Reviews

It's good, but...

Given the limited budget, this is extremely well-made, with obvious passion invested by everyone involved, which I've come to expect from this group. The cinematography and directing are wonderful with fantastic performances pulled out of talented actors, the music selections ar great, and the German subtitles are first rate, so I hear.

It's great to see Art Pakpoom in a leading role again, and Michael Kiettisak puts in another top-tier performance - he may be the most underrated actor in BL - I'm still haunted by his horrifying abuse victim in Call It What You Want.

The story, however, prevents these ingredients from reaching their full potential. It perhaps tries to do too much - social commentary, messaging about how short life is, wanting to be a '90s Gregg Araki film, horror, adventure, romance, comedy...

So while I appreciate how well-done this is, the big question is, did I enjoy watching it? Not really. It's very violent, it's a bit all-over-the-place as a genre, and commentary about the corruption in society and the human condition are either extremely unsubtle (like who gets to go to the bunker - that was hammer-over-the-head commentary), or undermined by the contrasting trio of antagonists. Because the villains were all psychopaths, they contributed no meaning. If we're looking at different choices in how to spend the last two weeks of your life, basically good people versus people who want to violently murder as many people as possible before they die says nothing. There is nothing about them identify with, you can have no sympathy for them, they have no point to make, they're just evil and must be destroyed.

Why not have people who are so greedy that they steal and accumulate wealth, or so desire power that they try to rule everyone else? Or even if they had wanted to have sex with as many people as possible before the worlds ends, that would be relatable, for sure if everyone looks like the cast.

So as a result, the series gets bogged down in with a large amount of screentime being chewed up by horrible people who have nothing to do but have surprisingly graphic and sweaty sex (probably the most realistic sex scene ever in a BL) and kill people, which they do, a lot (unfortunately the killing, not the sex).

In addition, instead of examining how impending doom might affect the course of romance, the main pair fall into a depressingly conventional seme-uke pattern, where Art acts like a Victorian twelve-year-old, when even a Victorian twelve-year-old would throw up her hands, say 'f$%& propriety', and want to bang Golf and his brother 24/7 if the world were ending. But Art acts like a kiss on the cheek in a completely abandoned world is scandalous. Art has no agency and is helpless and useless, requiring Golf to do everything for him.

Everything is too predictable, and you end up stressed out knowing characters you don't want to die are going to die, stupid decisions to be made are telegraphed - decisions that are inexplicably out of character, which is lazy writing.

And to get it out of the way, there was an incredible amount of criticism of the faulty astrophysics - if the moon were on a collision course with the Earth, the Earth's gravity would break it up, and there would be horrendous natural disasters, so this is too unrealistic. THAT'S the line you're going to draw in the sand? There are BLs where one of the main pair is dead, or a vampire, nobody sweats after running a mile through Bangkok in the afteroon while wearing a wool suit, every male student at the school is gay and rich, you can turn a straight guy gay if you trip and have him catch you - but not having earthquakes and tsunamis in a project that likely had a 5-figure budget is unacceptable? Anyway, the moon crashing into the earth is symbolic and metaphorical - it doesn't need to be realistic.

So do I recommend this? Yes, unless you don't like gore. All the positives I mentioned at the top make it worth your time - this isn't a rehashed plot, it's not full of tropes and cliches, and you get to watch very attractive people who can both act and look great with their shirts off. If that seemed like a lot of criticism, it's because I think this could have been one of the best BLs of all time instead of merely good. While the characters are largely more appealing, this doesn't quite have the polished genius of Call It What You Want.

Leggi di Più

Not a typical BL, coming of age and discovering yourself

While many of us not understanding japanese have gripes with some of the subtitles, the second negative was the wig. It was a distraction in the whole series. It's not such projects are done overnight, so after casting they could have told him to grow his hair and use extensions.

The third negative is the ending for one of the characters, keeping in the closet, being at least gay and denying himself to be truly happy but getting married for the "family".

The ending for Mishima could be closer to the manga where you see him living with Fujimoto together as a happy couple.

Other than that, the team removed some of the harshest scenes from the manga and tuned it down for normal viewers in contrast to "Happy of the End" which was raw. Other than that, the story was very close to the manga, the acting and cinematography was really good.

Mishima grows after enduring mental and sexual abuse, also with help of his understanding mother. The change of Fujimoto from bully to lover was also nicely done.

