Reviews

I must make a point of commencing this review by saying what a great drama this is; the scale and quality of this production is unparalleled to any other I have seen thus far, so first and foremost please take this into account when addressing my criticisms of it.

The grandiose nature of this drama can initially feel a tad overblown before you are engaged by the plot; every character is introduced on screen in each episode with text denoting their name and association to other characters or establishments, the music is mostly orchestral, with a good choice in The Eagles' "Desperado" thrown in, and sweeping overtures throughout the series give the whole thing a sense of huge importance. This, combined with the enthusiasm and respect of those who support the central character feels slightly false at first. Only very slightly.

This foundation is well laid, however, as the story that unfolds is so engaging, the enemy so cruel and terrible in the face of such unceasing, hopeless optimism, that anything less is scale would fail to support it through to the final climax.
The story is a sad one, but necessarily so. The characters who give the drama its light alleviate the pain of the circumstances forever falling upon them.

The acting is sublime, Kimura Takuya has not crafted such a reputation out of thin air after all, but for me it is Kitaoji Kinya's Manpyo Daisuke that steals the show, the nuances of his expression so readable whilst retaining the stone-faced airs of a powerful executive.

For me, whilst immediately impressed by the quality of the drama it needed an initial investment of time; I didn't feel compelled to watch episode after episode, although by episode 6 this feeling changed and I was very keen to progress with the story. Like all dramas that feel this way, the investment of time into a few well thought-out starting episodes, that do not spoil us with too much all at once and establish characters and circumstance evenly and with skill, is worth the payoff and more.
What's more, the social setting of 1960's Japan is interesting, a time of great transition for the country.

In regards to my average score for rewatch value, I hasten to add that my PTW is getting so long, it would have to be the most incredible drama for me to watch it again before deciding to watch anything else. Others may enjoy watching the same thing many times, but for me I am keen to try new things, so please don't let that put you off.
What's more, some scenes in this drama were so striking I am certain that they will be very clear in my memory for some time to come.
If I could give it a score out of 10 to recommend you watch it I'd give it a 10; it's good to see the serious and highly professional side of the drama world amongst all the dreamy good stuff that we all enjoy!

I urge you all to give this one a go!

Leggi di Più

Surprise! I actually liked and enjoyed this movie.

Gonna lay this out first. If you're expecting Peninsular to go exactly as Train to Busan did, you might as well go rewatch the first movie and not have your high expectations be dashed. If you dived into this movie without any set expectations you might surprise yourself to realise that you actually enjoyed this movie. I mean, I watched this in the cinema and regardless of how much CGI had been used in this movie compared to Busan, I haven't even had time to think about that. Because yes, the movie was quite fast-paced but it was exactly due to that what made any kinds of CGI barely noticeable.

I mean face it, the setting was four years after the escape to Busan. And even then, the situation was already chaotic. And the setting for the movie was focused on the other surviving people who had to try to escape the zombies by other ways BESIDES taking the KTX to Busan. Certainly, you can't expect the situation to unfold exactly the same as the people on that particular train. And the story still has a similar theme; how fear and desperation will affect the people trying to escape from the virus that will turn you into an undead. And what'll happen when the efforts to curb the zombie pandemic did not show any results as other nations decide to abandon the people still trapped in the zombie-ridden country because they find it pointless to help an already fallen country?

And to be honest, this isn't the first zombie movie that does use CGI for some of the zombies (like seriously, you don't run actual people down with high-speed cars so how else you wanna film THAT correctly?) and that never stopped people from enjoying movies like Silent Hill or Resident Evil. Heck, I enjoyed this movie a whole lot better from Rampant and that's saying something. Besides... I love all the Fast & Furious parts. That was fun. It's so fun that I felt like screaming in fear but it's still fun. And it's amazing how the survivors made use of the sensitivities to light and sound to try to divert the zombies around in order to make their escape. And of course like in Busan, there ARE assholes in this movie as well. More than a bunch of selfish assholes to make good people's lives harder just to survive. And we do get a great climatic 'battle' near the end. And we also got an unexpected plot twist just as hope seemed to be lost near the end of the movie. So all in all, this movie is good in my book.

Leggi di Più

I loved this show and hated the ending, but not for the reason you think.

This is pulled from a bit meta analysis post I put on tumblr, I'm usign this as my back up so I'll be covering lots of stuff. Historical context, language stuff, filming techniques, and finally a full review including all my issues with the ending. Here's th equick review first:

I truly loved this time travel romance. IFYLITA is an exquisite BL, from filming techniques to narrative framework (much like Until We Meet Again). Steeped in history and family drama it edges into lakorn (but no as much as To Sir With Love and with way less scenery chewing). This is an elegant and classy BL... from Thailand which normally doesn't even try for classy. The main couple (both as a pair and individuals) were excellent, particularly Bright (Yai) whose eye-work acting style is a personal favorite of mine. Pity about the ending. Oh it wasn’t that sad but it wasn’t good either. This show should easily have earned a 10 from me except that it fumbled the… erm… balls. Argh. Whatever. 9/10

Some Historical Context for I Feel You Linger In The Air - Thailand 1925-1932

I love history and so here's some info that any Thai watcher would likely know, but the rest of us might not... ready?

