Utterly joyous insanity
Fondly dedicated to all children, Demon of the Lute is a charmingly frantic mix of high-energy style and lighthearted but utterly joyous insanity. Bridging the gap between younger audiences and adult genre fans, the film is filled to the brim with outrageously over-the-top and beautifully inventive slapstick wire-fu, exceptionally vibrant colours and a truly magical atmosphere, all directed with pulpy confidence by Tang Tak-Cheung in one of only two films he ever directed, which in itself is a crime. A gloriously knockabout romp never takes its foot off the accelerator that gifts us Lee Hoi San with a big red afro, a hero with a gigantic pair of golden scissors, a fight between a hero and an Alsatian drawn carriage, dolls emitting fireworks that warn of danger, villains with extending beards and appendages… madness goes on and on to the point where you wish it'd never stop. Obviously, it's all a bit narratively uneven, and the characters are very much sketch work, but when it comes to the visuals, the film is incredible; plenty of lavish sets, heavy lighting, wacky visual effects and boldly spectacular action that drive the film consistently forward. The performances are all solid, with the cast clearly having an absolute blast with their roles, while the soundtrack is a bizarre mishmash of upbeat rock and roll as power, talent, and obsession blur together. Although it probably all ends up as a step too far for some people, Demon of the Lute marks itself out as a truly uproarious children's film that can be enjoyed by any age. Then again, how can you not love a film that ends with a rousing speech delivered by a talking parrot?Was this review helpful to you?
A Cinematic Feast
This drama has the perfect balance of Angst and Comedy. The story and acting were brilliant with top-tier cinematography. Cheng Lei especially looked majestic in his gorgeous robes and styling. By far, he has had the best styling among all the characters he played. His acting was the icing on the cake. He perfectly portrayed the role of a mad king. Wang Churan also did great. The entire cast did a great job. The flow of the story was great and well-balanced. Overall, it was such a visual feast, and I absolutely loved it.Was this review helpful to you?
I forgot how much I loved this show ~
After the second part, and after announcing this sequel I decided that I won't watch it because I had my closure and the HE in the second part already, and despite having some loose ends here and there, they were not enough to tempt me to watch what happens next.That been said, when I found out that it's actually the beginning of everything, a sequel that is telling the story of what happened before the first part, their meeting and how everything starts I was excited tbh~
Now about this sequel, it is as great as it can get, the thing is, you see it with a different eye since you already know what is going to happen and that everything will be alright sooner or later.
There is no mystery or anything, you just enjoy the moments happening between the two leads and how they slowly fall in love as spirits.
Personally, I think this is the best part out of the trilogy, despite being an original work and not in the source material, but it have the same feeling of the first 2 parts that you won't tell the difference, and because as I said we know what will happen, I wasn't really scared that something is going to happen, or that they'll surprise us with anything.
I love the two main characters, their interactions are the best and has some comical side too, I can watch them together forever, partially because the awkward panicking FL X calm and composed ML is one of my favourite tropes, also the two leads chemistry was spectacular, they just look good together and they also fit their roles like a glove.
I wanted to keep my review short, but obviously I couldn't, because this was really amazing and I've enjoyed it so much~~
it reminded me of how I felt when I watched the first 2 parts and how much I enjoyed them, I remember having some stuff that I couldn't stomach so I opted for not rewatching the whole thing all over and just enjoy these short 3 episodes and call it a day.
Highly recommended part, this is by far the only one that didn't piss me off somehow, cause no cliffhanger ends, no loose ends, simply a very light and cute short story that if you - like me- liked the first 2 parts, you will definitely love this one ~~
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Listen… they can call it “bromance” all they want, but my BL radar was working overtime. 😌
This series has everything — crime, suspense, smart investigations, intense cases — but what really got me was them. The way they trust each other. The way they stand too close. The way the tension just lingers in the air.
You don’t look at your colleague like that unless there’s something deeper going on. I’m just saying.
On top of that, I loved the team dynamic. The loyalty, the friendships, the quiet devotion between partners. It’s serious and dark, but there’s warmth underneath it all.
