That being said, I don't think it was that bad. It isn't the most groundbraking suspense drama you'll find, it isn't the best written thing you'll see, but for the lack of experience these girls seem to have, the fact that it's "one of those idol dramas", the budget and the amount of episodes, I've seen much worse. To be honest, it's a very binge-watchable drama and it keeps the tension more or less throughout, so I don't regret watching it.
The plot starts in medias res, which I really appreciate in a suspense story, and I wish it had kept the focus it had on the beginning throughout the entire thing because, as the episodes advance, it gets unecessarily complicated for a story that didn't need so many unconnected twists and turns. And, for what I've seen in some comment threads, I'm not the only one left with more questions than answers when it's all said and done. I wish there had been one big focus instead of small things that have a common thread, kind of, if you squint.
Still, for all its complicated messes with the plot and its unanswered questions, it did leave me wanting to discuss it to try figuring out what just happened, and I consider that a good thing; I had left complicated dramas wanting to never look back in the past, but this is not one of those, at least. It's a mess but it's an interesting mess. And hey, I commend these girls for starting out with a suspense/horror/mystery drama rather than a typical school drama which would have probably hidden their inexperience a lot better but it would have been a lot less interesting to watch.
If you're looking for suspense with minimum to no gore, a sort of idol version of SAW, which will keep you wanting to know more, even if it's to try figuring out what on earth you just watched, and don't mind very inexperienced performances and some clear fanservice-y moments attempted to be disguised as representation (that's the idol industry for you, though, it's a general recurring problem), give this one a shot. And then DM me and tell me what you think just happened.
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A Series with Heart and Soul
One of the main aspects that stands out about Japanese drama is their way of including a heartfelt and inspirational message in their stories. I came across Cherry Magic on MDL two months before its official airing date. The plot summary and casting choices intrigued me. I had recognised both of the main leads, Akaso and Machida-san from their previous works, Nee Sensei, Shiranai no? (2020) and Joshi-teki Seikatsu (2018). Since Ossan’s love (2018), Japan has become more open to exploring BL/LGBT genre and well-known actors and actresses featuring in the genre. Considering those points, I had gone ahead and read the first two volumes of the original manga by Toyota-san’s Cherry Magic. The manga’s direction was lighter than other shounen-ai works, and I appreciate Toyota-san writing the characters in a likeable manner.The story could have taken many different directions; however, I appreciate the staff and crew’s mindsets on the drama structure's focus. Having read the manga (Vol 1~4), and watched the drama series, I could sense the amount of thought that went into making the show fitting for a live-action adaptation while bringing heart and soul to these characters.
Most Asian dramas tend to over sexualise and romanticise unhealthy relationships, especially within the BL and LGBT genre. Therefore, the direction of Cherry Magic proves that none of those portrayals is necessary to create an exciting and engaging show. The show features a fair focus on realistic obstacles, including workplace struggles, the risk of striving for your dream goals and self-acceptance.
Acting:
The acting was top-notch; I could feel the character’s emotions, including the scenes without any dialogue. I loved how the main and some of the supporting casts were given a chance to show their range. It helped me become more invested in their characters. Setting the characters in a genre with both slice of life and a supernatural element could be quite challenging. Therefore, I believe the writers did an excellent job writing the main and supporting characters in a relatable and somewhat realistic approach.
Setting:
It was refreshing to see a drama set in a workplace setting with the given genre. It brought more opportunities to explore some realistic obstacles and a sense of relatability towards a mature target audience.
Much analysis has been made on the drama’s setting, placement of props and editing by fans. Although the production value is relatively standard, the staff considers all the mentioned elements, therefore, reflecting the character’s emotions with their given surroundings. I appreciate the setting being viewed more than a stage or an aesthetic; it made me rethink the use of colour palettes (e.g. Blue for gloomy mood by Kurosawa).
Music:
I fell in love with both the opening and ending songs featured in the show. The lyrics had much depth and connection with our two main characters. I found it interesting the opening represents Adachi’s internal feelings while the ending represents Kurosawa’s perspective. Both songs complement each other, and the visuals fit the songs melody. The soundtrack is both amusing and emotionally moving. From my perspective, I did not feel any of the ost or songs were out of place.
Last thoughts:
If you are used to seeing skinship and rapid development featured in romantic relationships, the show may not be your forte; however, I recommend you give the series a watch.. While watching the show; it reminded me that falling in love can be a wonderful thing in life despite the depressing and heartwrenching moments.
