A Drama That Goes Nowhere
This show is the textbook definition of wasted potential. From start to finish, it’s a flat, lifeless experience with no real story to tell. The pacing is sluggish, the plot is practically nonexistent & not a single character leaves an impression. Most actors weren't particularly charming either (but it could be just to do with the screenplay & unintriguing story).Sehun character, as one of the male leads, is especially underwhelming. With the entire narrative supposedly built around his character, you’d expect some level of depth or charisma but sadly he brings zero presence & painfully disengaged throughout which makes you feel super annoyed as a viewer.
The rest of the cast doesn’t do much to elevate things either. Plenty of moments with unwarranted over the top acting. There’s not much chemistry anywhere, no standout performance, & definitely no reason to care about what’s happening on screen.
Releasing all episodes at once was the only mercy as you have the option to FF. Go for it, if you have time to kill but to me, not worth the time.
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Arthdal Chronicles Part 1: The Children of Prophecy
34 people found this review helpful
My rating here will be for this portion of the drama only. At this point, the drama started out pretty strong, got kinda muddled in the middle, but seems to be picking up again.
I wish it was better organized. I said this in the comments, but the writers, directors, editors - they all tried to do too much. A high fantasy drama is innovative enough in the Korean drama scene, but splitting it into multiple "seasons" did more harm than good. The pacing is all over the place, they established different story-lines faster than others so we had to wait while they caught up. And most importantly, there needed to be way better world building. This is a completely imagined setting with its own groups of people, religion, beliefs, society, hierarchy, government, etc. and the director or some editor or whoever thought occasionally adding captions to explain original vocabulary was enough. It's not. Some of our very important characters are missing important screen time and story development time because of the weird pacing, but it seems that this will be rectified soon in future episodes so I'm not to hung up on that point. This drama would have benefited so much from being longer; the world that they have created is fascinating and it should be fleshed out way more than it was.
The acting is phenomenal and the characters are really interesting. Like I said, I just wish it was better organized.
All in all, it's a good watch. It's not god-tier iconic, but I do recommend it - especially to people who are looking to watch something different.
EDIT AFTER FINISHING THE WHOLE THING: Don't do it. If you're reading this while contemplating watching the drama, it just got worse and worse. The story didn't get better. The story was shit. Save yourself.
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1This review may contain spoilers
“My Stubborn” – A Drama Full of Denial, Tension & Unexpected Softness ???
Let me just say — My Stubborn had no business pulling me in this deep! From Episode 1 to 12, it was pure chaos, tension, and soft moments that hit harder than I expected 😩💅At first, I thought P’ Sorn would act mature — you know, older, wiser? But noooo 😭 From the beginning, he was the real problem. The way he kept saying, “I don’t follow kids,” while clearly giving Jun all his attention? Be serious 😭
And Jun? That boy is so easy to mess with! P’ Sorn barely does anything and Jun is already falling apart 😭 Their dynamic was full of denial, but the tension?? It was tensioning HARD 🔥
Honestly, I didn’t expect to be this hooked, but every episode kept me invested. The story was cute, playful, dramatic — and the chemistry? Real. Even the side characters gave life to the series. It never felt slow or boring.
10/10, I would definitely rewatch just to feel chaotic and in love all over again 😌🫶
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1This review may contain spoilers
the best female centered plot
watching The glory was my best decision this month,i started watching this drama as i like female centered revenge plots also i fell for fu yun xi,the chemistry between the leads were firee but they decided not to give us romance,but they gave it at the last episode,it was a good ending guyss,i truly enjoyed thiss,this has the same author as the double so it has similar vibess,i really liked itt,u should watch this asapWas this review helpful to you?
1, Sakurada DORI.
2. Phenomenal skin ship.
3. Sakurada DORI.
4. Pervy kinky male lead
5. Sakurada DORI.
6. Sakurada DORI
7. Sakurada DORI
And did I mention SAKURADA FREAKING DORI
XD
If that's not enough of a reason, well okay I know most people can't stand the idea of insta love so what can I say, MORE DORI FOR ME YOU LOSERS!!!!
