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that life can be meaningful if we’re brave enough to let ourselves be vulnerable.
How do you cope with the loss of a family member? How do you tear down the walls you’ve put up to protect yourself from the outside world without crumbling under the weight of all the pain? And how do you ultimately learn to open up to the world again, and to form new connections and be vulnerable, with the awareness that, one day, they might leave too? Screened in competition at the 2021 Torino Film Festival, Aloners (Hon-ja-sa-neun Sa-ram-deul) deals with these and many more themes, from the struggles to process grief to the ghosts of the past that still weigh on our shoulders; from all the repressed anger that comes from a lifetime of buried emotions to the need to set boundaries with toxic family members; from how difficult it is to reach out and ask for help to the universal truths we keep hidden, such as the fact that life is often devoid of meaning and that we don’t really enjoy being alone all that much. Aloners is filmmaker Hong Sung-eun‘s (also the film’s writer and editor) feature directorial debut, but you absolutely wouldn’t think it was, judging by the complexity of its themes and by the sensitivity of a screenplay that effortlessly draws you in, crafting an atmosphere that is drenched in intrigue, mystery, emotion, and subtle irony.The film centres on Jina (Gong Seung-yeon, also in her feature debut), a woman in her late twenties who leads a repetitive (and highly relatable) existence: Jina works at a call centre, where she spends her time apologising to entitled clients who are often in the wrong, ignoring their insults, and accommodating their absurd requests. On her way back to her apartment, she walks on her own, her eyes glued to her mobile phone. At home, she lives by herself, and avoids interactions with her neighbours. She eats her dinner on her bed while watching TV and falls asleep not long after that, only to wake up the following day and have the exact same experience over and over again. In fact, not only has Jina managed to survive such a monotonous lifestyle for so long, but she’s also become exceptionally good at it: she’s currently the top employee at her workplace, due to how many phone calls she manages to answer (and endure) each day. But there’s a reason why Jina is so successful at being alone: quite simply, she has lost all interest in having interactions with others, be it her neighbours, her coworkers, or even her own family. Instead, she has chosen a life of seclusion and embraced the fact that her existence has no meaning.
But Jina isn’t the only “aloner” in the film. Her father (Park Jung-hak, of The Land of the Waves) also lives on his own, due to Jina’s mother’s recent passing, which left him a widower. His way of coping with his wife’s death is the opposite of Jina’s: he spends his days attending religious functions and turning his daughter into a scapegoat, guilttripping her into keeping him company and unloading all his guilt onto her to avoid facing the fact that he wasn’t present enough in his wife’s life. Also alone are Jina’s neighbours, a mysterious young man (Kim Mo-Beom) who attempts in vain to have a conversation with her every morning until he dies in mysterious circumstances, and a new neighbour, Seonghun (Seo Hyun-Woo, of A Taxi Driver), who rents the former resident’s apartment after his passing, and who’s temporarily on his own because his girlfriend believes his new flat to be haunted.
And then there’s Sujin (played by newcomerJung Da-Eun), a new employee at the call center that Jina has been given the task to train, and who keeps trying to befriend our protagonist, having just moved to Seoul from Chuncheon, where all her friends are. Through all these figures, not only does director Hong Sung-eun alert us of just how many people are living alone nowadays – so much so that the Korean term holojok has been coined to describe the people in the country who “prefer to be left on their own,” but also presents us with a story with more than one protagonist, each with their own distinct lives and points of view, and each with their own truths to keep hidden.
And there are quite a lot of unexpected things happening in Aloners, some more puzzling than others. There are tensions at Jina’s workplace, even more so after the balance is altered by the arrival of Sujin, as the newcomer’s enthusiasm and curiosity clash with the disillusionment of seasoned call centre workers who stopped trying to find any meaning or enjoyment in their job a very long time ago. There’s a demanding boss (Kim Hannah, of Shang-Chi and the Legend of the Ten Rings) who can still relate to her employees, underneath it all, and there’s a neverchanging routine that is turned upside down the moment Sujin arrives, bearing gifts that will come to assume different connotations later in the film. But there’s a lot more than that. There are wills that don’t make sense, people who secretly spy on others but aren’t able to communicate without placing or receiving blame, and people who are trying their hardest to open up to others but don’t know how. And then there are things that might or might not be happening in places that may or may not be haunted, mentally ill time machine-builders who might actually be geniuses, and people who are gone but still very much present in the memory of others.