The Historical Stage:

Burma (now Myanmar) to the west is occupied by the British. The French hold Vietnam to the east. Everyone is bickering over what would become Cambodia & Laos. China occasionally gets involved from the North (also, lots of immigrants from China at this time accounting for a large percentage of the merchant/middle class) Eventually, Japan would invade during WWII. In part, The Kingdom of Siam was kept a "neutral" party because none of the surrounding colonial powers wanted to risk offending any of the other players in the area. Siam re-negotiated sovereignty in 1920 (from USA) and in 1925 (from France & Britain). But during the time of this show (late 1929) it was back to it's customary type-rope balancing act of extreme diplomacy with the allied western colonial powers that surrounded it.

Recognizing that Thailand was never colonized (although it was invaded), it's boarders were constantly nibbled at and it was "ambassador-occupied" off and on by westerners whose military backing and exploitive business concerns simply outmatched the monarchy, especially in the technology department (as well as by reputation on the global stage at the time).

In other words, the farang in this show (James & Robert) were always gonna be both the baddies and the power players of the narrative. (Farang is the Thai word for non-Thai's of European descent, the word means guava.)

The king of Siam at the time (Vajiravudh AKA Rama VI) was initially somewhat popular but also regarded as overly extravagant since Siam had been hit by a major postwar recession in 1919. It should also be noted that King Vajiravudh had no son because he was most likely gay (which at the time did not much concern the Siamese popular opinion, except that it undermined the stability of the monarchy leaving it without an heir).

He "died suddenly" in 1925 (age 44) with the monarchy weakened and succession handed off to his younger brother.

In 1932 a small circle of the rising bourgeoisie (all of whom had studied in Europe, mostly Paris), supported by some military, seized power from the monarchy in a practically nonviolent Siamese Revolution installing a constitutional monarchy. This is mentioned in IFYLITA in the last few episodes but did not (apparently) appear in the original novel.

Siam would then go through:

dictatorship, WWII, Japanese invasion, Allied occupation, democratic elections, military junta, the Indochina wars, communist insurgency, more democracy and popularization movements, multiple coups, more junta, more monarchy,

eventually leading us to the somewhat chaotic insanity of Thai politics we have today. (Which is, frankly, a mix of monarchy, junta, democracy, egocentric popularism, and bribery.)

The Filming of I Fell You Linger in the Air

The director if this show, Tee Bundit (Hidden Agenda, Step by Step, Lovely Writer, TharnType), has never particularly impressed or offended me as a director. I would have called him simply "workmanlike" in execution: not offensive, serviceable.

So much so that I spent some time hunting for info on IFYLITA's cinematographer (who remains uncredited on MDL) because this one, of all Tee pantheon, is ultra stylish. It, frankly, felt too good for him.

Specifically, there is a repeated visual motif in intimacy scenes of either Yai or Jom being filmed from behind a screen/drape/curtain making them seem more translucent, like a ghost or spirit. While the other half of the pair is filmed with sharp clarity. In the first half of the series this is more likely to be Yai (an unknown and mysterious element), as the show progresses, it's more likely to be Jom (the person outside of place and time, destined to vanish all together). This cleverly conveys story, tension, and foreshadow (future shadow?)

Occasionally we shift over so they both become obscured and then clear again.

This stylized version of dirty framing and filters is used to foreshadow and then constantly remind us about that Jom slipped (and is slipping) through time and the disconnect that causes to his sense of reality and purpose, and to his burgeoning relationship.

For example, the scene where Yai is drunk and asleep in his bed. The first time Jom is sitting in a chair drawing him. Yai is blurry behind the screen while Jom is solid and sharp.

This filming technique combined with dirty framing is being used to give the watchers the impression of looking at something we maybe shouldn't, like we are being creepy and intruding on their private time. After all, they can see EACH OTHER clearly, it's only us who have the visual impairment.

This gives us a sense of doom and discomfort and slight sensation that we shouldn't be there. We shouldn't be watching. But ALSO that we too are outside of time, filtered by the future.

In other words his sense of displacement is being used to trigger ours visually.

It's all quite clever.

It's both beautiful and atmospheric and discomforting and touch stressful. Meaning that it is ALSO a visual vehicle to drive narrative tension. As effective as scary music, perhaps more so in this show (since I personally found the musical motifs and refrains somewhat overused.)

Linguistic corner

The word for reflection and shadow is the same in Thai.