XD
So now that that's out of the way I just thought this drama was well made, full of eye candy and the couple had chemistry and it's not the most brilliant writing but it's not bad writing either. This is very much guilty pleasure wish fulfillment at its finest!!!
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A song to life and love
I have doubts about the strength of my arguments to convince someone that this is a great series, but I have plenty of reasons to, again and again, watch it with pleasure, to tell why that feeling of harmony and hope that 'Gray Shelter' provokes me and, of course, I am also completely convinced that it should be recommended. Attentive to the small and the biggest, the tight heart, the explosion of emotions and the confusion, this South Korean romantic drama will whisper in our ears about certain things that happen to people when they discover their inner self.Cha Soo-hyuk (Jang Woo Young) is a boring adult whose only goal is to live without worrying about everything and everyone. While working as an external engineer at a cleaning company, he meets up again with Lee Yoon Dae (Lee Jae Bin), with whom he was very close in the past. Yoon Dae lived with his girlfriend, but now he has nowhere to go..., and they end up living together. The two remember domestic violence, running away from home and the days when they consoled each other by saying that they were not like each other's parents.
Korean director Lee Son Eum (이손음) signs with 'Gray Shelter' (회색기류 / Hoesaekgiryu) a significant work of contemporary relationships in his portrait of a same-sex couple, delicately addressing a theme common to all such as love , but here presented in unforeseen and difficult circumstances with a language that involves the viewer in the intimacy, complicity and fears of what is told: the story of two young people united by a past of brotherhood, whose brotherly affection evolves into a warm and deep love with the passing of the years.
Based on Son Eum's own script, the series, consisting of 5 20-minute episodes, explores the awakening of desire, passion and love of a boy for another man. It is, simply, a demonstration that feelings do not know gender. It is love without borders in search of happiness without labels visually narrated in a very lyrical way and assumed naturally.
The deep friendship and love of two men who meet again and begin to live together under the same roof. A journey that turns the viewer into a witness of the internal struggle, the confrontation and the love that they experience. Exterior landscapes of the environment that surrounds them and interior landscapes of the characters written in an agile and lyrical way. History, society, love, defiance of life's obstacles.
A broken family, a heterosexual courtship, a breakup, a friend from the past, almost a brother, a little older, and, suddenly, when everything seemed stable, in perfect balance, the heartbeat, the discovery, the awakening of desire , the feeling, the obsession, burst in with the same force as the denial, the non-acceptance; aggression, which can be both internal and external, and breaks what is established...
They both fall in love. They both see their lives turned upside down. Both are reunited with an unknown self that makes them happy, that gives them pleasure, that fills them with unmanageable pain and uncertainty, but also with love and passion. It is the happy encounter with their own natures.
Can the two young people together travel the roads of South Korea in search of an El Dorado where love, purified of all prejudice, is possible?
How can I describe what is happening before my eyes? Drama and reflection, as intelligent with its images as with its dialogues, turn 'Gray Shelter' into a hymn to life and love, above all, due to the way it approaches a theme, such as homosexuality, which, even when it has been portrayed on numerous occasions over the years in South Korean cinema and television, is still very scarce compared to what is produced in other latitudes or on other topics in the same country, since the taboo component for a A significant part of the population is still present, despite being civilly legal.
From the Heavenly network, this romantic drama that feels like an old movie in terms of color tone and harsh composition, returns Lee Jae Bin to the screen after his successful performance in 'Choco Milk Shake'. At his side is an actor who has also shown his incredible artistic talent in the films 'Phantom' and 'Baseball Girl'. A couple that shows a vibrant chemistry in a drama that excites and moves as it manipulates as only initiatory stories, owners and lords of an absolutely individualistic narrative voice, can manipulate.
