Reviews

'Iljimae' has left me sitting in a puddle of my own (hypothetical) tears. Although the first 6 episodes are a bit slow, the story soon picks up with a quick-fire, rapid pace that will leave your heart feeling as if it had been pulled out and stamped upon. It was truly a beautiful drama.

The story is similar to Robin Hood, but it's more sophisticated, powerful, moving and gritty than the traditional English folk tale. It is, without giving anything way, a revenge story. However, unlike most revenge stories, it has a heart. Our hero isn't some morally conflicted guy who can't tell right from wrong - in fact, the drama does well by clearly defining the hero's morals and making sure that he never strays too far away from them. It is beautiful to watch the story unfold and see our hero grow.

The father/son relationship was also incredibly moving. You can tell that Seo Dol has this completely unconditional love for Yong (despite him not being his biological son), and their relationship is so special and beautiful. I haven't seen a father/son relationship, like that, in K-Drama - ever. The impact Seo Dol and Yong have on each other just pulls on my heartstrings, and I am usually a person who remains highly unmoved by fiction.

I also have a lot of admiration for Yong's adoptive mother Dan-ee. She appears to be cold and indifferent towards both Seo Dol and Yong (and even her own biological son, Ja Dol/Shi Hoo), but that's just way of trying to protect herself if anything bad happened to either of them. You can tell that she truly loves them.

Overall, the story was very good; however, the romantic aspect of the plot really did weigh it down. I saw no true purpose, asides from being a romantic tool, for Eun Chae; yes, she was caring, kind and seemingly selfless (well, at least that is what she liked to think) but her character lacked development, depth and heart. Every time she would pop up on screen, the story would end up slowing down. She was an unnecessary character, in my opinion, and her romance with Iljimae was highly unconvincing. The second main girl - who actually had a more significant impact, and had a purpose in the story - had much more convincing chemistry with Yong and I would have preferred her to be his primary love interest. She was a brilliant 3-dimensional character - like Yoong - and she had true depth.

I didn't have a problem with Ja Do/Shi Hoo, though. I thought it was kind of weird how he loved Eun Chae (not a spoiler, this is pretty much obvious from the outset of the drama) because he believed her to be his sister, although she wasn't (again, not a spoiler), so that incest-but-not-incest thing kind of grossed me off him for a while. However, his moral conflicts and his struggles with his identity were quite touching, and although he didn't have the same impact as Yoong, I did sympathise with him a lot.

The drama does not suffer from bad acting at all. The cast fully suited their roles, and although Lee Jun-ki is partial to some overacting, it wasn't anything that detracted away from the drama. The actor who played Seo Dol was amazing - that guy put me through emotional highs and lows, and he had amazing chemistry with Lee Jun-ki. I actually felt like I was watching a father/son team whenever those two were on screen with each other.

The best performances, in my opinion, came from Lee Moon Shik, Lee Yong Ah, Lee Jun Ki and Kim Sung Ryung, Lee Won Jong (who was perfect as the delightfully self-serving and wicked, Byun Shik) and Park Shi Hoo. There wasn't really anything that I could call a 'bad performance' in the drama, and though I didn't like Eun Chae, Han Hyo Joo did what she could with such a bland character.

The only reason why this drama doesn't get a perfect 10 from me is because I felt that the romance did actually weigh things down quite a bit and whilst the ending was good, the slight openness of it did irk me off because I prefer more defined endings. (Especially after watching a drama for 20 hours!) However, it was a beautiful story with beautiful characters (and great action scenes) and I recommend it to all. It has heart, humour and depth and it has really perked an interest in the saeguk genre, for me.

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This was a wonderful drama! I started this drama since I was bored and had nothing to watch but at the end, this drama actually turned out to be one of my favorite dramas. There's a high chance that I'll rewatch this since there was barely any episodes for season 1 (I heard there's a season 2 that will air on May 23, 2018). There's some romance in this drama and the pace is quite fast. The main part is that there isn't an evil villain or anything like that yet so it's not a drama that you will feel annoyed about since this drama is a comedy drama. The comedy part isn't too much like it's not over the top so it's more realistic. Warning: if you do watch this drama be prepared to have a second lead syndrome - Mo Ran (or maybe I'm the only one who has it in this drama?) I prefer the second lead (Mo Ran) over the first one (Tang Yi) for some reason but anyways hope this helped. Finally, I love the osts in this drama and probably the reason why I got into X-Nine which is the group that the male leads are in.

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An incredibly intense espionage thriller

Before getting into the review, here is some historical background for the film:

The film is set during the Second Sino-Japanese War and WWII. There are several powers in play at this time: the Chinese Communist Party, the Chinese Nationalist Party or Kuomintang, and Imperial Japan. Imperial Japan invaded Manchuria (located in northeastern China) in the early 1930s and established the puppet state of Manchukuo. It was here where they hoped to establish a base from where they would continue their expansion into Asia.

In 1937, after many years of conflict, Japan occupied Shanghai, Nanjing, and Beijing. The Nanjing Massacre occurred at this time. After the fall of Nanjing, which had been the capital of the Republic of China at that time, the Kuomintang moved the capital west to Chongqing, under Jiang Jieshi's leadership. During this time, the Chinese Communist Party and the Kuomintang formed a temporary alliance, suspending the years of civil conflict between them, although their vie for power continued.

In 1940, Wang Jingwei, who was once a member of the Kuomintang but had always been in opposition against Jiang Jieshi, collaborated with Japan to establish the Wang Jingwei regime. They claimed to be the leadership of the Republic of China, when in fact they were a puppet government of Japan, overseeing the Japanese-occupied territory in eastern China, under Japan's control. They established their capital in Nanjing and used the Kuomintang flag. The Axis powers recognized the Wang Jingwei regime, while the Allied powers still recognized Jiang Jieshi as the leader of the Republic of China.

From 1937-1941, Japan had left a few neighbourhoods in Shanghai unoccupied, because that was where the American-British joint settlement and French Concession were located. Many people fled to this area to live at that time. After Pearl Harbor in 1941, the entirety of Shanghai became occupied by Japan. Many cities were bombed during these years, including Guangzhou, which experienced bombings for 14 months in 1937-1938.

During this era of war, which is also called the War of Resistance in China, espionage networks were established to try to undermine the enemy. Hidden Blade tells a story about these individuals.

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Even without knowing the historical context, Hidden Blade presents a visual feast of vivid characters and imagery. Cheng Er uses a non-linear narrative approach to reveal the stories of these characters. The main characters, Mr. He (Tony Leung) and Mr. Ye (Wang Yibo), are both enigmatic and morally ambiguous. We meet Mr. He, the charming man who hides intimidation behind a pleasant smile, and Mr. Ye, a rootless man who does not shy away from violence. Tony Leung does not disappoint as the veteran actor that he is, as the man who can tell stories with just his eyes or a slight smile, and he delivers a charismatic performance that reaffirms why he is such a revered actor. Wang Yibo delivers a phenomenal performance to match. Mr. Ye is a compelling character who is mesmerizing, perplexing, suave, and incredibly human at the same time. Wang Yibo does a fantastic job of portraying this complex character with mysterious motives, who seems to hide much more than he lets on behind his cool and composed appearance. He excels at playing a character whose inner turmoil is silently repressed.