Note on the por/phor/phô honorific in Thai

I have not encountered it before in BL. I am indebted to @embraceyourfandom for the following information;

Phô is a paternal honorific, luang phô is used for respected monks. It basically means father. And is oft seen as male honorific for village elders. It's also used as a male prefix in the names of several occupations like:

พ่อครัว phô khrua (khrúa= kitchen -> chef) พ่อค้า phô khá (khá= trade -> merchant) พ่อมด phô mót (mót= person of occult knowledge -> wizard) พ่อบ้าน phô bân (bân =house -> butler) - most relevant

So, Yai's use is probubly foreshadowing that Jom will be a butler for his house, and is primitively referring to him with this title.

All that said, phô can also be used by a "man who is older/higher on hierarchy to refer to a younger/lower on hierarchy man with intimacy and/or affection."

I think all this has to do with Jom's demonstration of education. Yai figured out early on that one of the reasons Jom doesn't belong and cannot fit in with the servants is that he is more educated than a peasant (of this time period), which for Yai adds up to him being originally from a higher status and possibly wealthy family, especially since Jom speaks English and has travelled (he has a non-northern accent).

There is very little Thai middle class at the beginning of the 1920s since trade is being dominated/dictated by the West, or Chinese merchant operations, and Siam is a monarchy. So for a nationalize Thai citizen educated means military, landed gentry with trade operations (like Yai), royal/political/diplomatic connections, or... none of the above. This changes, especially in the south, throughout this decade (as it did in other parts of the world). So there is a rising bourgeoisie going on in the background but it's not that obvious in Chang Mai at this time.

What Jom's educated lack of status means to Yai is that Jom's family either got wiped out or politically disenfranchised possibly as part of the 1912 attempted coups (or even WWI)? This would be mystifying for Yai because Jom doesn't act like he comes from a military family at all. So his background and status is very confusing for Yai, but Yai does know one thing...

Jom is NOT lower class by the standards of Yai's temporal worldview and existence.

For a young man to be educated and yet entirely alone is very dangerous and suspicious. Also, let's be clear, Jom doesn't look or act like a laborer. He red flags "cultured" all over the place.

Yai is paternalistic and caring towards Jom out the gate because Yai has a big ol'crush but also because he recognizes "his own" is trying to survive while isolated and scared.

Yai wants to rescue Jom. Yai is an ineffectual 20 year old gay intellectual. But poor thing sure tries.

Let's Talk About How I Felt About I Feel You Linger in the Air

The historical aspect was great.

I adore historical romances and we almost never get them in BL. I was always gonna be biased towards this show. (As indeed I am towards Nobleman Ryu's Wedding, Tinted with You, and To Sir With Love.) Aside from some classic Thai BL production issues (less than normal, this is very high production value for Thailand) and my issues around the sound track and repetitive repriens (which frankly were more noticeable because I binged the last half) I have no complaints on that score (heh heh).

The surrounding support cast were all quite good and we even got us some lesbians!

The emotional and narrative tensions were excellent.

Any issues I had with pacing came from focus on characters that didn't interest me, but probubly did interest others. I wasn’t wild or particularly interested in the family drama or the side characters/couples, but they were necessary to make this a fully fleshed story with historical context and to give Yai much needed characterization. Also this use of a ensemble cast is very close to Thailand's lakorn heart, even thought this one had way less scenery chewing ludicrous soapy drama (thank heavens).

I was delighted that external threat, stressors, and conflict drove this plot. That's refreshing in BL.

I have no arguments with the chemistry and kisses and sex scenes were tasteful and lovely, occasionally even heart-wrenching, and it's nice to see Thailand especially use physical intimacy to drive plot, and not the other way around.

I love historicals partly because every tiny touch can have such lingering significance, they're very elegant in their chaste physicality. This show didn't need to move into higher heat, but I'm grateful it did because even that was very well done. Thai BLs can often feel clumsy around intimacy, but not this one.

The final sex scene before Jom and Yai separate forever utilizes the ubiquitous director's-favorite-romantic-moments-flashbacks (required of all Asian romance dramas) but with acceleration and tension driven by the noises of sex, which I've never seen/heard done before. In other words: climax of sex = climax of the romance story, I see what you did there, Tee. Clever. Very clever. Bit on the nose… erm… on the… well you know what I mean.

Like all Thai BLs this wasn’t perfect, but for me this is as close as Thai BL gets to high quality romance and that’s what I want the most from my drama watching experience (if not necessarily my Thai BL experience).

But... and you knew the but was coming didn't you?

I absolutely hated the ending.

It wasn't sad, don't worry, but it also wasn't good. SPOILERS HERE ON OUT

There is a long drawn out separations sequence and then Jom returns to the present, drowning from a car accident. Jom is "rescued" by an moustachioed iteration of Yai from the distant past (who we met once before) and then wakes in hospital. Some time later, Jom returns to the house in Chang Mai where Yai turns up and they reunite.
The end.

