Reviews

A Whole Convoluted Mess… But Somehow Romantic

I went into When the Phone Rings expecting a tense psychological thriller mixed with romance, and while it definitely had moments that pulled me in emotionally, by the end I felt like the entire drama was one giant convoluted setup just to bring two emotionally repressed people together.

The strongest part of the drama was honestly the emotional tension between the leads. Their relationship carried the show. Watching two people who barely knew each other slowly open up, communicate, and realize how much they actually loved one another was compelling. The chemistry worked, and I think that’s why so many people stayed invested even when the plot started unraveling.

But the writing? Whew.

The drama introduced SO many huge twists:

* illegitimate children
* replacement identities
* corrupt family dynamics
* childhood murders
* basement imprisonment
* revenge plots
* kidnappings
* political power games

…only for the ultimate takeaway to basically be: “we should have communicated better.”

The biggest letdown for me was the antagonist. The show wanted him to feel terrifying and psychologically complex, but the more they explained his backstory, the less sense his motivations made.

We’re told he was a child serial killer who murdered other children from an orphanage while being secretly locked away in a basement (already a wild setup that raises way too many questions). Then his grandfather attempts to kill him by drowning him in a boat… but somehow doesn’t even confirm he’s dead. The caretaker discovers he survived and just lets him go? Go where exactly? Did nobody think maybe a homicidal child should be monitored?

Then years later, after surviving abandonment, attempted murder, and isolation, his entire obsession becomes ruining the life of the replacement grandson.

That’s where the writing lost me.

A true psychopath/revenge-driven villain would logically want revenge on the ENTIRE family system that abused and discarded him — especially the adults responsible. Instead, he hyper-fixates on another traumatized child who literally watched him get drowned and was powerless to stop it. The show tries to frame this as emotional betrayal, but it just didn’t feel believable to me.

And don’t even get me started on how many times this man escaped situations he realistically should not have escaped from. The police and security in this drama were basically decorative.

Also: the female lead got kidnapped SO many times that eventually I started laughing every time it happened. Ma’am. Please. Stay inside. Learn self-defense. Hire security. Something.

The final episodes especially felt messy and overly dramatic for the sake of emotion rather than logic. The war-zone reunion scene had me genuinely laughing because it was filmed like the most romantic thing ever while I was still trying to process how we even got there narratively.

Overall, I think this drama survives mostly because of the emotional connection between the leads. Their chemistry, longing, and eventual honesty with each other gave the story heart. But structurally, the plot became increasingly ridiculous the more you thought about it.

Would I say it was terrible? No.
Was it addictive? Absolutely.
Did it make complete sense? Not even slightly.

Rating: 7/10 — entertaining, emotional, chaotic, and held together almost entirely by romance and vibes.

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good series

Can you us special episode, where they spent their lives and love together huhuhuhuhuhuhhuhu,

The special episode of Always Meet Again truly felt like a gift to the fans, a culmination of everything we’ve been waiting for. Watching the characters spend their lives and love together was not just satisfying—it was deeply moving. The series has always been about fate, longing, and the unbreakable bond between two souls, but this episode gave us something more: closure, warmth, and the reassurance that love, when it is true, will endure across time.

What struck me most was how the episode balanced tenderness with realism. It didn’t just show the romantic highs; it gave us glimpses of the everyday moments that make a shared life meaningful—quiet mornings, small arguments, reconciliations, and the joy of simply being present for each other. These details made their love story feel authentic, not just idealized. It reminded me that love is not only about passion but also about patience, compromise, and choosing each other again and again.

The emotional weight of seeing them grow old together was overwhelming. It’s rare for a BL series to go beyond youthful romance and portray the beauty of lifelong commitment, but Always Meet Again dared to give us that vision. The final scenes, where they looked back on their journey, felt like a mirror to the audience’s own devotion to the series. We too have walked with them, cried with them, and celebrated their victories.

