The only reason why the plot moved at all was because of a series of situations where people kept missing each other, or simply didn't connect the dots. All the information, people and props were there, but the script annoyingly made the characters miss all of that due to either bad timing or not enough questions. It's so common and so overused in kdramas that I couldn't get into the story at all. I'm sorry, but if you let someone stay in your house for the night or longer, wouldn't you try to ask as many questions as possible? The story had great potential, but I feel like it treated fate in a very non realistic way. It was almost suggesting that a tragedy is not a real tragedy unless all the characters involved are a part of the tragic past. The show could have had a deeper message, but totally failed to deliver. Seo Ri's story was tragic enough and could stand on its own without all the extra details. I can't stand how shallow it all ended up being.
Essentially, I had a tough time getting into this drama. It got better with time, but the pacing wasn't all that great. I also didn't particularly care about the characters (excluding Seo Ri) until about the 1/3 of the drama. To me, that points to the fact that the writing wasn't great. The show had some really sweet moments, but the sweetness couldn't compensate for the lack of the actual plot development. The characters were lovable but a bit simplistic. Also, as much as I liked Jennifer, did her character really need to be that weird?
The best things about this show were the characters, the acting of the leads and the music. The music in this show is beautiful. The classical pieces were beautifully woven into the story. Overall, I liked Thirty but Seventeen because it wasn't too angsty and there weren't too many mean characters or meddling family members, but I expected it to be a bit better.
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DO NOT BE FOOLED!!!!
It is unique in its cliche way! and way way to go!
I am trying to convince you guys! just watch the first episode and you will see!Am i being biased? of course I am! why wouldn't I!
i really love this drama and "love is blind".
In my perspective this is a perfect show regardless of what other drama looks like(better or the best out there). Unfortunately, i only watched dramas thrice or lesser whether it is my favorite or not.
Seriously speaking,
I was hooked by this drama because of the "sudden twist and unrealistic events that occurred so naturally". And for a change it was the first time I watched a drama that involved a good sports car racing. what else should i brag about... ow it is also my first time to write a review!...well, just watch and you will find out!
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The best xianxia of 2024!!!!!!!!
This is the fifth drama I'm watching that has been adapted from a novel written by Jiu Lu Fei Xiang (after The Blue Whisper, love between fairy and Devil, Back from the Brink, Love You Seven Times). Since I've mostly liked all of them, especially back from the brink, I decided to give this a try. And as expected, it didn't disappoint.For future viewers, I am just writing what I liked and what you might enjoy the most if you decide to give this a shot:
1. Followed 90% of the novel, so novel fans won't be disappointed. The leads had a lot of screentime together.
2. An independent and formidable female lead- Takes no nonsense from others, the perfect example of a tough exterior but soft interior, is extremely skilled at fighting and loves to protect her people, doesn't need a knight in shining armor to save her every time.
3. An all-powerful ancient god male lead- has an indifferent exterior most of the time(but is lonely and longs for companionship), loves to joke and prank others, is extremely caring towards our female lead, lets her fight her own battles most of the time even though he is more powerful than her (because he knows she prefers that even though at times he wants her to rely on him) .
4. Zhao Li Ying and Lin Geng Xin are old buddies who have starred in Princess Agents before. Being good friends they had a good level of cooperation and were able to deliver every scene perfectly. Kudos to their phenomenal acting. Also since I saw a lot of comments on how LGX looks too bulky or old for this role, let me tell you my opinion. He is playing the role of an ancient god who has lived for eons and is the highest of all beings in terms of power and position. So obviously, he is supposed to look manly and seasoned for that. I cannot picture someone who looks boyish and is skinny as an ancient deity who is all powerful and has lived for that long.
5.Perfect blend of romance, comedy, action, adventure. For me: Comedy : 10/10, Romance: 9/10, Action: 100/10, Angst: 3/10.
6. This is more of a light-hearted xianxia where the angst is followed by a comedy scene as a medicine to the pain.
7. The CGI is top-notch and one of the best you can get in costume dramas. So grateful for the fact that it was an S+ drama meaning the highest level in terms of budget. The CGI will make all those epic fighting scenes look 100% better. I really appreciate all the time, effort and money that they spent on making those scenes so beautiful. Plus the BGM's and OST's were perfect. The BGM accompanied with the CGI made the scenes so majestic.
