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2Was Definitely A Favorite
Overall: I really enjoyed the balance of realism, the sci-fi element, seriousness and humor. 12 episodes about 45 min each aired on GMMTVs YouTube channel.Content Warnings: punch, ep 1 very side character intimate partner violence, manipulation, alcoholism, manhandling, two more in a comment with a spoiler
What I Liked
- communication, communication, communication (this was soooo refreshing to see adults communicating with each other)
- realistically flawed characters who learned and grew as the series continued, how Kawi was aware of his flaws and actively worked on them and apologized to others when he made mistakes, Pisaeng also had flaws and needed to work on them
- exemplar for showing time passing without a screen that says "3 years later"
- sweet moments
- Max was a supportive friend (and Pear as well)
- discussing social issues but not in an overly preachy way (examples, I don't think I've ever seen a character discuss the pros and cons of alcohol and I thought it was well done, also the way to show lack of medical privileges for same sex couples)
- Pisaeng was a green flag, he gave Kawi space and didn't constantly push his boundaries like I frequently see other characters do, he stopped something when Kawi fell asleep
- Kawi actively sought communication with Pisaeng instead of ghosting
- funny parts, that dancing was awesome in the beginning
- realistic, shows how our dreams fall apart, not everyone is rich and does great in school, our actions have consequences, live in the present
- touching, the parts with his dad, realizing the mistakes he's made
- the dynamic of the leads
- Pear wasn't a cliche female character, she was a fully developed believable human being
- neutral, I'm not a voiceover fan but it didn't bother me too much here
Room For Improvement
- I wish they showed Kawi checking on his dad first (as I think the majority of people would), he came across as a little too selfish with his obsession of being with Pear
- it dragged a bit in places
- in episode 6, Kawi didn't seem drunk enough to pass out
- there was quite a bit of kissing that was camera blocked/zoomed out
- episode 10/1, Pear kind of threw her friend under the bus, she could have just given her own reasons (and there would be plenty of them)
- episode 10/3, I do not agree with Max, there are people who are asexual and/or aromantic who are dating/in healthy and loving relationships
- freaking out over physical affection felt a bit odd because he was actually 10 years older, also that Kawi didn't have a heart to heart more with Pisaeng about it
- having the Pear scenes interspersed with Kawi/Pisaeng in ep 11 part 1 was strange
- Pisaeng had other reasons and I wish he'd given them instead of "you're cute"
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Unexpectedly Refreshing—a gem of a drama worthy of anyone's time.
I was totally unprepared for how much this drama touched me. And I am not sure if it was because of the issues it tackled in anger management, paranoia, post-traumatic stress disorder, obsessive-compulsive, or if it was in how Jung Woo (truly a gem of an actor) and Oh Yeon-Seo each executed their roles. Either way, it worked and worked brilliantly, from the writing to the acting and directing, a pleasant surprise that hooked me from the first three episodes. I quickly both invested and rooted for Noh Hwi Oh and Lee Min Kyung to overcome the pain and heartbreak that appeared to be eating at them. I continually felt time stop when I watched this drama, with my rude awakening coming with each episode's abrupt ending (abrupt in my mind's eye). I never wanted the episodes to end.When I started Mad For Each Other, I wasn't sure what I was getting, but before the end of the first week, I knew I wanted more, much more than the half-hour snippets three times a week. I like how fluid everything flows, graciously balancing the comedic, crazy, and serious moments. It's light with a somber undertone in how it tells the story of two people scarred by those around them, to the extent that they cannot live their daily lives without coming across something that triggers them emotionally or mentally. There is a lot to like here, but what I found most pleasing is how both Hwi Oh and Min Kyung recognized they weren't okay, be it emotionally or mentally, and seriously seek out and are committed to getting the help they need to better their former selves, and not just pout or play the blaming game. But that they do it in the same doctor's office sometimes brings on the laughs, craziness, and waterworks, as even the visits to the psychiatrists are marred with those moments that make the viewer laugh, cry, and be mesmerized by the fragility of it all.
Getting insight into both of our lead's past traumas was a disheartening experience, especially Min Kyung's. Not that Hwi Oh's is any less, on the contrary. In a way, their situations mirror each other. To be lied to and betrayed by the person (s) you trust the most, but not only that, to be threatened and used for that love is not an easy overcome, if even one can overcome something like that at all. So, Min Kyung's paranoia and traumatic disorders become even that much more understandable, but so does Hwi Oh's anger for being so easily slighted, accused, and shunned by the colleagues he swore an oath to protect and lay his life down for, including his family members and friends. It is easy to see how they and everything around him could readily trigger his anger. Yet, one can't help but empathize and rally behind them. And, boy, do they have chemistry; the moment they finally get together is golden; I love how tender and protective Hwi Oh gets of Min Kyung. I, of course, cannot get over how much I enjoy the association ladies from Hiwi and Ming Kyung's apartment building. I love how expressive they are all and so in tune, but more so that they were not too ashamed to admit their mistakes and take action when needed most.
