1Definitely a MUST-WATCH
Let me start by saying that I’m not a fan of gender-bender/body-swap stories (I think The Shipper traumatized me for a lifetime), but having read the manga beforehand made me anticipate this particular drama.The main character is Yashiro who’s crushing on childhood friend Kenta, he gathers the courage to confess but Kenta turns him down, trying to maintain their longtime friendship. Suddenly tragedy strikes (insert Truck of Doom’s cameo) and Yashiro is visited by the god of the local shrine who grants him a wish and Yashiro, in all his heartbroken innocence wish to be reborn as a high school girl to have a second chance with Kenta. So Yashiro transforms in the round-eyed lovely Kagura and thus begins his story.
While at first the main plot seems to be Yashiro’s journey to win his friend heart while in Kagura’s body, soon the story begins to unfold and instead the drama focuses in how Yashiro’s choice start to change not only his life but that of his friends also. So much of this drama is about putting oneself in others shoes and showing how this young group of friends try to navigate between new feelings and situations, making sense of everything and trying their best to experience love and show kindness. So despite the fantasy genre, the characters, their motivations and actions are credible and so so relatable.
Beyond a doubt, my favorite thing about this drama are the deep friendships between the main characters.
Speaking of our main characters:
I love Yashiro, he’s everything I love about a protagonist: vulnerable but resilient, so open in his affections and honest to a fault. Clearly, the fact that he wished to become a girl just to be with the boy he like suggests that he doesn't have the right place every Friday ...but I loved him for that too.
Although his wish should’ve made it “easier” for him to develop a relationship with Kenta, life rarely goes as planned and relationships are complicated and messy, so soon his resolution to make Kenta fall in love with him takes a back seat while he deals with all the unintended consequences of his wish, and he does it with a kindness and aplomb rarely seem in someone his age.
Kenta, on the other hand, is charming and outgoing, but surprisingly mature and levelheaded. Even from the start it’s obvious that he values his friendship with Yashiro above all else but it takes a while to sort himself out about the extent of his feelings. So, part of the drama is about the progression on Kenta’s part to ponder and realize his feelings for Yashiro, but even when the realization that he could gave everything up except for Yashiro hits him, this doesn’t mean the end of his struggles. Because even if he’s ready to admit that Kagura IS Yashiro indeed, he isn’t the Yashiro he knew all his life and then grew to love, and he’s not going to settle down with her, easier as it might be.
Rin is this happy-go-lucky kind of girl and initially you think she gonna be the typical ex-girlfriend ready to drive a wedge between the main leads (and she kinda does but not in the way you’d imagine lol); but in the end, I just sincerely wanted her to find love and happiness again.
Late comer, Kagura, was harder to figure out. At first she seems perfectly happy with the whole body-swap situation, but soon is evident that she’s struggling with her own feelings and insecurities. Fortunately our main trio gives her a kind of safe place for her to deal with her own issues.
All in all, I've really enjoyed this little gem of a drama. It wasn't perfect but the combination of refreshing characters and poignant moments, with an honest exploration of identity and sexuality, made this drama an incredible experience
In conclusion, do watch Kamisama no Ekohiiki even if it’s not your genre, just watch the first episode and you’ll be hooked.
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This review may contain spoilers
OMG! I really like it
OBS: Many people are saying that is not as good as the manga. Ok, probably yes, but I haven't seen the manga yet so my review is based only on this dorama.First of all I want say that I'm in love with Yuuki, he's so cute (I want a Yuuki in my life).
At one point in story I was really hoping that he would find someone who didn't make him suffer, but Akira was the love of his life.
I was expecting something tragic would happen, but I really like the happy ending,
The final scenes made me think on many decisions I made in my life just to fit a society standard.
I cried when I saw Xiang Hao Ting e Yu Xi Gu from history3: MODC. OMG.
I love the story, the music, acting, visuals. Everything. If I was asked if there was something I didn't like, I would say the story was a little rushed, it could have had more episodes with a slower passage of the timeline.
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I think this drama is severely underrated and in my opinion mainly because of its poor choice of title "Love affair" brings out the notion of betraying romantic emotions of someone and their trust at the deepest level. It's a dirty and unforgivable act. However, this story is about anything but love affair. Granted the female lead is married, but in this scenario, considering her marriage and how the relationship is, I don't think anyone who will watch this would think that this was a love affair, it simply doesn't fit the category!
This is not your average light and bubbly love; it's dark, complex, passionate, bitter-sweet, and even sometimes torturous. It's a battle where we'll cheer as hard as we can for love to win against all odds. It's a story of growth and maturing oneself through experiencing love, a story of how easily one can lose oneself if s/he is chasing the wrong goals, and how they can still go back to true happiness regardless of their past/bad choices. It’s a story to show how love can change one for better or the worse.
Before analyzing the rest of the drama, I just have to say that I LOVED the music in this drama!!!!! They played so many beautiful pieces that were very well integrated within the flow of the story. Also, unlike your average drama, the music actually added meaning and depth to the drama. Most of the pieces were classical music played by the main leads (and let me tell you, I still cannot believe that they are actors not professional pianists!!!) There was one song that was not classical music, and it fitted the drama better than Cinderella's glass shoe fitted her. Anyone who has any appreciation for classical music is going to enjoy this drama enormously. And I'm not overselling it by stating that it's through the music that we can truly understand their passion, their fears and their love.