Jang Woo Young and Lee Jae Bin bring two very different characters to the scene, but two who not only have a strong connection and chemistry, but also relate perfectly to each other's struggle. There is a healthy and affectionate love between them, it is also romantic, with great generosity, nobility and compassion at play. The sadness and melancholy that both bring is not the kind that makes viewers cry, but rather hits deeper, to the very core. It is not a typical anguish, but heartbreaking.
If at any point I might have thought that Lee Jae Bin would be pigeonholed into comedy, I must confess: I was wrong. If in 'Choco Milk Shake' he achieved a genuine naturalness in his performance, even in those most dramatic parts, which could suggest this would be the right genre for him, in 'Gray Shelter' the young and talented actor shows his versatility and possessing the gift of standing out for his ability and skill when it comes to embodying totally opposite characters.
I liked how he made it clear that he is an actor of race, of vocation, one of those who dares with comedy and drama, and puts himself at the service of the role in question with body, mind and soul. You have to follow his steps.
For his part, thanks to Jang Woo Young, Cha Soo-hyuk is a completely plausible, convincing and even beautiful character, in the sense of being absolutely different from those played by the same actor in his previous works. Everyday life has such a forceful beauty that when an artist is able to see and represent it, he achieves works that are not only solid, but also shocking.
With an acidically caustic tone, raw and direct, highly intelligent and subtle, and always based on the dialogue and organic behaviors of two characters with few filters, 'Gray Shelter' becomes a sophisticated story of a homosexual relationship. The narrative simplicity of the series is reflected in the filming style and is offset by the complexity of the relationship.
Although at times it crosses the border of frivolity, it is possibly one of the most elegant translations of contemporary South Korean dramatization of a story about homosexual men, which is nothing other than a great love story.
'Gray Shelter' is, in short, one of those gems that presents a world so wonderful that you feel sad when you reach the end credits. In short, a drama that captivates the viewer, in addition to the story and the way it is told, due to its attractive visual effects and its visual chemistry.
The drama turns out to be, then, a delicate story of everyday situations, especially those essentially linked to providing inclusive views to the debate on diverse identities and sexualities, while diluting the binary and sexual identity boundaries (man-woman). But, in addition, it recreates, with proverbial skill, especially in the dialogues, and also in the situations, a romance that is not just one more of those that South Korean audiovisuals have contributed since 'The King and the Clown' (Lee Joon-ik, 2005), 'A Frozen Flower' (Yoo Ha, 2008), 'Man on High Heels' (Jang Jin, 2014), to name just a few, but one current, daring, pure, in a series all time attentive to those shudders that perhaps strengthen our expectations of finding what we are looking for.
Lee Yoon Dae's confessions, the evocation of the past that unites them, the way in which the two men approach each other and establish a unique, explosive, fiery intimacy, make total sense through a delicate photography, capable of converting each shot of night exteriors in acts of love in the light of the sunniest day, in addition to managing the expressiveness of the composition and the framing placed even in a symbolic function (Cha Soo-hyuk healing Lee Yoon Dae's wounded face is filmed in a way that implicitly alludes to the major issues involved here); or music that is barely noticeable, and the composers of the songs know that this is a compliment when talking about musical soundtracks in film or television.
The cinematography is moving, with great use of color, particularly a dark, natural palette.
In addition to everything said, I also loved the tenderly filmed scenes of intimacy and sexual complicity. As for the general assessment, it must be said: Lee Son Eum pleasantly surprises us with a seemingly simple series, but which is ultimately a treatise on losses and breakups, on the one hand, and encounters, reunions and discoveries on the other hand, about the gone and the lost, about the found and the unexpected, about the search and finding of love and happiness, the clinging to illusions, to certain affections and feelings, by human beings so complex as well as sincere, animated by the real idea that perhaps they will find, very close to themselves, in their shared past and present, what they have always sought.
