This review may contain spoilers
“Like the hawk that soars freely, you reject the shackles."
Hei Fengxi and Bai Fengxi are a fated pair. To the world, they're known as the Hei-Bai Fengxi duo, "Hei" and "Bai" as in black and white. They're each other's greatest rivals, companions and partners in crime but also inseparable like light and shadow. It's hard to describe their relationship with just a few simple words."As beautiful as she is lethal." Bai Fengxi is a smart and brave yet carefree heroine who stands in the face of justice. She's a cute glutton when there's good food and a headstrong, cheeky opponent when there's a good fight. Secretly, she's also Princess Feng Xiyun of Qing who's renowned for her intelligence and eloquence.
Hei Fengxi is the embodiment of grace and elegance that's known as a diplomatic and just hero. But underneath that façade, he's extremely cunning and ambitious, just like the endearing nickname "Black Foxy" Bai Fengxi has given him. Like her, he also has a double identity as the Second Prince Feng Lanxi of Yong. From a young age, he was forced to fake illness and learn the ruthlessness of court politics on the path to becoming the royal heir. Hei Fengxi is tough and merciless towards his opponents but incredibly soft-hearted when it comes to his own people, especially Bai Fengxi.
I'm truly in love with the duality of both leads. They're adventurous and playful in the martial arts world, but very dedicated to their royal duties in bringing peace and prosperity to their citizens. There's an unwavering trust and teamwork between Hei and Bai Fengxi that makes them a force to be reckoned with. What's more impressive is that they're both on equal footing where no one side is weaker than the other in talents, martial arts or status. While political schemes and wuxia values do play a major role in the plot, there's a more evident focus on romance.
The chemistry between Yang Yang and Zhao Lusi is so sweet and overwhelming. Admittedly, I didn't know how this couple would pane out in a historical drama but this is way better than any of my wildest dreams. They just click so well together. I can see that both have matured a lot in their acting. Yang Yang has become more experienced with subtle expressions from his role in You Are My Glory, as well as with action scenes from Glory of Special Forces. His background as a contemporary dancer also greatly contributes to the poised and refined portrayal of Hei Fengxi. On the other hand, Zhao Lusi plays the dashing and charismatic Bai Fengxi very well. She's truly badass on so many levels. It's like she has combined the female power from both of her roles in The Romance of Tiger & Rose and The Long Ballad together. Despite the age gap in real life, this pair looks great together on-screen. Though off-screen they're so childish and competitive with each other, it's no wonder Yang Yang said they have the same mental age as a 5-year-old.
This drama also has a very vibrant side cast. Xuan Lu as Feng Qiwu is such a girl crush and I love it when she teams up with Bai Fengxi, total femme fatale style. It's nice to see Wei Wuxian's martial sister kicking up a storm and fighting like a general. The kid playing Han Pu is such a sweetheart. He's a smart little cookie that knows how to bring the vibes. Feng Chang, played by Zhang Tian Yang, is a great older brother. He's protective of Hei Fengxi and really cares for him. Zhang Feng Yi pulls a very convincing act as the sly and cynical King of Yong (Hei Fengxi's father). It's heartbreaking to see Hei Fengxi suffer at his father's callousness.
We can't not talk about the excellent production from the director of none other than Love and Redemption, Ancient Love Poetry and Under the Power. The costumes are absolutely gorgeous and really highlight the duality of the leads. Those high pony tails and headpieces are just chef kiss. The scenery, action scenes and CGI are seamless. I love how Hei Fengxi uses the fan and Bai Fengxi uses her silk ribbon, it's such an effortlessly cool way to fight. Plus, those flying sequences are so satisfying to watch. While the last few episodes do feel a bit rushed, the overall plot remains fairly coherent and easy to follow. As prementioned, it's not supposed to be full-on political, like for say Nirvana in Fire, but emphasises more on the journey of Hei and Bai Fengxi as they traverse the world and discover what is truly the most important in life. Admittedly, there've been a few controversies and problems with the production crew towards the later part of filming, but this drama has turned out to be a fine one so all credits to the cast and staffs.
The OSTs are very complementary as well. Unparalleled (无双) by Liu Yuning is so empowering and intense. Except it's a bit strange to hear from Zhao Lusi's lover in The Long Ballad, if you get what I mean. My favourite got to be Breath of Wind (风息) by Tiger Hu and Ye Xuan Qing as it's very fitting for the Hei-Bai Fengxi couple. A Dream Come True (一梦浮生) by Silence Wang is like a sweet love confession. While Like A Dream (如梦) by Sunny is like a bashful reply to that confession. Lastly, Orphan (孤注) by Tan Wei Wei is the emotional song that hits you least expect it.
*If you're confused about the politics and would like some clarifications, CloudA has put together a fantastic background summary in the Discussion forum below.
