Reviews

Realistic Glimpse of Teenagers' sexuality!

As much as unrealistic and taboo, the theme of the drama (and their literature club) is, the drama remains realistic and true both to the character portrayal of the manga and thought workings of the budding teenagers.

Panning out on vast oceanic view, the drama begins with thoughts of both the girls and their teengirls-hating teacher. Though having an aversion of "ees-eee-eks", the club members enjoy reading the literature perspective of racy, erotic books aloud in the confines of their school club room. With the utterance of the bucket-list wish by a member, the lives and ideologies of the club members gets shattered leading to a sequence of new desires, self-discovery and personal growth. An eclectic ride for the open-minded souls which can be reminiscent of one's own youthful mistakes and fears and their vanquishments.

The visual imagery from start to end, ranging from trains and tunnels to colour theory is applaud worthy. The narration is fast-paced. The titular dancing number was cute. Music was nice but forgetful. The acting felt realistic.

The upsetting aspects were the scenes were the minors throwing themselves upon the adults for sexual gratification and the ambiguous sexual nature of the Saegusa Hisashi's character (Caution!). Fear not, for nothing was shown explicitly but may be implied.

Final note, this drama is only for those who are progressive and acknowledging the mishaps of the youth and definitely not morally agreeing to them.

Leggi di Più

Lets start of with that i will never ever watch reviews of other people anymore before i starting to watch it myself,The negative feedback made me almost decide not to watch it and im happy that i did!

Story: The story is pretty good and interesting and kept being fun to watch untill the end of the show.The maincharacters where acting good and funny at times.
If there is a negative in this show is that the story could have been more sepperated with mini storys inside with Oh Cho Rim solving some other cases with her special eye to see scents so they could save the Climax for more towards the end.It started way to soon from episode 6-7 till the end of the show which some people maybe hate,however it was still really fun to watch and i didnt really bother with it.
To sum it up it was a great ride of story and emotions.

The ending of the show is ammazing in my eyes! Since its very long and makes you feel completed when its over thats why i have to attack the negative feedback on this show and i feel that there are allot of trolls ammong them or just haters that wanna bash everything thats only a bit bad!.

Romance:This part was one of my favorites of the show since i think the couple was really cute together and made me laugh and love them at many times.

Music:The music is nice,especially the opening them of the show i loved.Also in the love monents and in the moments of action it gave a nice feeling.

Conclusion: Dont read the negativee feedback people give and watch this show! Its worth your time and its really fun!.Drama should be watched with a relaxed view and not only to try to find the minus points just becuz it became a bit draggy.The ending of the show made up for that and thats why its a great watch in overal!.If i had to give a comparrison to an other show it would be to You're all surrounded and that was a great show as well.

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Profoundly brilliant - what manner of man is this ɿ(･ه･)ɾ

WOW ... . this was a deep and mind blowingly good movie!! It reminded me a little of Blank 13. I thought I was going to watch a bit of a mystery but it turned out to be so much more than the mystery of a dead man's back story. It literally was an existential 'man hunt' ... a hunt for what it is that defines a man ... a person ... a hunt for identity.

This was not apparent to me at first. The movie moved slowly and I wondered why are they going so slow ... hurry up and get to the juicy mystery bits. Then it jumped some years ... and then there were flashbacks ... and I was wondering what the point of it all was ... and then it hit me ... this was not just about "a" man hunt ... but a multiple man hunt and not just for the men but for their identities, both from an external point of view and an internal point of view. The movie then became entirely fascinating for me ... nothing was irrelevant ... the script was so good it allowed a gloriously deep dive into the existential ﾟ:･*･:◝(ᵔ‿ᵔ)◜:*:･ﾟ.

