Reviews

Yes but no...but why not.

Ok it's low budget, we got it. I saw better end of studies projects. It seems to be shot with a smartphone and two ringlights. The sound is the worst ever heard (you can almost make it into a game: subbed? Not subbed? Do you hear the film crew behind?).
The script was written on a corner of the table.
Do you want clichés ? You have it. The rich, somewhat rebellious hunk, the poor guy who succeeded through hard work. The mother who puts pressure. The nasty ex girlfriend really nasty. The best friend in love but ultimately too much ...
The editing is random.
Sometimes I was "WTF?" or "oh wait, really?". Sometimes I laughed (when it was not funny).
The acting is cringey (especially for supporting roles).
At least, the end is not tragic if not really happy (and we applaud this detail!).

BUT, curiously, despite all these faults, I enjoyed the series. I think it owes a lot to the two main players. They are cute, they have good chemistry and seemed to get along really well. They are doing well and we get attached to their character. There are some skinship too which is emphazised.
AND it's BL Chinese.
So you liked Addicted? Don't expect to see a replica. But we can salute the sincere effort of the whole team to have tried to produce something despite all the restrictions. I know they had a lot of problems producing this series so I want to support them.
Fighting, China! You can do it ! Produce a good BL.
Soon.
Perhaps.

Leggi di Più

I had a lot of mix feelings while watching this show. Going in, I was totally unaware of what I was getting into. I hadn’t read its synopsis, reviews, related comments and mostly flicked past the screencaps in the feeds. So in the first half as I realized what the drama was about, it hit me personally because of multiple reasons. I wanted it to be more raw and painful at times and at others, it got so real that I had to press pause and take a break from my own thoughts.

Then, somewhere in between Just Between Lovers took a turn down the typical K-Drama alley. It became overly melodramatic and sappy. In order to create a tragic hero, they piled every problem possible in the world on his beautiful shoulders and there was only so much I could buy before I started giving it the side-eye. Physical health  problems gave precedence to mental. I won’t say that it romanticized mental illness but it did gloss over it all. PTSD does not randomly vanish like this.

However, despite all this, one thing that was very clear to me at the end of it all was how much I enjoyed this show throughout. I was even more relieved than disappointed because of all the tropes it chose to follow because they provided the much needed escapism we look for in dramas. Even though, it dealt with heavy issues it didn’t drown in it. There was always a comedic gesture, a heartwarming moment and a swoon-worthy interaction between the leads to balance things out.

I think this drama had one of the best K-Drama romances ever. This was exactly the kind of relationship I fall for. It was a beautiful slow burn, where two people grow individually and together. They go through obstacles, they have their highs and lows and they become stronger through them- both in harmony and independently. And, it was all absolutely beautiful to watch. I’ve never been this starved for skinship between the leads and when it finally happened, it was so sweet and intimate that it was worth the wait.

Both the main leads were very dear to me. Gang Doo was simply an angel. I don’t think people like him exist in this world anymore but it would be a huge relief if they did. Moon Soo, even though some of her actions at the end were questionable was undeniably a sweetheart. There were some side characters I was lowkey annoyed with (Think: Second Male Lead, Second Female lead (though she had her moments) and the female lead’s parents) because of how much they victimized themselves even when other people had it far worse. But at the same time, I also adored a lot of other characters. Like basically everyone related to Gang Doo; his grandmother, his Doona, his brother figure and his team leader. You know what they say, good people are surrounded by good people.

As far as the acting goes, I won’t say it was exceptionally outstanding or that I was floored by it. Their inexperience and freshness shined through however, this worked out in their favor. Because the way the two portrayed their characters was so sincere and natural that it didn’t fail to capture the audience and touch hearts.

One of the best things about the show is the OST. I really recommend watching this show in a print that has the songs subbed while they play in the background. The lyrics are so meaningful to the plot and the play timing is perfect. So when you know what the songs are saying at a particular moment, it gives all the more depth and insight to the story. And it’s simply gorgeous.

So ultimately, Just Between Lovers is a show about healing, friendship, love, serenity and brilliant dialogues. Even though it develops slowly and maximizes emotion, it’s never boring. There are some tears here and there but with that comes so much more hope and so much more warmth.

Definitely recommend.
Enjoy!

Leggi di Più

The Ten Commandments of TBL

These are the commandments that have been handed down to us by the gods of Taiwanese BLs. They shall be the commandments by which any present and all future TBLs may be judged.

1. Thou shalt violate an apparent taboo. So it is that a stepbrother may lie in the Biblical sense with another stepbrother, or a stepfather with a stepson, or a teacher with a student. But a real taboo, thou shalt violate not. For it is a sin. Our purpose here is titillation, not transgression.