Overall a depiction of the harsh reality in a rural area in the 1990ties which is still common nowadways where especially boys who do not conform to expectations of society are still bullied without reason and due to bad parenting. There should be licence to be a parent imho, because it's a lot harder than driving a car.

When you find a service which offers good subtitles, you should watch it, but don't expect a BL, because it's a gay series which is a trend I wholeheartedly approve of.

Leggi di Più

A melancholically beautiful, heartbreaking and heartwarming tearjerker! + Underrated!

This series needs to be higher rated! The series is beautiful in terms of story and values despite its melancholic approach. It's a heart-breaking yet heart-warming series that teach us the values of life and grief. What's more, it makes us believe in eternal love even though the time of the couple is painfully short.
In terms of character development, the series shows a complete picture how love develops a person silently yet does not change that person. Koichi is still Koichi, Micchan is still Micchan but they become better versions of themselves - love and being loved.
Regarding casting, Komiya Rio and Inoue Sora excellently and vividly depict Koichi and Micchan. It's not exaggerating to say withouth Rio and Sora, the series wouldn't have been that successful and tearjerking. Chemistry overflowers and very good acting skills.
The director/ screen writer also did their best in telling us a story that is not just heartbreaking but heartfelt.
Please don't miss it!

Leggi di Più

Sequels usually end up in disaster and are terribly bad, but this sequel was much better than I had ever hoped for!!

Story:
The story is much more different than the story of NIF1. In this drama, the theme focuses more around familial ties as well as loyalty and righteousness towards the emperor, the country, and the people in general. Overall I loved the story, although I must admit that the final few episodes were just a tiny-bit underwhelming.

I personally feel that the characters in NIF2 were much more "human" and relatable than the characters in NIF1. But the plot in NIF1 is a bit more complex since it focused more on the political aspect rather than the familial aspect. I sincerely ADORED so many of the characters. I loved Pingzhang's cautiousness and wisdom, Pingjing's playful and carefree manners, Lin Xi's calm and collected poise, Qianxue's love and understanding, Tingsheng's awesome fathering skills and loyalty to his brother and his country, oh I could go on with Xun Fei Zhan and Lin Jiu, and etc.

Plus every time they hinted at or mentioned someone from NIF1, the feels would really start to hit :')

Acting:
I'm sure everyone was in doubt towards the actors when the casting was first announced. Much to my surprise, HXM did wayyyyyy better than I expected. LHR is very young (only 20 yrs old) and I think for his age, he did amazing and portrayed his character of Xiao Pingjing very well, from playful/carefree young lad to a changed/more solemn young man. I loved the female actresses too; TLY and ZHW both portrayed their characters very well. And of course, all of the supporting casts that Daylight Entertainment likes to reuse in all of their productions also acted very well.

Music:
Opening theme is a variation of the opening theme of NIF1, with a slightly more hopeful melody (as with the more happy ending than in NIF1).  I love the ending theme song as well (both the female and male versions). Instrumental was good too.

Rewatch:
There are A LOT of specific scenes that I think are very worth rewatching, such as a lot of the early wuxia-fighting scenes were wonderfully filmed. And of course, all of the deep and emotional family scenes (Tingsheng and Pingjing!) as well as the daily Xiao family shenanigans. I wouldn't rewatch the whole drama though, but there are a lot of scenes I will definitely rewatch.

Overall:
Absolutely loved this show. Compared to all the sequels of movies/dramas I've ever seen in my life, this is a sequel that can almost be equal to its prequel. Both NIF1 and NIF2 are equal in my heart, and both have their pros and cons. Definitely worth giving it a shot if you've seen NIF1 and are debating or not whether to watch this!! If you haven't seen NIF1, then by all means, watch this, because this is still a very good quality drama on its own.

Leggi di Più

Not a good story

Not worth it to watch 42 episodes.
We generally expect only one ML & want FL to love only ML through the series.
Here it was shown as the FL doesn't have any feeling for ML anymore due to some conflicts between families, and almost tried to develop feelings for SML.
It looks like writer tried to give same importance to ML & SML which caused this disaster.
ML significance gradually reduces & SML significance gradually increases after the divorce between FL & ML. we can tolerate this for 1 or 2 episodes but as an audience how do you tolerate this for around 10 episodes, ML wasn't even there in some episodes.
At the end, FL came back from US after 3 years & she still doesn't know what she wants. FL gives hug to SML as a friend after forgiving him, but it is not shown whether FL would like to get back to ML or not ? ML clearly would like to get back to FL but FL mind is not clear.
FL called both ML & SML as good friends & even sang a song for them.
FL & ML will only be friends ? will they become couple again ? it was left for audience imagination.