And if it all seemed like a lot to me, I am surprised by the beautiful animation by Jeon Seon Myeon that serves as the opening title. The animation shows the two main characters, Yoon Dae and Soo Hyuk, walking alone in the snow before ending up under a streetlight. Yoon Dae spreads out his scarf and wraps it around Soo Hyuk. The light turns on, illuminating their gray world, and they embrace as Ode's "Sleepless" plays in the background.
Few South Korean series have left me, at their end, with such an inexplicable feeling of melancholy and complete satisfaction. And that's why I decided to enthusiastically recommend it.
YA
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I feel all the actors did a good job portraying their role but i want to especially mention the 2 females leads. Zanila who play Bi Yao did an amazing job as always. She must be one of the most sort after actress in China at the moment. She seems to be every other drama and always does a splendid job. Yang Zi who protray Lu Xue Qi, I feel is really underrated. She has good chemistry with Li Yi Feng and the rest of the cast. She protays a believable character who seems to hide all her trouble and with a cold attitude but is in fact very caring. There is a very big cast and all the members seem to make themselves stand out one way or another.
The music was done very well. The use of music during emotional scenes was just right and not too over the top. The music didn't over shadow anyone's dialogue and added enough dramatic effect for it to work. Both the OST were good to listen to and enjoyable.
I generally dont judge a show on re-watch value as sometimes a good show doesn't necessary have much re-watch value. I can say the Legend of Chusen is one of those shows as there are not many surprises and you can guess how most of the story pans out anyway.
Overall I enjoyed this drama a lot. It exceeded my expectations and I would recommend people to watch it if you are into this genre. It is your typical 'chosen one' storyline with a Romeo and Juliet romance. I am looking forward to season 2 even if it is not as long and I hope it gives us a complete conclusion.
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This review may contain spoilers
This is a nice, quirky fantasy/romantic comedy. It features an excellent cast, and a lot of charming and interesting characters. It has quite a few twists, and is really cute and interesting. The main character is a kind but naive fairy, who has lived on Earth for several hundred years. The main love interests are a professor and his young assistant (they also live together). The two characters are like night and day, the assistant being sweet and willing to believe the fairy, and the professor being cautious and skeptical. One of the two love interests is the fairy's reincarnated husband who died suddenly several hundred years ago. What likely makes this show a hit or miss for several people: the show is a bit on the weird side and does not go as expected. A love triangle is also a big player for the plot here. Typically when you watch a drama, you can point out who the female lead will end up within the first couple of minutes of the first episode, even if there's a love triangle. This drama gives you a bit of a guessing game, and the answer...is not what a lot of people were expecting.
As someone that dabbles in story writing, when a storyline isn't super predictable, I like it a lot more. I also enjoy finding clues to upcoming plot twists within the dialogue and events of the show. This was the case for "Mama Fairy."
This is a drama where you have to pay close attention (especially in the flashbacks) in order for everything happening to make complete sense. It had me hooked from the start, so I was never confused. I was extremely happy with who the female lead ended up with, but this was not the case for quite a few people. But when watching, it was clear that the drama pointed in that character's direction, via other characters' opinions of the love interests, the flashbacks, and the female lead's feelings toward the guy she ended up with. It's subtle, but the hints were there.
Romance aside, the main characters are each interesting in their own individual ways. It was interesting how each of the reincarnated love interests shared traits with the people/creatures they were in their past lives. Learning more about them through the flashbacks was a highlight of each episode. One of the main characters had a very tragic back story, and his story developed into a great one of friendship and redemption in the end. It ended up being the highlight of the end of the series.
That said, this show isn't perfect. Even as someone who loved and enjoyed it, I disliked a trio of supporting cast members at first. I eventually grew to like them a little bit as they started playing a part in the main storyline, but that took a few episodes. The other issue I have is the CGI. At some points I can see where it was necessary, but practically every animal that appears (even if it's a random cat running by) is CG. It's very fake and cartoonish looking, so it took a bit to get used to.
