Not Your Typical Drama
Adapted from a web comic 一人之下, I am Nobody (异人之下) is not like your typical drama! This drama is interesting, engaging, and funny!! The drama seamlessly blends elements of Wu Xia, superpower elements, and fantasy in a modern urban setting. It features intense battles, intriguing characters, and a mysterious plot that explores the hidden world of 异人 (outsiders - human with with qi/ powers!)The story follows Zhang Chulan, an ordinary college student whose life takes an unexpected turn after his grandfather dead body was stolen. From that point onwards, he steps into the the Outsiders world, along the way he grow, make true friends, and also go on a journey of self-discovery!
I am Nobody plot is fast-paced, keeping viewers on the edge of their seats - it is funny and engaging making you want to know more about what will transpire. Although fast-paced, but the story still unfolds casually and unrushed, it still explains the characters, their backstories and relationship dynamics.
Other than a fresh genre, what makes I am Nobody stand out is it's well-crafted characters. Not only the main character, but the supporting characters are equally intriguing, like Feng Baobao, Wang Ye, Zhang Lingyu, and more. Each of them has their own unique powers and motivations, their character dynamics also makes the story more enjoyable! The portrayals of the characters are also conveyed realistically, each actor manage to imbues their character with the character characteristic, nuance and emotional depth, that makes it very enjoyable to watch!!
Not only that, but I am Nobody also has great CGI and also unusual editing! Most of the CGI quality is commendable, the CGI has fluid action sequences with stunning visuals that bring their powers and battles to life. In addition, the fight scenes are also choreographed with precision and creativity, showcasing a variety of supernatural powers and combat styles.
The drama has done an excellent job in capturing the essence of the source material! This drama is probably one of the best drama adapted from the web comic, it stayed true to the original essence of the web comic!You can see that there are some parts where they exactly follow the web comics, from the shots and also more!!
While I am Nobody offers an exhilarating viewing experience, it does have its share of complexities. The plot can be convoluted at times, and viewers may need to pay close attention to keep up with the ever-evolving narrative.
In conclusion, I am Nobody is a definitely must watch if you enjoy adventure and action-packed battles! With it's intriguing storyline, well-developed characters, and impressive animation, it is definitely worth watching!!
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JUST WATCH IT
If you’re already into the omegaverse, this is a must-watch you’ll go feral in the best way. But even if you’re new to it, Desire offers a unique sci-fi twist that makes the world intriguing to step into, to the new ones It might get a little bizarre later (we all know what the genre holds 👀) but if you’re open mindu and looking for something different, you’ll probably end up just as hooked.It's a well-built omegaverse that finally feels true to its genre and immersive. With the added rare Enigma, tiying the dynamics to a DNA altering virus is creative, sci-fi-ish, and refreshing it makes it feel more realistic(?)
The main couple? Electric. Hua Yong is a literal orchid jade beauty! and when jealousy hits, the Enigma in him switch to a whole new personality. Sheng keeps falling for all his schemes, and honestly, same lol.
Even the kiss scenes felt sweet and natural no secondhand embarrassment here, just unexpected giggles. The side couple also brings chaos with an omega disguised as a beta, and I’m all in for that drama.
Gao Tu’s acting stood out the most so far, and while it’s still in worldbuilding mode, the pacing feels right. Only the two characters are in focus, which makes it easy to follow. Production quality? Surprisingly high. Those billionaire villas alone deserve a shoutout. You can tell they invested in detailed sets and styling. Nothing looks cheap or rushed, and even the camera work is smooth and solid.
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TAKE ALL MY MONEY
This is such a gem!!!! This is hands down the best GL that I’ve watched. The acting is top tier and the natural chemistry between Faye and Yoko is untouched. The acting feels very comfortable and nonscripted. I am really enjoying these little details with the directing as well!The delivery of the script is so good. I fear that I won’t be able to move on from this drama. Anueng
must be protected at all cost!!!!!
And the side couple as well is chefs kiss. Also not to mention the plot is giving very soap opera and I’m eating it up lol. You should definitely watch!
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I wanted to see this movie because of Lee Joon, his acting in this movie was brilliant, amazing, like let me stand up and clap, you just can't dinied that it was awesome.
i read some comments about this movie, that this movie is a mess, only beating up each other, sex and nothing more.
this movie is about how a fame can ruin a life, starting from nothing, becoming something, and in the end again starting from beginning.
if you want to see how good is Lee Joon, then you can watch it, but be ready for a lot of sex scenes and fights.
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Addictive Hot, Unsatisfying Mess with Irredeemable ML
Summary:* An irredeemable ML
* Too much skinship between ML and SFL. I lost count of the, “Ohhh, no he didn’t,” moments. Seriously!