The pacing is slow, but surprisingly it didn't bother me at all. I loved that I could take my time and savor their every single gaze, touch, and emotion. The slow pace allowed me to synchronize my emotions with them; to not only understand, but also feel how they felt for one another. I guess the only negative point of the drama is the business part of it, but trust me; this one is not as bad as the others out there. It’s not the strongest part of the drama and the writers try not to get very technical with it. But I think it wasn’t that poorly written/executed. In the scale of the drama as a whole, it didn’t bother me at all!
The characters are complex, and it takes time to truly understand them. There were times that I was very annoyed with the main actress because I didn't really understand her. Nevertheless, as the drama progressed, my understanding of the characters deepened and I start too feel their pain, their hope and most of all their passion. It had been a very long time that I had felt such complex emotions with such intensity. It was almost like I was one of them.
Well I can go on and on, but I want to keep this review at a semi-reasonable length to allow ppl to read it. So if you're a fan of classical music, or if you want to go on a very emotional and bittersweet journey of love, fear and loss, I would recommend you to definitely give this a chance.
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Surprisingly good and cute! worth a try!!
The ML improved SO FREAKING MUCH since PYHOMS. His visuals, acting, chemistry with the FL has improved A LOT so give it a try, you won't regret. I fell in love with the entire cast. The story progresses really well and I'm glad I didn't skip this. I didn't fast forward any scenes but instead I rewatched (which I almost never do). the story doens't get draggy or boring anywhere.The FL isn't the typical damsel in distress but quite a strong one for a big change from her previous works. The leads have a sizzling chemistry and not to mention the second leads too! They have an interesting story. The actors portray their roles perfectly. I don't know how I'll be able to move on from this! Their smiles are so damn freaking contagious OML I can't stop smiling. The second couple have a really good story pace and not simply rushed just because they had to be together for the sake of being together. I wish they had an entire drama for themselves!
In short, you'll get hooked up when you smell the chemistry between all the actors and not to mention the kisses :,-) honestly this drama set the bar high for cutesy rom-coms xo.
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Definitely my no. 1 top bl so far; a supernatural teenage romance underrated masterpiece
(Apologies in advance for any grammatical errors, English is not my native language.)This series is a hidden gem. It is a supernatural teenage romance with hints of slice-of-life that unexpectedly gave me butterflies. Despite its melancholic tone, I still found comfort and beauty in it. This drama is deeply underrated and deserves far more recognition. While it may not be everyone’s cup of tea, it is much more than just a sad or tragic story within the BL or supernatural genre.
Story:
The series gently explores the stages of grief, and many reviews have praised how delicately this theme is handled, which I wholeheartedly agree with. Supernatural stories are not always universally appreciated, but this one portrays its fantasy elements in such a grounded and realistic way that it feels incredibly natural. It balances the real and the unreal so well, and that is where its charm truly lies.
What I want to highlight the most is the relationship between Koichi and Micchan. As an introvert, I really appreciate that it shows a healthy relationship between an introvert and an extrovert. I admired Koichi for understanding and seeing the beauty in Micchan's silence. He never rushed anything, from friendship to romance. Introverts need personal space, and I love how Koichi respected that. He never pushed Micchan and instead patiently waited for him to become comfortable. Even though it was love at first sight for Koichi, he allowed Micchan to fall in love slowly, which feels like a kind of sincere courtship we rarely see these days. Koichi became Micchan's protector and safe space. His love was so big and selfless that he always put Micchan's needs first.
Many viewers already see how ideal Koichi is with his gentleness, patience, and protectiveness, but Micchan deserves just as much appreciation. He may seem emotionless on the outside, but he is deeply compassionate. The novel shows even more of how much he loves Koichi, even years later. His eternal love, choosing Koichi every day, is proof of how strong his feelings are. Giving Koichi emotional energy just so he could function already shows how deeply he cared. Watching the person you love slowly fade away is incredibly painful, and Micchan endured that. He loved Koichi just as much as Koichi loved him.
Their relationship gave me everything I could ever want from a love story: a gentle love that feels safe, someone proud of you, someone who sees something special in you that others overlook, and a love you never expected to be returned so sincerely. It is the kind of love that feels irreplaceable, the kind that makes you feel like you are always the first choice, a love that keeps choosing you every day. It is heartbreaking that it was taken away too soon.
Acting/Characters:
Komiya and Inoue did an incredible job. Their chemistry is exceptional, and they delivered everything perfectly. Their comfort with each other, the soft and gentle intimacy, and even the smallest emotional details were beautiful to watch. Even in the intimate scenes, nothing felt oversexualized. The focus on the main couple was truly appreciated. Their expressions, chemistry, and line delivery felt so natural. There was not a single moment that felt awkward or cringe.
Setting/Cinematography:
I loved the Japanese countryside summer setting. The scenery and landscapes were beautiful and calming. Even though the weather differs from the novel, as a pluviophile I loved how important rain became in their story. It appeared in every significant moment, from their first meeting to their relationship beginning, Koichi's accident, and finally his goodbye. It felt like the rain mirrored their emotions and how their love slowly grew.
Music:
This is the best OST I have heard so far. The opening and ending songs perfectly capture their story, and I still get emotional whenever I listen to them. The background score throughout the drama was also beautiful.