I adored this show, it's a new favorite of mine honestly. However, if you're off-put by eccentricity, love-triangles, and/or quite a few plot twists you might not like it. Even though it's a romcom, there's a complex story behind it, and that's one of the main reasons I enjoyed it so much. This series is best approached with an open-mind, and a willingness to accept that not all is as it appears to be.
I gave it a 9.5/10 as I was interested throughout, and fell in love with the story and characters.
(I also rate heavily based on personal enjoyment)
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This review may contain spoilers
After 2 Years and 4 months......It Was Well Worth the Wait!
Just as the title of this review says; this drama was very much worth the wait. Xiao Zhan is one of the people I follow and looking forward to him in this mature and modern role was spectacular. I have so many emotions carousing through my system right now; relief, elation, sadness, completion, pride. This is a very high caliber modern drama. Mentally, I've been thinking about this review for days, so now I'm going to try and put everything together here.Pros: This drama was filmed in 2019; so much has happened since then. I loved Xiao Zhan and Yang Zi's friendship in real life because it translated as very honest and believable chemistry on screen. Both Gu Wei and LXZ were honest and good though humanly flawed characters. If they made them all perfect and cute without problems, they wouldn't have seemed so real. The seeming harshness of the parents, displayed cultural differences in a way anyone on earth would understand because once the end was being rounded up, their feelings not just harsh words started to be more completely understood.
Xiao Zhan's acting ability made me forget that this was filmed before Ace Troops and ADLAD; the 8 hour, 15K line theater play. Each emotion, each mannerism, action, was on point with where the character had to be at the time of the series. I know he is a perfectionist himself and therefore already criticized his own performance from top to bottom; but as a viewer, a novelist/author, former scriptwriter, and very detail oriented human being, I truly didn't feel he could have done a better job. With the script he was working with, plus all the complicated medical terminology, heavy emotions, given flaws, he brought Gu Wei to life; into a three dimensional existence. He's a very versatile actor that I think can handle any genre, any role be it a protagonist or an antagonist; the latter of which I would love to see in like a Republican era crime drama.
YZ was a very believable 21 year old considering she was older. That's hard to do sometimes especially for more mature people. Her emotions especially in those last episodes were gut-wrenchingly felt. I felt she portrayed a cellist very convincingly (I played the violin in elementary school and therefore know how all strings hold their bows; she did everything properly). This was a good role for her; I do however hope she takes more out of the box roles as this seems to be a fairly common genre for her. She can definitely expand her horizons.
The OSTs were beautiful and magical. Usually I ffw them in the beginning or end especially for the credits but in this case, XZ's solo and their duet were just so heartfelt that I would listen to them each time. I always love it when actors sing their own OSTs, it just gives a drama extra soul.
The plot of the leads was fascinating and realistic; it never dragged at any time and honestly didn't need the filler characters nor their issues. When a plot or a character's actions draw heated discussions/debates in the comments, it means the drama is doing exactly what it's supposed to by making people think and want to talk about it. Papa Lin's cancer arc was the hardest and most heartbreaking of all because not only was it tastefully and realistically done, but it hit close to home as I've lost several very close friends to cancer; so tissues were needed in that sense.
Loved behind the scenes and the "Little Theatre" at the end of every other episode between Gu Wei and LXZ; even in the most angst ridden times, those moments provided us with glimpses of their times on set and into the characters' relationship even when they were at odds with each other. It was a great touch.
Cons: All of the 3rd wheels; lord almighty. When I need to ffw a great drama like this because of all of the truly not evolved and useless characters, it will take a hit in my rating of it. I think I've reached a new high of nicknames created in this drama, though some did evolve; the others thankfully were fazed out in the end. Dr. Gorilla Glue and Dr. Scrooge surprised me the most with being able to evolve and be actual allies and friends to GW, not just hot tar and a sanctimonious prick. Arrogant violin dude actually just needed to be let down before he was able to switch over to a mature human being who gave LZX some great advice.
