Reviews

Unfortunately… They Ate

I hate it when that bitch I hate serves.

Pai (Mark Jirantanin) and North (Poon Mitpakdee) are the grandsons of a millionaire CEO. Pai has been in a long-term relationship with Tim (Junior Panachai), a con artist who plans to steal Pai’s fortune from us. Meanwhile, North meets Yu (Ohm Thitiwat) on a trail, they get married quickly before North realizes he’s married an opportunist.

Next, this series really exceeded expectations; I wasn’t expecting such great chemistry from the four actors, and I really thought the couples’ dynamics were excellent.
After the disappointment that was the direction of Head2Head, I had zero expectations for this series. The plot is actually super interesting; as the episodes went by, the viewer got more and more hooked with every scene, waiting for them to figure out what you already know but want them to discover.
The couples acted SO naturally that I felt like I was getting in the way; they were so casual and had such a cute dynamic that it was truly satisfying to watch. The way the four actors conveyed that was truly admirable—I’m a huge fan of that.
The redemption arcs were also good. At first, the fact that Yu and North got back together faster than Tim and Dad made me a little pensive, but eventually it all made more sense. Yu and North had known each other for months, a year at most, while Tim and Dad had been together for four or five years, so it really does make sense. The characters’ personalities aligned with their redemption arcs and each character’s forgiveness; following the development of the four’s love was really cool too.
I just found the scene where Tim’s ex-lovers ruin the wedding a bit clunky; I think there were better ways to handle that revelation, but at the same time, I understand that choice.

Aesthetically, the series is based on a rom-com; it’s cute and briefly reminiscent of teen romances, with basic camera work that still works. The characters maintain their aesthetics, and they fit the settings. The personal development of the characters—MAINLY North’s—is visible, but not in a bad way; rather, it’s a “He evolved, and before I knew it, he was a totally different person.” About the bakery, about him no longer being a clueless guy.

The friendships were also interesting; North’s with Pure (Louis Thanawin) and Tim’s with Prem (Arm Weerayut) had good friendship dynamics. The family was also interesting; at first I thought the aunt would be a villain, but she was just a normal person, and that was really nice to see. The whole Kuea (Tittle Kirati) thing and Tim’s jealousy arc is something we see often, but I thought it fit really well. Overall, I really liked all the dynamics in general.

In short, it was a well-written script, the story was well-developed, and I really liked it as a whole. Sometimes New works, and this was one of those cases, but we’re not on good terms yet.

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4th story

Finally another drama of Fourever You on our screen. Let’s discuss drama…

The Sun from Another Star follows Daotok, an introverted art student who carries both the blessing and curse of a lifelong ability: he can see and communicate with ghosts.

The story begins when Daotok moves into a new condo after securing an unbelievable 70% discount on the rent. The catch? The building is heavily haunted, filled with noisy spirits constantly throwing tantrums. Since Daotok isn’t afraid of ghosts—and desperately needs a place where he can keep his cat—he accepts the deal without hesitation.

Living next door is Arthit, a medical student who is Daotok’s complete opposite. Arthit is arrogant, hot-tempered, impulsive, and very much an extroverted “bad boy.”

Initially irritated by each other, their paths constantly cross, especially since they are the only two living residents on the entire floor. They begin interacting more because of a ghost named Donut. Once Arthit’s friend, Donut asks him to uncover the truth behind his death, leading Arthit to turn to Daotok for help.

Behind Arthit’s tough and reckless exterior lies a deep, suffocating grief over the loss of his mother. Donut’s unresolved spirit makes Arthit wonder if his mother’s soul is also trapped somewhere, unable to move on. After discovering Daotok’s ability to communicate with ghosts, Arthit desperately asks for his help in finding her.

Reluctantly—and after much persuasion from Arthit and his friend North—Daotok agrees. Together, they begin searching for Arthit’s mother’s missing soul.