Even that description doesn’t do Aloners justice, as there is just so much condensed into the film’s 91 minutes screentime, and Hong Sung-eun’s assured direction and delicate writing ensures we are always shown, not told not just what happens in the film, but also what remains unsaid. Different viewers will get a different message out of the film, depending on their own experiences and mindsets as they go into the screening. There’s social commentary on modern life, as you might expect, but there are also moments of irony and mystery to keep you entertained, as well as fantastic performances by Gong Seung-yeon and Jung Da-Eun that will haunt you long after the credits roll. There’s the occasional twist you won’t see coming, and there’s a very well-crafted, complex father-daughter relationship that perfectly encompasses the kind of baggage that affects our every interaction with our family members. Aloners is a film about processing grief, learning to let someone go, and letting yourself feel, with the awareness that, once all the walls you’ve put up are broken and your defences are gone, there’s no going back.
Yet, to me, the film is first and foremost about the burden we all silently share as human beings, and the kinds of truths that often remain unsaid just because it would tarnish the facade we’ve spent all these years perfecting. We have become so accustomed to not having a reaction when someone hurts us, apologising when we should be insisting on being treated with respect, and defending ourselves when we should be apologising that we’ve forgotten how to be vulnerable, and how to accept ourselves for who we are. Most of all, we’ve forgotten that we’re all alone, underneath it all, and that every single one of us shares the same fears and uncertainties. By taking on a journey with Jina and the other “aloners,” the film ultimately shows us that honesty and acceptance are the answers, and that, if we are brave enough to share our baggage with the right people, we might be able to find this existence of ours a little more meaningful, after all.
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THIS IS ME BEING NICE
Cute cast - check! Unique storyline - check! Good location - check! But what started out as a promising fantasy rom-com slowly fell flat, and then fell harder on its ass with that lousy ending. Im giving it a 6 out of 10 and this is me being nice!The fantasy theme hooked me initially- after tens of high school and university themed BLs, I thought it was a breathe of fresh air. However, after the first episode when they tried to incorporate some cheap special effects, it became evident that they didn't really know how to utilize what was supposed to be its strength. The supernatural element was minimized that you almost don't feel it, until that brief moment in that episode when the cupid, Nite, disappeared completely (and that wonderful pink glow appeared again). By the end I was almost thinking if maybe the main characters Tae and Namwhan were just high on something and they just imagined the whole Cupid thing.
I love how cute the main actors were - Tee as Tae and Peace as Nite are so easy on the eyes and although the acting were a bit amateurish, i think they at least carried the show. Noey as Namwhan was also adorable and I loved that they didnt write the main female character as an annoying side show.
Also to be fair, although the story wasnt fully developed, I had a more pleasant experience listening to their lines - the script was written in a way that feels like the characters are real people, not actors acting in a drama.
Another good thing is the setting - Khon Kaen was such a wonderful background, and although at times it felt like a tourism ad, i still loved the way they showcased the city. Also, that brief moment in Chang Mai was mesmerizing to say the least. There was however, quite a lot of distracting establishments and product placements. I cant remember how many times they showed the Emma house model signage with its 4 bedrooms, 3 bathrooms and 2 parking - i thought it was part of the cast.
I heard production was hindered by the pandemic, but I think what they should have done is waited a bit, to wrap the story properly with the same cast. The last episodes felt so detached and was filled with so many flashbacks to extend time- it was so obvious that they were just made to complete contractual obligations without really caring for whoever was left still watching.