The worst however remained Dear Abby Wannabe and Ms. Faux Victim; their characters and plots added literally zilch to the series; most time they did more harm then good. I understand young but not useless with absolutely no comprehension of reality. I never read the novels so have no clue if these characters were very prominent; but dear lord I wish the screenwriter never used them or sporadically without their plotless issues; the main plot was already so full and rich; this was just an absolute nuisance.
Would I recommend it? 100%! This is the type of drama you would want to watch with your friends, family, or even alone as most of us do. It has a little bit of everything. I want to thank the entire cast and crew for a truly special series. I will rewatch the cute moments and this drama will forever be in my heart and soul. Bravo!
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It's cute but repetitive
When this started, I loved it - the characters are interesting, with Aoki having cute freakouts and Ida being this sexy clueless overserious guy, and a series of misunderstandings cause them to accidentally draw together, and not the usual way where one trips and the other catches him and they stare at each other until they turn gay.But then it bogs down into an endless cycle of very similar breakdowns in communication that reduces the story to running in circles to prevent the couple from getting together. The problem is that the crises are all so similar that I lost all sympathy for Aoki and wanted Ida to find someone less mentally unstable, and frankly stopped caring about whether or not they'd end up together. Either way would have been equally fine to me. I was actually more invested in the straight couple, which at least had a progression in their relationship.
TBH, the avoidance of affection starts to feel homophobic - I realize this is aimed at younger audiences, but similar stories with a straight pair don't have the same pathological aversion to depicting romantic interaction.
The quality of the production is high, the dialogue is cute, the acting is excellent, and the music is fine, if not particularly notable. I can't imagine rewatching any of it, since it already feels like I watched the same episode ten times. I'd recommend it if you like cuteness, but not if you think romance should be more than holding hands for about 10 seconds.
Story: 6 - too repetitive, although the starting premise is clever and the first few episodes are really engaging.
Acting: 9 - very good all around.
Music: 7 - it's appropriate and never annoying, but there's nothing extraordinary about it.
Rewatch: 5 - I doubt I'd rewatch it, although I might want to go back and stare at Ida and listen to him speak.
Overall: 7.5 - the "suggested" rating is lower, but I don't think it deserves less than a "C". It was cute and well-done, but it's just not memorable and I'll likely forget about it fairly quickly.
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What is Happiness? just feeling of joy or satisfaction of getting what we seek for?
Happiness is irony... title suggests something, drama itself never really follows the same path. Thinking about it, happiness is a vague concept... maybe like love. So not for everyone but the enjoyment, characters, the story provides might give happiness, not all-time but little glipms. It wasn't on my radar... honestly I jumped on the train without even reading synopsis or tags just for HHJ and PHS. And yes I was tricked as zombies were the last thing I was expecting from 'Happiness.'It's not horror...at least I wasn't scared, there aren't many jumps scary moments as I found zombies a little funny (or it's just me who's weirdo). The story is pretty basic which doesn't give 'HELL! what happened?' moments, as most of the part I found pretty predictable even the biggest 'twist' I saw that coming miles away, so in the department of suspense, it's not that great. There are soooo many irritating, dumb characters (more than likable characters)... annoy you to death, will make you want to strangle, punch, kick their ass (well don't worry about this department our FL is master in it). Leads aren't 'perfect' so their decisions aren't always right, sometimes very reckless, they make a lot of mistakes. These are some shortcomings of the drama, if you have less endurance for any of these this isn't for you.
Happiness serves many very classic drama tropes, with done right! Lacking in some departments it gives more than what was promised manages to surprise even with cliches. With very less likable characters.. it makes you get emotionally invested in them, rooting for them, getting charmed by them.
The romance was the last thing I was expecting... honestly I'm no fan of forced romance in thrillers when it's just there for nothing other than a drag. But I'm completely sold for this couple... Gosh, the way they look at each other, their caring gaze, holding hands, hugs, I'm satisfied more than enough... I don't need big proposals, confessions, kisses, them just doing anything, talking with each other, fighting with zombies together being normal is satisfactory. And them being so natural... is the chemistry that I seek even in rom-coms.
