This review may contain spoilers
Great show with great casts from great director but I feel like something's lacking
I was having high hopes for this show because the casts are my favorites and the director is famous for his gory and violent scenes. I enjoyed watching the show because of excellent acting from my favorite actors and great cinematography.Jung Hae In proves he is acting genius and master of genre, expressing various levels of pain realistically and perfectly acting with only one eye. Go Kyung Pyo’s acting as serial killer is refreshing and Kim Hye Jun facial acting is great but her action scenes are kinda lagging in some scenes.
But what I feel most lacking is maybe suspense/ tension/ story development? I didn't feel so much excited to know what would happen next (maybe because I got spoilers from behind the scenes videos that Disney+ released in advance before the drama's premier).
OST is nice with Haein’s sweet voice but using the same song repeatedly for many times (although it's necessary for the plot) made me bored.
CGI and VFX are great especially the tentacles used for regeneration.
The gory and bloody scenes are not that disturbing to me.
The chemistry between the casts is great but felt the kissing scene between DongSoo and Yirang is too early Lol.
At the moment of writing this review, people are making noise about the rear nudity of the actors which is nothing strange in acting field but it feels like they used stunt doubles for those scenes.
[Edited - Jung Hae In confirms that he used stand-in (body double) for nudity scene in an interview.
https://youtu.be/nAEMUGOsz4o]
The sex scene was unexpected haha but didn't expose too much.
The last fighting scene between DongSoo and JinSeop didn't help me to maintain suspense and the ending scene hinting for another season is unexpected.
Overall I enjoyed watching the great performance from my favorite actors but sense of satisfaction was not that much and probably I won't rewatch this show within a short period of time. However if there'll be season 2, I'll definitely tune in to explore their so-called new Connect World.
Was this review helpful to you?
This review may contain spoilers
Not nice to watch but definitely worth seeing. Superbly done in many ways. Powerful. Resonating.
Prolog:The conclusion for the protagonist in his late 30s is rather tragic: he´s getting the urge to go back. He wants the life of his late youth back. He cannot continue with who he is today. For him, there is only one option remaining – a shortcut to the exit.
However, for the audience, the end is actually the beginning. The journey goes backwards in seven chapters. And when we finally reach the start, it actually makes sense to look at the ending again... (in movie-terms: its beginning...)
-------------------------------------------------- ----
“Peppermint Candy” was one of the top ten movies in 2000. The international awards it collected are respectable. And even in 2022, “The Guardian” has it listed in 12th place among South Korean film classics. Meaning: It was topical back then and still hasn’t lost its impact. It´s cult. It can be considered particularly valuable. However, it´s not particularly nice, though. Rather particularly powerful and ferociously intense.
"Peppermint Candy" dates from 1999. It tells the story of the previous two decades of South Korean history using the example of an arbitrary, inconspicuous individual. For audience who isn´t firm in recent South Korean history, the KMovie may be reduced to the protagonist as an individual - to his very personal story and his tragic ending. For all those who know something about the historical, social background (see the side note below if you like), the KMovie becomes a memorial on screen that commemorates all those in society who were probably thus affected in one way or another, too, and may have had a similar experience. And there were quite a few.
In 1999, South Korea looked back on two extremely eventful decades. Two decades that were endured, sustained, borne by the people... Two decades that, in addition to democracy, turbo-capitalism and material prosperity, also produced a whole series of psychological cripples.
I actually don't like the word 'cripple', but somehow it seems appropriate in this case, here in the sense of: people who were maltreated by others or 'by life´s circumstances' to the point of psychic unconsciousness (even if perhaps they themselves were involved as perpetrators, too). People who were broken by their fate and trauma, not being allowed to and/or able to talk about it. People who fell, lost themselves, could no longer get back on their feet, feeling helpless. Completely bent. People who could not find peace with their shame and guilt. In their inability to communicate about it and get help, they became a total human failure for those around them.
In reverse "Peppermint Candy" portrays the career of such a psychological (and physical) 'cripple' in intense scenes. We may acknowledge the individual fate. Even without historical background and regardless of socialization, we acknowledge a broken soul, of which all that is left to the outside world is actually an 'asshole'. Once a poetic, delicate, sensitive spirit... it´s hard to believe. Actor Sol Kyung-gu expands the entire range of his skills, convincingly and uncompromisingly drawing the audience into each of his divers crucial, rather unpleasant emotional life situations.
“Peppermint Candy” is superbly done in many ways. Not too much, not too little. Ruthless. And in pointed, symbolic imagery, the scenes gain in emotional power and meaningfulness as they progress - even after we have travelled a few sequences further (back) - to the extent that the puzzle of drastic life events accumulated are coherently put together into a pile of shards.
