Reviews

Crime & Punishment

KARMA (2025) is a very dark, bloody and brutal series concerning sins of the past and karmidic punishment of fate. Karma indeed catches up with all characters. This series is very well written, and exceptionally acted, but definitely not for the faint of heart, as there are quite a few disturbing scenes.

"Bound by their harrowing destinies, a physician plagued by nightmares, a man shaken after his world was unexpectedly disrupted and a debtor drowning in private loans become caught in inescapable circumstances."

'Karma' is a dark drama that weaves a very tense, complex narrative together perfectly. All the separate character stories interlock seemlessly and came together perfectly for the ending, despite my initial doubts. At only 6 episodes, this series feel very tense and the the plot very tight.

This series deals with some heavy elements in a very skillful manner. Some aspects might be hard for viewers such as murder, rape, organ harvesting, and all other sorts of crimes. It definitely depicts a gritty, criminal underbelly of society rather than sugarcoating anything. Highly recommend if you have the stomach.

Read More

Boss Celll ■ Preposterous Premise □ Praiseworthy Performance °7.3° °VG° ?%?

As Un🔓MB opens, it's the turn of the millennium and Y2K is the current panic. Y2K had a lock on the zeitgeist. It turned out to be low fizz kombucha. Good for the inner workings, a tad sour, and mostly forgettable. Seo is a kid and he's hanging with his mom. He's clipping his toenails and doing other very un-techie stuff. He isn't thinking about the corporate ladder and the fierce competition in the business world. That comes later.

Fast forward a couple decades and tech is still front and center. We survived Y2K but will we survive Y-AI? As always, machines aren't really the problem. People are. And in the realm of IPOs and product launches, psychopaths seem to rise to the top. Our villain is one of them, and true villains are excellent at hiding their true selves.

Seo. He’s SO over it all. He's been toiling away looking for a job. He's always told he doesn't have experience. How can he get experience if he never is hired? Why does life have to be such a conundrum? Ahn Nae Sang (The Devil Judge-8.2, Racket Boys-8) makes an appearance as his dad. I haven't seen him do much comedy, and he's pretty funny. Seo’s parents are cute together and create a buoyancy the show floats upon.

Un🔓MB is a 2023 release that is rated 91 on AWiki. Director Lee Chul Ha brought us Spirit Fingers & Okay! Madam, while screenwriter Kim Hyung Min also penned Sweet Home-8.4 & Smashing on Your Back. Un🔓MB is 1 season consisting of 12 60-minute episodes where one can gaze upon the boyish face and guileless smile of Chae Jong Hyeop (Castaway Diva, Love All Play). That will be enough for some, but even with a near cringe-inducing name like “Unlock My Boss,” this show delivers more than wistful smiles. For anyone in the know, however, this is a full 404 error as viewers who understand tech will probably dislike it. They don't get remotely geeky with the plot or try to explain things. The viewer is expected to treat tech like magic.

Back to Seo. His interview doesn't go well. In ep1, our 2 leads collide when he's on his way in for “questioning”. They bump and her coffee goes all over his shirt.

Him: Meltdown.

Her: She grabs him and drags him to the bathroom to switch shirts. He acts like a blushing maiden through the entire encounter. She moves with emotionless efficiency. Thus, they meet. He's pretty depressed, now, so he doesn't notice how cute she is

Seo Eun Soo (Duel, Missing: The Other Side-8.3) is Jung Se Yeon/”Yeo”. She works for that tech company which is why she was there,running into Seo on the day of his interview. When we first see her, we have to wonder if /she's/ a robot. (Her boss, the CEO, says she's more robotic than AI.) We'll soon learn why she's emotionally stunted: She's in deep debt from providing for her mother's hospitalization while the shy-🔓s never stop compounding the interest. So, Yeo's under mega pressure. While she seems listless, she's merely been squeezed into a very tight spot and has lost all joy in living.

She has a head crusher following her every move. He's relentless. (Kim Sung Oh from Money Heist: Korea & Secret Garden-7.6 is Jung Ju Seong, or Ma Fi, for Mafia. Sometimes he's “Uncle Mafia," as CEO Kim's daughter refers to him.) Ma Fi cranks the show's rating up by a full point. He is almost comic relief as the relentless leg-breaking juice man. He can easily trade bosses, but the job remains the same: When he must guard an elderly female patient in a hospital ward, he gives all the infirm, elderly women at the ward the same cold, dead stink-eyes he would when threatening a rival gang member! The women are perplexed and vaguely terrified. Everyone looks sus to Uncle Mafia 😅. The only person who chinks Ma Fi's armor is the CEO ‘s baby girl, Kim Min A (Gi So Yoo from The Good Bad Mother). He's actually started to practice /smiling/ in the mirror 😬 ~ all for her.