"Identity' ... in one sense it is such a concrete thing and yet in another sense, it is elusive and ever evolving ... before we are even born we are automatically assigned an identity:
▪ identity from genetics of your biological parents
▪ identify from the time of your birth e.g. before/after marriage; the year / month / day
▪ identity from the order of your birth compared to your siblings ... even the order of birth of your parents in the broader family context
▪ identity from the geographical place of birth ... even the place of birth of your ancestors e.g. born in Japan but your great grandparents were Korean ...
▪ identity from race
▪ identify from culture
▪ identity from your gender
▪ identity from social institutions e.g. the school you went to, the religion you have, the occupation you have; the clubs you belong to; the music you listen to; the hobbies you have
▪ identity from your physical body - the 'perfectness' of it or the 'imperfectness' of it; who/what you look like ... I am the splitting image of my father ... you look like a Korean etc
▪ identity from your state of mind - sane / not sane; smart; stupid;
▪ identity from what your parents do/are - son of a murderer, daughter of a prostitute, son of a doctor etc
▪ identity from where you live, what you wear, the food you eat
▪ identity from your experiences - parenthood; singleness; military service etc
▪ the identity that others assign to you - "hurry up and go back to your 'old self'"
▪ the identity that you think you are ... or should be ... or want to be ...

"Identity" ... so abstract and yet it is such a very heavy thing ... a blessing in its inclusiveness and yet also a weapon of separation and destruction ... something innate and yet something thrust upon you without consent ... what choice do you have with it ... how much of it can you mold and how much of it do you just have to accept as is ... can you escape from it and thereby escape to a different way of life, a different way of being ... how many times have we modified our personality throughout our lives without even knowing ... how did we do that ... is it necessarily a bad thing (˙_˙)ゞ.

I loved the scripting ... as well as the symbolic imagery used throughout ... and the clues that were set up right from the beginning. I liked the different perspectives of a person's identity given from the children to the adults, to friends and family of the main characters ... even to that of strangers. It was very nicely done and the actors did it credit. The scripting was so loaded ... so mind blowingly good. For me this movie is definitely rewatchable. As for the score ... I got so consumed with the story line and all the thoughts that that generated in my mind, I don't even remember the score of the movie ... but I gave it a 10 anyway because whatever it was, it did not detract from the story line at all.

The final scene showing Kido's back as he looked at that painting ... profound. A brilliant movie ... I loved it.

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"I want to light a small light in the dark path that is death"

If you are here for a fluffly rom-com, you are dead wrong - no pun intended.

This story is about the lives and work of those in service of a funeral home. It will make you cry, smile, and develop a deeper understanding for the inevitable tragedy of death and the value of life. -Similar to the protagonist of the story.

Sanyue starts as a bratty girl who has given up on life because she feels like life has given up on her. While contemplating suicide her aunt appears and convices her otherwise. She helps her get a job at a funeral home as a make-up and restoration artist. With time, Sanyue not only learns the skills required for this demanding job, but also gains a deeper respect for the deceased and the people they leave behind.

This show is not perfect. Some of the younger actors only deliver passable performances, but it's not so bad that it takes you out of the story. The story itself can appear a bit overly dramatic at times, almost making the protagonist appear like Detective Conan with people dying left and right arond her. However, considering that this is a story about a funeral home, it is not too unrealistic.

Here are my top 3 reasons why you should watch this show:
3. The show depics relationships between humans very realisticly. Whether it be Sanyue's messy relationship with her mother (and later also father), her ups and downs in pursuit of love, or the relationship between family members and the deceased.

2. It offers a glimpse into the work and lives of people working at funeral homes. Including the demanding things they have to do, and the hardships and prejudice they have to endure from the outside world on a daily basis. After watching this, you will gain a deeper respect for the profession and the people who dedicated themselves to this service.

1. The deceased are pitiful, but the living need even more compassion. With each of her jobs Sanyue meets and learns more about life and death, and so do the viewers.

Overall this is a very meaningful show. Yes, it has its flaws, but so does life itself. And maybe that's what makes it so beautiful.

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An Underrated Gem

I love this drama. It is a gem under the radar. It has a great plot with unusual and interesting criminal cases filled with man-made supernatural phenomena, magic and mysteries. Each case is different with unpredictable outcomes. The main characters are intelligent and lovable. The pace is good, the story telling is excellent and logical. All these are built upon a real historical background which is authentic and fascinating, albeit violent and stormy. Most of all, it’s a page turner and very addictive.