There is a stinger featuring Jom once more hurled back in time, only further, meeting the warrior mustache Yai once more.

Okay, that's all I knew and all I saw.

Confused? So was I.

If this had been a regular time travel romance: Yai would have been the EMT or doctor attending Jom when he woke up and their "this time period" romance would commence. With either shared memories, or not.

Had this been set up for audience comprehension in line with the original novel, we should have had flashbacks from both Present Yai (he's not the same one, as it turns out) and deep-past Moustache Yai interwoven throughout the series. Preferably with some focus on Present Yai's quest for reunion with Present Jom AND Present Yai's own experience with visions and memory of his past lives.

A full explanation of the ending is here. This explanation of the 3 different Yais makes me like our ending more. But I shouldn't need to read Cliff's notes from some random y-novel reading fan on Tumblr to understand what's going on in a series!

There is supposedly a special happening with Jom + Present Yai.

There was unquestionably a failure in adaptation in the finale of this show.

As a fan and watcher, what I actually felt was deeply confused and hurt.

I also felt that this was a disingenuous un-earned throw away happy ending, since I had no idea who this new Present Yai was and no investment in his character. I simply didn't believe he was the same Yai (Bright is too good an actor, he was clearly a different older personality).

So the fact remains that past Yai, our Yai, the 20 year old boy we grew to understand and love, is abandoned in the past to suffer alone for the rest of his life. And THAT is an unhappy ending for one half of my beloved pair. Yes Jom gets a new Yai in the present day, but it's not the same Yai. They have no developed relationship, and Jom is doomed to leave even this new Yai and slide into the past once more. That's barely even happy for now for Jom's character.

As a result of my deep sadness for 20-year-old Yai in particular, I'm not going to be able to rewatch this show. The whole thing was rendered not just confusing but the opposite of comforting by the final 15 minutes. I'm tempted to dock it two whole points - one for the ending and the other for the lack of rewatch potential.

But the first 11.5 eps were SO GOOD.

This is one of the only times where I am actually hoping for a second season, while simultaneously being wary of the screen writing and production team's capacity to give us a satisfying one.

Industry wise? I honestly don't think we can hope too hard for a full season 2. This was an expensive show with flawed/limited distribution and little sponsorship. I don't see how they'll get funding for a second season. Unless we see this show up on like Netflix or Viki, I urge you not to hope too hard and be disappointed.

In all honestly?

I started typing up this blog post thinking Thailand was finally, after 5 years, going to earn another 10/10 from me but I just can't in good conscious give it that. It's been days and I'm still upset about that last episode.

Leggi di Più

This is a mess

I truly can’t understand where it all went so wrong. Well, I can. It was the middle of the season. The story they tried to tell in the second half of the series does not make sense. It’s impossible that the story was finished when the show went into production, or they had to wrap everything up in 2 episodes. We had several “case of the week” episodes in the start and not much happening to build an overall world or explain any backstory. I was not super worried because I thought the series had 15 episodes. But then, I saw the finale trailer after episode 8 and my jaw dropped. The last 3/4 episodes are so so rushed. It’s basically information dump. Suddenly we have 3 parallel worlds and 3 Guns. And the 200 year old protagonist doesn’t know about that. The true big bad, with the VERY original name of “The One”, is extremely boring and goes into long monologues. Not even Gun and Nanon can save that.

Another major problem is that there’s not a single episode where one of Gun’s characters is not unconscious or needed one to be saved/rescued. And then we have the effects… they keep get worse as the season progresses. It’s really bad green screen and CGI monsters.

The only good aspect is the solid cast. Which are completely wasted on a terrible plot and weak execution.

Leggi di Più

" Someday or one day " was an exceptional drama.

Honestly, most of the drama from Taiwan that I've watched were a bit boring, except from the comedies. So, I was not really looking forward watching this, or even picking it up. Plus, there was a lot of buzz around it, which mostly means that the drama is just popular and not that good. So, for those second thinking watching this because of its popularity, my advise is to give it a try.

The drama combined my favourite genres, melodrama (and boy did it have lots and lots of dark themes, tragedy, drama, pain and angst), school romance (first love, youth, innocence, freshness, sweetness) and mystery (with lots and lots and lots of twists that didn't really tire the viewer). The plot was beautifully presented, with things getting confusing at times, but if you stick to it, they do explain things and, in the end, the conclusion is satisfying and original. So, the story was great, with many leyers and a solid mystery and an intense romance.

The characters were realistic, as well, and they didn't overeacter, which I appreciated a lot. For example, the girl didn't start obsessing and dramatising things, clinging on the boy, even though she had been looking for her boyfriend who looked exactly like him for years, missing him like crazy. On that note, the leading lady was perfect, and she did an amazing job with the two characters. Her 2019 one was actually very likable and entertaining. The comedy moments were much appreciated too. The rest of the cast did an amazing job as well. Finally, the pace was perfect and the

So, overall, nine out of ten.

