so oblivious.
The cons:
I don't know if it was just me but some scenes were very toxic and are sadly portrayed in media that it's just love. I hated the scene where Thien tied her his bed frame to keep her from going out of his sight. Or when he confiscated her electronics and locked her up in a room a day with no food. Or when she was denied internet connection because he didn't want her contacting the outside world. I know this is typical Thai Lakorns but isn't this too overused. I am a killer for slap n kiss, but this wasn't even that.
Anyways take my review with an grain of salt, you might end up liking it because Mark and Mew did a wonderful job. Yet, as a long time Lakorn audience this was just a typical drama played by two popular celebrities-- and for me was not worth the hype.
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This review may contain spoilers
you better put your rose-colored glasses on for this one guys
Let's set the scene.Imagine you are a teenager, just discovering BL and watching a show called Until We Meet Again and you fall in love with a little side couple called WinTeam. And there are rumours that they will get their own show!? The years go by and you still harbour the hope that maybe, just maybe they will get another chance at telling their story again. And then, it happens. News breaks out. Between Us is happening! It is actually happening. You mark your calender and count the days, actively following the countdown on the company's instagram. You stumble over the cast and are little shocked to find five (!) couples listed in there, but you tell yourself it's gonna be fine. You waited three years for this, they know what they are doing. And finally on Nov 6th, the first episode airs. You are thrilled. And you think this show actually managed to live up to the insane hype it gathered over the past few years. Can it be? A show that actually can live up to someone's expectations? And then you keep watching and a few weeks later, you suddenly catch yourself fast forwarding through an episode of your beloved show and you stop and ask yourself: What happened?
If you think to yourself: Wow, this reviewer didn't have to ramble so much in such great detail to tell us this story, it got boring pretty fast. Well, then I guess this show and I have something in common.
Sometimes the best stories are the one's untold. What makes Goncharov so good is that it doesn't exist. And maybe what made WinTeam so popular is the fact that they got just enough screen time to get viewers interested but never enough to give us something. But I'm rambling again.
This show is said to start with Win and Team entering a FWB situation. But the writers, directors, or whoever is to blame for this, didn't seem to know what the key factor of a friends with benefits story is, it's the friends part. They are friends first. Friends before anything else. But Win and Team were barely aquaintances before they hooked up. That's why I think FWB set different expectations that were impossible to fulfill. If you'd ask me I would describe their relationship as a one-night-stand that slowly turned into casual hook-ups with no emotions, then they got to know each other and became friends and developed feelings for each other afterwards. If they had labeled it as such, I'm sure more people would've set their expectations accordingly. There was never a line that got a little too blury for them between being friends and being in a relationship, because they were never friends to begin with.
This show also had a massive time problem. I already mentioned the five couples, one of which only get's blick-and-you'll-miss-it screen time, which is fair because they got their own show already. For the other four well... To summarize it: Wayy too much time was wasted and there was too much back and forth that led to the ending feeling rushed.
Win and Team: Okay, let me be straightforward for once, they could not carry 12 episodes. The beginning was strong, but towards the middle they became more boring. If took these guys 11 out of 12 episodes to finally confess their love for each other. That only gave us one episode with them being happily and sort-of openly in a relationship. And I wish BLs would stop pretending that after you enter a relationship everything is perfect and your get a HEA. I want to see them get together AND how they work in a relationship.
Team's "does he like me or does he treat everyone like that?" didn't make any sense. In UWMA yes, maybe. But not in Between Us where my man was out here leaving his room unlocked for his teammember to come in the middle of the night and sleep in his bed. He was making him breakfast, paying for his lunch, taking care of him when he got sick, driving to his dead cousin's grave to pick him up in the middle of the night while it's pouring, and a bunch of other stuff (not to mention that he literally said something about his FEELIGNS FOR HIM). And Team looked us straight in the eyes and said "yeah but maybe he does it for everyone"??????? ARE THESE OTHER PEOPLE HE'S DOING IT FOR IN THIS ROOM WITH US RIGHT NOW??? And Win too like "nothing every belonged to me, I always had to share" my guy this is not a Barbie doll or your favorite jumper, this is another human being. I'm sorry that you as well suffer from being the Middle ChildTM but pLEASE.
Speaking of which, I would've loved to see not only Team's trauma, but also Win's struggle with trying to please both his parents and supporting his siblings.
Prince and Bee: Their scene felt so out of place, like they gave off such different vibes that I was always so violently taken out of the story every time they appeared on the screen. They were cute, yes, but the acting was lacking. With a little more experience they will make a great couple. I also partly blame the material they had to work with. They couldn't get me invested. Sadly, because the concept was interesting. Also, if my friends would constantly make fun of me, I would not consider them my friends. I'm so over the friend group just being complete assholes to the guy and it never being called out. Saying that a guy is out of his league is one thing but to constantly rub it in his face and make fun of him for trying to make an effort to get with the guy and calling him dumb and whatnot, A and Sea were truly a waste of my time.
Waan and Tul: Probably the side couple I was most intruiged by. They got like five minutes of screen time every other episode and it was not utilised at all. They spent too much time on them talking to their phones. You tell me that Waan who told Tul multiple times "I don't want to meet you in rl" had the audacity to blame him for not telling him immediately that he was T-Rex??? And for some reason Waan hates liars so much that he is not even ready to hear Tul out but we never find out why??? Their story was so intruiging and I liked their chemistry. And the NC scene in ep 12 UFF what happened my dudes? I don't know if it's Yacht or O being uncomfortable kissing men or if it's the directing or idk. But it was really awkward and happened way too fast. We just had the big fight between them and they are already making up in the next episode. Give me at least a few minutes of angst and pining, jesus.
Manaow and Phruek: Oh what trist and grey show we would've gotten without them. While I wasn't sold on them in UWMA, I was definitely on board with them in Between Us. Sammy has a great on-screen presence and I love her energy. Even though I gotta say that I wish they would allow Manaow to be a little more serious sometimes, because Sammy can do serious scenes, but the constant over-acting was getting on my nerves a bit. Especially when it was used for cheap comic relief.
