Reviews

Subtle yet deep romance with a thrilling plot

This drama has something very subtle yet beautiful about it. There has been a few dramas like that that I can think of. For example, Doctor John, Goblin, Nine: Nine Times Time Travel - that underlaying melancholy and pain of the characters, the steadily growing plot and the subtle but deep connection between the two leads.

The story started out in a rather subtle way. We got hints of the plot elements there and there but the context wasn't fully there. With time, the drama goes deeper and deeper and all the connections between people hold so much more weight. The leads' romance was a slow burn but they're adorable together. Life is really tough for them, somehow there are a lot of enemies surrounding them, but their connection is genuine and beautiful. It is equal amounts of cute, fluffy and mature, deep. Thinking about our reserved yet polite and kind male lead, Jeong Hoon, and his sweet, tender smiles that just lights up the whole screen, makes me giggle and roll in the sheets. I love him. He deserves all the best things and more.

It's a SLOW BURN, okay, but oh how delightful it is to be the witness of that. If you're into that.

It surprised me how much...mystery/thriller elements this drama has, but somehow it has a perfect balance with the surrounding smaller plotlines and the main romance. Also, despite hating a great amount of characters, we also get to love even a greater amount. What's even better is that the characters are not one-dimensional, they actually have complex sides to them. We actually get to KNOW a variety of characters. Basically there are little to no characters that are thrown just for the sake of filling up space.

Doesn't mean this drama has no flaws at all, though. More than flaws, it's the use of kdrama cliches. It doesn't make the drama bad, we love kdramas despite seeing a repetition of things over and over again, it's just a bit frustrating to see this otherwise fascinating drama take on a kdrama cliche approach. It felt original in its strong execution, cast and plot but sadly it still got stuck in some of the 'kdrama rules' that this wonderful story could have lived without.

Has this drama used its full potential? Well, no. Does it have some superb, never seen before ending? No again. But at the end of the day I don't regret the time spent watching it and am still helplessly in love with its characters.

I guess my advice for the future viewers would be to watch it for the tone (melancholy, slow burn, melodrama) and cute romance while enjoying the surrounding thrilling mystery, but not get too deep into thinking everything has to makes sense in the drama. Best way to dive into this is by toning down your expectations a liiiittle bit to not be disappointed.

Leia Mais

and we cheered for mystery case solving dramas

So the premise is that our leading actress li landi plays Shen Wan, who is a young prodigy that has the excellent skills of a physician and a coroner. After her father is wrongfully accused of corruption, both her father and mother are killed by assassins, and while attempting to help Shen Wan escape, their friend Qin Liang also dies at the hand of these assassins, leaving only Shen Wan alive. She takes on the identity of Qin Liang's daughter, an old patient of hers, Qin Wan, who actually already passed a year ago, but news of her death had not yet reached her family. She returns as Qin Wan, and quickly forms good connections with noble families with her physician skills. After a murder case occurs, she is eventually able to showcase her coroner skills as well, that were taught to her by her father. Hoping to make a name for herself as a coroner, her goal is to eventually travel to the capital to investigate her father's case and restore his title as an upright official. She continues using her forensic + coroner skills to solve multiple murder cases that happen in her town. I'm seeing some people say that FL is too OP at the moment and how everything's going the way she needs it to. Well, idk what to say people, sorry she's intelligent and skilled, and maybe I don't want to see her trying to prove her identity for 10+ episodes like in the Double—we're saving time for the murders and eventual romance!

One of her connections include mr. ao rui peng who plays Yan Chi, nephew to the emperor, one of the youngest generals to lead Shunxi army, good at martial arts and also good at detective work, etc. you get the idea. This is my first time watching him and while I didn't find him very handsome in moonlight mystique, I think he looks great here! Someone said something about a fan perpetually facing towards him and they're not wrong - somehow faint wind is blowing on him in almost every scene, even indoors (hilarious). I quite like his acting so far, and I especially love li landi's acting. I thought she was great in our starry love but couldn't finish that because of the story + male lead. She's so pretty in this drama, I absolutely love her outfits and she looks stunning in purple + her line delivery is as natural as usual. She carries herself with a calm demeanour, but that doesn't cover up her fierceness within.

Regarding the romance (YEA IK MOST OF YOU WANT TO KNOW ABOUT THE ROMANCE) it was kind of love at first sight for Yan Chi. In the early episodes, they have many moments where you can see him falling for her deeper, it's very endearing. I've been watching mostly slowburn and enemies to lovers dramas like the princess's gambit, so this was kind of a breath of fresh air? It's not like their romance is given that much time to develop that early though cause they're too busy kicking ass and taking names. It's looking like possibly 6 episodes ish per murder case? So nothing is going too fast, you just see these small cute moments they share! Hes probably held her wrist in almost every episode so far and that little moment of contact always makes me smile. Shes proven herself as a smart and upright individual who cares a lot about bringing justice to the dead and the wronged, you can't blame the guy (and lowkey a lot of other dudes) for falling for her that quick. He respects her, protects her, and supports her—and is one of the only people around that can stomach autopsies (guys he already wiped her sweat in episode 2 during an autopsy, are they moving too fast?). He's also one of the only people that are suspicious about her identity, and he's also hoping to investigate her father's case as it involves someone who was close to him. I don't think Shen Wan will accept him that quickly since he still doesn't know her true identity until who knows when, but until then, we're just gonna see her stuck with him regardless while they solve cases alongside each other. Now, upon finishing this drama, even though they do get together a little earlier than expected, their interactions aren't cringy or too much, nor do they take away from the serious plot lines. Their support for one another helps them grow as individuals (as if getting even more good is possible for these two) and them being together just MAKES SENSE.

About the cases, they're actually pretty interesting. I don't find the murders/autopsies gory or gross or anything, but maybe that's just me. Everything's kinda fake enough for me to not care. I like the way they find clues along the way and actually manage to piece everything together. They are truly doing detective work—there are calculations, logic, they take the right steps to figure out the motives and intent of everyone involved. You're kind of aware and also kind of not on who to suspect, (first case was obvious, the next one.. not so much), so it's like you're solving cases with them. It lowkey reminded me of Scooby doo and the mystery gang (and I would've gotten away with it if it weren't for you meddling kids!!). But also this is my first time watching a case solving drama so I can't compare it to anything. Editing of the scenes is a little weird at times, they seem to like tilting shots at certain serious scenes, but I don't pay that much attention to it. Overall, I really like the costumes, settings, and plot so far. edit: YUPPP THE ROMANCE IS ROMANCING. Also, be prepared for the last mystery case as that was genuinely the biggest mystery of all! Trust me, you'll want to go into it blind.

finale edit: absolutely loved the way they tied up this drama. now THIS is how a drama should end. no loose ends, no plot holes, no unnecessary deaths, (albeit quite a few necessary ones), and yes, if it wasn't obvious enough, its a beautifully well done HAPPY ENDING!!!

