Reviews

A very well done, substantial, self-critical, thought-provoking Korean-style political drama.

In “The Whirlwind,” the old masters of Korean film and television use their strong aura to demonstrate what it means to truly want to represent transparency and democracy in South Korea 2024. Even after several decades of 'real' democracy, the political apparatus still feels like a vice in the hands of a few in a backroom and every idiosyncratic move inevitably leads to pain. Here we see the top-class veterans Sol Kyung-gu and Kim Hee-ae and a few more in a Netflix production that has substance and intensity and decisively highlights a major dilemma within the South Korean political scene. A great script with characters who are not just black or white, but full of shades of gray.

2024, as I said. Unfortunately, the struggle to act politically honestly, or to curb corruption and illegal influence by the Jaebeol conglomerates, obviously still is a Sisyphean mission... But there is this longing in the country – a desire that politics will at some point be done by responsible, accountable citizens and not manipulated by this 1 percent of the Jaebeol elite, using the system for their own benefit. ((On the other hand, as a mass, that is all too easily manipulated by misleading information the (in theory powerful) people ultimately doesn´t impress as a source of hope... Sobering. Unfortunately.)) Obviously it is difficult to change the sluggish but powerful apparatus. However, the more scandalous conditions and dynamics are clearly communicated through the media, the more the shiny elite may become disenchanted (as in "The Whirlwind"). And perhaps - the more this happens - at some point the general public will no longer be so easily swayed and deceived. Perhaps, slowly but surely, the number of those, who dare to oppose the whims of the so-called elite, no matter the cost, is against all odds growing. And maybe more and more will follow over time. This is, where “The Whirlwind” is coming from...

In 2024, South Korean politics is no longer just a male affair. Nevertheless, the world of decision-makers is still a world of cliques, and if one person is not willing, then force will be chosen. The pattern seems to be the same forever.
And yet. In this KDrama we are dealing with a protagonist, who doesn't care about all the headwinds. He isn´t impressed. He doesn't want to be bought and is resisting temptation. He might become a role model, yet he is driven by his own interest. He cares about the cause, the idea, his political values, and he risks everything for it. The end - the good, honest one - justifies the means. And suddenly an upstanding citizen also attracts others, too. He embodies a longing, stands for a hope that is truly shared by many - even those who have learned to function well within the corrupt apparatus. Where there is a will, there may be a path, but it can be rocky, swampy and, in some places, hopeless. Once again a brave David has faced off against a complacent Goliath. And if he's not careful, even our ambitious David may imperceptibly stray from the right path on his way to an honest goal. Because in fact, not every means justifies its noble end... When it comes to a world of responsible citizens who are equal before the law, then it is at the same time and first and foremost about accountability and about taking (lawful) responsibility for one's own actions. In all consequence. This equally applies to everyone, too. Uncompromising. Without exception...

So, overall I consider “The Whirlwind” a very well done, substantial, self-critical, thought-provoking Korean-style political drama.

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Best Romantic Espionnage Action Thriller Drama

I approad this drama because I was intrigued by a prince being kidnapped. I Thought it was a romantic drama. In reality, there is a sprinkle of romance but in the end I fell in love with the power struggles and political ploys. So I really enjoyed the drama

So what this drama is about:
On the first episode I clearly understood this would not be a fluffy rom-com ( as I thought) but a mystery/ espionnage/ action drama. I could sens that, a deep dark secret organisation was behind all this story.
I was hooked. So, I gave the drama the time to develop the plot.

And OMG, the more the episodes aired, the more I was addicted.
I waited patiently every saturdays and sundays to watch the new episodes as they aired.
It was a roller coaster ride of emotions as the story developed.
I was totally in love with this drama.

I heard that many people complained about the fact that the romance was almost unexisting.
I don't agree, actress behind the Female Lead ; Yong Ye Ji; said that the text might not be romantic but the actors behaviours on set are. Indeed, they are affectionnate.

But looking back at the way the story developed, personnaly, I liked that the story was more about the palace ploys than the romance.
Because, from my point of view, the suspens set by the schemes spiced up the romance and I was sometimes afraid for the Leads because of it.

So this is a great drama. One of my favourites.

