Reviews

It's for you only if you do like comedy

first of all it's not actor's fault, I'm sure they're doing their best, but this idea was bad since the start.

Is not easy to scream 99% time, but Yim has to do that for this role, what a waist!

I love the cast, but I also think they're ready for a serious story, with drama, maybe sensual scenes, I don't really know.

Unfortunally I'm sure I am not the only one disapointed with the choice to still in Bed Friends universe, because the production made it poorly.

Uea was sofiticaded and his boyfriend was warm and savage, we loved that, but now they are not interesting anymore, a truly shame.

Again, I loved the cast, even the two new ones, hopefully they got more elaborated roles in future, so I can have a great time watching them unshowed skills.

Give it a try, if you was able to giggle in the first episode, I think you can watch it without any problem <3

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Disappointing. It’s visually stunning, music is great, but that’s it.

I’m disappointed. The story is not good. Or maybe I just expected so much from the glimpse I had from the music video and reviews here.

The music video of Park hyo shin’s ost is a way better story than the entire series. It’s unnecessarily long just to keep dragging the episodes to showcase the beautiful cinematography.

Story: Why so long? Is it to cater for the countless slow motions and CGI? Or is it to make it seem like a big shot kdrama? Most of the scenes are empty, the order of the series is a mess, maybe they were just trying to be more historically accurate but if then they couldve just made a movie. The war that I was expecting for the last episode actually happened in the first episode, and it was just a glimpse. The feeling of patriotism that I’ve been waiting for was concealed in a very short scenes, then the lovestory-filled ending came up, then the end.

Cast/Acting: I don’t buy the main leads. Why does it have to be Lee byung hun? He might as well became the father figure for the main female lead. I could see hyun bin as a more fitting cast for the character. Kim tae ri, okay so many better actress to portray this role, but I can forgive this. The rest of the main leads, perfect.

Music: One of the best soundtracks in kdramaworld. Thank you Park hyo shin and Baek ji young.

Rewatch: No, because it’s so long and empty, I might actually fall asleep. Actually I did fell asleep so many times while watching this, I just woke up one morning and the entire series has been streamed out. Lol!

Overall: Very disappointed. Unlike the claims of other fans about this drama as patriotic, historical etc. it actually focused on the lovestory of the main leads, the main leads as in the five main leads.
There are only three good things about this drama.
1. The cinematography
2. The music
3. The mourning scenes in ep 20.

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MRIAG is like Dam's fav food; chicken - full of flavour, sweet but also spicy, and addictive!

When I say I want to watch a romcom that doesn't annoy or bore me, THIS is what I mean! My Roommate Is a Gumiho has everything I could want and more in a romcom.

If you like light-hearted dramas with a sprinkle of intensity, you'll probably enjoy this. It's a stereotypical one, meaning there are some predictable cliché scenes, but that did not stop me from loving every second of this gem! I have to also mention the editing, I mean come on, it's just too good! From the funny sound effects to the scene of Dam dancing on meat while singing about her love for it. Overall, the plot is well written, has good pacing and nothing seems rushed.

The chemistry and interactions between the characters, specifically Dam, Woo Yeo, Hye Sun and Jae Jin (including Soo Kyung, although she's not part of the main cast), are the best. For me, that's one of the most important aspects of a drama and they chose the cast really well! They're all perfect for their roles. Lee Dam, in particular, has become one of my favourite characters in dramaland, she's so hilarious without even trying and I just love her wacky personality. It's been a while since I've seen a female lead so refreshingly honest and straightforward, it's awesome. Aside from the main couple, who I swoon over whenever they appear on my screen, the side couple was really sweet too!

I thoroughly enjoyed this, binging a whole 14 episodes in one sitting. Yes, I know, I have no life. I just happened to not be busy that day lol. The plot may not be very unique, but it sure entertained me and I've seen many romcoms. MRIAG's an easy watch, with it's light and funny charms being something you'll look forward to in each episode.

No doubt the best fantasy romcom I've watched this year.

Warning: Ki Yong's smile will melt your heart.

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Who knew forbidden love could be so romantic? On the way to the airport, or the way i want to see it, on the way to happiness was simply beautiful and so elegant despite the controversial concept it is about.