After watching 42 episodes, you will not like FL character anymore & you would feel FL doesn't deserve ML (FL doesn't show any regret for leaving ML).

Leggi di Più

Not what I expected...

I was excited to hear about this sequel starring the daughter of Ying Luo and non-biological son of Fu Heng, but now that I've finished, it was rather disappointing.

It started off strong, with beautiful costume/production/music and the plot was developing smoothly. They used the same OST and BGM from the parent story, Story of Yanxi Palace, so I liked the nostalgic feel to it. Especially the dramatic BGM that was added at certain moments.

However, as there were only 6 episodes, the pacing was rather fast? I couldn't catch up. Prince Chaoyong didn't have as much screen time as Fu Kang'an, but he started off not liking Zhao Hua and then in episode 2 or 3, he suddenly started loving her? One minute Zhao Hua didn't like Fu Kang'an and later, she did. Then, when he betrayed her and she disappeared, it got even more confusing. I didn't get what was going on. I'm guessing they didn't have the time to explain it so they rushed it at the end when Zhao Hua and Prince Chaoyong got married and the truth was revealed as the plot twist. I suppose it was satisfying to find out Zhao Hua got her revenge on Princess Siwan, Fu Kang'an, and Prince Chaoyong, but I wish they showed the process more instead of just throwing it out there at the end with a few words.

I feel like with the limited 6 episodes, the falling in love and later betrayal of Fu Kang'an wasn't as heartfelt to me as a viewer. Everything happened so fast. There wasn't enough time for me to take in each character and how they slowly grew to have feelings for another. The plot twist revealed at the last minute of the last episode also didn't land well for me. I wish they explained it more?

The plot twist for how Fu Kang'an was not the Emperor's son was greatly executed though! I was shocked and loved how they revealed it through Wei Ying Luo's speculations. :) My favorite scene of the drama. I just love it when Wei Ying Luo has the upper hand and reveals it. Really reminded me of the parent story. I loved seeing the old cast too, it was nice that they didn't replace them and got them all back to act their parts. Wei Ying Luo's scenes were the most satisfying parts to watch- especially when she went to Fuca House after Zhao Hua disappears.

Overall, super fast-paced, historical romance but it was nice to see the old cast if you loved the parent story. Plot was alright, used up all the cliches for the romance and was rushed in my opinion for 6 episodes. Some scenes could have been better explained. Give it a try if you miss Wei Ying Luo and you're curious about her daughter, Zhao Hua, who is more like her mother than others believe.

The actors seem to do a good job overall but the plot got me confused and was the problem for me. Production was top-notch like the original story with its beautiful sets and costumes.

"Everybody says I'm not like my mother. They're wrong."

Leggi di Più

Home is a feeling, and this felt like home

This will go down as one of my favourite feel good dramas because of how much I loved every single thing about this show, from the actors to the characters they played, to the writing. I felt compelled to write this review, because I hope & want more people to watch this show, and shower their love for this gem.

The writing was definitely the winning aspect of the show, which was perfectly complemented by actors who brought the script to life. Whoever that casted for this show needs a raise because replacing any of the actors would not make this show what it is. The acting was A1 and the entire cast had explosive chemistry together. I believed in their world, and wanted to be a part of it so bad. Their interactions together (right from the main leads to the supporting cast) felt real, organic and fun. Watching them made me feel like I was third wheeling because it looked so intimate. Conversations would sometimes start at point A and end at point Z, making me grin. The fun was well balanced with the heart, in the way the characters looked out for each other, loved each other & supported each other. I connected with them, & rooted for them each step of the way like they were real people that I cared about.