Rewatch Value:
It may sound odd, but I would still give the rewatch value a 10 out of 10. I love melancholic stories, and even though this one is sad, it brings me comfort every time I revisit it.
Overall:
Even with its sad ending, the story ended in the most beautiful way possible. The final narration is one of the most painfully beautiful things I have ever seen in a drama. This is probably the best BL I have watched so far. It gave me the poetry, gentleness, subtlety, and bittersweet feeling that I always look for. It also gave me meaningful life lessons. I will always be grateful that I discovered this drama. It left me emotionally wrecked for weeks, but I do not regret watching this masterpiece at all.
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2015 definitely had some great quality dramas filled with buzz and fervor such as Kill Me, Heal Me, Healer, and I Remember You. Even though the three dramas mentioned contains comedy, its underlying plot is heavy and convoluted. Sometimes, we just want a simple, straightforward plot that are guaranteed with comedic chops and hijinks. To me, She Was Pretty is the perfect example for that. It is indeed light, funny, and often times crazy, but there is definitely heart in the drama that tugs our own.
Personally, I've developed a connection with Hye-jin, for many particular reasons. Her character is an embodiment of the majority of women. At some point, she is relatable - and worth rooting for. Even with its flaws, SWP tugged at my heartstrings. I enjoyed it while it lasted, cried during moments of insecurity, and laughed when absurdity comes in full fold. Indeed, the story fizzled out after episode 12 (if I remember correctly), having not enough plot points to delve into for four more episodes. Siwon's ddeol-kija (crazy reporter Shin-hyuk), Hwang Jung-eum's Jackson / Kim Hye-jin and Park Seo-joon's Ji Sung-joon will definitely light up a cloudy day.
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Drama Special Series Season 1: White Christmas
70 people found this review helpful
First, I will say that if you like Kdramas, this one is absolutely unique in the entire genre. I've seen over 100 and nothing even seems to have been made on the same planet as this. So it definitely has the uniqueness factor - check.
Secondly, because it was a special rather than a full drama, it has a nice short run time of only 8 episodes, so it is great for those with ADHD or who like Kdramas but not the fact that they tend to be so long. Actually, my only real complaint about this drama is that there isn't more of it!
Of course, the first two positive things I've said about this drama are just shallow fluff and not really the reasons I called it a masterpiece. But they are good reasons that I think this is the ultimate drama for introducing noobs to Kdramas (particularly American noobs as those are the kind I know best).
But now on to the real meat of the matter -- why is this a masterpiece, and not just a Korean masterpiece, but possibly a masterpiece of television, period?
1. VISUALS! Did I say visuals? Oh, and visuals. This is one of the most singularly beautiful (and eerie) things I've ever watched. The PD is Kim Yong Soo and going foward I will watch anything he directs (he directed Equator Man, which while it has its plot flaws, no one can deny its cinematography is stunning). Every camera shot is perfectly framed for maximum visual and emotional impact. At times it felt more like watching a series of paintings or artistic photographs pass by rather than film. The visual harmony between the stark modern architecture, the snow, the shadows and even the physical characteristics of the actors themselves and how they are framed in each and every shot demonstrates tremendous forethought and superior aesthetic awareness. I could have watched this drama with the sound and subs off and still enjoyed it; that's how beautiful it is.
2. Acting. Considering the youth of this cast, the acting was quite good, and this drama could not have been pulled off without their sublime efforts because the claustrophobic, character-driven nature of this drama requires great acting. I read on Dramabeans that when the kids were cast that the writer cared more about physical type (because the visuals and theme were that important to her) than acting ability and that most of the actors were considered relatively inexperienced at the time; although, we know most of them very well now (Woo Bin and Sung Joon, for example). I found this revelation startling in light of the brilliance of their acting in White Christmas.
3. Music. Much like the visuals, the music was also all perfectly thought out at every moment to achieve maximum emotional effect. And for we English speakers, there is deft use of some popular tunes like AC/DC's Back in Black, Arcade Fire's Wake Up and Massive Attack's Teardrop (aka the theme song from House), just to name a few. This actually is my favorite soundtrack of any Kdrama I've seen because much of the music was recognizable and that just added to the overall impact of how well it was used to increase the emotional impact of the scenes and theme, rather than just as background music like so many soundtracks. The soundtrack in this drama practically takes on a life of its own and White Christmas would not be the same without it.
4. Theme & Writing. No bones about it, this is a DARK drama and not for the faint of heart. But once again, what makes it great is that it is not dark in the usual twisted crazy parent, birth secret, killing for money, insane makjang way of most dark Kdramas. This is dark because of the theme and the theme is a very simple and universal one relatable to anyone anywhere (that I am not going to go into here because I don't want to give anything away). Much like with the visuals and the music, the writing was also very focused in this drama, without any of the meandering, unfocused, repetitiveness that plagues the live shoot portion of so many Kdramas. Sure it was only 8 episodes, but every scene, every word, of those 8 episodes was perfectly thought out to elucidate the main theme with nothing extraneous and nothing left out either. EXCEPT....