Leia Mais

Bow down for love.

I finally finished it. I ended up taking a lot of time pausing and trying to make this drama last longer. I was reluctant to say goodbye.

Song Zuer captivates with a natural charm that blends playfulness, wit, and vibrant energy. Xiao Qiao, in contrast, embodies quiet strength and intelligence. She faces adversity with deliberate care and unwavering courage, always thinking ahead. Her deep understanding of Wei Shao guides her every move, and she stands by his side as an equal—never idle, never reckless.

Rather than allowing him to face danger alone, she shares the burden, fiercely protecting him, herself, and those she loves. She gently challenges him to see the Qiaos in a different light—an idea he struggles to accept at first. Yet she holds no resentment. Aware of the wounds he carries, she responds with patience and empathy, slowly helping him release the past and find peace—to truly bury the hatchet.

Liu Yuning’s Wei Shao commands attention without a word—his presence alone shifts the air. With sharp features and a cool, unreadable expression, he doesn’t chase the spotlight; he is the spotlight. He’s not the man you run to, but the one you instinctively follow—back straight, breath held. Yet beneath the warlord’s cold exterior lies a flicker of warmth. When he breaks down before Xiao Qiao, the depth of his love, pride, and pain bleeds through every glance.

Liu Yuning delivers a performance both fierce and tender, capturing a rare duality—dominant yet vulnerable, righteous yet enigmatic. His understated intensity, commanding voice, and raw martial edge give him a wolf-like energy that’s magnetic and nearly impossible to imitate.

These two demeanors create this electric “wolf and fox” dynamic. Both characters are written to extremes, and these two actors push those extremes in a way that makes their chemistry almost untouchable. Their on-screen connection feels fated.

The Wei brothers were an absolute delight to watch, each bringing unique personalities that lit up every scene. They truly embodied the Wei clan’s reputation for strength and spirit.

At first, I wasn’t particularly fond of Wei Yan, but over time, he grew on me. His personal journey—coming to terms with his past and striving to become better—added depth to his character. He played a key role in strengthening the bond between the wolf and the fox, acting as a catalyst for their relationship. Over time, he proved himself to be a sharp-witted companion and a dependable ally during the final conflict. I gained a newfound respect for him; he’s undeniably flawed, but he owns those flaws and integrates them into who he is.

Of course, can’t leave out Wei Liang and Xiao Tao, who were an absolutely charming pair. Their relationship started off with playful bickering, which quickly became their unique love language. As the story progressed, that lighthearted banter blossomed into one of the most heartwarming romances in the entire drama.

What made their dynamic so endearing was how effortlessly they matched each other's energy. By the end, they had become a couple you couldn’t help but root for—sweet, sincere, and impossible not to smile at.

The women of the Wei family—Wei Shao’s mother and grandmother—were standouts during the final conflict. Both displayed remarkable strength and resilience. While Wei Shao’s mother initially clashed with the main couple, she eventually transformed into one of their strongest allies. She is not an amazing character, but she changed for the better.

In contrast, his grandmother was a steady force from the beginning. She was the voice of reason and the key figure without whom the relationship might never have been possible. Wise and composed, she never boasted about her insights, yet she approached every serious matter with gravity. Most importantly, she supported Xiao Qiao from the very start, despite her ties to the rival clan.

I found the power struggle within the Qiao family interesting, particularly between the leader and Xiao Qiao's father, who was one of my favorite characters. He reminded me in some ways of Wei Shao's grandmother.

Da Qiao and Bi Zhi’s story is parallel to that of Xiao Qiao and Wei Shao. I really enjoyed their dynamic, although some of Bi Zhi’s choices sometimes felt off to me. Da Qiao was almost always supportive of him. While Bi Zhi might have become a general, deep down he was just trying to give the woman he loved a peaceful life. They were also one of the couples that demonstrated the most mutual understanding and care for each other.

As for the villains, they were strong but came off as a little too easy to win against at times.

The story’s pacing is sharp and well-balanced, with both narrative arcs—political drama and romance—equally engaging and never overshadowing one another.

The plot unfolds in the aftermath of a devastating betrayal between two once-allied clans. Wei Shao, who witnessed the tragic loss of his loved ones at a young age, harbors deep hatred toward the Qiao clan. However, fate takes an unexpected turn when he finds himself falling for Xiao Qiao, a member of the Qiao family. She enters the Wei clan through a political marriage intended to halt an impending revenge plot and initiate peace talks.

The heart of the story lies in their romance. What begins as mutual hostility and manipulation gradually transforms into a deep bond rooted in trust and empathy. Their growing connection becomes a challenge for the main antagonists, as Wei Shao and Xiao Qiao develop an unwavering understanding of each other. Remarkably, they never blame one another for the actions of their families. Wei Shao is able to see Xiao Qiao as an individual, separate from the clan he despises, choosing not to project his anger onto her. In turn, Xiao Qiao respects his role as a leader and forgives the difficult decisions he must make under the weight of his responsibilities.

The romance in this story blossoms at a gentle, unhurried pace, skillfully weaving together light-hearted humor, tender exchanges, and a powerful, slow-burning chemistry that draws you in. It’s not a tale driven by a consistent trope of a relentlessly toxic or overbearing male lead. If you’re looking for a drama built around emotional manipulation or cold indifference disguised as passion, this is not it.

At its heart, it is Wei Shao’s deeply personal and emotional journey. He begins as a proud, battle-hardened leader, defined by his authority, sharp instincts, and the weight of past grievances. But as the story unfolds, we witness the transformation of a man long guarded by resentment and power. Slowly, he begins to dismantle the emotional walls he has spent years building.

This isn’t just a love story—it’s a quiet surrender. Wei Shao doesn’t simply fall in love; he bows to it. Not in defeat, but in reverence. He lays down the armor forged from pain and pride and kneels at the altar of love—not out of weakness, but out of strength and trust. In Xiao Qiao, he finds not just a partner but a safe haven, someone worthy of seeing his vulnerability. And in doing so, he chooses tenderness over vengeance, devotion over pride. His submission to love becomes the most courageous act of all.

Now, about the visuals—I absolutely loved the artistic direction they took with the drama. The color palette and gradients used in the sets and costumes, especially the wedding attire, were stunning. The title card shots for each state were also beautifully done, showing just how much attention to detail went into maintaining visual consistency throughout. It was a visually captivating experience with fantastic cinematography. While there weren't many large battle scenes, that didn’t matter much, as they were never the central focus of the story.