As they spend more time together, the two gradually grow closer emotionally. Arthit slowly realizes just how drawn he is to Daotok, though he remains afraid to admit his feelings or let himself fall in love. Daotok, meanwhile, has built thick emotional walls around himself after being deeply betrayed by his first love.

So in the end, how will these two boys find the courage to take a step toward love?

That's pretty much the story without giving the spoiler. Now what I like and don't (especially the difference from the book).

What I like:
+ Ngern & Oat played Arthit & Daotok beautifully. So fit for their role…
+ Happy to see the gank again…
+ They town dosn much of how obsessed Arthit with Daotok... Like for example: the moment Daotok live in Arthit's room, instead because Arthit kidnap Daotok, they made it because Daotok have no other choice due to electricity in his room
+ Seeing how protective Jo is toward North—he won’t let anyone even raise their voice at him.

What I don’t too like:
- The chemistry between Ngern & Oat not so much… I don’t know how to put this into words…
- They erase and change several important scenes from the book that in my opinion make the story better…
- They changed the music—specifically the song Arthit was supposed to create. Haha. And honestly, the drama didn’t really capture how huge the song was supposed to be or how it suddenly made Arthit famous overnight.

Overall I am really happy this was on the screen… Below I’ll write about important scenes from the book they change / erase. So if you don’t wanna know just stop reading here…













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SPOILER ALERT!!!
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The changes:
* The most disappointing change is the scene where Arthit is supposed to be abducted after the race. Instead of an actual kidnapping, the drama turns it into a weak “accident” that leaves Arthit heavily injured. Honestly, I don’t even think the incident shown would realistically cause injuries as severe as the drama suggests. The original scene was meant to feel far more intense and nerve-wracking, allowing us to truly see Daotok’s panic and realize just how important Arthit has become to him. For me, Studio Wabi Sabi chose the safer route by heavily toning down the violence from the series.
* They also removed Daotok’s background story. Of course, I’m talking about Daotok’s high school days—when he was bullied and how he dealt with it. I understand why the drama chose to leave it out, but I still think showing a little of that part of his past would’ve added more depth to his character.
* Arthit’s inner struggle as he tries to deny that he has fallen for Daotok. In the book, we can truly see how deeply Arthit struggles with his feelings.
* The room is too big. Haha... When I read the book I imagine is like studio apartments. Not 1 bedroom...
* Direk reaction not so fun. In the book more extravagant, like he literally shock Arthit can love someone... Honestly kinda wait for his reaction, instead I just get usual expression...
* The moment Arthit talk to Daotok's dad on the phone, said he want Daotok be his 'wife'

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Just Something To Watch

The main leads were not too bad. Lu Qian Qiao (Allen Ren) and Xin Mei (Wang He Run) were great. Lu Qian Qiao and Xin Mei were married in the prison, because he wanted someone to remember him after he died and she needed a third husband to fulfill something needed in her life. Xin Mei got hurt so many times and really badly. Lu Qian Qiao would almost always come to save her. She was so kind and only killed when absolutely necessary, like when she thought that Lu Qian Qiao was accused and put to death wrongly. She killed several of the bad people responsible for blaming him. Lu Qian Qiao was a very strong fighter, but he had a very good sense of righteousness and justice about him. A Sheng (Zhang Kai Ying) was the angry, younger sister of Xin Mei. She did not want anyone else in her sister's life except her. She despised Lu Qian Qiao because he was A Sheng felt like he was taking her older sister away from her. A Sheng did not like that Qian Qiao had Xin Mei's memories taken away. A Sheng had the worse past history of any of the characters; when she was growing up, she was poisoned, beaten, kicked, punched, boiled in oil, limbs were detached and put back on and so on. Xin Mei was the first person to every show her genuine kindness and affection. The other main characters were okay. There were so much evil from the so called immortal sects. Lu Qian Qiao destroyed four immortal sects.