There was one flaw in this otherwise perfect drama and it's a pretty major plot hole that occurs in the last episode that sent my bulls*** radar pinging. And despite my great love of this drama I refuse to let the writer off. If you've seen it, you probably know what I mean. However, I understand why the writer had to do what she did for the overall structure and theme of the drama, and, therefore, I forgive her. Because, in the wake of this glorious tour de force, I am willing to let a little final-hour-what-the-f**ckery slide.
In summation, watch this drama! You will NOT be disappointed. And if by same crazy miracle you are, there is a scene in episode 6 where all the guys take their shirts off, so hold on until there at least!
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Hidden Gem of Romcom
The reason I start this drama because I like Nana acting from The Swindlers, I think she's one promising idol turned actress. And for Park Sung Hoon I know him from Psychopath Diary, Falsify and Gonjiam Haunted Asylum. Both of them haven't act as main role before and the theme of this drama is politics which normally not my cup of tea, so I start this drama with Zero expectations.Honestly the first 2 episode is kinda boring, but I keep going for the sake of Nana acting (she's really all out as Se Ra) Thank God I didn't stop as the story gets better and continue captivating with fast paced, no dragging problem. I'm really glad I find this hidden gem drama, it's so long since I find drama which I am looking forward to watch each week.
Chemistry both ML are overflowing, they act like lovey dovey couple, and they kissed like real life couple (which i find rare nowadays, most of actress just stand still and stiff when being kissed).
And I like how they show affection not only in Drama but through interaction in personal Instagram! Where else we get to see skinship from actors in their personal instagram without being shy or afraid of negative comments lol.
Actually I feel the ending kinda bit rushed, but I still give it overall full marks consider I really enjoyed all Sera and Gong Myung relationship.
I definitely treasure this drama and will rewatch it in the future for all the sweet moments of Sera and Gong myung ❤️
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Not All Stories Need a Happy Every After
me cry as I listened and from there I searched up the story of Shim Deok and Woo Jin and fell in love with their story. It's the timeless tale of love and heartbreak... but I think it's common for us to look for these drama's and stories more than the happy ones, with the "tied neatly up with a bow" ending with a wedding and happy laughter because sometimes it's so hard to believe that can truly be achieved because we know that after marriage it won't always be beauty and butterflies, that there will still be hard times and concessions. The dramas we watch and the stories we read do not have to have happy endings to leave us satisfied. I feel more at peace with an ending like this, that stays with me and keeps me thinking about it for a long time after.The story was wonderful. Even if some parts aren't true to history or are embellished and skip over things, it didn't matter. I was enraptured the whole time, barely breaking away from my screen to even eat. I smiled and laughed, but the somber tone never quite left me as you get the ending in the beginning. To me, it seemed more than just the story of adultery and betrayal; if this is keeping you from watching the drama, please reconsider. Woo Jin spells it out plainly to the woman he is married to in almost every scene they are in: to him, he will never love her and will never be hers. They married without seeing each other and while she accepted it as her fate, he couldn't. Shim Deok is the same. She left when she found out and when they came back together, it was because they didn't want to fight anymore. In the scene where he explodes at his father, that isn't a man who is alive-- he's only alive with those who encourage his passions. His father chose to turn away from his son and his wife went along with it.
Lee Jong Suk was wonderful, his performance was moving and even when he was not speaking, his eyes told us everything you need to know about Woo Jin. You could tell the exact moment he fell in love with Shim Deok and likewise with Shin Hye Sun. Their chemistry was amazing and they gave off the intimate feeling without it ever being explicitly stated. You can buy into the innocent love, that it can be pure and untouched even when so many things are happening that try to disrupt it. They were completely their characters which only added to the story. The secondary characters left an impression as well, especially her sister, Seong Deok. Their last scene together really throws a knife in your heart as you can see the inner turmoil in Shim Deok's heart, but she won't turn back to a life full of nothing. The fiancé played by Sang Yeob made you swoon. He was caring and dashing and he was so sweet even when she left. The cast fit everything perfectly and I loved how I could recognized them from other projects. It was sweet and short and lovely.
The music was phenomenal. I pay much better attention to the music now and I loved how they decided to use the instrumental of Hymn of Death instead of the vocal version. It made the 'movie' more bitter-sweet and I can't wait to download the OST.
I'll probably rewatch it, honestly. I love Lee Jong Suk and Lee Sang Yeob, not to mention the first jilted man, Lee Ji Hoon. The show made my heart race, especially at the end where I wished for it to keep going. It's hard when something ends, yet the watcher isn't ready to say goodbye just yet but there's also nowhere else to go so you create fan-vids and stories and endless Tumblr posts... which it probably where I'll end up.
I hope this helps and that you all can feel the love for the drama, the actors, and the history.
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This review may contain spoilers
Spectacular Wuxia Brotherhood
Didn't think I'd see this day happen when another costume drama got a perfect score from me. I'm notoriously picky so this is only the second one. I think what made me pick it up was that I heard the IP was great from trusted sources and that it was a wuxia. I have never seen any of the cast (save Cao Yu Chen who appeared in maybe 3 episodes as the deity that never left the mountain & when he did, he died) so it would be a totally new experience. A fully worthwhile experience that made me cave and purchase both the VIP & express on the rather crappy Youku international app. This series really was a spectacular Wuxia brotherhood I've always wanted to see fully realized. Let's get into it, shall we?Pros: The martial arts, special effects especially the explosions were a perfect representation of each character. Each had their very own blend of it. The way they grew and evolved within their styles was worth it in every episode even when there were less fighting scenes. That was by far my favorite part. Favorite character was Xiao Se as even before he regained his quite formidable power, he was a man who thought 17 steps ahead of everyone else and had a contingency plan for his contingency plans most of the time. This character had an aura about him that just screamed leader even when all he did was mumble grumpily under his breath about his best friends being shameless or boring. The actor who played him did so to perfection.