I didn't realize this was going to have a fantasy element, but wouldn't you know, CEO Ju from the company the Seo applied to, was attacked. His consciousness (his soul?) was transferred into his phone which Seo picks up. The phone starts talking to him! CEO Ju (Kim Seon Ju, played by Park Sung Woong who was adorable in Man to Man-6.7), this CEO is going to need help, and he will need this secret kept in absolute confidence.

Looks like Seo is SO hired! He is to act as the CEO's replacement. He's under the constant supervision of the CEO by way of his earbuds. In that way, it reminds me of Ratatouille-9. It's an acting gig! Seo has always wanted to be an actor! In his past, standing up for a coworker against a sexual-assaulting boss short-listed his entertainment career.

Yeo is a smart girl. She becomes suspicious very quickly. Before long, she knows too much and is rooked into being Seo's assistant - in the deception as well as the job. They're now 2 super agents in their own cell of 2. It's cute.

As of ep7 it still felt quite a bit like set up. The plot is just beginning to get rolling at that point. Our ML is a cutie while the FL is still a mystery as she's so quiet. The corporate machinations and sabotage are a tad heavy and outrageous, but all in good fun. Perhaps the best thing that can be said is that, with 12 episodes, Un🔓MB doesn't wander, it keeps its focus, and maintains a level ride - no detours, crashes, or stutters.

Unlock? The boss is locked in a cell… a cell phone. The title may sound like a cheesy romance rag, and the premise may seem very silly, but they tie it together well. Un🔓MB is competent. The art of the show is mostly good. Early in ep1 there's a nifty little sequence where Seo and CEO Ju are contrasted. Seo is in his cramped, utilitarian apartment eating a cheap, utilitarian meal with his roommate. “Turn out the light, it's too bright in here,” Roomie says. Seo doesn't feel like getting up so he throws /trash/ at the light switch and turns out the light. Next, there's a quick cut to Ju entering his spacious, open-floor-plan mansion. “Turn on the lights," he speaks to his AI. Boom! Let there be light! That's all they needed to show the contrast between the two men's lives. The OST is above average. I Shazamed:: Red Dragonfly by Cho Yong-pil, HOME by BUMJIN (that one is a 10) & Lie to me by Sion.

The show coasts by, but in ep10 when many Kdramas start to lose their way, Un🔓MB goes deeper and adds tumblers. First, they reinforce the dignity of the cleaning lady. Next, they set up a contrast between CEO Kim (a VIP among VIPs) and Seo's mother, (a penniless nobody). They become equal when they each become comatose. In fact, Ma Fi ends up rescuing each of them, reinforcing their connection. There is no escaping the human condition, ultimately. In the face of launching AI that has now surpassed us in intelligence, that appears to be the theme.


QUOTES🗣

We don't need to abide by the law against those who tossed it to the dogs, do we?

Skirting the foot of the hill by myself, I come to a lone well by a paddy and silently look into it. Therein is a man as well. I hate him, but I know not why. I turn away from him and go away. While going away, I come to feel compassion for him. I return again and look into the well. Therein remains that man. Again, I come to hate him and go away. While going away, I come to long for him. In the well there is the moon, shining bright, clouds flowing by and the sky spreading open. A blue wind wafts. It is autumn. And the man, therein, is but a remembrance.
~Self-Portrait~


IMHO〰🖍


RATINGS 🎬7.5 🖊6.8 🎭7.8 💓6 🦋5 🎨7 🎶8.8 🔚7.3 🤗6 ▪ LEVELS 🌞5⚡4.5 😅3 😭4.5 😱4 😬3 🤢2 🤔5 💤0



Age 14+ for scattered language and violence

Re-📺?
This one's in the good-to-pass-the-time category, but I may never pass this way again….