The storyline could have been better. Xin Mei was so kind and she should have been more ruthless towards the evil people. She had great power, but did not utilize it well. A Sheng was either too cruel or too afraid during the show. The only middle ground that A Sheng had was with her sister Xin Mei. How old was the Lord of Rust-Sword, Meishan Jun (Fu Wei Lun)? Was he afraid of women or what? The Lord of Rust-Sword liked to brag and tale tell tall tales of his escapades.

Anyways, I watched this drama and thought it could have been better; dramas usually can be better. Xin Mei and her husband, Lu Qian Qiao, were in a boat at the end. It would have been great if we knew how that turned out. Some of the storyline could have been cut out and some time could have been devoted to a proper finally.

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A countdown to friends to lovers

I overall enjoyed this friends-to-lovers BL. It was not very memorable but it was good. Mainly thanks to the photography focus and the way it was bounded to the storytelling. The blurry aspect of some pictures took by the characters in the series was mirrored by the filmmaking. I found this parallel very well-thought in terms of production choice.

In terms of pacing, it feels both slow and fast-paced : the progress felt slow on screen between the episodes, but thinking about it, the real countdown was pretty quick to friends-to-lovers. Given the characters background, it made sense that it should not be easy. So it all depends of the lens you look at it.

The cast did an alright job but I must admit that if the intimacy and friendship felt very believable, the chemistry and shift to love and passion could have been better...It is not really bothering because the romance remains at a pretty platonic level with very light romantic interaction, which is in line with the peaceful vibe of the series. However, i cannot help to think that having a more sizzling chemistry and more pining would have brought the story to another level.

I would recommend this to people looking for a friends-to-lovers romance with a more subdue vibe. It does not revolution the genre but for those liking this trope, it is a nice watch.

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A Heartwarming Standout in the Series

Out of all the Ugly Duckling series, Don't takes the crown for me story-wise—it's hands-down the best. This short, cute series delivers a genuine character development arc that feels earned and satisfying, watching the leads evolve from awkward insecurities to confident connections. The romance simmers perfectly, blending sweet tension with believable chemistry that keeps you hooked without overdoing the fluff.

What really shines are the school twists and everyday happenings—they ring true to life, capturing that mix of drama, friendships, and teen chaos in a way that's refreshingly real. Sure, it's full of classic clichés like the makeover trope and love triangles, but they land with such charm that you can't help but smile. Clocking in at just a few episodes, it's a quick, feel-good binge that's perfect for when you want light romance without the drag.

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Wow this was sooooo bad

A drama that had all the ingredients to be something special — but squandered every single one of them.

The female lead's performance is the drama's most glaring flaw. In a story that demands your sympathy, her acting consistently gets in the way of it. Her crying scenes, in particular, feel less like genuine distress and more like a soundtrack you want to mute. The male lead fares no better in terms of how the script handles him. If he already planned on leaving, why allow himself — and worse, encourage her — to develop feelings? It's a fundamental character logic problem that the writers never address.

At its core, the show's biggest crime is a badly written foundation. You can feel the gap between what the show was trying to be and what it actually became.

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I should probably eat right now.

At the moment I am hungry. Not only for food, but for more episodes of this drama. I'm a big fan of Park Jihoon so I decided to tune in when the cast was announced.

This drama is a comedy, not too intense of a watch compared to Jihoon's other projects. And that's ok with me! I like watching actors do all sorts of different roles and projects, and Legend of the Kitchen Soldier is no different. It's fun to watch, but one thing I'll comment about Jihoon's characters is that 9/10 times the guy is going to play someone depressed. Even with that being the case here, it's not a dark drama, his character is likeable enough.

I'm not getting anything too stellar here. Everything pretty much delivers as it should.. it's neither too amazing.. definetely not bad at all though. It's pretty hard when I compare this to Jihoon's other dramas, Weak Hero is one of my favorite dramas ever. If you come for that, don't- come for a drama that's entertaining, fun, and makes you hungry. I was surprised with how they push the comedy, and only worry about tonal issues later on in the series if they bring up a deep plot point. I wish this would be more episodic like Trauma Code, but it's ok that it's not. Here this drama is standard, not doing anything new, but not offensive. So I'll say it's average and move on with it.