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The cast was really awesome! I saw some of my favorite stars from previous dramas and some new faces as well! All of them portrayed their parts well, and Jasper has really improved in his emotional scenes (from Pleasantly Surprised). Jet and Jasper's character both had fantastic character development and were characters with a lot of layers/depth. Both of their characters were what made me continue watching because it was just so fascinating to understand both of them more. Of course, the OTP was cute too. Mandy and Jasper had more chemistry the second half! The side characters were great too. They were consistent with their character and it seemed like all of them had a story underneath their exterior, which was consistent with the title of this drama, When I See You Again. I liked how the director was detailed enough to give many of the characters time to tell us their story too, adding to the overall depth of the drama!
Music was very catchy so no complaints there! Not my favorite OST of all time but good enough!
Re-watch isn't that high because their were a lot of surprise elements in this drama. Thus, I think that it wouldn't be as good the second time around. However, as usual, I would go back and watch my favorite cute scenes between the leads! All in all, I recommend this drama to everyone who likes a good romantic drama and some "politics" mixed in. Of course, if you're a Jasper fan you cannot miss this drama! (9/8.5)
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Anyway, the special was fair enough we get to see more of great moments specially hilarious ones. I totally love Nakatsu he's the best ever! It's true that Hana Kimi's cast was outstanding but every time I think about this drama, Nakatsu jumps into my mind with his weird yet funny and cool thoughts.
Maybe some people didn't like the special or thought of it as unfair but believe me the fact of seeing Hana Kimi's cast and events all over again is worth wasting your time on it.
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Admittedly you don't see a lot of Aaron Yan at first, which may disappoint you, but that doesn't mean you won't fall in love with the other characters, each individually trying to overcome their own troubles. Aaron's appearances are short but sweet and later when he gets more air time, I fell in love with his sweet, loving character even more. His relationship with the Death Girl, Du may leave something to be desired but is in no way shallow. I felt every emotion in this drama. A must watch!
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Man made goddess.
This fantasy drama is set in Sichuan, a world that is being torn apart by internal strife, corruption and disillusionment after the people are abandoned by their goddess. The young ruler Yuan Yi sets out to restore faith, peace and prosperity to his land by seeking the return of the goddess. This brings him to a remote village that is occupied by a tribe whose sacred duty is to contain the deadly earth fires from erupting and engulfing their world. There he encounters Linglong, a young girl with inexplicable powers and her father Huotu Xin. They are semi-outcasts in the village as Linglong's mother was an outsider who disappears as mysteriously as she appeared. Is Linglong the key to bringing back the goddess to Sichuan?I have to give top marks for how mythically gorgeous this fantasy world looks - especially the fabulous flying fish ships. This drama's premise around this magical fantasy land and its man made goddess is very interesting and I really enjoy how the world building takes place slowly as the mysteries of the past and the origins of the goddess are revealed. The problem is that the plot peaks at that point, meanders around before limping to an unimpressive and dissatisfying ending.
I really enjoyed Yuan Hong's performance as Linglong's father in this drama and find it to be the drama's most memorable and enjoyable relationship. His heart warming, comical rapport with Zhao Jinmai's Linglong regularly had me grinning away and made me continue even after the plot lost momentum. This is one of the best portrayed father-daughter relationships I have seen in c-drama. I am so glad I watched this because I really needed to wipe the (not good) images I had of Yuan Hong after Rebel Princess. He is an incredible and smoking hot actor and I wish the drama was written around his character Huotu Xin, who is much more interesting than the titular character Linglong. That is one of my main gripes - the titular character Linglong is not that interesting and her relationship with Yuan Yi is sweet but does not make a lasting impression. Sadly the China market is idol-focused and there is limited room for actors like Yuan Hong who are ageing out of lead roles.
I love realistically written, opaque and intriguing characters with conflicting agendas, which is how many of the other main characters are written. That makes them so much more interesting than the OTP that I care a lot more about them and am dismayed at how callously they are dealt with. Even Li Sha and Yin Xiao are much more interesting both in terms of their personalities and abilities than the OTP. Not only was I rooting for both Wu Yuan and Yin Zhuang at the same time, I was also rooting for Wei Shengyan and Huotu Xin at the same time! It is incredible that this drama manages to resolve such win-win triangles in a way that manages to disappoint someone who is rooting for both angles. Wei Shengyan is a smart and curiously likeable protagonist who suddenly does stupid, self destructive things to force the plot towards the ending the writers wanted. I don't want to spoil the end so I will just leave it at lots of stuff happens, there are many sacrifices but Sichuan is not necessarily a better place and I don't care that much about the winners.
I enjoyed many aspects of this fantasy drama and can recommend it as a decent filler drama to watch with low expectations. I rate it 7.0.