The protagonist in "Peppermint Candy" is experiencing the significant historic events of his generation at the forefront. His psychical downward spiral cannot be stopped. But this protagonist is no exception. Countless people in their late thirties in South Korea in 1999 could have told such or similar stories. During those traumatizing two decades the public was carelessly left alone to individually deal with what had happened. What a person experienced emotionally, what a person had to process and couldn't, the decisions made, the guilt, the shame, the pain – the answer to that was mainly psychological repression and silence about it. The consequences in everyday life: Outbursts of acting up and/or apathy. Sometimes the old wound hurts again. The old wound makes man fall to the ground, by its pain that he cannot escape. But it is also a phantom pain - the desperate suffering over an essential piece of 'who I am' that was taken away once and for all...
The protagonist in "Peppermint Candy" suffers on behalf of an entire generation of anonymous young people who were quietly worn down, deeply psychologically shattered and finally by the two decades of the 80s and 90s, the time of transition from military dictatorship to modern capitalism existentially bankrupt. The KMovie reaches out to all those who may have had a similar experience and/or were able to sympathize. Where communication had been lacking for decades, the KMovie, with its sometimes disturbing insights, tries to build a bridge: with understanding that may even extend to empathy. "Peppermint Candy" manages to connect the South Korean people through the fate of this one fictional man and his personal environment. (Additionally, it may even touch the rest of the world). Yongho, who could be 'anyone', and with him the women in his life, his friends (?), his colleagues and his victims who had crossed his path, who could also be 'anyone'…
Not nice to watch. But definitely worth seeing.
Powerful. Resonating. A convincingly empathetic work.
A work of passion.
--------------------------------------------------------------------------------
SIDE NOTE: --- Brief overview of the historical background of South Korea - regarding May 1980 in Gwangju, the 1980s under repressive police violence, and the years of economic miracle up to the Asian crisis of 1997-1999. ---
May 1980 in Gwangju, South Korea, featured a bloody massacre that the police and military were ordered to carry out on their own people. Yet, that massacre of Gwangju remained an official taboo for almost two decades. What happened in Gwangju back then was kept secret from the rest of the country. Then, the city was deliberately cordoned off. The enemy was officially called 'communism' (especially in student circles, supposedly under the infiltrated influence of North Korea.)
Those who survived May 1980 in Gwangju and perhaps could or would have wanted to talk about it were pressured, persecuted, tortured and put in camps. The others who preferred to remain silent had to figure out by themselves how to emotionally digest what had happend.
President Chun Do-hwan, who succeeded his predecessor Park Chung-hee in the aftermath of the bloody spring of 1980, did not create any less autocratic structures for the common people than before with his dictatorship. On the contrary. With him, brutal torture was carried out in the spirit of a systematic cleansing. The years of Chun Do-hwan's rule were some of the worst for South Korea in terms of political repression. His mission: The country should use all its might to present itself to the rest of the world as dazzling and up-and-coming until the Olympic Games. Whatever/whoever was bothersome was put away. However, the autocratic rule of the dictator and his brutal power apparatus with police and secret service ended in 1987 as a result of unbridled, enormous public pressure. The people's longing for democracy was finally able to prevail.
Parallel to the repression under Chun Do-hwan, the 1980s and following years were characterized by the years of economic miracle. The market became increasingly liberalized and it was all about exports. Yet, on a large scale growth and prosperity were built on credit: direct investments from abroad, credit cards for the people in the country, loan sharks for all those smaller companies that couldn't get the money from the banks. But the bubble of the expansive credit economy of the 1990s burst in 1997 with the Asian crisis. The credit boom was followed by a crash, an enormous fall in the value of the won, a series of bankruptcies, unemployment all over the place and poverty for the many.
Even though South Korea got back on its feet astonishingly quickly in the course of the subsequent years of the so called IMF Economic Crisis, the path was marked by countless fates of bankruptcies and many families suffering from for a long time since.
Was this review helpful to you?
BEST THAI BL 2023
Did GMMTV save the best series for the last months this year cos Last Twilight is realllyy giiivvviiinnggg.If Last Twilight can be this good, then I have no doubt Cherry Magic Th and Cooking Crush will also be good.
This drama has restored all hope that I had already lost from GMMTV this year.
A soft drama with no complex plot and story. Every emotion is being felt down to the soul. The story, the acting, the ost, everything is just so on point. The chemistry between Mhok and Day is just too real to be ignored.
I am so glad I get to watch this and if you’re thinking about watching it, think no further, just start. It’s sooo good
Was this review helpful to you?
1
1This review may contain spoilers
PecBros, or, Peccentric Bromance
This is how I imagine the pitch meeting for this show went:WRITERS: So, we have a proposal for a new BL. One that is radical and fresh and new and innovative...
PRODUCERS: What is it?