I also really enjoyed the background music during the emotional scenes—it added a lot of depth. The opening theme, sung by Liu Yuning, was excellent, and overall, the entire soundtrack was well-chosen and perfectly fitting.

Overall, this was one of the most put-together and well-written dramas of this year so far. I know it has its flaws, but it is a story I enjoyed, with moments that vary from touching to laughter-inducing. It's a drama that I could easily see myself rewatching in the future.

"Dripping water wears through stone; with a beauty by my side, sorrow and hatred dissolve.

With gentle affection and tender grace, even a noble man bends his will for true love."

Leia Mais

A VERY realistic take on Japanese LGBT life and its society that affects all the characters

Thanks for Furritsu for the subs. I finished watching the remaining episodes on Billi

So I really liked this drama, it’s different. To me depressing or not happy endings stories like this one really interest me. I don’t get emotionally affected by stories like these (because I don’t see it as real).

Oh yeah I am going to talk SPOILERS for this series.

Story: The good half of the story (episode 1 to 8) focus on Mieko and Makio, their friendship and their involvement with Eiji who they all met working part time in a restaurant. With the POV being on Mieko making her the main character of this series. This changes in the final two episodes (8 to 10) where the POV is more general and focus on Makio and Asato general relationship.

For me I liked how realistic and down to earth the story is. Mostly you are following the lives of Meiko, Makio and Eiji (in the 1st half) and Asato (in the later section). For me I don’t think this is a BL story, as while Makio relationships with Eiji and Asato are shown the story does’nt completely focus on Makio. As the story covers Meiko story as she progresses in her life. Also the portrayal of how society views LGBT relationship is completely realistic compared to the fantasy of BL. I just thought things
like this happens in real life and that’s fine, people are in one situation and the next moment they move on to another.

Characters

Meiko: Is such a refreshing female character, she's interesting character, but yes thinking about it she's really stupid for the actions that she did. What I like about her is that she's relatable and reminds me of myself, she is an observer but wants to help when she wants to. Her friendship with Makio is amazing. I understood her downfall when she volunteered to be a surrogate mother, thinking she would help Makio and Eiji’s relationship but as a result it was the one of the catalysts to cause the breakup of Makio and Eiji. Because I could see that is not what Makio wanted. Ok her actions were VERY selfish and egoistical of herself, but in a way she was'nt a baddie in my eyes, she really valued Makkio in her life and I see it as she did'nt mean to intentionally break the relationship between Makkio and Eiji. She's like WAY better than some toxic female characters in most BL dramas these days.

Makio: From the outside he’s a very happy go lucky kind of person. He also doesn’t think much when he decides to date Eiji. The thing is this series does'nt really show you what kind of person Makio really is so you have to judge from what you see him on the screen. But when he dated Eiji and moved on to Asato just shows that he really wants to get into a relationship with a guy the BL way lol (like date a guy with no judgement on his gay status, no child, just have the guy to himself)

Eiji: A really interesting character. I like how honest he is with himself but too shy to stand up for himself, like how he just confessed to Eiji after a misunderstanding and the same when he confessed to his parents but to me he feels like he rather please others rather than thinking about living in a way he wants to. But sadly he is a prime example of being influenced by how society views LGBT subjects. He wasn’t mentally strong to maintain the relationship he had with Makio.

Asato: A late comer into the story. He honestly needed more episodes than 2 to get to know his character. But he’s at least more emotionally stronger than Eiji, I liked how casual his relationship with Makio is and how naturally they became lovers. From being ex-classmates, to bickering about rubbish, to being casual friends and to being lovers. Felt natural and down to earth. He has his own personal problems career wise (and with his granddad) but not related to his sexuality.

Directing: Really slick and felt natural. I LOVE how the ending credits are shown.

Music: It's not really there, snice it's trying to show real life so most of the scenes have no music. I do like the ending themes tho.

Postives: Very high production values, very good acting, great directing and a very realistic story about LGBT life. I liked all of the characters in this story.

Negatives: The Asato and Makio storyline needed more episodes than two. It was a very sudden change of pace from the Makio, Meiko, Eiji storyline.

Overall: More than words IS NOT A BL drama in my view. It’s more like a slice of life drama with the characters being LGBT and how society affects them. Many BL fans might be disappointed in the way the story focuses on one couple for a good amount of episodes only for them to break them up and gives little time to set up for the second couple to form. But I found this story to be SUPER REALISITC because stories like this happens in real life. I don’t know if BL fans think the story is depressing/sad because one couple ending is not happy at all, I thought it ended on a happy hopeful tone to it.

But for those looking for a mellow down to earth slice of life drama with gay characters this series might be for you.

Leia Mais

--rough review--
The storyline of EXO Next Door is mediocre and nothing special to put it bluntly, you could probably find a similar story visualizing fan fiction. 99% of us watched it for the members (including myself) and the cast was what really made it so popular.
This drama has an exceptionally close concept with boys over flowers with the asshole main lead and the nice friend who we all know gets friend-zoned by the female lead.
I will say though i enjoyed the scenes between Sehun and Kwangsoo and found their relationship really funny and entertaining.
For the cast acting Ga young was good as the female lead and really portrayed her character well. I find Kyungsoo to be the most natural and least awkward among the group (and i'm not only saying that because he's my bias). Sehun on the other hand... I have no comments. Kwangsoo was really entertaining to watch and really was a unique and adorable character to watch I got happy every time I saw him, I'll give the directors props for Kwangsoo.
For the music in EXO Next Door the one that stood out was the slow song sung by Baekhyun which I liked a lot.
BOTTOM LINE, if you are an exo fan you will really enjoy this, but story wise... it's really just exo fan-service, which i'm sure a lot of people don't have a problem with. In watching this drama you will laugh a lot and get overly excited and fangirly over a lot of scenes. Treat this as a light hearted fun show don't expect really deep feeling.

Leia Mais

Psychological thriller? Yes, please!

A perfectly written psychological thriller that talks about human behavior under unique circumstances. I have to say, I went into this TV series with high expectations, but unlike others who craved blood and death games, I kind of guessed from the trailers that this wouldn't be bloody and would be more like a human experiment on behavioral issues, which I was right about. 

I recommend this series to everyone who wants to see the thrill of miserable people craving money without the death or blood factor. I don't think we need blood and death games to make something interesting, because the human psyche is interesting without them as well. 