But as much as I loved Hwi Oh and Min Kyung's bickering, fights, distrust, and even distress when they first met, I couldn't help but love how those fights and distresses enabled them to see each other's truths in each other. And before they even knew it, they were not only rooting for each other, but deeply caring for one another on their road to recovery, as the anger turns to laughter, and the fear and dark sunglasses turn rosy and trustworthy. But the show is also quick to remind us that recovery is a journey; it's not a straight, steady road. And that is the part that stands out the most for me with this drama. It takes its time to show us, the viewers, how fragile recovery is to those afflicted by mental and emotional issues. That there will always be ups and downs, discoveries, and setbacks. And in the case of Hiwi and Ming Kyung, it's the fragility of their trust that quickly crumbled just as quickly as it was developed at the resurfacing of ex-partners. On second thought, it's not even the ex-partners, but the painful memories and helplessness it drudged up. Luckily, despite the halting progress and discouragements, they can look back and see that those painful memories are just pieces of their lives and draw new strength from them, rather than have them be stumbling blocks.
I admire the matter-of-fact tone the drama takes to raise awareness and push acceptance of social taboos, whether it's through Samantha's transsexuality/transgender (Ahn Woo Yeon) or Min Kyung's presumed extramarital affair, physical and sexual abuse/assault, and mental health, and Hiwi's anger issues. But what's even more admirable is how everybody, from the part-time clerk (Lee Soo Hyun) to Hwi Oh, Min Kyung, the apartment association ladies (Baek Ji Won, Lee Hye Eun, Lee Yeon Du), handles and processes these taboos. Despite their initial shock or even disapproval, they can quickly work through whatever misgiving they have to acknowledge. Just because some people are different, it doesn’t mean they are inferior. And I think it's because they realized the crippling effect of fear and pain, giving them the capacity to be compassionate, loving, and understanding. That's the thing about pain; it brings people closer, because one cannot understand how people feel until they've experienced the same or equivalent kind of pain themselves.
As I already noted, there are many reasons why I loved this drama. Still, the biggest is the ease with which it articulates the overwhelmingness of mental and emotional health illnesses and the pain of being ostracized by society. And I cherish the messages it left me with, some of which were that the journey to full recovery takes time, and no matter how steep the road, maybe there is an end if one stays the course. Recovery includes getting better and achieving a full and satisfying life. And that people are often judged because of their differences, but the reality is that people will always be different. This doesn’t mean those who are different are “wrong”; on the contrary, it's those differences that make the world far more interesting.
A gem of a drama that you will not regret watching. As for the cast of the drama, brilliant, Jung Woo excelled at his role, as it was sometimes hard to watch how everything affected him, especially his helplessness in changing the awful ordeal the woman he loves went through. This leads him to resort to his fists, and as much as I am against violence, there comes a time when using one's words is just not enough. Jung Woo was great at making me feel his every being, but so was Oh Yeon-Seo -- I felt her confusion, fear, and stigma of living not only with a mental health illness, but also the accusation of having an extramarital affair. Kudos to the cast and production team for a drama that awakens the sense in every way possible.
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Great but never dares to go all the way
Okay so it leans into emotional realism more than flashy romance, centering on the quiet exhaustion that comes from work, expectations, and unresolved feelings.The series does a solid job portraying burnout not as a dramatic breakdown, but as a slow, heavy fatigue that affects relationships and self-worth, which makes the characters feel painfully relatable. While the pacing can feel slow at times, it fits the story’s reflective tone and allows the emotional moments to breathe. The chemistry is subtle rather than explosive, relying more on shared silences and small gestures than grand romantic scenes.
One thing that I don't get it like it wants to be brave. The show hints at bold ideas about modern labor, automation, and emotional detachment through tech, but it never really digs deep into the ethical or social weight of AI... it mostly stays symbolic rather than critical.. The show plays it safe by softening the consequences and resolving conflicts too neatly, which undercuts the rawness it’s aiming for. So while it looks courageous on the surface for tackling burnout and vulnerability, it doesn’t quite push far enough to be truly uncomfortable or transformative. It ends up feeling cautious rather than bold—well-intentioned, sincere, but ultimately not as daring as it pretends to be.
Anyway it is a thoughtful, mature show that may not be for viewers looking for high drama, but it resonates deeply if you appreciate introspective storytelling and emotionally grounded narratives.
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A pleasant but ultimately unsatisfying adaptation
This Kdrama version of a well-known Cdrama is a retelling for tweens that softens the male lead's character while over-infantalizing the female lead. In this remake we have a series that could easily be rebroadcast on Nickelodeon or the Disney Channel. Whether or not you like it might depend on which male lead you prefer -- the Kdrama's or the Cdrama's -- or whether you can tolerate the Kdrama female lead's lack of maturity as she gets older and enters into adult life.While from the beginning the Kdrama version of 'A Love So Beautiful' has a male lead, Heon, who is quite likeable, his counterpart in the Cdrama starts off as very hard to love, and who must face and acknowledge his own deepest flaws if he has any chance of prevailing in the end. The Cdrama scene where this acknowledgement finally happens is one of the most powerful in the entire series, and is all the more moving because we know how far the male lead, Jiang Chen, has had to come in order to get there.
