Reviews

The series overall was a good length – I mostly enjoyed the storyline, characters and pacing. Everything seemed to fit together well in the bigger scheme of things. Except.. The ending. I was let down. The drama built itself up so much that I was so excited, but the writing and execution failed me. (discussion of ending on bottom)

There were times the acting was very off, especially with Victoria, she seemed to only express sadness and Johnny could barely show any emotion on his face. The writing was sometimes sloppy, with too many unnecessary moments, so much time was wasted on the ex-friends when I wish they could've fleshed out Qianhua/Zhaosong a bit more and they glossed over the r*pe scene after it happened.. Felt like Wangxuan was an addition that wasn't necessary – they didn't even treat her character right! I liked the use of flashbacks, it was interesting to see how everything has changed from then to now. Except episode 24 - a flashback to the 80s/90s of Pipi's parents were extra weird, but I guess it was done to provide Johnny with much needed extra screentime.

Despite these flaws, I still liked the drama – throughout the series, I liked the interactions of the characters, especially the two boys and Xiaoju - which gave us the right amount of humour. The pacing was good, issues weren't dragged out and sorted in appropriate timing.


Now the ending. Felt like they completely ignored everything that happened and did a 180 on what viewer's wanted and expected. Bad writing and bad execution. Barely tied any loose ends. Awkward time jump. Like, there were mention of the south/north war - but now that he's a fox/human without powers or memories, what are the fox clan left to do? Meeting of Helan Xi and Pipi after six months was awkward and could have been executed much better.

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Fake it till you make it.

Regeneration is an excellent short suspense thriller. The narrative opens with a reporter He Shan witnessing the kidnapping of her contact Fei Ke. In classic Christie style, five strangers including He Shan are summoned to an island mansion for the reading of Fei Ke's will. They are each asked to share their memories of Fei Ke before the will is read. As implied by the homonym of his name, Fei Ke was not who he appeared to be; he showed a different self to each of them. As they piece together their memories, a complex, disturbing and moving picture of Fei Ke emerges.

Jing Boran delivers a compelling portrayal of Fei Ke as a charismatic, amoral "fake it till you make it" kind of character. I don't think any other actor could have evoked such complex and contradictory reactions. At many points in the narrative when I wanted to absolutely despise his Fei Ke, I found myself searching for excuses for him. Yet when I could have and should have empathized with him, I found myself judging him. All of the characters have many layers that peel off like an onion. Like Fei Ke, they all have at least one moment of hesitation before they almost willfully make a fatal, life changing decision that takes them down the path of no return. By the end of this web of lies, the only story that moved me was that of the two lovers star crossed who ended up as collateral damage. Everyone else reaped what they sowed; even Fei Ke who believed his own lies to the point he deceived himself more than anyone else.

The plot pulled me in from the start and kept me wanting more with each reveal. However, at the point of reversal, changes were deliberately made to the original novel plot, likely to avoid book spoilers. I think this was big mistake. As a result, plot holes emerged and the final three episodes did not come together as well as they could have. In the novel, the group gathered because the main antagonist wished to make amends. That is simple, straightforward and easy to understand. In the drama, they gather as a result of a convoluted and rather far fetched revenge plot. Some of the character designs and motives were changed in to make this work. Some of it just didn't make sense as those parties could have achieved their objectives in more direct and effective ways. This is made worse by the melodramatic storm at the end where everyone does silly things for some cheap thrills.

Even though the ending was overly dramatic and could have been more tightly written it was dark and consequential. All things considered, this is a suspenseful and thought provoking watch with many unexpected twists and reversals. And If you need a shallow reason to watch it, Jing Boran looks yummy in every scene. My rating 8.0/10.0.

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About prince Wang So of Goryeo. A love story with wit, charm & affection. Makjang alert. Toxic, too

First of all: "Shine or Go Crazy" is a love story from head to toe with all the trimmings. Nevertheless, it is also about the dazzling historical figure of Wang So - King Gwangjong from the early hours of the Goryeo era. Thus it is a beautiful character study about the young prince, who at last became king, but who had by far not been the preferred prince of choice as far as the future throne was concerned. How did HE happen to become not only king but such an outstanding one as well - one who is NOT automatically (as so often) a jumping jack for his ministers, eunuchs and palace ladies? Who or what motivated and inspired his rather grounded, almost visionary, innovative, citizen-oriented policies?

This KDrama offers a (possible) answer to history, as well as an epic love story, playfully sprinkling disguise of origin and confusion of gender.

----------------- SIDE NOTE: --- Wang So, 4th son of Goryeo King Wang Geon, and later King Gwangjong
During his 26-year reign at the end of the first millennium, King Gwangjong laid solid foundations for the next four centuries. To this end, he introduced some popular reforms for the common people (yet unpopular among the nobility). Above all, these concerned slavery. Additionally he instituted the national civil service exam, which allowed people to serve the country according to their ability. Introduced during his reign, too, were so-called "Daebi-won" - medical centers for the free care of the poor. Finally, he secured the borders of the empire with military measures. Throughout, he consistently had to deal with opponing noblemen ... and eliminated them uncompromisingly. "Shine or Go Crazy" is a dignified multimedia monument to his rulership, that in general rather focused on the needs of his ordinary citizens than aristocracy.

