Reviews

Sometimes its best to let go and move on.

I honestly absolutely loved 2521 and i thought it was a brilliant drama. It's impeccable scenes and the way they used flashback, flashforward, and many different more techniques are so impressive. I really do urge you to watch this as its really memorable and it teaches you so many different things in life. It opens your eyes to things that we miss alot in day to day life. It allows us to grow and understand the hardships people face, which soon will be us. This drama is so relatable, nostalgic and admirable. It really breaks your heart but you know deep down it was for the good. Sometimes its best to let go and move on, thats a part of love. And i love the way Na heedo and Baek yijin conveyed that. I am forever grateful for this drama as it will be my top ones. Its so realistic, which is just what we want that makes it better than others with similar plots. But i do still wish they could have been together at the end.

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People are being overly critical...

I could tell from the very beginning that this was going to be a cheesy, lighthearted, and somewhat childish show. If that isn't your kind of drama, then I probably wouldn't recommend it.

Personally, I had a lot of fun watching it. It's a great choice if you're looking for something cute, easy to watch, and not meant to be taken too seriously. The acting definitely isn't the strongest, but I didn't find it bad enough to take away from the overall enjoyment.

I also tend to enjoy all kinds of dramas, but I'm especially a fan of series where the main couple gets together before the very end. I like being able to actually watch them grow as a couple for a few episodes instead of only becoming official in the finale. Since Your Sky does that, I'm probably a little biased.

Overall, I think people are being a bit too harsh on this show. it's simply a sweet, cheesy BL that's fun to watch if you go in with the right expectations.

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A Masterclass in Style, a Failure in Closure

The Devil Judge has amazing acting and an awesome soundtrack, but the cool story totally drops the ball at the very end. Kang Yo-han is fantastic as the main judge, but the finale completely robs you of the satisfying revenge you wait the whole show to see. Instead of being publicly shamed on their own live TV court show, the bad guys die too quickly and painlessly in a sudden courtroom explosion. Even worse, Sun-ah shoots herself before the bomb goes off, so we never get to see Kang Yo-han actually beat her or deliver the final blow. Because the ending feels so rushed and closed-door, it drags the whole experience down. This show was on the road to becoming a masterpiece, but sadly, it got ruined by too much dragging and poor writing in the end.

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yeasss beat the bullies up

i really enjoyed this drama and every single episode. it was so entertaining to watch and def really satisfying.

the plot is pretty simple lol. there's a bully at the school, the team shows up to "teach [them] a lesson", bully gets punished, victim gets justice, end of episode. but each ep has a new root problem to the bullying and its never repetitive- which makes this drama so entertaining.

obviously, this is supposed to be fiction lol but seeing kids/teachers/etc get bullied and actually getting justice in a satisfying way is pure entertainment. realistically, as we all know, this wouldn't work out. but like seeing it in a drama and something like this coming into fruition was really entertaining lol

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Interesting as a thought exercise, weird as a drama

First and foremost, we've really got to stop categorizing things as BL just because two hot men stand next to each other lol....this is NOT even slightly BL so turn back now if that's what you're hoping for.

I'm not really sure what to make of this drama because, on one hand, I think it ultimately fails in telling a coherent story. There's basically no background or development for the characters, the game is not really all that exciting, and the ending is pretty random and abrupt. The egregious use of genAI imagery throughout is also reasonable grounds to write off this drama completely.

However, given all that, I was surprised that it actually appeared to have underlying commentary about how dissemination of information and messaging can influence public opinion and shape politics. Maybe I'm giving the drama more credit than it deserves, but it did get me thinking about my own views and values on war and peace and the responsibility of governments by watching the characters debate those very topics. The drama also seemingly acknowledges creative opposition to AI in a way that made me wonder if it's expressing some sneaky anti-AI sentiment. And perhaps it's because the producers expected this drama to have no traction, but I was amused that they risked even potentially evoking a certain real-life geopolitical conflict between Japan and Korea with the hypothetical conflict that is the basis of the propaganda game being played...not sure if it was gutsy or just plain dumb lol.

Overall, I would maybe recommend if you've ever wanted to observe a Model UN meeting that is unusually full of pretty people, but don't come expecting any semblance of a plot.

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From Tragic BL to Toxic Danmei: Are We Repeating the Same Mistake?