2. Thou shalt not utter the word ‘gay’. For it is a sin. Thou mayst love another man, but if anyone shall ask of thee if thou dost, thou mayst answer, “I like not men, I like only you.”

3. Thou shalt always include more than one same-sex couple. For it is the law. The number assigned to thee is two. One is too little, for it adheres too close to the earthly realm; three too much, for it adheres too close to the realm of Thai BL.

4. Employ thou a verily bright colour saturation in thy film, to mask the limitations of thy capital and thy cinematographer.

5. Apply thou, always, a verily thick, sweet, intrusive, and insistent music over thy graven images, to mask the limitations of thy talent and thy words. Drown out all the tender and vital moments of thy show with melodies made by AutoTune Pro, and lyrics conjured by Google Translate.

6. Remember thou that there exist only three acceptable settings for a TBL: a school, a university, and a criminal enterprise (the Lord doth favour the mafia). For these do encompass all of life. Thou mayst aim for complexity by leavening one of the first two settings with the third. Leviticus doth indeed condemn leavening, but it is not prohibited by the gods of BL.

7. Thou shalt have no balance. Remember thou that men must fall over and into each other at every step, puddle, path, street, game, instrument, opportunity, or obstacle in existence. This, and this alone, shall be the occasion for their first kiss. The said kiss may be accidental, forced, or incite a wide-eyed surprise. But a loving nor sensual kiss it may not be.

8. Thou shalt depict at least one instance of fornication in thy tale. Or two, if thou hast taken care enough to inscribe a story for the second(ary) couple. But the act shall not unfold until the penultimate chapter. Thou shalt tease thy viewers for ten long hours, and grant them gratification for ten short seconds, which to most shall be proof positive that Moses was heterosexual. Thou mayst inflict additional torture upon thy viewers by interrupting the said gratification with deafening music and wanton cuts.

9. Thou shalt choose from the following any number of ornaments to embellish thy tale: gentle wiping of the lips (for there is a general want of raiment in our kingdom), gentle forehead kiss, gentle lock-of-hair restoration, gentle somnolent confession, a gentle fever, a gentle towel bath for said fever, a gentle pour-over coffee, a gentle post-modern coffee-shop to house that coffee, and forget not thou, a not-so-gentle last-minute conflict, a forced separation, or a wandering to parts abroad wherein shall cease all modern communication. If imagination thou lackst, thou mayst construct a story from these elements alone.

10. Thou shalt by no means indicate homophobia in thy tale, unless it furthereth thy plot and our cynical purpose. Friends and family shall be universally supportive, unless it force a separation between thy characters. (Parents and spouses shall be left otherwise dead, be it from accident or ailment, to anoint the show with cheap sentiment.) Remember thou, always, that this is a world of pandering fantasy, not reality.

Biblical Proportions:
Commandments Broken: 8 (partly).
Commandments Obeyed: 1, 2, 3, 4, 5, 6, 7 (again and again and again), 9, 10.

Observations:
Well, this one is for the books. Every TBL commandment was kept to the letter, except, in small part, for the 8th, and that too only because the love scene between the teacher and student came so early. But then, that scene was so badly done that I wonder if the commandment was broken after all.
There is no writing in this show to speak of, no script, no real story-telling, no serious attempt at characterisation. Nothing. Just the loose outlines of an imaginary BL... The experience of watching this show is something akin to ordering a small package on Amazon. You order a simple toothbrush, and are shocked to find, the next day, a huge cardboard box sitting at your door step, only to realise that, when you open it, there are 7 smaller boxes inside, each stuffed with shredded paper and bubblewrap. By the time you get to the final box, you forget what you ordered, what has arrived, and what you were looking for. You just know there is a huge mess to clean up, and that a lot of trees have given up their lives for it.
The men are beautiful, two of them quite sexy, and for that reason, I gave 'casting' a 5. If any of the actors start *acting*, someone please let me know. I'll be sleeping in the back.
There will be, I imagine, a lot of hand-wringing and pearl-clutching about the teacher-student relationship. But, as the first commandment states, this is just an apparent taboo. No trust has been broken, no consent violated. The age gap is dimunitive, the "teaching" is more like tutoring (lasting a mere few weeks), and both men are above the age of consent. There are no interesting or troubling power dynamics at play here. Nothing to be outraged about. It's just dull.
Finally, for fucks' sake, just say it. It's not the fucking plague. And we are not in Florida.. So say it. Yu Xing is gay. Come, say it with me: "gay". See? The world didn't fall apart.