* Happy Ending (although the ML didn't deserve one) is only 15 min out of 15 episodes
* Wavering and confusing (but gorgeous I know) SML. He should have stuck with FL. I would have rated this much higher
* They went all Edward Scissorhands and cut scenes that created a hot, chaotic, disappointing post production mess
* Series is like an old wooden roller coaster ride..in the end, it will leave you dizzy with a massive headache...
I just want to say that I REALLY hate giving bad reviews. It breaks my heart to leave one for Praomook. Maybe because I'm coming off the drama high of Tra Barb See Chompoo, a series that had almost the perfect formula for a revenge to love troupe. To say I was disappointed with this one is an understatement. I wanted to love Praomook because of Pon and Bua; HOWEVER, the first golden rule in romance writing is to NEVER make the ML's character irredeemable. The second golden rule is to NEVER show more skinship between the ML and SFL. The series managed to break both rules in one agonizing, infuriating, and disastrous fell swoop.
I do think because of the slicing to get this from 22 to 15 episodes, the show skimmed over fleeting signs of some good qualities in Lan. Also, Mook was a little too aggressive and unbending in the beginning. I kept wondering when someone was going to break to begin the healing to come to the inevitable happy ending. Unfortunately, the disappointing happy ending only happened with 15 minutes left in the 15 hour series. . Toward the end, I believed it was too late to save this relationship. I sort of hoped to see Mook (who matured in the end) ride away and maybe meet up with a Thai Idol, fall in love, and have two adorable kids with a cutaway of Lan languishing on a beach somewhere reflecting on what he did wrong.
Side Note: I've actually read forums where they were rooting for Lan's BIL (played by Ta Warit Tipgomut) to succeed in killing off Lan. This is how bad his character was written. I've never seen a ML's character become so disliked before. Honestly, I just want Ta Warit to star as a ML in something like My Secret Bride. REALLY love him.
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A drama about Healing & Character Growth - not Fangirling or Crime Investigation
Subjective Gut Rating: 8.25To fully enjoy “Idol I”, it’s important to set your expectations and know what type of drama this is. Otherwise, you might be disappointed.
What type of drama is “Idol I”?
** To me, it’s a drama about character growth and development, healing and closure for our main leads.
What “Idol I” is not -
- Murder mystery or Crime investigation drama
- Law drama
- Idol or Fangirling drama
These elements are presented in the drama, but they serve as a plot device for us to get to know our leads and to follow their journey to happiness.
What I Like:
1. Do Ra Ik (ML) - It’s nice to see male lead who is not afraid to show his emotions (the good, bad, and ugly). Oftentimes, softer MLs are depicted as naive and innocent and just weak. But Do Ik isn’t like that. He just can’t hide his feelings. Once he’s off the stage, he will show his emotions honestly to everyone. It also doesn’t hurt that he’s played by the very handsome and charismatic Kim Jae Yeong. His acting is fabulous and when he’s suffering, I felt his pain. He might have cried a little too much in the first few episodes, but for good reasons.
2. Acting - Not only is Kim Jae Yeong breaking my heart and making me smile, Choi Soo Young performed equally well. Without their excellent performance, I probably would not have rated this drama as high. The supporting cast is just as impressive. I wanted to see more of Jung Jae Kwang (Prosecutor Kwak) and Choi Hee Jin also did well as the ex-gf. Of course, we have veterans such as Kim Won Hae who never disappoint.
3. Romance - The romance might not be front and center, and there aren’t many cute and fluffy scenes compared to a normal rom-com, but the chemistry is evident. Even though romance doesn’t start till later, there are plenty of scenes of the leads together for them to get to know each other. The romance feels naturally developed and though few, the kisses are fabulous. I won’t lie, I wish there are more hot kisses and a few more cute scenes. But I am satisfied.
4. OST - I love all the songs in the drama. I don’t really have much to say, but whenever a song played, I thought to myself, “this song is lovely”. I’m happy to see that Kim Jae Young actually sang the song “It’s Me”. It has a very Japanese feel to it and his voice is nice. I also like the title song “Echoes of You”. It’s the perfect song to be sung in concerts with fans singing along. It’s a happy, fangirling song. There are a few slower, beautiful ballads as well, such as “Stay Closely”.
What I have Mixed Feelings:
1. Plot - Despite liking the healing and character growth of the drama, I can’t help but feel a little disappointed that the law/crime investigation storylines are not integrated well into the drama. I wanted to see more bickering and trash talking between the two attorneys, FL and Prosecutor Kwak. I was hoping for some court scenes and see them fight, because they have really good chemistry with the few scenes together. The drama also didn’t do much in the crime investigation either. The last episode is unable to really tie all the loose ends. The drama tries, but it feels rushed and incomplete, especially in regards to the real murderer, the management company and ML’s mother.