FAVOURITE QUOTES:
“If I die, no one will know your [Hei Fengxi's] true face. Life will be boring.” Bai Fengxi
“I can hide anything from the world. Yet, I can’t hide anything from you [Bai Fengxi].” Hei Fengxi
“They always say to love until the ocean and earth run dry. We both know that these are just false promises. To me, I only want to hold your [Bai Fengxi's] hand until the end of life.” Hei Fengxi
“I met you [Bai Fengxi] when I just started in the martial arts world. And thanks to you, I saw the kindness of the world. And thanks to your company, I know what true feelings mean. It’s all thanks to you that I gave the world another chance.” Hei Fengxi
“They said sometimes you had to lose one thing in order to gain another. But some things are too painful to be let go. I can’t let go of her [Bai Fengxi] no matter how hard I try… I can let go of all my mortal desire except for this one. I can discard three thousand strands of woes but let me keep this one strand… Let it bind me for the rest of my life.” Hei Fengxi
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Starting All Over
As dramaland resets itself with the beginning of another year, viewers get the opportunity to kickstart 2022 with an awesome C-drama right here. Reset doesn’t come with much fanfare where at the beginning of its run, the availability of (good) subs was somewhat hampered by a lack of involvement from major OTT streaming platforms for international markets. Fortunately as the weeks went by and more viewers started watching it, the fanbase for the drama gradually grew, affording it the recognition that it deserves.Reset is a “time-loop” drama in the mould of Groundhog Day, Deja Vu, Happy Death Day and Source Code. The protagonists, a college girl and a young game designer, mysteriously find themselves reliving a bus explosion each day. Why this is happening to them and, more importantly, how they free themselves of this catastrophic cycle are central to the narrative.
This drama is produced by Dongyang Noon Sunshine Film and Television Co., or more popularly and affectionately known as Daylight Entertainment which is famed for producing top quality dramas such as Nirvana in Fire, Battle of Changsha, The Story of Minglan and The Bond, among many others. It is co-directed by Sun Mo Long (Candle in the Tomb and Mining Town), Liu Hongyuan, and Lao Suan. The screenplay is adapted from the novel "Kai Duan" (开端) by Qi Dao Jun (祈祷君) who was also involved in the screenwriting process, alongside Qiu Yujie, Lao Suan, and Huang Kaiwen.
Principal photography took place from June to August 2021 in Xiamen. Reset is considered a short format production running at only 15 episodes of 42 minutes each. To date, viewership on Tencent Video platform for mainland China has exceeded 400 million views (at the time of writing), making it the most watched domestic production for the beginning of 2022.
What I Loved
The innovative concept of time loop in a contemporary C-drama setting. I don’t think this has been done before in a Chinese production, which usually focuses on time travels or alternate world fantasies as far as speculative fiction is concerned. The way this premise is established and conveyed via a rather absorbing and engaging approach to the storytelling is a major boon as well because my initial fears of confusion arising from inconsistent or illogical plot holes proved to be unfounded, for the most part. The parameters of when and how the time loop occurs are clearly defined for the viewers’ understanding as the story unfolds.
Along with the suspense and mystery of the overarching plot, the entire story has much depth to it with a balance of youth themes, slice-of-life human drama and even hints of a budding romance imbued into the development of the characterization and side stories. All of these elements are carefully laid out over the course of an eventful 15 episodes, where the second half in particular is filled with many surprising twists and turns.
The two leads may be central to the plot but the drama also carefully takes its time to explore the various side characters, namely the other passengers onboard the ill-fated bus ride and the police detectives assigned to the investigation. Most of these characters are realistically depicted as being extremely layered and fully fleshed out as the mystery gradually unravels.
The characters truly do come alive thanks in no small part to the superb performances of the cast. Bai Jing Ting delivers as the fresh-faced game designer Xiao He Yun, as he utterly embodies the conflicting emotions of someone who wants nothing to do with this calamity yet cannot extricate himself completely from caring about a total stranger. Zhao Jin Mai plays college girl Li Shi Qing in a somewhat more subdued role compared to her co-lead but no less convincing as a naive youngster inadvertently caught up in an incomprehensible and extreme situation.
To be perfectly honest, at the beginning I wasn’t really expecting romance in this drama. However, seeing both Bai Jing Ting and Zhao Jin Mai living dangerously throughout in attempting to survive this distressing time loop has sufficiently shifted my mindset to unequivocally root for them as a romantic couple. In addition to both their characters being adorably sweet and innocent, as well as the unintended comic relief and minor frustration at times from witnessing their numerous futile attempts at unravelling the mystery, the emotional connection they share that is borne of hardship and tragedy genuinely does tug at the heartstrings.
Of the supporting cast, as usual Liu Yi Jun impresses with his immense experience and mastery of his craft. Despite the limited screen presence, his character of police detective Zhang Cheng displays the necessary nuances that befits the characterisation and brings a touch of class to the drama. Likewise Liu Tao’s surprising appearance here as police inspector Du Ju, who elevates the cast list with some star power albeit while wearing a rather unsightly wig. That said, I would have loved to see more complexity from her character aside from delivering her now iconic line, “Perform drug test!”.
Special mention goes to the strong performances in the portrayal of certain other side characters who I shall not name to avoid spoiling the story. It's worth mentioning that You Jing Rou makes a rather brief but quite impactful appearance in the supporting role of Liu Yao.
This drama features music composed and arranged by South Korean composer Kim Hyun Do for 2 of the 3 tracks listed in the soundtrack. My personal favourite is the emotional theme song, the English-language love ballad My Only, performed exclusively by Zhou Shen.