The main characters are very different people, so as you are watching, you will probably have your favorite, which you're going to cheer for. I don't think the series showed us unrealistic characters; I would say they chose a big spectrum of people that represent broad humanity. They showed the bad, the good, and the middle, and they also included disabilities and special skills. In other words, there were only 8 players, but they kind of represented a much bigger group of people. 

I love how the production style was very artsy and the background music was classical music.

My biggest positive point is that they managed to wrap the story in just eight episodes, and honestly, they wrapped it so well that season two isn't needed in my opinion, which is rare with Netflix shows. 

Leia Mais

‘Fishbowl Wives’ ; A Worthwhile Watch, Or A Waste Of Precious Time?

‘ Kingyo Tsuma’ ( alternatively known as ‘ Fishbowl Wives’ or ‘ 金魚妻’) is adapted from the eponymous psychological work by Kurosawa R . A mature and a surprisingly dark insight at times into the world of marriage, affairs and domestic abuse, ‘ Kingyo Tsuma’ is an intriguing if somewhat unrelieved portrayal into the fishbowl-like environment of main female lead Sakura Hiraga ( Shinohara Ryoko).

Hiraga is seemingly living the dream. She’s married to affluent hair stylist Hiraga Takuya( Ando Masanobu), she lives in an opulent penthouse apartment and she is envied by almost everyone that she knows.However as the saying goes: the grass is always greener on the other side of the fence.

Unbeknownst to others, the seemingly perfect Sakura Hiraga is an abuse-victim. Attacked physically and verbally by her husband on a regular basis, Hiraga likens herself to a goldfish stuck in a fishbowl; trapped in an inescapable situation with no way out.

It is due to her fascination with goldfish that Hiraga ends up encountering Toyoda Haruto ( Iwata Takanori). Toyoda is a kindhearted and younger man who owns a pet shop. After becoming enamoured by Hiraga, the female lead begins to question whether Todoya could be the key for her escaping from her megalomaniacal husband.

Screenwriter Tsubota Fumi has numerous works accredited under her name. Previously having worked upon ‘ Will I Be Single Forever ?’ (2021), Ojisan wa Kawaii Mono ga Osuki’ (2020) and ‘ Colorful Love: Genderless Danshi ni Aisareteimasu’ (2021), Fumi has notably had previous experience with adapting or writing somewhat “ avant garde” or unconventional screenplays.

This isn’t to entirely critique Fumi’s screenplay or the leadership of directors Matsuyama Hiroaki ( ‘ Mystery To Iunakare’, ‘ Switched’, ‘ Nobunaga Concerto’ ) and Namiki Michiko ( ‘ Mirai Nikki’, ‘Soredemo, Ikite Yuku’, ‘ Ichikei no Karasu’). The series did an excellent job through the writing reigns of Fumi and Hiroaki and Michiko’s lens perspective of making viewers feel uncomfortable during key moments. The topics exploited onscreen particularly revolving around infidelity, debauchery and domestic abuse could often purposefully make the viewer feel almost voyeuristic.

In addition to this it was apparent that ‘ Fishbowl Wives’ offered some wry and witty attempts at comic relief- a droll comic exchange or setup evidently drawing attention away from tense or angst-ridden moments in the series. However where ‘ Fishbowl Wives’ could admittedly feel somewhat limited was through the direction of writing .

The performances given by the main cast are certainly solid, with Shinohara Ryoko and Iwata Takanori particularly stealing the spotlight during tense or tour de force moments.

On the other hand whilst both leading actors’ idiosyncratic performances were certainly good, the onscreen chemistry between Ryoko and Takanori was admittedly somewhat stunted and inconsistent in parts .

Perhaps this isn’t entirely the fault of the actors. Whilst there is supposed to be an awkward barrier between their onscreen characters due to their respected age gap, it was often hard for viewers to truly engage with this “ developing” relationship due to the characters rarely having a lot of personal drive. ( Particularly with Sakura Hiraga. Although the female lead does develop and does make some life-changing decisions, there were many elements surrounding her seeming “ disregarded” dreams, her first meeting with Takuya as well as trauma which were often widely disregarded and limited opportunities in order to flesh out her character.)

Naturally this also had a knock-on effect with the plot. One of the focal and major drives of ‘ Fishbowl Wives’ narrative came through Hiraga and Haruto trying to find happiness. Whilst we did see opportunities as viewers towards Haruto and Hiraga’s feelings for one another blossoming and the impact of their relationship upon plot, the somewhat lukewarm venture into the characters’ mutual growth and chemistry with one another did restrict dynamic engagement with the audience.

As for the progression of the narrative, ‘ Fishbowl Wives’ is truly a trial of patience. Even for an eight episode miniseries the plot could feel somewhat tedious in parts and slightly dragged out. Admittedly the series did attempt to offer some distributed screen time upon the subplots revolving around Hiraga’s acquaintances, but due to limited screen time, these storylines felt somewhat rushed and sporadically placed.

The delivered ending is admittedly dependent on viewers’ expectations; some possible enjoying the bittersweet note and imagery, whilst others feeling somewhat disappointed by the lack of a concise conclusion.

Under the directing reigns of Hiroaki and Michiko, ‘ Fishbowl Wives’ is notably an assortment of bright palette schemes, symbols and motifs. ( One of the most reoccurring motifs throughout the series evidently being the goldfish; an important plot device for the main characters, as well as a symbol of irony and foreshadowing). In addition to this the OST is notably subtle yet synchronic with key scenes; somewhat generic in parts, but helping to heighten certain scenes also.

‘ Fishbowl Wives’ offered viewers with aesthetically pleasing scenes and decent performances by the cast. However whilst the series did offer viewers with an intriguing plot premise, ‘ Fishbowl Wives’ slowly began to meet its cataclysmic downfall as the series progressed. The ending of the series will certainly differ for audiences dependent on expectations, but helped to reinforce the assertion that ‘ Fishbowl Wives’ struggled at times to escape its own bubble of writing limitations also.

Leia Mais

Why is there no review for this movie…? Well, I have to change that.

From the very first moment I saw the description of Memories of Murder I was sure I was going to at least like this film. Why? Let’s begin with genre: I’m a sucker for things related with serial murders; creepy, I know, but I love this dark, eerie atmosphere that’s usually present in such films. After deciding that this movie is worth watching I’ve done a little research about it… and the things I’ve discovered made me even more certain that this movie is just perfect for me. Not only it is based on real events, but the culprit of this crime was never found! Another thing: I’ve read somewhere that Quentin Tarantino said that this movie is among his Top 20 favorite movies since 1992 – well, that’s a sufficient recommendation for me.