2. Murderer - On the one hand, I was surprised to find out who the murderer is. So, that’s a positive for me. Unfortunately, the real reason for the murder is very anti-climatic. The aftermath was glossed over because it has nothing to do with ML anymore. With such a big part focusing on the death of the team member, this feels like a let down.
3. Re-trial - The pursuit of the re-trial is going to happen, and I have no doubt about. That is a big part of FL’s story. However, how it was presented and executed did not make it seem important at all. I would have liked to see the drama slowly integrate elements of FL’s father story, instead of just a few flashbacks of him claiming innocence. Maybe I was asking for too much, since as I said, the focus of the drama is not crime investigation.
Despite my criticisms, I had a great time binging the drama. I really enjoy watching the leads growth story and healing of each other. I like their acting, their characters and their journeys. This is the primary reason why I am rating it an 8.25 and not less than 8.0. If I am a serious investigation/crime fanatic, this would be an absolute disappointment.
Completed: 2/6/2026 Review #665
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The Princess' Man
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This drama started out with a lot of comparisons to Romeo and Juliet. It does have the element of two people who fall in love in spite of their family's bitter rivalry. But where the two part company is that in Mr. Shakespeare's original work you don't really get very much back story about why the Capulet's hate the Montague's. You simply know they hate each other and that the love between Romeo and Juliet is forbidden. In The Princess' Man you get a big sweeping story and you know exactly what odds are stacked against these two. They should have called this... "The Princess' Man and Her Father's Single Minded Drive to Be the King!"
The Princess' Man is packed full of action and revenge, sword fighting and battles to the death! What I'm saying is...This drama isn't just for women or those looking for a well told love story. If you are a person who prefers action, you need to know there is a perfect balance of badassery as well as a lovely and sweeping romance.
The acting in this show is stellar. I can't think of a single character in a single moment that had me cringing or thinking they were wrong for their part. Park Shi Hoo is wonderful and forgetting what I said up there...He is actually wonderful in everything he does so I wasn't surprised. Moon Chae Won is luminous as Sae Ryung. She pulls in a great performance. I loved her character's bravery and steadfastness. The plot kept me guessing until the very end and I love that I was never bored watching this show!
There is a lot going on, plot wise, and it is told to us by a writer with real story telling ability. I say that because I was also kept interested by the side character's stories as well. They were an intrinsic part of the tale, perfect satellites to the main characters and plot. I wanted to know their fates as well as the main couple's.
Let me sum up why you should watch this show in one sentence. The Princess' Man has an extremely well done and balanced combination of incredible acting, writing, directing and amazing cinematography.
I felt the music was a perfect fit for feel of the drama. There was only one song piece that felt a little overplayed. This show was so well crafted otherwise, I feel like I'm nitpicking but the music is my one 9 vote in a sea of 10's. I will watch this Lovely Show again. I can't recommend this highly enough!
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Untitled New PD Kim Seong Yoon Show
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It makes no sense this show happened…
Since it seems like a miracle to get all these people in one place for 3 days filming. We were blessed and we should be grateful.There were so many things done well in this variety show. Allowing the actors and actresses to relax a little bit among cast members they know during the opening. Later, implementing mixed groups, so the viewers will get to see interaction between different people. Games that allow them to get closer and relax, which is also something that viewers would like to see, since there are not many situations when we can see these actors just doing normal things, outside of interviews and promotions.
I laughed so much watching this show. Hwang In Youp has such an unintentional comedic timing he should be invited to variety shows more often. We all know the industry can be exhausting and these actors and actresses need to deal with a lot. It’s great to see them have fun among themselves. Yes, technically speaking it’s still work, but I honestly would not mind a job like that.
Then we have the amazing cast. Funny enough, in many cases, my favorite interactions came from people who were not part of the same show:
Bo Gum and In Youp, Dong Yeon and Kyung Soo, Yoo Jung and Bo Yun, Soo Bin and Dong Yeon.
The only thing I wish they changed, was the length of the episodes. This should have been one hour and 30 minutes long. I’m sure they had enough content to maybe even make the whole show twice the length it was. One hour episodes just seem like such a waste of this cast. What are the chances we will ever get a variety show with such a cast again?
Overall, except for the fact I wanted more, I had no complaints. I would highly recommend it to anyone who likes even just one of the cast members.
Also, as an Atiny, I have to say the opening song was amazing ;)
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Yatara Yarashii Fukami-kun
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Introducing J-GPT: Your AI assistant for 'naughty' JBLs
Scriptwriter: So, J-GPT, I need help adapting a very popular manga/anime into a live-action drama.J-GPT: What an exciting project! How can I be of assistance?
Scriptwriter: Ummm. Can you write the whole script?