Kitagawa Eriko clearly surpassed herself with this drama, giving us a peek into a mother and daughter's heartwarming journey, a journey of unrequited love & a journey of friendship. The writing was sensitive in the subtle way that the writer didn't feel the need for the characters' relationships to be defined or confined by terms. They were all special to each other without having the need for their relationship to be spelled out. Aoi/Gon and Sora/Hikaru did not need to be partners for their relationship to be any more complete. You can see there was unrequited love there, but it wasn't presented in a heart-breaking profound way. It was what it was (and I loved that they were all self aware of each other), & you can see that they would still continue to love each other regardless. Sora and Aoi, despite not being real mother/daughter were probably more intimate than any mother/daughter. All the characters were friends, yet they were more than that, and I love that the finale did not give us an answer to this. They may or may not be any more. It’s like a puzzle where every piece forms a crucial part for it to be complete. It’s the same thing with this drama. Each character came together to make this what it was & they would continue to exist in each other's world. They are all inseparable regardless of how their relationship to each other changes.

There was no major dramatic moment or climax or decision that the characters had to make, and this is where the writing shone so much in keeping you engaged with the characters' emotional states. The world of Uchi No Musume felt small sometimes with just these small group of characters interacting with each other, yet it was huge & limitless at the same time, thanks to how progressive & real it was. Don't ask me to describe the plot of this show because I don't know how to.

I love that the show represented characters of different age groups (right from college students Sora/Hikaru to old man Shinchiro) & subverted society's expectations of how they were to behave or be. And the show never told us that, it showed us that in the way the characters interacted with each other & in the representation of the turmoils they faced. Aoi despite being a 40 year old was ditzy. Sora despite being an otaku was not socially awkward. Irino who looked to be image conscious turned out to be a sincere & mature guy. Gon who seemed mature but was somewhat a manchild looking for love. Shinchiro despite being 70+ had romantic relationships & was technologically advanced. Sally acknowledging that she had toxic parents & was looking for the stability that calm 70+ Shinchiro offered. Wataru who did not have romantic relationships because he was waiting for his school friend (the show mocked this trope).

The ending OST was beautiful & while I don't know what it means, it always uplifted me each time it played with the credits rolling. The styling was on point (keeping the characters in mind). I love how all of them dressed comfortably most of the time. That felt real. The set design was extremely beautiful, esp Aoi's room which had clouds on the wall, and stars on the ceiling. I want a room like that so so bad. I love how Aoi's big white, expensive house was contrasted with Odaya's design that felt cheap and warm yet claustrophic. Interesting how most of the cast interactions happened there, in that little space, making it look all the more intimate.

I don't know what else to say except that it's been a long time since I watched a show that had me so attached to the characters, and their world that leaving this makes me feel sad. They will always be a part of me, and many years to come, I will be thinking of what they are up to. These were not just characters. For me, they were real people that exist somewhere in this universe.

S2 please, writer san!

Leggi di Più

Welcome Home, Mone!

This drama is the 104th NHK Asadora series in the network’s long line of serialised dramas that air a 15-minute episode every weekday morning. It is my second ever Asadora, following Oshin back in the 1990s.

Okaeri Mone translates as welcome home Mone, which refers to the titular character of Nagaura Momone. The premise focuses on Mone’s journey of growth, healing and love where she struggles to overcome the burden of a traumatic past before eventually determining her path in life and finally realising her aspirations of being a weather forecaster. Set in 2014 and spanning some seven years up to the present day, Mone’s story begins from her hometown of Kesennuma Bay in Miyagi Prefecture as she travels to the coastal city of Tome and subsequently Tokyo, before completing a full circle by returning to her home.

Based on the original screenplay written by Adachi Naoko (Code Blue 3) and directed by Masae Ichiki (Yae no Sakura, Idaten) and Tomohiro Kuwano (Amachan, Idaten). Takagi Masakatsu (Mirai, Wolf Children) serves as composer while the theme song Nanairo is performed by the popular alt-rock band, BUMP OF CHICKEN. Principal photography took place in Kesennuma Bay, Tome City, Sendai and Tokyo.

As far as the production quality and technical execution are concerned, I have absolutely no complaints. The exotic filming locales comprising the rustic fishing village, expansive mountainous forest reserves, gorgeous coastline are utterly breathtaking to witness, which is credit to the wonderful cinematography. I love the upbeat and inspiring theme song, Nanairo, that accompanies the title sequence during every episode.

