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In too many American films and tv shows women are still under-represented and poorly written. There are exceptions but often even when a film or show stars a woman or women they are written about women and not for women.
I guess we all still have a long way to go for equity and diversity.
Thanks again!
I watched this on Netflix and for me I kept wishing for an editor’s or producer’s wand. I would have cut the 39 episodes in half. It started out promising but I found the acting and story lacking. The lighting, sound, and music were painful at times. Most troubling for me was when they were separated and he was supposed to be pining for the FL but still banging the ballerina and planning to marry her. And the FL wasn’t even allowed to kiss the hot and considerate Dylan. Ultimately, I decided the ML and FL were right for each other. He was as they kept saying a childish jerk and she wasn’t very bright. I’ve been watching this off and on for awhile but am relieved to have finally finished it and pleased that everyone got their HEA (well, except for Dylan, but he’s a rich, handsome dude so he won’t be on the market for long!).
Looking forward to Leverage, My Country, When the Camellia Blooms, Vagabond, & Melting Me Softly. Thanks for the article and previews!
I agree about Hwang Jung Eum. She nearly ruined KMHM for me.
And when a second male lead is sweet and helpful, always there for the FL and she chooses the possessive, egotistical dude my heart dies a little.
I found it entertaining, not awe-inspiring but entertaining. As with all things, different strokes for different folks. The actors probably helped make up for a cliche