This episode was not just an ending—it was a promise fulfilled. It told us that love, no matter how challenged, can be eternal. As a fan, I couldn’t ask for more. It was poignant, inspiring, and unforgettable. Truly, Always Meet Again has carved a place in my heart, and this special episode sealed it with timeless love

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Obra-prima do audiovisual coreano

Infelizmente quando assisti esse dorama pela primeira vez não tinha o costume de escrever reviews então nunca saberei minhas primeiras impressões sobre ele, mas apenas pelo fato dele ter sido o único drama que eu reassisti diz muito. Levei apenas 1 semana pra assistir todos os episódios novamente, isso é super raro pra mim. Estava tão investida na história que assistia um episódio até no meu horário de almoço (raríssimo de acontecer). Como fazia tempo tempo desde a ultima vez, eu esqueci praticamente tudo o que acontecia, foi como assistir pela primeira vez! Cada episódio foi um abraço quentinho que eu precisava depois de um dia chato de trabalho. Achei que por ter 25 anos agora me identificaria muito mais com o Back Yijin, mas mesmo assim, a Na Heedo foi quem continuou me ensinando muita coisa sobre resiliência, amizade e valor próprio. Lembro de ter odiado o final por eles não ficarem juntos, inclusive culpei as atitudes do Back Yijin pelo término, mas hoje em dia entendo o lado de ambos. Eu teria feito o mesmo que todos eles. Foi nítido que ambos se amavam muito e queria fazer funcionar, mas a vida é mias difícil do que a nossa vontade de querer fazer acontecer, antes do outro vem nós mesmos. O roteirista amou demais cada personagem, o diretor amou demais cada cena, apenas isso explica como tudo nesse projeto foi tão bem executado. Quero rever todos os anos.

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It's a fun show!

It's a funny thing, isn't it? Viewers dive headfirst into a rom-com, fully aware of what they're getting into, only to get surprisingly upset when it is a rom-com. While it's true that rom-coms can break free from their usual tropes, there's also a certain comfort in those classic elements that often draw us in. When executed well, these familiar beats can be incredibly satisfying, and "Filing for Love" is a prime example of a drama that manages to do just that. It's a show that manages to feel both classic and fresh, keeping you hooked with its charm.

It tells the story of Noh kijun an ace of the audit department who finds himself demoted, feeling unfairly treated he receives a tip about his boss Inha, he sees this as an opportunity to free herself from her hence sets out to find her secrets...but instead finds love in the process.

This show definitely had some mixed reactions, but I'm happy to share my personal take on it! Even with a few minor hiccups here and there, I found it super entertaining.

What I absolutely loved was the female lead, Joo Inha, brought to life by Shin Hye Sun. I've always known she's an incredible actress, and the way she portrayed Inha was just chef's kiss She starts off so mysterious, the head of the audit department, smart, hardworking, and known for being cold and outspoken. But as you peel back the layers, you see her vulnerability, and she becomes such an interesting character to watch.

Then there's the male lead, Noh Kijun. I'm a sucker for a guy who's focused and hardworking but also has that golden retriever energy. What I really appreciated was that even after falling in love, he stayed dedicated to his work. So many male leads tend to forget about that aspect! Plus, he wasn't just a simp; he had his own opinions and voice, and since he was the narrator, he really stood out.

The office setting was another highlight. I kind of wished they'd delved more into the team dynamics, especially with the ML and his crew. At the beginning, they were there, and it felt like an office sitcom, which I totally enjoyed.

And the romance! A mature romance where they actually *communicate*? Yes, please! They take their sweet time getting together, despite the immense tension and chemistry, but I loved seeing *why*. The FL's background is complex, and the ML understands her pace, slowing down to meet her where she's at. I love a romance built on communication, and they absolutely had that. It felt so real.

The dialogue was also a major plus. I love a show that isn't afraid to just say it like it is. Whether it was office politics, relationships, sexual relationships, romance, or the PM cases they were working on, it was all shown honestly, with no holding back, and I really appreciated that.

So, as you can see, the show offered more than enough to keep me hooked, even with its shortcomings. Now, onto those.

I'm no writer, so I can't speak to pacing, but I do think this show would have benefited from being a bit longer than just 12 episodes...though they made it work somehow...It felt like that short run might have hindered the development of the second leads.

The second male lead could have been fleshed out more. Instead of just being this sad guy longing for a woman who's moved on, imagine if he had more depth. He does show improvement towards the end, but what if that happened earlier and was actually built upon?

The second female lead, played by an amazing actress, was written to be quite the nuisance. That's not the issue, because people like her who constantly seek validation do exist in real life. However, she was just a sore to watch. She seemed to have the potential for something more at the beginning, but ended up being just that – a nuisance. It was disappointing, though not entirely surprising.

Overall, for me, the strengths definitely outweighed the weaknesses, and I really enjoyed it. Beautiful romance, great acting, lovely OSTs, cinematography, and compelling characters (except for a few!)...and a happy ending that actually covered it all...I'd definitely recommend it as something bingeworthy, rather than something to wait for weekly, because that could get frustrating.