Wiew is a ray of sunshine and I'm glad he was added to the cast. But it seemed like he was a middle schooler rather than a high schooler, because he was acting like a child, not a teenager. His naivity was bordering on stupidity a few times, but Santa has a certain charm that makes you overlook it.
I wish this show would've cut down on WinTeam's drama a bit and maybe a couple or two and use this time instead to show us more of the friend group. I missed Team, Pharm, and Manaow so much and the little crumbs we got of them was everything to me.
Between Us feels very 2019 to me, even though this show tried to make some changes and adjust. And I was on board with some of the changes (most noteably the sheer amount of CONSENT LIKE YESS!) but not so much with others. Like New tried to recreate UWMA. Instead of P'Deeeaaan we got Hiiaaaa, ever other second. And now Team is suddenly scared of intimancy and doesn't like kissing his boyfriend for...reasons and he seemed to whine a lot more. And Win is suddenly no longer the flirty, grinning, always down for a joke type of guy but very serious and overprotective of Team. This show tried so hard to be UWMA, but it's not and therefore it didn't hit as much as it could've. Because the passion was there, you could feel the love of the cast members who put their heart into this show. That makes it even more sad that Pharm and Manaow and their friendship with Team felt more like an afterthought, since they got pretty much sidelined with their boyfriends. I did appreciate it though that Win got some bro-love from his two besties.
After seeing a lot of BLs directed by New, I think it's save to say that I just don't vibe with him. I don't know what he's doing but it's not it for me. On top of that I just disagree with his stance on NC scenes. The shade he has thrown at them just doesn't sit right with me. He acts as if Nc scene are inherently something dirty to be ashamed of. And if that's what he thinks, than the problem is him. And I wish he would just get over himself and leave high heat projects alone and get himself some BL scripts that are "pure" and have almost no heat in it. So everyone can be happy. Alas, he seems to get so many stories with interesting concepts (and with a high heat source material).
While we still haven't fully moved past the stereotypical portrayal of a gay relationships, we now get more shows that portray the two parties as equally in love and not one having to constantly chase the other. And excuse me, I have to get this off my chest: IF I HAVE TO WATCH ONE MORE SHOW WHERE ONE PARTY (USUALLY THE YOUNGER/SMALLER ONE) OF AN ALREADY ESTABLISHED RELATIONSHIP SEEMS TO DISLIKE KISSING THEIR BOYFRIEND IN THE COMFORT OF THEIR OWN HOME WITH NO ONE WATCHING I WILL LOSE IT!!!
PS: To like the five people who have not watched Until We Meet Again before watching Between Us, I'm sorry. Seeing Pharm and Dean having a cameo every other episode with little to no context of what the heck is going on must have been confusing as hell. You are truly stronger than I am.
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This review may contain spoilers
Messed-up plot. Try to to be clever but fail. Too many loopholes all over the place.
(Review In Progress-- done watching, in-progress reviewing, and after that still needs some edit.
-- sorry, it takes me some time as this such a headache.)
[+] This series is like an experimental work. After finishing, I highly admire the team that they really put a great effort in creating this drama. It's a complex story. The messageS they want to convey are difficult, thus meaningful. And the way to convey it isn't simply about plot writing. This series especially need the collaboration between the plot creating and filming/editing processes. So it's not only the story that is complex, the process for the aimed result is also a hard work here. I feel thankful they made this done. With this work of theirs, they challenge the new level of quality series in all aspects from creating to conveying processes.
[-] Anyway, they try too hard to be clever. In the end, there're still too many loopholes both in the main plot and sub-plots. To find a positive excuse for this, I'd blame the time constraint. The time limitation especially affects the writer. I feel that the writer only has solid ideas on the main things she wants to make happen, but she lacks the ideas to logically connect two or more dots, resulting in a messy resolvement that relies on cheating the audience.
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Two main cheating ways of this series that are unaccepatable for me are:-
1) They indulgedly create many conditions in the story on their own without caring the universal laws. These conditions are not the kind of reasonable conditions that would serve them right if they had a unique universe of their own story. These conditions are just to serve their own conveninece in resolving the conflicts the easy way because they can't think of how to resolve it properly without cheating. Let me give an example,
- The conflict is A wants to kill B who is a criminal treated at a hospital, but B is protected by two polices standing guard at the patient door at all time.
- Resolution of this series to let A kill B is to let C who is another police says via the walkie talkie that there's some incident happening near the hospital area and he needs some support at the moment. On hearing that, the two polices both left their position immediately. They shouldn't leave their post in the first place, but when they do, they do it so naturally like it's the way the world normally is as they don't even need to disccuss or hesistate a bit before setting off running away.
The above is just one example. There're A LOT along the way. The plot needs media to be stupid, needs people to be stupid, needs doctors to be able to do things that normally they are not able to. All of these for the sake of connecting the solid point A to point B. Remember what I mentioned above? They only have the solid ideas on main points while have no idea of how to connect them.
Their self-indulgement frustrates me a lot. They look down on the audience like me.
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2) Because they can't find the proper way to solve their conflicts, they trick the audience by manipulating the scenes. The plot is mean to deceive the audience at first, so that they can make a surprise twist later. The proper way to do it is to give the same set of information to the audience as to the investigative storyline (= the storyline of solving the conflicts). An improper way to do it is to hide some parts of the information that the storyline knows from the audience. This series make a worse thing by manipulating the information. In some crucial scenes that would become the surprised twists later, they film it in 2 different ways - one is the way that actually happens, the other is the way they want the audience to believe happening. Then, they firstly show the audience the wrong occurrence to mislead the viewers. And later, when they reveal the twist, they show the other occurrence. This is cheating. You don't have skills to make things right. You want to be wise, but if you cheat it doesn't shows that you're wise anymore. It shows that you're just pretentious.
As unskilled as you are, you still need to learn a lot more to not anger the audience this way. Find a place to learn? Go read more works of Dan Brown and Agatha Christie!
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More rants:
(1) Story [-]
- Too many loopholes
- Like ep.1-2 pretty much
- Ep.3 starts to have loopholes in the details.