And no, there was no real resolution to the story. When Cupid disappeared I was left heartbroken, and my heart hasn't healed properly, up to now. Id recommend skipping this one, unless you really, really need to watch something and there's no other option.
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To fight all this s***** life and actually work towards your dream is not an easy thing to do. What's harder is finding such a teacher. I was fortunate to meet such professors back in college and I'm trying to be that kind of teacher to my students -i'm far behind though- but not every one is as lucky as I was.
The student-teacher relationship in this film is so touching. It's the kind of special relationship I would love to have with my students but too scared to. To get involved into somebody else's life is terrifying.
The chemistry between the two actors in insane. No wonder they were dashing in Secret Door.
Kang So Ra was so cute. I loved her role.
No matter who was singing, the songs and music just went straight to my heart.
The story is so touching; I kept crying throughout.
There are many funny scenes which lighten the mood.
Perfect! Will definitely watch it again -though I never rewatch anything-
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So terrible, don't waste your time
What a mess!! They ruined the original story. The storyline is awful, it is so confusing because it leaves so many leaks. And don't get me start on the ending. ARGG. Anyway, they took out the diversity that exists in the original Jane the Virgin (ex. lgbt characters), the culture and turned into a traditional boring "save me" lady story where the main Female Lead is just passive and helpless. They didn't show anything about the pregnancy and the dilemas present in it. So, take the advice from a person who wasted her time: don't even start this drama.Esta resenha foi útil para você?
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I first got into MARS because of Meteor Garden, which also starred Barbie Hsu and Vic Zhou. To be honest, I wasn't expecting much from the two of them. Meteor Garden was their first acting gigs, and I figured they didn't have the experience yet to be truly great. Boy was I wrong (and gladly!). The amazing depth with which they imbued their characters left me wanting more in the subsequent dramas I watched. Sigh...
Music/aesthetics wise - this drama was waaaaaay back in 2004, when taiwanese dramas had terrible funding, bad fashion (at least how we would consider it now), and different filming styles. Don't expect amazing packaging or cinematography, and expect most of the boys to wear their hair long. In this case I feel like MARS doesn't suffer from it however, since the character's personalities are the most appealing and strongest parts of the drama. There are two songs that are particularly gorgeous, but most of the other tracks were instrumentals and easily forgotten. Not that that's a bad thing (I'm looking at you Almost Paradise!).
A word of warning however - this drama deals with dark issues, and may contain possible triggers. I'd suggest looking up the summary before watching it, because I know that personally I watched it better knowing the general subject and plot.
Now where to find the next drama up to par with this one?
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Beautiful, heartwarming story about life choices and regret
This is a must-watch if you're in for a heartwarming love/family story without the stupid draggy drama tropes.Bound to give you some inspiration in life and some words of encouragement.
The premise is very simple: like the original US film 17 Again,
18 Again is about the male lead being unhappy with his life and his body suddenly goes back to when he was 18
So you have two actors (one "old" and one "young") playing the same character
and learning about what it means to appreciate the mundane daily life
and what it means to love someone even when real life gets hard
(but like, realistic "trying to make enough money to live" "trying to chase after your career dream" hard, not "chaebol mother kimchi slaps" or "ultimate bad guy is here to kill us all" hard)
10/10 to the acting because Lee Do-hyun absolutely slayed!
Playing a 40+-year-old soul in a 18-year-old body, he really did have that chemistry with his costar Kim Ha-neul
The way he looks at her with so many mixed emotions and the way the characters interact really makes me forget that Lee Do-hyun is a young new rising star.
Of course the other actors also added a lot to the story telling. I don't think there's a bad apple in the cast at all.
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Far from a perfect drama and yet it will pull you in right from the first scene. I usually do not watch melodramas or revenge dramas, but this one seemed interesting enough. This drama's strength lies in its plot, cast, the great camerawork and the TERRIFIC soundtrack!! I thought the plot of this drama was really creative. A lot of things introduced in the first episode tie up well towards the later half. The revenge part and the parallel investigation by the cop were wonderful. There was no need for romance in the drama according to me. It could have done well on its own. Although it can be a bit slow at times, it won't bore you.