My Only by Zhou Shen
Wake Up by Wang Xiaokun
Rebound by Chen Hui
Final Thoughts
Reset turned out to be a pleasant surprise indeed. It may not have the bearings of a big budget epic or colossal production headlined by an extensive cast list of star names. But it does the basics very well with a great script and storytelling approach, convincing acting with relatable characters and a hugely satisfying closure. I think this drama exceeded many viewers' expectations in the end, including mine.
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I am not going to say that it's the best medical drama. But it's definitely one of them!
I solely started this drama because of Ji Sung. I can't say I dislike medical dramas but they aren't exactly my go-to genre. But like always, Ji Sung didn't let me down. I am so glad that I decided to watch this drama!It's no breaking news that Ji Sung has acting chops. Well, that seems a bit of an understatement. Every character that he plays on screen, you can't help but fall in love with. With that much charisma he is surely one of the most lovable ahjussi on TV right now.
Lee Se Young has grown so much as an actress. Maybe her character didn't sit well with everyone, but she did grew a lot throughout the series. Though that girl's hair is a mess, that I cannot deny.
The chemistry between the leads! Woah!! I loved them!
This has a slow burn romance, but it's so worth it! The drama doesn't shy away from their age gap, but it's never creepy or uncomfortable. Their relationship begins simply as a mentor mentee, but gradually develops into more, and it's so beautifully portrayed!
This series has seriously one the best second lead, hands down. That is, of course, if he does actually qualify as a second lead. I really enjoyed watching Dr. Lee on-screen! Of course, one of the things I loved about him was the fact that any chance he got to leave the two leads alone, he did it. He is such a far cry from.other clueless second leads. Also his minor love line with Mi Rae was cute.
Aside from focusing on one big idea on which the series was based upon- euthanasia, it also focused on day to day dealings of the doctors. How they suffered with their patients, how they learned from their mistakes, how they worked together as a team. There might be a few medical moral dilemmas involved, yet again, euthanasia aside. But try to remember that its a work of fiction. You can't expect them to provide accuracy on everything.
Euthanasia is quite a sensitive topic. It's hard to pick right or wrong with it. That debate has been going on for quite some time, an I believe it will go on for longer. Everyone has their opinion on the subject, and it's hard to say which one is right. If it is even possible to say so. For the most part, I think they did a wonderful job with it. In the start, you get to hear both their sides. You get to see why one is against that and why one is for that.
What I wasn't satisfied with though, was the fact that later on in the show, the writer decided to include personal reasons behind their stances on euthanasia. While it did not completely negate the whole debate about the topic, it still lessened the effect, at least for me.
Maybe I am unjustified in feeling so, but I feel like Lee Kyu Thing's talent were a bit...Well, wasted to be honest. He deserves a better character. I feel like his character wasn't really that fleshed out. It makes me sad, because even though he did a really good job here, his character was just so underwhelming.
One more things that I was unsatisfied with was that the "ending" felt a bit, anticlimactic, shall I say? After building the tension up gradually with each episode, it wasn't really satisfying to watch how it eventually unfolded. It's like the writer realised the moral dilemma with the situation, and decided to bring in a third party to put all the blame upon.
Every drama has something's it does great, and something it does not. Doctor John is no exception to that. But what it does manage to create, is something that is heartbreaking and heartwarming at the same time. It manages to create a charming, captivating and engaging storyline, series and characters, which I loved following straight from episode one, right to the finale.
So give this a go, chances are, this series would pull you right in!
Happy Watching!!
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Run On isn't race it's journey.
We always run towards our goals, desires, and our dreams to find happiness and satisfaction and Run On represents the journey of it. It's not the drama that has a lot of drama, extraordinary plot, thrill, action, or suspense but still, it's special for its realisticness. It's so sweet that you might get diabetes and pain in the muscles of the chin because of smiling. It's like a very sweet white chocolate with 99% without bitterness and that remaining 1% is Seon Gyeom's Father.The plot: As I stated earlier that it doesn't have an extraordinary storyline that'll impress you but still it's refreshing and different It just goes with the flow without major twists, turns, and surprises but still it's unpredictable cause you don't know what'll happen next. The writing is the strength of drama well-written script and characters even the flaws of character were perfect and hats off for the conversations, each conversation has its own value and meaning. For me, this has the best conversations and dialogues. But still, the story is not a strong point cause it doesn't have one.
Characters and cast: The best of this is its a character with all different personalities, backgrounds, and with different backstories just blend when they are together and the more admirable thing is each supporting character has its own value it's like joining all pieces of a puzzle together for the perfect picture. We see character development in each episode. The writer did a great job in writing characters it's indeed a key point of this. The cast couldn't be more perfect than this all were perfect for each role. I would really appreciate I'm Si Wan especially for me he did the best job portraying Ki Seon Gyeom his expression and acting were just amazing he was the best for this role. Now I'm head over heels for him and his killing smile. The visuals of all actors are great with their great acting skills.
OST/ Soundtrack: The ost and soundtrack both were good and at the perfect moment. I really loved 'Sorry' especially.