The KDrama "Shine or Go Crazy" (as well as "Moon Lovers" who deals with King Gwangjong, too), offers a conclusive explanation for this King´s particular career. Whether this is historically justified by sources, I could not find out yet. In any case, Prince Wang So becomes tangible and understandable with the help of this fictional setting: The KDramas tell his story as at a young age being banished from the palace and sent to the mountains - thus hopefully avoiding a bloody prophesy from coming true. There he lived a life beyond the palace intrigues, yet close to nature and its existential everyday struggles for survival. Like that, his everyday life inevitably came quite a bit closer to that of the ordinary people of his time. This socialization in 'freedom' and largely grounded normality shaped him in a completely different way than his (numerous) direct and indirect siblings within the palace walls and thus makes him a resolute and popular monarchical free spirit. At the same time, this lays the right foundation for placing a completely unorthodox, unexpected and inspiring commoner´s love at his emotional side. Like that the fictional K-Drama helps to on the one hand understand the sharp edges of his disappointment because of parental rejection as well as his self-doubt due to his curse. On the other hand, however, this is balanced by down-to-earth experience of authentic affection and love. Historically true or not, the extrordinary historic personality of prince Wang So is painted in an impressively tangible, comprehensible way.

------------------- SIDE NOTE --- Trading at the time ---
An aspect of historical detail that's (in general rarely) brought into focus in "Shine or Go Crazy", too, is the importance of thriving international trade at the end of the first millennium. Throughout Korean history, life on the peninsula (not only, but also in KDrama) is rather isolated and self-centered. In this story, at least, business relationships with the immediate neighbors and with the rest of the world are given some space, at least to some extent.

-------------------- SIDE NOTE --- Balhae / Late Balhae
Also rarely a topic in the focus of KDrama is the Korean history BEFORE Goryeo - the time of the three kingdoms Silla, Goguryeo and Baekje. In "Shine or Go Crazy," the female protagonist is a princess from the Late Balhae Kingdom in what is now Manchuria. This dates back to one of five kingdoms that in 37 BC united to form the kingdom of Goguryeo. The first Goryeo King Wang Geon (posthumously Taejo) at his time attempted to reconquer the former territories of the original Goguryeo Empire and thus set his kingdom on proven, solid ground. Balhae being one of them, had previously fallen victim to the Para-Mongolian Kitan. Some (many) Koreans from ancient Goguryeo, who formed the ruling Balhaen elite, escaped to Goryeo - with the crown prince, the nobles and parts of the population. The female lead is set in this context (and also personally associated with an alarming (fictitious) prophecy regarding the future of her people.)

------------------------------------------------------------------------------------------------------------------


Back to the (love) story between the 4th son of Goryeo King Wang Geon and the Balhaean princess, who is an independent prosperous business woman.

In proven KDrama style, there are subplots with their own stories and characters with their own motives, who courageously get involved in the (love) life of Prince Wang So. The political stage is intransigently characterized by malevolent power intrigues. There aren´t any scruples anywhere. Upright people hardly exist, loyalty and dependence being mixed up and confused. There's a lot of bad stuff going on everywhere. It gets pretty ´toxic´, too.

Set in this context is the affectionately and also humourously told relationship of young prince Wang So with a smart, proficient, quite self-confident lady in a double role in disguise as young man. These encounters inspire and enhance Wang So´s pragmatic world view. The dynamic between them is fun to watch - with wit and charm, since his queen of hearts is sometimes hidden behind a veil and sometimes in men's clothes. At times, Wang So has to seriously doubt his gender orientation (... not that this would have deterred him...).

Ah. Yes. The ending... Reviews I had read often blamed the ending. I was ready for the worst. Probably that was a good thing. Like that I was pleasantly surprised as I had expected even worse. In fact, whether I liked it or not, the ending made quite a lot of sense to me. (After all, this is about a historical character - the prince becomes king and has an archetypal task that is greater than himself - during his reign, Gwangjong sets the course for future generations.) Nevertheless, KDrama land even got us a little candy at the very end, too.

My criticism, however, refers to the soundtrack! Unfortunately, this is the first time I definitely have to complain! Shallow songs can have their time, I don´t mind. But in this case (at least in my acustic sound system) as soon as romantic vibes gently started to develop, an inappropriately dull, meaningless song (in my perception) acustically dominated the scene and thus insensitively destroyed each and every moment (again and again). A real shame! (I would like to hope, that this was just due to my technical device...)

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Homecoming

Hometown is a psychological thriller that revolves around three main characters; police detective Choi Hyung In, convicted mass murderer Jo Kyung Ho, and his estranged sister Jo Jyung Hun. The premise is based on the preliminary investigation of a murder case which escalates into the search for a missing schoolgirl and subsequently the mystery surrounding the abduction of her classmate. Both events spark an explosive chain of events with wide-reaching implications for their family, friends and the community they belong to.

Originally an OCN production, it was eventually broadcast by sister channel, TVN. Directed by Park Hyun Suk (Stranger 2) based on the screenplay by Cho Hyun Hoon. Initially credited via his pseudonym of Joojin, the screenwriter was removed from the production credits altogether once his real identity had surfaced which resulted in controversy and public backlash due to his past sexual harrasment case. Choi Seong Gwon is engaged as the composer for the drama.

What to watch out for

The story is set in 2000 with a re-telling of events taking place in 1999 and frequent flashbacks to multiple timelines in the 1980s, particularly to a terror attack on a bus terminal in 1987. The storytelling is non-linear for the most part, which utilises parallel and converging plots based on the shared narrative of the three POV characters.