The same goes for the quality of the screenplay which manages to convey the weekly story arcs of the main plot in a cohesive and coherent manner. There are many themes explored, as is typical in a long running Asadora. There is no shortage of the rainbows and sunshine involving heartwarming moments of family bonding and camaraderie among friends. We also see the infusion of bittersweet moments relating to tragedy, loss and trauma arising mainly from the 2011 Tohoku Earthquake and Tsunami which sadly impacted Kesennuma Bay, the setting of the drama. Perhaps the only reservation I have is on the subplot concerning the sibling relationship and the interactions between the childhood friends where some tension and angst are present, which I felt was somewhat needlessly stretched.

The character design of the main as well as supporting characters is generally well developed to imbue them with the necessary depth and realism that allows an attachment as well as connection to be formed with viewers. This certainly was the case for me and none more so than the eponymous main character of Mone, along with her parents, grandfather, the doctor friend and her colleagues at the Weather Experts in particular.

It’s worth mentioning the inclusion of technical aspects pertaining to weather forecasting and analysis of meteorological data which plays a major part of the premise of the drama. In addition to that, the aquaculture practices in the form of oyster cultivation and farming is featured in detail due to the involvement of Mone’s family in oyster harvesting and supply. I appreciate the fact that the technicalities of these real-life activities are showcased in a straightforward and uncomplicated fashion which integrate seamlessly into the storytelling.

In terms of the cast, major kudos go to Kiyohara Kaya. This is my first time seeing her and what an absorbing performance she has delivered. Such incredible talent to breathe life into the character of Mone. Throughout the entire 120 episodes, I was simply immersed in her portrayal and rooting for her during the many pivotal moments of her journey. From her depiction of insecurity, uncertainty and vulnerability right through to her maturity as a person and a professional in projecting the self-confidence of a seasoned meteorologist and weather forecaster. I'll be keeping a close eye on her projects from now on.

Sakaguchi Kentaro’s awkwardly charming Suganami Koutaro is quite fascinating. Initially displaying tsundere-like traits, he gradually evolves into a more endearing personality which subtly complements Mone’s down-to-earth personality as part of their blossoming relationship. Mone's parents are portrayed by the experienced Uchino Seiyou and Suzuki Kyoka. They have a rather amusing story arc in an extensive flashback sequence while their numerous memorable scenes together are quite wholesome to observe. Nishijima Hidetoshi's calm demeanour fits the charisma of his weatherman Asaoka Satoru. Likewise I really enjoyed Takaoka Saki's interpretation of the sophisticated Takamura Satoko. Asano Tadanobu needs no introduction and his depiction of Oikawa Shinji is probably the most emotional among the supporting cast.

From my perspective, Okaeri Mone has been an utter joy to watch and an extremely worthwhile experience. From the cultural facets to the intricacies of weather forecasting as well as the beautiful landscapes of Miyagi Prefecture, there is much to savour in this very well-made production indeed.

Leggi di Più

I've never resonated with anything else alike

I had watched Lee Do-Hyun in '18 Again' which drew me to 'Youth of May' and it left a deep impression on me unlike any other drama has done. The relationships between the characters and their families deeply resonated with me and left me feeling bitter sweet and happy throughout. I'm glad I had the chance to experience this story and watch as these actors and actresses poured their hearts out into the development of it. This has become a fan favorite of mine now and I look forward to what the cast will put out in the future. This will always be a production work I'll remember. As a side note I without a single regret purchased all the songs that comprise the soundtrack of 'Youth of May' on iTunes, do give them a listen.

Leggi di Più

I watched the anime version first, and was looking for a live action version that followed the same story line as the anime, but I found this. I wasn't really expecting much from it as I knew it was a very altered story line and for the first 20/30 minutes I wasn't very open minded about it. At the start the graphics were quite bad and I didn't see how it was at all related to the anime. But as the movie went on, I found myself completely engrossed in it, and I was very pleased to see that it did manage to fit in a connection with the anime - which I thought was actually quite clever too.

So I rated this movie so high because I really wasn't expecting to like it, but by the end I was bawling like a baby, and any film that can do that is a good one in my books.

Leggi di Più

I'm neither a movie person nor am I experienced in writing reviews. But I got a chance to watch this movie in Seoul today with English subtitles and really came to like it a lot, so I want to give it a try while the impressions are still fresh.

I went into the film not really knowing what it was about but being somewhat curious, since it's critically acclaimed and was received very positively here in Korea. It's even said that there were people who watched it over hundred times because they liked it so much!