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Far-fetched Love Story with no Story and no Love-making

To be clear: when one decides to watch a Xuanhuan romance, it is in search of escapism, not because one expects a realistic depiction of events, people and their relationships. Nonetheless, for the make-believe world to be engaging, it must have an inner logic of its own and at least some kind of plot allowing the characters to develop.

Love Beyond the Grave has neither. For the first time since I started watching C-drama, I found myself fast-forwarding intimate moments between the leads. For a romance, this is a sign of utter failure.

I am reluctant to put the blame for it on the most obvious suspects, i.e. the cast. Dilraba Dilmurat is stunningly beautiful as usual and, as usual, she is reasonably convincing in portraying her character. Then again, at least she is given a character of some substance to work with: a 400 years old queen who governs the unruly world of spirits with an iron fist in order to preserve the legacy of law and order left by her loving but early departed parents. Her subjects, spirits, are by their nature volatile and obsessive. Thus, to be able to effectively control them, she herself is deprived of all sensual enjoyment susceptible to make her temperamental or biased.

How then is this woman, who can never know even the simplest and most innocent of sensual joys, supposed to fall in love with anyone? Not to worry. There is a rumor saying that she might be able to "borrow" human senses from an individual mystically chosen to become the owner of a magical sword. In comes a young, ambitious general with a gruesome backstory which makes him wise beyond his years. He fights fearlessly and plots strategically; he makes smart alliances, earns the loyalty of his subordinates and seems unstoppable in his ambition to reclaim lost lands for his nation and ensure good governance for people. His appearance is dashing, his aspirations noble and he has a magic sword. What's not to like?

This is the starting point of the plot. It is also the ending point of the plot, because there is simply no plot to speak of. The moment our young hero realizes, fairly early on, that the beautiful woman following him around with a suspicious interest in his magical sword is not a mortal, but a powerful otherworldly queen free of all human passions, he abruptly and inexplicably becomes determined to seduce her. In pursuit of this goal, and in order to give her the possibility of temporarily experiencing the mortal world through his sense, he progressively sacrifices his family, his friends, his allies, his subordinates, his martial skills and therefore his military ambitions - in short, his entire existence.

The premise of self-sacrificing, self-annihilating love could, of course, be the making of a great tragedy. However, the tragic love story never materializes because, implausibly, incredibly and even callously, our male lead engages in self-destruction casually, cheerfully, with all the charm, energy and easy forgetfulness of a playful young puppy. Whatever happens, whatever losses he suffers, he doesn't seem to take it very seriously. He may shed a few tears here and there, but as soon as he receives a tender hug from his lady love - who hugs him for unclear reasons seeing that she can feel neither the warmth nor the pressure of human touch - he regains his flirtatious smile and keeps happily trotting down the road of self-annihilation. All this in stark contrast with everything we have initially learnt about his tenacious, calculating, survive-at-all-costs personality.

It is a small surprise, then, if Arthur Chen constantly looks like he came to the studio to shoot a teen comedy, then mistakenly blundered into the wrong set and is now clueless as to what role he is supposed to be playing. To begin with, his look is that of a mischievous sweet 16, as opposed to Dilraba who presents exactly as she should, i.e. an immortal beauty. More disturbingly, not only does his character look like a pubescent boy but, as soon as he falls in love, he starts acting like a 6-year-old, blissfully oblivious to anything other than the object of his childish fascination. Watching a presumably grown man - an army general, no loss, responsible for thousands of lives - behave with such immaturity and recklessness is not romantic. It is awkward, mildly distasteful and, ultimately, boring.

Nor do I see how the asexual relationship between the leads could have ever been turned into an epic love story. The couple's asexuality is never openly discussed, or even suggested. Yet it is the inevitable implication of her crippled sensuality and his sacrifice of his own to make her momentarily happy. To put it bluntly, either he can't perform, or she can't enjoy it. A situation more conducive to marital counselling and couples' therapy than to a sweeping love story.

Certainly, it is possible to create a sizzling romance with no sexual content; C-drama in general excels at it. But you can't simply put two famous actors together, make them play characters who have absolutely nothing in common, have them go through the motions of a plot where they don't fully engage in each other's separate worlds or undergo any pivotal experiences together, and still have the viewers believe that they are somehow irresistibly attracted to each other even though, on top of everything else, there is no hope of their ever sharing any physical joy in each other.