- Ep.4-5 have too many unrealistic parts esp. about media, human behaviors in society, and decision-making relating to social impact. These surreal parts are essential for story development. If there's none of these, the story wouldn't go on the way it is written, which means the production team is not smart enough to make a proper investigative story without constructing some special conditions that would help them make the story progress easier. What a convenient way to solve a question that outwits them, right? They do it by making a condition that says whatever they say is true. Anyway, in the end, this just portrays that everything in the story is pretentious.
- Ep.8, 10 - more so-called loopholes - the self-conditioned parts that help the story to progress along the way they want.
[[ spoiled note: 8-the surveillance officers / 10-the physical call instead of phone call; the criminal didn't have father at first but now has?? huh; the criminal's mother supposed to give birth after Yohan's mother in the early ep but now she did it before for 6-7 yrs?? ]]
- Ep.14
1) Why the TV producer takes that guy in her car?? -_-
2) How that kid gets to that man's house?? << It's like everyone is a character in an RPG game doing things without motive, no situation progresses in a logical process. It's like these characters and situations happening around them are programmed in a game.
Ep.15
1) Conveniently skip the memory about chasing on the road scene?
2) Suddenly the older police who usually fails to observe the details about everything notices the very subtle details of a victim. How convenient, the writer makes everyone change in a wink, makes any situation to occurs or changes from before like magic.
3) I also don't forget the alibi of everyone in the 1st case and waiting for you to properly explain, writer!
Ep.17 - The new paint on the wall can be removed by tissue paper??!!
- This story shows that polices are generally stupid. The supervisors would choose their subordinates to make an important decision instead of them while the subs are not clever enough.
- The media in this story breaks the law and their ethics all the time. It's the circle that there're only people who think about their own benefits. They dare to publicly take advantage of the situations even when there are other people's lives at stake. And no one at all blames the media. Nor does the media get sued. Very weird society.
- The story shows the people of Korea are stupid, always ready to be pulled to the left then dragged to the right without the ability to think on their own. They believe whatever words from TV. The people/audience in this story is much stupider than those characters in the novel 1984.
- Let me yell at this series a bit:- The real media don't work like that. The real polices don't work like that, either. And the people of Korea or most of the places in the world are not like that. The production team of this drama is just an imposter pretending to know what social psychology is, pretending to know how journalists and polices work while they actually Know NOTHING. What they do is just spreading the wrong perceptions about everything.
p.s. Damn to this drama, where the hell in the world that a TV channel would intentionally live broadcast a crime as a criminal wants? Furthermore, two TV channels even argue/criticize/condemn each other on TV-live-broadcasting to make the situation benefit the criminal. The media here are very much stupid and very much immature. Nonsense. In reality, this kind of TV station would surely be heavily investigated by law and backfired by social pressure.
P.S.2 And the ER doctors don't work in patients' rooms! You don't know how doctors work, either. You -writer, director, producer of this series- truly Know Nothing.
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(2) Acting [~]
- The older police always overacts. The paradox is they mention about overacting represents the lack of understanding in the thing the overactor tries to depict (ep.7).
- The acting of the TV program's female producer is substandard. She doesn't know the way to show her character's expressions through her face. I don't feel that she feels what she acts. She just makes a subtly disturbed face, and continues to make it the whole time. There's only one kind of facial expression from her, which is the kind of expression that I don't feel that she feels it.
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(3) Script [-]
- Bad script. It's like the characters in the series are the RPG-game players. They walk around talking to witnesses, interviewing people in the RPG-game style that we have to stop and talk on the way to certain people to get more information to complete each mission. The conversations in that kind of interviewing/asking strangers in the series are blocked and unnatural - if we get to the right person, the convo would flow as well as directly get to the point, no small talk, no introduction. No matter how weird or rude the questions of the characters are to the strangers, those strangers answer along the way that the characters want to know without opposing. No matter how private the information they get asked, they don't feel it and are willingly answer them.
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2This review may contain spoilers
A Love Forged On The Edge Of Hatred, Tempered By Silence And Pain
"Feud", also known as "Lin Jiang Xian" (Lament of the River Immortal), presents itself as a xianxia drama rooted in misunderstanding, but beneath its surface lies a haunting, layered tale of how grief can blur the line between love and hatred.At the heart of the story is the tragic bond between Hua Ruyue and Bai Jiusi: two souls once intertwined by fate, only to be torn apart by pain and betrayal. Their relationship, rich with longing and unresolved devotion, forms the emotional backbone of the drama. Their journey was never about romance, but of healing — a reflection of how love, when wounded deeply, can either wither into ruin or be transformed into redemption.
STORYLINE ₊ ⊹❀
The drama opens with a deceptively lighthearted tone, focusing on the fairytale-like romance between Li Qingyue and Bai Jiusi. Their sweet, almost innocent dynamic hints at a familiar setup. At first glance, it feels like a typical love story within a xianxia setting, and yet, something about it feels quietly off. There were no backstories offered, no clear exposition given, especially regarding the main leads. This deliberate withholding of context created a sense of mystery which piqued at my interest. I thought this choice of narrative is one of the drama's strength because as the story progresses, it unravels into something far more tragic and complex.
After the illusion of simplicity fades with the revelation of Li Qingyue's true identity as Hua Ruyue, the tone of the drama takes a dramatic and somber turn. Her reemergence is not merely just a shocking twist, but a pivotal moment that reframes everything that came before. What once appeared to be the beginning of their love is actually just a continuation of a deeply fractured bond. For me, this arc marks the start of their true story, it is what made the drama more emotionally engaging and narratively unique. Each revelation drew me deeper into their twisted entanglement.
The transition from the first half to the second half of the story was seamless —it felt organic rather than jarring. The pacing struck the right balance, and the nonlinear structure of storytelling, through the use of flashbacks, added richness and layers to the characters and their relationship. What stood out most during this part was how the drama avoided a simplistic narrative of right and wrong. Instead, it carved out a space for both Hua Ruyue and Bia Jiusi to exist as flawed, grieving individuals — not heroes or villains, but as two souls shaped by their heartbreak and longing. The moral ambiguity embedded in their contrasting ideologies became the lens through which their pain and conflict were explored. I appreciated how the drama didn't ask to choose sides, it rather asked to understand.