And I dont even speak about the OST, which I am crazy in love with.
Especially the Suho's "love you more gradually ", "100 days of dreams" and of course " love is like the wind".
The later was my lullaby before sleeping for a long time (^__^)

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Why didn’t i watch it before

I saw startup on my Netflix recommendation list many times but i ignored it. Finally when I was tired of watching similar stories and craved to watch something fresh, startup came to my rescue. I had thought it might be an office romance story filled with cliches but to my surprise, 1st episode blew my mind. I couldn’t have guessed who the hero would turn out to be,it was surprisingly good.
The writer’s attention to detail by giving us deepper understanding of the characters is what i loved about the show. Every character has a backstory which helps us understand them and their actions. Even the supporting characters were not random and perfectly connected with the story.

The love triangle that divides the watchers: On one hand i feel for Ms Han aka THE GOOD BOY and wanted him to find happiness but on the other hand, i could relate to Nam-do-san’s character who was filled with self doubt . But it was somewhat clear that dalmi has fallen for Nam-do-san when they got into sandbox and became a team. Mr Han had lost his chance there and there was no turning back from that point. And do-san earned his place in dalmi’s heart,it wasn’t random at all yet writer still dragged the “guy from the letters” plot till the end. That’s when I felt truly bad for Mr Han as he was fighting a lost battle.
Dal mi although started as a damsel in distress(which I absolutely hate) but slowly gained stability. She could’ve been written better as she was hella confused character.

Supporting characters were adorable, Grandma was the star of the show and samsam tech boys are a trio to be remembered for sure. I am glad the writer showed us long lasting friendships.
I wish we had seen more of injae, she was ignored by the writers considering she was the 2nd main female lead. But all’s well that ends well atleast the misunderstanding between the sisters was cleared..
I really enjoyed, one of the few kdramas that has original plot and doesn’t follow on the footsteps of overused tropes. Also the rating of this show is unfair and misleading, this easily deserves an 8.5-8.8

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What was that? ?

超级难看别浪费自己的时间
I was recommended this because I liked Mr Queen. It’s nothing close to that “masterpiece”.
Maybe it’s not for me.
But the first few minutes of the first episode were quite painful to watch.
The way they introduced the so called match makers. They made them seem cool but I just couldn’t see that for myself.
Didn’t like anyone
Didn’t like the female lead
I felt like everyone’s acting didn’t come off natural.
I’ve never acted in my life so this is no direct criticism on the actors themselves. I’m sure they tried their best. Anyhow , I’ll pass on this one.
I couldn’t get past the first episode. But some have rated it 10 so don’t take my word for it. See for yourself .

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Random disgusting plot twist

I liked it until about episode 15/16 where we see a flashback of the fl passed out and about to be raped, her “ best friend” sees , takes a picture and leaves. no trying to stop it, no calling for help, all because the man was someone she liked. That is a bit too much of a plot twist, misunderstanding for what I thought was a light drama. I don’t normally watch such aggressive story lines anymore and that gave me a nightmare about being stabbed. I might finish the whole series just to see some justice done, but it’s feeling like a drop cause I don’t know if it’s worth it, knowing the next 6 episodes are supposed to be a roller coaster. But the plot twist really made no sense because the person who drugged her was someone she already had a crush on, obviously drugging someone is never necessary but I really don’t get where they were going with that. The best friend and the drugger stayed in her life and lied to her face every day for the next 4 years where the present day drama unfolds. The best friend stays in love with the drugger and degrades herself when she finally gets to be in a real relationship with him and the guy well as you expect continues to like and do shady things.

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Great performance & complex narrative re. challenges in politics during dreary SK post-war decades

"Uncle Samsik" offers a quite interesting narrative of the complex connections between party politics and the even more crucial backroom politics during South Korea's first republic (1948-1960). The KDrama is primarily set in the run-up to the turbulent events and nationwide demonstrations that led to the resignation of the first President Rhee and the founding of the second republic. However, the nation that had hoped for real democracy and prosperity stumbled into a third one just three years later through a military coup. Although this brought the hoped for prosperity via totalitarian capitalism, it was still far from real democracy...