Only a very innocent young heart, who lacks a hands-on understanding of human physiology and tends to confuse idolatry with physical chemistry, can be swept away by such sloppy far-fetched approach to star-crossed lovers trope.

The lazy storytelling would have probably been better served if the producers had opted for a modern romance, with the female lead an ice-cold CEO and the male lead a young enthusiastic intern. It might have been equally boring, but at least it could have made some kind of sense. Moreover, the outstanding work done by various crew members to create a visually sumptuous fantasy world would not have gone to waste. As it is, all the eye-candy trimmings of an enchanting fairytale only exacerbate the hollow absurdity of a love story with no story and no love-making.

To honor the efforts of the crew and of the supporting cast, some of whom offered notable performances, I will give this drama a generous overall rating of 7.5. As for the leads, their star power might have been better used had they insisted on a less incongruous and self-defeating script.

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Um dos melhores q são curtinhos q eu assisti!

bem, eu conheço esse desde o ano passado mas só vim assistir agr e q obra!! maratonei em 2 dias tranquilo e até q eu recomendo, mas ele é BEM pesado! a história é bem interessante e os personagens tbm! e eu amo q entregaram muita ação e romance! a química dos nossos protas foram incríveis! gritei muitooo!, amei q n ficou em final aberto (pq uma coisa q eu tô odiando é final aberto, ódio) eu achei confuso em algumas partes mas dps eu entendi td! e gnt, as mortes foram muito tristes senhor 😭 fiquei mal dms. ainda bem no final deu td certo e eles ficaram juntos!

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Twelve Episodes Weren’t Enough for a Story This Good

I had this drama on my watchlist from the very beginning because the idea of a monarchy in the 21st century sounded so refreshing — and of course because of Byeon Woo Seok, who completely captivated me with his acting in Lovely Runner.

Both Byeon Woo-seok and IU were phenomenal. Among the villains, the Queen Mother absolutely stood out — her expressions alone conveyed so much. But I really wish they had written PM Min’s character better. Why can’t we ever get a genuinely supportive second male lead in dramas? They ended up giving him the same old tragic, typical 2ML storyline yet again.

Were there cliches-> YES!!
Did I enjoy every single one of them-> ABSOLUTELY!!! Because they executed them so well that it never really took away from the experience. My only real complaint is the number of episodes. Twelve episodes felt far too short for a drama like this. It honestly deserved 16 episodes, or at least 14. Because of this, the pacing felt too fast. The marriage, poisoning, contract reveal, divorce just came one after the other, giving barely any time to explore their romance and their private lives in between. Even the whole monarchy abolition plotline should have been explored in greater depth and not just the last episode. The limited runtime definitely held them back from fully utilizing both the story and the cast’s talent.
And ofc special mention to the attendants of the Grand Prince's private residence and our little King whose adorable smiles and "Sukbunnim" won me over instantly.

Also, the OST- "Behind the Shine" by RIIZE was absolute gold. I’ve been listening to it almost every day and still haven’t gotten tired of it.

Overall, it was such a sweet and enjoyable watch, and I’d definitely recommend it.

P.S. BWS seriously needs to do more dramas soon because the last time I saw him was in Lovely Runner. Two years is way too long. Hope he tries other genres too.

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Sexual Propaganda Made It a Waste of Time

The drama had such great potential, especially with a great lead actress who can do comedy, as she showed in the first episode. But it ended up feeling like its sole message and purpose was spreading sexual propaganda to show viewers how sexually diverse the university community in Korea is. How do I know the show is merely sexual propaganda? Well, it is quite obvious when the drama has such a weird open ending; it seems like the funding ran out before they could complete another two episodes to tie up the loose ends. The writers did not care about properly developing the story or the characters at all. It is a total waste of time and energy to watch this drama; even the romance plots weren't that good to begin with!

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A War Demon Seeking Humanity Sacrifices For All!!

In a world devoid of colors & warmth, you became my salvation!!