It's good enough I'm keeping up as it airs though! I'm just happy to be getting more projects from Jihoon.

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Simple but typical wuxia romance well done

The show was fully entertaining. Despite nothing new in terms of arcs and tropes employed in the story, there's some kudos to give to the storytelling itself, because it didn't feel pointless. I think it's because they knew they weren't creating something brand new so they didn't increase unnecessary build ups and present it like "twists", since we would all have seen it coming from a mile away. They just let it come at you at a normal pace, giving enough time for the characters to be fully understood even if they are going down well-known paths.

This worked for me, especially in the romance department. I mean, ya, there's the usual, "I am secretly dying and I won't cause you any trouble about it" but, aside from that, their love felt soft, gradual, consistently growing and I liked it. Somehow the annoying secrets didn't annoy me as much, I was satisfied by the show in all other departments, per expectation. Also I felt like the story did well in terms of cutting out any unnecessary stuff, honestly, if any other characters or side stories got even a little more screen time, it could have dragged easily. Liked the cast too.
So I consider it well done.

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Not a Bl but Queer Story

I’ve seen a lot of mixed (and even negative) reviews about Soulmate, But honestly, I feel like that kind of thinking misses the whole point of the story.

Not every relationship needs a label like “boyfriends” to be meaningful. And intimacy doesn’t always have to be physical to be real. What Soulmate shows is something quieter but deeper—a connection built on understanding, respect, and simply being there for each other.

The title “Soulmate” fits perfectly. Their relationship feels like more than friendship, but not something that needs to be defined as lovers either. It exists somewhere in between, in a space that feels very real but is rarely shown on screen.

Another thing I really appreciated is how the drama portrays family. It reminds us that you don’t have to be blood-related to be a family. And you don’t have to fit into traditional stereotypes either. A family doesn’t always have to look like “one mother and one father.”

In the story, two men step up to take care of their best friend’s child after her husband passes away. The three of them build a life together, taking turns, supporting each other, and raising the baby with love. It’s such a simple but powerful way of showing that family is about care, responsibility, and connection—not labels.

What I loved most is how they live together, find happiness in small everyday moments, and respect each other’s boundaries. It’s not dramatic or intense in a typical way—it’s soft, calm, and emotionally intimate.

Honestly, this is the kind of relationship I would want in real life. Just living peacefully with someone who understands you without needing to explain everything.

I feel like this drama introduces a kind of “new genre” for many viewers—one that focuses less on labels or physical romance, and more on genuine human connection.

And maybe that’s why it feels so different… and so special.

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An Emotionally Nuanced Drama That Needed More Time

Contrast is an enjoyable series with a strong emotional foundation, though its biggest weakness lies in its pacing. The show would have greatly benefited from a longer runtime, as several important plot points and emotional developments felt rushed rather than fully explored.

Kanata and Akira their interactions begin subtly, with the two observing each other from a distance before Kanata finally approaches Akira and gradually builds a friendship with him. The progression from friendship to romantic feelings is handled with notable restraint and realism. Rather than relying heavily on dialogue, the series conveys their growing affection through lingering glances, body language, and quiet moments, making the emotional shift feel natural and believable.

However, the subplot involving Akira’s tutor felt underdeveloped. While the recurring flashbacks provide some context, they remain confined to a single moment in time and fail to fully explore the complexity of the situation. The portrayal of the tutor as emotionally manipulative was executed surprisingly well. The manipulation was subtle and nuanced, presented in a way that many viewers may not immediately recognize, which ultimately made those scenes more unsettling and realistic. Akira’s initial acceptance of the situation also felt believable, especially considering how trauma and grooming can distort a person’s understanding of boundaries and relationships until later in life.

