wajib di tonton
ini filmsjsjsjjwjw buat seneng bisa buat sedih bisa buat ketawa banget bisa buat salting banget bisajajsjsj mud buster cek, terue juga acting nya ok banget, buat penonton kebawa ke film nyaa, dan latar belakang nya jugaa woww!!! gilaa, lagu nya niat banget dibikin, i love that song sm, saking suka nya aku sama lagunya i must played yhat song once a dayyyxD eheieoeoe, buat gamon heowosow hope therell be s2 walaupun gk bakal ada, im just hopingeheheheh^^ poooknya wajib di tonton cz its being my mood boosterWas this review helpful to you?
This review may contain spoilers
Underrated Gem’
I think this kdrama isn’t for everyone, but definetly it is for me!! I watched this about a year ago and WOW I still think about it😭 Jang Nara REALLY deserves a baeksang here, her acting made me feel that she was really Seo Jaewon and wasn’t acting!!I LOVED the psychologist, everyone thought was there to help them being product of her imagination😭😭😭 THAT HAD ME SHOCKED😭😭😭😭😭 Please everyone should see this at least once in a lifetime🙏🏻🙏🏻 It truly changed the way I see kdramas.
Overral, and underrated gem.
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Outstanding OST, cute story line but too much slop at times.
A charming and heartfelt romance with excellent chemistry between the leads and one of the best OSTs in recent K-dramas. The nostalgic tone and emotional moments are genuinely touching, making it easy to root for the characters. However, the story occasionally drags due to repetitive misunderstandings and slow pacing. Despite its flaws, it's a warm and enjoyable watch.Was this review helpful to you?
Great start, captivating characters.
Episode 1: I was biased against liking the series, but so far, after the first episode, I'm very satisfied. I liked the dynamic between the protagonists, especially Piang; I loved her personality. The secondary characters are interesting. The production is good (except for the audio glitches that occur a few times), but I found the series' opening quite generic and lacking in any unique elements. I really liked the theme of "dreaming about the future." I really did. It seems like the series will be fun with a touch of drama. Let's see what the next episodes bring!Bad part: I couldn't believe Song's crying at the beginning of the episode. One moment Song is crying for someone, and the next she's not. Did she forget she was crying? Hahahaha. At several points the audio is very low, disrupting the experience and disconnecting the viewer.
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Genuinely one of the best endings I've seen till date
Hidden love was one of my top picks, which is why I decided to start this.Won't say it doesn't have its shortcomings; around ep. 16 I did stop watching it, thinking it would be yet another misunderstanding trope. But THANK GOD I gave it another chance.
REALLY hats off to the author; she wrote a masterpiece with One and Hidden Love too. Also, BOTH the actors, the ML and the FL, really did a great job ESPECIALLY the FL; she really portrayed her role well
In the end, I just want to say If you are debating watching it
You SHOULD absolutely give it one chance
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This review may contain spoilers
The Acting
I was not prepared for how immersed I became in this drama. Pursuit of Jade follows Fan Changyu, a butcher’s daughter, and Xie Zheng, a fallen marquis living under a fake name, who end up in a marriage of convenience — both with their own secrets and agendas. Sounds familiar, right? But this one hits different.The leads were incredible. Zhang Linghe fully immersed himself in the role and it showed. There was this one scene where he showed so much tenderness and care that it took my breath away. I had to pause and just sit with it for a second. Their relationship evolved gradually and it felt so earned — none of that rushed, episode-ten confession energy. You actually believe these two people are falling for each other.
Tian Xiwei plays Fan Changyu as this strong, no-nonsense woman who is also deeply human and warm. She’s not the typical delicate heroine waiting to be saved. She shows up, she fights, she loves hard. Her fighting scenes were incredibly executed — watching her hold her own on the battlefield with nothing but a butcher’s knife was something else. She might be my new favorite female lead in the genre.
The show is gorgeous visually too. The snow scenes especially — so pretty it almost doesn’t feel real.
My only complaint is that the second half loses a little of that cozy, intimate magic the first half had. Once they leave the small town setting it gets a bit all over the place. But the performances pulled me through every time.
Bottom line — watch it. You will not regret it.
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Loved this one.
Really enjoyed this one. ZeeNuNew killed their performances. You can literally see how comfortable they are with each other and that reflects so well in the nc scenes and romantic parts. Loved both of their characters, their strengths, their weaknesses, and their faults.The storyline was pretty dang good. Loved the twists and danger. The archery forest scene was pretty exciting.
Not a fan of Ramil/Paytai. Such a toxic situation that really HURT at times. They felt so helpless. I'm kind of glad these two aren't partners anymore (I didn't realize that until halfway through the show, I'm new to BL) because something was off about their chemistry.
Calvin and Jay were cute but didn't get enough air time. Wish they would've been the second couple.
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SHOCKED, MOVED, GAGGED!! 3XS
Watching Zhan Zhao Adventures made me realize how much some earlier dramas this year struggled with recycling overly familiar plots, overusing romantic tropes, and delivering performances that didn’t always feel convincing. When compared side by side, those weaknesses became even more obvious.This drama genuinely surprised me. It had the badass swordsmen, swordswomen, martial artists, and action sequences I expected, but what made it stand out was the humility and emotional restraint beneath all the excitement. The story didn’t rely on exaggerated romance or the usual “googly-eyed” love trope to keep viewers invested. Instead, it allowed the characters, writing, and atmosphere to carry the drama, and it worked.
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Besties to Lovers
Yu Wan Yin and Xiahou Dan are so chaotic 😅 I have watched a lot of transmigration series and I loved this one because they didn't pretend like they weren't from the future. I like that they were both smart about their actions too.You will like alot of characters in this drama.