Conclusion: Overall it was refreshing, unique, and unpredictable which also going to be one of my favorites. I really enjoyed the show and smiled a lot but it's not everyone's cup of tea. It's a slice of life and a character-driven plot. The ending is perfect but I guess it's too much perfect and overflooded with sweetness. 'Run On' not only entertain but it's much more than that.
P.s. - It does have many weird + funny + hilarious moments and that candy movie was great!
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This review may contain spoilers
beautiful, sad and emotionally deep
I don't really know where to start. Just finished Youth of May and I'm left breathless. I started it 3 days ago, because I had some free time and wanted to watch something. And here I am, having spent all night watching second half of the series, aka 6 episodes in a row. I really didn't expect to fall in love with this drama so much, but it's going straight to the top of my favorites list. Inspired and deeply touched by this drama I decided to write my first ever review. Sorry, I don't really know what I'm doing, so this is more of my rant and emotions rather than a good review.Youth of May first started as a typical Kdrama with the popular cliches such as rich man/poor woman, mean parent, female lead striking to overcome all obsticles and star-crossed lovers type of story. I'm all into that, that's the type of drama I like best. Not to mention interesting historical setting which I knew absolutely nothing about until I saw Youth Of May. Also, talented actors, writters and producers. Totally my cup of tea! But then as the story progressed, I really though it will be one of those dramas where lovers get together quite quickly and have to overcome lots of obstacles just to be together in the end. And most of us now know how it turned out for our beautiful couple.
The love story itself isn't something completely unique but what makes it so is the historical setting this story has. Never before did I know about this kind of democratical struggles in South Korea. It deeply touched me. Country's own army going against innocent civils, young students... One of the most memorable moments in ToM for me was when Myung Soo and Jung Tae came back to their camp and said that North Korea has invaded (even though it was South Korean army that they saw)... Another thing that I'm similar age to those in this drama & also a student myself and that helped me relate to the students we saw in the drama, their fights and this time of their life. The stories which show people of my age group struggling, fighting, etc. really affect me the most since I can relate to the characters more.
Another thing what makes this drama unique is the depth of emotions that the actors portrayed so well. Everything felt so genuine, as if the actors were truly those characters that they were portraying. Especially Hee Tae's actor Lee Do Hyun. He's brilliant! When he cried I could feel all of his emotions and usually I'm not very emotional person (so far only 4-5 dramas have made me cry). But this drama's ending and Hee Tae got me bawling my eyes out, I just could stop crying (and I knew the way it'll end because of spoilers I had accidentally seen!). What a beautiful story with such a tragic ending.
Lastly, I want to note how beautiful were some of the relationships in the drama. Not only the main couple, but I really loved the relationship between Myung Hee and cute little bear Myung Soo, Myung Soo and his dad, the development of relationship between Hee Tae and Jung Tae, Jung Tae and Myung Soo. It was so beautiful to watch them interact and care for each other.
Youth of May really will forever live in my heart and make me nostalgic every May.
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Establishing love is like the likelihood of a series satisfying the whole community. Impossible.
The first episode gives the wrong impression and doesn´t represent the quality of the entire show. It put a lot of people off and I understand that too, as that's where the production/plot was implemented most problematically in terms of keeping viewers' attention and where the beautiful aesthetic of the series hasn't yet shown its true colours, portraying the summerly love of three young couples, as various as the LGBTQI+ community themselves.Viewer description is advised if you are sensitive to gray area issues. One of the couples is critically disputed. But these differences of opinion are nothing new for us either, so from that point of view, just give it a try.
PRODUCTION
Positive:
First, the editing is done mostly very precisely and nicely, carrying some vibes of western youth series productions. The warm colours of the summer are the basic aesthetic that sets the series. They consist of a lot of yellow and orange tones which generate a smooth transition. Everything looks pleasingly fresh and warm, and the upbeat music accentuates the summer vibes. As a viewer, you yourself start to feel very alive and can easily understand the atmosphere of the series. The warm, lively mood is only broken by the cool nights and the inner conflicts of the characters.
Negative:
There was just this scene skipping issue from episode 8 to 9, which resulted in a few more mistakes concerning Torn.
Unsteady pacing and the viewer's confusion about the time spans (mostly in episode 9)
PLOT
It's about the life of Sport Science students facing their true feelings. Friends who have known each other since childhood, the pair seems rather one-sided and the pair that, according to other viewers, should never blossom.
The inner conflicts are overall nothing too overdramatic. However, the approach to reality and the taste of uncertainty runs through the whole story. While love is fresh and vibrant, it brings challenges that the aforementioned controversial couple, in particular, struggles to cope with. Vee and Dome. There is no right answer to love, but there is a lot of criticism.
Nevertheless, the series has a good arc of suspense and the main characters themselves are well presented in their own diverse complexity. I would have just hoped that Tupfah and Torn had more tension in their relationship, feel like they were lacking a bit of chemistry.
ACTORS
All actors had a solid performance, and I really adored the unique harmony of the two pairings.
I had a few little issues with Tae and Suar´s acting, but it could result in the two characters Tupfah and Torn being very calm and shy. However, the fact that it was Porsche´s first role (Vee) and that Kris – who btw turned 18 in February 2022 - is also a new actor, amazed me. He's talented and you could relate and sympathize with his role, which by the way wasn't an easy task. Visually I thought all the pairings were well casted...