“Fate Chooses You” isn’t your normal wuxia romance, it has an intricately built world which consists of complex characters. In this vastly vivid diaphragm, we have two different individuals who come together for a common cause. Lu Qian Qiao is a half-breed War Demon while Xin Mei is an immortal cultivator. War Demons are mostly seen as jinxed creatures, who were cursed by the Five Senses Curse- they are unable to taste food, feel pain, experience warmth, or even see colors properly. Lu Qian Qiao yearns to become an ordinary human being. As such, he has been working for decades to undo this curse. In due course, he meets Xin Mei, a kindhearted cultivator who strikes an unlikely marriage deal with him. Despite having a fake marriage, in due course of time, Xin Mei learns about his true lineage. As they work together towards a common cause that helps humanity, Xin Mei grows fond of Lu Qian Qiao’s kind nature. This show encompasses an entire universe that offers a simple solution to revitalize humanity.

Read the complete article here-

https://kcdramamusings.wordpress.com/2026/05/18/fate-chooses-you-series-review/

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Refreshing Storyline

The Perfect Crown was such a refreshing surprise. The modern royalty storyline was done beautifully and made the drama feel unique from the start. The leads had amazing chemistry and their relationship felt natural, emotional, and believable the entire time. I especially loved that the drama didn’t wait until the very end to show their love story properly,we actually got to see them grow together and enjoy their relationship throughout the series. The supporting cast was also exceptional and added so much charm to the story. For me, this is easily the best Kdramas released this year.

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Monarquia Moderna e Química Explosiva

Confesso que, de início, preferi não criar grandes expectativas. Já faz um bom tempo que a dramaland não nos presenteia com histórias tão instigantes quanto A Coroa Perfeita, especialmente dentro da temática de realeza — um elemento clássico que parecia ter ficado no passado. Afinal, adaptar esse conceito para os tempos atuais e mantê-lo interessante é um verdadeiro desafio. Por isso, apesar do grande elenco e da superprodução, cheguei a pensar que a premissa pudesse dar errado. Mas, felizmente, mudei de ideia e valeu muito a pena dar uma chance.

A genialidade da produção foi justamente apostar em uma Coreia do Sul sob o regime de monarquia constitucional em pleno século XXI. À primeira vista, misturar realeza e modernidade parecia arriscado e difícil de coexistir, mas a trama fluiu perfeitamente e acabou conquistando o público. O roteiro impressiona pela inteligência e o elenco brilha ao dar vida a personagens tão complexos.

Se há dois pontos que merecem destaque absoluto, são a química do casal protagonista e a atuação da IU.
A sintonia entre a IU e o Byeon Woo Seok é simplesmente fascinante. Não é à toa que eles se tornaram o casal do momento para os fãs de dramas. O espectador se pega completamente apaixonado pelas cenas dos dois juntos, transbordando fofura e apoio mútuo.
Sobre a IU, minhas primeiras impressões me fizeram temer que sua personagem pudesse soar chata ou desconfortável para o público devido às suas atitudes. No entanto, tudo ali tem um propósito. Ela se revela uma protagonista firme, de língua afiada e que não aceita que "passem pano" para seus erros. Ela foge totalmente dos clichês açucarados a que estamos acostumados. O roteiro soube dosar perfeitamente a linha tênue entre uma mulher empoderada e alguém arrogante, permitindo que a IU entregasse uma atuação brilhante.

Para completar a experiência, a trilha sonora é impecável. As OSTs colam na mente feito chiclete e encontram um lugar especial no coração de quem assiste — um sentimento que tenho certeza de que compartilho com muitos outros espectadores.

Além disso, um dos grandes motivos que me impulsionaram a acompanhar a história foi a presença de Noh Sang Hyun. Acompanho o ator desde Pachinko e foi um verdadeiro privilégio revê-lo nas telas entregando mais um ótimo trabalho.

No geral, foi um K-drama maravilhoso de acompanhar, com uma narrativa redonda e um final satisfatório que não deixou pontas soltas. Se você ainda está na dúvida se deve ou não dar o play, vá de coração aberto. É uma daquelas histórias que te prendem do início ao fim!

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A Must Watch Drama

The Heir has hooked me from the first four episodes a flawless blend of atmosphere, storytelling, and heart. Every cast member brings depth and nuance, turning what could be familiar melodrama into something fresh and alive.

Yang Zi as the female lead is exceptional, she balances quiet strength and vulnerability with effortless precision, making every scene she’s in feel lived-in and real. The supporting cast elevates her performance, creating chemistry that already feels richly developed.

I’m especially excited for Elvis Han’s eventual arrival his presence is eagerly anticipated and promises to add another compelling layer to an already brilliant drama. With casting and acting this strong, The Heir is fast becoming a must watch.🔥🔥.