Let me break it down for you, the drama is about 2 beautiful loving soulmates who, by the time they meet, they already have settled down for the wrong people. The drama is about true and fated love, but in its core it talks about putting yourself, your needs first and choosing your own happiness over everything and everyone else. We deserve to be happy and nobody is entitled to strip us of this right!



Yes the drama, on the surface, presents 2 married individuals who, because of different personal circumstances, fall for each other. Don't let this drive you away from this drama. The affair is introduced in the most romantic way possible without being glorified. It's not filthy in any way, quite on the contrary i'd say.



What made the drama stand out was easily the chemistry between the leads. Not the best i've seen but enough to charm you and make you get lost in the sparks. However, the best of the drama for me was the characterization. Seldom do we see such 3D, deep and well-rounded characters that feel like real people. This is one of the dramas that you have to read between the lines to properly comprehend that is going on and why. Many's the time i felt frustrated by the characters' choices and decisions, but this is human nature, scarcely logical sometimes. Moreover, i loved how even the "evil" characters had many layers but if you tried walking in their shoes you could understand where they were coming from, even if you still disagreed with their course of action. Good writing.



Sadly the drama was cut 4 episodes shorts and significant part of the storylines along with some characters were left unexplored. Still the writers did their best to complete the drama is a fulfilling way.



The drama is so natural, based completely on emotions and feelings, the plot devices for the story to unfold are strong and it is never really dragged or anything considering you're into romance and melodrama. However, there are certain drawbacks that refrain me from giving it a higher score.



First and foremost, i feel that the writers were really scared to actually go for it. The build up is there, the reasons, the excuses, the plot that is getting thicker and thicker, the chemistry which is sizzling but there is no climax. Generally the drama lacked the intensity that was needed sometimes, but the drama was special because of its mellow and calm nature. That being said, this aspect of the drama may make some viewers feel a little bored.



Story wise, the drama was solid, i only wished it wasn't so subtle when it came to the affair and also that they wouldn't deem some characters so evil just so they make other character look favorable. Too fake in my opinion.



Continuing to the acting, the overall experience was quite spectacular.

I've seen Lee Sang Yoon in other roles, wasn't impressed. Apparently i hadn't seen his flawless puppy eyes that he so effortlessly demonstrates here. Emotional and passionate, he pulled of his character impeccably.



Gotta hand it to Shin Sung Rok, for being a complete asshole (jn yet another drama i've seen him in). Takes talent to become the perfect antagonist and act like a complete jerk so realistically. His character was rather unemotional and shut down. It takes talent to act as an unemotional jerk and still pour part of your soul in the role! Luscious performance. An actor for me to look out for.



My personal favourite is, hands down, Choi Yeo Jin; the actress deserves more credit, she's been amazing in every project i've seen her in, but she shines here. Loved her character and the friendship subplot that she introduced, she was strong and intelligent and yet so loyal and dependable. Relateable and loveable.



My only issue was with Kim Ha Neul. Not that she was bad or anything, but i did feel that she overacted a lot especially while crying to the point it was fake and, moreover, i couldn't really relate to her in certain scenes while the plot was crafted so conveniently that anyone should have been able to excuse her and identify.



Overall, this is a good watch. Considering this is a melodrama it's not overly heavy, just the right amount. I'd recommend this to melodrama and especially romance fans. Be warned that the romance is not cute and fluffy here, but it is fullfilling (the chemistry is one you don't want to miss out on) in case you want to see something more "serious" let's say. I doubt i'll rewatch this, but it deserves a try.

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Skip to the JohanNorth parts

This series might have been rated higher if it was based solely off the Johan North storyline. I had so many issues with the first couple. From the actors to the storyline to the script. Wasn't sure if was the character design or the actor but the character Easter just wasn't all that likeable. The acting felt very unnatural, a lot of strange face-pulling, exaggerated sighing, dramatic whining, yup nope. And the character Hill was so one-dimensional, and because I've seen the actor's other work, it's hard to believe that it was poor acting. The chemistry between the two felt extremely scripted and awkward. This is cliche done poorly. yawns...