Leggi di Più

I really wanted this to be great, but.......

Going into this drama I had such high hopes that this would be a great watch, it contained a story that I was familiar with, having previously watched the donghua and it was to feature Xu Kai as the male lead. I 've seen several drama's of his and generally enjoyed them
Unfortunately having trudged my way through 40 episodes of this drama, for me, it was a real mess. Based on the plot it amazes me that the demons actually lost. Throughout much of the drama the demons were clearly more intelligent and made sensible plans. Ironically, any plans that they did make didn't even have to be that good, as their opponents were actually rather stupid.

If this had been a boxing match the referee would have stopped the fight and awarded the victory to the demons. It was not even close.

From the opening episode I was instantly concerned on what was to come based on the appearance of one the casts prosthetic mask. I assume it was a mask and not CGI either way it was just plain bad.

The script gave our main cast very little to work with throughout and the carnage that swept through so many of the cast might have been a relief to some, as at least they could get away from a nonsensical plot.

I don't know if the director purposedly wanted to avoid any similarities to the donghua, if so, they certainly accomplished it. All the things that I enjoyed about the donghua and had me so excited to see the live action version were missing.

There also seemed far to much screen time given to characters other than the leads. In some episodes, if you blinked you would have missed Xu Kai And Gulnezer Bextiya despite them being the leads.

To some, the happy ending that was given to our main leads might have been welcome, to me it felt completely forced and very contrived. After watching it, and getting over the fact the demons actually lost, I came away thinking that was some kind of an attempt at fan service. I was suddenly supposed to forget the previous 39 episodes and be pleased with the ending! Sadly, it didn't work.

The performance of the cast, despite the flaws with in the plot should be admired, they really did try. Despite all the limitations they were presented, the cast did a good job, I did like the chemistry between the leads unfortunately the lack of screen time didn't help them though.

Xu Kai spear skills, which I'm told were real were also excellent and certainly a highlight when we got to see them.

I really did want this drama to be great but even Xu Kai and the efforts of the entire cast couldn't save it.

Leggi di Più

Thrill ride

Truth be told, I don’t have extensive experience with this type of republican drama, which makes it difficult for me to draw comparisons with others in a similar genre. Nevertheless, I feel compelled to share more of my thoughts about this one.

From start to finish, the story was solid. There weren’t any unnecessary scenes or dialogue, and the pacing was just right—not too slow and not too fast. I initially watched this because of Zheyuan, and I was a bit worried about the potential political elements since they usually bore me to tears. Thankfully, this one steered clear of that.

The development of the characters was meticulously crafted, a step-by-step progression that led them to their current states, rather than experiencing sudden, overnight changes of heart. It was genuinely heartwarming to see Lin Shaobai evolve from a passionate (albeit a bit arrogant) young police officer into the reliable and thoughtful man he becomes in the second half of the story. At first, his bond with Lu Zhengyang was a bit frustrating since Lu Zhengyang was too stubborn to see things from Shaobai's perspective, but thankfully they manage to work through their issues. Given their age and generational gap, it made their differences a bit easier to handle.

Now, diving into the other characters, Shrike definitely deserved a more painful ending. He spent years torturing and ruining the lives of others, and it seemed far too easy for him to meet such a quick death; it felt almost merciful. As for his wife, she also deserved a more excruciating fate. While for Xu Wei, it seems they aimed to portray his death as heroic, but that approach didn’t resonate with me. While it’s true that Shaobai and Jin Yan wouldn’t have made it out alive without his assistance, he had several opportunities to redeem himself but chose not to. From the very beginning, he knew that his wife and child would remain in danger, regardless of how hard he worked for Shrike. Yet he was blinded by his pursuit of power and wealth. So, any so-called redemption arc or whatever they tried to push was total bullcrap. Xu Wei got no less than what he deserved, much like Jin Maochang. I could say I feel a bit sorry for him because the despicable deeds he committed weren’t for fun or simply for money and power, but rather out of love for his daughter. I dare say he’s better than Xu Wei, as he repeatedly tried to eliminate Shrike, even if it was also motivated by a desire to save himself. So, yeah, he better be dead.

As for the acting, bold italic and underline: top notch. And I can’t help but indulge myself by praising Zheyuan this time. Most of the cast consists of veteran actors and actresses, yet Zheyuan managed to hold his ground; there wasn’t a single moment in the entire 38 episodes where he seemed out of place. The scene where Shaobai and Jin Yan were crying in the car was absolutely off the charts; they needed no lines to convey their emotions. Jin Yan's crying scene after her father's death was also nothing short of terrific. Speaking of Shaobai and Jin Yan, I really don’t mind how their story unfolded. They might not be together (yet) by the end of the story, but it feels very fitting. If they had tossed in any hints of romance at the end, it would have felt way too sudden.