Verdict:
This is a dreadful show. It might even be one of the worst BLs to come out of Taiwan. Avoid it. Avoid it like radioactive waste.

Reader's Digest:
DO SAY: Blessed Art Thou, O Lord
DON'T SAY: That Don't Impress Me Much

Leggi di Più

That was bad.

I think everyone here was in the same boat, wondering why on earth we were watching this, and yet we did. For me, it was about the discussion section, which was far more entertaining than the series. This wasn't the worst BL I've ever seen, but it was the most boring and pointless.

I'll start with negatives and end on positives, if I can think of any.

- There was no plot. None. Nothing happened the entire season. Well, one thing happened, but I'm putting it under positives.
- Even given there was no plot, the writing was truly terrible. Nothing really made sense. Like Kit and Mark practicing to be apart for almost the entire season. If there was a reason why anyone was watching this, I imagine it was MarKit, and we got almost none of them. There's an episode where a third of the runtime is taken up by a discussion about putting on a play. Not an actual play, but discussing the details of a production, like how the props would be done, and who would play which characters. Much of the rest of the episode was people texting each other. Riveting.
- The main character, Wayu, is the most useless person imaginable. He doesn't do anything, can't do anything, and he has no agency. He's everything wrong with the seme-uke dynamic.
- The romances were so tame that most viewers have likely had racier relationships in primary school. They are nauseatingly saccharine and totally passionless. The only moment of heat the entire season was when Pok attacked Tong in the shower.
- Sandee was criminally underused. Bank was easily the best actor in this, and by the end of the series even he'd given up.
- Big, who plays Pha, never once took off his shirt, and that bod needs to be shared. You'd think laying in a hospital bed for an entire season that someone would give him a sponge bath at some point. Speaking of which, why would you bother to have a character that does absolutely nothing but lie in a hospital bed for an entire season? Although I'm not complaining because his death, funeral, and tombstone are 95% of what's good about this series.

Positives:

- Bank as Sandee. The way he can pack malice into a subtle look, or mischief, loneliness, or all of the above made for a character that much of the audience was cheering on, and he was the villain out to destroy everyone. Sadly, he failed.

- There were things in here that were so bad that they were good. Kit and Wayu go to see Pha at the hospital. and as they arrive, his crying mother is exiting the room, and she says "he's gone! (i.e. dead)". So the boys go in and have a conversation with Pha, who has either resurrected, or he had been asleep and his mother just assumed he was dead and didn't bother to check. It's a good thing they're Christians and didn't have him cremated prematurely.

When he did kick the bucket, his funeral involved plopping onto a lawn a tiny casket that might possibly fit a small child, which suggests they had Pha dismembered and stuffed into it. I guess Pha's mother was on a budget and decided to forego gravediggers. She also didn't attend the funeral. That along with her apparent indifference to whether or not he was dead at any given moment created the impression she didn't much care for him.

In a later episode, it appears that wild animals dragged off the coffin as they are wont to do (which is why you need grave diggers), and in its place was the most hysterically funny tombstone you will ever see. That sounds exaggerated, I know. But it was. I couldn't tell if it was a novelty cake or made of styrofoam, except whatever production assistant made it accidentally ran over it with his car and tried to tape it together or something.

Story: 1 - There isn't one.
Acting: 5 - I hate to criticize actors, but none of them except Bank (Sandee) put in a good performance. I think it was probably terrible directing, because I've seen some of these guys do good work elsewhere. But here the directions seems to have been "keep your face and voice as blank as possible, pause for ten seconds between every phrase you speak, and always move unnecessarily slowly."
Music: 1 - you will want to smash things listening to that same two bars of music over and over for 12 episodes.
Rewatch Value: 1 - forget the gun to the head - you'd have to threaten to nuke a country to get me to watch this again. Except the funeral scene. That I could watch again.
Overall: 3. The suggested was 2, but a score that low would have to be for something aggressively awful, instead of passively awful like this series.

Leggi di Più

I'll do something new in my experience: keep my review short. I'm not sure this drama can be described in words, and the reasons to like it are very subjective. For me, watching this drama was a little like reading a novel by Kurt Vonnegut.

Q10 is surreal, poetic, highly amusing, thought-provoking and surprising . It's brilliantly acted too, which adds to its delicious oddity. It doesn't have even one unpleasant character: they are all very weird and very human, at times histerically hilarious and at others wonderfully deep.

I'm not sure whom I would recommend this drama to; however, I'm certain it won't do for those looking for a rom-com, for an uncomplicated plot, for simple entertainment, for shine or for glamour. The one and only requisite to approach it, is to do so with an open mind. If you believe that people have each their own sound, that calling for help loud enough will make somebody come to the rescue, that death is just a way of thinking and that you achieve a goal because you want and not because you can, then "kiuto" is for you.