As I said leads aren't perfect, they have their limitations/shortcomings. Sae Bom comes as very cool at the start, I loved her in prior episodes.. but then her characterizations aren't according to her profession as much I love strong female leads who can fight well... I get a little irritated by actions without consequences and the 'I think I'm doing always right' attitude. Even though I love her coolness and personality but, indeed, it's not true to what she should do as special forces are well-trained, very disciplined... so recklessness is the last thing you expect from 'special force officer' coz for god's sake they are trained for sensitive, life-endangering situations.
I loved her in action scenes, at a times she was more practical than Yi Hyun which was needed.. and yeah she's cool throughout. Yi Hyun is an almost ideal guy sweet, nice, sticking to morals, loving husband.. who can become a bad cop for his wife. He's so precious.. he's the lead guy where you won't get SLS (oops sorry I forgot it's a thriller, not romance). But he's being just being morally right wasn't always pleasant (that gave me 'Boy you don't have to be nice always' moments)... I loved when he gets angry and does things that viewers crave (satisfactory).
I'll admit I'm charmed by Han Tae Seok who's undoubtedly my fav character of the series, I have a soft corner for grey characters and he's total badass he's that person who doesn't give f*ck to right or wrong.. but still do things right, the only guy who can situation in the right way. He's interesting charming, with a good foundation of back story and with desperation.
might not be the greatest thriller... but it's satisfactory, entertaining, and keeps you on the edge of the seat even with the ordinary plot but interesting characters giving you happiness.
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A Thrilling, Fast-Paced Drama Not to Be Missed
If you're on the fence about diving into this series, let me sway you with three simple words: Go for it. In an era where television often stretches thin plots over too many episodes, this drama emerges as a breath of fresh air with its concise and fast-paced storytelling. It's a rare gem that knows exactly how long to hold its audience, making every moment count without overstaying its welcome.One of the show's standout features is its background music. While it may not boast a memorable original soundtrack (OST) that sticks with you, the score in climactic scenes is nothing short of masterful. It grips you, enhances the tension, and elevates the drama, ensuring that you're glued to your seat, fully immersed in the unfolding narrative.
The casting is impeccable, with performances that resonate and linger long after the credits roll. The male lead (ML), in particular, delivers a nuanced portrayal of a journey from confusion to confidence. This character's evolution is beautifully crafted, reflecting the complex reality that confidence is never absolute. The moments when he allows his emotions to surface are among the show's highlights, adding layers to his character and enriching the story.
Additionally, the series explores themes of friendship and camaraderie, weaving a subtle bromance that adds depth and warmth to the narrative. It's a refreshing element that balances the more intense moments and provides viewers with a multifaceted viewing experience.
However, viewers should be advised that the show does not shy away from mature content, including some nudity across a few episodes. While it serves the storyline, it's something to be mindful of depending on your preferences.
In conclusion, this drama stands out for its ability to deliver a compelling, tightly-packed story that captivates from start to finish. Its strengths lie in its exceptional music score, outstanding performances (especially from the male lead), and its intelligent pacing. If you're looking for a series that's engaging, emotionally resonant, and refreshingly succinct, look no further. This drama is a must-watch, promising an unforgettable viewing experience that will leave you both satisfied and wanting more.
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I'M ALL FOR IT WHEN THEY FIGHT BACK
going into this I didn't expect much after seeing the movie version because of the love I have for film version, I was a bit worried they'll drag the story and such but the first 2 episodes got me hooked immediatelythe bromance is definitely gonna be bromancing but I wish they kept the BL aspect of it , it would've made the story that much more interesting but oh well , we can't always get what we want
I'm so excited to see where the story goes so I'll update my review when I finished the entire series
UPDATE
I just finished the drama and it was PHENOMENAL, I'm definitely gonna be rewatching this one, it had everything I look for in a action/school drama
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I WAS NOT PREPARED FOR THIS
From beginning to end, this film was a true masterpiece. If you want to experience a beautiful story filled with authentic feelings of affection and true love then watch this. It evokes nostalgia for items like DVDs and payphones, and the overall melodramatic, nostalgic, dreamy mood only adds to the plot.Watch it if you want to be left feeling like a complete and utter wreck. Also don't watch it for those same reasons. I just feel the same as I did after completing 2521. It's literally so similar to that with the youthful, coming of age storyline filled with miscommunications and missed opportunities except there's a very big plot twist at the end.
