Reunion: The Sound of the Providence: Season 2
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Lightning doesn't strike.
Season 2 picks up where Season 1 left off with Wuxie and Xiao Bai leaving Warehouse 11 and assembling a team to journey on to Thunder City. At this point Wuxie is desperately ill and it is not clear whether he will survive long enough to get closure on what happened to Wu Sansheng and unravel the secrets of the Thunder God. This season is better paced and more tightly written, avoids the digressions characteristic of Season 1 and comes to a satisfying conclusion. In this journey, Wuxie learns to live life in the present moment and appreciate the people around him rather than chasing mirages.Unlike Season 1, this season is a lot less about the Iron Triangle. Although we see them and their rapport and witty banter remain the most memorable highlights of the drama, this would be more aptly titled Entrourage rather than Reunion. The issue is that too many members of the team that travels to Thunder City only have modestly well developed relationships with Wuxie and/or Xiaobai but are pretty much strangers to each other. So when they are thrown together in suspenseful or dangerous situations, there isn't that very enjoyable natural chemistry or seamless bond that emanates when the Iron Triangle is together. The only execptions are Xiao Bai and Liu Sang and possibly Hei Yanjing so things markedly improved towards the end when all the "extras" get left behind.
The other enjoyable aspect of this season are that we have two very good villains - Boss Jiao and the spy and one excellent grey character Jiang Zisuan. In fact I would say they somewhat stole the limelight in this season. I was particularly impressed by Wu Lipeng's portrayal of Wuxie disguised as Jiang Zisuan. He literally knocks off all of the little mannerisms and micro expressions of Zhu Yilong's Wuxie to a T. However, it goes on for way too long and to the point where it was no longer even logical from a plot point of view. So the season ends with this feeling that Zhu Yilong/Wuxie was missing in action toward the end. This is particularly disappointing because in the final arc, I expect to see the "real" Wuxie cunningly out maneuvre and confront the last villain. Instead, he pretty much just rocks up for the final two "real" episodes. Even though Zhu Yilong/Wuxie returns for that final showdown, it has a hollow and anti-climatic tone to it, as if he is not fully in character.
Although this season progresses at a much better pace without the marked ups and downs of Season 1, I actually still find both Sea King's Tomb arc and Warehouse 11 arc of Season 1 superior to both Thunder City arc and Imperial City arc of Season 2. That is not to say these arcs are not well done, they truly are but they just were not as dangerously thrilling or mythically suspenseful - I did not feel my heart in my throat the way I did in the first arc of Season 1. This is probably because the Iron Triangle is somewhat overshadowed in Season 2 and it is hard to care as much for the entourage cast. I was praying for the Iron Triangle's survival every moment of the Sea King's Tomb arc. That does not happen in any of the Season 2 arcs - in fact if anything it seems a bit too easy. So despite its overall better cadence of storytelling, Season 2 feels like the thunder rolls but lighting doesn't strike. Thus, I rate both seasons a very enjoyable 8.5 for very different reasons. I separately reviewed Season 1 in greater detail.
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This movie really make you hear the voice of the silenced ones
I think it's one of my favourites this year if not THE fav. I think that the title "Without a Sound" refers not that much to a mute protagonist, but to the fact that in Korean (but not only) society many voices are unheard, many bad, criminal things happen without media and people being loud about those problems, because it's hard to handle, because of corruption, because it's an uncomfortable topic or because more powerful people make them keep quite...Chang Bok said to Tae In "what will he do without him?", because people with impairments and disabilities, people from very poor families, orphans like himself really need more help, but instead are being mistreated and cast out like trash and in some cases really have no choice (if they don't want to starve). Not to mention mafia, human traffic for organs, prostitution, paedophilia... The movie may seem almost comic (I did laugh hard in many scenes), but it does make you think about some really heavy topics with many strong metaphors and question yourself what did YOU do about it, since you surely had more possibilities to make a change than the protagonist, a person without a voice (physically and metaphorically, although he did make many people "hear" him at the end of the movie). It also obviously blurs the line between good and evil, since the protagonists do some criminal things, but also some good things, so it's not them being evil in their nature, but some of their actions. It makes us question ourselves what’s right and wrong, what’s good and bad what do we think about a certain situation and if those beliefs depend on motives and circumstanced or if our moral is absolute.