Every character was flawed in one way or another which was wonderful because it made them realistic. Both Wuxin with his comedic smirking and LWJ, the pure-hearted doofus with the open mouth, insert foot syndrome and little tact really combined into a great and complex trio alongside Xiao Se. Add Tang Lian, an intelligent hero except when it came to matters of the heart who acted as big brother to them all, they were a formidable bunch. The two women completed the initial group not to mention every other friend (and LWJ reuniting with his sister) they made along the way.
Usually I can't stand palace politics when introduced into a wuxia or any costume drama but here it was just the right amount without completely overshadowing everything else. The story couldn't really move forward without it. Another usual con that didn't strain this story was the introduction of a plethora of characters simultaneously and you had no idea who was whom and why they were needed. In this series, though the same happened, the characters stayed for as long as they needed to and then left properly. They didn't just vanish, they all had proper exits. This series never once dragged for me, I didn't have to fast forward anything at any time. I wanted to watch everything; in fact I would often rewind to watch a certain scene again and again.
Production was stunning especially the locations and costumes. I mentioned in the comments that Xiao Se's blue with gold or white were my favorite. But just about everyone had costumes that fit their character or personalities and the colors were rich and beautiful. OSTs were perfect everywhere they were placed; especially with Xiao Se's powerful lines, entrances, and exits. It was like "Elvis has left the building."
All of the antagonists were done very well and also were there for as long as they were needed until they got their just comeuppance. My favorite had to be Director eunuch dude that was setup by Chong with dad's help though I wish it was Xiao Se who killed him and destroyed not only his meridians but made every organ explode; he deserved nothing less. Still though, he definitely didn't see that coming from Chong and his back up crew. Even though the emperor was not necessarily a good person all the way around trusting the wrong people and letting 2 out of I don't remember the number of sons he ultimately had, get so badly injured plus killing his own brother essentially, I wouldn't place him in the antagonist pool. He was a power hungry fool but essentially a good emperor for his people.
Losing Tang Lian was really a blow and though I understand why they did that, I really do wish they had brought him back at the end of 40 though he did return in a special episode cut together by the producers though still waiting for it on the international app. Will be completely honest, when I saw him again reuniting with his friends, brought tears to my eyes!
All of the esthetics were beautiful, the comedy was great, this drama made you laugh, it made you tear up, it made you sympathize with many characters. It had many, many positives and wonderful moments. But it also had cons though not many.
Cons: The only character that didn't get the right costume nor hairdo for the majority of the time was Qian Luo; she looked like a child among adults especially with her giant spear. When looking at her doing interviews, didn't even look like the same person; they could have simplified things so much instead of just draping 7 feet of fabric in-cohesively on her. I also had a hard time with her character in general because though it was understandable that she was young; the whining, know-it-all 'tude, foot stamping tantrums were extremely unnecessary. There was zilch chemistry between her and Xiao Se throughout the entire series as all she did was follow him around like a disgruntled puppy. It was a huge turn off but thankfully they evolved her especially when she met Rou Yi and lost her martial brother. So though I wasn't per se a fan of hers throughout the show, she did show her strength when it counted, her fighting scenes were great but she didn't have much screen time, thankfully.
Secondly, wish they released the Tang Lian reunion on all apps simultaneously which if some viewers didn’t know and spread the word, international viewers would have assumed he was dead; unfair. Thirdly, Wuxin for being SML spent very little time on screen after he left in episode 7 and then only briefly returned during the Lei Fortress and Tianqi City arcs before becoming a drugged puppet. And just as he's rescued in episode 39, he leaves again in the beginning of 40. His character was so strong and needed especially in the establishment of the brotherhood of him, Xiao Se, and LWJ. There was a real gap of how he and Xiao Se became best friends other than their banter. It would have been more solid had he had more screen time. The entire comment section is filled with people saying how much they miss him and to bring him back.
Lastly, the main antagonist aka Xiao Yu or Prince asswipe as I called him, had the most copout ending ever! After everything he did himself and orchestrated, the amount of people he harmed, killed, etc, they opted for him to kill himself with a knife to the chest? It was a pussy move for such a strong and angry person with a chip the size of the entire world on his shoulder that he himself created but blamed on others. He was a great antagonist and deserved karma on a much larger scale. Perhaps production ran out of time. So that's it.
Would I recommend it? With a perfect score, what do you think lol? This show will go into my permanent watchlist and I will definitely rewatch it over time. This was really a fantastic wuxia and if that's your thing, then you'll love this!
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A Step Forward in Danmei
The story sticks pretty close to the novel which a lot of fans will totally vibe with. But one big issue is how they handled the non-consensual scenes. Instead of taking those moments seriously - they were kind of romanticized which is definitely misleading. In my opinion they could have been way more thoughtful about this to show a more responsible perspective of those heavy themes but I do not fully blame them because they did follow the book after all.On the flip side - the actors really killed it! Their chemistry brought a lot of authenticity to the adaptation, I really loved how they looked at eachother and the kisses were pretty decent too. And even with a limited budget, the creative team made it look pretty impressive.