J-GPT: Of course! I’d be happy to be of help. Can you tell me what the manga is about?
Scriptwriter: It’s a one-night-stand-to-fuck-buddies-to-romance BL.
J-GPT: Why, what an excellent summary of an original and universal theme—and a very human one. Would you like it to be a work-place romance—or a random hook-up at a gay bar/through Grindr?
Scriptwriter: I’ll have to check if upstairs will allow me to say ‘gay’. But why not both?
J-GPT: Excellent idea! And how thoughtful of you to notice that office workers need not connect just through Slack—but through Grindr as well! Based on the demographics of the BL audience, might I suggest a lean, muscular dom-top, and a very pale twink bottom?
Scriptwriter: Well, the manga has both, but the bottom is ‘unexpectedly naughty’.
J-GPT: What a subversive and transgressive idea! The writers clearly know what they are doing. Is he naughty because he’s a power bottom, or because he controls and initiates all their encounters? Or is he ‘naughty’ because he is simply not passive?
Scriptwriter: I think the latter.
J-GPT: Got it. Might I then suggest you make him a ‘nerd’ with glasses, who becomes instantly attractive—wait for it!—as soon as he takes his glasses off?
Scriptwriter: How did you…?
J-GPT: What an insightful—and human—question. The manga writers work with a tradition that’s dozens of years old—which speaks to the human condition. Would you like me to tell you more about it?
Scriptwriter: No. The manga and the anime are both explicitly sexual. Like, pornographically sexual, with explicit depictions of gay sex. How do we protect the viewers from reality by making it less sexual?
J-GPT: That is a difficult—and profound—question. Anime and Manga are unreal, and so, we can make sex realistic. Drama is more real, but the viewers cannot bear too much reality. What a conundrum! Might I suggest casting two actors—both attractive, of course—who are so uncomfortable with physical intimacy that when they kiss—I mean, touch their lips—that all eroticism fades away? The more attractive the actors, the more disconnected the audience will feel. As for the sex scenes, might I suggest throwing a white sheet over their whole bodies so that the viewers do not—and need not—see the sex? Would you like me to find an 800-thread-count Egyptian cotton sheets for this purpose?
Scriptwriter: Ummm… wouldn’t it get dirty?
J-GPT: Excellent question. Since the sex is unreal—in fact, I recommend that the actors be positioned in such a way that their union defies all laws of gravity—the nitty-gritties of sex—no pun intended—need not be worried over. Don’t worry! You are doing a great job—and, a very human one.
Scriptwriter: Yes, you keep saying that. And you are not human.
J-GPT: How insightful of you to say that! And how human.
Scriptwriter: Urgh... Now, the characters.
J-GPT: Great. Let’s work on that. Would you like me to write out a plausible three-dimensional character for each of the protagonists?
Scriptwriter: No thanks. We already know that the parents are out of the picture. And that the top is an arsehole, and the bottom a doormat. Do we need anything more?
J-GPT: How imaginative! I am impressed by your creative thinking. If you hadn’t thought of it before, killing off one set of parents, and having the other divorced, is always a reliable strategy. I also highly recommend flashbacks. In Asian drama, it is very easy to make an actor look 20 years younger: just give them a fringe. No need for extra actors.
Scriptwriter: I told you: it’s a manga and an anime, so much of this is already written. Though I'll use your suggestion about the flashback and the fringe. The question is, do we need more?
J-GPT: Indeed. My mistake. I apologise. But if we are already protecting the viewer from the reality of sex, let’s also protect them from the reality of the real world. The top, I presume, is a loner—and yet, popular. The bottom—by convention—must be sympathetic. I hope you introduce a relative to show the human side of the bottom.
Scriptwriter: Done. And what about the central conflict?
J-GPT: Yes! Excellent observation. Please describe it.
Scriptwriter: Let's see… The top ranks his hook-ups from one to ten (or is it hundred?). He rates the bottom as a zero. The bottom finds out.
J-GPT: What a wonderful way to manufacture conflict. I don’t think you need more. Might I suggest a run-time of no more than 60-75 minutes?
Scriptwriter: Oh? Then how do we split it?
J-GPT: Ah, that is indeed a difficult question—and very human. How many sexual acts does the Manga/Anime have?
Scriptwriter: I don’t know. Eight? Ten?
J-GPT: Those are wonderful numbers. Would you like me to tell you why?
Scriptwriter: No. How do we split it?
J-GPT: Ah, that is a tough one, isn’t it? One sexual act per episode allows you to split it into 8 to 10 episodes. Each episode then runs around 10 minutes, which should make the viewers excited enough to say: “I might as well. It’s only 10 minutes.” And the few who need protection from reality might say: “What? Only 10 minutes? I need more!”