You may also like:

Adrenaline
Sisyphus 8 (give it 2 episodes, ep1 is confusing),
A Shop for Killers-8.7,
The First 1st Responders-7.8,
The Devil Judge-8.2,
K2-8,
Moving-8.5
Revenge of Others-8.1,
Oldboy-9,
The Worst of Evil-7.7
Heavenly Sword and Dragon Slaying Saber 9-Kung-fu!;

📑Corporate Crush🗜
Crazy Love-7.8,
Itaewon Class-8.9,
Misaeng-9.1,
My Liberation Diary-8.9,
Blood Free-8.5,
When My Love Blooms-7,
Vincenzo-7.9,
Strongest Delivery Man-6.6,
She Would Never Know-7.3
Revolutionary Love-5.7,
Forecasting Love & Weather-6.8,
Heirs-7.3,
Business Proposal-7,
Call It Love-8.4,


OST Heaven Best Tunes & Sound
Alchemy of Souls 2,
Be Melodramatic-8.7,
Black-9,
Bulgasal: Immortal Souls- 6.1
Bloody Romance-7.3
Boys Over Flowers-8.3,
Bride of Habaek-7,
Crash Landing On You-9.1,
Good Morning Call-7.9,
Hometown Cha-Cha-Cha-8.2,
Hospital Playlist-9,
Itaewon Class-8.9,
Live Up to Your Name-7.6,
Love Between Fairy and Devil-8.9,
Lovestruck in the City-7.3,
Mine-8,
Missing: The Other Side-8.3,
My Mister-9.5,
Oh My Ghost-10,
Prison Playbook-8.4,
Story of Yanxi Palace-10
Touch Your Heart-8.2,

Read More

A High-Potential Matryoshka of Mysteries with a Forced Happy Ending

This was a drama that put extra effort into creating a mystery within a mystery. The pacing is very fast, so you might occasionally struggle to understand what is going on. Just when a mystery is revealed and you say, “Ah, so that’s how it is,” you soon realize that what seemed resolved actually isn't. With constantly shifting truths and character identities, it has a structure that peels back layer by layer, almost like a Russian nesting doll.

However, the drama’s biggest problem is that this complex structure lacks sufficient control. A good mystery surprises the audience but also makes everything feel like it falls perfectly into place when looking back. Here, some plot twists feel tacked on later; they aren't organic and are aimed more at creating shock value. This causes a sense of disconnection while watching. The time travel and flashback plot was unfortunately poorly executed and fell short of expectations.

Another notable issue is the lack of a clear timeline. It is sometimes confusing which event takes place in which time period, and the chaotic transitions between scenes make it difficult for the audience to keep track. Combined with the mystery plot, this creates unnecessary confusion rather than a sense of "depth."

The narrative constantly jumps from one thing to another, taking a different direction right after events or mysteries are seemingly resolved. Character relationships are not deepened enough. Characters added in the newer episodes are often thrown into the story without a proper introduction to who they are, and they immediately start using their powers. Frankly, since I liked the side characters, I thought their pasts, developments, and powers should have been explored more. These characters needed to be integrated into the story in a more natural and balanced way.

The power scaling also feels highly inconsistent. Some characters are portrayed as overly powerful or unnecessarily weak depending on the script's needs. This breaks the audience's immersion and damages the credibility of the universe's internal rules. In particular, pushing Ji Ling's story too far into the foreground made the dragon (Wu Shi Guang) character feel much weaker than expected in the finale.

The inability to eliminate the main villain is another problem. The story revolving around a single main antagonist creates a sense of repetition after a while and severely lowers the perception of threat.

In summary, it has a constantly shifting and layered mystery plot, but this structure doesn't always rest on solid foundations. The stories of side characters are underdeveloped, and character relationships lack depth. In my opinion, the writers sometimes tried to create forced mysteries. Despite its disjointed narrative, it remained a watchable drama. The fantasy elements, creativity, and CGI were not bad. The world-building, cities, and spatial details could have been handled better. With a more balanced narrative, strong character building, and a consistent power system, it could have been a much more impressive piece of work.