As for the second couple, they had a more interesting backstory, more natural dialogue, amazing chemistry and their script had a good mix of humour, drama and fluff. North grew on me over the course of his story and I was pleasantly surprised by the acting cos i had originally thought he was designed to be the "clown" and expected his acting to be over-the-top and cringey. This pair created so many heart fluttering moments with a good old enemies to lovers storyline, add on an interesting power imbalance with the debtor-creditor situation and a tsundere proud faced rich boy with a secret long term crush for a sassy, clueless, happy-go-lucky loser who has a ridiculous fear for ghosts and you've got me hooked. My two favourite scenes from this pair were when they reunited after Johan was a away for a few weeks, and when they were sitting next to each other in silence but in complete bliss during a basketball practice. This is cliche done right.

If you're looking for a fluffy series with a good tsundere rich boy-clueless poor dork dynamic I suggest skipping to the parts with Johan North i.e. episode 6 onward.

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Marxism on acid.

Bong Joon-ho’s “Parasite” deserved more than Palme D’Or. After getting 8 minutes of a standing ovation in Cannes, this movie was just more than an award. But, I’m grateful to finally be able to watch this film and this is probably one of the best and insane movies in 2019. There is so much to talk about this movie, not just about Marxism, class consciousness, and social hierarchy, but more than a symbolism. The genius doesn’t prove we become bourgeois, but neither does the proletariat. There is a tradeoff between the two and in the satire comedy thriller drama, Joon-ho takes us into the depressing picture of a social class.

Bong Joon-ho always pokes issues about social class and hierarchy like one in “Snowpiercer", about a ruler’s fight for prosperity. In “Parasite”, Joon-ho places his audience in a unique but unusual circumstance. We try to move and also struggle to “sneak” and “alight” in the fertile flower. A detailed sequence shows the plan of deception so that this poor family is able to control the rich family. However, there is no root in this movie. Instead, we laugh at the richness of a rich family with this poor family. “Parasite” makes a serious incident into a funny yet ridiculous situation.

“Parasite” is not just a home invasion film but there is a lot of symbolism and satire both in society and country. Like for example the life of Ki-taek’s family, no more than poor families but the world has never looked at them. They are only more concerned with status, social class, and wealth compared to poor communities. The film is terrorizing its genre in horror, not just about socialism yet about people. The ladder is a strong symbolism, where the Ki-taek family may temporarily enjoy rich family wealth. When they go down a ladder, it’s not separated from the fact they still remain as a poor family.

This movie is like a rollercoaster, you want to breathe but you can’t. This is a sad experience. Seeing the Ki-taek family and other families is a suspense of the main plot. In fact, back again to a stereotypical of the rich and the poor. Poor people can be geniuses but not rich people. Conversely, rich people can have all but not for the poor. The house is a temporary place where you want to look after and care for but makes you feel comfortable about the house.

Not on intelligence but on chance. There are up and down, good and bad. But, this movie combines all of these so it’s difficult to know which ones are worthy of pity. There are just unworthy characters, jumping up one flight of stairs to another, trying to find a way up but it’s so easy to fall. Business and work aren’t shortcuts but in order to be successful, live prosperously, and become rich, there is a process. And finally, the characters in this film fail to keep their “ladder” each. All of the characters are free, as well as actors and actresses, whether a dialogue is on their expression, we really stand and easy to understand.

The acting, the camera, the tone, the symbolism, the case for this movie is just everything and I still think about it when the end-credit appears. At first, you laugh but then, between feeling sorry and sad. Bong Joon-ho presents an idea that’s easy to understand. “Parasite” is fantastic in terms of criticism, messages, plot, tone, performance, score, etc., deserved more than anything. This is a “fun” movie.

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Remake of Novel NOT Drama

FULL DISCLAIMER:
Okay, first of all people need to know that this is a remake based on Zhao Qian Qian’s novel which is also clearly stated in the opening sequence so don’t come watching this thinking it’s gonna be a copy and past version of the Chinese drama. I’ve not read the novel so have no idea how close the drama is. My advise would be to lower your expectations, better still have none and don’t compare cos you will most likely be disappointed.

Secondly, whilst I did try the Chinese version I dropped it after one episode so I was kinda happy when I found out that there would be a Thai version especially one that’s not yet another Korean drama. I do love Thailand for remaking as many Korean dramas as they have but honestly, it’s so darn refreshing that they went with China.