Kim Nam Gil is the star of the whole drama. This is my first time watching him in anything and I must say, I was totally enchanted by him. He has an amazing screen presence and acts with such depth and emotion that its impossible to tear your eyes away from the screen. I will also mention his long hair and moustache- suits him rather well. :D His character was the type you would want to see in a revenge drama. He is willing to go to any length to destroy those who did him wrong. Of course, he is very, very human and you'll see his soft side a lot of times.
Kim Jae Wook was super likable in his role. I would love to see him play a tortured guy again. He was a breath of fresh air, because he wasn't your typical doormat second lead. Although he gets too repetitive after a while, I enjoyed his acting. Plus, he's great to look at! In fact both guys are eye candies.
Han Ga In didn't impress me. She's pretty to look at and wore fabulous clothes but her character was really fickle and annoyed me at times. Her part in the drama made no difference to me. She was interesting in the beginning but went redundant later on. Her sister was a far more interesting person and she was the only HILARIOUS person in this drama.
Although its one of those dramas which screwed its ending, I wouldn't say that it ruins the drama. The drama is worth watching minus the last 3 episodes. From the beginning I was prepared for what was about to come. If I hadn't known the ending, I would have been super mad at it. So I'd recommend to be prepared beforehand by reading the spoilers or skip this drama altogether.
Bad Guy's OST will probably always be in my Top 3 Kdrama soundtracks ever. Every single song is beautiful, melodious and will make you want to listen to it over and over. Even the background scores were amazing.
I liked how this drama was filmed. Its camera work managed to capture the right tone and mood of the story.
Though this drama is not meant for a rewatch, it was entertaining enough the first time around.
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Don't expect fan service or fast pacing
So right off the bat you need to know that this is a slow moving, sentimental film that builds emotional attachment to the characters through repeated use of flashback scenes.What you won't find: passionate kissing scenes, sex scenes, bare abs, etc.
What you will find: lots of staring into each other's eyes, good acting, scenes that make you cry,
The actors are both new and do a phenomenal job in this film, which is a story about how memories helped two people reconnect and get through a crisis together. The story is set in the early 2000s and they manage to set that time period really well, with the main characters in high school at the beginning and then again 4 years later.
The ending seemed a little truncated and I wonder if there was meant to be more, but Thailand was thrown into lockdown earlier this year and a lot of dramas had to adapt. But the story of Nut and Phob is complete, and if you like very sentimental stories I recommend you give it a try.
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Content Warnings: kick, maybe kind of something at the end?
What I Liked
- the friendship
- some of the humor was funny like the failed flirting with that girl
- cute moments
- that poor communication didn't drag on
- good kissing
- music, especially the rap song at the end
Room For Improvement
- the relationship/romance felt rushed, I think they could have cut out some other scenes and fleshed out more how/why they developed feelings with each other
- the ending is a bit open/wish they had gone a different direction with it
- how wearing glasses was considered less attractive
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Yet another saga of how power corrupts people who in turn corrupt others as well. An honest judge is forced to convict an innocent man. The convicted man's daughter who is a cop, decides to set things right. Things start off badly between the protagonists, but they gradually come to understand each other and work together. It starts off with a lot of promise, but it gradually turns out to be a tug-of-war. Expected things happen, but the audience are kept waiting in the tussle between (good and evil?)
The actors have done a decent job, but the major expressions in the drama are poker face and smirk, and not all of them seem natural. A bit more of joy would've been nice.
Rewatch value is kinda low for me. The last two episodes kinda killed it all.
It's definitely worth a one time watch, start with no expectations and you might be in for a surprise!
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In a nutshell: Great film for people who like quiet, thoughtful films. Avoid if you like fast paced movies or do not want to cry.
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Definitely worth your time!