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Honest Opinion

There's actually no doubt when it comes to K-Dramas. Most of them end up really good no matter what. Imagine IU and BWS in one frame?? Who would want to miss that? And that pairing is just arghhh... Nyx is melting.
There’s no question either when it comes to acting and production. Korean directors rarely settle for less when it comes to cinematography, emotions, and execution.
Story-wise, it actually feels refreshing. The issues and conflicts are valid and interesting, but I think they weren’t explored deeply enough. The drama introduces a lot of emotional and personal conflicts, yet sometimes it feels like they move past them too quickly because they also wanted to maintain the romcom vibe. Which honestly, I’m not complaining about because the balance still made the series enjoyable and easy to watch.
Maybe that’s the best way to explain it, the show feels emotionally rich, but not emotionally heavy. It touches serious topics without fully drowning the audience in them, and instead chooses to keep the warmth, comfort, and chemistry at the center of everything.

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Highly recommended for sapphic lovers/and open minded human beings

Broken of Love (also known as Huachai Cham Rak) is an intense Thai Girls' Love (GL) revenge drama that has captured attention for its high-stakes emotional conflict and cinematic quality. Produced by Fabel Entertainment (founded by Faye Peraya herself), it marks a significant milestone in her career.

Arisa is a woman fueled by a singular, cold purpose: destroying the powerful business tycoon responsible for her mother’s death. She infiltrates the enemy's world with surgical precision, only to encounter an unforeseen complication—Lalin, the tycoon’s daughter. As Arisa draws Lalin into her web of manipulation, she finds the lines between her "target" and her "heart" beginning to blur. The story isn't just about falling in love; it’s about the agony of realizing the person who heals your wounds is the child of the person who gave them to you.

Cast Performance

- Faye Peraya (as Arisa): Known for her commanding screen presence, Faye delivers a masterclass in "restrained intensity." She portrays Arisa with a sharp, icy exterior that occasionally cracks to reveal deep-seated trauma. Her ability to convey complex emotions through just a look—shifting from vengeful to vulnerable—is the anchor of the series.
- Atom Pariya (as Lalin): Atom holds her own remarkably well against Faye’s veteran energy. She brings a natural sincerity and "deliberate" charm to Lalin, making her character more than just a victim of the plot. She plays Lalin as a woman who is observant and bold, refusing to be a passive player in Arisa’s game.
- Supporting Cast: Nina Yarinda (as the antagonist Wei Ling) provides a formidable presence that makes the revenge plot feel genuinely dangerous, while the rest of the ensemble helps build a world that feels immersive rather than just a backdrop for the romance.

Why You Should Watch It

1. High-Quality Production: Unlike many web-based series, Broken of Love feels like a feature film. The cinematography, horizontal aspect ratio, and moody color grading give it an expensive, "big screen" atmosphere.
2. The "Enemies-to-Lovers" Twist: It takes the popular trope and adds a dark, psychological layer. The conflict isn't just a simple misunderstanding; it’s a moral dilemma that keeps you questioning if a happy ending is even possible.
3. The Faye-Atom Chemistry: Their dynamic is built on "yearning and tension." The series prioritizes emotional payoff and storytelling, making the romantic moments feel earned and deeply impactful.

If you appreciate a story where love is a battlefield and the characters are as flawed as they are beautiful, this is a series you can't miss.

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While I understand the disappointment from BL fans who expected more from this series, I think many people misunderstood what the story was trying to be. I do not think Soulmates is perfect, and I will talk about the issues I had with it later, but I also think it has many positives that are often overlooked.

I do not think the director or writer were scared of making this a BL. Instead, I think the fact that the relationship was never made explicitly romantic was intentional and part of what made their connection unique. The series presents Ryo and Johan’s relationship as something that exists between friendship and romance rather than fully fitting into either category.

One of the reasons I believe this is the storyline between Ryo and his friend. The series did not avoid topics like LGBTQ identity or homophobia, which it easily could have done if the creators were truly afraid of making it queer. To me, that subplot shows that the writers were aware of the audience’s expectations and intentionally chose to keep Ryo and Johan’s relationship undefined.

Their bond was not written as a typical friendship or a conventional romance, but as something more personal and difficult to label. That is why I think the idea of them being soulmates fits the story better than forcing their relationship into a specific category.

I will continue this review in the future (my issues are with the mix in the mood and how the storyline felt at times incomplete and messy)(i loved the creative view, the relationship and the acting)

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