This movie has amazing acting - every single actor made his role alive and believable. The most outstanding one was Song Kang Ho, who plays a role of a stupid local detective, good only at forcing testimonies out of (usually innocent) people with a use of brutal force; evidences are not important to him, the only thing he needs is his intuition. So… yeah, you guess right, he’s not what we call a good cop. He has his sidekick, and boy, this guy is even more stupid and brutal than his hyung – it’s usually him who does dirty work (hanging people upside down, kicking them in the face with combat boots, digging a grave for them etc). So how can such detectives resolve as complicated case as serial murders? Fortunately for them, there’s this guy from Seoul who comes to help them in an investigation - and he is the exact opposite of our country bumpkins.

What I liked about this movie was that it wasn’t only about finding a murderer; it also showed us a believable development of characters. Park Doo Man discovers there are other ways to find a culprit than forcing a testimony out of suspects and Seo Tae Yoon starts to doubt his own, "good" methods. It all combined with great acting, thrilling action and a bit of humor creates an amazing movie. So, if you like thrillers and you’re not put off by violence, then Memories of Murder is just for you.

Leia Mais

An (erotic) melodrama whose melodramatics were brilliantly captured

"Obsessed" is an erotic movie about a passionate affair in South Korea around 1969. It is a melodrama whose melodramatics were brilliantly captured - with a Song Seung-heon, who absorbs the drama in his particular passionate manner. What is new in that context, is how he is allowed to act almost shamelessly here.

However, "Obsessed" is also an exciting KMovie as it touches on a not so well known chapter in recent South Korean history: the time of Vietnam War.


------------------------- SIDE NOTE: --- South Korea and the Vietnam War ---
It is always the USA that come to mind. But South Korea, Australia, New Zealand, Thailand and the Philippines also fought in Vietnam. South Korea was the country most involved after the USA. Between 1964 and 1973, around 48.000 Korean soldiers were each year drafted into this war. They had all volunteered, not least because their monthly wages brought in almost twice as much as a normal annual salary would have at the time. However, the South Korean army has gained a dubious reputation with a few massacres (including among civilians) in this war - a chapter from the time of the military dictatorship that has not been fully processed by now. The KMovie gives at least some space/thinking to this aspect - in connection with the consequences of the post-traumatic disorders, including the protagonist.
-----------------------------------------


"Obsessed" conveys some impressions about those 1960s/70s. The already strictly authoritarian context of South Korean every day life becomes even more so during dictatorship at that time, let alone in military itself. Thus every spark of vitality is nipped in the bud by the stiff corset of an immaculate facade. With the affair, an erotic tension is built up that one is not used to from the KDrama orbit. For the protagonists, however, this tension opens up a forbidden, yet addictive space to breathe, love and feel alive - and this precious moment of feeling alive has more value for the distressed male protagonist than anything else - as he has already seen and brought way too much death into this world...

Provoking. Gloomy. Beautifully done.

Leia Mais

Watch for the plot, not the romance

A lighthearted easy to watch drama with the main focus being the dating show.

I had very high expectations for this drama after watching the first two episodes, it was right up my alley (providing an old kdrama vibe). However, it slowly lost that charm. Don't get me wrong, it's still a reasonable drama, I really like the dating show concept, it kind of feels like watching one, the only difference is being able to see the behind the scenes chemistry of the cast and how it's all put together. But just a heads up before jumping into this, the first half and second half are quite different due to its shift from focussing on the mains relationship to only mostly focussing on the dating show.

As much as I absolutely adored them in the early episodes, towards the second half of the drama, I began to lose interest in Yu Reum and Jae Hoon's relationship. I was worried this would affect my overall view of LIFS as waiting for their romantic relationship to actually develop was tiring. However, I chose to focus on their individual stories, rather than their romantic ones and I think, with that mentality, I was able to stick with this longer and enjoy the drama more. And for that, I recommend starting LIFS for the plot and less for the romance between the main leads, because, even 11 episodes in, there is little to no romance between the two. The title 'Love Is for Suckers' summarises this drama pretty well.

Lee Da Hee and Choi Si Won are an amazing kdrama couple (perfectly casted in my opinion), but they sadly just couldn't thrive the way they were meant to with a plot like this... They had so much potential, but the writing was lazy, giving no tension or hook.

There is a love triangle, but the second female lead is sweet and likeable, no overly rude and annoying SFL's in this drama - just means viewers might root for her happiness more.

Overall, it's cheesy but not to the point of being unbearable and cringe to watch, the acting is pretty good and most of the characters are likeable in their own quirky way. The plots rather simple (and slow paced), but it's reasonably interesting despite being a bit messy and occasionally going backwards rather than forwards in the development of characters. Also, the actual story doesn't start until episode 5; the first 4 are more just an introduction to the characters and their backstories.

The writer did one thing right - giving a good character development to John Jang. I was so much more invested in his story, he’s surprisingly a really likeable character as the story progresses. Park Ji Wan too! Those two are lowkey my favourite characters. ^^

If you read my review and still think you'll watch it, why not - go for it! Despite its flaws, it's still worth checking out.

Leia Mais

Has a Lakorn vibe (Thai Drama)..

If you are fun of watching Lakorn or Thai dramas then I think you might like this one cause it was somewhat the same vibes with it; it has revenge, male lead is domineering, there’s a slap and a mother that is evil hahahaha.. it’s fun to watch, it’s just that to sad it’s just a very short series like wanting for more after one episode...

l have enjoyed this drama so much wishing it could have been longer...The costumes and the setting is nice not lame even the cinematography it’s just fine as well...

The male lead is damn hawttt hahaha , and Dawn is still pretty and cute, first time to watch her in republican drama...

all in all this drama is just great for me specially for a short series because l seldom watch short series cause l find them too simple or not trilling somewhat like that.._ but as for this short series its very different, l just really love it so much, its very entertaining..
_...one things for sure in this drama the male lead will not disappoint you hahaha especially when his shirtless hahaha... sorry got a little bit naughty here hahaha..

l recommend that you give this drama a shot if you haven't watched it, just don't listen to the comments good or bad, or to the ratings because whether a project is good or bad we netizens or watchers have a different say to it...so just go and dig in ...

Leia Mais

A Lot to Unpack - An Honest Review

I only watched this because Xiao Zhan is one of the people I follow and also for seeing what the military genre holds in their country, as it's the first time I watched a military cdrama. And while everyone knows the general issues production had, I did find out recently that it was because of censorship and multiple reviews, that this drama lost 13 episodes and therefore explains the haphazard editing and much of the disconnection and inconsistencies. Let's unpack this series.