The story of the KDrama is based on historical events, themes and people of that time, but is ultimately fictional - even if historical film sequences are occasionally interspersed as part of the April Revolution. The focus is on Uncle Samsik. For all those, who don't know much about South Korean history, Uncle Samsik is the emotional reference figure and dramaturgical bridge that holds all the politically complex threads together. Even without prior knowledge, "Uncle Samsik" offers an exciting, haunting political drama that takes place in the post-war years. It is in particular thanks to the passion of the great actors who manage to captivate the audience with comparatively 'dry' fare. It is advisable to watch the episodes consecutively so as not to lose the thread.

With a fictional plot the well-known historic events and what actually drove the political actors of that time are portrayed from different perspectives. Thus they are shown as multifaceted people with complex motives and stories. Political calculation becomes tangible through relationship dynamics and formative personal experiences. What created the conditions for that dictatorial regime and its totalitarian capitalism to torpedo South Korea into dazzling prosperity - the needs, hopes, ideals and concerns underlying the political actors - are being filled with life. And at the same time also what the young democracy still has to gnaw at today - authoritarian directive, opaquely networked and strictly hierarchically structured backroom politics.

The time in which the KDrama is set is marking the initial struggle to set the course for 'right' politics and a democratic political culture to start with. You have to keep in mind that Korea has not yet been able to gain much experience with modern, international politics and economic policy on the world market. Until the end of the 19th century, the Joseon Kingdom had isolated itself from the rest of the world and concentrated on itself. Western modernity and international influences increased during the early 20th century, especially while the Korean peninsula was a colony of Japan. The guidelines for political autonomy and independent parliamentary politics were only set in the course of the founding of the Republic of Korea as South Korea in 1948. And even then, the USA kept a close eye on the young republic. The people on South Korea had not yet been able to seriously experience themselves as political mature people of a democratic country... The south, by now isolated from its rich in raw material and industrially well developed north, was at that time one of the poorest agricultural countries in the world.

Uncle Samsik vividly depicts the conflicting feelings in the country. He represents the prevailing longing for wealth... or simply for three meals a day. Uncle Samsik's nickname already reflects what he stands for: sam (eum)sik = three meals. He (as a good uncle) grants this to his people. So actually this very basic human need was the top priority in those politically turbulent years. Hunger and poverty shaped everyday life for the many. Democracy as a political ideal may sound good, but it doesn't fill your stomach. Samsik cares about people. His political goal is to use all possible means to support those politicians who have a solid concept and can bring the country to a point where the people will soon have enough to eat. The way to get there: to consistently boost the economic power of the economically weak country (compared to the north) and thus create appropriately paid work whose salary is enough to provide for the families... even if that might imply that the people´s hope for true democracy still has to wait a bit longer...

So would I recommend "Uncle Samsik"?
Yes, but...

It's one of those things with historical dramas that deal with Korea´s recent post-war history (and with the KMovies about the first post-war decades, too... you have to want to see it. Colours, light, selection of protagonists - this is often enough inevitably not a treat. Colorful robes that were still common in Joseon times are rarely seen anymore. After the Japanese colonial period and at least since the influence of the USA in the wake of the Korean War, fashion has been completely westernized. This makes the production design comparatively rather dreary - dark suits, ties and plenty of scenes inside or in the dark. It is about scenes inside offices, hotel bars, conference rooms and bunkers instead of lushly planted palace gardens, picturesque bridges, colorful pavilions and pagodas, or the shaded, meditative palace walkways - it's all history. Politics by now happens behind closed doors. If suitable, it might sooner or later end up on the streets, too. Female characters with impact are also rare - gone are the lively days of palace ladies, servants and princesses, scheming dowagers and queens or spying gisaeng... Instead, there are lots of serious men in their (as I mentioned before) dark suits, preferably smoking and debating or giving orders in back rooms. Politics is a man's business - a power struggle that is eventually resolved with the help of thugs and cloak-and-dagger operations... (After all, women's power is at least trying to carve out some space in "Uncle Samsik"...)

In short, the setting is rather dark, complex, even complicated - and ties-heavy. Be aware.

Apart from that, "Uncle Samsik" is really well done. Vividly played and thematically differentiated, the KDrama brings those dreary, sobering post-war decades in South Korea to the international DisneyPlus audience, presenting it as a time that, despite all the prevailing corruption, arbitrariness and obedience to authority, was also characterized by a lot of idealistic passion and political hope. Once again, high-end historical drama à la KDrama...