Furthermore, the side characters weren't merely added as background figures, each of them carried enough weight and nuance to feel real rather than one-dimensional. Fan Linger wasn't confined to the typical trope of an annoying second female lead ; her arc became one of self-love and growth. The Jingyuan Sect deviated from the usual portrayal of a hypocritical or power-hungry factions in xianxia dramas. Even Xiao Jingshan, who walked the darker path wasn't portrayed as inherently evil but as someone affected by the weight of his pain. While the romance wasn't the central focus of the drama, the chemistry between the main leads was palpable, and the few moments of affection and tenderness they shared felt both authentic and heart fluttering.
The drama's conclusion wasn't a conventional happy ending, but one far more meaningful and symbolic. It didn't erase the suffering and tragedy Bai Jiusi and Hua Ruyue endured, instead it illuminated their long emotional journey towards healing. It was deeply moving to witness each character learn to let go of their hatred, resentment, attachments, and obsession. In the end, it wasn't about neat resolutions, but about choosing peace after pain, and choosing love even in the aftermath of loss.
The CGI in the drama wasn't anything groundbreaking, it was more in line with what you'd expect from older xianxia productions but it did serve its purpose. The cinematography, on the other hand, was visually pleasing and managed to capture the tone of the story well. As for the costume designs, what particularly stood out for me was for the main leads. I especially adored the intricate details in Hua Ruyue's hair pieces, and the soft, elegant color tones of Bai Jiusi's hanfu which suited him perfectly. I only found one aspect lacking, it was the sound effects. At times, they were overpowering the dialogue in certain scenes. Also, the comedic sound cues felt misplaced and distracting, like the glass shattering sounds.
CHARACTERS & ACTING ₊ ⊹❀
Bai Lu as Hua Ruyue | Li Qingyue
Hua Ru Yue is the most compassionate immortal god to exist. From the moment she first opened her eyes to the world, her heart was already soft. Despite her divine status, she never turned a blind eye to mortals suffering. She saw their pain, recognized their worth, and treated them not as lesser beings, but as lives equally deserving of dignity and care. Beneath her gentle spirit, lies an unshakable will. Hua Ruyue doesn't confine herself to the rigid laws of heaven, nor does she flinch at the face of fate. She is strong minded and unyielding, she follows her own truth even when the cost is great.
Meeting Meng Chi, a mortal whom she saved, marked the beginning of Hua Ruyue’s fated entanglement with cause and effect. His life was like a mirror — one that reflected the eternal divide between immortals and mortals. Birth, aging, sickness, death… the joys and sorrows of mortal life pass like fleeting shadows in the eyes of gods. But in an instant, Hua Ruyue came to understand the weight of those fleeting moments. She saw how "love" — that fragile, flickering flame, is what mortals cling to even when knowing they are destined to fade. And in that, she realized how divine power means nothing if it’s only used to look down with pity. Its true meaning lies in the courage to share in the pain of all living beings.
Though Meng Chi's life was brief, his impact on Hua Ruyue was profound. She came to see that if immortals are eternal but unfeeling, then they are no different from stone. Mortals may be fragile, but their suffering, born of love and foolish hope, weighs heavier than the sky. Hua Ruyue’s sword did not only slay the drought dragon — it shattered the cold, unyielding rules of the heavenly realm. For only by loving the fleeting can one become unafraid of the impermanence of life.
But even the kindest hearts can break. Hua Ruyue’s descent into hatred was never born of malice, but from heartbreak. A grief so vast, it devoured her light and twisted her love into vengeance. Losing her child, Shi An, was a wound deeper than any suffering she endured afterward. Her hatred towards Bai Jiusi blinded her to the truth, but before she was an immortal god Siling, she was a grieving mother. Hua Ruyue was trapped between the thin line of love and hatred, and though her anger burned fiercely, it was clear she still only loved Bai Jiusi. Each time she tried to kill him, she wasn't afraid to die along with him, because deep down, that love never left. And if proof was ever needed, it lies in Li Qingyue. Although she wasn't real, she was still Hua Ruyue, a part of her untouched by time, pain, and betrayal. How can someone who has endured so much still carry a version of herself so loving, so pure, so tender? That alone speaks of a heart that never fully closed — of a love that, no matter how scarred, still quietly endured.
Hua Ruyue was able to let go of her hatred through the quiet acceptance. It was the time artifact which Xiao Jingshan gave her that allowed her this final journey. She wasn't returning to the past to alter the future or reverse her pain. Instead, she was rewriting it as an act of healing, a way of finding peace within herself. This time, she chose to reunite with Bai Jiusi once more, not as someone who is broken by grief, but as someone who had lived through it, carried its weight, and slowly learned to lay it down. She approached him no longer as a mother ravaged by loss, but as Hua Ruyue, a woman who had loved deeply, suffered greatly, and finally made peace with both.
Hua Ruyue is now undoubtedly one of my most favorite character that Bai Lu had portrayed. She didn't disappoint. She delivered a performance that was both powerful and deeply moving. I have always admired her talent, especially in angsty and emotionally charged scenes, yet she still managed to surprise me with her stellar performance here, particularly during the revelation of Hua Ruyue's suffering in the mortal realm. Those scenes were gut-wrenching, it reminded me of the same emotional devastation I felt when watching her in One and Only. This truly stands out as one of her finest performances to have ever come around. Although, it is a pity that she didn't dub the character herself, her raw acting carried every scene with grace and intensity.
Zeng Shunxi as Bai Jiusi
Bai Jiusi is the opposite of Hua Ruyue. He is bound by the laws of heaven and carried the immense burden of guarding the infinite steel. He had a great sense of responsibility and never wavered from his duty, he was someone more restrained. Unlike Hua Ruyue, he doesn't resist the wheel of fate but accepts it. This wasn’t because he lacked the courage to fight, but because he believes in a natural cycle governed by karma and heaven's order. But that acceptance came at a cost.