The eponymous hometown refers to the fictional town of Saju which is located in Gyeongsangnam or South Gyeongsang province. Nearly all characters in this drama speak the distinctive Gyeongsang dialect, as opposed to the central dialects (Seoul or Gyeonggi) that most viewers are perhaps used to.

Elements of mystery and horror are present throughout but, rather than outright terror and fright, the drama projects an overall eerie, ominous and psychologically disturbing aura. By the time the halfway point is reached, if not earlier, viewers should be quite aware of the direction of the story.

Expect trigger warnings in the form of drug references, abuse and bullying, as well as some violence resulting in depictions of blood and gore in certain scenes.

What I Liked

I enjoyed the storytelling approach which feels distinctively neo noir in terms of the visual language, compelling dialogue and the variety of complex characters written in the screenplay. We have the hard-boiled detective who does the nitty gritty legwork, the charismatic yet sinister psychopathic mass murderer and the frantic family member of the victim. Add to that an extremely detailed worldbuilding and a whole host of intriguing side characters ranging from the questionably dubious to the downright bizarre that make their truly disquieting presence felt.

The first 8 episodes of the drama felt the most captivating for me. This is largely because of the mystery surrounding the events at play and the infusion of a rather horrific scene that reeled me in right from the start. It is also during this stage that I found myself still able to sufficiently keep track of the happenings which connect the dots to the grand scheme of things.

The cast is, without question, absolutely outstanding. Yoo Jae Myung’s portrayal of Regional Investigation Unit’s Detective Choi Hyung In is utterly convincing. He made me believe that he truly is a seasoned yet somewhat traumatised cop, in a gripping performance that is reflective of his experience in the industry.

Likewise Uhm Tae Goo delivers a compelling depiction of convicted killer Jo Kyung Ho. This is my first time watching him and what a talent he is. The most nuanced of the main leads, his subtle interpretation of the intricately written role and the delicate articulation of his lines through a deceptively calm demeanour and soothing voice literally enthralled me into a false sense of security.

The drama also features the award-winning Han Ye Ri, fresh from making her Hollywood debut with the critically acclaimed Minari for which she garnered 4 nominations. She provides another fine performance through her captivating portrayal of Jo Jung Hyun, a woman struggling to break free from the burden of truth and her tormented past that threatens to overcome her seemingly bleak and hopeless existence.

I truly enjoyed the brilliant original score composed by Choi Seong Gwon. This is not easy listening music for relaxing with a glass of wine but the kind that elevates the sense of foreboding and completely immerses the mind into the dark and ominous atmospherics throughout. The soundtrack also features two OSTs performed in English that actually sounds more contemporary than the retro settings of the drama.

유라 Youra - Remember
문수진 Moon Sujin - Hide and Seek

What I Didn’t Appreciate As Much

As riveting and morbidly entertaining as this drama was, I would have preferred for the “supernatural” aspects to be the main focus and potential for driving the story development. This would have provided a different spin and a breath of fresh air to the genre. However, although the story takes a more familiar course, the sense of unpredictability still remains and even culminates in a rather surprising and unexpected outcome.

Speaking of unpredictability, either the rationale behind certain plot points or much-needed connecting scenes were sacrificed as part of efforts to induce viewers’ intrigue and suspense as well as, in my case, confusion. Perhaps this was also attributed to the shorter duration of the drama, at 12 episodes. A number of key events shown, particularly from episode 9 onwards, were never fully or properly explained. Without giving spoilers, let’s just say that viewers will have to formulate their own hypotheses as the story unfolds because ultimately the ending does not provide clarity for all the questions asked.

Adding to the air of uncertainty is the countless switching of timelines, sometimes captioned for viewers’ benefit but at times they occur unannounced. It certainly doesn’t help when the disparate scenes are acted by different sets of actors that I end up having to pause and rewind simply to ascertain who exactly these characters are.

Conclusion

On the whole, Hometown is a very good drama with high production quality and a top tier cast whose performances are deserving of praise. The slightly over complicated narrative, uneven storytelling, somewhat surrealistic setting and arguably lack of logical clarification particularly during the final quarter may give rise to bewilderment for some viewers, as it did for me. This perhaps hints at the drama's selective appeal, particularly for those who are fans of the genre rather than the casual watcher. Notwithstanding the issues, I still had an enjoyable (and moderately spine-chilling) time watching this absolutely binge-worthy drama.

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A coming of age & slice-of-life masterpiece that I will never forget

My review will contain spoilers, but I'll warn before spoiling, so you can read the safe parts before watching the show! Also, be ready, this is going to be long, but this drama is so excellent that it's hard to stop myself lol

