Reviews

It's soo good!

I honestly don’t even know where to start. "His" completely took me by surprise and really hit me in ways I wasn’t expecting. It’s not just good—it’s one of those movies that stays with you long after you’re done watching.

The acting? Amazing. The actors made everything feel so real like you were right there with them. Shun’s quiet loneliness and Nagisa’s struggle between the past and present were so genuine. Even the little girl was adorable and added so much to the story. You could just feel the emotions between Shun and Nagisa like there was all this history and unspoken love that neither of them knew how to handle.

The plot is simple, but that’s what makes it work. It’s about two people trying to reconnect after years apart, but it’s also about self-acceptance and what it means to love, especially when life has changed so much. Watching them figure out their feelings for each other while dealing with the weight of their past was equal parts heartwarming and heartbreaking.

What really got me, though, were the small moments. There aren’t any big dramatic scenes—it’s all in the quiet glances, the hesitant touches, and the things they don’t say. That’s what made it feel so real. And the way they dealt with being LGBTQ+ in a society that’s not always accepting felt really honest. It wasn’t overdone or cliché, just a real reflection of their struggles.

By the end, I was feeling a mix of emotions—sad but also hopeful. His is the kind of movie that hits you right in the heart. It’s not flashy or overly dramatic, but that’s what makes it so powerful. If you want something that’s raw and real, this is definitely worth watching.

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It is a good movie!

I had been putting off watching Your Name Engraved Herein for way too long. I’d seen some spoilers on TikTok a couple of years ago, so I was kind of hesitant to watch it because I knew it would be emotional and heartbreaking. And yeah, it totally lived up to that. But honestly, I’m really glad I finally gave it a chance.

The plot itself is pretty straightforward, but it’s the way the story unfolds that really gets you. It’s set in Taiwan during the late ’80s when being openly gay was still super taboo, and it follows two high school boys, Jia-han and Birdy, as they try to figure out their feelings for each other. The whole time, they’re battling their own fears and the pressure from society around them, and you can just feel how heavy that weight is.

The acting was hands-down one of the best parts. Edward Chen and Tseng Jing-hua really nailed their roles. They brought so much depth to their characters, and even though the movie is only about an hour and a half long, I felt really connected to them. They made the emotions feel real, especially during the more intense scenes.

Speaking of which, the shower scene and the beach scene? Wow. Both were beautifully shot, and you could feel how desperate and scared they both were. In the shower scene, the tension between them was so thick, and you could see how badly they wanted to reach out to each other but were terrified of what that would mean. Then, in the beach scene, it was like all those feelings were on full display — the love, the fear, the confusion. It was heart-wrenching but also really powerful.

That being said, there were a couple of things that didn’t quite work for me. The pacing felt a bit off in some parts. I wish they had spent more time diving into Jia-han’s family dynamics and Birdy’s struggles with dating a girl. These were touched on, but I feel like they could have added more layers to the story if they had been explored further.

One thing I have to mention is the music. The song “Your Name Engraved Herein” was absolutely perfect for the movie. It’s haunting and beautiful, and every time it came on, it added so much emotion to the scenes. It’s one of those songs that stays with you, just like the movie.

All in all, I really enjoyed Your Name Engraved Herein. Yes, it’s sad and heartbreaking, but it’s also so raw and honest. The ending is bittersweet, but it feels real like it fits with the journey the characters went through. If you’re in the mood for something emotional that will leave you thinking about it long after it’s over, this movie is definitely worth watching.

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Need to watch

story
it was really amazing. well written and worthy of your time. it tells a. story of friendship, love , and selflessness and society status. you get look at how people with low born stays felt during the josean era

acting
they could have not chosen a better cast. each and every actor/ actress did their big one and brought the story to life. it almost felt to really. all the emotions they displayed where just fire

overall
this movie is one for the books the emotions your are going to feel throughout this movie are just insane. you will get to sympathize with the characters and their thought process and some times just hate on them but I tell just take your time and press play you will never be the same again

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Ring the bell, the paranormal fight is ready to begin!