As always, starting with the negatives which for me were the second leads. I tend not to like them if I’m being quite honest and this was no different. I found them both annoying until I didn’t anymore but I also didn’t like Pai’s so called friend Wawa. I found her to be selfish and her scenes always consisted of her moaning which resulted in my skipping most of her scenes unless she was with Pai or Pupaa.

STORY
This is pretty much the usual Cookie Cutter school love story for me, I’m not much of a School drama fan. Nothing really new to bring to the table but I guess for me, I found the fluff of it all refreshing….explained in my final thoughts. Also, whilst I did love the fact that the drama wasn’t just about the romance, I would’ve loved to get more light on the friendship between Ta and Pupaa. One thing I didn’t really like is how Pai always needed someone to come and solve her problems for her. Whilst the drama is made from China origin, I loved how they still managed to incorporate some Thai stuff into it to make it feel a bit more Thai. My favourite parts of the drama were definitely the Special Scenes.

ACTING/CAST
The acting isn’t anything groundbreaking but considering the actress playing Pai is a newbie, I personally think she did rather well. I enjoyed the main couple the most and what little friendship was used, I thought they had nice chemistry and fitted the characters well.

MUSIC
I only noticed the opening song which I loved. Oh and the lyric free background music.

REWATCH VALUE
For me, yes because I’ve probably enjoyed it more than I ever imagined I would.

I’m not usually into the overly fluffy romcoms but as far as Thai productions go, this is possibly the fluffiest I’ve ever seen which is a huge deal for me as most Thai I watch tend to come from Channels 3, 7 and One31 so you know there is a big difference. I didn’t feel out of my comfort zone which is strange as I previously mentioned, I’m not a fan of fluff or school and some scenes you could tell were a bit too cringey but somehow I didn’t cringe as much as I normally would from other countries. It’s been a nice experience watching a drama without fear of someone getting kidnapped, assaulted or stalked by some killer. This is a true romcom and I wish more were like this - danger free!

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Sort of tricked into somewhat completing the series

The series had a good introduction and followed up well on the suspense, until around halfway through at episode seven. Then it abruptly just nose-dived from the initial uncovering of the truth, which was pretty lackluster despite half of the episodes leading up to it. It continually only worsened with characters making odd decisions that made no sense. It's hard to describe but they spent so much time building up the ML/FL, only to have them look like blubbering fools for the rest of the series. The further diving into the truth also begins to develop large plot holes that weren't pieced together very well. I found myself becoming more and more disinterested with each latter episode and ended up not liking any of the characters at all. Because seven episodes had already been invested, the rest of the episodes were sped through with aggressive skipping just to get to the full unraveling of the mysteries (with exception of a few historical flashback moments). The slight twist in the end would have made the plot halfway decent if it weren't for all of the items mentioned above.

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Nam Goong Min Awakens One's Curiosity

Review based on episode three.

Nobody and nothing are what they seem in this drama, filled with mind games, mysteries, and eeriness. Awaken was a bit slow in its start-up, but once it got its groove, it's been nothing but one surprise after another. I love how Nam Goong Min plays Jung Woo. Everything, from the way he walks, talks, carries himself, and the carefree demeanor, belying his true feelings and thoughts. But what I like most is his uncanny ability to know what's going on around him and those he takes an interest in, be it his team members, the victims, potential victims, or the culprit(s). I got the sense there was more than one. Jung Woo makes this show worth the watch but then so do Jamie (Lee Chung Ah) and MJW (Yoon Sun Woo), who seem to mirror each other and are Jung Woo's other halves from an incident thirty years ago.

I like Hye Won's (Kim Seol Hyun) loyalty to Jung Woo; I hope she doesn't let her feelings get in the way. I get the sense Jung Woo picked her, knowing how she or, more so, her father connects to the village. I adore Yoon Seok Pil (Choi Dae Chul), Jang Ji Wan (Lee Shin Young), and Deputy Chief Hwang Byeong Chul (Kim Won Hae). I enjoy the humor and chemistry they bring to the team. I continue to be wary of Lee Taek Jo (Baek Ji Won) for her unscrupulous connections and Lee Ji Wook (Yoon Gyung Ho) for his self-serving reporting. As well as CEO Yong Shik (Jang Hyuk Jin) for his treatment of MJW, but think they are all just puppets playing to the tune of a more persuasive puppeteer. Awaken turned out to be a fun ride indeed.