China may label it “bromance”… but we know. 🤍
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🌸✨🌈 Hiii~ Welcome to my kawaii corner~ ♡(≧▽≦)ﾉ✨🌸
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Check my homepage for my account~ (｡♥‿♥｡) 🌷
Some reviews are under 500 words, so I can’t post them here~ (≧ω≦)ﾉ💫
Thank you sooo much~ ☆:.｡.o(≧▽≦)o.｡.:☆ 💕🌸
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Ridiculously fun. Green flag Leads. Great cast
The plot is ridiculous and exaggerating, which is obviously understandable, as this series is adapted from a comedy shoujo manga. I think it was fun, if we don’t take it so seriously or try to analyze its logic.The cast is gold. I adore all of them. Surprisingly, all of my favorite actors and actresses gathered together in the same project, and that’s a comedy high school shoujo drama. This drama is amusing to me mainly because of them.
The leads are both green flags. I think they have probably one of the sweetest personalities among a lot of leads in other shoujo mangas and Japanese dramas. The otomen guys are so soft and caring, while the female lead is strong, sincere, straightforward, kind-hearted and has such a pure heart. I love most of the characters, except for the male lead’s parents, and some side characters. And I completely adore our leads Asuka-chan and Ryo-chan. Kaho’s character in this drama is so lovely. Every time Ryo-chan smiled, I can feel that she was smiling from her heart and I totally understand why Asuka-chan fell in love with her at first sight. Their relationship is so pure and their feelings towards each other very slowly develop through friendship. I like that, but I just felt that process took a little longer than I had expected. However, this is also understandable in Japanese high school shoujo dramas, especially when the leads are both shy and pure as oxygen lol.
I can imagine the cast how much fun the cast would feel when filming this series. I enjoyed a lot of their comedic performances. I specifically got secondhand embarrassment to watch the little princess that appeared in the last 2 episodes. I bet she must cringe so much while wearing that princess outfit of hers and speaking all her lines. She actually looked and behaved like a 10-year-old kid to me, not a 17-year-old teenage girl.
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A Great Concept Ruined by Poor Execution
I was so excited for this drama because the premise sounded incredibly interesting, but unfortunately, it turned out to be a major disappointment. Despite the intriguing setup, I found myself incredibly bored while watching it.The main issue was the storytelling; the screenwriting and pacing were not executed well at all. Instead of being hooked, I felt like the story was dragging, to the point where I actually started fast-forwarding through scenes just to get through them.
By episode 6, I decided to drop the drama entirely. I simply couldn't attach myself to the characters or care about their journey. If the writing doesn't make you feel for the people on screen, even the most interesting plot in the world can't save the show.
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Watch it, it’s Kim Hyeyoon.
I pretty much watch everything that has Kim Hyeyoon in it and I just love everything about this show the separation anxiety is hitting pretty hard.. :( I never knew I wanted domestic gf Hyeyoon so bad until this show like if there’s anything I’m upset about is that I need more of their scenes together!!!! Keep putting them side by side and I’ll be seated!!!!! Park Solomon is such a surprise to me too, I’ve seen him in All of Us are Dead and Sweet Revenge but his acting here has to be his best yet! He usually does action (?) but romcoms suit him too <3Was this review helpful to you?
Most unpleasant characters I ever watched in a drama
Things I loved1 You must be kidding. Nothing and when I say nothing I mean nothing, not even one line they said, not even one thing they did.
Things I liked
1 That it was so ridiculous and over the top that it was funny.
Things I disliked
1 The ML actor. He wasn't the worst actor but his character was so unappealing. I truly didn't care what happened to him and I never felt he was really in love with the FL.
2 The 2ML actor. His character but more that he accepted to play in this drivel. He became one of my favorite actors after watching Strong Woman and now I wonder if he was a good actor or if it was just a fluke his performance in Strong Woman. Such a pity that he wasted his time in this awful terrible series.
Things I hated
1 The FL. What an unpleasant stupid character and what an untalented average actress. I thought at first she would be me favorite but she was such a stupid person that I couldn't take it after a while. One thing is sure, I'll avoid any drama with her.