8. No unnecessary misunderstanding between the male leads. No important sml or sfl.
9. No plot holes. People might have questions in the beginning but hold on, everything will be answered in the end.
10. A very happy ending. Not rushed and we get a full 1 episode of their happily ever after, quite rare in xianxia these days.
So undoubtedly a 10 out of 10 for me.
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1Ask me no questions, and I'll tell you no lies.
Mysterious Lotus Casebook is a dark 江湖/jiānghú story about the ultimately futile aspirations and obsessions of the martial world. In an epic battle for supremacy, Di Feisheng of the dark Jinyuan Alliance challenges Li Xiangyi, the leader of the righteous Sigu sect. Both men disappear from the martial world afterwards, leaving a vacuum at the top and their sects in disarray.Ten years later, aspiring young detective Fang Duobing comes across Li Lianhua, a famous itinerant doctor whom he is convinced is a quack. Determined to expose him, he attaches himself to Li Lianhua as inextricably as a wad of chewing gum in his hair. They run into Di Feisheng, who immediately recognises in him his old nemesis Li Xiangyi. The two old rivals remorselessly keep Fang Duobing in the dark as they try to figure out who sabotaged their fight and search for Li Xiangyi's deceased sect brother Shan Gudao's corpse. An unlikely friendship develops as they work together to solve a series of strangely connected jiānghú cases.
Plot wise, this drama is solid but dry and unremarkable. The cases all unfold at a fast pace and are easy to follow, but do not engage audience participation. They are simply plants for clues to a treasure hunt for artefacts that unlock the main conspiracy. Despite a hint of the supernatural, the cases fall short of chilling or suspenseful. The hidden mastermind behind the main conspiracy is pretty obvious and revealed fairly early on, and even the ironic twist at the end is not much of a surprise. Both villains are one-dimensional jiānghú archetypes driven by vanity and delusions of grandeur. Wang Herun's scarily convincing portrayal of the Saintess of the insane cackle elevated the role beyond its one-dimensional character blueprint.
\What makes this drama a success are fascinating main character designs, strong rapport among the three leads, the scintillating dialogues, and well-choreographed and exciting action sequences. The real mystery is about who Li Xiangyi was and why he was killed. The answers are at surface trivial. Li Xiangyi was perched at the top of the martial arts world as the world's best swordsman and leader of the righteous sects. This made him the envy and natural target of virtually everyone. However, Li Xiangyi was far from the perfect hero of Fang Doubing's idealistic imagination. In fact, he was a self-absorbed, pompous ass who believed the universe revolved around him and his worldview. His swordsmanship is matched by a brilliant, cynical mind and a razor-sharp tongue that, according to poor Ai'man, can slay a person with a few words. If there is one thing lacking in Cheng Yi's otherwise stellar performance, it is that his Xiangyi is too empathetic. This masks his many flaws and hides how insufferable and difficult he was as a person. It took me awhile to realise that his sect had some inkling who Li Lianhua really was but they refused to recognise him because they just did not want Li Xiangyi to come back.
As for Li Lianhua, he is just a shard, a detached, sickly, disillusioned and world-weary remnant of the glorious Li Xiangyi. Cheng Yi really compels with his heart rending expression of this facet of the character singing his swan song without a shred of self pity. I lived for the sudden bursts of energy or sheer willpower that momentarily revives the breathtaking, dazzling and dizzying swordsmanship that propelled Li Xiangyi to dominate wuling. Only to all too rapidly diminish back into Li Lianhua again, a wickedly unapolagetic compulsive liar whose mantra is clearly, "Ask me no questions, and I'll tell you no lies." This is how he keeps everyone, and especially the hapless Fang Doubing, at arm's length; to avoid new personal entanglements. Fang Doubing (which literally means "sickly") is a parody character, the typical naive, high-minded, young adventurer raring to make a difference in the martial world. The dialogue is well written and humorously illustrates how grudgingly Li Lianhua is moved by this pesty young detective and tacitly accepts him as his successor. However, this kind of clichéd relationship dynamic of the clueless sidekick that elevates the brilliant sleuth is too common and quickly becomes boring. Li Lianhua's lies to Fang Doubing went on for too long to the point it became cruel and unnecessary. Their relationship is over explored and shortchanges the more interesting relationship in the drama.