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I literally cannot count the amount of times I cheered, laughed out loud, cried-mostly tears of joy but a couple times were for sad or simply melancholy reasons, cursed at whomever I detested or disrespected, clapped my hands, or was most profoundly stunned into absolute silence with my mouth agape and my eyes blinking ever so slowly.
This drama offered me everything I could ever desire in an amazing viewing experience. Bromances, romances, betrayals, action and adventure, revenge, loyalty, self awareness, self sacrifice.... None of them done in an over tired or cliched way, as so many dramas are wont to do. Even the villains in this were not evil for the sake of being evil. They were layered and deep and had understandable reasons for their treachery. Even if their actions seemed extreme to the other characters they interacted with, or us as the viewing audience, you could see how, from their point of view, everything they did had purpose.
While watching this drama I only ever had one negative criticism in my mind about one single character. I immensely disliked the Crown Princess, and was ready to deduct half a point from my overall rating of The Three Musketeers which caused a lot of inner turmoil. However, I am so very glad I followed the guidelines for reviewing and waited as, in the end, her character fleshed out and became one that I look forward to seeing develop in the future.
That being said I can say without any doubt there was nothing I didn't love about this drama. It was a wonderful adaptation of Alexander Dumas' Novel. I was thrilled at the ending and also saddened that I had no more episodes to look forward to... at least not today. Whenever they decide to air season 2 it will be like Christmas and my Birthday wrapped into one and I will count the days until this epic adventure continues.
All For One, and One For All !!!!!
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Thought provoking. Confronting the arrogance of the ´normal´. Truly outstanding acting performance
"Oasis" was highly celebrated by international film critics in 2002. Director and screenwriter Lee Chang-dong, who had with "Peppermint Candy" in 1999 already contributed a milestone in Korean film art, came up with this unusual love story between a mentally retarded young man and a young woman with infantile cerebral palsy. In doing so, he once again relied on Sol Kyung-gu and Moon So-ri, who had proven themselves as a couple in "Peppermint Candy" and who now once again deliver truly outstanding acting performances in "Oasis". The list of international awards – i.e. in Venice, Vancouver, Bergen, Brisbane, Seattle and Seville - as well as in South Korea, is long. And rightly so.“Oasis” is pure (independent) KMovie! It impressively embodies a great strength of South Korean movie production: ruthlessness! Even if social life is characterized by facades, coats, make-up and social reputations, modern South Korean cinema has (since the end of dictatorial censorship) proven what 'independence' really means. The freedom to finally show things the way they really are! Not being afraid of what is hurting, what is ugly, what is disgusting! The brutal revelation of the emotional abyss to which the human soul may be exposed over the course of a human life. Situations and moments in life that people tend/wish to quickly forget. The cruelties that people are capable of inflicting on each other. The look behind the facades and underneath the coats, where we are naked and without make-up, alone and vulnerable. But this is where we are sincere and real, too. From there, a new form of beauty and strength can grow. KMovies bring to light even the unloved, unpleasant, repressed, despised, perverted, uninhibited, disturbing human emotions with magnificent intensity, which are often presented so authentically that it hurts (because it's so true). The protagonists have no claim whatsoever to be likeable. This creative courage, when it comes to production and performance, as well as the audience´s willingness to open up to these cinematic works is (in my opinion) almost unique.
“Oasis” offers an impressive expression of this particular artistic attitude. This is a thought provoking KMovie confronting the arrogance of the ´normal´. The plot is about a young woman and a young man who – in the eyes of their social environment - preferably should be socially isolated and actually locked away, as they are supposedly unpresentable. Because of their disability, they are ultimately just a nuisance, causing work and trouble, irritating the 'normal' people with their unpredictable behavior, and actually not contributing anything... Because the families are ashamed of them.
The KMovie bluntly frames that social norms are in fact more important to 'us' than people. "Oasis" encourages to open up a bit and approach the lives of those 'waywards'. And lo and behold! They are sensitive, soulful people like 'us' - with feelings, dreams and longings. They are falling in love. They long for relationships. They are just people, too. Lovable people. Adults with their own lives.
'He' is a physically healthy man in his late 20s, but at the mental level of an 8 year old. He is strong, but easy to manipulate and rather simple-minded. 'She', on the other hand, is physically handicapped due to her severe infantile cerebral palsy to such an extent that she is dependent on help. Due to the impairment of her nervous system, which affects voluntary motor skills, speech disorders, spasms, as well as sensory and motor limitations are occurring, too. Intelligence isn't actually her problem, but that young woman in "Oasis" apparently wasn't given any specific assistance, just basic care. She has her difficulties communicating.