Coming to the finale, we partially see the consequences of the changes made in the past. It was a nice detail that Wu Shi Guang retained his memories. The encounter between Ji Ling and Lu Wuyi at the end, where they don't recognize each other, was emotionally effective, but their story could have ended differently. Looking at the fates of Wu Shi Guang, You Chi, and the demon hunters; it's very clear that the writers strove to create a forced happy ending where the characters who died didn't actually die. After such a shocking and fast-paced storm of mysteries, a happy and relatively stagnant finale is presented. It feels like a story that couldn't reach its full potential—despite having the makings of a longer, more detailed, and grander work—due to a lack of budget or weak writing. How well it fits the general flow of the story to forcibly turn a drama that was heading towards a dark, tragic ending into a bright finale through alterations in the past is highly debatable. Finally, seeing the deceased demons—whose powers were sealed in the ring—and the demon of loneliness help Ji Ling by opening portals within portals was a really nice touch.

Read More

Starts Very Well

Okay. First of all, it's not 10 out of 10. And I am only on episode 3.

However, I always give generous ratings to good stuff and I don't understand people giving low ratings because it's not to their taste. Drama doesn't mislead you. It's a eerie, horror, teenage drama from the start. And it is executed very well.

I got chills. I am intrigued. Even though the concept is not a brand new thing, I highly enjoy it.

If you are not a horror fan, of course you are not going to like this. If you are going in thinking everything has to be so rational and realistic... maybe supernatural horror is not for you.

I watched a lot of horror movies and tv series, and I can confidently say: this is good.

I will revise my review after I finish the show. But until now:

- script is good. I am intrigued, curious, and slightly scared. That's all I wanted from this show.
-directing is good.
-actors are really good. They are new to me. I only know the guy from Cheer Up. But I like them all so far.

If you like horror and kdramas, give it a chance.

Read More

One of the most unforgettable dramas I’ve ever watched.

From the very beginning, it completely pulled me in with the story of Song Yan and Xu Qin, two people who loved each other deeply in the past but were torn apart by family pressure and life circumstances. And when they meet again after years, it doesn’t feel like a “fresh start” romance, it feels like two broken timelines colliding, still carrying everything they never got to say.

What makes this drama so powerful is how real the emotions feel. The tension between them isn’t just romantic—it’s painful. You can feel the weight of everything they lost in every interaction. Song Yan’s cold restraint at the start, Xu Qin’s quiet regret and hesitation… it all builds this emotional pressure that slowly becomes impossible to ignore.

And when they finally start reconnecting again, it hits even harder because you’ve already suffered through their separation with them.

I cried so much watching this drama. Not just once or twice—I mean full sobbing during some scenes. The scenes where Song Yan is risking his life as a firefighter while still silently carrying his feelings for Xu Qin destroyed me. And Xu Qin, as a doctor, constantly saving lives while trying to fix her own broken heart… it felt so human and raw.

Their love story isn’t easy, and that’s what makes it so good. It’s about healing from years of misunderstanding, family pressure, and emotional damage. When they finally start choosing each other again, it feels earned. Not rushed. Not forced. Just painfully real.

The firefighting storyline itself is also incredibly strong. It adds so much intensity and respect for Song Yan’s character. Every rescue scene feels life-or-death in a way that actually matters emotionally, because you care about him and his team so much.

The family conflict also adds a lot of weight. Xu Qin’s struggle between her controlling family and her love for Song Yan makes her character very tragic but also very relatable. That said, one thing that frustrated me at times was the contrast in how she handles situations: at work, she is sharp, direct, and doesn’t let people push her around, but with her family she often falls back into obedience and silence. It reflects how deeply conditioned she is by her upbringing, but it can still feel emotionally inconsistent or frustrating to watch before her gradual breaking point.

Even with that, her growth is still impactful as she slowly starts choosing herself and stepping out of that emotional control, especially as her relationship with Song Yan strengthens.

Another thing that really bothered me was the adoptive brother subplot. The way the drama frames his attachment to Xu Qin sometimes comes very close to a borderline romantic or possessive undertone (highkey incest), which felt unnecessary and uncomfortable given their family-like relationship. It felt like the story was trying to create extra tension, but instead it just distracted from the main emotional core of Xu Qin’s journey.

And the ending… it was so satisfying. After everything they went through, seeing them finally overcome the past, choose each other, and build a future together felt like emotional release. Their quiet moments after all the chaos, the idea that they finally got peace it genuinely felt healing to watch.

Overall, is not just a romance drama. It’s emotional, painful, intense, and beautiful all at once. I loved almost everything about it—the storytelling, the acting, the chemistry, the emotional depth. It stayed with me long after it ended, and I know I’ll come back to it again someday just to feel it all over again.