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At first glance, the film may seem like a love story, but hides questions regarding human nature: Are people able to fill their own emptiness? What is the meaning of life? What is a human being?
This movie was exceptionally moving. A exquisite piece of Art by Hirokazu Koreeda, although the outcome is off of his usual genre I do think it convey his essence.
It's very rare, perhaps disturbing, mesmerizing movie.
The actress does a terrific work in interpreting a living doll, her roll was extremely believable.
The developing of the plot may be obscure for some people (I've read some harsh reviews about this movie) but I resolved to think that people CAN'T get the real meaning of the history: explore how people interact at a deep emotional level. The idea that someone's respiration could insufflate life to another person is a very intimate form of interaction and satisfaction.

All characters, whether their gender, they are alone.
For female characters, the keywords are "empty" and "absence". For the male, are "substitution" and "perversion." The men of the film didn't go straight to the object of his desire, but they choose alternative solutions. They are perverted men who want the death, not life.
These are the characters that KORE-EDA tried to to portray. It's a film about the solitude of urban life.


Overall, I think It's a worth-watching movie. You'll never forget it if you can find the meaning through the multiple metaphors inside and apply it to your own life. This is a philosophical essay... real poetry. A stirring rendition and superb images.

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The Most Audacious Pair of Assassins!!!

It is exceptionally rare for me to begin a review with who I think literally steals this series from everyone. There is only one reason to watch this series. And that is because this story has Style. Style gave this series distinction. He IS the series and the only reason I finished this rather mundane and pedestrian story. Dunk Natachai as the character of Style brought such uniqueness to his persona from the beginning. Layered with arrogance, shallowness, pomposity and yet underlying it all was still a sense of sincerity. I could observe that he began his pursuit of Fadel (Joong Archen) simply as a challenge in the beginning. But once he undertook to know who Fadel was, he fell for him, hard and began to peel away at his exterior gruff layers, much like you peel an onion. As he did so with Fadel, he also peeled away at his own layers of shallowness surrounding himself. As he got Fadel to open his soul to him, he too did the same. With Dunk’s characterization however, I could sense and feel it deeply. His facial features and the way he looked at Fadel were not just about acting. It felt real. And oh, his love scenes with Fadel were not just fervently romantic; they were simply hot, erotic, and alluring. It has been ages, especially for a Thail BL, for me to actually feel a sensuousness emanating from an individual. He exuded it. Not only in words but in his expressions and his actions. It has also been a long time since I have been able to use the outdated term ‘it factor’ but he has it. He is the whole package. I never once felt as if he was faking it or ‘acting’ it out. He was genuine, sincere, even when he was being perhaps impish and immature in his approach to winning Fadel over. Deep-down, he projected such passion and intensity that he is the only Thai BL actor in an inordinate length of time that felt authentic. When he kissed, it looked sensual, seductive, and steamy. Excuse my vernacular, but his actions were hedonic, and his scenes made him tantalizingly erotic. Not afraid or ashamed to show it or be it. Something that has been missing in Thai BLs. He is an exceptional actor as he made it look so nature and unguarded. What a performance and kudos for making it feel so damn genuine.

Read the complete article here-

https://the-bl-xpress.com/2025/03/08/the-heart-killers-series-review-ep-1-to-12/

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Color me surprised!

I am honestly awed by this series, that actually managed to get worse with every passing episode. And now you'll ask "Why are you watching, if it is that bad? Stop judging and drop it".

Well the answer is simple; Hate-watching. This is such a badly written series that it is fun to criticize and see how bad it can get.

Now, to the people actually wanting to know what is wrong with it and if it has any redeeming qualities, I will quickly mention the good and the bad.


The good:

+ Some of the actors are watchable:  Even though the cast is filled with some very popular actors, unfortunately, most of them are not as good as usual. Despite that though, they are still caring this drama that lacks in everything else.