So overall I think this adaptation is a promising step for the genre. It features Chinese actors and culturally relevant elements and it sets a new standard for future projects. Its awesome to see a production that respects the source material in the DANMEI world. Sure, there are some areas that need a bit more care and improvement but this is a meaningful move towards more nuanced and culturally accurate representations of danmei literature.
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To the moon and back
The moon shines brightly on this drama, which I consider to be one of the better recent Wuxia productions, and certainly in the top list for 2020, alongside The Handsome Siblings, Love in Between, and Ancient Detective.The Moon Brightens for You (TMBFY) is adapted from the novel of the same name (明月曾照江东寒) by Ding Mo (丁墨), a romance novelist whose literary works cover cross-genre or hybrid genre themes. It is directed by Allen Lan (蓝海瀚) and ably assisted by Wang Fei (王飞) who also helmed the underrated gem, Young Blood which was released last year. This is a story about how good triumphs over evil and how true love is finally attained, through much patience, perseverance and no lack of challenging obstacles along the way.
TMBFY is a fusion of classical Wuxia with contemporary romance and humour, and has been beautifully crafted for the enjoyment of not only long-time fans but also the new generation of fans of this genre. It contains distinctive elements of the vibrant Jianghu world set against the backdrop of tumultuous conflict between the Xiao and Western Yan Empires. We have the customary Wulin community comprising various affiliations to established Houses, Sects, and the directorate that presides over this community of pugilists.
Fantastic innovative martial arts styles, and names, have been creatively conceived for this show, in the form of the Zhan Family Swordplay (Cloud Attack, Bolting Sword, Calling Back the Tiger to Make the Mountain Collapse, and there’s one nameless move which I’m going to call it “The Exhaust Fan”), Reverting Yin Palm, and the ultimate skill of all, the much coveted 7-Star Swordsmanship (Phoenix Starting Prairie Fire, Crazy Wolf Hunting the Moon, Roaring Jumping Dragon, Rhinoceros Divides the Sea, Leaping Tiger, Left and Right Deputies of the 9 Dipper). If their titles don’t scare you already, their slick moves certainly will! All of this contribute towards an exceptional quality martial arts choreography that is showcased throughout and, amazingly even more so in the final showdown. So too the excellent cinematography and the thrillingly inspirational BGM (incorporating the Dizi or Chinese flute) that accompanies scenes of Wulin assemblies, confrontations and sword fights.
This drama is filled with countless intriguing martial artists and colourful characters. These include the villainous trio of evil, Ghost 3 comprising the masked arch villain King of Million Demons, the infamous burglar-thief (and his signature back-scratcher) and the master of poison. In addition, there’s the miraculous heavenly physician (with his pet ginseng), the conniving and wealthy (self-proclaimed most handsome) master of the lavish manor filled with ancient beauties, the cold blooded assassin (complete with straw hat and twin blades), exotic dark arts practitioner adept at conjuring pestilence at will, and many more.
It’s also worth mentioning the inclusion of an amusing recurring side story throughout the show involving the “Wulin Insights”. It is a form of communal storytelling at tea houses (like ancient social media) for delivering up-to-date happenings and gossips on the Wulin to the general public, while at the same time used as a means to secretly convey coded messages to relevant parties of interest. Along with this is a subsidiary service, the “Wulin Rumours” which provides personalised door-to-door delivery of information and parcels (like ancient DHL).
The plot is straightforward and uncomplicated, which enables viewers to grasp the background and motivations of the various characters and in understanding the incidents of the past that shape current events. There are certain pivotal but tragic moments that transpire as the story unfolds, thus inducing considerable emotional distress to more than a few viewers. I appreciate the fact that the show emphasises the key Wuxia themes of brotherhood, chivalry, loyalty and righteousness. This focus doesn’t suffer or waver even in the presence of romantic themes and love triangle involving the OTP and 3 other side couples. So often we see in other dramas such as Love a Lifetime, And the Winner is Love, and The Love Lasts Two Minds where the Wuxia theme is drowned out or in the first place was used merely as a plot device to accentuate the primary emphasis on romance between the leads. Here, Wuxia and romantic love blend harmoniously to create a masterful piece of storytelling.
The main cast has done exceptional work here in this drama. Xing Fei, as the FL and main character Zhan Qing Hong is the driving force that propels this show forward. She is the epitome of the Wulin hero whom most fans would be proud of and is certainly deserving of her title, the Cloud Fairy (as befits her Cloud Sword fighting style). Displaying tremendous character growth from the day she leaves the Zhan Manor to explore the outside world up to the point where she experiences much personal loss and suffering, her belief in benevolence, friendship, justice and the Jianghu spirit never falters. Xing Fei’s portrayal of carefree innocence and kindness, joy and happiness, as well as pain and sorrow are so on point that it’s hard not to completely empathize with her character. Her crying scenes are some of the best in the business and I challenge anyone who says otherwise.