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I didn't take this show that seriously - And you shouldn't either
I want to start this review by saying that this show doesn't take itself seriously, and neither should you.I started watching this show because I'm familiar with the actors, and I knew they would do a great job. I wasn't wrong; this show has some amazing acting that manages to convey all the right emotions.
But aside from that, the actors couldn't possibly save this show from the bad writing. The narrative lacks depth, and it keeps going in circles. I get that they had to maintain a certain level of drama, but why not thicken the existing plotlines instead of creating unnecessary ones? Instead of focusing on the main characters relationships, how they had to improve themselves, or maybe what goes outside the relationships (jobs, families, etc.), they created a bunch of side characters and useless drama that adds no substance to the story. They came and went, sometimes without a clear resolution.
Let's talk about the characters. I heard so many opinions about how every single one of them matured and improved themselves by the end of the series, but honestly, I don't see it. The only character that really changed throughout was Ray. He started as a very superficial, self-centered rich brat but managed to see how that hurt the people around him and decided, at his own volition, to change. Even though there is still room for improvement, we can assume he won't fall into the same traps again if Sand is by his side.
Can we say the same thing about Boston? No. Although he decided to apologize for all the trouble he caused and start a serious relationship with Nick, the last episode speaks for itself. He didn't change his habits, and he is not willing to. He only tried to do so to satisfy Nick's wishes. At the end, he still hurt his feelings by cheating on him at the bar and acting like it wasn't that important. It's clear he didn't learn from his mistakes. My only hope is that Nick manages to find someone better than Ton and love himself a bit more, even if right now it's clear he still has feelings for him.
As for Top, he's somewhat of a mysterious type. The story didn't dive as deep into his character as I wanted. From the very beginning, I had a strong belief that he had sincere feelings for Mew, despite falling victim to Ton's manipulation, which resulted in him cheating on Mew. And so, when he called Boeing, his ex, over, I was very surprised. It was unexpected because Top didn't seem like the kind of person who would risk Mew's trust after working so hard to regain it. I'm left wondering how Mew forgave him so easily for that. Did Top truly change, or are there more layers to his character that we didn't get to see?
Let's also touch on the fan service aspect of the show. Towards the end, it became noticeable that nearly every character kissed each other. It left me wondering if these scenes were primarily for viewer enjoyment rather than serving a deeper purpose in character development or plot progression.
The end of the series was also left open, leaving many plotholes behind and keeping the potential for a second season.
In conclusion, if you're up for a light and occasionally brilliant watch, this series has its moments. But if you're into something with a more serious and coherent storyline, you might want to look elsewhere.
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Known Ex-Boyfriend
This drama is what disappointment looks like. But I can't even complain, cuz it's on me... I had too high expectations. I blame myself for this one, I disappointed myself.When I first learned about the premise of this, I was like. Oh, so Taiwan bls graduated from stepbrothers and are now going into the uncle business, sign me up. I was ready to be on my moral high ground while enjoying, and judging. Unfortunately, when the first episode aired and the intro was longer than the episode, I almost rioted.
Literally, the eff was this? It was all over the place. The plot needed time, which they didn't have, so it was rushed. And who the hell even propose like the uncle did in the finale? It felt like they ran out of budget in the location they were at, and had to leave, so the director was like, hurry up, quickly, put the ring on his finger and let's check out before we have to pay for another day.
Also, all that missed chances for them to meet and find out about each other was ridiculous. The mother even sent a picture, and you telling me after he returned to his phone he couldn't see it?? Then, it turned out the uncle knew the whole time any way? Meh.