Beneath his composed exterior lies a soul full of ache. He loved Hua Ruyue deeply, yet he never once voiced it aloud. Instead, his love was reflected in the way he remained steady, like still water, quietly enduring the storm of her resentment. Every part of him belonged to her. That love never wavered— not even when he lost his memories, not even when his soul was shattered. Even his sword remembered only the love he bore for Hua Ruyue.
Bai Jiusi's tragedy is that of a man who loved too deeply but spoke too little. He often chose restraint over expression as a way to protect others. But in doing so, he unknowingly built a wall between himself and Hua Ruyue. His passivity, though rooted in care, became the very force that allowed distance and misunderstanding to take root. He was not without flaws. Every time he withheld his truth, every time he let the moment pass without reaching for her, the space between them grew. His understanding became a substitute for confrontation, and in trying not to hurt her, he ended up letting her hurt alone. The weight of things unsaid, pain endured quietly and love never spoken became the very ache that defined their bond. In the end, his greatest flaw wasn’t a lack of love, but the silence that cloaked it.
After he learned the truth of Hua Ruyue's suffering and his unintentional role in Shi An's death, he became consumed by overwhelming guilt. That realization shattered what little composure he had left, however, he didn't try to justify himself. His redemption came in the form of self-erasure — allowing Hua Ruyue to strike him down if it could ease even a fraction of her grief. And even in death or near-death, his love remained resolute, never tainted by bitterness or resentment. He let himself become the villain in her story because he believed her pain mattered more than clearing his name.
Yet, his ultimate redemption was not in dying, but in surviving long enough to be there when Hua Ruyue finally let go of her hatred. He was still there, quietly enduring, when she returned from the past having found her peace. And that quiet reunion, free of drama or grand declarations, was his final offering. His love was the kind that asked for nothing in return, a love that didn't seek to be seen, but only to remain.
Zeng Shunxi's performance is remarkable considering this is his first time starring in a xianxia genre drama. His portrayal of Bai Jiusi's inner turmoil and quiet devotion with subtlety spoke volumes of his emotions even in silence. The expression in his eyes which often held more sorrow than words could express added depth to his character. He absolutely also gave an impactful and memorable performance with his heavier scenes. I am looking forward to see him act in this genre again.
OSTs ₊ ⊹❀
The drama didn't have any powerhouse OSTs and the rest of the songs used were not that memorable. The only two songs which I really ended up loving were the ones sang by Bai Lu and Joseph, both these songs had lyrics that matched with the story and characters too.
OVERALL IMPRESSION ₊ ⊹❀
Feud is a compelling tale that goes beyond romance and traditional xianxia. It explores the fragility of love, the devastation of grief, and the moral ambiguity of choice. With its rich character depth, emotional storytelling, and quiet reflections on healing and forgiveness, it's a drama that lingers, not because of how dramatic it is, but because of how deeply it makes you feel. This drama was worth every emotion it pulled from me. I genuinely hope to see Bai Lu and Zeng Shunxi reunite in another project, as their chemistry and performances left a lasting impression.
FAVE SCENES ₊ ⊹❀
- Li Qingyue proposal to Bai Jiusi
- Fan Linger using her shadow to kill Li Qingyue
- Revelation of Li Qingyue being Hua Ruyue
- Sweet moments of Bai Jiusi and Hua Ruyue during the first time they descended to the mortal realm
- Hua Ruyue seeing Meng Chi's painting of her after he passed away
- Hua Ruyue walking to awaken Bai Jiusi who was frozen
- Bai Jiusi learning how to coax his wife from his friends
- Bai Jiusi's amnesia and search of his wife
- Hua Ruyue and her masters late night drinking talks
- Hua Ruyue time with Shi An
- Bai Jiusi soul guiding Hua Ruyue during the final fight
˖ . ݁❀𝜗𝜚❀. ݁₊
"In the long endless night, only the sun brings light. The warmth of the sun is like hope at the end of darkness. And that radiant warmth is what the color gold is like" — Hua Ruyue
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My review will be short and sweet with a link to my very extend review at the bottom if you wish to do some extra curricular reading!The Good:
1) Reaper and Goblin's Bromance
2) Soni and Reaper's Relationship
3) The theme song
4) The cinematography
5) The locations shot in
And that is ALL!
The UGLY:
1) 60% of the episodes are completely plotless.
2) The last 5 or so episodes are completely rushed with about 6 major plot points in each of them
3) The cringey, over-obvious product placement
4) EunDak is the worst character ever. She's so selfish and so stupid and she gets so lazy once the boys take her in.
5) Eun Dak and Goblin's relationship should NOT be romantic. It would've been much better as a Father/Daughter realtionship
6) The editing was rough in a lot of parts
7) Deok Hwa's character was so undeveloped and so underused. he deserved better!
8) The lack of relationship and character development for all of them actually
9) The ending is an absolute mess. Why did the not all die so they could start over again?!
10) So many scenes felt half done. I feel like so much was either not filmed or just simply edited out and I feel like I was missing whole chunks of scenes that were needed.
11) The over the top ridiculousness such as the SnowBoard accident, and the Goblin pushing EunDak and causing massive problems in the car park scene. Those scenes were so stupid. Those scenes were far beyond being able to suspend disbelief.
12) Completely ruining Soni and Reaper's personality and all their charm in their new life in the final episode.
13) Rushing through the final. Those last 15 or so minutes DESERVED and entire episode. Not the rush through that it got.
The excessive overhype this show gets. It's really not that good.
If you really want my Essay-long review of this show, check it out here: http://sambart93.tumblr.com/post/179925136539/dokkaebi-goblin-its-not-bad-but-its-not-good
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WHAT I LIKED: The acting was amazing. The characters are all lovable, especially all the ones excluding the main couple. The color palette was so pleasing to the eye, as well as the furnishings, the clothes, the ambience was all fitting to the story and a joy to look at. I loved everything involving books, as a book lover myself. I loved the interactions between the founding members of Gyeoroo, especially Eun Ho and the President. I also loved the sisterhood between Ms. Go, Ms. Seo and Kang Dan-i. That was my favorite part of the entire drama.WHAT I DIDN'T LIKE: The plot weakened towards the second half of the drama. Gyeoroo allowed Kang Dan-i to resign for something that wasn't even her fault in the end, and was even on the verge of firing her, and then she was referred to a small, shady publishing company for who knows what reason (I can't believe Ms. Go would do that!) , then rehired to Gyeoroo when the President was reminded that they have a "special recruitment policy". I mean what?? Couldn't you think of that right after she'd resigned and y'all were missing her?