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Such a HUGE disappointment (do not waist time with this one)
It has been a long time since I posted a review. I've watched quite a few different dramas that I felt I had to go and write a review about it as soon as I finished watching, but I never did. This time I was so disappointed and frustrated with the ending to be more exact that I couldn't hold myself and I had to write about what I feel. I can even accept the fact that the writing was not that good when being a screenplay writer is part of the story line. I can even accept that there were so many things that felt short, unfinished, not even necessary, but to not even satisfy with a good ending or at least a more normal ending, that I have a hard time to accept. I considered Raphael first male lead and Kang Jae the second male lead based on the synopsis.First, I have to say that the connection between the couples was not quite there, or for me was not equally the same. Oh Woo Ri and Lee Kang Jae even thought they were dating for so long I really didn't feel them as a couple. Maybe because I didn't like the male, I didn't warmed up to him. Oh Woo Ri and Raphael I felt them a little bit more and maybe just because the way the part was written for them but I know they were not quite perfect either. They were talking about a first kiss, he was talking about believing that faith has somebody better for him and because the way they filmed the moments between the two, with all the memories and the dreams they both had and the fact that she even reached to kiss him first which she did not do with Kang Jae, made me believe that she liked him more or at least she was feeling more attracted to him. The connection between her and Kang Jae felt awkward and cringe worthy at times, like the time they hold hands in the car and then they said they have to go pray because they held hands for too long. I mean what the heck.......... what is that? With the relation between her and Raphael I thought since the writers were pointing out that he didn't grow up with the type of family he always wanted, they will give him the family he was dreaming of by keeping him together with her. But to my disappointment it didn't happened.
Second thing that bothered me was the way I felt the two male leads were portrayed at times, and to me it looked like they were both stupid.
Third and not last thing that bothered me, but this really frustrated me was close to the end when they were both trying to win her back it was not fair that Raphael did not get one chance not even one chance to talk to her alone, but Kang Jae did have that chance at the memorial of his parents. After that the next day at her mother proposal party she had her mind made up. That was not correct if you want to give them both a fair chance. And the whole complications that are going to arise from having the baby with one guy and being married to another guy. Why do you have to complicate that baby's existence? I don't understand why? If you emphasize the fact that the female lead and Raphael had a first kiss and then a baby together, than why don't you keep that baby's parents together? Why put it in the movie, if you are going to throw the connection between them out the window? Even more, they also emphasized the connection that was building between FL and Raphael with all the times he was there to save her, and they still didn't end up together. I really do not see the point of having those scenes. I've seen dramas before where I wanted the FL to end up with the second male lead, but this was not one of them because of that baby which she should have had her both parents. If you have the pen in your hand and you write the ending, then why not keep families together? For the FL lead since she was a virgin, she would have been better paired with a man that had more experience and proof is the honeymoon moment when you have two virgins trying to do the grown ups thing and just ended up being another cringe worthy - I want to throw up moment. And don't even get me started on the stupid friendship between Kang Jae and Raphael. That was another moment that I felt I was going to throw up. Really? Really? Really writer or writers? I mean you have them fighting over FL like two roosters just to make them best friends? Really? Really? I am shocked that this script was even approved to make it to the screen. I can just keep going on, and on, and on but I'm too frustrated and the drama doesn't deserve my energy to continue writing.
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So glad that I ignored the negative reviews!
Hello, the Sharpshooter (HTS) turned out to be a decent watch. True, the show could have been executed better, but it had enough good elements to keep me engaged until it finished airing. It is not a serious and deep drama, even though its primary theme centered around the main characters dealing with psychological issues.The plot was nothing new. First loves reuniting with amnesia as a starting obstacle, but I liked how the show wrapped things up so nicely. Some commented that it was too draggy, and yes, a few episodes may be slow, but I felt that the show used the extra episodes effectively to show how the main characters overcame their trauma. At least, unlike other shows in which the character miraculously became better overnight within one episode, HTS took the time to show the process of healing for the main characters. Via Dr. Ding, the sharpshooter team's psychologist, the show provided details that helped to explain how the ML and FL finally resolved their issues. I liked seeing how the ML and FL worked with Dr. Ding to try out methods on the other, and it made sense that ML's journey took a longer time, having the extra burden of guilt.