WRITERS: It’s a Thai BL crossed with a Korean BL.
PRODUCERS: Brilliant!! Go nuts!
WRITERS: Great! How much money do we get?
PRODUCERS: Nothing.
DIRECTOR: Hang on... (To the writers:) Talk us through it.
WRITERS: Well, there's this Thai dude who comes to study at Korea, and he's best friends with this Korean dude because they grew up together, and...
PRODUCERS: In the same country?
WRITERS: Yes.
PRODUCERS: Which one? Thailand or Korea?
WRITERS: Exactly.
DIRECTOR: Well, which is it?
WRITERS: Which isn't it?
PRODUCERS: O... kay...
WRITERS: Anyway, the Thai dude goes to the same university as his buddy, and they decide to share the same room. Will they be more than friends? That's the story.
(Everyone sighs.)
CASTING DIRECTOR: So, I'm guessing we’ll need to find a Korean actor who speaks Thai, and a Thai actor who speaks Korean?
PRODUCERS: Who are also willing to be in a BL? Forget it. Too expensive.
WRITERS: What do we do then?
PRODUCERS: We get around it.
DIRECTOR: How? By giving them a few language lessons?
PRODUCERS: Of course not. Let's just have the Thai guy speak Thai, and the Korean guy speak Korean. Easy.
WRITERS: But…
PRODUCERS: But what?
WRITERS: If the Thai actor cannot speak Korean, and the show is set in Korea, how will he interact with all the other Korean characters in the show?
PRODUCERS: What characters?
WRITERS (shuffling through their papers): Well, so far, we have a couple of university students, a gym teacher, and of course, a fujoshi.
CASTING DIRECTOR: That would be a problem.
PRODUCERS: Hmmm... Well, why don't we just say that all the students are majoring in Thai, that the gym teacher loves Thai culture, and the fujoshi… well, can’t she just love Thai food?
WRITERS: Yet none of them can speak a word of Thai?
DIRECTOR: Well, what are the boys supposed to be studying at college?
WRITERS: I think they’re studying… (They talk among themselves and fumble through the pages.) Ummm... something physical education-y.
PRODUCERS: In other words, something that gets them to the gym in order for us to see them topless.
(The writers remain silent.)
PRODUCERS: Then why the fuck does any of it matter? Just throw them in the gym, take a few thirst traps, and give it a theme tune. Done.
DIRECTOR: Ummm… Not to be a wet blanket or anything. But is there a plot somewhere around the corner?
WRITERS: We’re still working on it.
DIRECTOR: What do you mean "working on it"?
WRITERS: We have an element of mystery. We think the gym teacher might be involved in a murder.
DIRECTOR: Might be? Surely you, as writers, should know what happens?
PRODUCERS: You a rookie? He's just a hunk of meat. (To the writers): Isn't he?
DIRECTOR: Well, you’re not helping matters. If we have good actors, or better scriptwriters... no offence...
WRITERS: None taken.
DIRECTOR: What am I supposed to do now?
PRODUCERS: Relax. This is BL 101. You need arms, pecs, abs, and ass. You need some “angst”, whatever the fuck that means, and you need a happy ending. Don’t tell me the girls won’t eat this up.
WRITERS: They have a point.
PRODUCERS (clapping their hands twice): Get to it, then. Make us some money.
CASTING DIRECTOR: This is going to be a fun couple of months.
DIRECTOR: What could possibly go wrong?
And this is how I imagine the post-production meeting went:
PRODUCERS: Remind us, which one of you was the editor on this project? (A hesitant hand goes up.) You're fired. And who did the cinematography? You’re fired too. Now, who did the music? (Another hesitant hand goes up.) Give the man a raise. He knows how to trap that thirst.
(A long pause.)
Now, where are the screenwriters?
WRITERS: Here.
PRODUCERS: Tell me, have you ever considered writing for gay porn? Because your talents are wasted here.
WRITERS: Oh! Wait... what?
PRODUCERS (sighing): It's one thing to have no plot. Which is what you came to us with in the first place. But now, you have given us a murder mystery in which the real villain was... drumrolls please...
CASTING DIRECTOR: Oh, you want us to do the actual drumroll?
DIRECTOR: Interesting.
PRODUCERS: The fat guy! The fat guy!! You know, the one who steals other people's food, who can't control himself or his feelings, and who therefore deserves to die? Him. This is what you were going for. In 2024.
(The writers are silent.)
PRODUCERS: Tell me, was he meant to be gay as well? Not that we acknowledge the existence of gays in KBLs, of course. Or did you make that vague on purpose, so that your audience wouldn't have to think of him as a sexual being?
WRITERS: No... It's just...
PRODUCERS: You do realise you've managed to write a show in which a YouTube influencer is *not* the worst person in the world? Now that’s an accomplishment.