If you look into my profile, you will know how many korean and chinese dramas I have watched. I rarely write reviews, but I feel like I need to write one for Northward (and also I've been obsessed with this drama since day 1 so I hope writing it all out will help me think of something else lmao).
If you're hesitating to watch this drama : go ahead and try it. This is a masterpiece. But you need to know two things before going : first, this drama was made to be realistic, no character is perfect ; second, while watching, you must analyze the characters yourself through their dialogues and actions and not let characters tell you how A or B is (even when they're talking about themselves). If you're confused about my second advice, here is what I can tell you : in life, you don't necessarily understand your decisions or other people's decisions. You can misinterpret other people, and misinterpret yourself, especially when you're young. So if a character tells you he did this for Y reason, or he thinks X, that doesn't mean it's true. You need to look at what they do and what they say when confronted to the situation to actually know how they feel about something. So, while watching this show, you musn't take everything at face value, you have to analyze their actions and dialogues to actually know the truth If you don't, you're likely to misunderstand them.
This is actually the reason why I loved this drama so much, and why I say it's a masterpiece. Weirdly, my favorite scenes are almost only scenes where characters fight or confront each other, because that's the moments when you actually understand the characters motivations and sufferings. Otherwise, they don't talk about it, just like we don't spend our time talking about what we feel or why motivate us to do X ou Y. We only talk about it in specific contexts.
I know a lot of people hated on Wanghe sometimes, and I get it, but he's definitely my favorite character here. He is so complex and realistic and a mess (just like 4D people are). He was a delight to analyze. I've been supporting him since the beggining and seeing his growth was such a pleasure.
Every character is interesting, very well written and complex, even the less important ones. I admire the screenwriters for how they managed to create such deep and realistic characters.
The cinematography is exceptional ; I was already a big fan of Yao Xiao Feng after seeing Tender Light, and his work here is just as wonderful. I am very peaky regarding the cinematography of the shows that I watch, so when I compliment it, it means it really is great.

I wrote an analysis of the first 28 episodes a few days ago ; you can find it here : https://mydramalist.com/740015-bei-shang#comment-21293186 .

--- SPOILERS AHEAD ---

I am SO glad it wasn't a sad ending. I was scared they would end it with Fenghua dying because she deserved so much better, and I felt like Wanghe had gone through enough deads. First Siyi's grandma, then Siyi's little brother, then his employee. And he blames himself for each of them. I can't imagine how much he would have blame himself if Fenghua died. He would've thought he should've made a move on her sooner to enjoy her presence more.
But thanks god : it did not happen. Everyone got the happy ending they deserved.
I am glad the drama didn't push the Siyi/Wanghe agenda too much. As I said in my previous analysis, for me, Wanghe never truly loved Siyi (as a woman). And I don't think Siyi feelings for Wanghe were very deep either. They probably were more linked to her fear of being abandoned, and she may have felt like Wanghe was "abandoning her" everytime she saw him with Fenghua (which made sense, because Wanghe never planned his future with Siyi, outside of his promises to "take care of her", that were, to me, the proof he had a savior syndrome with her). At the end, when they're all watching footages of the younger them and we see Wanghe and Fenghua's interactions, it's so obvious that Wanghe already had romantic feelings for her (even the friends make fun of them and say they're "having a date on the balcony").
I loved LOVED every Wanghe/Xingchi confrontation. As an anti-capitalist myself, I saw my own ideals in Xingchi's, and yet I sided with Wanghe, especially in the fight episode 31. To me, Xingchi thought too high of himself. He thought only his values were important, and that his employees were stupid to put their lives on the line just to get money. It was easy for him to dismiss Wanghe and them by saying they're "evil capitalist". But, in my opinion, it only sounded like a selfish character who imposed his values on other people. I would even say... he sounded like a priviliged character. Just like Wanghe said, it's easy to say money isn't important when you're not hungry ; but when you need money to survive and support your family, money IS (sadly) important. Aknowledging that doesn't make Wanghe the evil capitalist everyone thought he was (including Fenghua). On the opposite, he understood better than anyone that the true problem was political. People shouldn't have to put their life on the line to survive, but the truth is, they sometimes have to, and he could only make sure they would get correctly paid for it. What Xingchi did was foolish and selfish, and not truly for his employee's wellbeing, but he was too immature to understand it. If he wanted to fight for what was right, he either had to climb in a waaay higher position, or make an union with his employees and protest against the politics, or make his own business with his own rules (like Fenghua). Instead of thinking he knew better his employee's needs than themselves, he should have asked himself why they were ready to put their life in danger just for money. And he should have understood their distress, instead of dismissing it and stopping them from making the money the needed. To me, that fight showed that, despite Xingchi's sad background, he was still a boy who knew he had parents and friends who were ready to provide for him if needed. Not even once did he try to understand why people were desperate for money.
Wanghe, on the other side, definitely made mistakes, but he was trying to actually change things in a way higher scale than Xingchi. The scene where Xingchi sees his ex employees eat outside and screams about how unfair it is that the cafetaria got shut down, meanwhile Wanghe actually takes action with his boss to provide correct meals to the employees, shows exactly that - Xingchi was all talk, Wanghe tried to take actions. He's definitely the most misundertsood character in this show : he was not cold-blooded, he just believed he could actually change things from the inside, even if it meant making sacrifices by doing things that did not align with his values and tiring himself out.
One of my favorite scene of the show is when the company refuses to pay compensations for He's death. The way his heart hurts, and he loses balances, and he feels sick, how he throws up in the toilets and curls himself up, all of that filmed as if it was a horror movie : to me, that's when Wanghe realized how much his efforts were in vain, and how evil the world was. He was in so much pain it literally made him sick, but no one knows about that. He doesn't talk about it. And he will forever be seen as the "shark that thrives in Beijing" (to quote Xingchi's lines to describe him).
Wanghe was never thriving in Beijing. He had failures after failures, and a huge pressure on his shoulders. Remember how he was told by his father, as a child, to succeed in life to make him proud? How many promises he made to everyone, that he would succeed and be there for them? And how he thought he needed to be rich to deserve Fenghua? He was not thriving, he was dying inside trying to succeed. In a dialogue with Fenghua, he says himself he can never show his vulnerable side (which shows that he is already suffering) ; later, he says to Haikuo how tired he is in Beijing (and yet he chooses to stay there for the funerals). In Beijing, the easy-going and (apparently) confident Wanghe was so stressed out he had stomach issues (they're mentionned in the beginning of the adult era, as something recurrent for him). But no one aknowledges that because Wanghe just never complains.
Another of my favorite scenes (I think it's my top 1) is the fight between Fenghua and Wanghe in episode 24. That's when Wanghe needed a wake-up call, because he was making ruthless decisions. Xingchi and Haikuo both tried to confront him about it and both only managed to make him angry. The only character who knows how to handle Wanghe is Fenghua : he goes to her already pissed off about his fight with his friends, persuaded he's in the right. Fenghua knows it's useless to scream or attack him. She begins by complimenting him, making him dream of the future he so desperately wants (him being successful). When he takes the bait, and starts seeing himself in this success and tells her he will make her as famous as him, she slaps him with the hard truth : "that day will never come, because I need to stay away from a company who doesn't treat well their employees". BAM. And then she calls him cold-bloooded. DOUBLE BAM. I loooved this scene so much because you can see just how hurt he is. He didn't question himself before that, and if that worked, it's not only because it's Fenghua (of all people) who tells him that, but also because she handled him just right. She's such a smart girl, and the only one who actually gets him and knows how to get to him.
To conclude this (way too long) review, I need to talk about Chen Rui and Haikuo. I loved, loved Haikuo. He was a sensitive lost boy and a certified lover boy. He took so much after his father, and I mean it in the best way, because Yan Lin was the best father of the show (imo). Chen Rui was my second favorite character after Wang He (Fenghua is not in this ranking because she's so much better than the other characters). His crave for his mother's akwnoledgment was so touching. I just love his confrontation with his mother in episode 27 ("the boy who is worthless in the eyes of the world will be recognized by his family. all he needs is just a little trust.").
So, this review is way too long, but hopefully there are people as obsessed by Northward as me who are willing to read all of this. The fact that I have to make myself stop here because I could talk about the details of this drama for hours just shows how good this show is!