The cast of side characters are also worth mentioning, with memorable performances from all of the actors. I take half a star off only because I feel that the female character stories could have been explored further. Zhou Xun makes a special appearance as Ms. Chen, and although her part is brief, she captivates the audience from the moment she walks onto the scene with her package of pastries and she leaves an emotional impact on the audience even in the short time that she has on screen. Jiang Shuying (Ms. Jiang) and Zhang Jingyi (Ms. Fang) are both charming as well, however their opportunity to showcase their strengths is quite limited.

The cinematography is well-executed and the attention to detail is remarkable. In one interview, Cheng Er reveals that even the ties that are worn by the characters are all actual ties from that era that have been collected. The music also compliments the scenes beautifully, adding further to the tension which Cheng Er builds so skillfully throughout the film. The choreography of the fight scenes is also top-tier and will not disappoint.

As a movie depicting times of war, there are several scenes that are difficult to watch and Cheng Er does not shy away from showing the cruelty of what people may have experienced. General content warnings without spoilers include torture, suffocation, death of an animal, implied rape (not depicted), as well as genre-typical violence that one may expect from an espionage war thriller.

Overall, the cast and crew have created a incredibly intense thriller that will keep you on the edge of your seat and leave you thinking about many scenes even after finishing the film. There are many parallels drawn throughout the film and it is a film that only gets better with rewatching as one lets the details marinate. At the end you're left with a lingering admiration for the individuals who struggled to free themselves from the oppression that they lived under. In doing so, they have sacrificed their own lives, their relationships, and even their own values in their effort to forge a path forward, towards a future where the nameless ones might once again stand in the sunlight.

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This drama in one word is: sad. It left me depressed and thinking about life for a long time after I watched this. And as a Christian, it's even more sad and heartbreaking. (I"m not sure though if people will understand what I mean.. hehe.)

So why'd I rate it highly? Well, because the drama was brilliantly executed.

Story: The plot was unique unlike most dramas that tend to be a total cliche plus the story really had a deep meaning about revenge, hatred, redemption, love, and faith. But since this is a remake of a korean drama, the credit for the story should probably be given to the korean writer. :)

Acting/Cast: I think all of the actors did a really great job at portraying their characters and making the audience understand and sympathize with the characters' struggles especially Ohno Satoshi. Although some say that he was a little stiff, I think how he portrayed Naruse was the best direction for the character because with just his facial expressions, you can understand and feel what Naruse is going through emotionally. His best actor award for this drama was truly deserved by him.

Music: Jdramas usually have only one or two songs for the soundtrack but here, they had a variety of music that went with every scene smoothly adding tension to the drama.

Rewatch value: I only gave it a 6 because it's not something I'd want to watch over and over again. As I've said, it is a sad drama. It would probably take a month or two before I'd want to watch it all over again.

All in all, this drama, in my opinion, was one of the best that I've seen. Watch it so you can see! :)

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A Decent Sitcom

I have seen the other comments and reviews and I get why people are not that impressed. Yes, it has some outdated jokes but it also has some really hilarious scenes. The story is overall fun and anyone can see that some of the sub plots were not tied up indicating a possible s2.

Also, coming to the acting part, Except for Park Se Wan I havent seen any of them in a major role. Plus as I am a kpop fan, I really enjoyed Minnie and Youngjae acting. Even the rest of the cast delivered what they were expected to.

Not to mention there were so many cameos!! If you watch korean variety shows, u will absolutely like the cameos and some references too.

To conclude, It is a really good sitcom.. It is best to binge or to watch ep by ep when u feeling down and need something to lift your mood. I sincerely hope there will be a s2 to this!!

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Angel & Grim Reaper

If you’re obsessed with professional dancing, I’m gonna go out on a limb and say you will probably be head over heels for this one, way more than I was. Don’t get me wrong, the movie isn’t bad by any stretch. In fact, it’s pretty damn impressive. They dive deep into the nitty-gritty of dance techniques, the ins and outs of the competitive ballroom world and how that high-stakes environment messes with the people caught up in it. I was honestly blown away by how authentic it felt. But if I’m being real, the romance in this was way too slow of a waltz for my taste.

The story centers on two men: Sugiki and Suzuki. These guys are internationally ranked competitive dancers, but they’ve never gone head-to-head because they dominate in different styles. Sugiki is all about Standard Ballroom, while Suzuki slays in Latin Dance. Still, they have got this long-standing rivalry that keeps them hyper-aware of each other. Then, out of nowhere, Sugiki throws a wild proposition: they train each other in their respective styles and take on the 10DANCE. For those not in the know, that’s an event combining all five Standard Ballroom dances and all five Latin Dances. In competition, they dance with their female partners but during practice, it’s mostly just the two of them and that’s where things get interesting. There’s this undercurrent of competitive flirtation that simmers beneath every step and turn they take together. It’s hot, no doubt but it’s also frustratingly understated for a hopeless romantic like me.

I will say, the actors absolutely killed it. Their movements are mesmerizing. When Sugiki and Suzuki train together, you can feel the tension through the screen. Their bodies move with such precision and passion, it’s almost erotic without even trying to be. The way Sugiki’s Standard style clashes with Suzuki’s hip-rolling Latin flair is pure art. I mean the chemistry between them is off the charts. The actors nailed every single detail.

The production quality is also top-notch. The cinematography captures every angle of the dances with such grace and the music has the perfect heartbeat to every scene, whether it’s a slow tango or a fast-paced cha-cha. Honestly, the movie is a feast for the eyes and ears. I can see why so many people would fall in love with it, especially if you’re into the technical side of things or just appreciate a beautifully crafted film.

But here’s where I’m gonna be brutally honest: I wanted more romance, damn it! From the trailer, I got the vibe that this would be a love story but I’d say romance was maybe 20% of the movie. I get it, the title and premise say “dance first,” and they executed that part flawlessly. I’m not saying they did anything wrong; it’s just not what I expected and that’s on me for hyping up the love angle in my head. If dance is your jam, you will probably eat this up and ask for seconds.

And well...the ending...I hate to say it, but it was such a letdown. Without giving spoilers, I’ll just say it felt kind of empty. I wanted a bigger payoff, something to make my heart race or at least leave me satisfied. Instead, it just kinda fizzled out.