The way the families treat their ´waywards´ is horrendous. In fact, they are both unscrupulously exploited and abused. And both are helpless in their own ways. He doesn't fully grasp the situation. She is physically dependent on helping hands.
The romantic relationship between the two is quite something else. Their start can be considered downright dubious. And yet, as the odd couple they are, they both are happy together. The picture of the oasis on the wall jumps out of its frame and fills the room. In their togetherness, the couple has created an almost magic space where their souls can relate and recharge, where they can be a different person. It is touching, indeed. ´He´ is a responsible man and she is a desirable woman! Yet, this reality is completely alien to their social environment. The families don't have the slightest idea, that this could be even possible: those two ´handicapped losers´ being actually able to genuinely caring for each other and loving each other just the way they are. Not even their closest families honestly tried to truly reach out and attempt to understand their brother/sister.
Bringing the quality of this relationship against all odds authentically to the audience is the unique beauty and strength of “Oasis”. Although 'beauty' is not otherwise something, one would directly associate with this movie. There is hardly any beauty in the world of those two protagonists, where their environment isn´t taking them serious at all. They are either patronized or treated in a disrespectful and disdainful manner. Nevertheless, their feelings for each other radiate beauty and grace. Interaction may inevitably be rather awkward, but still they find their unique way. In the end, it all comes to an almost passionately brilliant finale when HE risks everything in order to by all means keep his promise to HER: sawing off the branches of the tree in front of her window, which only cast shadows on her beloved oasis picture on the wall...
The KMovie leaves us with our thoughts behind. Touched. And - substitutional for those two families, the police, the neighbors etc., who in their arrogance are blind to the inner world of those two lovers – ashamed, too.
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Surprisingly Addictive !
Personally, I find The Sword And The Brocade to be addictive. I kept watching one episode after another and completed the whole drama within 3 to 4 days. What made me hooked is the way the story is told and the smart female character. It is a bit like Word Of Honor whereby the story execution could make or break a drama. In this case, it is a romance drama and the relationship between the male and female lead follows a slow but smooth progress. It is different from a lot of romance dramas whereby the leads just fall in love at first sight or after a short period of bickering like Overlord and The Wolf Princess.Therefore, I find that The Sword And The Brocade has a unique charm because the romance is kind of gentle and gradually persuasive. It has a very different flavor from the usual to make it a compelling watch for me. However, I also understand why some people can’t relate to this drama as the male character is written to be cold especially towards his concubines.
A Cold Male Lead
The main male character, Ling Yi, has a few concubines besides an official wife. So, this is a drama that features a lot of schemings by revengeful and jealous concubines. It does have that element of stereotyping. This is not helped by a mother-in-law who practices favoritism. If you are not into this kind of set-up, this drama may appear unattractive. That was what I thought too but the female character saved the day for me which I will elaborate later.
Basically, a cold male lead is not new. Legend Of Yun Xi and Ten Miles Of Peach Blossoms also start off with an aloof male lead. But because Ling Yi has a few concubines, some viewers may have issue with the way he treats them. In the drama, Ling Yi simply has no affections for them. So, he tends to neglect his concubines especially after the female lead comes into the picture. You can say that he is pretty unfair when it comes to the amount of attention he lavishes on his wife versus the rest of his women.
Personally, I’m fine with it because I can relate to his situation as the head of a very traditional family and why he ended up having to marry them. He is also repulsed by their schemes and over-eagerness to curry favor with him because he is just not that type who would fall for their wily behavior. If you look at it this way, then Ling Yi will become a more palatable male lead.
An Astute Female Lead
Shi Yi Niang’s ability to read the situation and seize it to her advantage is what makes her character interesting to me. So, yes, it is a typical concubine and mother-in-law historical drama whereby they try to make things hard for the female lead. But Shi Yi Niang is not that poor woman in need of her man’s help. She is smart and astute to know how to turn the tables on them. In a way, the female lead carried the show for me. Rather than a sob story with a pitiful female character, she blazes the trail with her independence and courage to take risk.
Hence, if you like watching strong and smart female characters in your dramas, The Sword And The Brocade will certainly qualify as one of them.
A Sweet And Gentle Romance
The plot starts off with Shi Yi Niang wanting to investigate her mother’s death. As the drama progresses, it switches to the relationship between Shi Yi Niang and Ling Yi with the investigation remaining relevant as a sub-plot. I think some might find the romance unrealistic that Ling Yi seems to tread on eggshells around his new wife when he is an experienced married man. I guess it is needed to slowly build up the romance. So, you will find him remaining respectful and a gentleman when it comes to romancing and sleeping with Shi Yi Niang.