DIRECTOR: What are you so mad at them for? You green-lit the project!
PRODUCERS: Yes, back when we thought it was about two cute boys hitting the gym, bonding over Thai food, and lip reading in different languages. We didn't expect a bibimbap of anti-fat prejudices and pro-protein-shake propaganda. Didn't we have enough of that in Blueming?
DIRECTOR: What do you want us to do then? Pull the project?
PRODUCERS: No, of course not. (Sighs.) When you've been in the business for as long as we have, you'll realise that people will watch anything. Most BL is queer-bait-and-switch anyway.
DIRECTOR: What then?
PRODUCERS: Send it to focus group -- but make sure there's no one gay, fat, or above 40 in it -- and see how often they say 'fluffy' or 'cute'. If it's more than 50%, release it.
WRITERS: So you want us to release something that you yourself hate?
PRODUCERS: Of course. Haven't you seen the Producers?
Reader's (Google Translated) Digest:
DO SAY: Krub, C̄hạn rạk khuṇ, Annyeonghaseyo, Salanghaeyo.
DON'T SAY: H̄yud ley. Kkeojyeo.
Was this review helpful to you?
This review may contain spoilers
This was a waste of time
If this show taught me anything, it’s that you shouldn’t let ratings tell you what to watch.Idk how it’s rated 8.1 on MDL but that convinced me to give it a try, along with the cast-I’m also from legend of yunxi so I like both actors, but I wish I had never started this drama.
First of all, the synopsis is all wrong. This show is not about a girl who sees the future. That lasted the first 2 episodes and deteriorated into something entirely useless and incoherent.
Second, this is the worst female lead I have ever encountered. I usually always give the Fl the benefit of the doubt and find the good despite all the bad but in this show, the bad farrrr outweighed the good. Not once did she trust the ML. She kept repeating the same bad behavior with the same consequences or results throughout to show-even till the last couple of episodes. How do you write a character like that? No growth at all. She talked so much about trust and the truth, but she didn’t trust her teacher/master and she didn’t trust her husband despite him repeatedly reassuring her of his innocence on numerous occasions. Also, her always spending so much time with the second male lead, in public and privately, especially after the male lead expressed discomfort about it repeatedly to her annoyed me. Like you are married-a little bit of respect towards your husband won’t kill you. There was also the issue of the blind faith/trust she had in the SML due to them knowing each other for like 5 secs when they were kids that she doesn't extend to the ML, who is...her husband. I didn’t even care if she lived or died-in fact, on some occasions, I wanted them to truly get divorced and he married the princess. Put simply, the female lead sucks, she’s awful. Her character belongs in a trash can.
The second male lead is even worse. He decides to go on this entire evil crusade based off secondhand info about a 10-year-old incident without verifying or questioning a single thing. Who does that? Who formulates an entire revenge plan that involves the betrayal and murder of so many innocent people without first verifying your reason? Even if he was right and that incident was what caused his mother's death, the male lead was a child then??? You're telling me the writer decided that his main villain is going to be someone who can't distinguish between a mistake made by a child and malicious murder? You will betray and murder someone who calls you uncle and has done nothing but trust you because he knocked over a candle when he was like 10?? Also, the actor’s acting was pretty bad. Maybe this role doesn’t suit him or something idk, this is my first show of his, but he portrayed zero emotions and he tried to act without moving his lips and that just annoyed me. And his obsession with the female lead due to their 5 sec childhood interaction grew tiresome really quick. Also, the way his story ended was the absolute WORST! We watched this lunatic run around for 39.5 episodes killing people in an attempt to kill the male lead over the stupidest misunderstanding, all for him to die before fully understanding how wrong he was and what he had done. Like what was that?!
The secondary couple, although cute, became annoying and repetitive promptly after because they refused to actually do anything about their relationship or make it official. This is a historical drama, how many episodes of flirting and almost kisses can there be before you freaking ask for the girl’s hand in marriage? The whole show with them flirting and fighting and no marriage. It was the same thing over and over.
And then there's the ex-friend of the female lead who became her enemy after misunderstanding the female lead's part in her father's execution. It was literally the simplest misunderstanding that could have and should've been easily resolved but it dragged the entire drama and the friend tried to murder her and it never gets resolved. Why not clear it up at the end-even if it's to make the ex-friend feel guilt and remorse for her actions? They left that unresolved.
The only character that had any growth was the annoying princess and that’s the saddest thing I’ve ever written. She grew from the most annoying person on the show, to still annoying but sorta like-able and caring.
I stayed through the drama for the male lead. While he was the typical cold ml, every so often he’d smile, smirk, or make the funniest, most ridiculous faces that just made your heart melt. He also turned into a total sugar ball around the female lead.