Pros: I loved Gu Yiye from the beginning. The character wasn't perfect in the slightest but was always determined to make himself better no matter how much hard work it took. Every step he took, every emotion he displayed made it in effect seem like a docuseries and not just a fictional drama. No matter how many people frowned upon him, he was determined to show his hard work and take his own path to the top. XZ filmed this series during the most difficult time in his career and life and still put 110% into it and it shone through in dividends. His explosion of emotions or even basic army tactics spoke volumes about how much he was invested in his character.

A-Xiu was literally the perfect match for GYY. Though their relationship began out of responsibility, it blossomed into real genuine love. The way she always had his back no matter what. She helped break the PTSD cycle, she ran around searching for doctors for his arm, she was ready to beat up anyone that ever bullied GYY and was the solid foundation that essentially GYY never had in his life. To her, he was the brightest star in the entire world. Both Jiang Nan Zheng (JNZ) and Hu Yang (HY) couldn't provide the simple things GYY needed and that really all he ever needed was understanding and support.

My other favorite characters were many of the support like Zhang Fei, papa Gu, and the rest of their comrades in arms. Each one came with their unique personalities and flaws. If a character is too perfect, it won't be remotely realistic. Just like if the opposite happens and the character is awful, it won't lead credence to the portrayal either. The couples whether they stayed together or not still were properly evolved and had their closure at the end.

I loved the special effects during the big battles or whether they actually used real military equipment or CGI I don't know but all the blasts and the combat scenes were really nice. Be they real war or drills; when actual fighting was involved or strategies explained, it was nice to see how the mind worked to help move on to the next step. The OSTs were also appropriate and made the proper impression whether in the credits or in the scenes. Also liked the fact that this series ran low on propaganda which is a very good thing as these military dramas tend to overdo that aspect in large quantities.

Cons: I will be completely honest here and I'm not hating on him in the slightest but Johnny's performance for more then half of the series was underwhelming. I have been told for a long time that this genre was his niche so I was very excited to see him and XZ in this great drama but his performance fell flat for being the ML; I've got nothing against him at all; this is just my own personal experience and opinion as a viewer.

Gao Liang until he went to study at the school was essentially riding the coattails of nepotism which was quite unseemly and with the sob story about him being an orphan and his dead brother; also weird that the story kept changing to fit whatever was going on in the drama. I kept wondering why no one was calling it out but perhaps that's how their military ran in those days.

JNZ started off as a smart young woman but then they dumbed her down into this whining, crying female lead that had literally no concept of being affected by the battle that took so many lives. It felt like the battle the rest of the cast fought and the one she was in were completely different situations. The "turn your frown upside down" in regards to the trauma GYY was going through, her attitude was rather lame and that's the other thing that made GYY start to distance himself from her.

The amount of random time lapses and inconsistencies were staggering. A few examples; JNZ hated her father the chief and then in the next episode when she finds out he's fighting for his life, she was practically ready to change his diapers in the hospital for him. One episode she calls GL her brother, in the very next episode she's madly in love with him. The romance between GYY and AX would also have been good to see.

The fact that this series tried desperately to turn GL into Robocop, making him single-handedly take out very butch and heavily armed terrorists or that last drill that dragged for far too long and him zipping around the island with literally a propeller in his butt and 17 pairs of eyes being able to spot a singular intruder on his own and then go chase him down. It was beyond unbelievable even for a fictional military drama. That can't be excused by the cut in episodes, but I would like to ask what the writer was thinking. The fact that he was able to scuba dive with explosives without any real training was very inconsistent and pretty ridiculous; just like GYY and his soldiers being able to essentially turn into paratroopers with zilch experience also made little sense.

There were many more but I'll mention a last one and that's the tug of war of JNZ and GL and their marriage. When GYY is dating JNZ, GL is always there getting in between them like an annoying mosquito they can't swat. But as soon as JNZ is single, GL seems interested and then quickly backs off; giving her a zillion excuses. Did he ever really love her? Or was she like a trophy to win in a competition? Yes they got hitched in the last episode but it seemed it was such an afterthought and added a musical to the mix. When she didn't look at him, he was super clingy but when she starts being the epitome of gorilla glue, he runs in the other direction. And her solution to every one of their problems was marriage. Her showing up in the 21st century wedding dress and heavy bling (that didn't make sense as she had a military salary) at the hospital where he was unconscious looked completely misplaced in a military drama. Many moments like that make you scratch your head in confusion.

Would I recommend it? If you're a military drama fan and like Xiao Zhan as well as well done supporting characters and great action, then yes I would. But I do warn about a lot of inconsistencies that might make you very confused.

Leia Mais

The Princess’s Gumboot more like…

NB. Unlike the majority of my reviews this one contains mild spoilers.

To be honest, this drama suffered even more from the comparison to Nirvana in Fire which I’ve just finished watching. I described that as “sophisticated and intelligent” but unfortunately this one is lame, painful and naive. In reality it is a romance in the enemies to lovers trope wrapped up in an intrigue/mystery plot that has about as much twist and tension as a scrunchy. Because whatever happens, you know beforehand that it won’t cause much of a problem to our dashing, devilish hero who will emerge shining bright like a TRESemmé ad with his wig still immaculate.

How do I know that? Because a good plot is one where the odds have real bite and there is both winning and losing, so that the audience is left insecure. But when death is the only stake from the get go, two things become obvious: firstly there will be no gradual increasing of tension and anticipation, only more of the same; and secondly, the hero/heroine can never lose, whatever the circumstances; come hell fire, explosions, high water, incompetent assassins, miracle survivals, impossible escapes and of course, the compulsory memory loss.

Another consequence is a stupid, one dimensional villain, who has to mess it up every time. The character of Prince Wu You was bafflingly extreme and contradictory but not to worry, he was just the aperitif and was soon replaced by another one. Unfortunately, Prince Wu Yin was cut from the same cookie dough but had an added creepily erotic nanny fetish over the linchpin villain of the piece, whose most notable feature was her absence from the majority of the drama. The loss of the only credible villain, Meng Hui Jin about a third of the way through was a sad day for the plot. One wonders if having an opponent equal to the task was something the writer was not skilled enough to handle.

I wasn’t convinced by the love story either. In fact the writer’s level of emotional literacy throughout, especially in the characters of the villains, hovered around zero. If on first encountering someone they try to kill you, just believe me when I say, you really are never going to trust that person again. Then heap on top of that a huge number of dodgy scenarios and a great deal of warranted mistrust and you have an unredeemable situation. So to think that these psychological obstacles could in some way be cast aside (however much two people lust after each other) is totally naive and snuggled-up-safe-in-bed fantasy-land imagining. And there you have it, I suppose I’m just too old and grounded in reality to appreciate this style of storytelling. I assume that this is a known fact to people who choose to read my reviews (and I’m genuinely grateful to you for being one of them), so no surprises here, lol.