That said, the misunderstandings between the two characters were handled convincingly and reflected the emotional immaturity and confusion often present in high school relationships. I only wish the confession scene had been written more effectively, as it was immediately followed by yet another secret and further emotional distance, which weakened the payoff of an important moment.

Akira’s backstory ultimately adds significant depth to his character and explains why he struggles to trust others or allow himself to form close relationships. The emotional push-and-pull between the leads feels grounded and authentic, capturing the awkwardness, fear, jealousy and uncertainty that often come with first love.

One area where Contrast truly excels is emotional expression. The series often communicates more through facial expressions and silence than through words, allowing quieter moments to carry emotional weight. The soundtrack also complements the atmosphere beautifully, enhancing many of the series’ most impactful scenes. While the cinematography could have been sharper and more visually refined at times, it was still effective overall.

The only trope that felt unnecessary was the familiar stereotype of the quiet loner hiding a dark, often inappropriate or illegal secret. It is a trope frequently used in dramas of this kind, and here it felt somewhat predictable. Additionally, the final episode suffered heavily from rushed pacing, leaving several emotional beats without the resolution they deserved.

Despite its flaws, Contrast remains a thoughtful and emotionally grounded drama. The title itself is fitting, as Kanata and Akira ultimately balance one another through their contrasting personalities and experiences.

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So many shuai gessss

Finished this maybe ?last week and glad to say, series like this slowly reined me back towards cdramas from thai series and variety shows. Lol.

Gong jun as usual, served in his main role. I’ve always like his acting and charisma, and the loyal and to-the-point character of Su Muyu really suits him, down to the straight-faced humor he had. And to my surprise, i really like the character of Su Changhe, the actor made it lovable despite its ambiguous grey character. SCH’s loyalty to SMY, the bromance, the protectiveness, the power he wields, made the SCH character even more lovable to me. I enjoyed their bickering, so much so that I was praying so hard SCH did not betrayed SMY during the time he came out from his seclusion after regaining the 9th level Palm Hell.

The story is fine, it builds up from one problem and as they solved one, moving up to apparently another bigger mess lol. I love the fact that theres so much of whump scenes in this (yeah, thats me, a whump scene lover. Lol) The fighting choreo is superb, and the cgi is also nice enough not to appear clumsy and cheap. The characters being introduced are aplenty, as with the other two in the series, but i think it was more doable this time around (i had a headache trying to keep track of characters in DY and TBOY) The costumes were all awesome and I’m in love with all of them, especially Su Muyu’s and Su Chang He’s ones. BHH’s costumes were all flattering as well. I’ve just recently watched a short drama of the actor who played Xie Zaiye (Min Xing Han) and he was so pretty in that, but here, his hairdo made his appeal less and if I didnt watch Realm’s Night Rain Dreamlike, I’m sure I will not found him to be able to be that handsome and pretty based on his character in BR. This proves how the way the production clothed and giving suitable hairdo for a character played so much roles in making a character appealing to fans.

All in all, this is worth renewing my subscription of Youku vip pass. Hope to see more of Gong Jun and Chang Hua Sen in the future!

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Perfection!

I have a soft spot for kids doing well in acting (makes me cry every time since I know how hard it is), and seeing the energy from the students and the passion of the teachers I can confirm I have not teared up this much in ages while watching korean tv.

No notes on the show. Perfect mix of classes, fun activities, cooking and just getting to know everyone on the show. The dedication from Kim Tae-Ri is so inspiring, no one told her told her to do so much research or care this much, it really shows her love for the craft of acting (give her more awards pls!). Choi Hyun-Wook being so young as he is and being there for all these kids was beautiful to see. Kangnam and Code Kunst was the perfect balance for this show as well. All of the kids are such strong characters as well and made me so happy to be able to follow them.

I want a another season so bad, or at least an episode where they all just meet up again!

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