Dr. Cheon and the Lost Talisman was a light, entertaining shaman fantasy. It was more humorous than scary, goofier than ghoulish. Not an outright comedy but not a horror either. Kang Dong Won’s screen presence helped tie together the dark backstory with the action-packed present.

Dr. Cheon and his assistant Kang In Bae take on shamanic jobs across Korea. Because Kang is in charge of the special effects to sell their show, he believes Dr. Cheon is a fake. Cheon does fleece his wealthy clients and has become a YouTube celebrity. While Cheon makes a living exorcising “ghosts” and “demons” from people what he’s really doing is solving clients’ problems psychologically. At every job he tests his bell which will only ring if ghosts or the supernatural are nearby. He is on the hunt for a dangerous demonic force that destroyed his family. When a young woman hires him claiming she can see ghosts, the bell of fate is set to ring.

This film had numerous supernatural chase scenes which were creative. Kang Dong Won made for a compelling shaman as he searched for the source of the paranormal events. With his ghost revealing bell and sword of destiny he was prepared to face the forces of evil. I much preferred this film to his previous wizardly turn in Jeon Woo Chi: The Taoist Wizard. For the most part this was an entertaining story, it just felt like the characters were thinly drawn. The Big Bad’s motivations were hazy. Did he want to take over the world or destroy it? There were a few loose narrative ends tied up by a trip to the Celestial Maiden for an informational exposition dump.

Dr. Cheon and the Lost Talisman benefited from its short run time. While the characters weren’t fleshed out the film moved at a solid pace, never becoming boring. The CGI was adequate and for the most part didn’t distract from the story. It was a 90-minute fantasy romp that while forgettable was enjoyable.

20 October2024

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A journey to finding her own worth!

First of all, Hats off to the Female lead, Ling Jia, who's also the director of this movie. She showed her transformation like no one else. Her transformation inspired me so much. She gained weight and then lost it in a year, which shows really well in the movie. This movie isn't a Lalaland or delulu if someone didn't watch it. I like the ending where she wins in the end (ifykyk).

Character analysis: I don't understand the reason for her not finding a job for all those years but that doesn't matter. She didn't get a job and did nothing in her parent's house, she was lazy and she was people's pleasure too. Her younger sister also didn't get along. She lost her confidence, she didn't have the guts to kick her cheated bf and so-called best friend, I lost my mind when she attended their wedding as a bridesmaid🤦‍♀️

Theme: IDK why it is in the comedy category but I didn't find it funny? It should be in the drama category. She also falls for her relative act and makes a fool of herself in front of the whole world. If that wasn't humiliating enough she tried to finish herself and jump, now this was so interesting that the fat that she hated saved her from getting unalive.

Her coach who she thinks is her bf was using her, since she didn't have any confidence in herself she accepted anything the way he treated her, he live off of her, in her house eating at her place, using her to do his work and she did all of the things because she thinks that at least she has him but damn he was the biggest loser.

This was not only her physical journey but also emotional, she finally had a goal in her life at the age of 32, she lost 50 kgs. Here, the pain not only changes her physically but also mentally. During the match, she was dedicated, and the result was quite real. I like that the focus wasn't on winning the match but on winning in life, her sister was speechless, her parents were proud of her, she proved herself, she gained what she wanted, and lost her old personality. Her former coach has the audacity to ask her out, wtf but you can find a man like this irl too. Finally, she was able to stand up for herself and confidently reject that loser.

Conclusion: This hit hard, and she finally started taking a stand for herself, her life didn't change overnight, not after the match, but she was dedicated. When her father came to meet her she said that she would give both apples to her friend was her old self but then she said it depended on her mood now, yk here she had changed, she finally knew her worth.