Because the Kdrama's Heon starts off so nice, there is little distance for his character to travel as he faces his own shortcomings -- shortcomings which, of course, are minor in comparison. Unlike the Cdrama's Jiang Chen, Heon is not troubled by abandonment issues that have caused him to develop an almost impervious layer of emotional armor. Instead, Heon comes off more like a guy who's just a little too shy and needs to come out of his shell.
I know many viewers will prefer this non-threatening kind of male lead, and who am I to say they're wrong. However, in making Heon so comfortable from the start there is much less of a reason for him to strive to better himself. Nor does he help us to understand the reason for his unwavering dependence to Sol Yi. Heon is a character who, after all, we're meant to believe can't live without Sol Yi. Unfortunately, because Heon's eventual redemption in the Kdrama is less necessary than in the Cdrama, it's also less impactful, and deprives the Kdrama of an essential emotional turning point. We never really learn who Heon is or why Sol Yi's love has meant so much to him.
As for Sol Yi, there are two issues: (1) she is perky and over-animated to the point of constantly maxing-out my Cringe-o-Meter, and (2) from the get-go the actress who is cast in the role looks too mature to play a high-schooler. This impression is made even worse by the way the director has Sol Yi constantly exploding with child-like exuberance, squealing with delight at little provocation.
If this is the woman that Heon can't live without, I wish the series would make more of an effort to show us why. As it is, his approach to Sol Yi has a brotherly vibe that it never quite shakes off. In fact, toward the end when he kisses her on the lips it feels uncomfortably close to watching someone kiss his own sister.
Kim Yo Han, who plays Heon, is a K-Pop idol. He does a serviceable job in his acting debut and is cute enough to inspire the fantasies of viewers who wish they could have their own Heon in their lives. Enjoyment of fictional media -- be it books, movies, or drama series -- usually involves some degree of identification with the characters, so with such a handsome and cuddly leading male I can understand why in some corners the Kdrama version of 'A Love So Beautiful' would have a lot of appeal.
The other actors cast in the major roles fit the toned-down nature of the series very well, and are worthy counterparts to the characters in the Cdrama version.
The Korean remake of 'A Love So Beautiful' is worth a look if you want something fluffy to fill your time between other, better-scripted and better-directed dramas. While I have to admit that I was disappointed by it, I can see where it will provide some pleasant companionship for viewers who are more romantically inclined.
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This drama (as well as its source material) depicts a love story wrapped around a social critique of the often cruel role "beauty standards" play in women's daily life. Meeting those beauty standards has become a source of stress for women worldwide, but in South Korea --as this drama suggests-- not being part of the "ideal beauty" results in a harsher treatment from society. This drama also emphasizes that the expectation to look a certain way affect everyone in different ways -- with no one --regardless of whether they are considered naturally beautiful or not-- being spared.
In that respect, Mi-Rae (our female lead) isn't the shallow person the summary might imply. It takes just the first episode to understand how she became a victim of society's expectations. She didn't undergo surgery to become beautiful, she just wanted people to accept her as a "person," which is incredibly heartbreaking.
The issue that arises afterward, one which she hadn't anticipated, was that people would still judge, reject and critique her. And that's where the story takes off. We not only follow Mi Rae as she gains confidence, but also other interesting characters who'd been suffering because (or for) their looks.
It's worth noting, however, that the pacing of this show is slow compared to other rom-com dramas. I'd say it's a stretch to tag it with comedy, since the comedic moments, despite how successfully they are implemented, are few and far between. That's not to say the show is weighted down by an overload of melodrama, because it's not. Instead, this show can be described as a sliced of life focused on self-reflection which, if you're open to it, will get you emotionally invested in the characters. Be forewarned, many of the male characters in this show (and some of the female ones) will definitely rile you up on more than one occasion.
If I have one critique apart from the wardrobe, it would be the disbalance in the portrayal of the male characters. Except for a few gems, all the male characters were written like jerks and that can be off-putting. Some balanced between jerks and good guys could've helped the show feel less toxic.
MAIN CHARACTERS: Interesting & lovable
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Kang Mi Rae (female lead played by Im Soo Hyang): She's a character who's suffered all her childhood because her looks didn't meet her peer's standards. She grew up as an introvert, keeping away from people, looking at other people's lives from afar and wishing she was allowed to have fun. Her frustration drove her to seek solace under the knife and, though she now had an acceptable face in society's eyes, her insides were still bruised and broken. Mi Rae is a complex and balanced character. If push comes to shove she'll fight, but mostly she tries to fly under the radar. She's smart and almost a natural when it comes to creating perfumes, but she struggles with an inferiority complex and doesn't like standing in the limelight. Though the actress looks quite old for the role, it is worth noting that the character was conceived by the webtoon artist as having an "older girl" look, so it stays true to the original intent.
Do Kyung Suk (male lead played by Cha Eun Woo): He exists on the opposite side of the spectrum from Kang Mi Rae but also grows up feeling lonely. He's a handsome, smart, strong, kind and very straightforward guy whose isolation came as a result of presenting a front of "perfection" and "hating" anything to do with beauty (for reasons later explained). As a result, he's socially awkward, brutally honest and a harsh judge. Though, to his credit, he's a character whose pride doesn't get in the way of realizing when he's made a mistake and make amends. Though some viewers didn't like his acting, personally I found his stoic way of delivering lines grew on me more and more as the show progressed.