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Just finished this drama today! This was such a fun drama to watch, so different from majority of the historical dramas i watch (which have such heavy emotions).

-Story
i thoroughly enjoyed this drama. It has a good plot line (i know the synopsis told a lot but when you watch it, it's really not much) that also sets its pacing well.
We're introduced to YunXi, the daughter of the Imperial Doctor and FeiYe, Duke of Qin and the King's younger brother. The King and his mother does not believe him to be his actual brother because of an event. To help the King, the Queen Dowager ends up arranging him to be married to YunXi, who also harbors a secret. Their story then develops from there.
Apart from this, there is also the politic side of it, FeiYe's hidden secret, the secret plans from different Kingdoms, the King's own plots, and also those of his sons.

-Acting
Super well done! They really played out their parts. I especially fell in love with our main girl. For most light hearted historical dramas like this, i find it hard to continue watching the main girl but for this one, i really ended up enjoying all her expressions, her scenes, and her emotions. FeiYe is your typical stone faced male lead at first but quickly ends up warming up. Their little romance is adorable to watch! and honestly, despite the amount of troubles that come between the two, they never really end up having bad blood or angsty scenes (even with that slight betrayal tag).
Another reason i stayed till the end of this drama was because of Qishao ;_; developed major second lead sydrome thanks to him. He played his part out sooooo well, i absolutely loved all his scenes!
and the side characters in this did not lose out too, they were well focused and planned out.

Opening and ending theme song for this was great and the music that played during sad scenes matched well.
Rewatch? i'll come back to this when i miss the second lead and the chemistry between all the characters here.

One thing- THE ENDING- its a really open ending (Eps49/50 are both different endings). I love this drama, not intense love but happy love. I'm really sensitive and it was only at the last episode that i cried my heart out.

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From a cold general to one who loves and cares for his wife, and their encounters

For ancient drama I give this a solid ten ! First all of it wasn't draggy at all , despite it being 30 episode.

Storyline- The daughter of the Shen family has to marry a general far away. This general is heard to be ruthless in battle, giving him the nickname Devil. The female lead ends up going in her sister place, because her sister didnt want to marry a ruthless monster. Female lead didn't want her mother to suffer so she accepted the marriage. On the way, she is met with some other tribe people, the male lead ends up saving her( she didnt know who he was atm) She and her maid makes their way to the general's house. From getting to knowing the general, to being with him on the training ground their relationship grows and blossoms.

Romance- This one had quite a lot of kissing. They are a pretty cute couple. They have good passion. It's really cute to see their love develop for one another. It is most definite that the male lead loves the female lead a lot and is very patient with her. She can be over bearing somethings but the male lead still supports her. Their kisses gets better as their relationship blossoms, which is very cute. Its quite natural, like a everyday couple. Their relationship has it ups and down.

Reason why this drama is good
Wasn't too heavily focused on one specific topic. The underlying story was the general wanted to investigate what happen to the 8th king's family. Others included the female lead and male lead in their training ground, when she goes back home to live, finding her old friend, starting up her own business and some more.

Starts off with a bang, already have a kissing scene in ep 4 lol

Male lead and female lead's love for one another.

Some things that i didnt care for
- ugh hated with a passion her two annoying sisters! same dad different mom. They were quite annoying , but its very limited. I cant stand those drama who has a lot of the evil people getting their ways.