Set in the Tang Dynasty during the tumultuous second reign of Emperor Ruizong (r. 684-690, 710-712) (not explicitly stated) who was one of the sons of the infamous female Emperor Wu Zetian, the era saw the Dynasty as the center of the world with exquisite material life and fusion of diverse cultures. Consistently behind the scene is the power struggle, which is historically recorded, between the Emperor’s younger sister, Princess Taiping (youngest daughter of Wu Zetian) and the Crown Prince, Li Longji. It was said the Princess was the real power behind the throne. Many court officials and military personnel flattered to join her camp, and her power exceeded even that of the emperor’s. In this drama, we see deadly political conflicts and manifestation of conspiracy between the Crown Prince and the Elder Princess. And both of our main leads are embroiled in the conflicts which are linked to the cases they have to solve.

Yang Xuwen as Lu Lingfeng is convincing as the proud general who is not too flexible but very good in martial art fighting especially with his long spear. He is upstanding and will do anything to uphold justice. He is loyal to the Crown Prince but is warned to hands off from his investigation of the Chang'an Tea mystery which he's deeply involved and couldn't withdraw himself. So after the mystery is being solved, Lu Lingfeng is stripped of his title and ordered to leave the capital. Behind his background, he has a secret which he doesn’t know himself. Yang Xuwen has a rather rigid look and his portrayal of Lu Lingfeng is very believable.

Su Wuming (Yang Zhigang) is a student of the genius investigative judge Di Renjie. He is humble and resourceful, and is appreciated by the Princess. Su Wuming doesn’t want to be involved in the royal court disputes and is sent away from the capital to the regional office. He is meticulous and observant of the tiniest details, and he is wise but often underestimated by his enemies. Yang Zhigang’s portrayal is very authentic with his suave demeanor, bringing the character alive and loved by viewers.

On their way out of Chang'an, Lu Lingfeng and Su Wuming meet again. Lu Lingfeng initially has a grudge against Su Wuming over some personal issues. After solving their first case together, they become rather fond of each other and the two become good partners, and from thereon, jointly solving cases after cases. Both characters have opposite personalities and strengths, complimenting each other in their investigative work. The bromance between the two is funny and lovable. Their formidable team later includes a talented artist who is in love with Lu Lingfeng, a brilliant doctor disguised as a beggar who loves to eat chicken, and a boy who is talented in martial arts and later becomes Lu Lingfeng’s disciple. I really enjoy watching all of them working together, fending off enemies and solving cases.

My Verdict

If you love The Imperial Coroner, The Detective, Ancient Detective, or Miss Truth, you may love this drama as well. Though with less romance than the other aforementioned, this drama has, among others, few plot holes, good storytelling, and high quality plops. The cases are intriguing and complicated, and the characters are equally lovable and intelligent.

The drama showcases phantoms, illusions, legendary beasts with the ample use of CGIs, some very good as (such as those with the giant crocodiles, phantoms), some less so (such as those with the giant bear). Every seemingly unimportant detail is a clue. Each case is different like an adventure. The case solving techniques involve new way of thinking, understanding of human psychology and most of all, common sense. The culprit in each case has compelling human reasons for committing crimes. A lot of the plots and dialogs are oxymoronic and comical without brazenly admitting so.

Romance is not the focus here as both men are tsunderes and practically run away from romantic relationships despite both men so have love interest with two women. For me, no romance is better than bad romance.

A great watch for thriller buffs.

TWO THUMBS UP! BRAVO!