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Just alright

This drama is alright to pass time.

What I like
1. The action sequences were amusing. The reactions were comical but hey it made sense for normal people to react that way.
2. Great to see Kang Ki Young as main male lead.
3. Oh Min seok made me sympathetic towards his character but he's villain alright. His abs were damn fine though I am not sure if the scene was required
4. Supporting characters - I like Daeki & Kang Boom.

What I dislike
1. Story - I find the story average. The benefactor reminds me of The Uncanny Counter.

Favourite scene
When Kang Bom kicks ass

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A cry from the heart about the current state of arts education in Korea

Ahn Pan Soek always chooses to highlight a social issue in his dramas and essentially this drama explores the current state of arts education in Korea with a romance blended in. If you hope it’s the other way around you will not only be disappointed, but probably miss the point entirely. Having said that, the romance that does unfold is beautifully written, directed and acted. And the lesson in arts education is a rallying cry to bring it back to life and reveal it’s passionate, emotional heart.

He likes to find writers who can reveal both the underbelly and the heart and here he has collaborated with yet another subtle and mature writer, Park Kyung Hwa. She only has one other credit to her name which is delighting in the rating of 7.1 on the MDL richter scale. Obviously not earth shaking. Unfortunately there are no reviews, so I have no idea why it was rated so low. But here she is ably proving herself to be a typical Ahn Pan Seok collaborator with a nuanced and obviously well-informed script. She manages to highlight the different responses made by each character in pressure situations and handles the character development well, giving the viewer enough verbal information to follow along with the complex internal emotional landscapes that she is playing with. The emotional games that get played out in the final two episodes are especially good.

The pacing is very even and focuses on slow studies of people’s reactions. The life lessons learned here are not on a romcom level, they are difficult questions around the intersection between ethics and ambition, and, compassion and competition, requiring some thought and sensitivity to follow and appreciate. It really takes off about two thirds of the way through, at a point where often a drama flags.

The characters are closer to realistic so have good and bad about them, but are not exaggerated. For some they might be too ordinary, but I think that the actors do a good job at showing the hidden undercurrents and the depth is there if you look for it. At the start the FL makes some quite unprofessional moves and the ML bludgeons his naive way ahead. But this slice of life story leads you through the realistic steps that will change both their minds and their attitudes. At times there’s a moral superiority at work which might be a little difficult to swallow. But this is dramaland after all and the antagonists are kept within the bounds of credibility.

As with other Ahn Pan Seok dramas, the love story at the heart is sensitively portrayed. High five to Jung Rye Won and Wi Ha Joon who have great, believable chemistry. The uncertainty and awkwardness of the beginnings of intimacy are beautifully brought out. And the bedroom scene is such a joy. Full of warmth and naturalness. Ahh Pan Seok and his crew obviously manage to create an environment on set that allows the actors to feel comfortable and easy, so that their laughter and intimacy seem more real.

The supporting cast is a panel of very familiar faces if you are an Ahn Pan Seok stan. All of them are good and there are no two-dimensional cardboard cut-outs. As for Seo Jung Yeon’s hair, it is a sculpture in itself. It’s got enough product in it to hold up the Sydney Harbour Bridge and she wears it with impressive style. Who needs Medusa when you’ve got her death-stare boring into you from across the desk.

Overall the drama is a damning indictment of the Korean arts education system and the forces that keep it on the straight and narrow, where free thinking and self-learning is sacrificed to conformity and examination grades. In terms of thinking it creates more of the same, rather than individuals who can think outside the box and move in unique directions.

The majority of my working life was spent in “western” universities and I watched them change in order to accommodate the rote learning styles of the many countries whose students provide the financial survival of western education, once political policies turned them into businesses. Much has been lost in the process.
A PhD was once an entirely original piece of research in a field not previously studied. It required breaking new ground in an area carved out by the scholar. Now it has often become being included in someone else’s research programme to write papers and includes taught courses. Many students flounder if they are not told exactly what to do and how to do it.