To break it down, the film is about a young girl - Eunhee - living in Seoul in 1994, struggling with all kinds of problems that come with human relationships. She is the youngest of three, growing up in a somewhat disfunctional but probably quite typical family - fighting parents, a brother that hits her, a rebellious sister, who secretly dates and stays out the night against her parent's will. Eunhee rather draws manga than to study hard like her parents want her to, she has to confront unreliable friends and lovers, and overall is trying to find out how she is supposed to live her life, apart from the expectations that society confronts her with. The focus always stays on Eunhee. She is the person leading us through the year 1994.

The big reason I liked this movie so much is because I related deeply to the protagonist Eunhee. Of course a lot of things happen to her that I never experienced - some things are quite Korea-specific, for example. But then there also more universal struggles Eunhee has to face to which probably many young girls can relate to: the overall feeling of being a little lost, discovering the flaws and struggles of the people around her, learning to stand up for herself, trying to find people that accept and love her for who she is opposed to all the indifference and criticism that she grew up in, and of course fighting parents and annoying siblings.

One part that really hit home for me was when Eunhee one evening witnesses her the parents fighting, blaming each other for the misery of their children, with everything ending in violence and tears. Then, at the next day, she finds them both sitting in front of the TV in daylight, laughing together at the same jokes, as if never anything happened. Eunhee just looks at them, with a certain numbness in her expression.

Another thing the movie nailed was the multi-layered depiction of the characters close to Eunhee. The mother, father and brother all had scenes where they said something bad that made you hate them in this moment. But, at another point, you learn that even though they are wrong in many things, they after all care deeply about the two young girls in the family - even though they can't express it properly. It's not an excuse, they say and do things that are plain wrong, but you come to realize that they, like all of us, simply are imperfect humans, after all.

The movie was filmed beautifully, with the camera sometimes resting on a particular point, in order to really capture the atmosphere of the moment. A little artsy, but never over the top, just enough to deepen the impression. For the acting, I didn't discover any awkwardness. It was flawless for me (but I'm really no expert here).

If I had to criticize anything, it would the small plotline about Eunhees romantic relationship to another girl. The other girl was really sweet and the relationship cute, but it ends very abruptly in a way that made the audience go "Huh?" (- Eunhee: But didn't you say you like me? - Other girl: But ... that was last semester). Maybe they didn't had a better idea how to wrap this up.

The review is already long as it is, but I have to say it again. It was wonderful to have a movie with a protagonist that you can relate to. The movie industry is still heavily men-dominated (in Korea just like in the US), so they naturally like to tell stories about other fellow men. Meanwhile little girls are normally deemed not interesting enough to tell stories about them - especially not the quiet, struggling ones. Here I finally had a story in which I could discover some parts of myself in. I think this is why "House of Hummingbird" touched me so deeply.

Leggi di Più

I decided to watch this purely for Sato Takeru, I had little interest in the actually story but I was pleasantly surprised at how brilliant this series was!

For me the story was nothing special, a single parent raising his child with the help of his friends. It's not a plot that stands out to me but boy how wrong I was! The story was emotional, sweet and touching for beginning to end as we see the characters grow and learn through the course of their life. I loved the setting and the time period of the plot as it wasn't something I had expected - covering the childhood and adulthood of Akira. It gives the chance to bond with the character as you watch him grow into an adult and in turn grow to love them. For me, the story was executed flawlessly, there weren't any plot holes and any questions were answered. It's a slow paced and a slice of life kinda drama but there is never a dull moment.

As mentioned I watched this for Sato Takeru he was brilliant throughout the whole series. He played his role perfectly as such a complex character, who had experienced many downs in his life, in such a simplistic and innocent manner can be down to the actor. The child actors that played Akira were also brilliant as it can be difficult to carry the same character through various people, but these actors made it feel like they were all the same person.

But as the story develop my focus turned to Uchino Masaaki. He was wonderful playing the "dumb" dad he portrayed his character beautifully and realistically I've never seen any of his dramas but he was incredibly in this! He made me cry, laugh, cry, laugh, crying and laughing at the same time! His acting draws you into the story and despite my bias towards Takeru, Masaaki brought this story to life. A round of applaus to the supporting cast as well because without them the series would lose it's spark. The support from his friends are enviable when watching it you think "wow, I want friends like him." The whole casting had great chemistry and bonding there isn't much more I can compliment on cause it was simply brilliant.

The music is very simple and nothing memorable but does well in emphasising the emotions of the characters.