This show sucked. The plot was awful-I’m not even sure that there even was a solid plot to follow. The villain is so crappy that you’re more annoyed than scared of him. Every episode is a repeat of “how can we make the people in the male lead’s life not trust or believe him today about issues that are clear cut until he almost dies proving himself to them”. This is what you will be watching for 40 episodes.
I couldn’t wait for the special episodes but now that I’ve finished the show, I don’t even want to watch it cause just looking at the female lead is going to piss me off. Also, my idea of a happy ending for this show does not include the female lead. He could do so much better and be so much happier with a person who loves and trusts him. He loves her with everything, but she abuses that. My perfect ending would have been if he fell in love with someone, one of the times they were separated, and she cares about and trusted him as much he does her.
Was this review helpful to you?
Pleasant, but not impressive
PROS:- strong start
- adorable leads, great chemistry & emotion
- beautiful music
- Shin Hye-Sun's outfits and appearance
- ballet scenes
- acting overall
CONS:
- weak second half (except for last two eps)
- flat (two-dimensional) side characters
- predictable ending
- nonprogressive storyline
- too many back and forth scenes
It was an okay drama, I liked it mainly for the leads' chemistry and especially Shin Hye-Sun's screen presence. L as Dan was surprisingly cute. However, somewhere around the second half I felt like the story wasn't really moving forward. The focus had shifted from the female lead's path and ballet to...yeah, well that's the question. The ending was nice, but couldn't compensate for the lacking second half.
Was this review helpful to you?
Story: Although you can watch Season 2 without watching Season 1, you'll get a much better understanding of what's happening if you'd watched Season 1. The story continues with where it ended in Season 1 with Tian Jingzhi finding herself pregnant with Xue Ling Qiao's baby. You'll still get the quirky interactions and conversations between Tiang Jingzhi and the people around her, though in Season 2, you'll get to better understand Tian Jingzhi and her motivations. On the outside, she may come across as a happy-go-lucky, devil-may-care character, but in many circumstances, she'd thought deeply on matters and like any other woman, had her reservations and worries about her relationship with Xue Ling Qiao. On another hand, while Xue Ling Qiao was portrayed as being somewhat detached in Season 1 because he didn't want to involve Tiang Jingzhi overly much in his matters in order to keep her safe, in Season 2, you'll get to see a more involved Xue Ling Qiao as he finally realised he could not live apart from Tiang Jingzhi. In Season 2, you'll get introduced to a few more characters and side-couples. I am sure you'll ship at least one of the side-couples. Overall, the story maintained its fidelity from Season 1 and ended nicely. Though we can now close the chapter to the story of Xue Ling Qiao and Tian Jingzhi, I will not say no if the producer and director decide to further this franchise and tell the story of their son in Season 3.
Acting/Cast: Initially, the change in lead actress threw me off a bit. Esther Yu as Tian Jingzhi has big shoes to fill as her predecessor, Janice Wu, did an excellent job in portraying the quirky, sometimes annoying but surprisingly lovable Tian Jingzhi. In fact, Janice Wu pretty much carried most of the weight of the drama from Season 1 on her shoulders as her acting shone in it. It took me somewhere around 10 episodes before I could watch Season 2 without the bias of comparing Esther Yu's Tian Jingzhi to Janice Wu's Tian Jingzhi. All things considered, Esther did a good job but I couldn't shake the feeling that she's simply emulating Janice Wu on the character. She was a good copycat, and that is in no way something bad because it takes good fundamental acting skills to perfectly emulate another person's acting. For a relatively newish actress, she did well. Hopefully as she grows in her acting career, she'll one day be able to interpret and act out a character entirely based on her own acting style.
As for the male lead, I wasn't very keen on Kim Tae Hwan in Season 1. In my opinion, the man cannot act to save his life (apologies to his fans!) and his only selling point was because he's Korean and nowadays, anything Korean pretty much sells ("The Oppa Trend"). I was actually glad they changed the lead actor to Mike Angelo who is better looking and can act (at least he's a better actor than Kim Tae Hwan!). Also, Mike can speak Mandarin pretty well and although his voice was dubbed, you can tell that he'd spoken his script in Mandarin throughout from how his mouthing of the words matched the dubbing. This is a great improvement from watching Kim Tae Hwan act in Korean but dubbed into Mandarin. I 'll award Mike an extra star for his extra effort in learning Mandarin so he could act in Mandarin dramas. At the back of my mind, I cannot help thinking...if only Mike Angelo was in Season 1 with Janice Wu and they maintain this pairing to Season 2, that would be perfect! Both Mike and Janice are more seasoned actors and I am sure the chemistry would be better too.