What disappoints me most is that the writers opted to very cursorily explore the more complex and interesting relationship between Di Feisheng and Li Lianhua. Di Feisheng is the most layered villain in this story; that rare antagonist who transforms into a protagonist. Like Li Xiangyi, he rises to the top of his sect through sheer martial prowess rather than by winning hearts and minds. They are enemies who become friends, both betrayed and searching for answers. But his story is sidelined for much of the drama, his backstory is rushed, and his relationship with Li Lianhua does not really get a chance to develop and grow. Yet the best moments of this drama, are when all three of them are together, like a found family.
I like that this ends with an action-packed finale and satisfying final confrontations with the antagonists. But as for the plot, the best reveal is when Fang Doubing figures out who Li Lianhua is, which isn't really a revelation to the viewer. And I can't really pinpoint when the plot reaches its climax, as none of the high points make a strong impression. As for the ending, it is fitting but not as definitive as I would have liked. Most of Li Lianhua's journey is about putting his affairs in order and offering closure to those he cared for; to help them move on from Li Xiangyi who in all the ways that mattered died ten years ago. Yet Li Lianhua continues to string poor Fang Doubing (and us) along, which is too cruel and inconsistent with the drama's core message about letting go of past attachments and moving on. These kinds of endings that try to please all audiences really annoy me. I still enjoyed this superbly well written drama, immensely even though I think it had the potential to be much better. For me, this is an excellent 8.5/10.0 and a highly recommended watch.
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Poorly Executed Or Well-Written?; What’s Left To Say About ‘ A Beauty Of Revenge’ …
With a very short air time ( only five episodes), and an evidently cut duration length and budget by the producers of the fairly mixed-reception miniseries ‘ Multi Personality Girl’ ( the drama’s “ sister story”) , ‘ A Beauty Of Revenge’ was fairly predestined from the start towards having some evident flaws . However with its own take upon the “ revenge” cliche and incoherent plot twists in between, this does leave newcomers with one ultimate question; “is ‘ A Beauty Of Revenge’ actually worth watching? “
The drama’s initial premise was certainly interesting; a bullied girl Min Sun ( Park Min Sun) seems to change her appearance and identity to become Yeo Bin ( Jang Yeo Bin) and expose the sociopathic delinquent leader Ho Tae ( Son Ho Tae) as part of her revenge ploy.
The acting front of the drama was fairly good . Whilst admittedly certain line deliverances could be better than others, our main cast did add their own dynamic charm during key moments throughout the series. Yeo Bin’s darker secrets coming to light and her unreliability as a main character added a value of surprise for audiences by Jang Yeo Bin’s mannerisms captivating a sense of trust and believability within the female lead. Similarly Ho Tae’s sociopathic and megalomaniacal actions onscreen were captivated well by Son Ho Tae’s piercing gaze and sardonic expressions .
On the other hand ‘ A Beauty Of Revenge’ seemed to try too hard (even from the get-go )to brand itself as a “ shocking revenge tale” without always taking the time for the audience (and even the characters) to digest or understand the plot twists . For example there’s a major plot twist ( without spoilers) which occurs in the drama which whilst surprising , felt poorly-executed and lacked more drive and coherent plot reasoning .
In fact this was a major problem in the miniseries. Whilst it’s short duration length is arguably a pitfall for not having opportunities to expand out on these storylines in more depth, it’s undeniable that it doesn’t take a lot of time to interweave good writing techniques. ( One of the most evident throughout being foreshadowing. )As a consequence whilst the ending was certainly unforeseen, it lacked as much shock value due to feeling poorly-paced.