Yeon Woo Young (second male lead played by Kwank Dong Yeon): He's such a good character that he ends up giving Kyung Suk a run for his money. He's kind, honest, selfless and very mature. Though his character is a bit imbalanced (as in he has more strengths than flaws), he's still a lovable man who, despite his good points, doesn't come off as being "too perfect". He's a character who helps those around him without expecting anything in return, even when he's financially struggling. Overall, his charming personality earned him fans within and outside the show.
ANTAGONIST: Complex and pitiful
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Hyeon Soo Ah (second female lead played by Jo Woo Ri): She's someone stuck between Mi Rae and Kyung Suk in the spectrum of society's judgment. Though she's considered a natural beauty, she's not a stranger to suffering. Her struggles come from forcing herself to live in service of what other people expect of her. She's a character who's not only dishonest with other people, but with herself as well. Though she earned quite a bit of hate, I personally found her character very pitiful. The drama ended up brushing over her backstory, so if you're curious you can always check out the webtoon to get a better understanding of her motivations.
PORTRAYAL OF ROMANCE: Slow paced, healthy & nurturing
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I mentioned before that the show is slow-paced and this is true for the romance as well. However, that pacing allows the progression of classmates to friends to lovers to feel very natural and endearing. There's a lot of cute scenes between the leads without making it cheesy, which is a plus for me.
Some highlights of the romance:
-Their relationship is always healthy.
-Both characters are new at romance, so they take their time to find their ground and, though they stumble, they do it together.
-Both learn from each other, creating a very balanced relationship.
-They learn to communicate what they want and need so the other person can understand, making their relationship not only refreshingly endearing but also nurturing.
OVERALL: Highly Recommended (and the webtoon as well)
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This is an interesting slice of life that follows a group of characters trying to find their place in the world and build the courage to live by their standards, rather than society's judgment. Though it's slow-paced, the plot is interesting and the mood is often lightened up by warm moments of affection between the leads, their families and their friends.
Keep in mind, I saw this as it was coming out. So binge watching it might give you a different experience because the plot moves slowly and the acting can sometimes come off looking/sounding very wooden. However, this is doubtlessly a memorable show that'll give you food for thought.
If you're able and willing, I'd also encourage you to read the webtoon. There's a lot of insight to be gained that will help you get a better viewing experience. There are scenes, especially at the beginning of the drama, that'll make more sense if you know the context the webtoon provides.
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First, if you are choosing to watch this drama due to historical context reenactments, you might be disappointed because it is fictitious rendition of the historical events, so creative liberties have been taken. Personally, I didn't mind the changes and/or omissions of history to suit the drama because I was more interested in the fiction of the story rather than the history being presented.
Second, there have been some people who have said that they really didn't find the music to be fitting for the tone of the drama. I completely and wholeheartedly disagree. I think ALL of the music was exceptionally fitting and helped really build the scenes. Even though there was some EDM, rock, and bagpipes in the OST's, they all blended well, and none of them took away from the drama.
Now that I got those out of the way...
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What was amazing:
The friendship felt between Hwi and Seon-Ho was impeccably powerful. Their friendship lasted through the good times and the horrific times. There was a brotherly love they hold for each other that motivated them to fight and die for each other. I loved every moment of it. Especially when they only had bad and worse options to choose from - it was hard to watch, but you can't help but keep watching it happen.
Writers did a great job blurring the lines between "good" and "bad." A lot of times in historical dramas, all the main characters are "good guys" and the opposing party is clearly the "bad guys" - there are no blurred lines. But this drama is deeper than that. It very powerfully demonstrates that when you believe that what you're doing is best for those you love, it's not "wrong" or "bad" just the best option out of the choices you have. The plot in regards to good vs. evil was so well crafted. There were only some characters that I truly thought were bastards (such as Seon-Ho's father), but for the most part, I could see where they were coming from and couldn't hate them for it. Which leads me to my next point...
I ADORE Seon-Ho. Yes, he made some really awful decisions that put Hwi through some really horrible things, but they were the best decisions be could make in trying to protect Hwi and Yeon. AND he tortured himself every day knowing what he did to his best friend and sister. So no, I couldn't hate him, not once. He was actually my favorite character.
I think the writers also did a really good job of writing a story that WASN'T about people fighting over the throne for themselves. The main characters are trying to protect what they view as "their country" but they go about it in vastly different ways. And they do indeed have very different ideas as to what their "country" is too. The writers did a great job writing about historical figures that got mixed up with royalty, but it wasn't about them being king and instead about them surviving in their respective worlds.
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While I really enjoyed this drama, I do need to address some issues:
Unnecessary romance - I am usually ALL about the romance, but honestly, the romance between Hwi and Hui Jae was unnecessary (it reminded me of Hwarang's romance, to give comparison). I don't think it was very well developed at all (we were just meant to acknowledge that they love each other and fight to the death for one another after only 3 or 4 encounters). Personally, the story would have still been just as great without the added romance.