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2000s core and grandma slay

Ah, where to begin... The beginning of the movie was really captivating. Unfortunately the best scenes are clumped together 20 minutes in, leaving the remaining 95 minutes a boring wait for something as great as the first scenes to develop (hint: it does not).

The stereotypes were stereotyping HARD: the men fight and take whatever they want. The women are passive but pretty standbyers. But it was made in 2004, so I get that it's a product of it's time. Albeit, an excessive one. But I love the nostalgic 2000s vibes the movie spoils us with.

What I felt the movie was lacking was the establishing of the characters and their development. The characters did not get a chance to settle down in their new roles and environments (I'm thinking of Han Kyung's move, becoming the new student etc.) before the drama kicked in. And while captivating, I did not feel for any of the characters during the entire movie simply because I did not know anything about them. There was so much left unsaid that I want answers to: Why do they like each other? Is there a reason why Hae Won specifically likes Han Kyung?

The movie is very fanfic-esque, which I usually enjoy but this one was over the top. When watching this I kept questioning why people still make fun of Twilight when this movie exists. Perhaps this is Korea's counterpart to Twilight?

And it must be said; the grandma from Australia slayed with her outfit. I was gagging the whole time. She was the moment. 10/10 for the furry diva vibes.

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Too many element

Well, this film aired 2 month after viral Exhuma film.
If you like a ritual like Exhuma, watching this one is worth your time. The dance, the momment, the horror, all is a good place until they make who is dead become zombie ?

C'mon. Its feel like not a evil, not a horror and I almost think this is a zombie film but that is not ?
Too much element with unclear ending, even they have a after credit scene, its just a past momment and make us want more for sequel.

Maybe,, just maybe..
If they not put in the part when people wake up from dead and become zombie, this film will be more interested.

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Primo 80s HK Brilliance

One of Tsui Hark's finest productions, A Chinese Ghost Story features many of Hong Kong cinema's most celebrated hallmarks, including over-the-top action, a wild mix of genres, and overwrought emotions that prove surprisingly compelling; nowadays, the film may seem slapdash and overeager to please, but even now it remains a piece of dark, fast-paced, goofy, sultry supernatural wuxia brilliance. While the film clearly owes a great debt to Sam Raimi, it's primo eighties Hong Kong cinema, which means a complete disregard for any attempt at realism. Everything here is so hyper-realistic and over-the-top that it makes Hollywood musicals look like the very model of restraint. There are plenty of spectacular special effects, exceptionally well-choreographed and elegantly staged action, a chilling atmosphere and a classic love story forming the backbone of the film's emotional core; the film is made all the better by Tony Ching Siu-Tung's absolutely gorgeous direction, captivating performances, the wonderful photography and utterly joyous musical score. A Chinese Ghost Story is a beautifully enchanting film and an undisputed classic for a reason, with a sheer cinematic energy that cannot be understated.

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The real seafood wars!

A space probe to Jupiter returned home with glittering aliens who created Seafood Kaiju in order to take over the world in Space Amoeba aka Yog, Monster from Space. An intrepid reporter, a biologist, and a resort developer converge on a pristine island destined to become a luxury resort site. That is, if the native islanders and newly created monsters agree to sign the contracts.

Reporter Kudo Taro sees the lost Jupiter probe, Helios 7, parachuting to Earth while he is on an airplane. No one believes him and he is laughed out of the editor’s office. Hoshino Ayako who works for a resort developer asks him to take pictures of a remote island for their project. At first, he’s not interested but then his friend, Dr. Mida Kyoichi tells him he believes monsters might be inhabiting the island. Kudo can smell a buck to be made and agrees. A shady character named Obata tags along on the ship and joins the group even after the monster has already killed a worker on the island. The islanders believe the newcomers are angering Gezora, a giant octopus like creature, but Gezora seems generally pissed off about any two-legged creatures on the island. It’s not long before everyone understands that they are on their own with no way off the island and no way to contact the outside world, with a giant cephalopod out for blood.