Ultimately with its short duration length episodes ‘ A Beauty of Revenge’ is easy enough to watch in one binge-watch sitting. Whilst the concept and of course the cast were undeniably the miniseries’ major fortes, the execution of storyline and plot twists lacked more finesse.
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A thai production which is not bad at all...
When I hear Thailand., WeTV and BL I just asume it will be maybe an ok show but this time even a thai production can surprise me. With actors from Korea (and from a korean web novel and filmed in Korea) they did create something different this time around.While a tropé of enemies to lovers or even amnesia is nothing new, the premise starts quite different and the title is misleading. They were never enemies, they just had a rocky road to be a couple. Some misunderstandings did prevail in their relationsship and the amnesia is an outlet to also solve them.
There are some inconsistencies with the amnesia story plot, because it seems the way from his rejection of his past and becoming a couple again happens to fast. Amnesia does not work like that. Also in the production I felt the café and the bar were lifeless which reminded me of Sukfilm/Truefilm productions when only two or three characters are in the scene at an made up location. It breaks the immersion and should have done better.
For their first main roles the MLs did a very good job, they had chemistry and worked very hard even when sometimes it felt a bit off. But compared to most other thai shows where characters are shallow, their characters had a story and personality. They both excelled at the silent moments and even with the kissing and NC-scenes.
So overall this was a good show. It's far from perfect but it's a pleasant departure from most of the other thai shows. While there is a high school part in it through flashbacks, it's a mature story. A story to grow together again and with some thriller elements (because it was not an accident). If you are tired of the same old, same old, this is a refreshing series to watch. One recommendation: You should binge-watch this series, watching one episode per week or even two epsisodes per week could make you confused because they have flashbacks through out the series to explain the past. For me it was not hard to follow but you will forget some things when you take a break for a longer time.
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While it's mostly an episodic series, it manages to tackle a lot of issues that I think is important for the youth to think about even if it means character development and story is pretty much stagnant. From the teaser you practically already know who these characters are because they pretty much stay the same throughout the show. Even though it's like this, you can't help but root for the characters and love them.
I think it's a must watch because it raises a lot of issues and point of views and serves them all in bitesized episodes that are easy to digest and binge watch. It may not be that popular of a web show but it's a damn important one.
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KelpiView : They are my secret love too.
Overall impression:Hmm. My initial impression of the show is just that. Honestly, when it first started, it wasn't really on my weekly list at all. Though at this point, i do not know when i became so invested in it. The show itself starts slow, that i must say. getting past that slow start, is all it takes to make me into a obsessed fan and I truly appreciate the production crew in producing this gem of a show.
What I liked about it:
Great cast!
A good story meets a great cast, that is what i think My Secret Love is. Despite some of the cast member not having any experience under their belt like Bew (Park) and Por (Bear), as well as Kenji (Mai) and boat (Tim). They did exceedingly well portraying their characters. The leads are not very lovable at the start, that i must say. But the more i watch each week, the more that i like them for their character portrayals. However the supporting couples of this show totally stole my heart. all 3 of them lol.
Evolving Genre!
I initially thought this show could be tagged as a comedy due to the amount of laugh i had for the start of the show. As i mention, it started slow, but the only reason i continued watching it was because of the comedic elements that is present throughout the show. Tho, it was very comedy centric at the start which really helped in my opinion. As the story progresses, they showed glimpses of each couples backstory and trouble and that sets the mood for a concrete scenario in my opinion. The show should definitely be tagged as a rom com.
Awesome OST
As Im typing out this review, the ost from Jeff Satur (look) is playing in the background. That is how much i would love to give this song an honorary mention. It helps that its jeff satur. But the mood of the song itself fits well with the show that every time i hear the song, i would immediately associate it to the show.
What I disliked about it:
Slow Start.
No show is perfect in my opinion. as people we can never be satisfied fully. But that's really ok. One small detail that i wish could be done differently was the slow start, but that being said, its not a deal breaker for me as i enjoyed the comedy route that they begun with.
Inadequate ParkLee scenes.
Okay, this may be pushing it a little bit, BUT. hear. me. out. I just felt that there should be more ParkLee scenes in the show.... because.. just because.. i wanted more of them. lol. one of my favourite on screen secondary couple by far. their backstory was so cute. i wish they would make a story of park and lee in another series.