Casting for the supporting characters was spot on. Young newbie actor Li Ge Yang as the playful but loyal Zhen Yi Jiao was a lovable character. Mature actor Liu Guang Xiang was perfect as the well-meaning but ambitious and highly principled Qiu Yue Bai/ Lion. Kudos to the ladies too - Yang Zhi Ying as Bai Lu and Tian Yi Tong as Ye Mei Xiao. Of course, we must not forget returning actors from Season 1 - Fu Jia as Li Yan Zhi and Yang Yi Fei as Feng Dong Dong reprised their roles to perfection.
Music: Initially, I wasn't keen on the OST but after a while, it grew on me.
Re watch value: Decent re-watch value as it's an easy and relaxing watch with minimal repetitions and good story pacing.
Overall: A good drama to fill your time, but do not expect this to be a 10/10 or a phenomenal hit. It's light on the viewing and if you'd watched Season 1 and wondered how Tiang Jingzhi and Xue Ling Qiao's romance progresses from Season 1, watching Season 2 will answer your curiosity and give a nice end to their story. Enjoy!
Was this review helpful to you?
The plot description released by NHK got me at first sight (or more like at first read). I thought this drama seems intriguing and without second thoughts I started downloading it. Not long after that, I started watching it and finished the whole thing even without subtitles. It was certainly worth the while.
Platonic’s plot, characters and events’ flowing is very similar to the way Japanese used to do dramas back in the late 90’s to the beginning of the millennium. I surely had a nostalgic moment while watching this. That factor amongst others helped this drama to stabilize an interesting watch until the very last end. It wasn’t mind-blowing but it was attention-grabbing. I dislike tearjerkers and everything that falls under that category. Fortunately, Platonic didn’t take that “I am going to die but I love you *cries* *cries*” turn. Instead, the drama took reality’s turn and made feelings and sentiments sound so genuine despite their simplicity. It excels at throwing every surreal sensation and exchanging it with more down to earth and believable emotions
On the other hand, this drama was somewhat slow in depicting some developments. The wait made me impatient and eager to see the whole thing through. Furthermore, the ending didn’t surprise me a bit. I really hate it when the exact same thing I predict happens. However, everything was logical and real enough.
Nakyama Miho was a good fit for the role of a mother who stopped being a woman, this is the first time I see her in recent times since I was used to her performance in older dramas. She was a mature actress and she still maintains that quality very well. Her co-star Domoto Tsuyoshi was quite good for this type of role. Although their chemistry didn’t strike me, they were a possible nice match. I also didn’t mind the age gap that much.
Some other characters added spirit to this drama; they were an undeniable presence just like few of them were a waste of space. I can say that I liked the supporting set as a whole.
This drama’s Music was English, the type that I don’t usually hear but color me surprised! It was such a great fit for the drama, I won’t listen to it again but when watching the drama, you can feel the OST penetrating into you.
Watch this if:
-You like Slice of Life Japanese dramas.
-You like the older Japanese way of doing dramas because this is quite similar.
-You like some unusual terminal diseases’ dramas.
Do not watch if:
-You’re looking for a tearjerker, despite the feel of it; this is not one.
-You dislike Slice of life dramas.
-You’re looking for something dazzling.
Platonic is a slow-sailing drama that goes into the depth of many human emotions. It’s not a tearjerker although it may sound like one at first.
Was this review helpful to you?
This is not what you think it is!
This drama is not what you think it is. Is it a taboo romance between a student and teacher that, if real, would be unacceptable in every possible way? Absolutely yes. But, again, this drama is not what you think it is.In the first 5 eps, we are set up to believe that the story is nothing more than an icky romance. In episode 6, your jaw will drop, as the plot takes a total twist and the story becomes so much more. This story is part thriller, mystery, and melodrama.
The main leads have sizzling chemistry and both are sympathetic characters. At first, the ML is beyond insufferable, but if you give it a couple episodes, you'll see a big transformation in his behavior.
This is a series where the second half is way better than the first half. Don't stop after the first episode.
Was this review helpful to you?
“I have not broken your heart - you have broken it; and in breaking it, you have broken mine.” I think this quote fits the whole story perfectly.
The reason that I love fiction is due to stories like Summer's Desire. I haven't read the manga, but as a story/plot for a drama this one is one of the best- especially among Taiwanese productions.
Ironically I had dropped this drama quite some time back. I had been in a slump then and I realized it had been a wrong time to start watching it. I finished it now and I did love it as much as I originally thought I would. It has to be one of the best written love triangles in dramas till date.
The story makes you think of all the been-there-done-that elements from Asian dramas. In fact, the whole plot was filled with cliches which otherwise make me gag but I surprisingly didn't mind them in this drama! The whole plot is AMAZING. It was close to perfection minus some melodrama which bored me towards the end which makes me dock off a point.