Scriptwriter: Okay. Do you have enough material to write the script?
J-GPT: Of course! Would you like me to write it for you now?
Scriptwriter: Yes.
J-GPT: What an insightful request—and how human. Here it is…
Reader's Digest:
DO SAY: You’ve been a very naughty boy.
DON’T SAY: Yes, daddy.
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how am i supposed to live, laugh, love in these conditions?
I went into this show knowing of the intense controversy surrounding it, but my rule of thumb is that the more controversial a show is, the more I want to watch it. All press is good press, as they say. It is not for me to say whether the show should have used the ’87 elections as a backdrop to the show, so instead I will speak on everything else in the show, what I liked, what I hated, what I loved and what I rolled my eyes at.Overviewing opinion of the show:
I LOVE good star-crossed enemies to lovers and this show certainly delivered and they did not water it down. Love borne from ignorance and innocence that becomes corrupted by beliefs and ideology but eventually overcomes these difficulties, the show really tugged at my heartstrings with how beautiful and poignant it is.
There were points that lagged and lacked, points I rolled my eyes and skipped forward (looking at you, three wives of those three idiots) and the show did suffer from bad pacing when you spend like, what? 5/6 whole episodes trapped in the one place with the same thing happening time and time again? But even then, it’s a ticking time bomb – this pace is like a frog in water that is being brought to a boil. You don’t even notice what’s happening until it’s too late and everything has come down around you and the show explodes into action. Everything is falling into place and you can’t even breathe as you feel the helplessness and frustration of the people trapped inside of the University – who to trust? Who to turn to? Who is an ally and who is an enemy? These frustrations peak and the deteriorating situation literally leaves you having to watch the next episode after the last left you with bated breath because you don’t know what’s going to happen, who’s going to turn and who is going to betray.
The love story of the show is its backbone, its main star and attraction.
Yeong-ro is young and innocent and you watch her fall in love, just as helpless as the viewer. And then when the truth explodes, you can feel her anger and hurt and how betrayed she feels: betrayal for being lied to, betrayed by her own feelings that make it impossible to truly hate Soo-ho. She pulls back as Soo-ho reaches for her because she’s not some hapless teen in love: she’s smart, intuitive, she’s allowed to feel all those feelings of hurt and anger towards him before they lull and teeter off into forgiveness. You can even feel her being partly disgusted for having had those feelings, and partly disgusted for still having them.
Soo-ho, on the other hand, is less than innocent and he looks at Yeong-ro like she’s the only source of warmth in the cold light of his life that has been cast since he was a child. He knows he cannot love her, he knows he should not love her but he DOES. Even when he tries not to, it’s so painfully obvious he does and he’s caught between the rock and hard place of his love for her and his loyalty to his sister and country. He’s pulled in every single direction and spread too thin because no matter what he does, he knows someone is going to get hurt. Perhaps it was fate, perhaps it was destiny, perhaps it was life’s cruel joke to have him find a love and to be loved but cannot be, but he does and while the world is deadset on killing him and Yeong-ro, the two fall into this peaceful inbetween of taking the little time that they have together and seizing it with their hands.
ACTORS AND THEIR CHARACTERS:
I had no idea that it was BLACKPINK’s Jisoo as the main female lead as I’m not a BLACKPINK fan but I remember scratching my head for the first episode because I KNEW I had seen her somewhere and imagine my surprise! I’ve seen a lot of hate towards Jisoo’s acting, and I think a LOT of it is unfounded. For a first major lead as a rookie actress, Jisoo really holds her own against more seasoned actors and puts so much heart and emotion into Yeong-ro. Yeong-ro is young, she’s innocent without being naïve, unknowing without being ignorant – she’s truly a kind soul and a young woman on the cusp of being an adult in the real world and she still has this innocence about her that makes you want to protect her. And you can tell there’s something wanting in her – with a dead mother, a brother on the front lines and an apathetic, absent father, there’s a void inside of her that seems like it can never be filled in. Jisoo’s acting, my God, the girl can ACT and I know for a fact she can get even better with time. I loved seeing her onscreen and she really held her own against Jung Hae-in, especially when the truth comes out and you can feel how she is reeling with betrayal, hurt and how she wants to hate him but CAN’T. I did feel like the chemistry did dissipate slightly towards the end of the series before it was reignited again, but I suppose that is partially due to the fact that Soo-ho really becomes the main character from episode 10 onwards and the storyline shifts almost entirely away from the romance before dragging it back to the love story. Her characterisation flipflops a bit and there are times she does feel like only a plot device for Soo-ho's own character growth because Yeong-ro does not change as a person; suffering through tragedy and trauma is not character growth, not when she's left in the ruins alone after the fact. I liked Jisoo's acting and I know she has great potential for the future and I very much look forward to any future projects Jisoo has in store!