This drama surpassed my expectation. I loved it!

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I literally made an account just to give this a bad review. The first ten episodes are pretty standard, but there is a plot twist in episode 11 that is so freaking disturbing that it ruins the show. The male lead is literally a textbook abusive husband except that he never actually hits her (though he does physically restrain her and drag her around to the point that she is crying and bites him to try to make him let go because he won't listen to her). He financial controls her, manipulates and lies to her about huge life events with no concern for her feelings, he stalks her, and even locks her in their house and won't let her leave. All the while he is professing his love and saying its for her own good and that he wouldn't change his behavior because it brought them together. Even after she makes her feelings perfectly clear, that she needs space and respect and doesn't want him to interfere with her life, he continues his behavior behind her back! He's literally insane. I cheered when she left him because she was escaping an abusive relationship, yet for some unknown reason the writers make her forgive him and they end up together. I'm actually disgusted. For a second I thought it was going to tun into a thriller where she has to escape him and try to put her life together while he stalks her and gets crazier and crazier. It's just horrible. I wish I could give it 0 stars.

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This was a popular series, and deservedly so! As you can see, my ratings are all over the place, so I will explain why.

I loved the music. For me, Mew (Tharn) carried this show, with brilliant acting = A+. Mild (Techno) was great = A+. Gulf (Type) was really good, too = A. Kaownah (Lhong) was a great singer and a decent actor (although, with all the crying, some real tears would have been welcome) = A-.

The chemistry between Mew and Gulf was off the charts! (That ice cube kissing scene in the last episode was epic.)
Now, for my issues with the series (hence, some of my lower ratings):

Despite some great performances, THE STORY WAS SO BAD I nearly dropped it after about four episodes. Here's why:

1) THARN'S MOLESTATION OF TYPE, WHILE TYPE WAS SLEEPING (And yes, that's what it was.)
For someone who was supposed to be the "good guy," this was not cool, not funny, not appropriate. Can something like this be portrayed in a drama? Yes, of course it can. But it should be presented as what it is, a molestation. Not as something cute, that can just be dismissed as "oh well."

2) THE WAY TYPE'S CHILDHOOD RAPE STORY WAS HANDLED.
At first I was intrigued, because Type was obviously scarred, and his intense hatred of gays made sense. All good. Then, without any buildup, Type has no issue with getting a blow job from his hated gay roommate. Then, in the next episode, he comes out and asks Tharn for anal sex (with Type as receiver), just one time, to "get it over with, once and for all." Are you kidding me? This was a childhood rape victim? And, Tharn's going along with it was almost as incredulous.

I seriously think (and wish) that the author would have had a better story, had she simply made Type a bigoted homophobe who eventually came around. That in itself would have been dramatic enough. As written, the "rape victim suddenly turned gay" storyline was not only unbelievable, but incredibly insensitive and offensive to actual victims of childhood rape.

3) THE TIMELINE.
I was confused (and still am) about what the timeline was for this story. There was no "six months later" that I could see. So, even if we allow for some time lapses here and there, we saw absolutely zero development of Type's character. He went from understandably hating gays, to suddenly having sex with Tharn. So, how exactly did this happen? We got no explanation.

4) THE ACTUAL RELATIONSHIP BETWEEN THARN/TYPE.
Not talking about the sexy hotness. That was there in spades, no question! But, it was never explained why Tharn was so taken with Type. Let's face it, Type was a hot mess on many levels. Did Tharn just think Type was hot? What in Type's personality attracted Tharn?

5) LHONG'S ENDING.
Why on Earth didn't Lhong end up in prison, or committed to a psych ward?????

The following were not dealbreakers, but I found them a little hard to swallow:

a) MEW PLAYING A 19 YEAR OLD. Sorry, not buying it. Mew is 28, and he looks 28. Don't get me wrong, 28 isn't exactly old, but it's nowhere near 19. Mew looks like a hot, sexy 28 year old. He looks like he should be a teacher in the college. (That said, I had no problem with Mew/Gulf. Gulf is 21 but could easily pass for 24-25. They look fine together.)

b) TAR LOOKED 14. (Apparently he's 25 or something, a few years older than Gulf. But that's not the point.) Tar looked completely juvenile and the idea of Tharn falling for him -- to the point of being destroyed when Tar left him -- was almost laughable to me. To go along with that...

c) THE BED SCENE WITH TAR/THARN WAS SILLY. Tharn was there begging for Tar to let him up when, in real life, I'm sure Mew could have thrown him off with almost no effort!

d) TYPE HITS THARN IN THE BALLS IN THE BAR BATHROOM. Why? Totally uncalled for.

e) LHONG/TYPE IN THE LAST EPISODE. Type looks like he could easily kick Lhong's ass, but he sat there being strangled, without fighting back even a little.

f) LHONG DROPPING THE GLASS. Really? It was dumb when Pete did it in LBC (especially since he and Ae had already slept together, but I digress... ) and it was dumb here. And then, Lhong uncomfortably makes an excuse and practically runs out of the room. Tharn and Type just shrug it off. Seriously? Was there anyone who didn't know right then and there that Lhong was hopelessly in love with Tharn?? Without the glass drop, Lhong's devious behavior would have been even more of a surprise.

g) THORN, THARN'S OLDER BROTHER. Not only does the actor who plays Thorn NOT look older than Mew, but he is actually younger in real life.

With all that said, I can't say I didn't enjoy the series. I did. There were really great moments. But, despite all the good, it had some real flaws.