Thus, if you want to enjoy this romance drama, you will need to put aside a dose of realism. But that is how it is with most dramas out there anyway. For me, the romance is the slow burn type but charming nonetheless because Shi Yi Niang doesn’t fawn over Ling Yi like he expected her to. She beguiles him and after getting to know her better, he ends up adoring her. Hence, it is gentle progress as they build a foundation of trust after various experiences and start to admire each other’s good qualities. It has a positive feel in a way that is both sweet and satisfying.
My Verdict
I know many people are watching The Sword And The Brocade because of the leads. Seven Tan is a talented actress who tends to have great chemistry with her co-stars. She did well in Under The Power as well as Go Ahead whereby she is paired with someone younger than her. As for Wallace Chung, he has been around for a long time and is a highly experienced actor.
Both of them did manage to generate enough chemistry in The Sword And The Brocade for me. I guess it really depends on whether you find them to be a matching pair appearance-wise as there is a big age gap between them. If you don’t, then the chemistry will feel forced just like the pairing in Dating In The Kitchen and the drama will lose its shine altogether.
Nevertheless, I would still recommend a watch with a score of 8/10 for this The Sword And The Brocade review. Perhaps it could have been shortened rather than stretched to 45 episodes as the women’s schemings can get tiring. But the plot keeps it going as the investigative element and feud with the Ou family offer more variety to the story while remaining closely tied to the romance. That is why I find it to be an addictive drama overall. Watch it if you want a different feel to a romance rather than the usual. Also, the OSTs of the drama are really beautiful to listen to especially the one by Zhou Shen which fits the drama to a tee!
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Série U-Prince: O Advogado Solteiro
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Tsundere feels!!!'
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The music was okay; nothing special or memorable but not horrible either. But the rewatch value, for me at least, is very high. I liked it so much - just not the ending; I really wanted it to be just a slight little bit different to make it happier for everyone - but it still raised a smile. However, that's why it wasn't a 10 overall for me.
This are my scores -
Story - 9.5/10
Acting/Cast - 10/10 (especially Ikuta Toma, who wound the dial all the way to 11)
Music - 5/10
Rewatch Value - 10/10
Overall -- 9.5/10 (just because of the ending).
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From the beginning this drama draws you in. This drama made me cry my heart out (no joke I cried for hours...yeah i dramathoned this drama). The story is just amazing. Despite Kim Tak Goo facing many difficulties he always has a smile on his face, moving everyone around him. His character just captures your heart. Kim Tak Goo Fighting!!!
So if you are in the mood of watching a drama that will make you cry, smile, laugh, then I recommend you to watch this one.
This is a must see!!!
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Story: Is there a love story in this? Yes, but it's not the main focus of the story. I thought a love story was unnecessary, because the main focus was Jin Woo fighting against a hugely corrupted company / judicial system that falsely accused his dad, which I thought was 10x better.
This story is depressing, melodramatic, and I experienced a lot of moments where I was frustrated with the writers for making the story so sadistic and sad. But this frustration did not prevent me from enjoying the show; every episode was thrilling, intense, and played with my emotions wholeheartedly. There is so much satisfaction when you see injustice turn into justice and how the downfall of the villain is executed. There is always something happening in every episode, and I thought the story was well paced for a show with 20 episodes
Acting: I feel like in this case everyone's perspective on each character will be different based on your own morals, preferences, etc, but I found the cast to be amazing, but a little frustrating to watch as I questioned some of the characters and their significance to the story
Major props to Nam Goong MIn as the evil guy, he really knows how to make the audience's blood boil. I enjoyed Park Sung Woong as Dong Ho, not only did I love his Busan accent, but he is a very rational character that knows what's right and what's wrong, regardless of how the show/audience portrays him. To be honest, I found Seung Ho's character kind of annoying due to his stubbornness, but he is very passionate and ambitious. Park Min Young's character is very civil and determined, and at the same time she also was Seung Ho's emotional support. I felt the chemistry between Seung Ho and Min Young was amazing, but not in a romantic way at all.
Music/Overall: I haven't really payed attention to the music cause the opening theme song kind of overpowered the rest of the tracks and it constantly plays in my head (LOL), but pretty decent OST collection.
I am giving this a 9 for minor reasons (love story, over usage of flashbacks, frustration of characters, etc.), but If you like thrillers, want to take a rest from all those romance dramas, and cry from sadness you should definitely give this a chance.
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