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A light hearted drama for in between with great cinematic elements and beautiful cast

Story/plot: ★★★
The drama is about a 4 people insurance investigation agency specializing in solving insurance fraud cases; eventually, the cases lead to revealing of the mastermind villain behind all the evil doings.
I must admit I was not a big fan of the story. Though the cases themselves did have interesting outcomes and twists in-between a lot of the details seem a bit out of this world and felt rather artificial in order to create the surprise effect. The cases also do not build well towards the climax so that even before the final reveal at the end, I did not have an urge to find out who was behind all this. The villain himself was also not big of a surprise to me. And worst of all, they left the ending sort of open but nowhere a second season was mentioned.
What I did like a lot is the relationship between the leads. First, their specialties and characters complement each other very well. The viewers can clearly see how all the main characters started off not trusting each other but solely worked together for their own benefits. But slowly through their teamwork and even life-death situations they grew trusting, caring for and relying on each other, eventually not wanting to continue without one another. This was well depicted in the final case. Though this drama is not at all a BL drama there are some really beautiful shot scenes between the two male leads which satisfy the female viewers’ craving.

Acting and cast: ★★★★
I really liked the cast and found their acting is pretty decent. Gao Ren playing the team lead Fang Yuan did a fantastic job. He is the more mature actor from the crew. Fang Yuan's character has a lot of depth as he went through a lot and this was well demonstrated by Gao Ren’s great acting skills.
The second lead Mi Ruo, played by Xiao Yu Liang, was younger and had still a bit more room to grow in terms of his acting. However, I think he was able to showcase good acting skills in quite a number of scenes (one of my favorite being the refrigerated truck scene in ep. 12). On top of that Xiao Yu Liang is sooo cute (which is one of the main reasons why this not so famous drama caught my attention). I think I haven’t seen such an angel-liked face in Chinese drama land for a while. My husband says that he even looked prettier than the female lead Fan Meng which I totally agree with. I would really love to see him appearing in more dramas going forward (my dream would him playing in a proper BL-adopted drama...he would be such a fit!!)
Fan Meng, playing Luo Xing, the computer geek did also a good job. I rate her in a similar stage as Xiao Yu Liang: a very talented young actress with room to grow. Her character is very like likable: an independent, smart girl who does not obey to anyone, a more refreshing type of character compared to a lot of “proper female lady type of lead characters” in C-drama land.

Cinematography and music: ★★★★★
This is the major selling point of this drama. Most scenes are beautifully shot; they use well-positioned perspectives and angels, zoom-in and outs and frame and rendering techniques. A lot of the scenes remind me of a movie rather than a drama. The drama has almost no action scenes but the dramatic scenes are well depicted. The music was also top-notch: a lot of various combinations that successfully created intended emotions with the viewer. Sometimes they could have turned it down a little bit as some scenes were accomplices by really dramatic music thought the scenes themselves were not all that dramatic; as if they were trying to compensate the missing suspense from the plot.

Summary: ★★★★
All in all, I would say that if you are into detective type of mysteries with a nice touch of brotherhood, you will like this drama. It would not blow your mind or deprive your sleep but it is nice in-between drama with beautiful cinematography and good looking and talented actors.

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A dark trip to nowhere

I am not going to give any spoilers -- just want to advise any watchers that this is a risky investment of viewer time. What starts out with potential quickly falls off the cliff in a fog of poor decisions by the writers. The word "Artificial" is the first clue to the problems with the direction this drama takes. Nothing seems real or feasible and the responses of so many people in positions of power seem a little "off the human chart." Korean dramas often portray a "slice of life" for the country -- this drama neither represents family, values, morals, accountability, normal human reactions, or consequential damage. It almost becomes a fairy tale fantasy drama when you compare it to the reality of many who hold positions of power or have star power popularity. The voices of social media and the netizen factor in this country reign supreme. So I am warning any potential viewer - the acting is good -- but just don't count on any feelings of satisfaction at the end. Just read most of the comments of those that have finished the drama. If I wanted to be in a hopeless dark place I would pick this drama to watch.