I got mixed up with Yu Wan Yin met Xiahou Po at the SOS flower garden. But I guess that was because the emperor and Xiahou Po looked exactly alike when he was a child.
Anyways LOVED Yu Wan Yin and Xiahou Dan their chemistry!
For the ending, I usually get disappointed because they dont do much other than meeting each other in real like and the end.
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This review may contain spoilers
Amazingly Beautiful
I placed spoilers at the end of this review.It is always refreshing to watch a BL series with a more mature story concept. I also love how this BL series focused on many other underline themes about one’s own struggles. The artful simplicity of this script was incredible. Everything from the relationship development to the overall themes about family was well paced. The entire cast did an outstanding job with their characters. Unfortunately, there is one exception with the male leads which is very puzzling to me. The cinematography was beautiful and helped capture the undertone mood while the events unfolded.
Random Note:
I originally was undecided about watching this because the MDL series synopsis, which is very inaccurate, scared me. The one on GagaOOLala is much better.
******Potential Spoiler Alert******
The exception was the very inconstant chemistry between the two lead actors during the more intimate scenes. There were times that they were great, but then we get the standard dead lip kiss scenes that you usually see in Korean BL series. Although very puzzling to me, this was only a minor irritation.
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Brilliant, Heartbreaking, and Difficult to Watch at Times
I have such mixed feelings about this drama. A story can be brilliantly crafted and emotionally rich, but if the emotional cost—especially due to brutality or themes of cruelty—is too high, it creates an internal conflict.As a whole, the drama is absolutely wonderful—powerful and introspective. The narrative is an odyssey of sorts, telling an epic story across timelines that brings you into the characters’ hardships and evolving lives. The misfortunes speak to your soul and make you feel deeply. And there are comedic pauses and beautiful cinematography that engage the senses so that the trauma isn’t overwhelming.
But what made this drama difficult for me wasn’t the plot, which centered on hate and revenge—it was how the main character, Siling, translated those elements on screen. There was never enough justification, for me, for how she enacted her malice. Though I understood, intellectually, why she felt hatred and pain—I wished her choices had been executed differently. I think she could have delivered the same wrath without the vicious brutality. And that’s where Siling, and Feud as a whole, lost me. It’s just not my cup of tea to watch people be that brutal to one another. That’s also why I’ve struggled with other dramas like Love & Bid Farewell and Goodbye, My Princess.
So while I was immersed and highly engaged in the beginning and end, episodes 17–27 made it hard for me to imagine watching this again. And for a drama to make it onto my top watch list, my personal criteria is that I must be able to rewatch it. With that said, the performances were phenomenal—especially from Bai Lu and Zeng Shunxi. The supporting cast also shone, with many carrying the main storyline at different points. The show wouldn’t have been the same without them.
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This review may contain spoilers
Episode 22 is painful in a very familiar way.
Tiger has spent six years loving Nao, waiting for him to notice feelings that seem obvious to everyone else. But Nao remains his cheerful, oblivious self, happily dating a girl while Tiger quietly struggles with jealousy and loneliness.What makes this episode work is that neither of them is really wrong. Tiger cannot stop loving Nao, but Nao also deserves the chance to experience a normal relationship and build his own future. Their friendship has reached a point where staying the same is no longer possible.
The Singha and Ben storyline is equally compelling. Singha accepts an arranged marriage out of duty, while Ben is left carrying feelings he can no longer hide. Their situation feels far more uncertain than Tiger and Nao's, making me curious about where the story will take them.
A quieter episode overall, but one filled with emotional tension and longing.
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Ehhh
Danger Dolls flirts with high concept ideas but, regrettably, never commits. Its world and premise are mildly interesting at best, yet the film does little with them, leaving both its themes and characters underdeveloped.The action is solid enough, but without emotional investment, it lacks impact. Combined with a noticeable but underutilized low budget, the film ends up feeling like a generic action movie rather than a thoughtful sci fi story.
It is not bad, just underwhelming. You can see the better version of this film, but it never fully comes together.
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Comfort Detective Show
This is a comfort drama set in 1920s Shanghai. The male leads are an investment banker turned detective and a gangster turned cop who really needs the help. The female lead is a reporter and also the daughter of the head of a large and powerful gang (and that gang leader is effectively the boss of the cop).The cases are weird and resolved within 2 episodes of the crime, so there is a bit of a Scooby Doo effect here. There is an overarching narrative, generated by the setting, Shanghai in the 1920s.
It is a pleasant watch and the cases are unusual enough to keep the viewer interested, but this genre is usually not that challenging. I may be the one person here who thought the romantic relationship was telegraphed pretty early on, and the silly arguing and insults were an immature way to flirt. It helped keep the show light, which seems useful to me given “lots of murders in 1920s Shanghai” could be bleak.
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Tragically beautiful — sometimes two words are enough
There are series you finish and immediately know you'll carry with you for a long time. This is one of them.Two boys, a rural taekwondo hall, a father who makes home feel like something to escape — and then a boy from Seoul arrives and quietly changes everything. The first love that forms between them is tender and fragile in the way first loves are, and when it breaks it breaks before it ever really had the chance to become itself. Twelve years later, a funeral, a reunion, and all the wounds that never properly healed still sitting exactly where they were left.
What I find genuinely rare about this series is how it handles blame — or rather, how it refuses to distribute it neatly. People hurt each other here not out of cruelty but out of circumstance, out of silence, out of not knowing how to do better with what they had. That's a much harder thing to write than a villain, and the series pulls it off with real maturity.
Korean productions at their best have a particular relationship with grief and time that I don't think translates easily across cultures — a willingness to sit inside pain without rushing toward resolution. This series has that quality completely. And it still leaves you with something warm at the end, which feels almost like a small miracle given everything that comes before it.
Tragically beautiful. That's all it needs to be.
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