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Yeong's worst enemy....

This series had me until episode 6 and then it just was a dull hum until the end. It's was a beautiful realistic story. One of the greatest joys was watching Yeong move from being self indulgent over exhuberent college kid to a self aware realist, a published writer. This is also the greatest sadness. He drew on his experiences, his environment and poured it into his writing. Along the way he lost his sparkle.

Gyu Ho and Nam Gyu both suffered the same fate. Yeong's inability to accept love without expectations caused him to lose two people who truly love him. It seems all his relationships were doomed due to his desire to have the razzle dazzle fireworks to continue throughout, without being able to accept the mundane. Only after they were over, would he be able to see what he truly lost and regretted. Not knowing his true self and his inability to be alone encouraged two relationships that should never have been. Habibi and Yeong Su came with hidden baggage, one abusive and the other just sad. Yeong Su lived in shadows and manipulated Yeong's niaivete to live in his internalized homophobia. Habibi, with a hidden wife and child, embarks on a journey with him, hoping to capture a bit of Yeong's sparkle to relieve his boredom. Seeing him too drunk and overworked, Yeong chooses himself and walks away. Both relationships were poor choices to facing a life of solitude and expected failures.

His mother is shown to have moved from denial, abhorring, to knowing, to minimally discussing. She doesn't accept his life but still loves her son.

The real charmers, the electricity powering his life, were his close group of friends and roomate Mi Ae. Yet, even with them, some bits of his life were closed. His HIV status is only shown to be discussed with Gyu Ho, who loved him enough to truly accept him as he is. Gyu Ho, after the cowardly way Yeong breaks up with him, never contacts him again. Though, through the bartender at their favorite spot, he let's Yeong know, he is still loved. Not yet ready to make any contact, in the end, it is his friends that he is seen enjoying the fireworks.

The story was beautifully told, and with flashbacks in the last two episodes, we get a fuller history of the reality of his best relationship, Gyu Ho. The sad part for me is that he began to let his status have an effect on him and as he took stock of his life, became more subdued. The last two episode felt like a gradual slide down from the high.

Every character was skillfully brought to life. Yeong was a free spirited over the top whitty self accepting non judgemental dreamer who was scared to dream and Nam Yoon Su killed it. This is a must see at least once.

Note to directors and editors at large:
Flashbacks: This is how it's supposed to be done. Ever flashback should reveal something new and actually propel the story being told.

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I'm not going to be writing a really long review but I'm just going to say that this drama was so good! This drama made me cry, laugh, feel fuzzy in the inside! If a drama or movie made me cry, then I would rate it a 10/10! Of course there are some flaws but I really enjoyed it! The story was a bit like Love O20 with the game and stuff, the acting was really good it seamed real, music was good too, i would totally rewatch it but probably from the middle onwards.

Overall, I really recommend this drama if you love romance dramas like me. It's really hard to find a good drama that has at least good looking main leads. I hope they would have a season 2 for this drama!

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Cat's paw.

The disturbingly elegant and noble Lan Jue, courtesy name Peizhi, is the picture of a rising young Vice Minister of Rites. Beneath his urbane facade, he conceals a burning purpose to clear his father's name in a two-decade-old treason case. In this quest, he is quite bendable with regard to the means that justify his ends. He is stymied at each turn by Zhang Ping, an impecunious scholar, noodle maker, and truth seeker. Zhang Ping is convinced Peizhi is a villain and is determined to bust him. Peizhi is cynically amused by Zhang Ping's naive righteousness and impressed with his deductive talent. He means to make use of him if he can and if not, dispose of him. Watching Zhang Ping go from being Peizhi's cat's paw to someone he raises kittens with is the best part of this drama for me.

This high-production-value drama conjures a sinister, suspenseful aura that permeates the stylish, lavish existence of the Dayong elite. Everything from the set design to that ridiculously mysterious and beautiful opening dance, to Peizhi's floaty diaphanous costumes, to Peizhi's long, sensuous unbound hair reflects, elegance, refinement, and impeccable taste... aside from Song Weilong who obviously drew the short style straw starting with the rigid wig and the way his outfits look like they were slept in. It is no wonder Peizhi's old flame is less than impressed with the goofy, big-boned, toothy peasant with a big nose to boot that Peizhi traded down to. It does require suspension of disbelief considering how utterly appealing both the ardently devoted Mowen and frostily sophisticated Shulin are. The only explanation is Peizhi must be an eyelash man.

This is a bit unusual for the mystery genre in that it is far more of a character-driven story than it is plot-driven. As far as the cases go, they are well executed and unfold more as procedurals. Outside of certain aspects of the main conspiracy, the viewer is not given a fair chance to solve any of the cases. There are plot design shortcuts such as resorting to the water illusion trick to bridge memory gaps and uncover long-lost evidence and there are logic holes, such as crime scenes staying undisturbed for too long. While the over-arching conspiracy is well conceived with decent twists, it is not that original. The villains reveal themselves early on so it is also anti-climatic. But for once I don't really mind because Jing Boran's Peizhi is just too bloody distracting. How can a man look so damn indecent, almost naked with just his hair unbound? And my mouth goes dry at the subtle multi-partied flirtations - those deep searching and revealing looks these gorgeous men keep exchanging with one another. It is such a big upgrade from the typical stunned dead duck stare of conventional romances. I freely admit my brain went on strike so often I am grateful the solutions were just spoon-fed to me.