Battle wounds - Simply put, characters recovered really quickly and easily from mortal blows during battle. Some characters would be stabbed through-and-through and would be able to fight within a couple of days with little issue or ride a horse for hours without issue. *shrugs* It's a plot convenience, I know, but highly unrealistic. It didn't distract me much from the drama, but I feel like, either make the battle wounds more realistic to fit the intended plot or have the characters suffer the actual battle wounds given.
Hwi's character development (specifically in comparison to Seon-Ho) - Seon-Ho was extremely well-written with lots of gray areas - he had to make a lot of horrible decisions, live with his choices, and fight for what he thought was right, constantly evolving. Hwi felt like the weaker written main character, lacking the same amount of depth that Seon-Ho was given. I know that they are different characters, but I would have really liked to witness Hwi experience the same amount of depth in plot realizations that Seon-Ho had even though their experiences were obviously different.
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I would like to sincerely compliment all the actors in the drama - they were all wonderful and powerful in their roles. But I would like to say that Woo Do-Hwan stood out exceptionally to me. He is exceptionally handsome, especially in historical attire (LOVED the long hair on him). And he simply did the most amazing portrayal of his character. Again, all actors were amazing, but he stood out to me the most. Do you realize how hard it is to have a man cry and truly portray the emotion without the audience giggling at the silliness of it on screen? Woo Do-Hwan portrayed Seon-Ho's emotions on all fronts with expert precision - you could truly feel his character's pain, turmoil, grief, and sincere love for not only Hwi, but Yeon even after her death. I will definitely be seeking out the dramas I've yet to see with him.
Ending: I don't like tragedies in general and typically avoid them. I started this drama before it was complete and got hooked before the drama was tagged as a "tragedy." Nonetheless, I really liked this drama. The ending makes sense and I'm not upset about it being a tragedy. I say this to hopefully give courage to those people reading this who are unsure about the "tragedy" tag.
Rewatch Value: Yes! I will definitely rewatch! I don't watch too many historical dramas, but this one is incredibly fast-paced and the story is worth witnessing again (tragedy or not).
This drama is not for everyone and definitely more targeted for more seasoned K-drama watchers. It's got some heavy plot and turmoil, bloody battles, little-to-no romance, and a tragic ending - all of which aren't usually mainstreamed. But, if the trailer intrigues you, perhaps give the first episode a shot - that's all it took for me to get hooked!
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People will probably say, "Oh, but BL is made by women for women," as if they are so right. But not this story. In here, there is zero heteronormativity. There is no dude saying shit like, "You will be my wife," or "Let me touch your boobs." There is no rape being normalized and romanticized. There is no "strong" guy and "weak" guy. The director and his team took every bad trope that exists in the BL industry and threw it in the garbage.
He did an amazing job. He said "fuck off" to all that bad stuff and created a good rom-com. He took the enemies-to-lovers trope and made it healthy (something that has never been done right in this industry before)! He took an actor who had never played in a BL before and made him feel comfortable. There is not even one awkward scene between the actors. With the main couple being friends in real life, it could have gone in a completely wrong direction, but it didn't. It’s comfortable to watch; their performance is believable and lovely. This series is a breath of fresh air. It took bad BL tropes and made them good. I don’t believe anything will ever surpass it, but this director might just surprise us again.
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It is about two people who have been friends all their lives. They turn to each other for comfort, for friendship and fun. They have seen each other at their best and worst. They yell, they fight, they comfort and criticize. They are REAL with each other. And slowly they begin to realize that this is not just a friendship. And once they realize that...What do they do with that knowledge? Go for it? Risk their friendship? Admit how they feel to the other person and most importantly, to themselves?
There is no grouchy, in denial chaebol hero. There is no plucky misunderstood girl who is downtrodden but so cheerful in the midst of her unfortunate circumstances. There is no backstabbing b*tch or scheming inlaws. They are just two people slowly but surely waking up and realizing that just maybe, the person they truly are meant to be with might have been there under foot all their lives. The writers make it so fun for the audience to watch it happening. The actors have great chemistry!
Give it a try. The music is a bit lacking. (I have a tendancy to be hard on music scores in my reviews. After the excellent OST of Coffee Prince and Soulmate I tend to be picky!) But I adore this drama...ADORE IT. Warm and sweet and surprisingly passionate. When you watch and realize it is not as quiet as you thought it is such a treat.
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Now THIS is a badass Female Lead!
I’ve been waiting for a FL like this for so long but time and time again we get immature, cringy and FLs that are prone to making wacky decisions.I’m at episode 14 and let me tell you - She is perfect. She is fierce, decisive, skilled, stunning and elegant. Everything she did just made sense. If she keeps this up she’ll be my favorite character of all time.
The leads have amazing chemistry and the team + Princess are SO lovable!! I can’t wait for more episodes.
**UPDATE.
Even with the wonky pacing after episode 34, it is still my favorite Wuxia and Ruyi is STILL is my favorite character of all time. The love story is deep, mature, sexy and romantic. The brotherhood is strong. Character growths were abundant and I fell in love with each of the characters. With this show, it’s definitely about the journey.