But, I have to say, I have a little complaint: the ending would’ve felt more realistic if Jin Yan wasn’t lying in the hospital bed. She only got stabbed once in the back, while Shaobai was shot multiple times, so how did she end up in worse condition than him? He even managed to go out and get a haircut. I really hope the reasoning behind this isn’t just because Shaobai is a man and Jin Yan is a woman.

Well overall, this drama was terrific. Amid all the seriousness and importance of their job, the comedic relief felt perfectly timed. Some scenes had me cracking up, and I loved every second of it. This whole viewing experience could very well be the catalyst that encourages me to explore more dramas in a similar genre in the future.

(Ps. Sending love and hugs to Huzi. In every drama, it feels like there’s always a need for a close friend or family member to be sacrificed toward the end. This time, it was Huzi who had the unfortunate honor of fulfilling that sentimental role.)

Leggi di Più

I'll admit right off the bat that I was itching to write a review on this, but I actually watched the drama a year ago. I still remember it vividly though, and of course Min Ho. nomnomnom

I really enjoyed the drama, probably more than I thought I would. I liked a lot of things about it. I'll be honest and say that I was really suspicious about it at first, because, well, portal through time? I mean, it doesn't get more cliche and wierd than that. But, oddly, I think they pulled it off really well. Not to mention the age difference between LMH and KHS--10 years! I couldn't tell a bit, I really liked her character. She had a pretty good back bone, if I remember correctly. She was really funny, too.

I liked the pace of the relationship, too. It was slow and steady, but I believed it. It was truly beautiful if you ask me. Their love was right up there with GX and MC from Autumn Concierto. There may not have been a lot of kissing and things like that, but there were cute moments, too. The little things, I liked those. The simple gestures were very telling. In the beginning and a little of the middle, I was frustrated that there wasn't much interaction between the two, but then I began to be okay with that. Siting on his lap and holding hands, things like that, they were more important to me. I still wish there would have been ONE more juicy kiss, but that's the dirty drama noona inside of me talking. hahaha

I have to admit, the drama and main evil-doer in the show really bothered me, and I won't lie and say that I didn't skip over some parts in the middle and end. I think it was more because of his annoying face than the drama itself. I can get past some difficult stuff, but his character just really annoyed the piss out of me.

This drama deffinitely had me crying a couple different types, especially the ending. A lot of people don't like the ending because it was vague, but I think they just left it to our imaginations. They're together, that's all that matters. What, you wanted to see a wedding? Meh, I was just happy with the ending they gave me. I thought it was really clever, too. The supernatural aspect of the story... I really thought I wouldn't believe it. I thought it would get too cheesy and weird, but it actually wasn't so bad.

Also, the mystery of the story I liked too. Believe it or not there is a little mystery in it. You find out at the end, but throughout the whole story you're slowly piecing things together. It's really strange, but I liked it. A mystery within a melodrama within a romance. It really nabbed everything for me. It's in my all time favorites, or close to it, if not for the damned annoying guy. -_-"

I'll be honest and say that this is the kind of role I wish I saw LMH in more. I've seen him in several other dramas, and I really appreciate him in these darker more serious roles. Not only because he's completely SIZZLING HOT when he's serious in that armor, but because I think he gets stuck in immature highschool roles too much, and I don't think Heirs is the last time we'll see him in a highschool role. I haven't seen City Hunter yet, but I kind of want to so I can see another serious character.
LMH doesn't get all the credit, though, KHS was very good, too. Not only did she not look a day over 25, but she was a good actor, too. If I'm not mistaken, this drama was her comeback. She took a break after she had a kid (or 2?). I can't believe she looks so beautiful, I really liked it. She played her character well, too. Eun Soo was a very bright, but funny girl. She was smart, and she could be serious, but she was also fun, exciting, and almost a little impulsive. The character development in this drama was good, too, including the Emperor and Empress. Their relationship was kind of funny, to be honest. I found myself engaged and interested in their relationship just as much as LMH and KHS's. The side plots and romance in this show were very thought out.

It's sad that some people really don't like this show. Some don't like the set, or the story. It's true, this story was actually supposed to be something else, but something happened and their budget dropped off so the magic and editing was a little underdone, to some people. But I, personally, am a story and acting kind of person over a CGI and appearance person. I liked it for what it was, not what it could have been.

If you are interested in a serious Lee Min Ho, a touch of magic, and a historical drama this is the one for you. I highly recommend it!

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How might one describe the taste of peppermint? Refreshing and cool? Slightly sweet? How about the “clean” sensation left over once the candy has gone? In this intense and emotionally raw film, the peppermint transforms from mere confection into the reminder of one man’s lost innocence—and arguably, that of South Korea after the war. Though we might bite into the peppermint hoping for sweeter breath, whatever has dirtied the mouth still remains. So it goes with the attempt to live decently again, once personal sins and harrowing experiences begin to take their toll.