Kang Dan-i never speaks of her past life as married woman, and after one scene of her videocalling her daughter on the phone, there is no mention of the daughter again. I found it very disturbing, considering that she laments her divorcee and mom status when thinking about dating again. The story focuses solely on her struggles to reenter the workforce, and her experiences as a wife and mother do not factor in at all in her growth. I get that the husband was an utter jerk and deserved a nice beating, but a complete omission of that aspect of her life didn't sit well with me.
I found Eun Ho's character and his relationship with Kang Dan-i hard to swallow, and not just because of a meh chemistry. Eun Ho is that perfect man that shouldn't even exist in kdramaland; rich, handsome editor, professor and successful writer who is down-to-earth, responsible, friendly, kind, and sensitive, who has suffered a one-sided love for his noona for twenty years, is ready to buy expensive clothes for her, furnish a room in his house for her, will wash dishes for her and cook food for her, help her here and there at her job at Gyeoroo, is ready to stand up for her whenever possible, and will rush to her when she's hurting (Except when he didn't keep in touch with her enough to know she had been divorced a year ago and was pretty much homeless?) What's more is that Dan-i just seems to take and take and give back very little. Sure she saved him from an accident when he was little, and she helped him out with some problems involving his parents a long time ago, but for a woman who wants to write her own story and not be a Cinderella, she does get rescued by him in the first few episodes. She's older than him but at times he was the mature person between the two, especially when it came to expressing love.
Both Dan-i and Eun Ho (as individuals) seem too nice to be believable. I did like her interactions with Ji Seo Jun, and of course I loved the dog! I think that the Seo Jun - Hye Rin pair seemed just a tad forced in the last episode.
The only thing that kept me going was the support characters and their hilarious interactions.
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THE most healthiest and Best Xianxia Main CP! Totally worth the journey in the end!
Moonlight Mystique is among one of the anticipated drama's I have been wanting to watch, since I know this is adapted from the novel which is part of the trilogy/spinoff that focused on Tian Qi and Yuemi love story from Ancient Love Poetry (Shang Gu Novel). After watching this drama as a whole, I can tell you that Moonlight Mystique has the least(almost-to-none) connection to Ancient Love Poetry, so this can be regarded as a standalone drama/story featuring Fan Yue/Jing Yuan and Bai Shuo/Xing Yue.So you don't really need to watch Ancient Love Poetry to understand the backstory since it was changed completely. MM doesn't feature the god realm, and has no relation/connection to the original backstory for Tian Qi and Yuemi in Ancient Love Poetry.
Instead of the God Realm(ALP), in MM, this was changed to the 3 Divine Realm: Lunar (Govern by Goddess Xing Yue), Demon (Govern by Demon God Jing Yuan) and Hidden (Govern by the Hidden God Mo Li).
Before Jing Yuan and Xing Yue backstory was revealed, I didn't know it would be like this out of all my speculation, but it actually turned out to be so different than what I imagined their backstory to be like. I really love the playful and silly side to Jing Yuan from back then (60,000 years ago), because one way or another, I still like to find some references that will tie back to his original character in ALP (Tian Qi). So with this being said, I am glad his character somewhat stayed true in that sense that Jing Yuan is not afraid to confess his love/feelings to the woman he loves, in this case it is Xing Yue and I love that. In it's originality, Tian Qi is someone who will choose to protect the woman he loves first before the three realms. He would go that far to just protect that one person. I'm glad to see that Fan Yue/Jing Yuan is the same, in that sense where he will always choose to protect Bai Shuo/Xing Yue first. These are traits and qualities that I'm glad they kept to the original in MM.
But in MM, I am glad that we get to see that this is being directed at someone like Bai Shuo who can return his love equally. He deserves to be love. They both deserve their happy ever after at the end of all this. I am glad they got this happy ending in the end.
The God Realm is my favourite arc, although it was short but their backstory truly touched my heart and made me fell in love with Jing Yuan and Xing Yue back story.
Even when the story to MM was changed completely from their original backstory for Tian Qi and Yuemi, please don't let this discouraged you from watching Moonlight Mystique though, because I can assure you that the journey for our beloved main character: Fan Yue and Bai Shuo and this beautiful pairing is very worth it in the end!
While from ALP fans perspective (since I am also ALP fan), I get why fans want some form of connection back to the original story too. Since that is where their backstory started.
But from the writing perspective, for fans who never got exposed to their backstory and watch this as a standalone, they probably don't want to see Jing Yuan(Tian Qi) loving someone else in the past and Xing Yue(Yue Mi) being hurt by this unrequited love in the process.
To me, the change has its pros and cons. The change was done better for Tian Qi part for me but cant say the same for Yuemi with what was portrayed in their backstory revealed as Xing Yue and Jing Yuan in the past. Since Yuemi will never hurt Tian Qi on her end. But as we have seen from their past; despite they love each other, they cannot be together, and this leads to their tragic ending, which is very sad. I love how they made it clear/explained that Jing Yuan have been searching for Xing Yue on his end, and I find their story to be somewhat bittersweet in that sense. I actually wrote up my feelings in this thread in here, if you're interested in reading: https://mydramalist.com/discussions/zhu-yue/134640-jing-yuan-and-xing-yue-ending-contain-spoilers
With that being said, I will add this part to my review as well, I remember when this drama(MM) started airing, I told my online friend about it, since we both like Tian Qi and Yuemi story in Ancient Love Poetry, and we were talking about the cast selection. When I shared this to my online friend about the actress Bai Lu in this drama; he made a comment saying if I can still watch Bai Lu? Since he knows how I feel about her, and if I am going to be honest with you, her character Li Su Su in Till the end of the Moon had really traumatized me to the point there was a period of time, I cannot watch any of her drama's at all. I remember back then(when MM was still airing in the early episodes) my reply to my online friend was: "At the end, Bai Lu can either have two outcome for me, she either will go into my blacklist if she turned out to be another character I don't like in this one by traumatizing me once again, OR her character in this drama (Moonlight Mystique) will heal my previous trauma of her character in Till the End of the Moon. So in the end, what I can say is, I am glad I gave her this benefit of the doubt, while it is true that I started off neutral with her, but her character growth/journey and her portrayal in Bai Shuo or Xing Yue had really won me over and made me became a fan of her as the story progresses, although I love Bai Shuo better because her character is written more to the way of my liking. Bai Lu have done an excellent job bringing out the character: Bai Shuo and Xing Yue to life. I like how she played out the emotional scenes, and her crying scenes didn't feel force but genuine. I like that because it makes it more impactful when I watch those scenes.