The Wrong Stories Keep Getting Adapted

One thing that genuinely frustrates me about recent danmei adaptations is that they often seem to favour the most controversial or toxic stories, while many of the genre's best-written novels with healthy relationships, emotional maturity, and meaningful character development are left untouched. Chinese danmei has an incredible range of stories. There are novels where couples grow together through trust, mutual respect, and communication rather than manipulation or abuse.

Yet, when I look at the adaptation lineup, many of the projects gaining attention lean heavily into obsessive love interests, sexual abuse, coercive dynamics, emotional manipulation, or relationships where one partner holds overwhelming power over the other. Those themes can absolutely be explored in fiction, and many readers enjoy them as fictional drama. The issue isn't that these stories exist; it's that they often seem to overshadow the wide variety of healthier, equally engaging danmei that rarely receive the same opportunity for adaptation. It reminds me of an earlier period in BL media when tragic endings were everywhere. Back then, many BL films and dramas ended with death, separation, or heartbreak, partly because creators were reluctant or unable to portray same-sex relationships as happy or lasting. The repeated use of tragic endings created the impression that queer love stories were destined to end in suffering. Now, the trend feels different but similarly limiting. Instead of tragedy being the defining feature, it's increasingly toxic relationship dynamics that dominate adaptations. When viewers who are unfamiliar with danmei only see these kinds of stories, they may assume the entire genre revolves around abusive or unhealthy romances. In reality, danmei is far more diverse. It includes slow-burn romances, found-family stories, historical epics, mysteries, slice-of-life narratives, and countless relationships built on equality, trust, and mutual growth.
I just wish adaptation studios would showcase that broader diversity. There are so many exceptional danmei novels with rich plots and genuinely healthy couples that deserve the spotlight just as much as the darker, more controversial titles.

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its pretty depressing and the mc is crazy

not my cup of tea

the show is very very realistic in the sense that there's a lot of misery and just full of sad, unfortunate moments that reflect a lot of people's lives. honestly imo i don't think this show is for me cuz there's so little upsides and moments of relief. like its just sad/unlucky/depressing moments one after another and it feels like there's no light at the end of the tunnel yk-- which ofc is realistic ik but if you're looking for a drama that gives you that "escape", this is def not for you.

the mc is pretty insane. like he's a crazy man loll and i can see that its supposed to bring that "relief" aspect in the form of humor but imo its pretty awkward and like idk cringe?? idk but his character is not my cup of tea.

the relationship between him and eun-a is also idk like ig its nice to watch but its kinda confusing?? idk and there's a lot of plot holes aka side plots that don't feel finished and idk it just feels rushed towards the end.

the friend group is weird too like he badmouths every single one of them for like idk 10 years straight and everyone feels bad for him despite all of that like okay i get it if it hasn't been that long but like how did they take it for so long?? and when the mc finally got his breakthrough everyone was happy for him after everything he's done to them? like ok if it was just said to the friendgroup idc (ig? idk) but like he went around saying that at like public settings and with like the whole production team? idk...

anyways this type of mc just isn't for me... as for this type of drama loll but i'm giving it an 8 cuz i can see why its good

the acting from the whole cast was really good, the ost was sooo good, but the story? um not for me lol

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the kdrama will never can be adapted to other country or director

1. The choosen of actor and actress is perfect
2. The soundtrack is good
3. The OST kdrama is perfect even my fav song
4. kim go eun acting is really suprised me even thought i dont know him back then and i know him after wathing thid kdrama
5. the brotherly chemistryof the goblin and the angel of death is good
6.The chemistry between the main role of the goblin and the student is actually a little less than the second role of the angel of death and the shop owner.
7. The story of this drama is good and I think it's something new for kdrama there because this genre is difficult to adapt and act out.
8.Even though at the beginning I felt a bit creeped out and felt a little cringe with Kim Go Eun's acting when teasing the goblin, but when she cried, she was good.
maybe this is one of the best kdramas in my opinion, it's not there yet

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I see many people did not like this. I differ. I really liked this.

Where there plot holes? yes.
Was the story still compelling and entertaining? Also, yes.
The soundtrack was good.
The acting in my opinion was pretty great. The best of it all.

I think Namjun did a great job as Segye and so was Jiyeon portraying two characters. now, Seunjo did so good that I do not think I will be able to watch him in anything any time soon.

I really wanna see Namjun in more dramatic and romantic series. also, this man is gorgeous. I do not get the hate.

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First things frst: This is a series I would *only* recommend to those who are already familiar with the way Thai PBS makes its series and like it -- it's definitely *not* a series for newbies.
Because not only does the drama happily mix different genres, it also meanders through the episodes without a clear theme or obvious goal. I was so much that I felt that the plot was nowhere and everywhere at once until episode seven or so.