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I am little unhappy

awww.... the day I got the news there will be 2nd season for yumi's cells in 3 days I completed season 1 and started 2nd season. starting till they broke up I had so much fun. when they reunion I was so so happy but I am so sad they didn't ended up together. I loved their chemistry, the drama, the issues they both faced. I loved Ba Bi part, he was so so supportive in the end he lost because of 3rd person. when you love someone you should trust them that was missing in their relationship. If their is 3rd season please end them together and let them trust each other.

Good work Yumi's cells Team and all characters. Congratulations on completing Drama.

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Featured story

If elder abuse is a taboo subject that is rarely afforded the serious consideration and action that such horrors demand, then elder sexual abuse is even more so. Playing at the 2020 Toronto International Film Festival as a Private Screening, with her film An Old Lady, South Korean filmmaker Lim Sun-ae tackles an extraordinarily challenging subject with such enormous grace, delicacy, compassion and thoughtfulness that it renders this close-to-perfect film as one of the year’s most easily missed cinema highlights.

The film follows Hyo-jeong (Ye Soo-jung), who we first meet in the film’s opening moments in total darkness. Over a black screen, we hear her politely chat to a male nurse during a physical therapy session, his flattery increasing until a narrative ellipses and a dramatic cut to the abstracted, empty hospital itself implies without relying on sensationalized explicitness that something has clearly happened. As the title suggests, Hyo-jeong is very much a “lady” in the most traditional sense of the word; she is polite, reserved, and clearly does not like to make a fuss. How a 69 year old woman who has been raped in a hospital by a care giver responds to this situation is largely the question around which An Old Lady spins.

While there are numerous factors that render An Old Lady such an important film, the combined performance of Ye Soo-jung with Lim Sun-ae – the latter of whom also wrote the screenplay – is very much the engine that drives the film to its gentle but authentic conclusion. Making a film about rape is already a ethically challenging terrain, but by so fearlessly deciding to add the element of elder abuse to the equation, Lim Sun-ae proves herself to be braver than most.

Even more importantly, of course, is how well she succeeds: Hyo-jeong is never reduced to a pathetic victim, but neither is she patronizingly rendered as an unbelievable superhero. Her challenges feel real and are handled with great sensitivity: was the encounter consensual and did Hyo-jeong merely forget, possibly suffering from the first stages of dementia? The questions Lim Sun-ae knows the audience are, in our most shameful moments, asking ourselves are made explicit in the film by Hyo-jeong herself as she struggles to deal not only with the trauma of what happened to her, but her lack of faith in her own capacity to remember it with clarity.

There’s a sense of sadness with a film this courageous and well executed about such a difficult subject that it will go largely unseen, the taboo nature of the subject matter alone turning an audience off. But that alone is precisely what makes this film so urgent; An Old Lady tells us something we don’t really want to hear in a way that makes us forget why we refused to listen for so long.

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A charming and delightful film based on a manga and about manga

BL Metamorphosis is the story of Urara and Yuki (Sunshine and Snow) who build a cross-generational friendship based on their mutual enjoyment of BL manga. Urara (Ashida Mana) is in her second to last year of high school and facing the choice of what college programs to apply for next year. She's working at a local bookstore when a recently widowed calligraphy teacher Yuki (Miyamoto Nobuko) wanders in to escape the summer heat and a finds a popular BL which catches her eye. Urara is an embarrassed secret fan of the genre, and Yuki had no idea such a thing existed but quickly finds that she loves it and seeks out Urara's advice to learn more about it and get her recommendations.

Acting is reacting, and, as ever, Ashida's reactions are on point, expressing all the embarrassment and social awkwardness of a young woman who has not found herself yet. Yes, she has a crush. But he's already dating the tall, popular, beautiful Eri, and what would happen if he or, worse, THEY ever found out she's into BL? Nevertheless, Urara guides Yuki into the world of BL fandom, and Yuki encourages Urara to try making a manga of her own.

The film is quite smart with lovely parallels drawn between the manga that the two are reading, and the other things happening in their lives. The score and song choices help to propel the story along and as whole the film feels much shorter than its two hour runtime.