This wasn’t a low budget love story. There was a cast of thousands, a big costuming budget and all the trimmings which were on constant display (they’d got them, so they might as well use them type of attitude). Which might go some way to explaining why our intrepid heroine felt it necessary to still wear a barnet full of ornaments and a silk gown whilst rough travelling hundreds of miles on horseback to rescue her brother. But despite all that jingling finery, the drama still didn’t make the cut because the script and the plot was sooo bad.

It began with a perfectly acceptable high stakes drama (if I was generous, a 7.5) and then, almost purposefully, slid down the long slippery slope to end in the farce that was the coronation scene (now plummeted to a 5) before falling apart completely (which is how we arrived at 4). There were too many threads that were hanging loose and not bound together into a cohesive narrative. The last three episodes felt like having to clean up after a party—washing up the characters, vacuuming out the various plot rooms and polishing off the last dregs in the wine bottle just so you can keep going.

As for the dialogue, it was superficial, explainy and lacked any sort of subtlety or emotional intelligence. When characters start explaining their backstory to people who lived it with them, then you know the writer was chucking an all-nighter to get the scene finished before the dawn shoot and patch the holes made by the scenes that got cut earlier on. This happened throughout, but most cringeworthy was Empress Lv in Episode 34.

The acting wasn’t anything to write home about either. But then it’s difficult to excel with banal lines and wooden direction. It’s hard to pick a winner but I’ll back Lui Ling Zi’s performance as probably the best of a very average bunch.

And the soundtrack? Was there one? I’ve forgotten…

However, to end with, there are one or two things that attracted a favourable response from me. I really like the sets for this drama. Particularly the gambling den, with its rich colouring and ambitious costumes. Also the cinematography followed through on that theme, with some dramatic lighting that provided an interesting visual feast (which saved it from a 3.5).

Leia Mais

“Does it taste good to eat an entire feast on your own? Or does it taste better to eat just rice and kimchi with others? Which person seems the happier person to you?”. Ok Da Jung.

“Your job needs to be something more than just a source of income”. Ok Da Jung.

Don’t let the cover picture nor the description fool you! This is no rom-com and I actually mean that in a good way. I have missed the old typical rom-com K dramas, which had meaning and had strong message to carry on. I was almost losing hope in finding good quality typical K drama BUT I finally found Ms. Temper & Nam Jung-Gi! At first it may give you the impression that it’s just a silly, funny, shallow typical k drama with lots of clichés and predictable plot. Yes, it is to some point predictable I’m not going to say it isn’t BUT is it typical? No, in my opinion it isn’t. First of all, take any rom-com drama out there (especially work related ones) and take out the “romance” element or the “comedy” element what are you left with? Basically nothing impressive, this drama on the other hand has so much more to offer you other than just romance or comedy.

The story took path where we as viewers couldn’t predict; it wasn’t really focused on one certain element but all elements and all characters equally. I loved how the work environment is the most essential element here and loved the way it was presented. They took something real and serious and presented it in a funny and humeral way at the same time kept it realistic. Therefore, you as a viewer not only will you have fun and great amount of laughter while watching but also you will appreciate/understand the message behind each and every episode here.

Ms. Temper & Nam Jung-Gi as a drama has given importance for the side characters just as much for the main characters and that is something isn’t often seen in drama land if you ask me. The story allows you to slowly understand the characters each and every one of them and takes you along with them so you will be able to understand their actions or why they decided to live their lives the way they do. In opinion what makes this drama special isn’t the story as much as the well-written characters. I wonder how the writers were able to make them so interesting and fun to watch at the same time kept them down to earth real. No perfection, no bad or evil characters here just different perspectives and different way of looking at things. Life is hard enough, we fight constant battles each day to survive we don’t have the luxury to worry about others so how far are we willing to go in order to survive? Does that make us bad/selfish people or timid spineless people? Or does it just simply make us people?

I will take a moment here and appreciate one of K drama’s best female character ever created and a true role model Ok Da Jung (Lee Yo Won). She is a strong, righteous and great person who knows exactly how to stand up for herself and wouldn’t fight using dirty methods no matter what. She may seem harsh and too blunt but she isn’t a bully and she cares mostly for the company and staff. You could learn so much from Ok Da Jung and you will probably wish you had such a great boss to work for in real life.

I think Lee Yo Won did great accepting this project, at first I was surprised because I am used to watching her in melodramas or more dark serious plots and entirely different characters than ODJ so I wondered why would an A-list actress go for cable project and with such unknown cast but I still trusted her judgment and as her fan I respect her for taking this risk. This is her first rom-com project and I’m happy she decided to explore her talent, she was wonderful as Ok Da Jung it will be almost impossible for you not to love her. The rest of the cast did splendidly especially Yoon Sang Hyun as the timid nice angel Nam Jung Gi and Hwang Chan Sung as the boy who has still yet to learn to grow into a man who can handle responsibility. It is fair to say that even the guest actors (Lee Jung Jin & Yeon Jung Hoon) did an amazing job for short appearance; I was delighted to have them on the show.

I generally do not rewatch dramas but I do have few ones that I'd rewatch. However I think this drama can easily be rewatchable material for anyone who would rewatch dramas in general because I do believe it will be just as much fun as it was the first time and frankly you never get enough of Ok Da Jung & Woo Joo's scenes.

Overall
I can see this drama will be one of the underrated dramas here on MDL and will go unnoticed. I don’t know if my review has helped or not but if you are looking for your typical fluffy romance then let me tell you this isn’t it. This drama does not focus on the romance in fact you can barely see it but you most certainly can feel it. The thing is "romance" in here is presented in mature manner but that's also has its beauty so don't let this stop you from giving the drama a chance. Ms. Temper & Nam Jung-Gi has so much more than just comedy and romance; this is a fun enjoyable ride if you are willing to appreciate what this drama has to offer. After all as Nam Jung Gi says, “Does a relationship between a man and woman have to be melo or lovely dovey fairytale? Why do people expect that?”.
Also Ok Da Jung and Woo Joo make the cutest most adorable couple ever don't miss out on that :')

Leia Mais

The Road To Revenge Is Full Of Plotholes

THIS HALF-RANT IS FULL OF SPOILERS and is written by one in need of vengeance against these scriptwriters who don't communicate with each other about what the drama they're writing is about.
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Come here, sit down and have a cup of the lovely Undying Flower Soup while I rant a wee bit.