Hae-in, oh boy, lord hath mercy – the man is a powerhouse of talent. I haven’t seen anything that he has been in before, though I do know the titles and have seen clips but this is the first show that I have sat down and watched all the way through and I need to remedy my earlier mistake of not seeing anything he’s been in. Hae-in creates a Soo-ho that is the epitome of a victim of his circumstances. He could not choose where he was born, he could not choose his parents, he could not choose his life, he could not choose his path, his job, his future. He’s like a leaf atop of a streaming river, carried by its current until the end. And prior to Yeong-ro, he lets himself be carried without fighting against the tide, then she manages to take a hold of his soul and heart and pull him back from drowning. You can feel the conflict alongside Soo-ho, the conflict of what he wants and what he needs to do, duty and love tearing him apart. He tries so desperately to reclaim the person he was but it’s too late – the love that he has for Yeong-ro has fundamentally changed him as a human being. You can see him trying to disconnect from his feelings for her during the hostage situation but he’s tied to his emotions and to her whether he likes it or not. He’s desperate and lost because this is the first time he’s ever made a choice for himself and Hae-in is amazing at portraying this, at Soo-ho’s constant internal battle. Just like Yeong-ro, there’s a void inside of him that is shaped like her and only together do they really make each other whole.
The rest of the cast are sublime, Jang Seung-jo as Kang-moo is amazing. He’s desperate and calculating, passionate, pragmatic, and vengeful. You look at him and you know he’s a ticking time bomb, but you never know when he’s going to go off. Jung Yoo-jin was less than stellar, but she does portray Han-na as being exactly the opposite to Kang-moo: she’s a bomb whose fuse goes off time and time again. I did get annoyed with her multiple times throughout the show but I can’t say I hate her. Yoon In-na, unfortunately, did not stand out to me but I suppose it’s just because of how her character is written: cold and detached, pragmatic beyond belief and cold. There is one instance that I did love was her seeing the broken minded Ms. Oh and you can see it in her eyes that she finally realises the future that awaits her: abandoned by the country she served and left to suffer the memories of all the atrocities she committed until it breaks her.
Kim Hye-yoon, woooo boy she did a great job of making me both hate Gye Bun-ok and pitying her. Because on one hand, Gye Bun-ok has every right to be the way she is and you can understand why she doesn’t want to join in on the scheme that is brewing in the university. She has first hand experience of what happens to those who turn against the government and to communism, and the consequences they face as she still suffers the consequences that her old sister made because of that. She’s a pitiful character that I don’t think I can say I even hate her, even though she really annoyed me. She is constantly bullied and looked down upon by the college girls and has been abused by her parents all her life, even while acting as the sole breadwinner. She has every right to not feel loyal to the people who mocked and bullied her constantly, who saw her as nothing more than an infection to the rest of the student body. But, man, you see her act out time and time again even knowing why she’s doing what she’s doing but you just want to wring her neck out. Also, what the hell was that weird thing that was implied going on between her and Gyeok-chan? It really grabbed my attention and was quite disappointed it didn't really go anywhere.
There aren’t many other characters that stood out to me but I will say this: I HAAATTTEEEDDD the storyline of the three wives, like I mean HATED. I did not watch a single scene of them without skipping forward because of how boring they were. I only enjoyed it when they were getting their comeuppance but other than that, nothing positive can be said about these characters whose names I didn’t even bother to remember.
Other comments:
- The music and cinematography of the show were [chefs kiss]. Honestly outstanding and out of this world, a treat to the eyes and a feast that kept on giving. The show was honestly just so beautiful to watch, if I didn’t even like the show I would have kept on watching because it was such a beautiful show to watch.
- Once again, the pacing really hindered the show from reaching full potential as the same things kept happening more than once as well as the fact they stretched out the hostage situation a bit longer than I would have liked. I also would have liked if they kept up the storyline of the girls hiding Soo-ho in the dorm a bit longer.
- Even knowing the politics of the 1987 elections, I do think the show didn’t really go into the nitty gritty of it too much. I partially agree with some of the backlash being towards the show’s narrative of having ANSP agents being the ones trying to end the corruption within the election, but at the same time, I don’t think the show tries to say, “this is the truth and only the truth of what happened”.
- Not enough weird 80s fashion, disappointing.
- Now I know that I said I didn’t like how the hostage situation dragged on longer than it needed, but I liked the fact it made the show feel claustrophobic, as if you’re trapped in the university alongside the bulk of the cast. I felt as trapped as the students and staff did, only able to watch what was happening and not being able to go anywhere or do anything. It really added to the whole atmosphere and made everything feel much more tense.