We have Lee Jae Wook (Han Tae Oh), Choi Jin Ho (Kang Joong Mo) and Choi Hee Jin (Kang Hee Joo) that are doing -mostly- a good job. Then we have Lee Jun Young (Kang In Ha) that is okay. After this series, I am honestly not sure if he is a bad actor and I thought he was good in his past performances or he is good and he was just not that great in this series.

+ Kang Hee Joo: Most people like her, others don't understand why the majority likes her. Well I am here to answer that.
Kang Hee Joo is the only one in this series that seems to have a character -and an actress that can support it-. Besides her gorgeous looks, she is the only one that is actually consistent and has a personality. Is this personality not really "great"? Yes. She is naive, persistent and toxic at times. But she feels real and is great to watch.


Now we will get to the bad (yes that was all the "positive"):

- Plot: I don't have lots of things to say. This is just a very badly written series. Characters are purely unlikable and change personalities (like Tae Oh being a genius, but suddenly turning dumb), romance is cringy and unnecessary -and I am being very kind-, actions are not really explained or make sense (like ruthless FL that appears so strong and has all these great ambitions -even gets married to benefit herself- and when her mother asks for money, she turns super weak and cries when she could just get rid of her one way or another-) and let's not forget that this basically turned into a makjang halfway through (people playing dead, actual murders, evil dad coming back, fake allegations leading to death sentences etc.)

- Time skips: One of the worst -if not the worst- decisions of the writer. We have so many time skips for no reason. First episode, we are literally getting to know the characters. They have this great plan to rise in power and suddenly boom 5 and 10 year time skips where they have achieved so much and are in these high positions and we don't know how and what happened in between.

- Characters: The characters are generally very one dimensional or they tend to like completely change personalities. That aside, another thing that bothered me is that some characters appear, seeming important or promising, and then they suddenly dissappear like they were never part of the plot -or writer remembers them when he needs them for the plot to move forward-.

- Root for who?: I felt like the scriptwriter wanted the audience to root for Tae Oh and Hye Won, and here I am rooting for Hee Joo and even In Ha at times.
All characters are super unlikable and they try to pass as this "male and female lead are the good ones". My dude, they are not. Tae Oh kissed his best friends wife and did everything in his power to destroy a conglomerate family and for what? For nothing. And Hye Won? She married In Ha just to get power and cheated on him with his best friend! And did she actually get any power? Yes (when the script said so). Let's not forget how she tried to take advantage of everyone and always put herself first...

- Draggy or fast paced: I am not sure! This seriss felt super draggy at times. I was sooo bored. Other times, it felt like it needed so much more time to develop the "plot" and the characters.

- Romance: It is so cringy and unnecessary. FL's incapability in acting aside -she looks like someone forced her to be there-, the interactions between her and Tae Oh are so cringy. They have zero chemistry.
Also, I don't understand why and how the whole "falling in love" happened. First of all, female lead is just purely unlikable as a character. Secondly, they barely have any interactions. Like when did he fall head over heels for her? Lastly, the romance is just sooo unnecessary. It is just a plot tool that is used in some cases to make Tae Oh do things he shouldn't be doing...

- FL is unnecessary and badly written: Oh look, another female main character that has nothing to add in the series. Writing wise, she is supposed to be manipulative, ambitious and self-centered. But she literally does nothing. She gets privilages just because script says so and out of the blue. She is just there helping other people with their plans. The only thing that she does is marrying In Ha, but even that was something he initiated.

- Clichés: Many and I mean many clichés. We have the typical chaebol fights for the "throne", the typical sad backstories/dysfunctional families of the main leads, the typical bad "siblings" and many others.

- Hong Su Zu's acting as Na Hye Won: Su Zu's performance is one of the worst if not the worst I have ever seen in a Kdrama by a female actress all these years. There it is, I said it.

After reading many comments like "She will get better, it is her first main role" or "Don't be harsh with her, it is her first role" and completely disagreeing, I want to express my opinion.

Firstly, the crew responsible for the casting should have seen that she is incapable of acting, especially since she would act as the freaking female lead -emphasis on lead-. So why she was chosen? Either, they really liked her looks or there is another reason (connections, being popular -or  impossible- all other candidates were worse). Now, no one can convince me they liked her acting, because she just can't act.