One might notice something unusual about Peppermint Candy straightaway: it’s backwards. It affects a non-linear structure, forcing the viewer to witness the lead’s story in reverse chronology. We start with a broken maniac ready to commit suicide on some train tracks, and end with a starry-eyed youth, happy and in love. What must have happened between these two points to result in such a drastic change?

That is what the viewer must uncover, journeying back through the years 1999 to 1979. The film separates into several segments to allow this, pinpointing only the most important details of the character’s life.

These specific years represent tremendous importance to the narrative, especially those sequences spent in the 1980’s. That decade was a particularly troubled one for South Korea; police brutality and government-sanctioned violence were not uncommon, as seen from the infamous protest crackdowns portrayed here in unabashed detail. The country many of us know and love today was a totally different place in that era.

Peppermint Candy relies heavily on visual motifs, particularly moving trains and the namesake sweets themselves. Trains appear at pivotal moments, usually during (or after) an unfortunate action taken by the lead. When I noticed this happening, the effect chilled; my stomach automatically dropped and I almost felt cold. Because the story segments are also broken up by footage taken from the back of a train, the effect is twofold. Note also the pensive string music which accompanies these instances. Other details become apparent over the course of the film; names and objects which make no sense in one part suddenly burst with recognition in another.

After seeing him as Kim Yong Ho, our tragic main character, Sol Kyung Gu definitely has my respect as an artist. He impressed unilaterally, whatever incarnation of the man he needed to portray. I hated and feared Yong Ho, I judged and even pitied him—but above all, I understood him. All this thanks to a masterful performance by a true talent. Moon So Ri also acted memorably, despite appearing very little; her Yun Sun Im was so built up, so discussed, over the course of the film, that it would have been easy to disappoint. She did not. The supporting cast does just as well, playing off the leads without drawing away focus.

Those viewers who devour character studies, art films, powerful acting, or are just looking for something different might take interest in Peppermint Candy. Please be warned that this movie contains varying degrees of violence, brief nudity, and depicts suicidal tendencies. Certain scenes can be disturbing.

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STORY: Black has been one of my favourite dramas, even though it is boring at times. Sometimes it feels like you need a flowchart to keep up because it does get quite confusing. The murder/prostitution cases are all connected in one way or another and it is surprising. But the problem is that some are connected in *unrealistic* ways. It is weird how they are all linked and just when you have one thing figured out, another piece of evidence joins the puzzle. By the end of the journey you are hit with emotions such as sadness, excitement, frustration and overall exhaustion. The ending was kinda satisfactory. It was bitter sweet. But I read somewhere that it was supposed to be a really sad ending and the director changed it to a somewhat happy ending last minute, thus making it a tiny bit tacky. Also, Go Ah Ra's character could have had more development, but that is just my opinion. In addition, you can tell that some parts are utter garbage and boring filler.

ACTING/CASTING: I have read a lot of comments stating that they don’t like Go Ah Ra and her acting. Saying that she portrays the character to be a whiny brat. Her acting was mundane but it was satisfying enough to display the character. As for the other actors/actress’ I believe that the acting was wonderfully done, showing true emotions. I couldn’t stop crying during episode 17 and 18 because of the Song Seung Heon’s acting. Also, Woo Hyun’s portrayal of his character was accurate and remarkable.

MUSIC: The music was standard but I really liked the original sound track. My favourite from the OST would be Another Me sung by Min Chae. But I also loved the others. If you haven't checked out the original sound track for this show, you definitely should!

REWATCH VALUE: The re-watch value is kinda high. I have already seen some episodes twice.

CONCLUSION: Black is a good K-Drama. I recommend this drama and I hope you give it a chance. I am sad that it’s over. It had its good and bad parts. Beautifully shot as well. Massive credit to writers, the director, actors/actress’ and other staff for making this drama. And I know I might be biased but this drama does hold a special place in my heart. No matter how boring some parts were.

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gimme gimme more gimme gimme more

You should probably most definitely watch it. There’s something about this drama that just has me dangling on a hook. The chemistry between both couples give me life. Granted I’m a little skeptical about the age difference with one of the main couples with one of the main leads still in highschool presumptuously but the other male leads character doesn’t seem that old so but ANYWAYS I GOT OFF TRACK. As an avid BL watcher of all countries Taiwan has some of my favorites as in this one we get so many cameos of iconic bl duos so that also has me thrilled!
So I actually take back my starting sentence with probably most definitely watch and instead replace it with you absolutely most definitely should watch.

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Was It Love , Or A Waste of Time?

As Korean romance dramas go, “ Was it Love?” certainly wasn’t one of the worst Korean dramas out there, with some intriguing themes tackled such as motherhood, parentage and abortion as well.