Be warned, there is no happy ending to this story. I'm still not over it. Bo Ra and Woon Ho deserved sooooooo much better.
It's a solid 9/10 for me but I am so mad / confused I want to give it less but it was a really good movie, I think the actors did a really good job portraying these characters and sharing their love story. I was literally up at 3am watching this sobbing for 15 minutes after it ended. This film truly made me feel so many emotions.
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This review may contain spoilers
Unhealthy relationships, desperation and neediness abound
I'm apparently the only person that did not enjoy this show. I'll start with the positives, and you can blow off the rest of the review, if you choose, because my thoughts are definitely in the minority.LIKED:
1) Yoo In Na - one of my favorite K actresses. Her size and her demeanor are always attractive to me. She's got a sweet vulnerability about her. She's totally gorgeous, but she's the kind of woman that men fall in love with, and women want to be friends with.
2) Yoon Hyun Min - I enjoy this actor. Understated, intense and he sure knows how to wear his clothes!
3) The young man that fell in love with Bo Ra's sister. Brilliant smiles, barely contained energy and he reminded me of a puppy, all nervous energy. However, he knew what he wanted, and he never wavered.
4) The line in the last episode when Soo Hyuk was talking about Bo Ra being little.
5) When Soo Hyuk was with Bo Ra when she was dress shopping.
SPOILERS! SPOILERS! SPOILERS! SPOILERS! SPOILERS! SPOILERS! SPOILERS! SPOILERS! SPOILERS! SPOILERS!
DID NOT LIKE:
1) Bo Ra - She was an absolute mess! As a love coach, her advice was about "playing" men to get what you want. The phrase "small and sparkly" was used at least 20 times in the first episode. It wasn't about being in love; it was about getting the ring. I got absolutely no feeling that she was in love with her boyfriend, but that she was just waiting for the ring to get married. So, when things went south, her reactions seemed extreme and out of character. Her over-the-top angst was painful for me to watch, just because I didn't think she really loved him anyway. Plus, it went on entirely too long. Almost half of the episodes were about how broken-hearted she was. Stalkerish, needy, inappropriate, and lack of self-esteem flowed from this character. "I was going to let myself like him if he says he likes me. I was going to love him if he says he loves me." She was always trying to GET something from someone. I did not care for this character nor empathize with her in any way.
2) Overabundance of alcohol. I know that drinking seems to play a large part in K-dramas. However, here the drinking caused people to behave in ways that made me really not like them. Plus, drinking alone is always a red flag. Drunken wandering in the neighborhood, peeing in public, drunken confessions.
3) Too many couples. Four couple storylines was too much, mostly because we only got part of an episode with the mains together. The rest was couples fighting, couples trying to get together, couples making up, and that was mostly the other three couples.
4) Soo Hyuk. Obviously, he wasn't in love with his girlfriend, he only bought a ring to make her happy. So, once they broke up, I wasn't feeling his sadness.
5) Overuse of the "I didn't want to be with you before, but now that you are with someone else, I want you back" trope. And we had to suffer through it with both leads!
6) Lack of realistic progression of the lead's relationship. He spent most of the drama listening to her cry and whine, then helping her "get back" at her ex, all to make herself feel better. They weren't really getting to know one another, he was just helping her. Then all of a sudden they were supposedly in love?
7) Romance is absolutely not a word I would use for this drama. The main leads getting together was literally less than 10 minutes. The rest of the time I had to suffer though watching unhealthy relationships crash and burn.
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