The characterizations are solid. The main three leads are all crazy and screwed up. Had it been real, all the three characters would have been in therapy. Well, since this is an Asian drama the only therapy one gets here is love or friendship. Luckily love came to the rescue here.
I loved both guys but Ou Chen really hit me hard. He was a borderline psycho with stalkerish tendencies who would probably get a restraining order in real life. In spite of his shortcomings, I LOVED the guy. His character was three dimensional with real depth. He seemed like he felt truck loads of emotions. His possessiveness and the ability to self-destruct reminded me of tragic literary heroes.
Xia Mao is the most complicated heroine I've encountered in any drama yet. She's an almost anti-heroine with very little likable things about her. I loved the fact that she was not moping around just because her life sucked. She was a person who never revealed her emotions and that is so rare in dramas! It gave me a good break from annoying drama females who sit and cry in every episode. She is selfish, manipulative and thinks about herself and what she wants first. I think a great deal of analysis can be done on her character. Her character also grew in good ways but I wish Barbie Hsu's acting had been better.
Luo Xi was also good. He kind of paled in comparison to the other two but I thought he was good enough. His many sides were good and I thought his character was quite unpredictable. I love it when characters make me think.
Now- as for the ending. They incorporated some cheesy cliches but it was all good. I love the fact that many situations and the heroine's decisions were written in such a way that we could second guess her true intentions. A lots of things which happened were debatable. Or I think it was due to Barbie Hsu's lack of acting skills. I suppose we were supposed to see a difference in Xia Mao when she was with both guys but I saw next to none. The other acts were all fine.
I think the OST was pretty great. I loved all the songs they played in the beginning, end or in between.
I recommend this drama to melodrama lovers or those who love mature dramas and like analyzing stuff.
Was this review helpful to you?
Legally Yours!
This was a delightful cocktail of drama and comedy wrapped in a refreshing narrative that defies the usual tropes (not a university BL). It is fun and uplifting, offering a refreshing escape with a balance of lighthearted moments and meaningful connections.Ryoma was an interesting character. He is a passionate lawyer with a very peculiar relationship with his succulents. He has that classic tsundere energy but deep down is such a softie. On the other hand, Haruto is charming yet mysterious, hiding his secrets until the last few episodes. Even though it was pretty obvious that Haruto had ulterior motives when he first contacted Ryoma, I couldn’t help but side with him. The suspense added intrigue, but I do feel like they revealed his secrets a bit too late, and what followed after , felt rushed.
The chemistry between the leads Ryoma and Haruto was so palpable and cute!
Their relationship was beautiful. The way Ryoma risked everything for Haruto and trusted him despite all odds against them was touching. It shows how pure and strong their love is. And Haruto, who initially approached Ryoma for his own reasons, ends up staying and going to great lengths for him. They both needed the calm warmth and unconditional emotional support the other provided. There were moments that gave me second-hand embarrassment, but it was filled with that perfect mix of laughs and swoon-worthy moments.
While their romance had its ups and downs, I do think the pacing of their relationship was a bit fast. But considering the 19-minute episode length, it’s understandable.
Overall, this was a pleasant surprise. Though it has its flaws mainly with pacing and some ambiguous character intentions, it still managed to keep me hooked with its great chemistry and decent comedic moments.
If you're looking for something light and fun, I’d definitely recommend it! It’s the kind of show that’s better binged rather than watching one 20-minute episode a week.
Was this review helpful to you?
for one thing I think it's really easily relatable, Go Ha Neul was just like any one of us, she was a job seeker that was lost and kinda desperate for that stable job, so everything was new to her, and that could be scary, but she handled it all so admirably~
Bae Ssaem was one of my favorite characters, he was easy going, simple and friendly, he really made everyone feel at ease.
Park Sung Soon was the shield for her team and the kids, she always tried to protect them and do what's best for them. and with Do Yun Woo's cool persona, the team felt so diverse and beautiful~
even characters like Kim Yi Boon who seemed like the selfish mean character turned out into a supporting sweet person.
the music was perfect, it fit really well with the atmosphere~
my rewatch values are always a 1 or a 10, and I was really satisfied with the ending and overall message~
Was this review helpful to you?
Every scene was made in a artistic way with a unique camera and music which suited the scene and was creating the atmosphere so you could feel the actual emotions. I would like to point out how logical was the plot. It happens a lot in dramas that some things don't fit together and it seems a bit weird. Here, every scene had a logical reason why to be put there. It was amazing to see that some scenes from the beggining were actually much more important at the end and had much more meaning behind it.
Also the acting was so beautiful. I can't find any other word how to describe the acting. See it for yourself.
After a lot of dramas which weren't good I've finally experienced the feeling when you finish drama and you feel empty the next day and the day after,....
If you're looking for an intelligent drama and has a hidden meaning which can be also interpreted to a real life - I wish you a pleasant and deep experience.