Kill Me Love Me is touted as a revenge drama. The novel had a Blackest Flag male lead and an abused female lead who loved him in spite of being treated like dirt by him, and anyone who read this story knew there wasn't a snowball's chance in hell C-Dramaland was going to have the real version show up in their adaptation. Nonetheless, the first five episodes of Kill Me Love Me delivered an exciting promise of a different kind of male lead--one who was a bit depressed (about his loss of self and reputation), plenty angry (about his condition, the betrayal of his brother) and quite, quite ruthless in his ten -year plan to exact revenge.

Liu Xue Ye delivered Murong JingHe as he should have been THROUGHOUT the book in these five episodes and got many, many viewers hooked. He handpicked and trained an assassin in a secret assassin school, spending years making sure she was one tough nut, to be a tool in his plan. This assassin was a victim of a city siege fire that MRJH had been framed for setting, killing 100000 citizens in its wake, so this woman, who willingly underwent very brutal training would attempt to assassinate HIM, MRJH. This woman was Mei Lin, who had lost her parents, who hated MRJH, the General of the WeiBei army, so much for the death of her parents and friends, that she swore to kill him. The fascinating angle to this whole buildup to the revenge was Mei Lin having no idea that her Master Trainer/Lord was MRJH himself, who always appeared as a shadowy figure.

The set up was Gothic, full of darkness and ravens, of people screaming at an indolent and uncaring MRJH in his wheelchair, of the watchful hate in Mei Lin's eyes as she got nearer to her target. It was akin to the Madhatter's Party in Alice in Wonderland, where every character was questionably insane, yet all the colors were pretty and there were pretty cakes and silly rhymes and we the viewers were getting highly entertained by the push and pull of the sexual tension between our leads as they confronted each other in the flesh.

Then POOF, Alice in Wonderland took a pill and became tiny. The Gothic story disappeared and our ride became bumpy with the first set of plotholes before we were suddenly plunged into a ROMCOM world of happy village people living the idyllic life of happy unaffected people, and our two leads were suddenly in couple clothes and doing very romantic things. Which was all fine and dandy, except, without any transition from the danger of almost dying a few days agp from hunger and cold, of almost being killed by the evil brother, we were left scratching our heads with these three or four episodes of Happy Couple, tralalala-ing in the fields.

Then POOF. Alice in Wonderland took a pill and we were back in the Palace of Intrigue. The stakes were high and our leads' revenge was nigh. We were so ready for it because this was what it was all about--the truth would come out and the Evil Brother would die a good bloody death, etc. etc. Oh wait, Plothole ahead. Bump Bump. And I'm at a loss at how to explain what happened next.

The revenge? A whimper. The Evil Brother's death? Kinda peaceful, in the arms of the woman he freaking lied to and seduced, no less. And the ten-year plan? Long gone, actually--it disappeared in the first five episodes because Mei Lin already found out MRJH wasn't the one who ordered the fire. We were led to this point where we'd expected the PAY OFF--these two would face Evil Brother TOGETHER and get their vengeance. That's what a revenge drama is all about!

And Poof! Poor Alice. Small again. Our ML went and did the "noble savior" act and denied the assassin HE trained any of the revenge action! My head about exploded here. Mei Lin was sent off as Princess in marriage. WTF? What the loving frack?! The plothole here cannot even be filled in. Yes, yes, the noble savior trope was the cement bridging the next segment of this sad story, but can we get back to the Mad Hatter Murong Jinghe? This man, our slightly crazy hero of those first episodes, who wore vengeance with a casual sexy ruthlessness, had turned into the emo-child of some grunge festival, crying about angsty self-hatred. And Mei Lin, the amazing assassin we've grown to love was no better. She was suddenly some regal lady of the court, with the mannerisms of nobility, speaking of "different paths" and changing her focus to saving another man, her sudden betrothed.

What? WHAT? I get it. She was mad about the Big Sekrit of who had trained her. I get the angst. But shouldn't she be angrier about NOT BEING INCLUDED in their revenge? What was this about her agreeing to be saved? She was Mei Lin! She didn't need saving! She was the one saving everyone, remember? This essential change in her character gave me the second whiplash. Because...Plothole. Where were the other assassins who had trained with her? Why would she just meekly go off when she had never done so before? And if she was so clever in the beginning at figuring out that MRJH wasn't all bad, why was she not clever in figuring out that her betrothed, the Xiyan Green Tea Prince, wasn't all good?

(I know you're wondering what gave me the first whiplash. I wish I have time to include other character plotholes. But the first whiplash belonged to a secondary character, who was almost (ALMOST, if only the darn writers could decide together) the 2FL. One moment she was hankering after our ML for 13 years and then she took a whiff of sexy incense, and she was in love with Evil Bro. Y'all just have to hatewatch the drama to see what I mean)

And you know what? Alice never got big again throughout the drama. Mei Lin remained weak. MRJH said (and rightly so) that he was to be blamed for killing her. But dude, you had the cure. Why let that Other Guy take the credit?

The rest of the plot after the revenge was added on for lovers' angst, which was fine. I admit, I enjoyed MRJH's anguish because Liu Xue Yi was hella sexy when he suddenly turned Heathcliff and ran off digging up the "dead" Mei Lin. Now, THAT was a memorable scene. Where did we ever see a ML carrying a "corpse" around, drinking wine and trying to feed her medicine? THAT was the MRJH from the first few episodes--a man unafraid of the darkness within him--but this Gothic Self was merely bookends to the drama. In the middle was some other persona.

The romance was sexy at first, then turned rom-com sweet, then went all angsty. The loss of sexual tension really hurt the push and pull of these characters. They just jumped from one segment of episodes to another segment like they were in different dramas. I love the actors' chemistry, and boy, did they hard-carry this show, but many, many balls were dropped while we traversed this road full of plotholes.

Did I enjoy the drama? Yes, mostly. It had many entertaining scenes. But these stitched up scenes lacked coherence. So many things had to be explained away, until we all got a bit silly and started asking silly questions, like Where did the pet dog go? Or, how did the village people change our couple's clothes while they were unconscious and when Mei Lin wouldn't let go of Jing He's hand for days? Or, shouldn't rigor mortis have set in--why was her "corpse" so malleable?

So, yes, I was entertained, even at the "ending of repeated deaths." They should have titled the drama Kill Me Kill Me Again And Again. Just ignore the Plotholes. And the writers' attempt at making ironic symbolism like the Undying flower for the couple.

It's more 7.2 than 7.5. I'm kinda torn. I want to avenge MRJH and Mei Lin for what the writers did to them.

Leia Mais