Did I enjoy it?:
I really enjoyed this one. as i mentioned, it started slow but really stuck on to me and i really enjoyed the ride.
Would I recommend it to others?:
Definitely. Though some people might be a lil bored of the university setting, but if you are ok with that and like a multiple couple show like me. and appreciate a good show, i think you should definitely give it a try! To me, a certain setting might not deter me to try a show because even though the setting is the same, its the cast that brings the character and story to life and that makes a whole lot of difference. So, if you have time and wanna be emotionally invested, give My Secret Love a try!
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A bond is a bond, whether forged in the innocence of youth or the wisdom of age.
I can't believe there aren't any reviews for this awesome movie! Even though I'm not the best at putting my thoughts into words, I'll give it a shot and try to convince you why this was such a fun watch.Imagine a gangster asking a 9th grader for singing lessons because his boss has this weird birthday tradition of hosting a singing competition, and coming last is a big no-no. Sounds crazy, right? But these two actors made it look like the most normal thing ever. You'd almost believe it could happen at your school!
This drama is about a sugary-sweet yakuza and a cold-hearted teenager who's the poster child for teenage angst and icy glares.
It's a quirky reminder that friendship can blossom in the most unexpected and peculiar ways possible. The story takes time to warm up, but as you notice changes in their expressions, you realise that, oh, they are totally into the BFF game now.
What's fascinating is that our teenage protagonist isn't your typical rebel; he's surprisingly cool-headed. On the flip side, there's another teen in full tantrum mode, plus a mature girl their age always trying to cool things down, showcasing the many shades of adolescence.
I enjoyed this movie a lot. There are so many fun moments, some literal god-level smart writing, and, of course, a totally heartwarming climax. I know my review is kind of wrapping up now when I hardly wrote anything but anything more than this can be a spoiler, and I don't want to steal your joy away.
Just to make this review a worthy read, I am going to tell you the most important thing about this movie, which is the post-credit scene. Please don't miss it, and look closely at the tatto on our sweetheart yakuza and smile like I did.
Now go and watch this gem right now, and please return and write a better review than me to attract more viewers, I believe in you hahaha.
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We are back!!! 铁甲依然在 (tie jia yi ran zai).
Novoland Eagle Flag is about a time in fantasy world Novoland's history where the outlawed Tianqu warriors are revived for an epic showdown with growing evil forces of the supernatural Chenyue cult.These are tumultous times in Novoland, where the ruling Yin Empire only has a tenuous grip on its power over its vassal kingdoms. The emperor and the ruling nobles of the various kingdoms are protected by their own armies led by skilled generals. By coalition and mutual self interest, an unstable balance of power is maintained. Internal politics and power struggles within the empire and the kingdoms complicate the plot. These sub threads are quite well written but can be ignored or followed loosely without losing track of the story-line. This inherent instability is manipulated by the Chenyue cult who preys on the superstitions, insecurities and ambitions of the ruling elite. As war breaks out when a powerful warlord seizes power, the might of the Chenyue's undead Redteeth army grows surreptitiously with the death count. This sets the stage for the return of the formidable Tianqu warriors, historical protectors of the realm until banished for killing a despot. Only the Tianqu warriors, lead by their chief suzerain with a legendary sword, had been able to suppress the Chenyue.
Our three main characters are destined to play a critical role in Tianqu's return. They are bound together by a touching friendship as they come of age during these troubled times. Asule is crown prince of the nomadic Qingyang tribe who are fierce warriors in the harsh wintry North. He is sent at young age to Eastland as a political hostage. Yuran is an orphan from the elite of the Winged Tribe who is a princess in name at the Xiatang court. Ji Ye is the unfavored elder son of a nobleman whese mother was a concubine. They were lonely children whose paths crossed in Xiatang and essentially become each others' families. Yet they are pawns in this ruthless world where their friendship is constantly tested by ambitious and powerful actors who use them to achieve their own agendas. Asule is an idealist who wants to use his power to save the world. Ji Ye wants to prove himself, he is a conqueror who wants to rule the world. Yuran doesn't care about the world or the future, she just lives in the moment for herself and her friends. The relationship between the three leads was one of the best parts of this drama and well written. They balance each other out perfectly. Asule is a gentle soul who cannot bear to kill even when it is the only way to achieve the greater good. Ji Ye has no such reservations but his ruthless ambition is checked by Asule's goodness. And Yuran is the glue that binds them together and keeps them grounded on what is truly important - their friendship and the importance living for oneself.