Taiwan dramas almost never disappoint, so to see this one let me down, was unexpected. I'm not sure if it's due to the plot being whatever, or the execution, but this was not it. The story was very rushed, the secondary characters were uninteresting, and that basic arse bad guy came off whiny and childish with no depth. The main cp were there, didn't really get much from them either, and that mother was also there... really, everything about this disappointed me. Such a shame, this would have been an amazing bl if it had proper run time and the plot was well executed. Perhaps they lacked investment?
Anyway, if you wanna watch it, kudos to you, personally I won't recommend it. Hopefully the actors get a chance to work on something better in the future. One thing I liked about this though, was the theme song. Dafug you mean 'My love for you is 3 centimeters deep, not more, not less.' It made me laugh, so at least there was that.
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Set in the peaceful Edo era, the film is a human drama instead of a straight chambara (swords play) film like the title displays so do not expect heads rolling and straightforward Samurai action the whole time. Once again, Kobayachi harshly criticize the ancient Japanese feudal system and the Bushido codes of Samurai honour that requires blind loyalty.
Screenwriter Hashimoto (Kurosawa’s regular) did a magnificent job with the story’s shades, turns and flashbacks in a way that would make you anticipate the developments of the story; it may feel slow paced at times but that’s the usual Kobayachi way of building strong tension to end it with a blow; heroism was created little by little until it reached the end. The term “Rebellion” isn’t exactly what you think when reading the title, it’s not the story of a samurai establishing justice or honoring his lord, this is the story of an elder samurai’s own codes of honour to help his son and daughter-in-law through the injustice caused by their clan’s lord and the closest higher-ups. Instead of blind loyalty and accepting unfairness without asking questions, they decided to go against their feudal lord, the system and the world they live in.
Samurai Rebellion is also viewed as a family drama with many displayed emotions and connections. It also contains the most touching romantic story I’ve ever seen in any Samurai film; the sacrifices, the mutual understandings and the painful injustice leading to separation. However, that doesn’t deny the presence of action especially at the end. The dual and the fight sequences were splendid considering the fact that they were used to get all of that intensity that’s been constructing during the whole film. It made the perfect finale of the film.
Is it really necessary to talk about acting? It’s Mifune Toshiro, the legendary best actor Japan ever knew and one of the better actors in the world; people usually know Mifune in Kurosawa’s films where he always shined but let me tell you, Mifune’s performance with Kobayachi was one of his finest works ever; he did a flawless job with the character of an elder samurai who built a hero out of himself to confront injustice. There’s also Nakadai Tatsuya, the second Japanese legend. Although he was only a supporting role, he delivered so well and I must say that I completely loved his character that sounded mysterious; he was someone who had to be torn apart between his greed to be the best swordsman in the clan, to be a friend or to serve his lord according to the samurai codes of honour. Someone else deserve all the praise is Tsukasa Yoko, she had one of the strongest female performances I’ve seen in the golden Japanese cinema. Her character Ichi was also one of the better female characters displayed in Samurai films.
The black and white cinematography was top-notch just like the camera angles and the smooth close-ups because Kobayachi is a masterful director after all. What also should be highlighted is the superb music choice to empathize the emotional involvement.
Watch if:
-You like Samurai films.
-You want to discover old Japanese films.
-You like Toshiro Mifune because this is one of his better works.
-You like Masaki Kobayachi’s way of making films.
Do not watch if:
-You dislike old films (black and white).
-You dislike Samurai films.
Samurai Rebellion is a timeless Kobayachi masterpiece that defies the usual definitions of samurai codes of honor in the most brutal tragic way.
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The plot itself is rather simple and not that difficult to predict, but what made the drama stand out is how everything was presented. The tone of the drama is very lighthearted and serious moments or events aren't portrayed in an overdramatic way. I loved that some dramatic scenes were even purposefully exaggerated so that they seemed funny instead. With a 2 episode extension the last episodes were a little slower than the rest, but personally I didn't mind that especially because I really liked the ending.
The cast was great as well; Chae Rim really gave life to her character and she will be one of the drama heroines that I won't be able to forget. For me a huge plus of this drama was that it dealt with regular middle class people who are often overlooked in dramas. Another thing I liked was that even supporting characters were well written so that I've grown fond of the whole cast. However, I thought that one of the male leads was a little dull and he didn't leave as much of an impression on me as other characters.