So, bottom line: this movie is amazing in its own right. It’s artistic, beautifully made and the actors are phenomenal. If you are into dance or just appreciate a visually stunning film, you have got every reason to love this. I’m just a sucker for romance and I felt a bit shortchanged on that front. Plus, that flat ending didn’t help. Still, I would say give it a shot. It’s worth watching for the talent and passion on display. Just don’t go in expecting a full-blown love story like I did or you might walk away a little disappointed too.

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In Defense of Together With Me

Normally, I don't like to write reviews until I've completed whatever I'm reviewing, but I feel like all of the negativity being thrown towards TWM: The Next Chapter is incredibly frustrating, unfair, and undeserved. I'm so sad to see it get such a low rating because it pursues a story line we don't typically see in BL dramas, and people apparently can't handle that. No, it isn't lighthearted and easygoing like other series out there; but it's raw and authentic and definitely deserves a higher score than what it's been given on here. I feel like the low score is because people went into this expecting one thing but got something different, and their disappointment has resulted in them closing their minds to what we're given. So now because of that this series is rated lower than dramas with worse script writing, worse acting, and worse production. The actors here are fantastic as always, and the writing is not terrible like some are making it out to be; clearly something's working because it's doing what a good story is supposed to do: it's making people react, it's evoking emotions.

So, the primary reason why people are canceling this show is because of the so-called abudance of cheating. Without getting too bogged down, I'll just say that I respectfully disagree with these assessments. People are acting like this season contains nothing but an endless stream of people having affairs, living hedonistic lifestyles with no regrets. But, except for Farm and Bright's story (which is essentially Farm giving Bright a taste of his own medicine), this isn't true. Both Yihwa and Korn (the two "cheaters") are placed in situations that test their feelings and relationships. Korn's is induced by mounting pressure from his conservative, overbearing father to denounce his homosexuality and the strain this puts on his relationship with Knock (which causes them to fight about other little things as well), while Yihwa finds herself being seduced by her senior and boss. They're conflicted and act out of moments of weakness. Korn has ONE sexual encounter with his boss during a night of drinking and commiserating. Yihwa, beginning to feel conflicted and confused about her feelings towards Cho in light of the flirtatious attention from her boss, decides to take a break from both and figure herself out. And that's it! Afterwards, both are torn and devastated and yes, they do suffer tremendously for their conflicted feelings and mistaken actions. Forgiveness from their partners is far from automatic, and it is not coming easily.

Individuals in Yihwa's and Korn's position are not automatically bad people because of what they did or how they feel. Nor do their actions/feelings mean that they don't love their partner. Yes, it's unpleasant watching couples we love go through such hardships, but as a viewer and fan of the show, I have to believe that this will only make them stronger in the end.

That aside, I'm loving Farm and Bright's story so far, but I do wish that their story got a bit more attention, as they are my favorite couple in this universe. I found it odd that Farm's character did a complete 180 in terms of appearance and personality (it's like he was fused with Phu) but I warmed up to it really quickly. And I like that although he has Bright wrapped around his little fingers, he still shows a softer, affectionate side towards the doctor as well. Feelings are still there, and despite what Bright did to Farm in TWM, I'm rooting really hard for them to end up together. Rit, Farm's little boy toy that he's using to make Bright jealous, is cute, but he's rather dull and boring. Not a lot going on. Farm has much better chemistry with Bright, which just radiates off the screen.

Bottom line: People aren't black and white. They are complex, driven by a range of passions and emotions. You can't fit them neatly into precise little boxes. Life isn't always rainbows and sunshine, and the events that happen in this season happen in real life. Of course they don't happen in *every* relationship, but they do happen. The writers chose to explore these themes in this season, and all of the actors are doing an amazing job portraying their roles. Please don't let all of the negative comments, complaining, and undeserved low rating discourage you from watching this season. Go in with an open mind and understanding that humans are complex, especially when it comes to feelings of love and attraction, and this series explores that beautifully.

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Checkmate, I Win

Stand By Me began airing exactly 12 months after Love and Redemption was released last year, much to the happiness and joy of Cheng Yi fans all around the world (myself included). L&R was the drama that propelled him to stardom, and this production reaffirmed his status as one of the most anticipated drama actors in the C-historical genre. Starring numerous colleagues from his agency, H&R Century Pictures, we get a L&R reunion of sorts. This includes his “sister-in-law” Zhang Yu Xi who plays his significant other this time around.

Production details that may interest you

Originally titled Dream Awakening Chang’an, the title was changed to Stand by Me along with the setting of the story as a result of the censorship requirements imposed by China’s NRTA. Initially planned as a romanticised retelling of the Tang Dynasty Emperor Li Yan aka Wuzong’s reign, the script was changed to a fictional tale of an alternate version of Tang, the Xing Dynasty’s Emperor Qi Yan. That said, the historical account of actual happenings and real life figures such as the Grand Eunuch Qiu Shiliang and Sweet Dew or Morning Dew (Ganlu) incident in the 9th century remain present in the story. The social as well as court conventions are very much Tang in appearance, most obviously the attire being worn by the various characters.

Stand by Me is both a TV drama and a web series, being simultaneously released on Hunan Satellite TV’s Golden Eagle Private Theatre and Mango TV. Filmed entirely at Hengdian, the drama is directed by Liu Guo Nan who helmed the Glory of Tang anthology, and assisted by Zhao Li Jun, who helmed Deep Lurk, another Cheng Yi drama slated for release some time later. The award-winning Shao Chang Yong serves as art director, which adds a touch of class and credibility to the production design.

The screenplay is written by Shi Si Que (十四阙), who is the current editor-in-chief of China’s Dongxi Animation Club. He has written numerous novels and short stories, while this drama represents his first foray into screenwriting.

The Production Values

The overall quality of the production is reasonably high, as can be seen from the art direction and set designs. For the most part, the technical execution is decent in terms of the direction and cinematography. During the first few episodes, there are a few noticeable editing and dubbing issues which I attribute to the change in settings from Tang to Xing Dynasty. The subtitles are generally correct but for those who understand Mandarin, the name “Great Tang” is mentioned in lieu of Great Xing on a few occasions. The buildup of the backstory in the first episode does feel somewhat rushed with the frenetic scene transitions but things begin to settle down not long afterwards.

The action sequences, particularly the synchronised swordplay formations and sword fights in general appear to be reasonably well choreographed. I like that there is no excessive use of fast cuts, slow-motion and close-ups, which makes the flow of the action less contrived. The villainous character of Qiu Shiliang employing the use of the traditional Taoist “horse-tail whisk” (拂尘), typically used in Wudang martial arts, adds a nice touch to the depiction.

The Narrative

Stand By Me is adapted from the novel Sword Weapon (Jian Qi Hang 剑器行) by the writer Feihua (飞花), a talented novelist who had won the Top Ten Novel Award of the Second Online Literature Competition in 1999.