OVERALL
Well-made show with satisfying shots, solid acting and overall breathtaking editing. The latter could have been better because the entire series had such a beautiful aesthetic, but skipping an important part of the plot is dragging down some points.
Good story about Sport Science students getting a taste of love and attraction. Relatively realistic. Personally, I would have aired it in early summer to undermine the warm summer vibes. Nonetheless. A show I would recommend to anyone, no matter their taste in LGBTQ+ films/series.
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This review may contain spoilers
Thai Series became more diversified!
Well, 2018 is the year where Thai series became globalized. We have many Thai series on Netflix now and GMM, before better known for light hearted and cheesy romantic comedies, dared to make an audacious decision: invest in diversified genres and try to open up to the international community. The Gifted is the best example of the good results that they've got so far.First of all, I have to congratulate the writters and the directors. The plot is smart, refreshing and stylish. The tensions and characters are slowly and progressively built, teasing the audience and making us keep watching. The season is divided in two parts. The first one introduces the characters and their habilities while the second portion focus on the secret of the school. Although I understand the reasons they did it, I felt that excepting Pang, Wave and Nantaan, the other characters almost devanished during the second part of the season. We know that all of them were there, but it seemed they became just secondary characters. Probably they were expecting to make another season and the development of those characters will happen on season two.
Speaking about the characters, I have to say that I loved them, specially Pang, Wave, Nantaan and Ohm. Pang is the classic good guy, the hero whose qualities include idealism, courage and morality; while Wave is the charming antihero who is lonely and seeks for friends. Albeit I loved both guys, I feel that they were more effective in creating Chimon's character. Wave's episode showed us his history before the school and made us sympathize with him. Knowing about what that teacher made to him in the past humanized him. Strangely, we don't have a single moment in this series where we can see Pang's life before or outside the school. Why is he so heroic? It is a mystery the show could unravel in the next season. Of course we know the school made Pang loses his best friend, which is a good reason to make him hate the school system, but it does not explain everything. Even before that, Pang was already idealistic and we don't know why. In order to humanize him a bit more, we should know about his past, his motivations, maybe the next season should explore his friendship with Nic when they were kids.
Some people even say that Wave and Pang could date. Well, I generally don't like when BL fans try to put BL plots in every Thai series. In this case, however, I would like to say that a relationship between them, although not a requisite, would be interesting. They made a really good team. During the first part of the season, I thought Pang, Ohm and Nantaam would emulate the classical Harry Potter-kind trio, where there is a male heroic protagonist, a smart girl and a playful boy (Yes, Pang as Harry, Nantaam as Hermione and Ohm as Rony). But after Pang and Wave made a deal, they became closer and I liked a lot their interactions. They could be a great couple if the story chooses a realistic approach instead of a cheesy romance. I would love to see WavePang and NantaamOhm becoming true, but I am OK if it does not happen. The story is good enough withou any romance.
Speaking about the acting, I liked everyone, but I have to say that the three best performances, in my opinion, goes to Bird Wanchana Sawasdee as the director; Katreeya English as professor Ladda; and Gun Atthaphan as Pun. They all made me deeply believe they were not characters, but real persons. Bird was able to be evil without stereotypes, specially when he was smiling. Khun Ladda, despite being a strict teacher, was charismatic in a strange way. I felt bad when she was fired like she was one of the good guys. Technically, she was not. But she was not evil too. Looking forward to see more about her in the future. I hope she will be back next season and we can see more about her past. Finally, Gun Attapphan deserved an oscar for his acting on episode 5.
About the potencials, although I realize that Ohm, Pang, Wave and Pun are the most "powerfull", Nantaam's potencial is my favorite. I am historian. The past is something alive for me. Having her potencial could make me discover so much things about the past. I could go to Egypt, touch the pyramids and discover how they were built! Can you imagine that? I could go to India, touch the Bodhi Tree and discover how Buddha's face looked like. Maybe go to Jerusalem and make the same thing with Jesus. I could discover who killed Kennedy! This would be fucking cool. I even have a heroine nickname for her: The Historian.
About the plot, I still wanna say that the school seems to me a metaphor of Thai society nowadays. The country is facing a military dictatorship for years and a small group of people rules all the nation from the top of the pyramid. For me, Pang is like the thai activists who wanna take down all the corrupted, unequal and authoritarian Thai political system and make everybody equal and free. Like the director, the Thai dictators persecute the ones who fight for justice. Chanon, the studends who got injured by the experiments and that girl who was killed by a gifted student; all of them represent many activists who have been jailed or killed by the Thai military. The school system separate students by their grades and force them to compete each other. The competition between the students is a strategy used by the system to distract them from fighting the unjustice. It is the same thing that happens in Thai society, where the struggle between Red Shirts and Yellow Shirts (if you don't know, google it) made the military dictatorship possible. At the end of the first season, we see that Pang left a video for their fellows, begging them to use their privileges to fight the system, not to collaborate with it. I see that video as a call for fighting against authoritarianism. It is a beautiful message of hope in a country needing it desperately.
There are more things I would like to say, but I think I have written too much. Thx for everyone who have read everything! See you next year!