Even if there were connections involved, the director should have helped as much as possible to get a good result or just try to guide her. And I don't know if he did, but it doesn't seem so. Not even a single frame of her compliments her. Even when she is sleeping she looks tense.

Moving on, actress takes the other half (and more) of the blame. She should just not have taken this role, if she knew she can't do it. This is not a support or guest role to get familiar with the whole acting process and learn. This is a main role and more so in a series with some big names.

The thing that irritates me the most is that it doesn't even look like she is trying. She has a puppy eye expression no matter what is happening. Seeing something that can ruin her life? Puppy eyes. Someone is literally chocking her? Puppy eyes. Like come on!

It's not like she is good at being serious and she lacks in the emotional scenes. She lacks in every single scene, no exception.

So no, for me, "don't be harsh, this is her first role" isn't an excuse for such a horrible performance. We have seen child actors doing better. We have seen other actors doing better in their "first roles". If she had some good scenes, I would understand. I would ignore. But that is not the case.

Of course, threatening the actress and posting hate comments on her account is a big no. She is human too.

I do think that if she chooses to continue acting, she should do proper training, because this is not it.

Ending: I didn't expect the series to suddenly turn good in the end and, well, I was right. The ending was as expected. Evil In Ha gets his punishment, while male lead Tae Oh -that was also not the greatest person out there- and love interest Hye Won get their happy ending...

All in all, a very badly written series with some questionable acting performances and barely any redeeming qualities. Ideal only for hate watching.

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Yin Yang Guardians

Less than 2 months after the release of The Yin-Yang Master: Dream of Eternity, Netflix finally aired The Yinyang Master on 19 March 2021, about a month after its cinema release in China on 12 February 2021. For fans of fantasy in general, and Onmyōji in particular, Christmas has come early with two adaptations within such a short period of time.

Rip-roaring fun and excitement with almost non-stop action, fantastical depiction of supernatural beings with magical powers in an enthrallingly beautiful other-wordly setting, along with a group of adorable characters that anyone would love to root for. That’s my enduring impression of this film.

(Note: There will be some comparisons made between this film and Dream of Eternity in this review due to the shared premise and proximity of their release)

The Story

The Yinyang Master is adapted from the NetEase game Onmyōji, which in turn is based on the original source material, the novel series Onmyōji by author Baku Yumemakura.

The story is about the Yinyang Master saving the world from apocalypse by preventing the return of the demon lord from the spirit realm in which he is imprisoned. The plot is uncomplicated, the motivation behind every character's actions is clearly defined and the mission is straightforward - stop evil at all costs, even at the cost of lives.

Screenplays that are adapted from video games usually reflect the richness and intricate details of the game world, which is very much the case here. Every aspect of the storytelling is executed to near perfection, in my humble opinion. The inclusion of deeply layered characters, each with its own fascinating backgrounds, and the many unique and colourful creatures, monsters and “guardian beasts” blend seamlessly with just the right dose of suspense, thrill, action and emotions.

Interestingly, there are a few elements that evoke memories of Marvel productions. Rocket Raccoon’s doppelgänger makes an appearance, while the Yinyang Bureau’s teleportation vortex is similar to Thor’s Bifrost Bridge dimension travel. In addition to that, the cute creature Red Ghost looks like a cross between Hellboy and Maui (as attested by several other users as well). Coincidentally, Dream of Eternity also shared some similarities with the Marvel-verse, notably the “magic circles” used by Dr Strange himself.

At 113 minutes, which is about 20 minutes shorter than Dream of Eternity, and despite the quick pacing of the story progression, the film does not feel at all rushed. There are sufficient introspective and evocative moments that convey the emotional depth and the intended themes of certain scenes and character arcs to the viewers. Dream of Eternity focuses primarily on the four central characters and the themes of love, friendship and bromance (perhaps even BL undertones). The Yinyang Master, on the other hand, has a bigger cast of characters with themes of friendship, camaraderie and teamwork, as well as childhood friends to potential romance dynamics.

Production

The production values are obviously of the highest order because this entire film is stunning to behold. From the A-list cast, top-tier production crew down to the top notch set design, visual effects and gorgeous cinematography.