Read More

Credible about a housekeeper in Singapore.

Film debutant Anthony Chen has made a low-key and thoroughly credible drama.“Ilo Ilo draws the viewer into what feels like real everyday life where personalities grow and people influence each other.

Sometimes you don’t need big dramatic gestures, moralizing messages or tear-jerking resolutions to touch. Sometimes you just need something as simple as the story of a family and their housekeeper. Where you only feel a faint but lasting scent of emotions such as need for affirmation, jealousy and pride.

The film is director Anthony Chen’s (who made the award-winning short film Grandma) feature film debut and is based on his own diffuse childhood memories from the 1990s, which subtly play their own role as a time period in the film. The story takes place in Singapore, in a family struggling to make ends meet in an economically troubled society.

The pregnant mother (Yann Yann Yeo) is trying to keep her rebellious, 10-year-old son Jiale (Koh Jia Ler) in check while maintaining a perfect facade while the father (Tian Wen Chen) is secretly tinkering with his career and finances. In comes Teresa, a Filipino housekeeper in search of a better life in order to support her own child. Jiale shows her aversion to the new housemate early on, but soon the lives of all four begin to affect each other in ways they never expected.

We're not talking about Mary Poppins here - Forget all the Hollywood ingredients. Unlike its story-related cousins ​​like Intouchables and Niceville, this is a quiet, low-key film that never gets boring. The sensitive, neutral acting combined with the lack of music and natural lighting almost makes it feel like you're peeking into a real home. It is not an extraordinary family with quarrels or escalating arguments, but at the same time personalities that grow, albeit slowly. You feel that something is happening and want to know what.

There are credible and titillating scenes here that build up the relationships. Like the son's bullying of the housekeeper, which in a laundry scene turns into a friendly water fight, or the mother's clumsy handling of her jealousy of her son's loving relationship with the housekeeper. The film's strength is spelled realism - Meetings and confrontations are like in reality, quiet and repressed, whether they are happy or painful.

There is no hint here that Chen is a debutante. It is an extremely well-directed film that lures the viewer in with small, effective means. Possibly a little too cold and stripped down for some. At first, the characters may seem a little unsympathetic, especially the son who is spoiled beyond all limits, but gradually we are drawn into their worlds whether we want to or not. You don't even have to like them, but we want to see that everything somehow works out.

Read More

I started it mainly because I really like both the lead actress and actor. I’ve followed a lot of their previous works, and they usually bring strong chemistry and solid performances. That was definitely one of the main reasons I was excited for this one.

Now that it’s finished, I’d say it’s a very easy watch, but also a very safe one. The story flows fine and there’s nothing particularly bad or off-putting, but it also doesn’t take many risks or leave a strong emotional impact. It stays in that familiar modern romance zone where everything is pleasant, but a bit predictable.

The romance is fine and the interactions between the leads are enjoyable, but it never really builds into something that feels memorable or deeply engaging. What carries it most is still the leads themselves. Their presence makes it watchable and comfortable throughout, and they do their best with the material they’re given. But even with that, the drama doesn’t really elevate beyond “pleasant and okay.”

Overall, As Beautiful As You is an easy, light romance with likable leads, but it plays it too safe to stand out or stay memorable after it ends.

Read More

Strong Music and Band Chemistry, but Weak Plagiarism Plot Holds It Back

I watched it while it was airing, so I remember being genuinely excited every week waiting for the next episode. That weekly anticipation definitely boosted my experience at the time and made me more emotionally invested than I probably would’ve been if I binge-watched it later.

Looking back, though, I feel like the plagiarism plotline was handled quite poorly. It had a lot of potential to be more impactful and layered, but it ended up feeling underdeveloped and sometimes inconsistent, which weakened the overall narrative for me in hindsight.

On the other hand, the music and band dynamic were easily the strongest parts of the drama. The performances, rehearsals, and group chemistry were all engaging and carried a lot of the emotional weight of the story. It’s really what kept me watching.

Sagye was also a mixed point for me. In the beginning, he felt a bit too intense and difficult to connect with, but as the story progressed, he matured noticeably and became much more likeable and grounded, which improved his overall arc.

Even so, what stayed with me the most wasn’t just the drama itself, but the music outside of it. I genuinely fell in love with the real band AxMxP through this, and I still listen to them now. They make really good music nowadays, and that part of the experience honestly outlived the show for me.