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Not Going To Be For Everyone
Although I enjoyed the show overall, there were a lot of aspects where production fell short.I believe that this show originally was going to be 40 or more episodes long, but once they were done with editing and going through the censorship board it was cut down to 36 episodes. This was extremely noticeable for those who didn't even know the context of depleted episode count. There were many times it felt disjointed or unfinished. There were whole plots left dangling or completely unfinished. And though the actors worked their asses off, writing & editing stick out like a sore thumb on this one. As they failed the show don't tell rules of film making.
I think my biggest issue came a little past the halfway point with the climax of the 1st daughter and her husband's story. I was really enjoying their screentime and dynamic only for them to pull the rug out from under them completely, and never really put it to rights before moving on to the next storyline block.
4 of the 5(6 really but will touch on that later) Li sisters get to take on a leading role in their story with their husbands/future husbands for roughly 7-9 episodes each focused on a couple's love story. I wont be fully spoiling the finer details of storylines but some spoilers will occur simply because context is needed.
The show first kicks off with a short intro into 2nd daughter's dynamic with her husband of about 2 years, and setting up the Li family business and the personalities of the 6 sisters & mother. It then immediately goes into the 3rd daughters love story with her future husband, the cousin of 2nd sister's husband. The 2nd couple act as supporting characters mainly through this storyline as they are both related to the 3rd couple. I called the 2nd couple "The Double Agent Couple" because he was constantly asking/telling his wife about what goes on with the men & the husband was able to listen in on the sisters' conversations because he was already a member of the family. The 3rd couple I referred to as "The Scheming Couple" - the couple that schemes together, stays together.
The 3rd couple(Li Kang Ning & Chai An) have an Elizabeth & Mister Darcy chemistry with a healthy dose of Tom and Jerry thrown in for laughs. They can scheme against each other, but the second someone else tries to play with them the kid gloves are off. It's harmless pranks, pushing each other in business, and testing each other's limits. The chemistry between Lu Yu Xiao and Wang Xing Yue is great and continues to hold strong even when they take a backseat in the other sibling's storylines.
After 3rd get their happily ever after, the story shifts it's focus to the 1st daughter and her new husband(Li Shou Hua & Du Yang Xi). I call them the Scholarly Couple, because he places 3rd in the Imperial Exam & had she been a man she would have been the top scholar of a generation. All is well and good kicking off with a snub from the husband due to a misunderstanding prior to marriage. As they start to let their walls down and communicate it gets even better....and then the other shoe drops and the previous mature communication completely breaks down and the "self sacrifice" "I'll make you hate me so you can live." tropes come into play. This isn't the first case of abusive tactics used within the show, but it is the first time that draws blood from one of the siblings. In episode 17 to push her away he starts to act like a complete asshole and goes to whip their servant who the girls treat more like family. Shou Hua steps in front of the girl to protect her from the blow that Du Yang Xi is throwing down. He ends on striking his wife with a whip so hard it breaks open her layers of clothing and leaves a open bloody gash on her shoulder of about 6 to seven inches long. We NEVER get a full apology for this behavior. Shou Hua just all of a sudden "knows" that he is treating her like shit to "protect her". They divorce and eventually reconcile, but that scene is maybe 5 minutes and then no second wedding no show of what he did to win her back...nope...he just sort of knelt for a second and then all was forgiven...ick. I could never see him the same way after that. Because we didn't get to see him repent for hurting his wife both physically and emotionally I just never got over my ick.
Right at the tail end of 1st daughters story we get introduced to the future 4th brother-in-law. 4th couple(Li Hao De & Shen Hui Zhao) have the best storyline of all the siblings imo. Somewhat tied with 3rd couple. I refer to them as the "Justice/Truth Above All Else Couple" a Judge and his clerk fall in love. When given the opportunity to lie and be believed Hao De still tells the whole truth. Shen Hui Zhao goes from very strict black and white logic to letting emotions help guide him more. Hao De worms her way into everyone's heart and breaks down any emotional wall that someone puts in front of her. They can't help but love her, and her husband is no expectation. They have amazing chemistry together. It comes from trust, understanding, and faith in one another. When he goes to push her away he is honest about why he feels like he needs to protect her from his line of work. He doesn't ever strike her or fully leave her in the dark about his plans. The one time he does sort of leave her out of his plans it feels more like she's upset that he went off to play with others and left her out of the fun. Would really love to see the two actors Ke Ying and Liang Yong Qi get to play leading roles together in another drama in the future. They were natural and playful. Seriously some give him a leading role already.
The 5th daughter and her husband are a true enemies to lovers trope. Li Le Shan and Yang Xian hate each other on sight...they are the "Fire & Gasoline Couple" they only add to each other's flames, and violence is always the answer for these two. Yang Xian, played by Winwin, has the most character development of any other character in the entire show. He goes from a spoiled rich kid who wants to piss off his father by bringing a merchant woman home as a wife in episode 3 to a self-made hardworking and determined man ready to win his wife's love again in episode 35/36. He has the most complicated family dynamic that showcases the stark difference between a conniving noble household constantly seeking power and the more modest and loving merchant household the Li girls were raised in. You will love Le Shan the second she shows up on screen ready to castrate a man for daring to look at her sisters. She is the most like their mother. She will thrown hands first before trying to talk it out. She matures over time and knows when to use her words and patience over her club/rod. Even though Huangyang Tian Tian is the youngest member of the main cast she acts circles around almost everyone. Winwin, who is 10 years her senior in age,(the couple never kiss in their story as she was actually a minor during the filming so put your pitch forks down), holds his own. This is only his 3rd production, but he already has a good grasp on conveying subtle internal emotions of his character with his facial expressions. I think I thought that his character would be a secret martial arts/scholar just because Winwin himself is skilled in fight choreography due to his classical dance training. They have to repeatedly state he isn't a good fighter or a good scholar.