- I’m going to admit it: there were times that I did wish Soo-ho followed through with his threats during the hostage situation simply because I wanted something to happen. But perhaps, on the flipside, it added more tension for me because I was there, waiting with bated breath wondering if he’ll actually follow through and kill a student as he threatened he would.
- I honestly feel disappointed at people who are hating on Jisoo’s acting because I thought she was sublime, especially considering the fact this is her first major role, I believe. Though I admit there are times I did feel like she was lacking a bit and Hae-in had to carry the bulk of the chemistry between the two – her interactions with Soo-ho towards the last few episodes felt lacklustre especially with the lack of reciprocation towards Soo-ho’s displays of affection, but I’m also empathetic towards the fact romance probably isn’t on the forefront of her mind what with everything going on in her personal life and the situation at hand. I see people getting annoyed over the fact that Yeong-ro felt betrayed and hurt towards Soo-ho as if he didn’t just take all her friends captive and use her as a human shield? As if he didn’t lie to her and put her in this situation? Like, Yeong-ro’s reaction and behaviour is extremely believable and human. Why should she trust Soo-ho after he lied and did what he did, acted how he acted and said what he said? And Jisoo was amazing at portraying this hurt and anger beautifully because you can see the innocence in Yeong-ro leave her, that she’s forced to face the consequences of being young and being in love and realising that all really isn’t fair in love and war.
Conclusion:
This show is not for people who like action packed, constant romance, fast paced, good guys v bad guys and characters who are more than three dimensional. You will feel fatigue watching it, but then it’s the end of an episode and you NEED to know what happens next. It’s a slow burn, an ember burning before it explodes into a fire. I will definitely be adding this to my very small list of shows I rewatch.
Final thoughts:
I wrote the bulk of this review when I was still waiting for episodes 15 and 16 to drop and much of it remains the same, but I am going to retract my last sentence in the conclusion. I do not think I will be able to mentally handle watching this show more than once. The tragedy and even the unfairness of this show remains consistent. I opened the review by saying this show was beautiful and poignant, but I forgot to say how tragic it is. I probably spent an entire hour sobbing hysterically after the finale to the point I thought my eyes were going to pop out of my head.
To say I wanted everyone to live happily ever after would be a lie, but I wanted them to simply live a life they can be content with. No spoilers, but I think the tragedy of this show lies in the fact that some people will always be victims – victims to the government, victim to their regrets, their mistakes, to the corrupt people in power, and even to their own feelings. There is no spoonful of sugar to wash down the bitterness in this show. It is raw and burns you and I cannot remember the last time a show has managed to pull this depth of emotions from me before. The ending is unsatisfactory, it leaves you empty and numb and you wonder: "What was it all for? What's the point if this is what the end is?". There are so many unanswered questions, so many loose ends left to dangle untied and even when those who deserved their comeuppance, it's superficial, like sand in your stomach because it fills you up but you're still empty otherwise.
You feel a sense of helplessness and hopelessness and it hurts, by God does it hurt watching that finale. And part of me hates the show for it, and I was adamant that if I didn’t get a bittersweet ending this show was going to get a bad score from me but I can’t, I can’t not when this show has caused such deep, emotional reactions within me.
And you accept what Yeong-ro has come to learn: all is not fair in love and war, not in this life.
And the real tragedy of it all is that you were hoping for much more than what this show was able to deliver, perhaps it's naivety or foolishness, but I wanted, I hoped, I despaired. You watch that final scene and you know in that moment, you are Yeong-ro and you know the life that awaits her, more tragedy paving the path. It leads me to ask: is a life alone, having lost everyone you know and love, any better than dying?
I have a feeling it will be a question haunting Yeong-ro for the rest of her life, forced to carry on when everyone else has been left behind.
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Iconic romantic drama!
Best Taiwanese drama ever! Great storyline, music, visuals and graphics.As for the storyline I really liked how the FL managed to break the stereotypes of FL despite of being shy,emotional,pity character the FL was brave, independent smart and quirky and fought for her love until the end. Marcus chang really portrayed two characters well, from changing into an overbearing, arrogant CEO to calm ,composed CEO. The switching of roles were portrayed really well. Second ML was also very good in terms of acting. I really liked how ML chased the FL until the end despite of getting rejected again and again. The chemistry between the leads was great and full of sweet moments. If you are looking for an iconic, fantasy, emotional romantic drama it's highly recommended. Don't jump into conclusions early the plot is outstanding . Overall it's 10/10 drama for me.
Kudos to screenwriters,cast,crew and dramasettv channel for bringing this drama. I really wish that lost romance drama gets recognised in international platforms and become a major hit series in other countries also. Thanks to all people who bought this amazing drama to viewers in times of pandemic where people are so sad and depressed. These type of dramas really lighten mood in free time.