The cast was very strong as this big budget production spared no expense with veteran actors. Many did not like the actress Song Zuer but I thought she was the perfect Yuran, which is not a deep character, just a very vehement one. While Liu Haoran did a good job portraying Asule, the character was poorly written and waffled in the back half. Don't hold it against him that the scriptwriter turned him into a brainless incredible hulk-like killing machine whenever he is angry. And while Chen Ruoxuan overdid the petulant youth in the beginning, Ji Ye's character is a strong one that showed tremendous growth towards the end.
The script-writing which was fantastic and gripping in the first half turned into an epic disappointment in the back half. It became repetitive, deviated into half heart-ed ill fated romantic tropes and took odd and messy turns with several core characters including Asule. I realized too late that this is the same dastardly Linmon Pictures that similarly destroyed the back half of Legend of Fuyao. It is their signature gimmick of replacing the production team with Team B so that Team A gets to move onto new projects. At that point you are so invested that you end up watching the rest of it anyway. The only thing that helped Novoland is that it is backed by the substance of a real book whereas Fuyao descended into 100 pct script-writer induced train-wreck. Given the record budget, the popularity of the novel, serious hype and the veteren cast this should have been a 9 or 10, one of the best of the year. What an epic let down - despite some truly superb battle scenes and cinematography, it ended up as just an OK overall production due to the messy writing.
The ending is controversial and felt rushed. Unlike most, I believe the Eagle Flag chapter of Novoland ended where it should have. One of the biggest misconceptions of this drama is that the story is character driven. It is not. The three leads may have their own subplots but all of the plot threads converge in the final conflict between Tianqu and Chenyue. The characters are relevant only as far as their roles in the build up to an epic climatic clash between good and evil. What happens to the characters after that is not important since the story is not really about them. A sequel or season 2 seems unlikely in this context although there could be spin offs that once again touch upon some of their subsequent paths - someone who read the books will know better than I.
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the script and acting went hand in hand and made this an interesting watch.
This was genuinely such an unexpectedly wonderful surpriseof a short drama. The whole premise being Stockholm syndrome × psychiatrist/patient × a weird 2nd chance romance kinda trope was honestly not expected. Like I don't really know how to explain it but as someone with a psychology background this was just-Both the characters being survivors of SA and dealing with the trauma in their own fked up ways was portrayed so intricately. How they both were each others medicine but also making each other worse, and just their codependency and the FL's struggle with the ML messing up her carefully structured "normal life" after escaping from him the first time. The ML being obsessively in love with her even when it was unrequited and a sllolid burden weighing on her did not stop him from trying to keep her to his side was done showing just enough crazy to make you realise that he's fked up without overdoing the crazy.
Nan Xiang (FL) played by Lin Zilin was such a traumatized, complex character and the way she portrayed it was top notch. Her trauma still making her a patient herself, she went on as the ML's psychiatrist, i feel that was coz girlie had some sort of a savior complex coz she did take it on as a challenge, but she just didn't expect to fall for him and his obsession was something she wasnt prepared for. The actress did such a good job, especially in the parts where her trauma surfaced and she had anxiety. She knew she messed up as she had taken the initiative in their relationship but she was alsothe one to back off when she realised how troubling it actualy was. I honestly liked that they gave her some sort of redemption here and there, like her jumping into the pool to save him once she got to know his trauma, and also when she came back for him even though she knew he was more than capable and that it was all his plan just to get her back.