Leggi di Più

The best Multi-Leads Chinese Drama Ever!

This is my first time writing a full review here on MDL, and this drama absolutely deserves it. First of all, I started watching it right in the middle of its hate train because—what do you mean it’s getting so much hate when I genuinely enjoyed the first few episodes? It’s one of the very few dramas where I actually liked the opening episodes. It’s not boring, it’s not dull—it’s a romcom, and they did it so right!

Pacing
Right from the first arc, they introduced us to the Li sisters and established the tone of the story. The backstory of the Li family—why there are only daughters and why they have a single mom—was explained well, with no glaring loopholes. Then, just a few episodes in, the two leads got married. I was shocked. Like, why did they get married so fast? Is the angst coming? But I was even more surprised when the focus suddenly shifted to the 1st sister. That’s when I started piecing everything together—this drama isn’t just about one couple; it has multiple storylines between different leads. Since I didn’t check the plot beforehand, I was confused at first, but honestly? It made me so happy! I was excited to see how the rest of the sisters’ stories would unfold. Overall, the pacing was great—every lead had enough screentime, and everyone felt equal.

Storylines & Character Dynamics
Each couple had their own unique storyline:
1st couple – The noble introverts
2nd couple – The chaotic duo
3rd couple – The scheming masterminds
4th couple – The cold husband and cutie wife + amnesia plot
5th couple – Enemies-to-lovers
Brother’s story – Childhood lovers
This variety in plots made each couple stand out, which is why I never felt like there was a main couple. Instead, it truly felt like a story about a whole family, where everyone was equally important.

The Li Family – Best Family in C-Drama?
Speaking of family, I love the Li family. Honestly, they might be the best family I’ve seen in a C-drama. The bond between the sisters, their mother’s strength, and even their relationships with their in-laws felt heartwarming and genuine.

Production, Acting & Overall Experience
The acting was fantastic—I could feel my blood boiling whenever the villains appeared, but I also found myself giggling at all the sweet moments. The comedic timing was on point, the production quality was solid, and the entire ambiance of the drama was just chef’s kiss.

Rewatch Value? 100%!
I would rewatch this over and over again, just to catch all the subtle interactions between the leads and appreciate the details I might have missed the first time.

Overall Rating: 9.5/10
If you love romcoms with strong family dynamics, engaging storylines, and well-developed characters, then this drama is a must-watch.

Leggi di Più

More than a remake. Delicate timbre. Powerful. Reckoning with the void of a luxury-branded world

"Pale Moon" develops a particularly delicate timbre. Fine personality portraits, none of them smooth and pore-deep clean, but rather inwardly crumpled people with dreams and weaknesses, people who sometimes make questionable decisions, who don't stick to the rules, who succumb to the temptation to take the chance to realize their dreams.

A little 'noir' here and there. In any case, emotionally dense. Unexcitedly emotional. Quiet and yet powerful.

The KDrama is based on a Japanese Original (Mitsuyo Kakuta), which was successful as a series and movie, too. This is now a South Korean remake. Apparently, Kim Seo-hyung was immediately (after she saw the original in 2015) determined to play the female lead in any potential South Korean remake. You can tell, she is breathing her role.

The original novel is about the embezzlement of bank funds as actually happened in Japan. In South Korea, the list of embezzlement in billions is also long and the remake is accordingly well placed.
However, the South Korean remake is about more than misappropriation of wealth on a large scale. This is generally about lies, deceit and deception - even on a smaller, manageable, interpersonal level. However, it is also about human vulnerability, the cracks in the facade.

The story unfolds against the background of unstoppable consumption - a veritable frenzy of consumption that has long since left any connection or grounding behind. A life-style in a parallel world, that only a few can really afford. This world of luxury, which initially seems appealing, develops an intoxicating, addictive character and ultimately catapults itself into the void. What remains when the lover equips the lover with the designer goods from head to toe, from the car to the house including the interior and the laptop, too? Alert, alert: the luxurious world of matter - initially well camouflaged as the lifestyle of your dreams - becomes an ugly parasite that feeds on substantial emotions, liveliness and passion, but in the end leaves nothing behind...
In the field of tension between the dreary normality of a boring everyday life that is perhaps pimped out on the outside, but emotionally rather empty, almost everyone here is willing to deviate from the path of virtue in order to get a piece of the promisingly dazzling consumer cake.