This drama is superbly well executed and gets all the important things right. Any shortfalls in the plot are made up for in excellent character design and heartfelt, immersive performances by the cast. Jing Boran and Wang Duo deliver standout performances but even Song Weilong, whose acting is still a work in progress, is so well cast he just somehow fits this Zhang Ping character. It is a shame that his scenes with Jing Boran obviously suffered heavy cuts. After all of the build-up, I was really looking forward to seeing Zhang Ping and Peizhi shine in the final arc. Instead, it is pretty much hijacked by Shulin's unfinished business with Peizhi and his abandonment issues. Everyone else including Mowen and the emperor is sidelined. As much as I love Shulin's complexity and Wang Duo's phenomenal acting, I have mixed feelings about the final arc. The tone feels a bit off and succumbs to a tad too much cliched, dog's blood melodrama. I think that Zhang Ping's newfound pragmatism and epiphany that the right outcome can be more important than the truth is fitting. It demonstrates enormous character growth even though justice proved to be ultimately elusive.

Moral of the story: Don't be a cat's paw - be careful who you date!

Overall a feast for the eyes and the senses - 8/10.

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This would be one of those dramas you regret not watching when you had the chance. Months before I completed the drama I decided to give this drama a go. However back then all I could think about was Ariel's annoying character from her successful drama It Started with a Kiss 1+2. I played the first 10-15 minutes before Chen Berlin
even appeared and I stopped watching. The first 15 minutes were slow, If I had known that I was a little bit more patient or gave this drama an actual chance then I would find myself falling in love just a few minutes after dropping. Why? Chen Berlin who is known as Li Da Ren in this gem of a drama appeared and he just lit the whole drama up.

I finished the first episode and I was already falling for this drama truly, madly and deeply. I found Ariel lovable! and Chen Berlin dashing!I would slap myself silly for not continuing after those 15 minutes. If only I gave the drama a real go then it would have been in my life longer. We all make silly mistakes and I should really watch 3-5 episodes before thinking about dropping.

So this drama is about two best friends who have known each other for about 10-15 years and one thing is certain from the very start.
Li Da Ren loves and has always loved Cheng You Qing. It is also obvisous that You Qing feels the same but she's a woman and she's naive and I guess you could say she's scared about losing Da Ren. Li Da Ren starts to date a girl called Maggie who is very annoying and If I ever come across a girl like Maggie I will run for the hills. The thing about Maggie is she plans and she plots. Maggie wants the perfect boyfriend/husband and this girl has a list of qualities her perfect man has to have and it just so happens Li Da Ren ticks all of her boxes (He would tick mine too) so this begins the love triangle. Even though I said "I would run for the hills" I would say she did help You Qing wake up a bit but You Qing is very complicated especially in her love life. This is when her ex-boyfriend comes back and they had/have a very intense relationship. You know the type one minute they are arguing and the next they are sucking each others faces off.

Throughout the whole drama we are rooting for Li Da Ren to win his girl! We want Cheng You Qing to wake up and realise that Li Da Ren has always and will always be there for her. He is her soulmate. This is the type of drama where you watch one episode and you don't go "I might watch episode 2 tomorrow" no...you say "Next episode NOW!" and you keep on saying that until you realise 13 hours of your life have passed and the drama is over. The couple is no more and you
won't see anymore Li Da Ren and Cheng You Qing scenes. You will find yourself depressed and it will probably take you about 1-3 weeks to find another drama. However those 1-3 weeks of depression are worth those beautiful 13 hours.

P.S:. If you think Ariel and Joe Cheng are IT then think again. It's all about Chen Berlin and Ariel!

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i just made a very quick review just to give the chaser some advertisement
because its so unpopular..or lets say one of the mdl underrated of 2012. (seen only by 40 mdl users)

Expect not to see any eye candy on here and it was evident on the poster.
I think somebody who come across w/ this drama with an impression like this..

"ooh The chaser? hmm ahjussis?"
*reads synopsis
*looks on the cast
"oops theres no hottie nevermind lol"

Oh well..anyway

for anyone who likes another revenge drama should give this a chance.
It was very relatable with emphasis on importance of living w/ family.
If i would think of a drama that shares some similarity...hmm
Think of city hunter w/o a superhero thing and the rom com stuff and add
the movie "the Crucible" not exactly but just to show some idea.

i will give you some hints on how entertaining this is
- after the 1st episode there is no break on tension or a big pause on plot,
it keeps moving in a above average pace on first 60% of the drama,
- it was so complex and every character interwind in the plot/ very well deveveloped and no weak performance.
- the politics scheme is easy to follow as it really happening on real event.

The Story: It was compelling and there is so many situations/happening in an episode w/ no dull momnets but its up to you.
Since its only 16 episodes...its not so dragging if you spot one.

The Cast/Acting: lets us not so bias if there no fave actor in it but what important is the character developement
and the performance they made. The Main villain has to be one of the great one you will see in a dramaland that isnt annoying.
The Main lead is very relatable and his character will make you symphatize w/ him greatly.

Music: entertaining as what you could expect in a tense drama

Replay: there is a part of me that even i watched this again...it isnt as entertaing as before since i got everything
from my first viewing, anyway it was a satisfying drama....w/ a fulfiliing conclusion as a whole but again its up to you =)

note: I heard this got Daesang award yay!

my other recommendation:

The Devil
Resurrection
Equator MAn
City Hunter
Giant*

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