Alan Yu Meng Long… is an enigma. I hesitate to use the phrase that he has improved in his acting. I’m not even sure if it was his acting that was the issue in the first place, or whether it was the role, directing or script. When you see him in BTS footage, he carries himself naturally as normal people would. Even countless viewers commented that he did well in Eternal Love (which I did not watch). And then The Love Lasts Two Minds happened (along with Legend of White Snake) and it makes you wonder how his “trademark stoic and wooden” acting came to be. He is so much better here where he has smiled and cried more often than I could recall. His micro-expressions seem more nuanced than ever before and he was even capable of being flirtatious and mischievous.
At the end of the day, because of his portrayal, the character of the ML Lin Fang became someone you could actually relate to and root for. I hope he continues on in this vein and prove to everyone who ever made fun of him (including myself, I admit) how wrong we were to have ever doubted his ability. Certainly he’s not perfect and there’s plenty of room for improvement but this is a very good step towards the right direction, and hopefully better roles are given to him rather than the usual sickly and emotionless characters.
As the OTP, the interactions between Xing Fei and Alan Yu were such a pleasure to behold. From the initial awkwardness as superior and subordinate, the short-lived love triangle arc, the seemingly fake marriage and finally to acceptance and consummation as husband and wife, the romance has been slow burn but the chemistry remained strong throughout. They may lack the steamy kisses of Love and Redemption, Maiden Holmes or even Love is Sweet, but their short kisses and pecks on the cheeks and foreheads are no less adorable and sweet. I truly enjoyed the beautiful moments of meaningful conversations and deep reflections shared by the OTP particularly during their brief sojourn at Tian Xin Pavilion (the physician’s abode), following their escape from the villains.
In many ways, this pairing makes perfect sense. Although the ML possesses no martial arts prowess, his intelligence complemented the FL’s strength and together they form a truly formidable couple indeed. Our dynamic duo demonstrates spectacular teamwork during the final showdown, the fight to the death in the last episode, where the ML acted as the FL’s “ring-side coach”. To be fair, he did do a bit more than that, by casually walking up and delivering the final blow (after his wife did all the hard work!).
Merxat, oh Merxat, how I sympathise with his predicament all over again. In Legend of Yunxi, he was friend zoned. Here, just when he almost got the girl, the cruel twist of fate took the love of his life away from him with such savage force that he was rendered utterly helpless and hopeless, becoming a docile pet of the primary instigator who is none other than the dreaded spoilt and bratty royal princess, depicted convincingly by Ma Yue. Fortunately he came good in the end and reverted to the heroic character he initially was. I hope Merxat gets the FL one day, and nail the role of the ML more often because he is such a fantastic actor and I would hate to see him playing second fiddle all the time. His natural ability in playing polar opposites is underlined here, from the swashbuckling swordsman to the submissive puppet consort.
The main antagonist is played by veteran HK actor Kent Tong Chun Yip, who portrays the dual roles of King of Million Demons and the Prime Minister (it’s really not that hard to figure out the deception, plus the mask doesn’t exactly conceal much). As far as villains go, his character is written to be the garden variety and not the venomous and vile evil (except for that thing he did in the final episode). Don’t expect too much angst and frustration from the bad guys in this show. If anything, they are rather fun to watch, especially Yan Su’s depiction of the bungling and obsessive master thief, Feng Bu Fei. It turns out he really isn’t all that evil (just a little deranged) and redeems himself in the end. Sort of. At least he is seeking “medical treatment” for his condition.
The secondary couples are equally fun to watch, with the exception of the SML and the princess (although by the end, he did fall in love with her). Zhang Kai Tai’s courageously loyal Huo Yang and Ma Xi Er’s Xiao Lan got together in the most hilarious of circumstances. They were the only couple that gave us a truly epic cinematic moment, the elaborate scene of “kissing with straw in the mouth” involving aerial, widescreen, zoom-in and 360 degree immersive shots. Xiao Lan also takes home the honours for being the only maid in a C-drama of any genre who literally tripped as comically as she often did throughout. The third couple is one of quiet and reserved romance, between the stoic General Xia Hou Ying and the elegant Lady Wen You, played by Su Jian Quan and Lan Man Yu respectively. The way that their chemistry naturally progressed from the initial resistance to eventual acceptance is truly delightful to observe.
Special mention goes to the veteran Qi Zhi whose hilarious depiction of the miracle physician Jian Ling as the comic relief of the show is simply amusing, much like Teng She was in Love and Redemption. His eccentric mannerism and favourite phrase of, “simple, simple!” is extremely endearing and heart warming. He is also the only physician ever, in addition to keeping acupuncture needles on his head/ in his hair, to have a ginseng root BFF. Really.
The entire OST is simply incredible. While the opening track is excitingly upbeat and employs the use of traditional Chinese instruments, the closing theme (performed by Alan Yu) is more subdued and emotional. Tracks 2 and 3 are the love themes of the OTP while tracks 5 and 6 accompanied the secondary couples’ romance. Track 4 captured the sombre moments in the show. Track listing as follows:
1. 片头曲: 今實 (银崎) Opening song "Jin Shi" (Yin Qi)
2. 不醉不忘 (胡夏) Never Drunk Never Forget (Hu Xia)
3. 广寒光 (徐良&郭静) Guang Hanguang (Xu Liang & Guo Jing)
4. 一念 (栗锦) One Thought (Li Jin)
5. 融化（女生版） (曾咏欣) Melting (Girl Version) (Zeng Yongxin)
6. 融化（男生版） (郑繁星) Melting (Boy version) (Zheng Fanxing)
7. 片尾曲： 月光 (于朦胧) Ending song: Moonlight (Yu Menglong)
This drama honestly had me fooled in the beginning. What started out as being very light hearted slowly evolved into something more serious and profound. The storytelling never became stagnant or monotonous and the evolution was evenly paced. While certain tragic events were used as typical plot devices, they were balanced out by the many meaningful and poignant little moments between the cast, which helped to create greater depth and appreciation for the story. TMBFY is in many ways a pleasant surprise and vastly superior to many so-called Wuxia dramas released this year. Especially with a thrilling climax and overall a happy ending (minus that final piece of tragedy at the end), this show certainly went beyond my wildest expectations!