Nevertheless, the story also tells of the sincere moments of perception and recognition of unsightly vulnerability. These are the moments when sincere encounter happens to become possible. On the outside, these are not the nice, shiny TaDa moments, but on the inside they provide light and warmth, they nourish the soul, like water making flowers bloom. Moments that cannot be bought with money. Moments that are among the most worthless in the dazzling world of consumption, shunned, despised, marginalized, excluded.

In this way, "Paper Moon" is an intelligent approach of reckoning with the consumer-driven social reality in which 'appearance' takes the place of 'being'. Quietly and constantly the KDrama is reminiscent of the basic in human, which has nothing to do with staged perfection, but rather with irrational impulses and irreconcilable paradox. At most, beauty in ´being human´ unfolds when weaknesses become strengths, when ruptures make the whole, when betrayal opens the door to freedom, when loss becomes the gate to abundance, when I find myself by losing myself, etc.

Since we are all human, we can remember (that we are like that too) and empathize and accept ourselves (and others!) even in our (their) 'ugliness', 'despair' and 'failure'. That makes life truly valuable and remains as a valuable experience, even if any material value has long since disappeared.





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SIDE NOTE: -------- 'Paper Moon' vs. 'Pale Moon' ----------

The original title "Paper Moon" was for the international title particularly changed from "Paper Moon" to "Pale Moon" in order to create a certain degree of selectivity from the Japanese original. The story may be remade, but it's retold in characteristic korean-style. Successfully so. And if you like, the changed nuance in the title already testifies to a finely nuanced, additional facet within the KDrama production.

The term "PAPER MOON" refers to a fake, oversized crescent made of cardboard, which became fashionable at the time, with the advent of photography, as a specific variant of (cheap but effective) portrait background. At fairs, etc., photographers as a special gag offered the cheerful visitors unforgettable portrait photography in front of an artificial crescent moon made of cardboard. The happy couples (but also everyone else who had their picture taken) floated optically above the clouds, removed from everyday life, yet oh so close to the (artificially fake) sky... A reMINDer, documenting a very special moment.

Since then, the meaning of the ´paper moon´ generally refers to an object with the help of which a void is filled with fictitious, purely optically reality – a make believe. However, the emptiness is still there. The symbol, enriched with meaning, inspired many a great work. One of them is the piece of music "It's only a Paper Moon" (originally "If you believed in me"), which summarizes the basic idea or the basic feeling in a striking way - as a tightrope walk between hope and hopelessness...

"Say, it's only a paper moon
Sailing over a cardboard sea
But it wouldn't be make-believe
If you believed in me

Yes, it's only a canvas sky
Hanging over a muslin tree
But it wouldn't be make-believe
If you believed in me

Without your love
It's a honky tonk parade
Without your love
It's a melody played in a penny arcade

It's a Barnum and Bailey world (=circus attraction)
Just as phony as it can be
But it wouldn't be make-believe
If you believe in me"

...The unreal reality, the deception, the lie, all of this could be true if only one can convince the others that it is so.


"PALE MOON" on the other hand refers more to the real, pale (full) moon in the night sky, which is repeatedly staged in this KDrama. It's not dazzling like the radiant, all-illuminating, blinding sun, and not loud and spectacular like fireworks, (and not as big and dominant next to me as a paper crescent moon). The pale (full) moon only shimmers in the dark hours of the day. It may light the way and also cast shadows, yet from my perspective it is just tiny and far away.
Nevertheless, despite appearing almost fragile and delicate, is solidly stands there like a vague, quiet, soothing reminder of something truly beautiful and valuable. Something that is there repeatedly, with beautiful regularity - remaining, just being, no matter what. Something to relate to. Far away it may be, yet emotionally quite substantial - and thus close to the HEART.

Leggi di Più

I have never watched a thai drama before and I absolutely loved this version of Full House :)
Story-10
The story was a definite 10 for me! I just loved the romance a lot and the love scenes were defiantly super cute!!! The chemistry between the two make me hope that they are a couple off-screen as well! In all honesty, this was defiantly better than the remake.....and the story affirmed that for me! The story has an equilibrium between the romance and comedy which is actually quite tricky to master...but they managed to pull it of exquisitely!
Acting/Cast-10
I absolutely loved the actors and actresses! They suited their roles perfectly! I absolutely loved the chemistry between the two! I will defiantly be watching more of their dramas in the future! The actress does a very good job at pulling off Aom-am's character and the actor also does a very good job when acting as Mike.
Ultimately, the acting was a great plus-it wasn't fake nor was it uninteresting! It seemed realistic and thats why i absolutely loved the show!
Music-9
The music was really good-the only thing i wanted was another song because the same song would of been played at least 2-3 times during a single episode.....however I liked the song and it was cute because the pair actually sang the song themselves :)
Overall-9.5
I loved this drama soooo much and it has been so long since I have encountered a really good rom/com!!! I highly recommend this to anyone in search of a good laugh and 'aww' moments!