I will definitely be rewatching this series again because it's just beautifully made and well executed. For me it's a absolute gem! The story and acting ticked all the boxes for me parenthood, friendship, loss and growth through a genuine and realistic story. The bonding between friends, father and son was exceptionally beautiful. There was never a dull moment and before you know it you've already finished it and wanting more. The story was simple and geunine along with great characters and acting this is really a must watch! It makes you appreciate the things in life you take for granted.

Leggi di Più

Very humane. Tangible. Touching, yet not maudlin. Sad, yes. But unpretentiously radiating, too.

"The Most Beautiful Goodbye" is a KDrama that consists of only 4 episodes. However, they have it all and are completely sufficient to leave their mark in the sand. We are confronted with the limits of healthcare system - when medicine no longer has a solution to offer and people are left with themselves and what they are: mortal beings. In ruthless directness, the viewers are confronted with what many people (all over the world) might at some point face in one way or another.

The family here is not particularly rich and not particularly poor. The individual protagonists are not particularly successful and have not particularly failed. Everyone lives their (South Korean) life as best they can. Not very happy and not very unhappy. With a tendency not to not be so happy. But they are actually not really unhappy either. In fact, everything could be quite nice, but everyone is just too busy with themselves. The WE becomes self-evident and rather annoying... until the day the finitude of being was knocking on the door...

However, hello-wake-up does not imply everyone starts reinventing themselves, overcoming their weaknesses and becoming better people. It does, however, force them to reflect on what they have and what they have forgotten (to love) (consciously) despite everything being taken for granted. In stumbling everyone is searching for an expression of their own feelings. At least they try to be a little bit more alert about what is going on in their life.

Very humane. Tangible. Touching, yet not maudlin. Pretty close to life. People are clumsy, speechless and helpless, as akward as it gets. It is a lesson in compassion, triggering your own experiences, when it comes to similarily unprepared being confronted with any form of (unwanted as it is) final farewell.

Sad, yes. But unpretentiously radiating, too.

Leggi di Più

"Don't judge the book by its cover"

First let me start this review with a mini rant

The only concern I see people having with this drama is that they said it normalize pedophilia. My defense on that matter is you would only consider a person a pedophile if he/she is occasionally attracted to children which in this case she's not because she was not attracted to him because he's a child. I know most will not agree with that argument but let's say you are correct and she's a pedophile. Does this drama normalize that psychiatric disorder? BIG NO. She's attracted to him but didn't take advantage in fact she was despised the whole time, the school, students and the society. The drama won't make you feel they are romanticizing that idea. As for the matter that it might affect the thinking of underage viewers. Do those kids have parents to guide them? Then what about stories like Robin Hood, mistress protagonist, serial killer etc. are those stories being normalize just because they were made? If you are inclined to call it a trash just by reading the synopsis then I am sorry but with that kind of logic I just couldn't help but think you are DUMB.

Chugakusei Nikki portrays the forbidden love between Hijiri, a middle school teacher and Akira, one of her students. The drama follows their story for the course of several years. There will be time skip in the middle of the drama, 3 years to be exact, when Akira is 18 years of age. The characters are well written, Hijiri was portrayed really well as an inexperienced teacher, adult yet not matured, and also Akira as rebellious and confused teenager. Side characters are interesting too especially Haraguchi and Shotaro, it's also interesting to see their love story develops. Their love is somewhat similar yet different. The plot is sensitive but the drama handled it tastefully, it is nowhere near as creepy as you might think. This show is also grounded to reality in that every emotion these characters portray is very relatable. What I also like is the pacing it's very balanced which makes every episode engaging. The drama also knows how to play with our emotions. The director is just so good on how to build tension and also how to end every episode. Expect roller coaster of emotions, it's highs is wonderfully high and it's lows is absolutely devastating, there's even couple of scenes where I was on the edge of my seat and to think this drama is not a thriller.

~ A good rain chooses the right time to fall and so it falls ~
~ When it comes to spring, the rain is certainly falling ~
~ It follows the wind and secretly enters the night ~
~ While the wind is blowing, the rain continues to fall until night ~
~ And moistens everything softly, without any sound ~
~ Silently, almost making no sounds at all, it makes everything wet ~

This poem in episode 1 summarizes the whole drama. It is a metaphor to the kind of love between Hijiri and Akira, a pure love similar to dramas such as Sekachu, Endless love series, Koizora, Be with you, Heavenly Forest etc. Pure love genre if you would know is what popularizes Asian drama. It basically portrays a couple that faced many obstacles. Pure love in sense that even after so many years they still long for each other. We haven't seen this genre for quite some time and I already see upcoming dramas with similar genre. This drama will trigger another pure love era.