As for Male lead actor goes, I have never seen Ao Rui Peng in another drama before, and the irony was while I have watched a few episodes of Blood of Youth back then, his character didn't stand out to me in that drama, BUT him portraying as Fan Yue and Jing Yuan is just on another level!!! Love him and his make up/costume in this drama. He looks so cool/handsome and especially with the purple shades in his hair when he played as Jing Yuan (The Demon God)!!! Ao Rui Peng whether he is Fan Yue or Jing Yuan, he is very good at playing out these emotional scenes as well. He also has a very passionate chemistry with Bai Shuo/Xing Yue (played by Bai Lu). I love all their screen time together onscreen, and their interactions is just a delight to watch, even at the beginning! There is never a boring moment when they're onscreen! They are definitely noted down as my favourite couple of all time, as a matter of fact, I think I am bumping Fan Yue and Bai Shuo up as my no.1 favourite Xianxia CP!
When it comes to pairing side of things, I don't think I have ever encountered a pairing that is this healthy, what I mean by healthy is... Both Fan Yue and Bai Shuo, they have communication, they will talk it out and not let it lead to any miscommunication or misunderstanding between them. Communication is the key!!! And Bai Shuo and Fan Yue have this and I am really thankful that they are consistent with this to the end from their characters. This is really refreshing to see, and I really love it. It makes them stand out to be the most well written pairing that have communication that work through things together. Not to mention they definitely have chemistry as a pairing!! Their Kiss scenes makes me blush and I am glad we got these beautiful scenes for our beloved pairing!
Xianxia is my favourite genre, but if I am going to be honest here, how I feel about xianxia in the overall have been disappointing as time goes by in terms of having a promising start, but a disappointing ending where they recycled the plot about the "responsibility in protecting the three realms". I am honestly at the point where I don't want a love story where the ML have to shoulder that responsibility in choosing to either protect the three realms or the woman he loves.
I want a love story where the ML choose to put the woman he loves above the 3 realms(or how many ever realms there is). I guess this is why Fan Yue and Bai Shuo love story appeal to me so much, because I see this as a breakthrough to the overused plot of choosing to protect the three realms and carrying that burden on your shoulder and cannot love freely the way you would want to without those responsibilities.
So going back to my favourite character here, whether it is Fan Yue or Jing Yuan(in MM), he is really a romantic person in my eyes, because he will continue to protect the woman he loves above anything else. I honestly love his love for Bai Shuo/Xing Yue. I LOVE FAN YUE & JING YUAN!
One of the things that makes Moonlight Mystique(MM) stand out is that there is never a boring moment with the plot that makes it feels like a filler, because each arc has a purpose that tells the story and will connects to the next one, which makes everything come into place at the end. Even when the side character/stories have their own impactful story that was written so well that it made me cry or teary for them, so they really stand out on it's own(in a good way).
I love the kids actors who played as Fan Yue and Qi Feng and Bai Shuo and Bai Xi, their backstory played by these little actors where they played their role in the backstory, made the present time more impactful because you know how much has changed between them from back then (as kids) and now (as adults).
I also want to make a memorable mention on the character Chen Ye, I didn't think I would like him when I first saw him, even when I found him handsome, because he was cold and ruthless, but when his backstory was revealed, I cannot not like him you know. I even love his interactions with Fan Yue and all their screen-time together (because...... I won't spoil the details for you).
Fu Ling is another character I didn't think I will like, but in the end, she has become a character that I came to like on my end. I also like her love story with Chong Zhao as well. It is quite sad to be honest. Yeah sad, meaning they got a tragic end.
In terms of ending for Fan Yue and Bai Shuo, I just want to say this, I really love the ending to MM, I was really nervous that it will be a last minute happy ending like ALP or TLI, but I am glad it isn't the case in MM. To be honest, I was already happy with the ending I got from Episode 40 because they get to hug and shared 1 last passionate kiss together, but when they gave us an epilogue to show their wedding at the end, this just makes it more satisfying for me, because I have come to love Fan Yue and Bai Shuo so much. I love them to the point that if their ending is a Open Ending, I don't think I will be able to control my emotions. I mean, I was really disappointed with Song of the Moon(SOTM) Ending which is another Xianxia by IQIYI by cutting out the ending I know was filmed, but they never included this in the epilogue in that drama(SOTM) so this is why in MM, I am happy and over the moon for finally giving us and our beloved pairing Fan Yue and Bai Shuo their happy ending in a satisfying way! They deserve this to be honest!!! Because they have suffered so much from their past as Jing Yuan and Xing Yue!!!
MM ending is loveable in my eyes because we got a satisfying and conclusive ending for the Main Pairing, and the other side characters was implied and confirmed they will return one day (so that is a hopeful happy ending for our beloved side characters who died for the great cause). The writers didn't have to give us this but they did so I love them for this.
Among the three story: Ancient Love Poetry(ALP), The Last Immortal(TLI) and Moonlight Mystique(MM), as far as ending goes, while they are all a Happy Ending, but MM definitely have the best and most satisfying ending compared to the other 2. I felt like TLI(Yuan Qi and Feng Yin) got the short end of the stick, because at least Bai Jue and Shang Gu(ALP) get to hug, but Yuanqi and Feng Yin(TLI) ending was them standing at a distance looking at each other.