Leggi di Più

First things first, in case you're like me, DO NOT expect a love story. Even if there are two male leads and one female lead and all the cogs in your mind (especially if you're a seasoned drama viewer) start tossing and turning about all the possibilities even though 'romance' isn't one of the listed genres...no, just no. There are no kisses or romantic, teary-eyed hugs here.

My heart was felt pounding for entirely different reasons:
- The growth of the characters
- The pure and honest depth of the story
- A sense of warming accomplishment communicated by the great acting

With a very easy to follow story that's both believable and motivating, completed by relatable, developing characters whose interactions with each other made me both cry and then grin, Page Turner encapsulates everything a short drama should be.

The story feels mostly predictable but there are certainly twists and surprises! The music is of course fantastic. The acting, I expected no less! And I'd certainly rewatch the whole thing again at some point just to get those butterflies again *cough*andwatchaperkyJiSooagain*cough*. It was a great ride. But be warned, the ending may not be all that you expect it to be.

Leggi di Più

When I was younger, there were these cartoons that I used to watch known as ‘Dora The explorer’. In these cartoons Dora used to go around on her kiddy-sized expeditions (mainly in her backyard or the neighborhood park) and discover new things.

However, despite being known as an excellent kid explorer, Dora wasn’t the brightest bulb in the closet. Every episode went something quite like this; Dora would stand in front of, say, an apple tree and the treasure that she sought after would be an apple. So in order to find that apple, Dora would first cluelessly look to one side then the other, then she’d look all over all the while conveniently missing the tree located right behind her. After a good ten minutes of looking, when Dora still wouldn’t find the darned apple, the creators of the show would decide to give her a hint.

The hint went something like this: “Dora, if you look exactly behind yourself, you’ll find something. Now, we are not telling what it is, since this is only a hint but I think you should look behind you and see what you find.” For further help, a huge green arrow would point towards the apple on the tree. That was when Dora would finally have a light bulb moment and discover the goal of her expedition. Feeling mighty proud of her feat, she would then ask the viewers whether they too were able to find the apple or not.

Even as a child, I was about ready to combust at this point, for I had found the mighty apple the moment the tree came into the view. However, despite all its flaws it was still one of my favorite cartoons because it made me feel so clever. I was smarter than Dora. The world was a good place. What could possibly go wrong?

Except, when the same Dora-style execution is done in Contemporary Crime Shows, things do actually go wrong. This is exactly one of the reasons why people love “Stranger” so much. Stranger doesn’t come with the usual BS. It doesn’t assume that its viewers are mentally impaired baboons who can’t put two and two together. It actually respects the audience by considering them smart enough to follow the plot. There is no spoon feeding here, nor does a big ass green arrow point towards every idiotic discovery ever made. Instead, it’s a drama with an intelligent script that demands your full attention.

Every scene and every character has a reason for existing. With brilliant direction and almost no plot-holes the drama not only succeeds in captivating the audience, rather it also gives them space to really think about all that is happening.

For a lot of actors a “cold and emotionless” role is the gateway for slacking. They leave all their acting skills in the backseat and decide that posing like a cringey af model throughout the show is the way to go. Jo Seung Woo with his “Prosecutor Hwang Shi Mwok” explains that kids, it is indeed not the way to go.

For a character that is supposed to be expressionless and indifferent to everything and anything, Seung Woo sure did put out the acting of the century. While his face remains carefully blank at all times, there are slight nuances in his expression that highlight the emotional development Shi Mwok experiences throughout the episodes. A slight twitch of the brow to show frustration, relaxation of the facial muscles to show ease and the gorgeous, beautiful and rare smile to show happiness. Simply put, Shi Mwok is a delight to watch. Without showing, he still shows so much that by the first half of the drama, the viewers have already formed a deep connection with him.

A lot of people thought that the whole “brain surgery” plot-line was unnecessary, however, I think it was wholly essential in order for Shi Mwok to become who he was. He was a prosecutor who was able to observe every crime scene with a cold detachment that is unachievable for a normal person. And the show facilitated the fact by backing it up with a genuine reason instead of feeding the viewers some bogus and over-dramatic crap.For all those people who have seen God’s Gift, I know that Seung Woo shocked your pants off. The utter versatility of the actor cannot be described in words. He was a completely different person in this show, simply unrecognizable and for that, he has all of my respect.