The drama follows the journey of two sisters, descendants of a noble family that have fallen from grace as a result of political machinations and treachery. Due to the tragic events that followed, both sisters went their separate ways only to reunite at the very place that caused the downfall of their family - the royal palace. At either end of the continuing political tug-of-war is the noble Emperor and the wily chief eunuch who seeks to undermine the authority of the throne. Amidst this tumultuous backdrop, somehow the sisters end up on opposing sides in this court intrigue.

Palace politics with all its clever schemes and nefarious plots are heavily featured, in addition to themes of romance and love, as well as betrayal and revenge. This is one of the most riveting, thrilling, and suspenseful palace dramas of the year. Unpredictable twists and turns, shocking revelations, and countless exchanges between “multiple sides” merge beautifully into an exciting historical extravaganza. The storytelling is fast paced and action-packed, involving various perspectives and hidden agendas by multiple POV characters. The momentum never lets up and is sustained until the very end. All of this culminates in a profound conclusion that promises to leave a lasting impression on viewers.

It’s worth mentioning that there is more than a subtle hint of Chinese Chess (Xiangqi 象棋) being referenced throughout. Usually Go (Weiqi 围棋) is showcased in historicals as the boardgame of choice for aristocrats but it’s a nice change to see another ancient game being featured. Aside from the Purple Robed Bureau (subtitled as Violet Bureau), a fictional organisation that bears close relation to Xiangqi is the Chess of Generals Bureau, whose members represent the chess pieces such as Left and Right Advisors, Chariots, Ministers and the Chess Overseer. Fascinating stuff indeed.

The Cast Performance

Cheng Yi headlines this drama by portraying the role of Emperor Qi Yan. There isn’t much left to be said about this magnificent actor who brings his A-game every time he puts on a show for us viewers. As in L&R and also The Promise of Chang’an, it’s hard to see other actors surpassing Cheng Yi’s supreme mastery of poignant and emotional scenes of great torment and suffering, including his now trademark “poetically beautiful blood-spitting” moments. Truly the best of the best. In Stand by Me, Cheng Yi provides us with further glimpses of his versatility and range with a vastly different and never-seen-before side to his very multifaceted portrayal - the cold, ruthless and sensual Emperor. Seeing is believing and I truly do believe there is much more to this man than meets the eye that, hopefully, will be showcased in his future projects.

Zhang Yu Xi, who had previously played Chu Ling Long in L&R, appears as the female lead and primary love interest this time, Cheng Ruo Yu. A promising actress who possesses much depth in her moving portrayal of emotional pain and suffering. As it was in L&R when her character had suffered PTSD, the conviction of her expressions certainly reflects her growing maturity in tackling complex characterizations, which is the case in this drama. She manages to infuse her character here with a fusion of kindness and righteousness that are borne of purity, as well as a developing sense of awareness and pragmatism. These are qualities that reflect the tremendous growth her character experiences through the course of the story.

Deserving of equal billing as part of the three leads, the ever charming and elegant Xuan Lu graces this drama with her appearance as one of the estranged sisters. She had previously caught the eye with her memorable depiction of the delicate and kind Jiang Yan Li in The Untamed. This time, she brings an air of sophistication to the cool and calculated character that is perpetually shrouded in mystery, Qiu Yan Zhi. I honestly feel that there are moments where she manages to steal the limelight from Cheng Yi and Zhang Yu Xi, for she has such a presence that lights up the screen whenever she appears.

Notable mentions for other major characters go to Han Dong who plays Prince Guang, and He Cheng Ming as the chief eunuch Qiu Shiliang. Han Dong is an exceptional actor who has appeared in many historicals so there are no surprises to the dimensions he imbues the characters he portrays. His nuanced microexpressions are always expertly delivered and a joy to behold. He Cheng Ming, who previously played Si Feng’s father and Master of Li Ze Palace in L&R, is another experienced hand with a wide repertoire of works in many varied roles. This time around, he is perhaps more subdued and less OTT, but still retains that aura of an expert performer who immerses into the character with such consummate ease. In short, he always looks like he’s having fun and he carries the role with glee. I have to admit, the mannerisms in his depiction remind me at times of Sun Wukong the Monkey King.

Among the familiar faces in supporting roles, look out for Xi Xue (Under the Power, Lin Ling), who has a significant arc as Cheng Xi, Yang Xi Zi (L&R, Xiao Yin Hua) as Princess Misha, He Zhong Hua (L&R, Xuan Ji’s father) as Li Deyun, Li Jun Yi (L&R, Zhong Min Yan) as Yan Xiu, Ethan Yao (L&R, Ting Nu) as Han Yue, Fu Fang Jun (L&R, Wu Zhi Qi) as Han Ding, and of course, the unforgettable Bai Shu (L&R, Tengshe) as Prince An.

The Music

No C-historical would be complete without epic songs from the likes of Zhou Shen and Liu Yuning. Cheng Yi also contributes to the soundtrack with his beautiful rendition of Shou Shou, which is my favourite track of this drama. Along with the BGM, there are a total of 7 tracks:

Yu Yan Shuo 鱼雁说 by Audio Monster/Silver Lin (音频怪物 / 银临)
Chang'an 长安 by Liu Yuning 刘宇宁
In Through Dream若梦 by Zhou Shen 周深
Small Dust 小尘 by Shuang Sheng 双生
High Above in the Sky 当空 by Nana 许艺娜
Shou Shou 相守 by Cheng Yi 成毅
Worrying about the Sky 杞人忧天 by Allen Su Xing 苏醒

Overall

Stand by Me is a drama I had been anticipating from Cheng Yi since last year, and I’m pleased to say I haven’t been disappointed with the plot and overall technical execution of the production as well as the performance of the cast. It is not flawless by any means but I appreciate the nature of the storytelling that eventually culminates in a rather conceptual ending, which somehow seems to be the standard for C-historicals these days. In any case, the entertainment value is high and I have thoroughly enjoyed the intrigue as well as unexpected plot points throughout the 49 episodes of its run.

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Rough path with some sweetness and the ending that lost focus…

A Shoulder to Cry On delivered quite a few good messages that would resonate with teens and young adults, and even a few lessons that can change the perspective of the adults, as long as they are willing to think about these topics after the episodes end. A nice step into a different direction in a well known high school set up.

That said, is this truly the deep and complex psychological story as some people claim it to be? Depends on what you compare it to. It’s not as sweet and silly as many high school and university BLs, and there is an attempt to add layers to the characters, especially on Tae Hyun’s side. So compared to other K-BLs, one could see it as something more. If you look at it in a broader manner, sadly it’s just another enemy to lovers trope with trauma as a cherry on top.

Yes, it does tackle some serious and important topics like childhood trauma, lack of emotional support, repressed feelings, guilt, resentment, forgiveness. Yet, all on surface level. It’s like a weather talk - just a starter for the conversation.