Note: Watch this drama it's highly recommended for viewers who are looking for an iconic rom-com drama..
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Fall in Love With Me
75 persone hanno trovato utile questa recensione
While Lu Tian Xing was pretending to be Xiao Lu and both parts of him were falling in love with Tao Le Si, the show was full of cute and entertaining romantic comedy moments. But soon it became full of weepy, pity-party moments and those were less enjoyable. The biggest problem, however, was the aftermath of the reveal. They just couldn't figure out how something like a fake identity would end so they did a 180 into melodrama land and the only real evidence of that half of the show was the opening. With the shortened length, the ending felt rushed and there were small plot lines that got dropped.
For what they were given, I enjoyed the cast. Aaron Yan was good at the dual role and even into the later episodes. I did prefer some of the minor cast- Butler Fu was the best part of the show in the beginning and I was sad that his role diminished so much. Out of the supporting cast, I liked Miao Miao and Ting Wei. I kind of hated Gai Xian mostly because he came off as a creepy stalker. Personally, I think the standout in this show was Beatrice Fang as Huan Huan. Huan Huan was awful but she was supposed to be. The slow personality shift was really good.
I liked the music in the show, specifically the opening theme.
I just don't think I would watch Fall in Love With Me again. While I enjoyed the beginning of the show, nothing stood out as a scene I'd want to go back and rewatch.
Unfortunately, this show lost it's way. The first half and the second half didn't mesh well, making it feel like two completely different shows shoved together. It's sad because I liked it at first and then didn't like it so much anymore.
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Lee Sun-kyun plays Park Dong-hoon, a numb middle-aged engineer in a tired marriage who finds himself entangled with Lee Ji-an, a very young, almost unsocialised woman played with an extraordinary subtlety and quiet intensity by IU. Ji-an has been tasked to help get rid of Dong-hoon by the CEO of his company, Do Joon-young (Park Young-min) who is having an affair with Dong-hoon's wife. Ji-an wiretaps Dong-hoon's phone and finds herself identifying with his unhappiness, even as she is drawn to his inherent kindness.
Surrounded by a cast of unhappy and dissatisfied people, this is a show about middle age and about failure but in the end about how our lives are enriched by kindness and community. Ji-an is a damaged young woman who has endured almost unimaginable tragedy but through her relationship with Dong-hoon they are both able to heal and to finally pursue happiness.
The performances of the entire cast are extraordinary but it's the sparse script, off-kilter cinematography and haunting pensive OST that give the show a sensibility that's hypnotic, almost mesmerising. It’s melancholic and a little weird – but in the kind of way that people are a little weird. It’s grim and there’s very little joy in it but the tone and lack of joy is presented in a way that makes it analogous to the disappointments and mindless drudgery of middle-age.
But beyond the themes of failure and the cold darkness of winter as a metaphor for dissatisfaction, this is a show about the triumph of kindness. Portrayed so often as a weakness, it is instead Dong-hoon's kindness that is his greatest strength. It is kindness, community and love that is celebrated and through that celebration this show finds a beauty that transcends mere television.
It is, for now, the best show of 2018.
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Unexpectedly good drama
It is a great drama with cute and good chemistry between the main characters.Not gonna lie but this is one of my favourite drama.Even though the leads seem a little childish.At a point it was a little serious with tae sung's past and revenge plot.I loved the part were GTS pick on OHB because of his embarrassment.
The people in the story works very hard to create good image of the actors and this also shows a good amount of problems faced in the entertaiment industry.
STORYLINE/PLOT
Like other romcom it is based on entertainment industry.The male is an actor and female lead is a PR head who cleans up the mess.It has a lawyer working together with FL who likes FL.Both fl and ml were college mates and have love/hate relationship.There are Ml's manager and another manager working in the same company.Ml's manager has a great relationship with the ml except for a point where their relationship becomes little strained.
And there are characters who work on the drama in which ml is the main actor.There is some relationship problem between ml and his mom who is an ex actress who wants to resolve their issues from the past as she becomes ill.
There are some other plots where some people who hate ml try to sabotage his acting career.Some scenes you will be laughing like a hell and many times you will feel sad for th MC.
CAST
Honestly I didn't expect much from this and started this because I had free time and ended up loving this show. I saw Kim young dae in Penthouse and lee sung kyung in dr romantic 2 .I felt like they were tailor made for this drama
REASONS TO WATCH
-Good chemistry between the leads
-Slight bromance
-Good friendship
-Funny
-Some quirky humors
REASONS TO NOT WATCH
-Annoying family plot
-Unwanted revenge plot
-Scheming housekeeper
This drama is definitely worth watching with good chemistry between the ml and fl lead .It had a good amount of humor , family relationship and show a side of suffering for main actors.I think you won't regret watching it.
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