I think one of the most endearing characters in the show was our female lead Han Yeo Jin. Bae Do Na held her own in terms of acting and the amount of chill that her character had was unlimited. She was such a genuinely cool person. Relentless, strong and quirky. Even though she won against bad people numerous of times, there was never any pomposity in her, for to her, even the wins felt like failures because they were against her own people. You can see how her heart hurt at the name of injustice and how fully determined she was to stand against it. No matter the consequences. She was the kind of fearless cop that is every ordinary citizen’s dream and every corrupt person in power’s nightmare.

So considering how exquisite these two were individually, it’s no surprise that they were unbeatable together. Lieutenant Han and Prosecutor Hwang: The ultimate dynamic duo that made the baddies shiver in their boots. The chemistry between them was excellent; easily topping many romances. They were the kind of comrades that can lean on each other in time of need, rely on the other in time of action and above all, understand each other all the time. As weird Shi Mwok was, Lieutenant Han just seemed to get him and he in turn respected and shared his secrets with her.
With best friends like these, who needs romance?

All of the other side characters came with their own quirks. They had their own story, their own motives behind actions that appeared to be ruthless and their own flaws and weaknesses. Nobody was completely good or completely bad; rather they were all wholly mortal.

Like other crime shows, the show did not make use of convenient plot-lines or shock value. There weren’t any WTF moments or nerve-wracking cliff hangers, rather there was a constant under-current of gravity that kept the viewers rooted to their spot.

This is the kind of drama that will warm your heart, fill you with sadness at the world’s corruption and leave you with the sweet hope that not all people are wicked, that there is still some good left and that little bit of goodness might just be able to overcome the evil.

I know that I should just end this review here but I need to be completely honest. As as you can clearly see, I have nothing but good things to say about this show. However, it doesn't mean that I am going to give it a perfect rating like many others because despite all of its beauty there were times where I wanted something more. I wanted to know why Mwok Shi was so relentless on eradicating all corruption. If he couldn't feel anything, where did all his righteousness sprout from? I wanted to know more about Lieutenant Han's background. Why was she always so alone?

Even though the whole drama came with a certain amount of simplicity and subtle intelligence, the last few episodes did at moments take on a fairy-tale touch. The conclusion was everything that you could've wanted, it was the perfect ending. However, considering the somber tone of the show, personally I expected something more gritty and raw.

So while this was one of the more amazing shows I have watched, I will not claim that "This was the best Korean drama ever made".

That being said, with some of the best dialogues and a spot-less execution, this drama is definitely not one to be missed. Which is why I wholeheartedly recommend it to every crime/thriller fan out there.Enjoy!

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I'm writing this for one reason only and that is to urge more people to watch this masterpiece. This is a rare gem, a phenomenal drama that deserves much more attention than it's getting. Well, to be honest, I think even a 10/10 ranking is not enough to do this drama justice!!

It has one of the most intelligently written plots that one can ever come across. It's psychologically heavy and demands a mature audience. The drama chooses to look at its theme in a very philosophical manner; it chooses to take its audience to the core of a damaged human soul, and then slowly analyzes its each and every layers. As each layer unfolds, the audience learns more and more of the truth.

To put it simply, this drama is about mistakes. However, what it focuses on is not the act of making a mistake itself, but rather its effects on both the person who's made the mistake, and the people who've been hurt by it. This might seem very simple, but in actuality it is profoundly complex.
We watch the characters suffer as they fight their inner battles, the battles between love and hate, good and evil, right and wrong. We watch them as they crumble and still try to find their footing. Even though at times it seems futile, we still hope as hard as we can that they will survive this, that somehow everything would turn out to be ok. And I have to add this: what was very impressive was how in the midst of all this, the most humane feeling started to shine ... love; not necessary a romantic love, but the love that one can have for oneself, for the people around him/her, and for the life itself.

The music was simply AMAZING, I cannot think of a better choice of music. Moreover, the acting was outstanding, specially the leads. Before this drama I didn't know any of the male leads, so their breathtaking acting took me off guard. There were times that the slightest change in their expression would make my tears drop or my heart to skip a beat.

I recommend this drama to people who like to dwell in psychological mysteries. People who enjoy brilliantly written stories with meat to chew on, the ones that will leave you thinking not only for hours, but for days and months to come.

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An epic historic love story, playing with time and space. Waggish. Affecting. Wonderful acting.