I think the biggest disappointment for me comes from how black and white they tried to present really complex situations and how fast they moved away from them without truly putting time and effort to give a proper resolution, which was especially obvious in the last two episodes. How to put it… it lacked nuance. It made me feel like the production team does not trust the audience to handle difficult topics so they made them as approachable and simple as possible. God forbid someone finishes an episode with conflicted feelings about the characters.

Personally, my favorite part of the plot was Da Yeol’s doubts about his path. It’s an issue most young people resonate with and many adults still struggle with. It was best written, paced and concluded part of the story and I wish the drama focused on it a little bit more.

Then we have the acting, which was fine during the teen daily life scenes, and questionable at best during the emotional scenes. There were a few moments I could see Shin Ye Chan tried to convey strong emotions, but it just did not translate on screen. Similar issues happened with more “heart wrenching” scenes from Kim Jae Han. Realistically speaking, for debut roles, these were quite challenging, so I’m; not exactly surprised by the end product.

Undoubtedly the production was a massive improvement compared to other short k-bls. Longer episodes allowed the story to have a more even pacing without too many things being painfully rushed (putting aside the final conclusions). While it still lacks in comparison to mainstream dramas, it’s on par with other web dramas, which is far better than what we’ve got until this point from Korean BLs.

Improvement from makeup artists needed though.

Overall, it’s great to see a longer format and I’m glad it was given to a story with an actual plot that at least attempted something more than “sweet teen romance”.

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If I'd written this review three months ago my verdict on '2gether' would have been very different. I was super hyped for this series. Before it even started, the two trailers on YouTube got me so excited that for the first time I badgered my friends into watching it too. As a BL series nothing seemed lacking. The two leads were knockouts, the premise was cute, and the production values were top-notch. To keep up with the series I followed whatever I could on Twitter, Instagram, and Tumblr. At one point I even incorporated the word '2gether' into my computer password.

The first few episodes seemed to deliver on the promise. In my rush to judgement on MDL I even posted an early rating of 9.5, in part because I wanted other BL fans to know that this was worth a look.

The series started out by exclusively taking Tine's POV, allowing Sarawat to develop as a character who was at times funny, charming, prickly, seductive, and above all, unpredictable. It was mainly because of Sarawat's interactions with Tine that the first few episodes of '2gether' were so enjoyable.

Then, about halfway through, '2gether' took a wrong turn and never found its way back. Around this time in the series Sarawat and Tine finally became boyfriends, and along with that the two boys took the momentous step of moving in together -- sharing an apartment, a bedroom, and (of course) a bed.

Now, the definition of 'boyfriend' can vary from person to person and even across different cultures, but for most of modern civilization, when two people are romantically involved to the point of living together, certain assumptions apply. One of those is that the relationship has evolved to the point of physical intimacy.

Once Sarawat and Tine had advanced past the flirting stage and become a couple, this became '2gether's' biggest problem. From that point on, one detail after another clashed with the everyday experiences of everyday people. While cohabitating, the boys would share the bed, but they slept fully clothed and never cuddled. They would stand together romantically under a starry night sky and not put their arms around each other or hold hands. They would comfort each other with words but not with a warm embrace. And a kiss, even a quick peck on the lips? Not happening.

The bottom line was that despite being two college-age guys in a m/m relationship, Sarawat and Tine showed no signs of sexual attraction. In fact any physical contact between them came off as awkward and uncomfortable. Somehow, whether at the behest of GMMTV, the director, the actors, or some element unknown, the decision had been made that despite Sarawat and Tine's boyfriend status and shared living arrangement, there would be virtually no displays of affection on-screen.

It was a wacky decision, and it showed in the final product. Time and again, a scene between the two guys would work its way to a point where the mood was clearly set for a moment of physical affection (whether it be an arm around the waist, a held hand, a tender hug, or a kiss), and '2gether' would veer away at the last second, often resorting to a substitute gesture that was more suited to best buds or actual sibling brothers. The substitute most frequently used was a pat on the head from Sarawat to Tine (which with each occurrence looked more and more condescending), but sometimes they didn't bother with any substitute at all. A scene would just end.

This is simply not how real boyfriends interact, and I think it's safe to say that everyone knows it, even adamant supporters of the series who have defended it for its 'purity' (as though the purpose of '2gether' was to depict a divine love unblemished by anything as sordid as hand-holding.) When a work of fiction deviates from commonly perceived reality without first establishing a believable reason for doing so, viewers get confused. When it happens over and over without explanation, viewers get frustrated.

What bothered me personally was that I sensed an agenda at play. I grew disillusioned, and found I was now watching each episode mainly to see how they'd keep screwing with reality. Along the way I noticed that Sarawat wasn't so endearing anymore, and Tine had become a paranoid bundle of nerves who forgot how to smile. The joy I found in their relationship -- and in the series -- was in ashes. When the final episode approached and the script deployed the trusty "ex-girlfriend who's still in love" trope to stir up some drama, the result just lay there like the stupid and insulting tactic that it was. You can't revive a patient who's already dead in the ICU.

By this time I'd finished mourning the loss of what '2gether' had started out to be, moved past my anger and resentment, and settled into amusement. I looked back on how much I'd anticipated the series and laughed at how I'd been fooled. This was a production presumably written and directed by experienced professionals who are familiar with the BL genre. It was mind-boggling how they'd squandered the fantastic beginning and ended up with something so phony and awkward. For me the plot had gone completely off the rails, so whatever story the series was trying to tell didn't matter anymore. What I became most curious about each week was how they'd finally pull this mess into the station, and what kind of shape it would be in when they did it.

And the way they ended it, of course, was with the high-five between Sarawat and Tine that has already gained near-legend status. I must admit that this was where the series, which had already established itself as a mockery of BL, proved it could still surprise me. It was as though the production team had gotten together to brainstorm and find a way for '2gether' to deliver a final, unmistakable "F U" to fans of the BL genre -- a gesture guaranteed to become the ultimate meme.

In this I think they succeeded, but it makes me fearful over what GMMTV will do with their future BL productions.

ACTING

In general I think the actors did a fine job with the script and the direction they were given.

Win's work as Tine deserves a lot of praise since he had no prior acting experience, whereas almost all of the rest of the cast did. His first foray into a series was a tremendous success for him personally and promises great things for his future career.

Regarding Bright, it's hard to tell if Sarawat's detachment and wooden affect was a result of Bright's inability to act or the fault of the director. Given the way the entire second half of the series was botched by the director, it wouldn't be a stretch to blame him for Bright's performance, at least in part.

That said, I get the sense that Bright did not enjoy being in a BL series. He was smart to agree to it because it provided the perfect target audience to rocket him to fame. (His previous acting gigs didn't result in anything close to this fanbase.) From here I'll be surprised if we ever see him play any other role other than a heterosexual male. And honestly, that's fine with me.