Major spoilers for last little bit...6th daughter is the adoptive daughter of the Li family and former betrothed of 3rd daughter's twin brother Pan'er. We were ROBBED, I tell you, of a deeper dive into Pan'er(Zhe Cong) and Qiong Nu's story. Because surprise bitches baby bro is alive and just a perfect blend of his mama & daddy. Seriously knight in shining armor should be his character description. They were my "A Very Long Engagement Couple". I don't believe their story was majorly cut down in post production editing so I wish the writers would have given us more of them in the script. They had a more interesting story than 2nd couple.
We were also robbed of the final boss 6 brother-in-law alliance team meeting. I found that whenever all the sisters or BiLs were together they had some of the better comedic/storytelling elements. As most of the guys have all worked together before their banter was seriously under utilized.
Overall I give it an 8.5-9 out of 10. If it was going just off of pure production critique I would be closer to a 5 or 6. The cast and chemistry brought up the score A LOT. I can't say with 100% certainty, but it feels like a lot of the budget went into the cast and not other elements of the show. There is more I have to say, but I've been writing for over an hour and need to start my day, so if you finish reading all of this, thank you for your time. If you have any questions feel free to ask in the comments below and I'll answer as best and as quickly as I can.
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Best modern cdrama to date
Simply a beautiful drama. It probably isn't the best beginner drama to watch, as much of the content requires having a decent understanding of Chinese culture/slang to truly enjoy at its full value. However, besides that, it's a perfect show from start to finish. Easily my favorite of 2021. PLEASE DON'T MISS THIS.Plot:
The 1st episode was jaw-dropping. Stunningly real and heart-wrenching. The characters struggle so realistically as ordinary people in the huge, overwhelming city of Beijing. Seriously, the first 2 episodes are guaranteed to capture your attention. The small details in each human interaction feel so genuine and natural, not at all like the popular idol cdramas. As the episodes progress, they do so logically without losing any sort of tension or excitement. Although it's a slice of life drama, the characters' backstories, problems, relationships, and small victories leave you wanting more and more. Every characters' own plotline and development tie together so well. ALSO, EPISODE 10 and 11 are INCREDIBLE. Don't worry! The ending is absolutely amazing, though I do think the 1st episode is hard to beat.
Characters:
The "main" character is Qiao Xichen. played outstandingly by Zhou Yutong. She is driven, intelligent, and hardworking, but faces the everyday problems of a white-collar worker in Beijing. What makes her so compelling, though? She makes any of the audience watching her want her to succeed. We want her to win because she's so caring, capable, and good-natured. She's incredibly tough, but she has breakdowns like anyone else. And wow, I was blown away by her crying scenes. I could keep rambling but I'll stop here.
Next is Xu Yan, a girl who's a bit vain and superficial, but in reality just wants to spend her days being loved by her doting boyfriend. She spends a lot of money, and it can be really irresponsible at times. The actress who plays her, Sun Qian, does a great job of presenting this bubbly character, and she goes through some deeply compelling character development. She's not a crazy hard worker like Qiao Xichen, but she has her own earnest motivations.
Being the human sunshine of the group, Hu Jing Jing is the one everyone spills their troubles to. She's the one that holds the group together. Underneath all of that selflessness, though, is someone broken and struggling. I won't say too much, because she's a huge spoiler-y part of the story, but her character is very complex and overall just heart-breaking.
Hu Nan Jia is the big sister of the group, being Jing Jing's older cousin. She's basically the richest of the girls, directing her own company and finding success in her Beijing career. Of course, there is more. She's lonely and has a loss of purpose in her personal life. She goes through a journey of self-discovery beyond the workplace. Her actress, Ren Suxi, is absolutely amazing at portraying her character so natural and believable.
Relationships:
It might surprise you, but the romance in this drama is IMPECCABLE. They are the most realistic yet heart-warming portrayals of romance I have ever seen in a cdrama. My absolute favorite couple is Qiao Xichen and Jian Yifan. Their chemistry is so fresh to watch, and my god is it amazing to see some logic in a relationship. They're both smart and sensible; it's a DELIGHT. The confession scenes were so freaking cute (that hospital car scene omg), and their dialogue just bounces off each other so well. Healthy and HIGH CP relationship from start to end. Next, Xu Yan and her boyfriend, Shen Zichang, are a bit of a different story. They've been dating for years, yet they're still a bit immature and act like those cutsey stereotypical couples. However, it's still fun to watch, and when they're together, it's honestly so dang sweet (episode 12 tho, I CRY). As for Nan Jia, she meets a much younger guy, Ou Yang, and while I thought it was awkward at first, it got REAL sweet towards the end. I support the ship<3.