2 The sister. I won't even waste my time to list why. She's an awful person and the actress is ugly and untalented.
3 The 2FL. I hear from everyone that she was the best. Well, I disagree. She was as unpleasant as the others and jus because she was poor doesn't mean she was smarter, kinder, or anything better. In the last episode when she tried to play cute with the 2ML and be witty with the mother I hated her even more. I think she was just a cunny woman who didn't have any manners, any wit and and any competences. I dare say she was worst than the FL. I won't go that far, though. Both were as unlikable as it gets. Needless to say that I will avoid her dramas as well.
4 The mother. She should get the crown of worst mother, although with K dramas we have the choice. Such a ridiculous character, I never felt an ounce of sympathy for her. I know she had an awful life, but she deserved it. I hated her from the first scene and it lasted until the last one.
5 The father. I'm not sure who imagined that despicable person, but he ruined the series more than anyone. What was the purpose of his character? Other than being a monster, what was his role? I wish he had some things coming to him, something truly bad. Alas, he was still the same monster in the last episode.
6 The lack of chemistry between the couples. No difference to me. None had any chemistry. Unless shouting and talking like two stupid people is considered chemistry these days. The kisses were bland, the words were awful. I can't believe in the last episode that they were talking about divorce before even get married. This must be the worst chemistry I've seen between couples and the way they treated their relationships was shocking to say the least. I remember the chemistry between the 2ML and his partner in Strong Woman and wondered what was he doing there.
7 The narration of the FL. She made it sound like she was telling something deep and insightful when what she said was so trite and stupid, I wasn't sure she had all her mind every time she talked.
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Drafted to Die, Revised to Love
The Romance of Tiger and Rose opens with a delightfully chaotic premise. Aspiring screenwriter Chen Xiao Qian finally sells her script, only to have the male lead actor question her entire story. Determined to prove herself, she dives back into revisions. But fate, or perhaps karma from overworking, has other plans. After dozing off, she wakes up inside her own script as Third Princess Chen Qian Qian, a side character destined to be killed off in episode three by the male lead, Prince Han Shuo. Armed with insider knowledge of every plot twist, she makes one simple vow: survive at all costs and find her way home.My first impression? Everyone looked like they walked straight out of a porcelain doll factory. Han Shuo’s makeup in particular was so thick and immaculate that it almost took away from the realism. Not bad, just very… glazed donut chic. It took a while to get used to, but thankfully the story quickly pulls you in.
On the surface, the plot is light, basic, and unapologetically comedic. Enemies to lovers? Check. Political rivalry between Huayuan City and Xianhu City? Check. A romance that screams Romeo and Juliet with a C drama twist? Absolutely. Yet surprisingly, beneath all the fluff lies actual depth. What starts as a fluffy idol drama slowly reveals layers about loyalty, power, gender roles, and choice.
Let’s talk about Zhao Lusi because wow. Zhao Lusi absolutely carried this drama on her back and did it in style. Her Chen Qian Qian is hilariously entertaining from start to finish. The facial expressions? Elite. She can deliver an exaggerated comedic look without tipping into cringe territory. That balance is rare. I especially love that she is never afraid to look “ugly” for the sake of comedy. Minimal makeup, distorted expressions, high pitch squeals, she commits fully. Yet somehow, she still shines. It helps that she dubbed herself, and her voice fits Chen Qian Qian perfectly.
Chen Qian Qian as a character is such a breath of fresh air. After time traveling, she inserts modern logic into an ancient matriarchal society in the most chaotic way possible. She refuses to fold easily for Han Shuo, even trying to set her sister up with him at one point to save her own life. Watching her slowly, genuinely fall in love instead of instantly melting makes the payoff so much sweeter. She is charming in a way that sneaks up on you. Before you know it, you are fully seated and emotionally invested.