MUSIC

Scrubb! Awesome band, great songs. You don't even have to understand Thai to feel what the lyrics are saying.

I suspect that Scrubb might have also written the song that plays over the end credits of each episode, sung by Bright. It has their vibe and Bright does a nice job with it.

I'm not a fan of the song sung by Bright that was released as the series ended, but this opinion is probably tarnished by my disappointment over everything else.

REWATCH VALUE

I will never rewatch this series. While the beginning episodes are wonderful, there'd be no way to enjoy them knowing what comes later. In fact I'd probably start to pick apart the good episodes too, looking for hints of the lameness to come.

THE 'PORN' DEFENSE

A lot of diehard fans of the series have defended it by saying that anyone who criticizes the lack of physical affection between the leads is looking for a series that depicts explicit sex.

All I can say is: if this is your best argument then you have already lost. Nobody in their right mind wants explicit sex or porn in a BL series. When you have to misrepresent an opponent's argument in order to counter it, you're only saying that you don't have an intelligent response to what they are actually saying. You are admitting defeat. You are admitting that '2gether' is a failure.

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Why Are U Gay? Who Says I'm Gay?... You Are Gay.

BOOOOOOOOOOOOOOOooo. Dafug you mean this isn't a BL? All that tension is wasted on a bromance? Look, being friends is nice, best-friends? even nicer, but these two talks/look at each other like they tryna book a honeymoon suite. Respectfully, I think they should kiss each others faces and get marry... cuz aint no way that tension/chemistry/dialogue is of the friendship/bromance nature! Also, half of this cast should have died halfway through episode 1, in a coma or hospitalised from all that beatings and fighting.

What's more surprising about this show isn't that it's tag 'bromance' but screams bl. No, it's how we had 16 episodes, and no one died from all that violence. And who even showed this children how to fight and start gangs? Whenever there's a fight scene, I'm always like, 'Ooooh, is you dead?' only for them to show up the next day at school like 'who, me? nah, I should be dead but like...it's Tuesday, we have Thai language classes so...' People, how did these children survive for this long?? Especially when none of them knew how to call the damn police?

Anyway, Listen, I think the word 'Friend' should be permanently ban from Saint and Shin's dictionary, cuz these two would do/say the most questionable, inlove-ness-ness thing ever then go:
Shin: I would have forgiven you for every bad thing you ever did, if you'd have stayed. You left me behind.
Saint: I'm sorry, I thought leaving was the best thing for you. The best way for you to live your dreams and be happy.
Shin: Without you in my life, I won't be happy. Apart from soccer, you are the only thing I care about.
Saint: You are the only person I care about too. Let's take a couple picture.
Shin: Waking up to see your face is what I've wanted my whole life. I don't like you, I love you.
Saint: I love you too, Shin.
Me: awwwwwwwww *heart doing jumping jacks*
Shin: You are my friend.
Saint: You are my friend.
Me: Dishonour. Dishonour on you, dishonour on your cow, dishonour on your ancestors goat!

I can't do this anymore. And no, it's not that I want every thing to be a BL, but like the writers and director are purposely trying to drive me insane with how they are executing this friendship. Legit, every episode I'm just waiting for one of them to confess, or just lean in a little bit and kiss, so I can go... 'I KNEW IT!' cuz, friends don't look at each other's lips like that. I was legit going 'kiss, kiss, kiss' in episode 12, instead of going 'how dafug is yous still alive right now Saint, you should be in a morgue.' And when they hugged, I cheered and cried a bit. Imma need GMMTV to cast these two in a BL so my soul can rest, cuz I aint finna chill with his whole bromance thing.

GMMTV were messing with us throughout this show. In the finale, with all the longing looks, playful touches and promises of staying together forever, and the 'I love yous' in the rain with faces so close, I was screaming, yaay, finally, only for them to go 'bish you thought'. Why are they playing us like that? Never before had a bromance tug hurt so much. Well, there's The Untamed, but we don't talk about that. Cuz really, is the bromance in the room with us? Huh, you call that bromance?

Not gonna lie though, I do love their friendship. To have someone who is there for you and cares for you it’s beautiful. I love seeing them goof already and tease each other of having 'feelings' and 'blushing'. Their roughhousing is all I'm living for at this point. Seeing how close they were in the past made me sad they had a fallen out. And with the little sister, they seem like a family. Still, I won’t say no to friends to lovers XD

This show is a BL, disguised as a bad bromance, cuz we can all see the BL in neon colours. Literally every episode Saint's like 'I want you back, I love you, please be with me forever' then Shin will look at him with those longing eyes and they'd stare real hard into each other's eyes. Why is this a bromance? In what world is all that tension bromance? Nothing about Saint and Shin screams bromance. Those two are in love. Literally these was them, word for word:

Saint: The most important thing that I'm giving up is not school, it's you, Shin. I'm giving up on the chance to be with you.
Me: OMG, this a BL.
Director: No, it's a bromance.
Shin: You say, you're giving up what's important, and that means you're giving up on me. But you know what? You gave up on me a long time ago. Three years ago when you broke my leg. So, you don't get to leave me behind again.
Me: *in tears* Seeee, it talks like a bl, acts like a bl, it's a bl. They are in love.
Director: No, it's a bromance.
Me: No one asked you, Sharon. Damn!

First off, for half of the series I kept asking myself, 'are those teachers at that school even qualified to take care of the children?' It seems like no one knows what they were doing. The students just walked all over them, disrespecting them, hitting them, straight up treating them like trash. Literally, why were these children still in school? In the real world they'd have long been suspended, right? But, in the last half, the teachers pulled through. I did like how they were there for the children, and did their best for them. With how horrible those children were, they could have given up, but they didn't, and fought for them, which is all a good teacher can do.

Anyway, I enjoyed this show, a lot. The whole mystery regarding what Saint did to Shin to make him hate him so much, kept my interest. But oh boy, I was ready to pull my hair, because 6 episodes in and Shin is still going on and on, and on about how dirty Saint did him. 'You ruined my life. I will never forgive you. I will beat you up'. And I'm like sure, he's the scum of the earth, now tell me what he DID. Damn! Boy was so vague about what happened it got annoying. Cuz, my arse is nosy and I wanted to know what he did so I could judge and hate him too, but they kept dragging it. Literally, that plot device was like that one friend who always have sh!t to share but never does like:

That One Friend: You won't believe what happened to me today. I'm telling you, when the Pope finally left, the police had to fly the rest of us home on a helicopter. In the end, the president and his details had to sleepover at my house.
ME: OMG??? What the hell happened??
That One Friend: It's nothing really. I don't wanna talk about it.
ME: *Inwardly* I am stabbing you in my head.