Music:
Amazing. Moving. Haunting at times, but it truly enhances the feels and acting in the show. It WILL make you cry, and I'm not exaggerating at all.
Rewatch:
I'm not one to rewatch shows, but for this one, I will a dozen more times.
Overall:
This show can be uplifting, powerful, yet brutal all at the same time. It's also surprisingly hilarious, and you will grow to love each character so much. There are so many portrayals of people you won't see in other dramas, because most of them are just regular humans, not like the artificial shells I so often see. Even the minor characters are integral, flawed, and understandable people. This drama will teach you that making a living can be really, really hard. However, you'll still be able to experience the simple sweetness of life, like in the random kind acts of others (the nameless, caring grandma makes me tear up). The show's Chinese title references how people might say, "I'm doing fine" when their parents/friends ask them how they are, even though, in reality, they're not fine at all. Some people fake that they're ok just to put others at ease, but the story tells you that it's ok to embrace difficulty. This drama truly digs deep into this concept. It says that life may not feel fine right now, it might even feel impossible, but one day, when you realize how much the world has to offer, this ordinary, troublesome life will feel more than fine.
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This review may contain spoilers
Worth watching and rewatching.
It was nice to see a wholesome drama with a great cast.My problem with it is how country people are portrayed as somewhat stupid, and then again, not. It was not something that made me dislike it but just something I thought a few times during the drama.
It is fun and not too much sweetness. It is a "Back to basic" drama with a lot of life choices. I would watch it again because I love the scenery and cast. The story is nice too. The cast is good.
In the end, it all makes sense, and when you follow your soul, all good things come to you.
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This couple killed it
This drama is about a whole lot more than romance, but I will start by showing some love in honor of the lead couple, Gu Yanxi and Hua Zhi. They were classy in their cuteness and made our hearts flutter with every interaction. The chemistry was undeniable; whether they were adorably close or longingly apart, they were always in tune with each other. They understood each other, supported one another, and sacrificed for the other. From potential enemies to friends to lovers, they became each other's greatest allies. What I appreciate the most though, is the strong communication and the unbreakable trust between them. This delightful duo embodied how love can endure, even in the face of conflict and circumstance.Apart from our leads, the other couples have also left a memorable impression on me, and I truly enjoyed watching how the relationships developed and blossomed. Even when romance did not always lead to the happiest of endings, the stories were touching and, at times, really tugged at my heartstrings.
When Blossoms in Adversity started airing, I had high expectations because of the director, Chu Yui Bun, and the cast. The show delivered even more than I expected. There was a strong theme of female empowerment, and a quote by Goethe came to mind, "The Eternal-Feminine draws us upward". Almost all the women characters had character development for the better, but sadly, most of the male characters did not. Save for a handful, most of the male characters were a disappointing lot.
Zhang Jing Yi's Hua Zhi was solid, and she proved again to be an excellent actress. ZJY portrayed an FL who was plucky, intelligent, precocious, quick-witted, but also very human. With her entire family thrown into chaos when a power-tripping Emperor exiled all their family men, HZ had to grow up quickly. Through HZ's struggles and triumphs, the show provided a lesson: in times of need, we can step up and be the kind of person others need us to be.
I threw shade at Hu Yi Tian in the beginning saying that ZJY was carrying the show, but in the end, I was won over yet again by our handsome ML. He shone in his fight scenes, and his usual stoic expression fit his role as Gu Yan Xi. This ML was also brilliant and was a skilled fighter. As the Commander of the Security Bureau, he was savage with everyone who deserved it but so gentle with the FL and the ones important to him. GYX started out conflicted, torn between gratitude to his uncle and his affection for Hua Zhi. Ultimately, he became a source of strength for HZ as he gradually determined that any amount of gratitude did not warrant the blind loyalty demanded of him.
GYX had background music dedicated to him, one that played whenever he turned up, ready to take the bad guys down, and it was just so bad-ass enjoyable. HYT should consider more historical dramas since this role is my favorite of his to date.
The supporting cast was terrific too, notably Lu Yu Xiao, who showed off how versatile she was. While Caesar Wu did not appear as often as I would like, he nailed his character as the overly earnest, idealistic Shen Qi. Bian Cheng as Shen Huan is someone to watch out for, and as the Emperor who demanded nothing less than everything, Hai Yi Tian delivered a great performance that had all of us wanting to see a painful death for him.
Apart from being amazingly acted, this drama was well-written and nicely executed. I applaud the show for keeping most of us engaged until the very end, throwing in something unpredictable just when I thought I figured out what would happen next. That said, the show didn't fall into the trap of using plot twists for the sake of creating last-minute melodrama.
The pacing was interesting to me in a good way. The plot went through the ups and downs of the characters lives so smoothly and quickly that angsty moments were not that dramatic and happy moments were more like normal events. No one really has an opportunity to dwell on the good or bad. Even with 40 episodes, the show never felt draggy, and best of all, it stuck its landing. I for one, am satisfied with how the show ended. It wrapped up the characters' journeys nicely and sent them off in such a way that left me feeling that this drama was well worth the watch.
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