The best part of the show was the casting, especially with the main and second couple pairings. The show hit the jackpot with the chemistry between Hu Yi Tian as Shen Qing Yuan (SQY) and Fair Xing as Tang Xin (TX). As individual characters, they were tropey (think cold, emotionless ML, almost perfect in every way except his EQ, and clumsy but endearing and plucky FL). However, as a couple, they made the romance come alive so naturally and so adorably that it kept me coming back for the next episodes. Similarly, the relationship may have developed differently for the second couple, but their path to being together was also a fun watch. The supporting cast, especially SQY's wingmen also deserved credit for adding flavor to the story. Also, there were some great scenes where the show balanced well between humor and poignancy.
I enjoyed watching SQY and TX grow together and individually from the natural conflict of their budding relationship and also having to deal with their past history that casted a dark shadow over them. What was ultimately gratifying to me was how the two healed so beautifully together, finding common ground and knowing how to bring out the best in each other. They complemented each other and reveled in each other's strengths. When conflict entered the plot that kept them apart, it was not a test of whether it will break them up but more of a testament that their relationship was healthy enough to adapt and overcome. I appreciated TX's patience and sweetness as she knew how to coax SQY during his fits of jealousy or moments of gloom, and I loved how SQY was consistently there for TX, even when he was struggling hard with his issues.
There were some frustrating moments that can only happen in dramaland. No matter how much they crossed the line or how unprofessional they were, the antagonists were able to get away with their actions multiple times. Fortunately, all the primary villains getting their just deserts provided the satisfaction that I typically needed for a happy ending. I wish that they built up the coach's character better since he seemed to turn a blind eye to all the atrocious things done to his sharpshooter team. Additionally, I will insert my usual rant about how terribly the c-dramas style their FLs. I simply do not understand why the MLs and SFL are usually dressed so stylishly, while the FL tend to be dressed in dowdy, old-fashioned, and oversized outfits.
Visually, HTS is a feast for the eyes because no matter who you look at - either Hu Yi Tian, Fair Xing, Kido Ma, Luo Qiu Yun, or most of the supporting cast, it was good looks galore. Acting-wise, most of the cast did a fine job, but I felt that both Hu Yi Tian and Fair Xing have not expanded beyond their current acting abilities since their characters in HTS were similar to those in their other dramas. They did well in general, but I would love to see them break the mold.
Musically, the OST was memorable, and by that, I mean the songs were effective in evoking memories of the scenes for me. I like the opening song, sung by Liu Yu Ning, and it reflected the hopeful aspiring tone of the underlying sports theme throughout the show. For posterity, I included the tracklist at the end of this review.
Overall, HTS pleasantly surprised me and I would re-watch to catch the nuances I may have missed during the first run..
I do recommend that you try this drama out and decide for yourself. If nothing else, the chemistry between Hu Yi Tian and Fair Xing might be enough to keep you watching.
[TRACKLIST]
The Daughter Of The Sea 海的女儿 - 王韵韵 Wang Yunyun
It's All Worth It 都值得 - 张玮 Zhang Wei
Sadness Is You, Joy Is Also You 悲伤是你，欢喜也是你 - 王韵韵 Wang Yunyun
Extraordinary Love 不平凡的爱 - 郑人予 Zheng Renyu / 徐艺洋 Xu Yiyang
What Happened Yesterday 昨天的事 - 冒朋呈 Mao Peng Cheng
Holiday 假期 - 兔子牙 Tuzi ya / Rabbit Tooth
Everyone Knows 大家都知道 - 薄何 Bo He / 李星彤 Li Xingtong
The Only Light 唯一的光 - 刘宇宁 Liu Yuning
Chain 连锁 - 硬糖少女303陈卓璇 Hard Candy Girl 303 Chen Zhuoxuan
https://www.youtube.com/watch?v=pa9t3cnggpU
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