No, but, I am so glad they finally told us what he did. And when I heard how Saint ruined Shin's dream by beaten him the hell up, broken his leg and ruining his soccer dreams, then disappearing on him after, I was like... Never forgive him. As a matter of fact, beat him some more, cuz... what?? And knowing Saint did that because he probably didn't want his 'friend' to leave him is even worse! Nah, but Saint did Shin sooo bad. Learning that and seeing how Shin still didn't seem to truly hate him made me feel even more bad for him. Yes, Saint deserved all the hate he got got from Shin. Hell, he deserved more than that, but I was so happy when he finally earned his forgiveness and they became 'friends' again, or whatever the hell they are with those longing looks.

I was all giggles in episode 11, that roof top and bike scene was everything. I won't even mention the jump on your chest hug, the lip stares or nothing. Cuz apparently those are things friends do and say, so imma shut up, and consider for the millionth time if I should open ao3 and write my own damn fanfic about these two characters with tags #notabromance #nobromancehere #saintandshinnotfriendsbutboyfriends

Anyway, my main issue with this drama is the violence. Like, what school would allow all that to happen and not expel those students? They are so violent and mean, then, they return to school the next day like nothing happened. Some of these people should be in a coma, have major injury or like dead dead. Literally, after all the beaten Shin got, he showed up to school like it was nothing. That boy should have been in a coma or in an obituary page.

PLOT: the story is interesting, though there's so many gang stuff and nonsense fighting violence going on it drags. The bad guys are so generic it hurts. Ken and the twins were so bleh and uninteresting in the beginning, but glad they got a redemption arc, an emotional one at that. That being said, it took be a while to notice they were twins and not the same person doing both part. My bad.

CHARACTERS: My fav was Chatjen, Mark really outdid himself in this role. I knew Mark was a good actor since Last Twilight, even when Boston was wrecking his heart, I loved him. And here I just loved how well he played his character. The leads, Saint and Shin are a close second, cuz I like the tension between them, the push and pull and how each makes me understand the characters they are playing. They were perfect for the role, and they managed to make it a very enjoyable show.

Secondary characters: I'd thought the supporting cast were gonna be background noise, but most of them had depth. Cable, Peeta, Chatjen. Everyone seems to have their own problems, even Ken and his friends. I can't believe this show managed to make me emotional about Ken. This character was unlikable for like 12 episodes, then bam emotions. I legit don't know if I should respect the redemption/depth arc or boo at it for being so damn emotional. The twins really pulled through for their friend, I thought they were just gonna be airheads.

Also who the heck was cutting onions during that classroom scene in episode 15?? When they all decided to be friends and sharing food... awwwwww like, I was going through it. Love how they came together in the finale as well to help Ken. See how beautiful friendship can be instead of them fighting all the time. And don't even get me started on Saint and Shin confronting the mother that they were friends and the little sister coming to hold their hands and calling Saint brother. My tears were everywhere. I aint saying it looked like one of those forbidden love story scenes, but it did. I really do love how they are ride or die for their friendship.

That shady teacher, being a bully was a surprise to no one, and that one female teacher is trying, but the poor woman is just sad. Her hitting her self had me going 'what even are we doing here?' I understand her wanting to quit, but damn woman, give yourself a break, nobody is perfect. And was I the only one who went 'My sister, enough already, just go back to teaching like we all know you will.' when they kept baby-ing her? Yes, I understood her, but it was getting to a point when I was over that whole arc. And also who the heck was her father? In the finale, she kept doing 'dad I did it, I'm a good teacher, bla bla voice over' and i'm just sitting there like, whomst?

I also like how the Eve and Airy developed from being enemies to friends. I'm satisfied with the finale we got. Was so emotional when Chatjen left. Poor dude was so happy with his friends. I'm glad the students came around, and Class 2 became friends. Loved how closer Shin and Saint seemed in the end, and how the mother had accepted Saint into the family. It seems their future is gonna be tangled together forever, cuz Saint's whole purpose in life right now is... 'Shin. I'll follow Shin everywhere. If it's not Shin related I aint want it.'

All in all, I went into this show thinking it was a bl, and was surprised when it wasn't, but the story and characters kept me watching. Plot-wise, the story has been done before. The violence was very savage and I didn't buy it that it didn't have more dire outcomes. The teachers and violence part got a bit boring, but all of them adds together, and we got a beautiful story of friendship, redemption and forgiveness, which was told with a good cast and team. I enjoyed coming back to it every week, so I'll recommend this to all drama lovers, trust me, it's as bl as it gets, so don't let the bromance tag keep you away. Trust me. This is going on my list of fav dramas this year.

ALSO. We are getting WU with Sky and Nani as leads next year!! Ahhhhhhh. I'm hearing it's another bromance. At first I was like. 'No, curses!' but knowing the chemistry of these two, that show is gonna be more intense and gayer than any bl next year. So, GMMTV, go ahead keep playing with us, make them 'friends' again, I don't care, as far as these two are in the same series together, we've won. Damn, it's gonna be a long arse wait for WU.

Aanyway, imina SkyNani.

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Realistic romance-action drama

I am really shocked to see low-scoring reviews for this drama. It has everything you want. It has bromance, romance, and action. The acting is great. Both lead and support actors/actresses are nailing their parts. The pace of the drama is realistic. It is a modern drama, and as a result, nothing magically happens. It takes time for emotions to be developed and mature.
If you follow the pace of the drama, you will cherish every little development between the leads. I believe people who drop this drama or don't find it satisfying are the ones who are skipping along the episodes and missing important hints.
My advice is to take your time watching this drama, experience the lead's ups and downs with them, and you will have a magical time riding their emotional waves. This is a masterpiece.

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Sweetness with genuine feelings.

Saying it was adorable would be understatement. It’s a perfect BL for everyone who is tired of overdramatized plotlines, stiff chemistry, bad acting and problematic leads. Our Dating Sim is the purest form of romantic comedy put in a refreshing frame of a dating game.

One of the strongest good points about this show was the well paced and smart storytelling. Just enough opening ambiguity about the main leads relationship in the past and the present was enough to set up a solid opening stage for the rest of this story to unfold. And from that point, it was a full fluff fest with just a tiny bit of angst so we don’t get diabetes. The angst you can enjoy, because you know it's just a tiny momentary feeling that will end well.

I am pretty sure we all fell in love with Gi Tae. It’s amazing to see a character who is confident, but not overbearing. He truly radiates positive energy and presents a perfect level of playful teasing.

Honestly speaking, while I enjoyed Lee Wan’s character, I found it hard to describe him. A little bit passive, truly hardworking with spontaneous outburst of courage with flight reaction that follows. Compared to Gi Tae, who was more stationary in terms of development, Lee Wan presents a subtle journey to self-discovery and bravery to stick with the things he find important, instead of running away from them.