A special dramaturgical drive given by time travel and parallel worlds are quite common in KDrama. Thus contrasting perspectives from different backgrounds quite regulararly add unconventional fun and extra thrill to story dynamics.
Additionally, KDramas like to chose a historically exotic context for its intriguing and romantic stories, while still giving them an epic scope. Even if not always historically exact, these plots offer plenty of material for drama and at the same time convey historical facts and heroes in a colorful dress. Epochal personalities and their impact come to life again. As Korean history goes far back in time, there are yet many more heroic stories to be told...

"Faith or the Great Doctor" combines both, the historical approach as well as playing with time and space in one story. In fact, history is thus presented even more funny and colourfully. On the historic side, this KDrama revolves around the legendary General Choe Yeong (1316-1388) who went down in history as the protector of the Goryeo Empire and its royal family. Incidentally, this is not the only KDrama that has been dedicated to him to date... As early as 1983, a series monument was erected for him in "Gyegook" and "Chu Dong Mama". He is also featured in "Tears of the Dragon" (1998), "Shin Don" (2006), "The Great Seer" (2012), "Jung Dojeon" (2014), and "Six Flying Dragons" (2016). You guessed it, he´s a real hero for the Korean Peninsula.

-------------------- SIDE NOTE: --- General Choe Yeong ---
Known for his strength from an early age, the son of a civil servant learned martial arts and studied books on military strategy. Over the centuries he had finally achieved the status of legendary protector of the Goryeo dynasty. Although he was also exiled for 6 years due to intrigues, in the course of his life this did not prevent him from fighting around 80 more battles in the service of the king. He lost his last battle against his former brother-in-arms, General Yi Seonggye, when he seized power in a coup d'etat in 1388 during the Battle of Liaodong. This was also the birth of the Joseon Dynasty.
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"Faith or the Great Doctor" traces the path and integer character of Choe Yeong, whose motto has been handed down as "consider gold as if it were a stone". It´s obviously not pure poetic freedom when he is portrayed as sincere, stylish and gallant. And also does his combative superiority not seem exaggerated - his skills are historically documented. The focus of this KDrama is rather on the young general. He is not only presented as a strong leader, but as a young man who falls in love with a woman who is almost 10 years older. This (fictional) constellation offers some extra driving dynamics to the romance - as well as a comparably pleasant maturity at times as well.

The title plays with the different language styles in Korean - the old Hanja, which was written in Chinese characters until 1443, and the Hangul writing, which was newly created during the Joseon dynasty (and in which many Hanja terms have been preserved to this day.) So the original title "Sin-ui" may be understood both as 'trust in law and order' or as 'gifted healer'. In this sense, the title not only values Choe Yeong, the protector of law and order in the Goyeo Empire (refering to the Hanja translation), but also the gifted female healer (refering to the meaning in Hangul) - Eun Soo, a cosmetic surgeon from Seoul in 2012.

In the midst of waggish and heartbeat, this epic love story with all sorts of dramatic twists and turns absorbs within an eventful chapter of Korean history. The contrasts between modern and traditional medicine, somehow clashing in the middle of the 14th century, as well as between the almost rebellious, outrageous self-confidence of the by modern Seoul life spoiled doctor Eun Hoo and the ancient court of the Goryeo royal family guarantee 24 episodes of evocative entertainment.

"Faith or the Great Doctor" is an epic historic drama and at the same time playing with time and space. With two wonderful leading actors and more. The perfect mix for an epic Rom+/-Com.

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I started watching this movie as Nana fan and boy did i cry when the story end. This movie is the 2nd movie after Your Name that has an effect to me this year. The first half of the movie describes the happiness that couple share together, featuring the beautiful streets of Kyoto. The storytelling is so good, that when the two see each other for the first time, you feel nervous with them. Then, when they officially start to date, you feel butterflies in your stomach!! In short, it is a love story that makes you blush and fall in love with the characters for me. The second half is when you start having the feeling. Like the title suggest, the lead will meet up with each other significance with the opposite time.

It will also question whether if we know everything in the future already, Will we still do the same? The answer for me is yes because 'happiness is still happiness'. We still remember that moment as 'happiness' because everything changes but happiness is always in the corner of time.

This movie is one of the best bittersweet love story for this new generation and you will most likely cry after the movie end . Japan has really step up their movie industry with so many quality movie released.

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Eerie Yet Cunning Story

For me Somebody was a delightful watch. The slow pacing, the story, the characters and the whole overall aesthetic was very fun. People are complaining how they didn't understand why ML was doing whatever he was doing. Psychopaths never have any logical reason anyways for their doings and this is why I loved it. Because I always eat up any psycho thrillers. Somebody was just another level of distinctive art where each and everything was pure art. The cinematography reminded me so much of how usually Korean movies are. It's not everyone's cup of tea and that's totally fine.

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