Cinematography is just captivating. I love how they capture the green landscape on camera, the shot during sunset, falling rain drops, fireworks and that weird fish eye effect they always use. Those are not just gorgeous shots but also serve as a symbol to what these characters feel. That's beauty about Japanese drama, it is full of symbolism and just like what I always said, great cinematography is similar to great painting, it is not just beautiful but also captivates you, will make you move closer and examine the painting and not just say "oh this painting is beautiful". Music in this drama is just perfect, it underlines the mood and helps showing the emotions of each characters. It is a really great piece of background music. With great drama comes great ending song and "Prologue" by Uru is just like that. It's not just a great melody because if you read the lyrics it will make sense why they choose it as the ending song.

The acting is just brilliant but other than the acting, the casting needs more praise. They just casted right people for the roles, Arimura Kasumi for example, she has this cute, inexperienced image and if you watch the drama having that image made her portrayal of hijiri so effective. They also cast a rookie for the role of Akira, it a nice decision by them as it requires a certain rawness to the character. It doesn't mean Okada Kenshi is not a great actor though. He is indeed fantastic as he provides the intensity and angst to the role. They won't call him a super rookie is he is not. The side characters are also well casted, if you follow Japanese drama long enough you would be familiar with Yoshida you and Natsukawa Yui, they were both underrated actresses. Their characters played an important role to the story and they played them really well. Aside from Akira, it's the portrayal of those characters made this drama so much better.

Final episode will be tomorrow but I decided to make this review because what ever happen this drama will go down as one of the best Japanese drama I've ever seen and definitely my best Japanese drama this year. End game won't decide the rating this drama should get in my opinion because just like they said the journey is more important the than destination. More than just a drama but also an experience.

Edit
I've just watched the last episode and I don't want to spoil anything but it is indeed one of the best Jdrama ever!!!

Best Student-Teacher Romance Drama List
https://thatjapanesedramaguy.blogspot.com/2019/10/best-student-teacher-romance-japanese.html?m=1

Check my Blog for other reviews & other JDramas stuffs. (｡◕‿‿◕｡)
https://thatjapanesedramaguy.blogspot.com/

Leggi di Più

Perfect soft angst.

You know that perfect angst that rather than making you feel like you want to die, makes your heart flutter? That was it.

Truth to be told, it strongly felt like every fanfic ever came to life and... it works. Pinning over each other for years, longing and wanting the other, but never taking the step forward, protecting each other, making sure the other is not hurt. All the best tags we can find in fanfics are here too. While the story is extremely simple, the directing, editing, acting, ost... everything works in such a harmonious and perfect way, I fell for the show and died a few times waiting for the next episodes to air.

Some people wished it was longer, but I honestly disagree. With this type of plot it would be hard to make a good show, which wouldn't be a cheap fan service. The storytelling here was perfect. Not once was I confused about the plot or characters' motivations. They used the screen time efficiently and showed a cohesive story from the beginning till the end. I think extending this drama could ruin it.

Tae Joo and Kang Gook are nothing alike, but that's why they work so well together. Playful and flirty Tae Joo driving the stoic and collected Gook mad. The dynamics of them, the jealousy they tried to tame... That's the highlight of the show- amazing chemistry between Gi Chan and Eui Soo.

Usually I don't pay that much attention to ost, but the songs used here were truly amazing and fitting. If I noticed them, it means they were really good :)

So why not 10, if I loved it so much?
There were a few scenes where I was not completely convinced by Gi Chan's acting (like the talk with his dad in the last episode). At times I could not connect to the emotions he tried to convey. Since the cast was small and the plot was simple, it all relied on the acting skills of Gi Chan and Eui Soo. I believed every line Eui Soo said, but felt disconnected from the few delivered by Gi Chan. What's more, I wasn't the biggest fan of how they executed the last few scenes. Not to get into spoilers, I was happy with the content, but not crazy about how it was presented and structured.

That said, I would DEFINITELY recommend watching.

Leggi di Più