Lee Seung Gyu and Lee Jong Hyuk had an amazing and natural chemistry that put a smile on my face during every episode. Acting wise, they both delivered believable performances. While many people praised Lee Seung Gyu (for solid reasons, I rewatched quite a few scenes simply because I enjoyed his performance so much), I also want to compliment Lee Jong Hyuk for his take on Lee Wan’s character, especially with scenes presenting concern, worry or confusion.

For such a short drama, the production value was perfect. I loved the dating game framing and the game stages scenes at the end of each episode presenting additional small doses of sweetness between the main characters.

Overall, while it feels like 8.5 for me, my brain actually wants to give it 9. Often such simple and short stories feel empty, dull, cringe, but Our Dating Sim could not be described by any of these adjectives. While it might be a classic story with well known tropes, the execution makes it an entertaining watch that many will enjoy.

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On aliens and alienation

I am sorry about the punny title but it was either this or "Out of this world" and I feel like this one causes less physical pain.

A lot can be said about Glitch but conventional sure isn’t the word that comes to mind. Watching this drama as soon as it came out while following the reactions online has been a wild ride indeed. This isn’t supposed to be about other people’s opinions, this is my review, my thoughts, but I was perplexed by how badly this K-drama bombed. Reading the initial impressions, it sometimes felt, like I was watching a different show entirely. Upon further consideration I am adding a very mild spoiler warning to my review here, I won't go into any detail about how this story progresses, but will talk about a few elements of this show that were not mentioned in the synopsis or tags. So here you go: VERY MILD SPOILERS AHEAD!

I think the one thing the majority of watchers can at least somewhat agree is on, is that the performances are the aspect where Glitch shines the most, though this was to be expected considering the stellar cast this show provides. Our two lead actresses are of course especially to be praised here. Their dynamic and chemistry might be what this drama thrives on and Nana and Jeon Yeo-been add charm and believability to their roles. But even less prominent roles, like Boras squad of conspiracy theorists or overwhelmed policeman Kim Byung-jo, had their moments. Even Hong Ji-hyo’s abducted boyfriend who had little to no presence, felt like a somewhat fleshed-out character all thanks to his actor’s performance.

But my personal favorite aspect of this drama might be Glitch’s distinctive look and style. It’s quite challenging to present yourself as a sleek-looking drama, while also featuring a ginormous blue alien in your first episode. I will not be too soft here, when it came to extraterrestrial beings, the CGI left something to be desired, but the drama was kind enough to not rely on their presence all too often. When we’re not subjected to computer-generated monstrosities, Glitch remains a surprisingly artistic show, especially at the times where it does get more experimental. Lighting and colors played one of the biggest parts here, switching between soft warm tones when we’re shown flashbacks of Bora’s and Jihyo’s past and the cold blue-and-green tones we’re used to from our sci-fi-flicks. I especially have to commend the usage of green-tinted lighting, whenever a situation was supposed to be uncomfortable or unnatural, it really generated the feeling the script needed. But shot composition, cut, and camera also stood out here. The hand-held camera shined in fast-paced action scenes and in general Glitch very rarely felt or looked static. If there is one thing I have to critique when it comes to the overall look and feel of this show it’s the (rare) moments of slow-motion that always felt entirely out of place to me and like a misguided attempt to stretch shots that might have been too short. But this might just be my personal preference.

This might be where agreements about Glitch end. The plot and script are where opinions tend to differ drastically.
Pacing is something this drama has been harshly critiqued for. While it is true, that Glitch’s start felt somewhat slow, it does pick up speed after four episodes. But I would actually go so far as claim that the show‘s arguably monotone beginning was needed, to create the atmosphere the drama relied on. That’s because we follow the story through Ji-hyo whose life also feels like it has come to halt. At thirty she works a monotone job she doesn’t seem to care about, still lives with her parents, and isn’t willing to take the next step in her long-term relationship. All she’s trying to be is normal, boring even, while she desperately attempts to ignore all the things that make her different, attempts to even ignore the side of her that wants to be different. Things accelerate drastically for her after she reconnects with Bora, so it’s natural that the same goes for the overall essence of the show. This might not be everyone’s cup of tea and it does take some commitment to give the show a chance and see where the plot takes you, but personally, I enjoyed that Glitch took its time.
That the viewer experiences this story through Ji-hyo’s eyes also means that we’re bound to be confused as the plot escalates. Glitch keeps its audience on its toes and toys with plausible deniability. What is hallucination, what are aliens, what is the cult? The viewer doesn't know anything more than the protagonist does. We feel lost because Ji-hyo does too.
This does not excuse the few plotholes Glitch sadly contains. I fully understand frustrations with the ending, a few too many knots were left untied for my taste. So I am not arguing that the plot’s structure is flawless, God no, but I do feel like the pacing of this show isn’t nearly as off as many claim. Some stories just take time and I’d rather be along for the ride than for a script to feel rushed.

“But this isn’t what I signed up for! I wanted sci-fi and aliens! This is too weird!”
Not trying to come across as condescending or pretentious but I am once again begging people to read between the lines when they consume media. Glitch isn’t the conventional alien tale it seems to be at first glance because it isn’t trying to be. And it also doesn’t have to be that in order to be good. Because what is hidden under layers of UFOs and religious symbolism is the story of Ji-hyo’s emancipation. It is a tale of a young woman trying to escape the norm and her passive role in society. It’s about feeling like you literally don’t belong on this planet, like you yourself might be alien because you do not fit the mold people are trying to force you in. And it’s about the role that religion plays especially for people that feel alienated, a tale that showcases how simple it is to persuade them to believe once you have earned their trust. How you can influence individuals to believe in a religion based on self-interest, force them to see UFOs, and make them question everything they thought they knew.
I thoroughly enjoyed this show, it’s rare to come across stories that are entirely female-centric without even the hint of romance (unless you count our two female leads who honestly had enough chemistry to go steady). I got a lot of joy from the portrayal of female friendship. Bora and Ji-hyo’s dynamic worked excellent. But I also just genuinely had fun with this plot and was fully invested in it. Yes it was strange, that’s what made it good. I can certainly say that this wasn’t anything I had seen before.

I shouldn't care what others think but I really really wish people would give Glitch a fair chance. “Too weird” should not be a valid critique, especially when a story is obviously more interested in being interpreted than literal. It’s frustrating because Asian cinema already very often relies on the suspension of our disbelief. How out there or downright Ludacris a plotline is, doesn’t seem to be relevant in romance dramas but as soon as a story requires some form of critical thinking, people shut the door on it. Others obviously are allowed to take away from this show whatever they want, I am not trying to imply that everyone who rated this low is a simpleton who just didn’t get it but I do think that there is a lot more to this story than what meets the eye. I am not trying to argue that Glitch was anything close to perfection, just a lot better than people gave it credit for.

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