I suspect that the initial intention was to make a series to showcase different types of massage and their use; and this is where the drama is best. It's almost like a meditative documentary in these scenes. If the main goal was to educate viewers about (Thai) massage, then it did a good job!
This contrasts with the overall vibe, which is a comedy combined with slice-of-life, with the occasional dip into lakorn as well as more sober scenes when social issues are addressed. The plot's direction is completely unclear until the first half of the series is almost over, and even then, it occasionally diverts into sub-plots.

Where the screenplay is a comedy, it's a really good (Thai-style) comedy, and the serious issues are presented in a way that doesn't make light of them. It's the mix that will likely put the uninitiated off.

The main cast does a good job, even if the Thai way of "age is just a number" casting made it hard for me to accept the casts relationships. Both Yaajai and Chart are close to fourty (their actors were 31 and 45 at the time of release, repsectively); Pop, who is maybe somewhere around thirty, or slightly younger, maybe even in his mid-twenties, is played by an actor who is four years older than Nest ("Yaajai") and this makes him calling her ป้า (and later น้า, then เจ๊ ) incongruous.
The thing is, all actors look their age (which is not a bad thing in itself!) but it made it very hard to accept their respective status with each other.
However, if I think about it, I feel that the actors were still somehow right for their roles. Nest Nisachol ("Yaajai") had the hardest part, as she had to switch between over-the-top comedic acting to serious and calm; Kimmon Warodom ("Pop") is excellent (if a bit too pale) as uneducated, sincere but sassy respectful motorcycle-taxi-driver-come-masseur; Oh Anuchit ("Chart") is the sensible father figure with a secret; and Mim Rattanawadee plays a solid teenaged daughter who has her own burden to shoulder.
Without them, the series would have been not as enjoyable for me.

Something that also continuously distracted me was Yaajai's lipstick, which didn't follow the lines of the lips but went over and under them. It concealed her beautiful cupid's bow and looked horrible overall. Maybe it was to make her look older? Because I have seen this style of applying lipstick only on middle-aged and older women who try to make their lips look larger.

Overall, I liked it more than I thought at the beginning, I had no trouble at all to continue and watch until the (too saccharine) end. I do think the screenplay would have benefitted from a clearer underlying common theme -- there were some I would have liked to see explored: like the stress menial labour like driving, cooking, etc., i.e. work that usually is done by the lower class, has on the body, or the importance of human touch for well-being vs. the need for consent. (There was one scene where Yaajai was definitely disregarding boundaries in one scene, and unfortunately it was played for laughs.) -- both themes that could have easily been tied together with the promotion of massages.

I would not necessarily recommend this one. If I did, then only to those who are already familiar with Thai PBS productions and like them.

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the good drama cause the quality actor and actresss but weak on story

1. all main role actor& actress is good casting and have improvement every eps , for wang yibo is that he improved a alot from drama he took before even many reviewer drama that usually critic him can said that " finally he can acting", Li Qin my favorit actress right now he can played many role and always choose character who good for him , for wang yang even i hate the crew and production but i can said he good veteran who still can give us suprised even though his personality toward partner acting not that good too arrogant but his talent no doubt.
2. the supporting role is good tho and have chemsitry , i like who played lin qiasong he can make me hate his character and still like his side live, actress who played chun miao wei ruolai financee i like him he can have chemistry with everyone and his acting with wyb and liqin was cute, the tailor communist really remind me of my grandfather calm and wise but every word come from his mouth is encouraging and full of hope, especially for the Communist Party even can make me cry when he died.
4. The episodes leading up to the finale were incredibly tedious, and Wei Ruolai’s character development stalled halfway through. Secretary Huang deserved a far better ending; how could Shen Tunan simply let it go like that—after Huang had been loyal to him and died for his sake—even knowing that Shen Tunan was actually helping Wei Ruolai? Shen Tunan didn't even mourn Secretary Huang—it was bizarre.
The drama's ending didn't clarify the fates of the Communists or the Nationalists; judging by the finale, it seems they hoped to produce a second season. However, is that even possible? It feels like the crew, the director, and even the team that nominated the actors and actresses were just exploiting Wang Yibo. Look at the facts: it’s been a year and a half, yet there’s no second season, is there? In fact, between 2024 and 2026, the drama has aired on Chinese TV stations nearly 200 times. I’ve noticed that a lot of dramas from the 90s are seeing similar trends now.

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