Overall, Spring of Youth has strong musical elements and some good character growth, but the writing, especially around the main plagiarism storyline, keeps it from being more than a decent watch.

Read More

Great Slow-Burn Romance, but an RPG Premise That Fades Into the Background

What initially drew me in was the unique premise, especially the RPG-style plotline woven into the story. It felt like it was setting up something really creative—almost like the characters were living between a game world and reality, with rules, “quests,” and consequences that could have added a lot of tension and depth. The early episodes really lean into that idea, and it gave the drama a fresh, slightly meta feel that stood out from typical romance setups.

However, at some point the RPG element is not just underused but basically disappears entirely. It goes from being a core part of the story to feeling almost irrelevant, and eventually the drama shifts into a more traditional office setting. It honestly felt like a completely different show had taken over halfway through, which made the initial concept feel a bit wasted in hindsight.

That said, I still enjoyed it a lot because of the romance itself. I really loved that it was a slow burn—it’s very well executed, with a natural, patient build-up that makes the emotional moments feel earned rather than rushed. The pacing works well for the kind of story it becomes, even if it doesn’t fully align with what it starts as.

I also ended up really liking both leads. Their chemistry is subtle but strong, and both characters are written in a way that makes them easy to invest in individually as well as a couple. Even when the plot shifts away from its original concept, their dynamic keeps the story engaging.

Overall, it’s a drama that starts with a very interesting RPG-inspired idea but doesn’t fully commit to developing it. Still, the strong slow-burn romance and well-written leads make it worth watching.

Read More

It's bad but addictive

I am watching these 10 min ver of this bl and my review is based on that. For the 1st 2 episodes i felt the drama was going okay and it made me wonder why the rating was soo low. Like it's a classic thai lakorn plot. A twin does something and another ends up paying for it which is kinda violent and rapey but then things come around and we have a kind of redemption. It reminded me of "Kluen Chiwit" if someone has watched this it was pretty popular a decade ago except there's no twins here just misunderstanding.

Here the drama started with 2 brothers venus and saturn. Venus being the nice one and Saturn being the rude one and our ML Pakin confuses Venus for Saturn and kidnaps him & tortures him. I was fine till here but then he just rapes him out of nowhere. Now okay they added that scene but they need to handle it too right?? Venus is traumatized by Kin strangling him but not by the rape🙄 like what??? There was no point in the drama i saw kin falling for venus i only saw him lusting for him and the worst part is Tammy who appears to be a character who is sympathetic towards Venus is acting like rape is them hooking up cz they're attracted to each other. Also she lives next door how could she not hear Venus screaming when it happens twice???

Another BS thing that happened was Lookkai taking Venus to his mom after he and his bf decided to rebel against her🙄 and then they did rebel too then he helped his mom and then is like "don't hurt venus" idk all i did was laugh in this scene😆

Anyways it may sound bad but i think it's a watchable and addictive bl. The actors definitely deserve better screenwriting. Watch it but trigger warning it's stockholm syndrome 😆😆 its bad and addictive

Read More

It kind of loses steam, but the chemistry between the two lead couples keeps you watching

Seeds of Scarlet Longing, I’m gonna be honest, it started off really strong for me. Visually it’s beautiful. The cinematography, the cast, the costuming… everything just looks really rich. It even has this kind of quasi-fantasy vibe to it that I really liked.

Now the story… mm. It doesn’t feel fully complete. We get a lot through flashbacks, and that’s usually not my favorite way to tell a story. It kind of takes you out of it a little bit.

But what I did love were the relationships. The male and female lead had really good chemistry, and even the second leads felt like they belonged together as well. For a while, I genuinely didn’t know what to think about the crown prince, like, is he good or bad? I’m glad he resolved things with his uncle though, because that could’ve gone a whole different way.

As the show went on, though… it kind of lost some of that energy. My excitement definitely wasn’t the same as it was in the beginning.

I will say I really love the male lead. I’ve seen him in a few dramas before, and he is just a really good actor. His performances never disappoint me, and I would love to see him in something longer. The female lead was good too. I last saw her in Scent of Time, and she looks completely different here. Her styling is so different that you would hardly believe it is the same person.

Overall, this drama is not complicated and it is not trying to be anything crazy. It just is what it is. It is a good, easy watch.

Read More