Gone is the education in imaginative and original thinking and the confidence to explore academic freedom. This was the actual purpose of an arts education. But the drama reveals how that is undermined, such that the student never gains this skill, but only learns to parrot what is thought by someone else. At one point the character Lee Jun Ho (Wi Ha Joon), in his battle to teach differently, says “The smart ones… understand it will become an asset of their lifetime.” The whole essence of this thinking is carefully revealed in Episode 12 and it is explicitly delineated in step by step terms like a cry from the heart.

I won’t elaborate on, imo, how self defeating it is to push children in this way to rote learn so that they can get into a university (Seoul National) which is currently (June 2024) ranked at 62 on the THE scale of global universities, 14th in Asia, with an arts and humanities ranking of 176-200. (https://www.timeshighereducation.com/world-university-rankings/seoul-national-university) That’s indicative of a good university, but nothing exceptional. Children who get into the top university in the world - Oxford University - do not study in this way or for such punishing and unsustainable hours. Go figure…

Where Ahn Pan Seok and I completely part company is the music. My musical taste is pretty eclectic and I’m willing to embrace almost anything if it’s good. But banal and bland, predictable and pedestrian - nah. It’s not even as though you can just ignore it as background noise, tbh it’s often so cheerfully twee it attracts the ear. How he can be so subtle in his directing, yet have such naff taste in music is beyond me to understand. I’ve never watched a drama of his where the repetitive songs have not annoyed the hell out of me in every episode. Look, I’m sure there are people out there who love them, but I’m simply not one of them.

What I do like about his approach to music though is that he doesn’t always use it. His directing and the quality of the acting allows him to sometimes let emotional scenes play out without having to manipulate the viewers’ responses. They are good enough to stand on their own and silence is the thing that adds poignancy. Then immediately afterwards he’ll use something with brass and percussion at max reverb that wouldn’t sound out of place in a Marvel movie. What can I say…

As I have experience in the field and care very much about education I was probably able to read the message more thoroughly than most and as a result I really enjoyed this drama.

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Flirting with Morality in Decent and Clever Way!!

Alright, so this show- It's a fluffy, weirdly heartwarming rom-com with a twist of suicidal comedy. Yes! you read it right.
The portrayal of some very sensitive topic in the most amusing and clever way possible!

Haiba Jin, a morally grey teacher (but lovely human being) who is a bit out of line and a rebel stops a student Mikoto, a depressed soul who has lost interest in almost everything from committing suicide by offering a relationship as the last lifeline. His quirky and 'inappropriate' humor as he tries to cheer her up and sometimes distract her from her distressing life-ending thoughts is honestly an entertaining watch.

The chemistry between them is perfection *chef's kiss*. Even the intro song vibes with it. I really liked how Mikoto stood her ground against Haiba Jin's constant flirting. His charm game is on point! It totally worked on Mikoto (gradually) and on me too! *_*

I appreciated how they both were so self-aware that the relationship wasn't exactly kosher. They did roll with it but cautiously and delicately navigating the boundaries. The narrative was handled with thoughtful consideration.

The pace was surprisingly fast which is uncommon for J-Dramas known for a slower pace and inner monologues. However, I wish they should have spent a little more time developing the character's relations and individual personalities. It seemed hasty at times and the editing seemed a bit choppy with scenes abruptly starting and ending, which confused me here and there. But overall, these are issues that can be overlooked. Though the flashback scenes were done well to tie everything back together in a full circle!

This is my new comfort show and I would definitely recommend giving it a watch and a re-watch, too!

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Wow, a lot of kisses!

Ok I watched this jdrama after watching clip on Asian Crush's Youtube channel & reading the synopsis.

What I like
1. The kisses - I was pleasantly surprised by the quantity & quality. Hase had insatiable appettite for Momo. The actors did these scenes well.
2. Female lead's characteristic - I enjoy seeing her growth. She was assertive at the end but still remains compassionate.
3. Pacing - Fast-paced and I had to binge!
4. Music - This is one of the few eastern dramas that I enjoyed the opening song. Dreaming night is so catchy.
5. Colleagues - I enjoyed watching camaraderie amongst Calico Cafe staff.

What I dislike
1. Plot - There isn't a proper plot for this drama. I was wondered a lot about the direction of the series throughout.
2. Supporting cast - I wish Fukami's relationship with Hase was elaborated further.

Favourite scene
Cafe lesson no. 3 because I never expected it!

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