In the end, it's up to you whether you will watch it or not, but IMO, if you don't watch it then you are really missing out. It may not be every one's cup of tea and that's fine, but I will just say that for me personally, not many Xianxia nowadays pull through as the best and this feeling stay true to the end, since they normally started off well, but then got boring like how I feel towards The Blossoming Love which was airing at the same time, In The Blossoming Love, I got bored with the plot and the direction it was going whereas for Moonlight Mystique, the plot and characters got me engaged/hooked into the story from beginning to the end!
Oh and let's not forget about the OST! Please be sure to check it out because they are all so good!! I love all of them!!! And I have to say that this is the first time, I never actually want to skip the Opening (Intro song) and Ending (Outro song), because they are very captivating!!!
P.S: Fan Yue and Bai Shuo is now officially my no.1 favourite Drama CP. I still want to make an honorable mention to my other favourite pairing: Jing Yuan and Xing Yue! To me (if you have not read that thread of mines), then I will just add it here as well: In the overall, how I took the theme to their backstory and ending is, Fan Yue and Bai Shuo are reincarnations to both Jing Yuan and Xing Yue, and they lived on as their happy ending. Just like what Jing Yuan said to Fan Yue before he joins Xing Yue in the stars: that perhaps his awakening(60,000 years later) was to give them(Fan Yue and Bai Shuo) a chance to be together. He told Fan Yue to protect Bai Shuo well and don't let their(Jing Yuan and Xing Yue) regrets in the past repeat itself 😭😭 so to me, this is how I saw it... To say I am not sad would be a lie, because I was sad in that scene, but when I look at this in another sense/perspective, their ending gives a sense of bittersweet where their happy ending lives on in their next life(as Fan Yue and Bai Shuo) it actually makes sense if you look at reincarnation side of things. I felt like how the writers wrote this was very poetic and sad, yet beautiful at the same time that the love they held for the one they love is irreplaceable. We saw this through Fan Yue, Bai Shuo and Jing Yuan.
So in the end, does this make me dislike Fan Yue and Bai Shuo for having a happy ending? No!! Because Fan Yue and Bai Shuo deserves their happy ending too and considering all their suffering and sacrifices they earned it and I am glad one way or another Jing Yuan and Xing Yue can live on in Fan Yue and Bai Shuo in that sense(since that is their next life), without Jing Yuan and Xing Yue backstory, then we wouldn't have the Fan Yue and Bai Shuo that we came to love in this lifetime. And I will end my review with one of my favourite quotes in this drama:
"That's all in the past. This time, we've met again, not as Xing Yue and Jing Yuan, but as Bai Shuo and Fan Yue. In my heart, you're the best Bai Shuo, the only one in this world, and is irreplaceable" - Fan Yue.
Thank you for this wonderful journey, thank you for making a great start in 2025 for me! MM gave me back the hope that Xianxia can have a happy, satisfying and conclusive ending! I am still reluctant to say goodbye to my beloved characters, so this is currently on my rewatch list!!!
After several rewatch of this Drama, I decided to check out the Novel, in which I have on my end, and here's my feelings to the Novel in comparison to the Drama: https://mydramalist.com/discussions/738079-zhu-yue/139258-reading-the-novel-made-me-appreciate-love-the-drama-better-contain-spoilers (In summary, after reading the Novel, it made me appreciate/love the Drama even more).
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Overall I thought it was an OK movie, wouldn't exactly say it was a great movie. Only reason I gave this movie a try in the first place was because of Lee Min Ki. So if you want to watch a more a mature movie that will make you laugh, then give it a try and enjoy ^^
WARNING to the younger viewers the sex scenes aren't very explicit (no major nude scenes) but I would mostly recommended to the more mature audience.
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This review may contain spoilers
✨Short Episodes, Fast Feelings, and a Surprisingly Fun Ride✨
Ok besties, I clicked on this fully on a whim and somehow it turned into a pretty solid watch.The visuals are actually cute for the budget, the plot is packed, and the leads are styled nicely.
Most of the cast were new to me, and while the acting sometimes lacks nuance, it does get better.
I liked the FL. Even in her cutesy era, she never crossed into annoying for me (rare). She’s not painfully naive either, and I liked her from the start. That said, my girl truly cannot catch a break — emotionally, physically, spiritually, she is always going through it. Sis needs a nap and a vacation.
The ML was handsomely styled — he looked good (can't say he's my type, but still, no notes).
Some of the dialogue felt rushed and didn’t always land with full emotional impact, but given the 10-ish minute episodes, that kind of comes with the territory. I wasn’t expecting Shakespeare. I wasn’t expecting Homer. I was expecting speedrun romance and that’s exactly what I got. The leads grew on me, though. They’re cute, and I genuinely appreciated how direct their conversations were. No endless circling. No 12-episode misunderstandings. Things happen. Quickly. Efficiently. We love productivity. I also ended up appreciating the ML’s character overall. Bro is down bad pretty fast, and in their angsty era, we do get some lowkey toxic vibes, which added to the emotional messiness in a way that was weirdly entertaining.
The spice is medium for the genre. Some kisses were giving “how does mouth work again?” vibes. I know some of y’all care deeply about that. BUT the relationship is still fun to watch. They’re fairly solid, and the pacing carries.
BUT THEN. After episode 12???? Hello???? Why did we suddenly spin the emotional wheel of misfortune???? Suddenly it’s love-hate roulette, trauma unlocked, emotional damage activated, and I was sitting there like I did not sign the waiver for this ride. I wasn’t a huge fan of the deeply rooted hatred that realistically could’ve been solved with a calm adult conversation, but I cannot lie — the chaos was entertaining. What surprised me, though, was that the resolution ended up being more layered and interesting than I expected. It wasn’t just a quick emotional reset; there was more depth there than the earlier pacing would’ve suggested.
We get a super last-minute happy ending, which felt very surprise! healing! joy! roll credits! but honestly? I’ll take it. Don’t threaten me with a good time.
Overall, this is a very digestible, pancake-type drama with a side of angst. Not gourmet. Not life-altering. But warm, slightly messy, emotionally questionable, and weirdly satisfying. A speedrun costume drama that understood the assignment just enough to keep me watching.
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