The cast is headlined by the supreme talents of the award-winning Chen Kun and Zhou Xun (which is more than enough to elevate any production, really). The production designer is the experienced Yoshihito Akatsuka who has designed the sets for renowned productions notably Babel, Kill Bill, The Flowers of War, and Shall We Dance, among numerous others. The music director involved is the legendary Shigeru Umebayashi, famous for Yumeji’s Theme, and composing music scores for Wong Kar Wai films, as well as the original Japanese Onmyōji films.

Principal filming took place at Hancheng Film and Television Base in Xiangyang City (unlike Dream of Eternity’s filming location at the famous Hengdian World Studios) and the visual effects photography employed the use of an IMAX full-frame camera, with more than 2000 visual effects lenses, and real-time visual effects synthesis, which apparently is the technology of choice in big budget Hollywood productions.

Acting

Chen Kun is undoubtedly a fine actor. He is good in any role that he portrays but I always feel that he’s made for dramatic roles in historicals. Likewise Zhou Xun, she is perfect for epic period productions. Together they make everything look great and I believe have the potential to save any poorly made production too. The way they convey their emotions through nuanced micro-expressions, and articulate the essence of every scene is beyond words. I particularly love Zhou Xun’s voice, with the deep husky tones projecting a subtle quality of intrigue that further enhances her already formidable acting range.

Chen Kun’s Qin Ming is very similar to his Ning Yi in The Rise of Phoenixes. Devious, cunning with a hint of mischief and a big dose of self-confidence. Mark Chao’s version is somewhat more pleasantly charming but less dramatic. In any case, I quite enjoy both versions. Bai Ni is a more understated supporting character but Zhou Xun expertly delivered this role with finesse.

The rest of the cast were decent in their portrayals, through the limited screen time that they were given. Qu Chu Xiao, of Bloody Romance fame, depicted a more cheerful version of Bo Ya (as opposed to Deng Lun’s stoic version). William Chan’s Ci Mu is commendable but nothing spectacular. I thought Wang Duo characterization in Dream of Eternity was more compelling, but they both had their bare chested moments in a similar capacity, which some viewers may enjoy.

Music

In addition to the wonderful music score composed by Shigeru Umebayashi (incidentally Dream of Eternity had its own iconic Japanese music director in Kenji Kawai), Yinyang Master has no less than 6 OSTs, including the superb rendition of Where You Belong by the remarkable Zhou Shen as part of the ending theme.

Track listing as follows:
1. "Promise 侍约" by William Chan
2. "Where You Belong 归处" by Zhou Shen
3. "Cross Together 同渡" by Jin Wenqi
4. "An Enemy or Friend 宿敌亲启" by Feng Qinyuan
5. "Against the Shore 靠岸" by Zhi Ma Mochi
6. "Someone in the Heart 心有所主" by Jill Yan Qier

The Yinyang Master is an amazing production that should not be missed, especially by fans of Chinese fantasy. In comparison with Dream of Eternity which is probably somewhat slower-paced, and perhaps more contemplative, this film is considerably less emotionally convoluted and forward-thinking in its execution. Each is great in its own unique way and for that they both get the same rating from me (their ratings on Douban are quite close, at 5.1 and 5.8 respectively).

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the story was rather slow paced for me hence why i had to skip from ep12 towards the last ep. didn't regret doing that but what I DO regret was to even start watching this show GOD THE PAAAIN.

eventhough i missed out a good half of the show the pain towards the end was still there.. It was there.. Still there.. Somehow the words I want to say isn't forming but what i can say is it is one of the most beautifully captured show there is. Everyone who was a part of this drama did a REALLY GREAT JOB . I had a few attachments with the characters and it was god damn painful to see them go. Especially Yu Jin, Hui Seong & Dong Mae . They were just starting to grow fond of each other and- It was good to know that they had each other's back eventho they hate e/o Lol. The end of this drama gave us the closure we expected and wanted which was good BUT STILL PAINFUL. YuJin & Lady AeSin cause of my pain and suffering god damn why cant they just be happy ?!

was it worth a watch ? YES definitely but if you have awful attention span like me it'd be fine to skip a couple scenes and episodes.

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