Reviews

Amazing but not queer enough

Amazing story of a man going into the body of a queen. It sounds silly but I would say this is really a political show. The longer runtimes allow so many subplots and side characters that I love. I mean a love triangle that overlaps with 2 other love triangles is so genius and complicated I had to make a chart. The twists and schemes are crazy, it’s tense and even messier than any show I’ve watched. My only issue is that it’s not queer enough, it tiptoes around queer themes by never going any further than bromances and flirting. I mean he’s a woman and he likes woman so he should be lesbian but no let’s have him with a guy but not make it gay. It would’ve been less effort to just make it gay.

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GO WATCH IT!

I love how it feels like a childish romance comic book but it’s self aware. I love Dano and her comedy so much and her condition adds a layer of depth to her. So much mystery and the reveals are really really good, the show takes time with them. I love that in the next scene everything goes back to normal and characters forget things, it’s a nice premise that she’s aware. I also really love the other aware characters (not going more into it). Also goes into mature storylines like abuse (not going more into it) and of course romance. My only issue is characters becoming unaware again, that’s where the show lost me a bit in Episodes 7-10 and at the end but otherwise it was perfect.

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beautiful

i loved this one. i loved the story. i loved the actors. everything. the only part i don’t like is that it was to short. i need more of them. this was too short. i also would like a more detailed explanation about the bugs?! the chemistry was great between the leads. the rest of the characters felt a bit rushed and just pushed into it. i probably should take points off for all that. but I really loved the story and the chemistry between the leads. for someone like me who never read the books or heard of the story, it was confusing but as I said, the rest made up for it. i just want more

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Definition of a Japanese BL

I love misunderstandings, I love faking a relationship, I love characters that are hiding something and the premise is actually pretty good with him being unlucky and the love interest being lucky. It’s silly and crazy enough to work perfectly with a style I enjoy and find funny.

Although, it’s quite derivative at some points, like heartbeat, they like the same manga and slow mo runs I’ve all seen before, these cliches are tired… enough. The title has kiss so you’d think they’d kiss more than once… well no…. it’s also short which just makes me want more (bls rarely get season 2s).

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What is this?

Jeongu comes back from working and sees two handsome strangers bothering him. They claim to be Choco and Milk, his dog and cat. Let me say that again his DOG and CAT and this is a bl….

The worst part is that they act like pets and they use flashbacks to remind you every 2 seconds. Even if you look past that the emotional moments feel forced with no build up or reasoning. It doesn’t feel earned and it’s so disappointing. My first sad ending… and who cares they could’ve all lived happier but the writers just wanted it to have a sad ending.

People said they cried to this… I feel like I’m loosing my mind! They’re animals. And there’s a sex scene….. Is there really anything else to say?

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Trapped Between Reality and Hallucination

Salmokji: Whispering Water is an intriguing horror film. After doing some research I found out that it’s inspired by the urban legend surrounding the Salmokji Reservoir in South Korea, located in Yesan County. According to local stories, fishermen and residents have historically avoided the area after dark due to the reservoir being built over an old cemetery, which may have contributed to the ghost stories and supernatural rumors. The film uses this eerie real-world background effectively, creating an unsettling atmosphere from the very beginning.

The story follows a production crew that returns to Salmokji for a reshoot, only for strange and disturbing events to begin unfolding shortly after their arrival. From there, the film gradually pulls both the characters and the audience into a psychological spiral where reality becomes increasingly difficult to distinguish from illusion.

One of the film’s strongest elements is how it manipulates perception. Each twist and unsettling moment creates a lingering sense of inevitability, making viewers feel as though something terrible is always about to happen, the question is simply when. The narrative unfolds in a way that demands attention, as even small details can become important later on. Missing certain moments may leave viewers confused, but that confusion feels intentional, mirroring the paranoia and uncertainty experienced by the characters themselves.

While the film succeeds in building tension and psychological unease, it does have its flaws. The rules and limitations surrounding the ghost are never fully explained, which leaves some supernatural aspects feeling underdeveloped. Although many of the jump scares rely on familiar horror clichés, a few still manage to be effective due to their delayed timing and execution. However, the film struggles with character development. Because of the limited runtime and focus on atmosphere, the audience never truly forms a strong emotional connection with most of the characters outside of recognizing or liking the actors portraying them.

Another frustrating aspect is the characters’ constant willingness to split up despite witnessing obvious supernatural events firsthand. At times, their decisions feel more like plot devices than believable human reactions. Additionally, while the premise is compelling, the story does not expand deeply enough on its mythology or themes, leaving several ideas feeling only partially explored.

Overall, Salmokji: Whispering Water is an enjoyable psychological horror film that thrives more on mystery and uncertainty than outright terror. It is not particularly frightening or deeply unsettling, but it does create an eerie atmosphere that keeps viewers engaged. Those looking for a layered psychological experience may appreciate it more than viewers searching for a fully developed horror story with clear answers.

Theory:
Personally, I do not believe anyone truly escaped Salmokji. My interpretation is that whoever survived became trapped within the reservoir’s supernatural cycle, endlessly believing they escaped only to “wake up” and realize they are still there. The hallucinations continue until the ghost ultimately claims them. The ending gives the impression of an endless loop, a cycle of false hope and psychological torment.

At the same time, since the film has an open ending it allows viewers to form and have their own interpretations. That ambiguity is likely intentional, making the ending one of the movie’s more interesting aspects despite its lack of concrete answers.

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My first and probably fav bl

Adachi is a 30 year old virgin can read minds and finds out one of his coworkers is into him, and he’s a man. It’s so interesting with the mind reading and a good romance and story. Some might find the style of comedy cringy or over exaggerated but I simply love it but it was jarring at first.

The characters are amazing with Fujisaki (my goat), Kurosawa is a freak and jealous king and Adachi my little scaredy cat, Rokkaku my hyperactive annoying in a good way son. We also have aroace representation/a coded character and I’m really glad that they exist (not telling you who for plot purposes).

There’s issues with it, the main couple doesn’t kiss and the second couple is so awful and doesn’t even need to be in the show I can’t stand them mostly because they never actually seem in love and have an age gap that makes them incompatible in my opinion.

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I have a lot to say

I recommend it because it’s not just a 1 to 1 remake and is its own thing. So compared to the Japanese version these episodes are longer. The extended runtime allows them to flesh out the story and relationships (like a proper introduction to Rock and Rock and Min’s relationship), adds new characters (Dujao as their boss and comedic relief) and keeps more moments from the Manga (which is also quite different from both versions). It also drastically improves the second couple so much that I actually liked them in this version and the main couple is able to kiss in this version.

My issue is that it also strays too far and removes the elements I really liked like the aroace representation for an underbaked straight romance and less strong or more generic personalities from the characters (Pai, Karan, Achi and Rock especially). Even though I still love these characters, especially Pai. I also feel like the actor for Achi calling himself plumb as tofu while being visibly muscular is so funny.
Yes I’ve rewatched it multiple times now, I love this adaptation.

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