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Vic and Barbies preformances were flawless and spectacular. Other than the 1 Litre of Tears drama, I've never seen such amazing acting.
The director had a habit of not playing music at times which just added to the creepy atmosphere. I thought it worked well with the scenes. When there was music, such as the theme song, they were all well chosen.
This is one drama you won't regret watching.
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I haven’t seen this much heart in a drama before. It’s beautiful and melancholic. Serene and hopeful. And ultimately: very important.
The drama has a reputation for being an easy, fluffy, heartwarming watch however that’s just one element of it. Prison playbook, in its core is a show about a couple of men in a bad place, who’ve done bad things but have good hearts. It’s about finding purity in the most unfortunate circumstances and seeking warmth in a cold, hopeless time.
There are some hauntingly dark and jarring moments but the beauty of the show is such that it overcomes its darkness with a good dose of laughter and love. There will be times when you have to pause the screen to let out a jolly good cackle and times when you can’t stop the tears because you’re so overcome by feeling.
All the characters are fully baked and beautifully developed, so much so, that you’ll find yourself forming a personal connection with each and every one of them. The story flows smoothly with "almost" no plot-holes and the writing is exceptional, giving attention to detail and a tight plot. Each episode plays with a range of emotions with never a boring moment. It’s far from a tension drama and develops very slowly, yet it managed to hook me in a way that I binged it as fast as I would do any crime-thriller.
The OST is perfect. The screenplay is immaculate. The acting is top-notch. Kim Hae Soo plays one of the best male leads in a drama in a way so natural and effortless that you can’t help but adore him.
The drama gives birth to one of the most iconic bromances in K-Drama history. There’s real brotherhood and friendship here. The relationships between characters are incredibly fleshed out and the side of romance is also well-done.
So over-all, Prison Playbook is an excellent show. The only reason I didn’t give it a perfect score was because I had mixed feelings about the last couple of episodes. The fact that some of the characters that I had grown very attached to were given a somewhat realistic but quite unsatisfactory and abrupt open end, while other characters were given an almost ideal personality change and happy ending made me raise eyebrows. This contradiction made me wish that there was an additional episode that gave much needed closure to some aspects of the show and closed the story cleanly. However, in the grand scheme of things this could easily be overlooked.
Filled with sugar, spice and life- Prison Playbook is definitely one of the best dramas out there.
Enjoy!
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BL movies aren't a thing these days; poor cast, poor setting, it takes so little to drown everything into a sea of painful awkwardness for the viewer. But there are few to be remembered; well, not exactly for the visual efforts, but for the pleasant acting and the understanding of the plot. Simplicity is always better. Doushitemo Furetakunai // No touching at all is one of them; and hopefully, more to come.
I'm a faithful fan of Yoneda Kou's work, her plots start from seemingly plain points and develop beautifully with characters mingled so well, it has to break a heart or two half-way through the story. The simplicity is the key here as well - motionless, quiet atmosphere. Beneath the mundane way of living, people are far more complicated than they seem. They always struggle with themselves and their wounds left from past experiences every time their encounter new ones. So wouldn't it be worse to fall in love in such wearing circumstances?
Sincerely, I didn't expect much, mainly because the two characters have an unique feel about them. I was afraid of dullness, yet I've been waiting to watch this movie ever since it came out. They did it, they found the actors who, in my opinion, fit fairly well. Not only separately, but together. Acting was pretty good, felt almost! natural, my awkward sensors didn't react - rather, I was kinda overwhelmed by the ball of cuteness named Yonehara Kousuke (who are you again and why don't you act more?), and his bold words to cover it up. Togawa-san is /so/ Togawa too. Wait what. It's tough pointing out what lacks when they have such a chemistry going on.
Also, I appreciate how they kept the important parts of the story, without altering it. True, there some scenes left out (/certain/ scenes), but for a (Japanese) movie it's a decent deal, it feels smooth, feels nice.
So far so good, yet my one complaint is that you can spot the characters from afar and wish to see them closer, especially when they interact with each other. The characters' expressions are so important. That was kinda disappointing at times, even though there were plenty scenes to make up for that, but still. Isn't this an eternal pain when it comes to BL movies anyway? They always leave us begging for more.
While the movie is lacking, as most BL movies do out there, it's a worthy live-action. Maybe even better in some aspects than the previous BL productions, just maybe. I should reconsider my faith with this one and wait for upcoming projects.
If any of you haven't read the manga, you should do it before watching the movie. This way you can value the acting much better and enjoy it. With this in mind, take a good breath, don't hesitate to watch. Chances are you're gonna melt inside anyway.
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