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First, It's not a spoiler to say that this is indeed a Romance-Tragedy. It is inspired by the true story of Queen Dangyeong, who we know from the title, was only Queen for a week. If the title isn't enough to clue you in on what's in store, the show starts by glimpsing into the future, and we see a not so happily ever after moment where she tries to kill her love, the king, but can't. This was the same flash forward method that grabbed my attention in Empress Ki, and I knew that I would need to know exactly what road led them there. That road is not just filled with tragic moments. We actually go all the way back to childhood with the characters, and the journey to the end is more than just tears. There's humor, great friendships, some action, and of course romance, and what I thought was an interesting story of 3 people who's lives are controlled by their fate, in spite of their feelings.
I think Yeon Woo Jin was amazing as future king Yi Yeok. I've liked him in other dramas, but this one is a perfect vehicle for his range. He's matched with Park Min Young as Shin Chae Kyung, who I can say the same about. I think, because their child versions were so good, it gave them a lot to work with as far as backstory, and I truly believed all of their moments together. They may not have the most exciting chemistry, but that didn't stop me from liking them as a couple. The triangle is then made complete by Lee Dong Gun as Yi Yoong. I think his character, and acting, drives this whole drama. He also reminded me A LOT of a young Christopher Walken, and not just because of his big eyes. He has a charm and creepiness about him that made him the kind of villain I not only sympathized with, but sometimes rooted for in spite of myself. Even in his most over the top moments I totally felt for him. I really am a sucker for an actor who's really good at playing evil or crazy or both.
Most of the story revolves around the rivalry between these two brother for the crown, and their love of the same girl, but it still didn't feel too cliché to me. I think it's because every single character in this story, meaning every single supporting character, are so developed and well played, that it gave extra depth to the story and made me care about everyone... EVERYONE... even the Nanny. I would usually give a shout out to awesome supporting characters but there are just too many to name! I also loved that most characters, even if they were minor, had some kind of attention given to their specific part in the story, and some very emotional endings for their characters.
Ok, I will mention just one... Hwang Chan Sung as Seo Noh. *insert my standing ovation here*
As for the story, for me it just kept getting more exciting and addictive as the show progressed. The moments that may have felt slower were more of a build up to more exciting parts. Waiting for new episodes started to feel a little like torture, but sometimes I needed that week to breathe between episodes because the story got so intense. Sometimes characters were frustrating, but I think that's what added to them feeling human. Sometimes the political storyline was upsetting, but because it tied directly to these amazing characters, it kept my interest till the very end. The ending had a lot to live up to, and I think it was well done. I suffered from severe eye rain during the second half of the last episode, but the ending avoided just being completely depressing, which I think is impressive.
The music is beautiful and compliments this drama very well, and Junggigo's song will be on mental loop for a while.
Would I watch it again? Absolutely. I would probably need to watch a few light hearted shows in a row first, but sometimes you need a story that gets you in the feels too. I would just stock pile some tissues.
Overall I would definitely recommend this, BUT if you are not a fan of extreme drama then this may be too much. If you have never liked a sageuk ever, know this is more of the same, so don't expect this one to convert you. If you don't like stubborn characters who make you want to throw things at your screen, you definitely picked the wrong drama. Personally, I think it was beautifully bittersweet, and I I already added it to my favorites list before I even finished it.
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loved it
i just loved it.the acting nd visual is perfect.i want season 2🥺❤️..please give us season 2🥺❤️.it feels empty now that it's finished.i don't know what else to watch next.i am stuck on this drama for now🥺❤️..i have no ideas why some people are giving negative reviews.it was a great drama.though it would have been better if there was one more episode.then the ending would have look more satisfying.i want another drama of both of them together.i wish there will be a season 2.Hu Yitian is soooo damn good looking.Xing Fei is sooo pretty.i loved xiao ci nd du lingfeng's character too.nd the wingmans of captain shen qingyiuan was also cherry on the top.i loved there characters alsoWas this review helpful to you?
i've never felt so sad i finished a drama before :(((
Absolutely loved the story and the acting. i loved the actress, how she portayed the gestures of men and her facial expressions so easily that we can clearly see when it was the man, or when it was the woman taking over her body. i enjoyed this drama so much i stalled it so many days in fear of parting with it too early...and the actor i;ve seen him before in another drama but in here he excelled his role. Really good acting.And the music was so good. The transition between dramatic to funny moments was so enjoyable with the accompanying music. Really such an excellent k drama. No one should miss it.
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If you are into serious acting and are looking for a real good story this will exceed your expectations! A roller-coster ride of emotions and a series that takes medical drama to a whole new level! Also unlike majority of the dramas out there, but like good old wine this gets better with time.
Story~
The actual plot is simple enough (even more so if you are used to Korean Melodramas :p). But it's the storytelling that gives the show an entirely different dimension! This is the most well wriiten drama I have come accross! The crew worked hard on the material and it shows thoughout the drama.
Underneath the suspence and thrill this drama explores how people have both sides to them- the good and the bad. Every person has his or her own difficult circumstances and does their best to cope with it. In the process they fight their prejudices and beliefs, or succumb to them and fight the righteous....