Now onto Han Shuo, played by Ding Yuxi. Cakey makeup aside, he delivered a solid performance. His expressions may not be perfect, but unless you are actively nitpicking, you will not be too distracted. Beneath the doll like exterior, his sharp features and composed demeanor give Han Shuo a quiet intensity. His martial arts skills and intelligence make him more than just a pretty face.
Han Shuo’s central dilemma, choosing between his city and his love, is where things get messy in a good and frustrating way. On one hand, his loyalty to Xianhu City is admirable. On the other, the constant back and forth about attacking Huayuan City started to feel repetitive. The green light, red light political tension was dragged out to make room for romance development, and sometimes it felt a little too obvious. Up until mid series, I genuinely wondered how this man could possibly secure a happy ending without becoming either a love fool or a cold tyrant.
And then he chose her. When Han Shuo declared that if Chen Qian Qian did not love him, he would keep trying, but if he hurt her mother or her city she would never forgive him, I felt that. The growth. The clarity. The emotional maturity. Sir, you dropped this: your crown.
Their relationship may be cliché, but it is cute enough to melt cynicism. Starting with poisoning, manipulation, and mutual scheming, their love burns with an almost hungry intensity once they finally surrender to it. Chen Qian Qian brings the comedy, Han Shuo brings the brooding seriousness, and together they radiate chaotic young love energy. After her confession, their dynamic softens into something almost puppy like. They cling to each other every chance they get, and even their sidekicks add to the adorable chaos.
One thing I genuinely appreciated was the portrayal of the Empress, Chen Qian Qian’s mother. In a city where women dominate and can practice polygamy, she still allows her daughters to choose their own husbands freely. No forced political marriages, no emotional blackmail. That freedom felt surprisingly refreshing for a royal setting.
The villains are, frankly, annoying. Their schemes, motives, and expressions sometimes make you want to yell at the screen. But what I appreciate is that the drama does not drag their evil masterplans for ten episodes straight. Most of their tricks fail quickly thanks to our leads or their loyal sidekicks. Ironically, the most successful manipulations are usually the ones Chen Qian Qian and Han Shuo pull on each other.
Comedy is where this drama truly shines. The absurdity is intentional and gloriously embraced. Normally, I am not a fan of overly ridiculous scenes that make a show feel stupid. But here, the absurd humor works. It makes you laugh, shake your head, and immediately replay the scene. There are too many hilarious moments to list individually, but trust me, your cheeks will hurt.
Thematically, the drama explores gender equality and women empowerment in a surprisingly thoughtful way. Huayuan City is matriarchal, Xianhu City patriarchal, yet by the end, both sides are nudged toward mutual respect. It is particularly amusing that even in male dominated Xianhu, husbands are still low key afraid of their wives. The conversations between Han Shuo and his father about women are oddly wholesome and funny.
Now, I will admit, the second half tosses logic out the window a few times. Certain developments feel inconsistent, and some scenes exist purely for emotional effect rather than narrative coherence. But because the drama never takes itself too seriously, it is easier to forgive. You are here for fun, romance, and chaotic energy, not a political dissertation.
The ending surprised me in a good way. For a story built on the concept of being trapped inside a script, it actually gives proper closure. We get ample reunion scenes in the modern world, allowing Chen Qian Qian and Han Shuo to meet again and acknowledge each other. Many dramas with similar premises leave you hanging, but this one lets you exhale. Even if some of the symbolic scenes leading up to it felt random, the emotional payoff was satisfying.
All in all, this drama is a genuinely fun ride. It is light, hilarious, absurd, occasionally illogical, yet still layered with depth and heart. It delivers its message about gender roles and empowerment without feeling preachy. Just remember one thing: do not overthink it. Sit back, relax, and let the chaos of Huayuan City sweep you off your feet.
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Decent adaptation
I watched this last year and so far this is my favorite adaptation. Peng Yao and Xi Er Li have good chemistry. The most complete version in terms of plot, but the quality of the costumes and props is too poor since it was obvious on-budget drama. I really couldn't help but laugh at the scene where the mercenaries came out. There are not many sex scenes, but the acting is good, and the tension is strong, making people feel both heartbroken and moved.Worth to watch.