This was Honda Ishiro’s first kaiju movie without special effects master Tsuburaya Eiji who died in 1970. Aside from a few random wires through the years, I noticed more in this film than the others combined. Of course, controlling eight legs on land is tough. There were two giant crabs-Ganimes, and a big turtle not named Gamera as well. The overall looks of the kaiju were good for the time period. If you have a bat phobia there were numerous alive and unalive bats in the last third of the film. This film got something right that many of these creature features did not. The monsters showed up early and often instead of being special guest stars in their own movies.

The actors were better than usual, with the exception of the female lead who was never called by name. I kept thinking Kudo would say, “Ayako, stop falling down!” or “Ayako, stop screaming and alerting the monster to our location!” There was never even a proper introduction. The lone island woman, Saki, had her name called out numerous times. Even characters with bit parts had their names vocalized, all but poor Ayako. At least they gave her a name in the cast list. Have I belabored that point? Probably. Lol

Space Amoeba took a different angle on the kaiju genre by having microscopic glittering space aliens take over sea creatures and even humans in their world domination goal. The humans had to survive long enough to work together to discover the aliens’ weakness. They also had a little assist from Mother Nature and a selfless soul. If you enjoy old kaiju films, this is one to try.

19 October 2024

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WHERE S THE SHOCK EFFECT?

this could v been an amazin film .. idk what the genre is called , but in some movies, plots start similar to this one , then sooo many random events happen and the wildest chaos ensues .. just for the denouement to be something simple and obvious ( like grace eventually givin money , which is something she could v done 10min into the movie lol).....

Now this type of movies is always fun with strong shock value.... but this one failed the expectations in my opinion. They were so reserved .. it wasnt as chaotic and erratic and manic as i hoped . the characters needed more irrationality and just randomness in their actions..

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That's not a sword. Now that's a sword!

Lam Ching Ying wasn’t available for this sequel so Mr. Vampire 4 had to find two priests to take his place! Wu Ma joined the hopping fun alongside Anthony Chan’s Four-eyed Taoist. There were jiangshi and one Big Bad vampire for the boys to deal with.

Buddhist priest Yi Yu returns home with Ching Ching, a female disciple. Chia Le is a disciple of the Four-eyed Taoist but respects Yi Yu. Chia Le and Ching Ching get off on the wrong foot when Chia Le mistakes her for a boy. Their misunderstanding can’t hold a candle to the childish displays by their elders who torment each other and even have a food fight. The two older men have to set aside their petty rivalry and work together when a vampire is being transported to the capital and breaks out of his traveling coffin during a lightning storm.

Lam Ching Ying’s wise unibrowed character would have had no place in this film. It’s a wonder the vampire was ever subdued with these two frenemies on the job. Wu Ma and Anthony Chan made the most of their roles as they fought each other and then the undead. Ching Ching was a more adept female character than in previous sequels making her a welcome addition. Chin Kar Lok took over his older brother’s (Chin Siu Ho) role as the bumbling Taoist disciple. His kung fu and stunt abilities were fun to watch as he was quite acrobatic. Pauline Wong returned in a guest role as a fox demon who tried to seduce the Four-eyed Taoist. Cheung Wing Cheung played a hopping vampire in Mr. Vampire 2 and played the Big Bad vampire here.

Except for a conga line of hopping vampires who also played limbo, the first 47 minutes was devoted to slapstick comedy with the two competing priests. As someone who has a low tolerance for it, those minutes were slower than a jiangshi hopping through knee deep mud. Once the Big Bad took the stage, the action picked up as well as my interest. There was still plenty of comedy, this was not a scary movie. At one point Four Eyes kept coming out with bigger and bigger swords compared to Yi Yu’s. One thing that did not age well was Yuen Wah’s gay eunuch as the role was played strictly for laughs.