One lie leads to another... evil breeds more evil... and over time there is no road back. During the course of this one track 'difficult journey' people tend to forget its purpose. .
When truth comes up against better opportunities or even the greater good it's truth that always fights a loosing battle..... or maybe not?
I felt this drama to have many layers to it and if you are patient enough you may find a Beautifully Different understanding of this.
Cast~
The series boasts an incredible cast and everyone seems to have their moment...
The entire series is quite heavily built upon the acting of the Dr. Lee Young Oh and Jang Hyuk just shattered the roof with his quality and showed why he is one of the best 'Actors' out there! With KDramas being mostly about preety faces these days, this series came to me as a huge relief!
It's interesting to see that the supporting and guest actors getting considerable screentime and even the debuters are surprisingly good actors! I intially felt the female lead to be a bit stagnant but she too turns up nicely as the series progresses.
Music~
Bernard Park's 'Dirt' is on repeat on my phone! :D
I am not a talented judge of music per say. This had the right music for the right scene.
However the Title Track always seemed to up your emotions for the scene! That felt Beautiful!
Re-watch Value~
Over the course of the last few weeks I have gone back and watched the previous episodes a lot. And will surely rewatch the entire series again.
Overall~
The story tends to speed up at the end but the crew managed to wrap it up Beautifully despite 'the unfortunate peril' (the true villain of the series - you know who)
Anyway, this for me is by far the best drama for me this year.
Highly recommened for patient, mature audience willing to try something different. I guarantee you that you wont be dissapointed.
Good Luck n God Bless!
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Not in the negative sense of the word, just the opposite. Watching it feels like reading a novel from centuries past, with all the tragic, the heart-wrench, the twist, the suspense and the sweetness of the most classic romantic literature. A friend compared it to a novel by Judith McNaught, and I tend to agree with her.
One of the things I appreciated the most about this drama is the speed with which the plot is set in motion and the pace established. By the end of episode 1, I was fatally hooked. This is not a show which promises the viewer something, only to drag unnecessary by the middle or loosing consistency and cohesion at some point. If you like the dishes you are presented with at first sight, you will love the whole meal to the end. And a truly romantic meal at that, full of passion and not the usual luke-warm, lovey-dovey chirping.
The acting performances are outstanding as a whole. I have read many complaining about Vanness Wu's broken accent, but since I don't speak Mandarin I didn't notice anything amiss. On the contrary, I felt with his character a lot more than any other in the show, possibly because he has to outshine the delivering with intense facial expressions. Ady An's character can stretch one's patience at times, but this only adds to the actress's skill to make it so. And the chemistry is palpable.
The child is a wonder, no addition needed.
My only complain lies in the editing. This is a general problem I have with Taiwanese dramas: too frequent commercial cuts, filled with those brief reprises in which flashes of scenes to come are shown over and over. Once the viewer is forewarned, I guess it can be overlooked, although I personally find it terribly annoying. The music falls under the same curse: it's very good, but played too often and at times it overpowers the dialogues. If I hadn't liked this story so much, I would have gone insane.
Overall, this is a drama I'm ready to recommend to everyone in search of true romance. It's a timeless story, which does not rely on trend, or shiny, perfectly made-up actors and glamorous outfits. Does it have cliches? Yes it has, quite a few even, but they are well blended into a solid script and a plot which will never get truly old.
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Overall, this drama gives you that realisation about life, if what you are doing is making you happy and creating a better you. I cant really write a long review but I would definitely recommend this drama to everyone. It is a MUST WATCH. I really don't think this one is the type to drop or not be interested in.I wouldn't be surprise if Just Between Lovers win awards this year, I am totally rooting for them.
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This review may contain spoilers
(There are heavy spoilers ahead for those who haven't watched it, since this is a review mainly about the details of the plot.)Burning is the type of film that has multiple themes but still manages to bring them out clearly through layers of symbolism. Recurring themes are sprinkled throughout the run time, and seemingly unimportant details become essential to the appreciation of this work. The slow-paced, character-driven plotline may be a turn-off for certain viewers, but rewards those who are patient and attentive to details. In this review, I will try to unfold all the themes that I have observed throughout the story.
Theme #1: Fact vs Imagination
A recurring theme in the story is what is real and what not. This is first mentioned through Haemi's depiction of an imaginary tangerine, peeled and consumed between her fingers. "Rather than imagining its existence, you forget about its non-existence... and naturally your mouth waters", she says. Another instance is Haemi's cat Boil, which Haemi tells Lee Jong Soo to feed while she is gone. The cat is never seen in the apartment despite Jong Soo's frequent visits. This could be a reference to the "Schrödinger's Cat", a quantum thought experiment in which a cat is simultaneously dead and alive, until it has been observed. Another reference of this is when Ben says he is "here and there, at home and out travelling, in Korea and in Africa". Haemi also talks about falling into a well at the age of 7, feeling disappointed that Jong Soo doesn't remember him saving her at the time. After further enquiries, Haemi's family claims that there was never a well at their place, while Jong Soo's mother remembers the well having existed. Was there ever a well? Or was it all made up by Haemi? The dual nature of existence expands further to the actions of the main characters -- whether there was truly a greenhouse that Ben burnt down, why Haemi suddenly vanished, and whether Ben was the culprit behind Haemi's disappearance. Did Haemi run away to escape from her debt, commit suicide because of her existential depression, or was she really killed? Near the end, Jong Soo calls Ben's new cat "Boil", and the cat runs into his arms. We never know if this is a mere coincidence, or if Ben killed Haemi and adopted her cat. These events highlight the ambiguity and uncertainty of life, that we can never be sure about what we seem to know, and everything is up for interpretation and our own belief.