Yu Tiandong (ML) played by Zhang Chi, as an actor this dude was fkn great, no lies. The portrayal of a character as complex but still simple in a way is genuinely not easy, but this man did a phenomenal job. First of all, i gotta say i have a crush on him, that hairstyle suits his crazy so well. Yu Tiandong being an SA victim and having developed bipolar disorder and fear of water was portrayed so well. And also the love this character had for the FL had me in the feels. Him wanting to in a way help her root out her past was honestly a bit messed up the way he went about it but also it was needed. I feel it was more of his guilt at having taken the money after his assault that was more traumatic for him, and he was just trying to protect her in ways he'd have liked to be protected i guess.
As a short chinese drama, the script was honestly so unexpected, especially since i watched it on YouTube titled "She fell for her psycho CEO patient, trapped by his love, escaped only to be stolen again and spoiled" so i guess you can see how i was expecting to have like 2hrs of brain rot, but instead ended up with one of my new favorites. I'm not gonna watch this again anytime soon since it is quite emotionally charged, but its something I'd recommend even with that title.
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The entire acting was pretty good to me as it felt real and had managed to bring me into the drama since i was quite hesitant to watch it at first, but the entire cast had me hooked!
Music was fit nicely as it played appropriately and had no weird 'mis-match' of it in each scene.
Re-watching it won't be a problem but the large amount of episode can be quite hindering but if to really re-watch it, it would be an amazing dream again.
Overall, it was really good and it had many sweet and tearful moments.
I recommend everyone to watch it!
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I was sorry to find out that this drama has not had high ratings in Korea and has not been viewed by many viewers outside Korea either. Although I can understand the basic reason of not wanting to watch people suffering I can say that it is a real pity not to appreciate all the effort that obviously went into the production, filming and acting of this drama. I think this is the best acting I have seen of So Ji Sub so far (and I have seen most of his well-known dramas) and especially in the last episodes he gave a performance that would have been higly worth an Oscar award if he had been in the US. But I also have to mention the other two main actors and in particular Yoon Kye Sang who played an incredible character who was strong and very generous.
So to summarize this drama focuses mostly on what friendship, comradeship and patriotism are all about but it also describes a very intense love story. I highly recommend the viewers to have a strong stomach and go through all the hardships that these poor soldiers went through and in the end...you will feel higly rewarded like I did!
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that life can be meaningful if we’re brave enough to let ourselves be vulnerable.
How do you cope with the loss of a family member? How do you tear down the walls you’ve put up to protect yourself from the outside world without crumbling under the weight of all the pain? And how do you ultimately learn to open up to the world again, and to form new connections and be vulnerable, with the awareness that, one day, they might leave too? Screened in competition at the 2021 Torino Film Festival, Aloners (Hon-ja-sa-neun Sa-ram-deul) deals with these and many more themes, from the struggles to process grief to the ghosts of the past that still weigh on our shoulders; from all the repressed anger that comes from a lifetime of buried emotions to the need to set boundaries with toxic family members; from how difficult it is to reach out and ask for help to the universal truths we keep hidden, such as the fact that life is often devoid of meaning and that we don’t really enjoy being alone all that much. Aloners is filmmaker Hong Sung-eun‘s (also the film’s writer and editor) feature directorial debut, but you absolutely wouldn’t think it was, judging by the complexity of its themes and by the sensitivity of a screenplay that effortlessly draws you in, crafting an atmosphere that is drenched in intrigue, mystery, emotion, and subtle irony.The film centres on Jina (Gong Seung-yeon, also in her feature debut), a woman in her late twenties who leads a repetitive (and highly relatable) existence: Jina works at a call centre, where she spends her time apologising to entitled clients who are often in the wrong, ignoring their insults, and accommodating their absurd requests. On her way back to her apartment, she walks on her own, her eyes glued to her mobile phone. At home, she lives by herself, and avoids interactions with her neighbours. She eats her dinner on her bed while watching TV and falls asleep not long after that, only to wake up the following day and have the exact same experience over and over again. In fact, not only has Jina managed to survive such a monotonous lifestyle for so long, but she’s also become exceptionally good at it: she’s currently the top employee at her workplace, due to how many phone calls she manages to answer (and endure) each day. But there’s a reason why Jina is so successful at being alone: quite simply, she has lost all interest in having interactions with others, be it her neighbours, her coworkers, or even her own family. Instead, she has chosen a life of seclusion and embraced the fact that her existence has no meaning.