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Weak Chemistry and Abrupt Ending.
I watched this because of Peng Dai Dai but i need to be honest she doesn't suit romance drama. Her chemistry with Qian Zhe was weak. Too many logics are not logical, and the costumes and props are barely acceptable. The sex scenes are very unrestrained, The worst of all is the ending was like production team abandoned this drama halfway.Was this review helpful to you?
Omg!! I Love it
I cried several times. The story is so beautiful, yet so sad at the same time. I think it's one of the best films I've ever seen. I recommend this to anyone who likes a sweet and sad love story and family life. I also lost my mom almost two years ago, and I think the pain is well reflected, but it has also taught me a lot (I want to keep the post spoiler-free, so I won't explain why).I didn't have suuuch high expectations at first, but it was worth watching the film.
The acting was also very well done. It made the film even more emotional and better.
10/10!!
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Love Ma Qiu Yuan, but no i don't buy the romance
I watched this version and Ma Qiu Yuan is sole reason i watched this drama. I really hate this version.The plot is not smooth, and many characters are multiple characters combined (the plots of several characters are completed by one character), which makes some villains jump back and forth, which is very unreasonable. The appearance and acting skills are top-notch especially from Ma Qiu Yuan, but the chemistry between the couple is a bit lacking. The sex scenes are a little restrained.
The things that i loathe is ML. He is core of the evil in this drama he manipulated FL and never have redeeming quality for entire episode. He Congrui successfully making his character detestable.
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Wang Xiaoyi baby step for kissing scene.
I watched this last year and this is first time i see Wang Xiaoyi finally properly kissed someone but the first scene of their kisses was not really good because Ye Haoran didn't shaved and it look unclean, aside of that it was decent one. Ye Haoran plays safe in his field—obsessive younger brother ML. The chemistry was still okay to watch even it was barely minimum but for Wang Xiaoyi level its okay (if you look for her earliest drama especially romance its was not really good). The styling was okay too.The plot was actually simple. A cunning and manipulative younger brother flirts with his wife in various ways, becoming her assistant and gaining her favor. FL endures this mistreatment, but gradually falls for him. It's a sweet and engaging story, not angsty at all.
Recommended to watch if you are look for simple drama.
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A COLLISION OF WORLDS. (SECOND TIME WATCHING IT)
The drama "Gen Z" follows Sun Tou Tou, a spirited orphan working as a delivery driver whose life changes when renowned TCM professor Ren Xing Zheng discovers she is the last descendant of a legendary acupuncture lineage. Invited into his new apprenticeship program, she clashes with his son Ren Tian Zhen and a diverse group of students as they grow from skeptical beginners into dedicated practitioners, with a subtle but enjoyable enemies-to-lovers romance between Tou Tou and Ren Tian Zhen.Zhao Lusi shines as Sun Tou Tou, bringing an unfiltered, chaotic, funny, yet vulnerable charm that balances the drama’s more academic moments. The heart of the show lies in the relationships between the professor and his students, especially the touching, non-blood-related father-daughter bond between Ren Xing Zheng and Tou Tou. For viewers curious about herbalism, acupuncture, or Yin-Yang philosophy, the series serves as a visually engaging introduction to TCM as both medicine and a holistic lifestyle, enhanced by serene cinematography and calming natural landscapes.
However, the drama has been criticized for its patriarchal undertones. Professor Ren often comes across as rigid and self-righteous, prioritizing tradition over modern sensibilities, which may alienate viewers who prefer more progressive leads. Although branded as a Gen Z story, its tone feels traditional and old-school, with student rebellion largely portrayed as something to outgrow in order to respect elders. At 40 episodes, the pacing also suffers, with a repetitive midsection and some secondary student subplots that overstay their welcome.
Overall, "Gen Z" is a slow-burn healing drama that rewards patient viewers with warmth, wisdom, and a distinctive focus on traditional Chinese medicine. Despite occasional preachy writing and pacing issues, it stands out for its unique premise, heartfelt mentorship storyline, and strong cast chemistry—making it a worthwhile watch.
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