Was this review helpful to you?
A chance meeting between a two men. One, a young man passing through who has an accident on his bike, the other a slightly older man working on his family's farm.
The two have instant chemistry and spend an idyllic summers day together. Lovely cinematography and development of the story in such a short time.
If you like this one - i also enjoyed "Long time no see" by the same production company - they have a few other Korean based LGBT films on offer via their vimeo account.
Was this review helpful to you?
This review may contain spoilers
<< Plot : 7.5/10 >>From the first few episodes, it appeared to be the typical clumsy damsel in distress who falls into misfortune and a smart, stoic yet charming prince charming waltzes into her life and coolly fixes all her issues. While the male lead, Han Che, does do a lot for the female lead, Nuan Nuan, Nuan Nuan actually grows a lot independently and a lot of credit to her growth should be given to her and pleasantly not the male lead.
It's quite refreshing to see the klutzy female lead have a storyline that allows her to grow and mature (because quite often, these cliche dramas leave it to the charming male lead to fix everything). Plot wise other than Nuan Nuan's growth in the fashion industry is pretty typical. Nuan Nuan loses her final chance at debuting as an idol due to Han Che misinterpreting his savior as Nuan Nuan's groupmate, Lin Jia Yi. He soon finds out that he repaid the favor to the wrong person and is determined to pay it back to Nuan Nuan by assisting her when she decides to pursue her fashion passion. As expected, Nuan Nuan and Han Che become close as they spend more and more time together and they eventually fall for each other, but the truth about Han Che causing Nuan Nuan to not debut comes out and it puts a roadblock to their relationship. Like the stereotypical romance line goes, Nuan Nuan forgives Han Che and they get back together.
** On the side note, biggest thing that I'm not a fan of the two are probably the kissing scenes. Reminds me of a truck ramming into a wall during some scenes.
Aside from Nuan Nuan and Han Che, there is some plot focus on some side characters including Nuan Nuan's best friend (who is also Han Che's older sister), Han Xue and Gu Li, who happens to be Han Che's subordinate and a long time "di-di" friend of Han Che's. Drama "villain" Lin Jia Yi gets some attention as well, and also Han Chen who has long harbored romantic feelings for Nuan Nuan.
Overall, the plot is cheesy and predictable, but that's what I signed up to watch. Brownie points awarded to the development story of Nuan Nuan.
<< Acting: 8/10 >>
I haven't watched much of Eleanor Lee, but she's quite natural and adorable. I wish she had a better hairstyle and makeup throughout this series because the hot pink lipstick definitely was not a good pick. But style wise aside, she executed Nuan Nuan quite flawlessly -- the clumsiness, quirkiness, happiness, and cuteness were all done so in a non-cringey way. When she was upset, it felt realistic as well.
I watched the Meteor Garden remake and got used to Leon Leong as the smiley sunshine boy, so the stoic genius role of Han Che took some time to adjust to. Regrettably, I must say that LL is probably the weakest of the acting bunch and it's quite lucky his character is stiff...to match with his acting. Still, he isn't a seasoned actor and his portrayal of Han Che wasn't terrible, so I still look forward to seeing him grow in the future.
From the secondary cast, Li Min Jun's portrayal of the adorable Gu Li was my favorite. He's actually my favorite character in the drama and I thought he conveyed his puppy-like character quite well. His chemistry with the actress who played Han Xue was quite believable as well. Xiong Yu Ting reminds me of another idol/actress who I can't remember right now, but I definitely liked her spunky and bold character. Her friendship and loyalty to Nuan Nuan was sweet and I love the BFFs together -- especially in the beginning when they crashed Lin Jia Yu's birthday party.
Lin Jia Yi and Han Cheng served their roles as the "villains" or "obstacles" to the main leads quite well, though I have to argue that LJY was a lot more annoying than Han Cheng. For a while I actually quite pitied her losing her friends for the chance to pursue her dreams, but after her learning that Han Che and Nuan Nuan were an item and still trying to interfere made me realize that her selfish character hasn't grown at all. As for Han Cheng, I feel like he's more of an obstacle as a villain; I feel bad for him and his feelings for Nuan Nuan that aren't reciprocated. The respective actor and actress played their role decently well, a bit stiff at times, but not bad.
TLDR: If you're looking for a cliche romance drama that has a relatively strong female lead then this is the drama for you. Nuan Nuan's storyline has you rooting for her from the get go and I don't remember a time when I stopped rooting for her. Second lead's Han Xue and Gu Li's romance is also quite cute and you'll most likely also be rooting for Gu Li to get the girl. Overall, probably will not rewatch but this drama put Eleanor Lee and Li Min Jun on my to-look-out-for actor/actress list.
Was this review helpful to you?