All in all, Dal Ja's Spring is a heartwarming, cute story that I will surely rewatch on a rainy day when I need an uplifting drama!
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There's nothing great or unique about this show. I must say, though, that it served its purpose of entertaining me. I'm not that demanding about the shows I watch, my main criteria is to like at least one of the main characters, so that I have someone to root for along the watching journey. In this case, I liked both.
The main problem for me was the amount of extremely childish fights between our main couple. It was pretty much clear they had attraction and cared about each other, but were too imature to be honest and properly communicate their feelings. I would have no problem with it if those fights lead to some progress on their relationship but it started getting exausting since almost every time it just lead to more misunderstadings. Both were too proud and stubborn... Though I liked that most of the time, Neung was the one who would give in. Hehe.
Well, it was fun. And short.
8/10 for me.
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I wasn't sure how I felt about Kwon Sang Woo before this but I enjoyed his character a lot. He plays an honorable son, prosecutor and a loyal, steadfast friend. He's hot headed, prone to fight and often very funny. Go Hyun Jung is wonderful, as always. I like her so much. She has such range; from What's Up Fox to Queen Seon Duk (Evil Misil!) to Dae Mul, she is an undeniably great actress.
This is one drama that uses its side characters well. They all orbit around the leads in believable ways. They are necessary to the story and not distractions, which if you have ever read any of my reviews, you'll know this kicks up a drama's rating for me.
At 24 episodes, I felt the pacing was just fine. It took me a long time to finish this but I blame the springtime glut of obsessive fare like Greatest Love and others for stalling me on this and not a lagging storyline. This drama is worth your time if you are into politics and more adult storylines. It's written well, directed well and most of all, acted well. There is some strange editing at the end/beginning of some episodes but they always clean up the story during the hour.
I'm giving it an 8 over-all. My Re-watch value is low. Not because I didn't like it but because I'm more apt to watch light romantic fare over and over rather than a long political drama.
Again, this drama is worth it if you like political stories or if you are a fan of the leads. They do a great job in this drama.
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Tackling the horrors of war and the absurdity of the Korean War in particular with grotesque humor
"The Long Way Home" – original: "Western Front" - is a KMovie about the Korean War. But a funny one... if a movie about war might be called funny at all... In fact, it succeeded brilliantly in tackling the horrors of war in general and the absurdity of the Korean War in particular with grotesque humor.As a last resort, even a North Korean student is drafted to drive a tank into battle. A South Korean farmer, in turn, has to leave his heavily pregnant wife behind in order to take part in an all-important, top-secret mission and deliver strategically important secret information to the Allies. Neither are heroes. Neither of them would actually care about the war. But both have dutifully learned the ideological phrases of their 'side' and both, quite by chance, are the only ones in their respective units to survive in an airstrike three days before the truce is signed. The North Korean incidentally stumbles upon the top secret paper and hides it. The South Korean incidentally overwhelms the North Korean... obviously, neither of them being born to be soldiers.
"The Long Way Home" is a kind of road movie back and forth through the empty landscape of the western front line. The student from the north wants to return home with his tank. The farmer from the south, in turn, wants to hand over the secret paper so that he can finally return to his wife and newborn baby. Eventually, sometimes one pulls in this direction and then the other one in that. Only a cow is involved, too. And a bizarre village community in no man's land. Along the way, the two squabblers also stumble upon Chinese troops reinforcing the north, and there is also another airstrike from the south. Then, again and again the cow in the vastness of the natural landscape, in which military equipment and soldiers don´t seem to fit in at all. The war is increasingly losing its meaning and significance. The tank has long been junk anyway, but ironically it becomes their shared cozy home. Enmity becomes friendship. War is crap. This one anyway! Regarding its fatal futility and arbitrariness, the KMovie in conclusion actually goes one better, too.