It is, indeed, rare for a film to center on a friendship between two people with an age difference of over 60 years, and this film does so lovingly and well. Ashida, if she chooses to, will be Japan's breakout star in the coming years and Miyamoto is a good solid veteran actor. Together their scene work provides all the warm-fuzzies you could want.

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So Far The Best Mini Series Out There

Out of all the miniseries I've watched, this is hands down one of the best. It's not cringey or very stereotypical; it's very concise, straightforward, and the actors are excellent. Both are very good looking, and I see a lot of chemistry between them. There are some flaws in the acting, but compared to other minidramas, these actors can truly act. The second couple is also amazing; I didn't skip their scenes at all. I like how it's just 13 minutes per episode because it made it so easy to watch. It's definitely worth binging.

I watched it on kisskh.co just in case someone wants to know where to watch.

Don’t be discouraged by the ratings; this one is really good.

Also, it has a happy ending and lots and lots of kisses too, if that will encourage you to watch this. 🤭

Acting: it's really good
Chemistry: i really like them
Storyline: typical but honestly not cringe
OST: I WANT TO FIND ALL OF THEM COZ IT'S REALLY GOOD TOO
Rewatch Value: i definitely would want to watch it again.

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I was hesitant to watch this at first, I thought it would just be some darker "Just Like Heaven". I sure do not regret my choice to click play. It is beautifully written, both Miso and Kang Soo's stories are so banally touching.
It really makes one thing about life, illnesses, death and the impact it can have on others.
One particular part hit home: "-Will you remember me? -How can I forget you... -I mean, the good times". It is easy when you lose someone to remember the bad and difficult times, which are often the immediate past. We tend to forget all of the beautiful moments because they're further in our memories. One Day was a good reminder as I am guilty of that.
I also loved that there was no romance involved, though we can easily imagine there was.  This fine line between love and care was just perfect, and I like that Kang Soo took the time to appreciate her for what she was, and not only because he was reminded of his wife.
It is a masterpiece in my book (do I have to mention how it can start a debate on euthanasia? and the way to address the visually impaired?) and great if you're looking for some heart-warming human interaction.

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Messy Execution!

The only reason I finished the drama was Li Ji Ah's character, Shim Soo Ryun, and her quest to avenge the death of her daughter. I wanted to watch her journey and I was rewarded when she achieved her goal. The rest...sadly were just fluff, full of over-the top vile, despicable characters from the bullying teens, to the screeching like banshees parents who lacked class, finesse and intelligence. I don't know if this is a culture in Korea but the truly wealthy people do not behave like them. So many unnecessary filler scenes with continuous bullying by the kids as well as the adults that I, like some of the viewers here, constantly rolled my eyes. The exhibited behaviour from most of the characters was so infantile that I was wondering if the writer is a fan of reality TV "real housewives" where people pull each other's hair.

It's almost comical that these rich families are figuratively cutting each other's throat so their children can be the best opera singer. To be a great singer like Maria Callas and Kiri Te Kanawa requires real talent and the truly best diva sopranos in the world are so few that you can count them with your fingers. Children of the wealthy are normally groomed to be the heir of their family's fortunes. So the idea that these families, residing in one building, all obsessed with their children's singing is not only silly and ridiculous but unrealistic.

The breath of fresh air in this drama was Li Ji Ah. Her acting was perfect and she was so classy as Shim So Ryun. Even the way she carried herself, the way she talked , her mannerisms, her clothes reeked with elegance, sophistication and high class. I'll only watch the succeeding seasons 2 and 3 if she's in it.

Season ending sucks!