But Jina isn’t the only “aloner” in the film. Her father (Park Jung-hak, of The Land of the Waves) also lives on his own, due to Jina’s mother’s recent passing, which left him a widower. His way of coping with his wife’s death is the opposite of Jina’s: he spends his days attending religious functions and turning his daughter into a scapegoat, guilttripping her into keeping him company and unloading all his guilt onto her to avoid facing the fact that he wasn’t present enough in his wife’s life. Also alone are Jina’s neighbours, a mysterious young man (Kim Mo-Beom) who attempts in vain to have a conversation with her every morning until he dies in mysterious circumstances, and a new neighbour, Seonghun (Seo Hyun-Woo, of A Taxi Driver), who rents the former resident’s apartment after his passing, and who’s temporarily on his own because his girlfriend believes his new flat to be haunted.
And then there’s Sujin (played by newcomerJung Da-Eun), a new employee at the call center that Jina has been given the task to train, and who keeps trying to befriend our protagonist, having just moved to Seoul from Chuncheon, where all her friends are. Through all these figures, not only does director Hong Sung-eun alert us of just how many people are living alone nowadays – so much so that the Korean term holojok has been coined to describe the people in the country who “prefer to be left on their own,” but also presents us with a story with more than one protagonist, each with their own distinct lives and points of view, and each with their own truths to keep hidden.
And there are quite a lot of unexpected things happening in Aloners, some more puzzling than others. There are tensions at Jina’s workplace, even more so after the balance is altered by the arrival of Sujin, as the newcomer’s enthusiasm and curiosity clash with the disillusionment of seasoned call centre workers who stopped trying to find any meaning or enjoyment in their job a very long time ago. There’s a demanding boss (Kim Hannah, of Shang-Chi and the Legend of the Ten Rings) who can still relate to her employees, underneath it all, and there’s a neverchanging routine that is turned upside down the moment Sujin arrives, bearing gifts that will come to assume different connotations later in the film. But there’s a lot more than that. There are wills that don’t make sense, people who secretly spy on others but aren’t able to communicate without placing or receiving blame, and people who are trying their hardest to open up to others but don’t know how. And then there are things that might or might not be happening in places that may or may not be haunted, mentally ill time machine-builders who might actually be geniuses, and people who are gone but still very much present in the memory of others.
Even that description doesn’t do Aloners justice, as there is just so much condensed into the film’s 91 minutes screentime, and Hong Sung-eun’s assured direction and delicate writing ensures we are always shown, not told not just what happens in the film, but also what remains unsaid. Different viewers will get a different message out of the film, depending on their own experiences and mindsets as they go into the screening. There’s social commentary on modern life, as you might expect, but there are also moments of irony and mystery to keep you entertained, as well as fantastic performances by Gong Seung-yeon and Jung Da-Eun that will haunt you long after the credits roll. There’s the occasional twist you won’t see coming, and there’s a very well-crafted, complex father-daughter relationship that perfectly encompasses the kind of baggage that affects our every interaction with our family members. Aloners is a film about processing grief, learning to let someone go, and letting yourself feel, with the awareness that, once all the walls you’ve put up are broken and your defences are gone, there’s no going back.
Yet, to me, the film is first and foremost about the burden we all silently share as human beings, and the kinds of truths that often remain unsaid just because it would tarnish the facade we’ve spent all these years perfecting. We have become so accustomed to not having a reaction when someone hurts us, apologising when we should be insisting on being treated with respect, and defending ourselves when we should be apologising that we’ve forgotten how to be vulnerable, and how to accept ourselves for who we are. Most of all, we’ve forgotten that we’re all alone, underneath it all, and that every single one of us shares the same fears and uncertainties. By taking on a journey with Jina and the other “aloners,” the film ultimately shows us that honesty and acceptance are the answers, and that, if we are brave enough to share our baggage with the right people, we might be able to find this existence of ours a little more meaningful, after all.
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