In "The Long Way Home" infernal war scenarios and powerful chamber drama collide with slapstick and situational comedy. A daring mixture, but quite successful not least thanks to strong mimes - with young talent Yeo Jin-goo and veteran Sol Kyun-gu in a fantastic playing mood.
A different kind of anti-(Korea) war movie.
Not a milestone in cinematics, but quite entertaining in its bizarreness.
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Right off the bat I was enticed by the disclaimer,
"This drama is fictional. All resemblances to actual people, places or events are purely coincidental. Or you may choose to take this as purely a made up story or try to grasp an understanding of the darkness these days."
A simple but perfect set up for how brutal each episode is, not just the individual crimes but the overlaying story. Most drama's make a scene just brutal in its initial appearance. In Joker, where the first look at the murder victims might not be all that horrible, as they are carefully investigated you develop a deeper conviction that what they get - even though its not legal - is what they deserve. (Sort of brings out the worst in all of us, maybe.)
The cast is amazing. There's humor that fits in well with each characters lives, there's drama, and realistically dark content. If your not a seasoned murder detective drama watcher, you might get a little queasy. So be careful.
Finally I would like to make a point to say that, where this drama isn't unpredictable it does a great job at making you want to contradict your initial theories. Towards the end you will know what's coming BUT you will constantly try to talk yourself out of it.
So..."You want murder, destruction and revenge all tied in with remarkable characters and the barest traces of humor? Well, by golly, you've found your drama.. "
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Impossibly Disappointing
Sigh. Sighhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh.I'm not going to explain why this drama failed in detail. Others have already sacrificed many of their brain cells to do so. Instead, I'll give you a short rundown of my thoughts.
Wedding Impossible had potential. It had a bit of a unique premise, a wacky start promising some over-the-top fun, and the opportunity to say something/showcase Queer representation in a mainstream K-Drama. I don't have to tell you that it failed on all counts.
I looked back at my notes and found one I made after the first or second episode: "Here's hoping they can achieve a fun drama while treating the Gay ML's sexuality and coming out with respect."
Oh, poor Noir. You naive, sweet summer child.
As the episodes progressed, it was clear the drama forgot or simply no longer cared about its premise. And rather than focus on what was supposed to be the main point of intrigue/source of hi-jinks and conflicts: Do Han using this sham marriage to hide his sexuality. They leaned into anything BUT that. And whenever the opportunity presented itself to delve into his struggles, how staying in the closet affected his relationship with his family, how the fake marriage was affecting his best friend and brother: They barely touched on it or simply pivoted and went, but what about the car accident from years ago, what about the poorly-built-up main romance, what about company politics and backstabbing, what about whining and complaining?!
And the worst part! The worst part is that this supposedly fun rom-com-style K-Drama not only didn't give the Gay ML a love interest (which is just plain Homophobic if you ask me): IT. WASN'T. FUN.
AND ANOTHER THING! Is it just me who finally noticed that they rarely used the word "Gay?!" Wtf. Are they scared of it?! If I didn't know the plot/wasn't paying attention, I would have no idea what Do Han's "secret" is when they're talking about it in some scenes!
By the time we got to the last few episodes, I just wanted it to end already. I found myself frustrated, annoyed, and just . . . Annoyed at myself for hoping for better.
If you're like me, a Queer person who, despite the odds, is kind of hopeful for good mainstream LGBT+ representation in your Asian dramas: I'm sorry to myself and you that we stuck this one out. Let's just collectively agree to go rewatch the Queer cuts from Nevertheless and Love with Flaws, drink some wine, and wait for Hwang Da Seul's next masterpiece.
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Not a gem but A VERY GOOD WATCH.
The year 2020 has been full of surprises for the kdrama watchers. My dangerous wife will be one of those underrated dramas that many people won't watch because they are not that familiar with the cast.I would not actually recommend many people to watch them.. Only the matured ones and who love a journey with ups and downs and many twists.I absolutely loved the cast..their acting was top notch.The story was too good but somehow it feels quite repeatitive after a few episodes..But I love the fact that it's not really predictable.I mean "expect the unexpected" then you may find it predictable..so many twists and turns.The thing that upsets me that I could not actually see the reasons behind their actions until 12episodes maybe.The osts were pretty good.I won't rewatch it because I already know the twists..lol.