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Well, this is a good comedy drama to pass the time, but I won't say it was impressive, and I probably forget it soon.
If you're in for the "summer readings" then give it a try.
I liked that they tried to put more depth to the prosopagnosia trope (now, this desease is a trend in dramaland and it seem to affect a lot of young ceos LOL can you please not be so obvious when you take inspiration?) by comparing Min Ik to her blind brother (even tho it was a very weak and short moment) and describing it as something scary and anxious. I mean you can't recognize people around you, that could be a setback, especially for someone who needs to recognize friends from foes.
I also liked the fact they talked about how some workplaces are a real hell (this thing was also treated in "Jugglers") for employees as maids, secretaries, drivers and so on, and they have a sort of will of change it.
But they kinda didn't handle it very well, the whole plot about the "robin hood secretary fight club" who sell the bribes their boss get from other people and use that money to cover employees issues is a bit boring, moreover because it doesn't concern the two leads or second leads, at least not entirely.
I liked a lot Veronica Park. I was scared when she was introduced because I thought she would be THAT annoying second female lead character, but her being too extra is, in fact, refreshing and amusing. I liked how she was somehow "naive" (not with love relationships LOL) but supporting towards the female protagonist AND her sister.
Well, what I didn't really liked was how much episodes and focus was spent for the whole "I pretend to be someone else" thing, it's something we saw a lot of time, also in western shows and movies, so I don't think it was needed...the show could've take another road without it and it would have been fine.
I find it hard to cheer for the protagonist if she pretend to be someone else, taking advantage of his illness, in order to obtain his love. It's lame and honestly if you think about it, it never ends well. I especially despise her sharade because she knew he had issues with his family and trust issues...she was too greedy, Our fictional characters are lucky their partner are sooo in love and understanding they come to forgive them, but in real life...well suing is the very least imo.
And the plot was pretty much stark...there are some evident plot holes, especially about the disguise and the assault thing that made me wonder if they thought I was too stupid to realize it.
I mean why in the world the driver would change a lightbulb in his boss office at night and why, when Min Ik finds out, he attacks him instead of saying "I'm your driver" . This doesn't make sense at all.
Also I wont' even try to analyse the medical aspect of it: his illness can be "cured" if he has high pressure or if he sees the one he loves....even sticking to it, there were moments were he was supposed to be excited or nervous (like when he confessed to Gal Hee, when they almost made sex and so on) but nothing happened. Conveniently at the end he has a scare in the elevator and his illness just goes away. I'd rather use the fantasy elements than this.
The last thing got me a bit annoyed it's an aspect of their romance. They were cute yes, but a bit too teenage-style to be 30 something. Min Ik hinted he had other relationships in that "stocking moment" (LOL) but they were awkward just by holding their hands or hugging (while in the first episode, when she was just the secretary I thought they were more chill about touching). I'm not saying I wanted hot stuff or whatever, it's just a bit surreal to see them being too much naive for their actual age.
I would rewatch this? I don't know, honestly. I was annoyed at her lies and I don't know if I want to face that again...but overall was cute and not to dramatic, LOL in the first episode Gal Hee's mother death was comic instead of sad.

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If you feel like watching a cute, fluffy, funny and easy romance drama - then you're dead on with High School Love On!
I really, truly enjoyed watching this drama. Not because it's deep or serious is super original story-wise... but simply because I've always had fun watching it - you can lean back and enjoy, just don't expect it to be more than it is: a nice and simple high school drama, with lots of fluff, cute scenes and fun.

STORY
It's a high school drama about an angel that became human and two guys that become interested in her romance-wise. Nothing more to add here, read the plot.

ACTING
The acting of the three main actors was perfectly good. I've always had the feeling that the actors enjoyed themselves and had fun while filming, especially Kim Sae Ron who acts impressively good for her young age.

MUSIC
Not the best soundtrack ever and highly repetitive (although that is usually the case with K/J-dramas...), but still cute and it always fit the story.

REWATCH VALUE
Definitely high for me! Simply because I became a total addict to this drama and there was always just one episode per week, so I always rewatched the episodes to help my addiction.
Also, I'll definitely rewatch the series some time later... whenever I feel like watching something fluff, easy and funny...

OVERALL
I loved it! The feeling I got from it was a bit Coffee Prince - like. Like the actors themselves really enjoyed being these characters and having fun with each other in comedic scenes. Every week when this drama aired, it was like coming up for fresh air and it totally put me in fangirl-mode... I'll miss it a lot!

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