What is fair to say, however, is that “ Was it Love?” had so many opportunities throughout the drama to play upon its own cliches of the mysterious father, particularly through Noh Ae-jung ( Song Ji hyo)’s daughter, Ha-nee ( Uhm Chae-young )’s being allowed to bond with her potential fathers in equal manners such as ;
famous actor Ryu Jin ( Song Jong ho), financial head Koo Pa-do ( Kim Moon Joon) , P.E. teacher Oh Yeon-woo ( Koo Ja- Sung) and novelist Oh Dae- Oh ( Son Ho Jun) respectfully throughout the entirety of the show.

Although Song Ji hyo did captivate some of the elements of her character’s determination upon screen at times ( in addition to the scriptwriting ), her acting at times seemed a little wooden and thus didn’t help in making Ae-Jung’s personality seem often very lacklustre.

Of course that’s not to say that Ae- Jung was quintessentially a terrible character as there is no denying that Ae-Jung did seem to share genuine love and affection for both her daughter and her mother Choi Hyang-ja ( Kim Mi Kyung) throughout the drama . On the other hand, “ Was it Love?” ‘s biggest flaw soon became apparent by the scriptwriters’ decision to cram-in as much plot focus upon the aspects of Ae- Jung’s seemingly lingering “chemical” relationships with each of the respected male leads of the drama. Although it was undeniable that most of the actors were fairly brilliant in their respected roles, there were too many cliches which brought lacking emphasis upon characters such as Pa-do ( especially with the whole doppelgänger trope) and Yeon- woo as plot devices , rather than as individuals over the course of the drama.

As a romance drama there isn’t anything entirely wrong with this format, however, in making this decision, there was little actual focus upon Ae- Jung’s development as a character as well upon her familial bond with her daughter.

Although an undeniable driving factor of the series was the actual question of Ha- nee’s biological father and the miscommunication between daughter and mother adding to the final climax , it’s fair to say that the ending revelation could not help but severely highlight and question a lot of Ae-Jung’s decisions.

It’s natural to see what Ae-Jung was trying to do in shielding the truth from Ha- nee; she had raised her for nearly fourteen years a as a single parent and Ha- nee finding out the truth about her father would threaten their relationship a lot. On the other hand what did not seem particularly fair was that it hadn’t crossed Ae- Jung’s mind even when her mother mentioned Ha-nee’s interest in finding out more about her father, to at least sit down and give Ha- nee, the respect and liberty to ask about the matter . This was initially ( regardless of events ) quite a selfish act committed by Ae-Jung , both for Ha-nee as well as her father, who is later revealed to be oblivious to the fact that he even had a daughter in the first place.

This is also what bothered me a little but about Ha-nee’s sudden shift from intrigue and wonder over her father to suddenly acting hostile the minute she actually finds out who he is. Whilst I can understand Ha- nee acting this way to some extent when she learns of some of the events and hardships her mother was put through, it just didn’t add up to Ha-nee’s character by not having a moment of actual intrigue or an attempt to get to know him more affectionately, even once in the show ( without being forced of course). If the plot tropes and cliches weren’t bad enough, the cliche of Ha- nee’s ending is even stranger with little actual necessity or purpose apart from wanting to give viewers a “ happy ending”.

Overall “ Was it Love?” is a perfect example of a “ throwaway drama”; easy to binge- watch without a second thought, but certainly lacking within memorability, characters and plot development as a consequence of cliches and tropes adding little value to the actual drama. Whilst enjoyable with certain comical elements, the show was certainly a waste of time if you’re looking for something to actually invest in.

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An amazingly well done Sci-Fi movie!!

Wow, this was epic. I didn't expect too much from a movie that is basically a promotion and introduction for a debuting boygroup, but this movie became one of my favorites. The story was intriguing from the very first minute and you got to see the future, the past, and the present that all lead up to a fascinating timeline.

The production was incredible. The quality of this was seriously so high, I was blown away. It has nothing to do with Kpop or an entertainment company, it is a really well executed movie that includes tragic scenes that made me tear up, well done action, fighting and supernatural scenes, funny scenes that made me smile and you got slice of life as well! The soundtrack was fitting, the effects were great (the only thing bothering me was that talking plush bear...but whatever).

The actors were amazing, too! Of course the focus was on the P1Harmony boys, and they truly did an awesome job. As far as I know, it's their first time acting and each one of them smashed it! Nevertheless, the other actors got their limelight as well, and they made this whole movie so enjoyable and realistic. Every character was interesting and got portrayed perfectly, and it makes me want to know more about them and their story.

Now really, I am not praising this because I am a fan of P1Harmony (who literally did their debut AFTER this movie, so I did not even know them when watching). Actually, that's the only thing that i dislike about this movie: that it's seemingly only for promoting their debut. Like, give me more of the movie, of that story, of all the different characters!!
I love this so much, and I am not quite satisfied with the end, because it leaves so many things open. I hope that this movie will be continued, because it has so much potential.

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