Mr. Vampire 4 was comparable in quality to most of the other sequels in this franchise. The fights were well-choreographed and there were plenty of vampires both of the hopping and non-hopping varieties. Most of all, Wu Ma is always welcome on my screen even if I have to watch him in a food fight. (Graded on a ratings curve)

18 October 2024
Trigger warning: Snakes and one decapitation

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This movie was a very heart warming movie which talks about struggles of leaving a bad situation, disability, guilt and romance.

Romance:
The romance was truly rewarding and well paced, I loved how their love grew through time and eventually they dated which was truly warm and made the romance really smooth and got us audience to attach to the main romance very well. I also loved the scene where she gave him a massage and I genially thought it was going to lead to a sex scene but turning into a hug was very satisfying and beautiful to watch. Little moments like these makes the romance feel genuine and gives it a special meaning to the reason they got together which felt natural.

Disability ( WARNING IN THIS PARAGRAPH I TALK ABOUT THE SEXUAL ASSULT SCENE):
It was satisfying to finally see representation of a person who has a disability that is not wealthy and actually has to work and provide for herself, which is more common. One thing I loved about his movie was about how she was represented as and shows the struggle of hardship she faces as a blind person trying to survive in a non adaptable society. This was clearly demonstrated in the scene where she wants to ignore the sexual assault to keep her job, shows the desperation of need this job and also the hardship of even finding on or another one.

Guilt:
I have decided to not write a paragraph on leaving a bad situation, and her rather decided to focus on guilt because it is an interesting topic that was explored in the drama.

The fl felt guilty because she was driving and got distracted leading to her parents dying in a car accident
The ml felt guilty for betting someone up, which led to suicide.

Ignoring the rest of the plot the ml has committed crimes and multiple of them has been assaults. The victims family or the victim never got the justice and instead the ml redemption is him being guilty and praying to god everyday to forgive his sins is crazy. He never even decided to turn him self to the police or even apologies to the victims family which frustrated me because despite him being redeemed since her will likely never perform such actions because of his trauma, the victims never got justice. This movie only focused on the ml and his guilt. I feel like if he actually turned himself in, went to jail and served his time, then he will finally be redeemed but instead we are suppose to feel pity for him because of his trauma but none for the victim and his family?

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"Why am I here?"

Mad Cats was a low budget flick with an interesting concept. Cats had taken human form and were wreaking havoc on bad pet shop owners and breeders. These women had cat-itude and were not kitten around!

Drunken, unemployed Taka receives an audio recording from a woman telling him where he could find his missing brother. There was also a wooden box he had to steal where his brother was being held. Mune was an archaeologist who had discovered an ancient and forbidden catnip. The catnip supercharged cat monsters who looked like women making them more violent. Taka finds his brother and the catnip but is unable to spring Mune from his prison. While on the run, Taka is helped by a homeless man named Takezo. They both end up being the target of fur-midable feline assassins stalking them! Luck favors the totally inept male leads when a furrocious young woman arrives and protects them from the killers. Ayane whiskers them away to an abandoned amusement park and attempts to train the two impawsibly untrainable men.

This film was as crazy as a bag of cats. Strangely enough, everyone ate Yum Yum Catness cat food, even the humans. The production values were as low as the budget although I really enjoyed the mewsic. Most of the comedy was hiss or miss. The film was littered with cat puns (the nerve!). A prime example, the license plate on the car the guys stole was “hissatu” (hiss at you). The acting was actually pretty good from the main characters and I thought Ayane played the cat turned human purrfectly. Ayane kneaded all nine lives to save her new fur-iends. Mineo Sho and Matsuura Yuya as the bumbling heroes and in-fur-ior creatures managed to pull off some of the purr-plexing slapstick as they fought the murderous glamourpusses.

Mad Cats was a cautionary tale for those who mistreat cats. You would not want to face The Executioner. Fur-tunately, the boys had a cat goddess on their side. Both brothers developed felines for Ayane who was completely devoted to her purr-sons. If you are in the mewd for something purrhaps not claw-some but also not a cat-astrophe, Mad Cats might be something to pounce on.

18 October 2024

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