If you are thinking whether you should watch it or not..I think you should give it a try.
(It's my first review and English is not my first language so I hope you will pardon me for my mistakes)
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To be honest, I started to watch this drama because of Park Se Young. I wasn't really aware of the other actors (except for Kim Mi Sook and Jung Man Shik).
This drama is presented as a family drama and this description suits it very well. Everything in this drama is about family and I liked it that way.
I was a bit worried to watch Glorious Day, because 50-ep dramas usually scare me off but then I gave it a chance and I made a really good decisions. Unlike other long dramas, this drama was fast-paced and every problem got resolved very quickly (max. 2-3 episodes)
I was really addicted to this drama at the beginning. I even watched SBS live, so I could see the episodes as soon as possible. Then my addiction dropped, but this drama still became a drama I was looking forward to watch, because it always made me smile.
STORY
I loved the story in the beginning. It was fast-paced and gripping, then somewhere in the middle it lost its spark for a while but regained it very quickly in the last episodes. Unfortunately, this drama was cut down to 44 episodes in the end (because of the ratings in Korea) and honestly, I don't think that this drama deserved it. However, despite that, the writers did a great job with the ending. I was smiling like crazy. I could compare this ending to It's Okay, That's Love. I think this ending was just perfect for this drama.
ACTING
As for acting, most of the actors did a great job, but I could have seen many flaws in their acting. However, because of the storyline and chemistry between the actors, I just didn't pay so much attention to it. By the way, I loved the chemistry between Park Se Young and Lee Sang Woo. If I should pick an actor who did the best job, then it would be Kim Hyung Kyu, in my opinion. He is so young, and he did an amazing job! Really talented!
MUSIC
The music was kind of so-so. But the original songs were perfect for the story. I loved how they used trot songs.
If you are looking for a heart-warming drama, with a great chemistry between actors and you have a free time to watch it, then, please, don't hesitate and watch it! It's worth your time!
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So quite a nice drama actually, nothing really special or over the board stuff (let's say a soft drama)
Actually the plot does remind you of some other dramas because it includes the basic elements (a.k.a amnesia, orphan kid, troublesome past, opposition etc.)
Don't get me wrong now... it is not a melodrama ^^ it's quite amusing drama and enjoyable most of the times (especially when they react or parodies movies, songs,...)
Of course this wouldn't be a drama that you would use in order to dramatize your friend or make him/her a dramatard x)
the cast was great, they did an amazing job with the Busan Accent and also they fit the characters really well
i really like all the casts, you get to like them quite easily (i read that some people did not like the main girl but in my point of view, the production team choose the actress well since we are not talking about a really gorgeous and sexy girl but a mob's daughter, hardworking girl)
Music and Rewatch value are low since the music did not really catch my interest
Rewatch value is low since it's not really a drama that you would want to rewatch 5 times... once is okay but not more
Overall 7... if you want to see something funny and filmed in Busan then this is your stuff :) of course there is romance (^w^)
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Too short...
A typical low budget production, at least they improved. They added background noise to the bar, even when we can see it's not a bar. And there is always a flashback of the last episodes evem when the episodes are only 8 minutes long (under 7 for the finale).This is an unagitated series, with a chance meeting of two man in a laundromat. But of course one of them is not just there for reading a book or doing laundry... It tells the story of a university graduate hunting for a job and his uncertainties and struggles. Hyung supports him with tips and with a new suit, because he won't wear it anytime soon. In the end there is a little bit of drama but of course there is a happy end.
What I don't like especially with this series is how short it is. While it tells the story well, it misses some depth. I would like have seen this with 30 minute episodes or a lot more episodes... because the acting was good and the script was good. Not exceptional, but compared all the crap we get served, it's a a change of pace and a change of stupid, senseless stories. So, if you don't know what to watch, binge watch this series on Youtube for around 29 minutes and have a nice experience.
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