Theme #2: Presence vs Absence
Another theme is an unsettling tension caused by the desire for something and the lack thereof. The absence of Haemi and the lust that Jong Soo has for her, the absence of a mother figure in Jong Soo's life and his loneliness as a person living a solitary life in a rural area carrying the weight of his father's prosecution on his shoulders, the absence of the cat that is believed to exist, and the phone calls that remain silent regardless of anticipation. This unsettling tension is evident even to the audience, whose questions about the plot are never answered. Jong Soo fails to find enough evidence to prove that Ben killed Haemi, and it leaves us hanging forever even after the credits roll. Our emotions become one with Jong Soo, and we become Jong Soo himself -- we want to search for truth, to be certain that we know something, to the point we start to believe what we want to believe just for the sake of filling that void in our minds. The movie ends without answering any of our questions, because the essence of this movie is not what the truth is, it's how we and the main character react to not knowing the truth. Something is off, but we don't know what exactly is wrong. It's always the absence of something that makes our skin crawl. We keep answering that anonymous phone calls hoping that someone will say something, so that we can know the "who", "what" and "why", and every time they aren't answered, we feel more impatient and curious, and "burn" with the growing desire of receiving a response -- this brings us to the next theme that we will explore.
Theme #3: Burning
The title of the movie is "Burning", so there are plenty of "burning" symbolisms sprinkled throughout. The burning bonfire of the "Great Hunger" dance depicting Haemi's desperate search for the meaning of life, the burning greenhouses suggesting Ben's unruly and destructive tendencies, the burning clothes of Jong Soo's mother representing the desire to sever ties and erase memories, the burning scene of the crime when Jong Soo kills Ben representing his hatred, and the burning lust and passion that Jong Soo has for Haemi that is never satisfied after Haemi drifts apart from him and eventually disappears from his life. Even the audience experiences a burning sensation of wanting to unravel the mysteries but is unable to -- resembling a slowly burning pot that never gets to boil.
Theme #4: Working class vs The "Gatsby"
There is an apparent gap of living between Jong Soo/Haemi and Ben/Ben's female friends. While Jong Soo is unable to earn a living as a creative writer and Haemi is struggling to make ends meet with all that endless debt, Ben lives a worry-free life cooking pasta at home and blurring the line between "fun" and "work". Jong Soo cannot do anything but frown when he realizes that he has lost his love to a man in a speeding Porche. The way Ben yawns and his friends laugh is almost humiliating sometimes, even though they try to cover up their lack of interest and degrading attitude behind their noble facades. To Ben, people's possessions (and probably people too) are only toys to him, things that can disappear without a trace without drawing any attention from the police, because they are too insignificant to be concerned about. The haunting thing about this is how true it is. When Haemi disappears, nobody seems to notice or care at all, because losing one lonely and ordinary girl does not matter at all to the world. Regardless of whether Ben murdered her, the indifference of the world towards a girl's disappearance is brutal enough, and shows how frail a person's life is if they are a nobody.
Theme #5: The clash of characters
It was brought up multiple times that Jong Soo's "occupation" is a creative writer, yet we never see him writing except in two distinctive scenes. Jong Soo spends most of his time managing his father's farm, passing the time at home, feeding Haemi's unobservable cat, and satisfying his sexual desires. The only piece of writing we see from him is the petition he writes for his father who is being convicted, implying that rather than using his writing skills for creative production, he can only use them to solve his real-life issues. One of the possible reasons could be that he is incapable of writing, because he is merely a mindless empty shell stuck in his past. He resonates with Faulkner's work, because he thinks it resembles his own life (his past), but he has no other thoughts aside from this past, nor does he have enough connection with the outer world to come up with any story for a novel. Due to having a broken family and lacking maternal love he is unable to properly interact with the world and enjoy life, but deep inside he longs for a connection, and tries to address this loneliness through touching himself. He is only surviving, but not living. Haemi, on the other hand, is drowning in debts but living her life in complete spontaneity. She is free-spirited and always has her head in the clouds, as if she is drunk. She smiles at one moment, and suddenly bursts into tears in another. She dances wildly, strips herself naked, without social schema ever crossing her mind. Haemi may seem insane, but she could be the most sane character in the story -- the only character that is truly living, that knows what is real and what is not, and contemplates about life's meaning. Despite having plastic surgery, she is more raw and authentic than those who live wearing a mask. And this is what Jong Soo likes about her, but what Ben finds boring. The three characters have different personalities and backgrounds, which ignites interesting sparks in their encounters.
Theme #6: Gender roles
The movie briefly touches on topics of toxic masculinity and female oppression in society. Quoting from Haemi's friend, "there is no country for women", women are often subject to scrutiny and harsh standards. "You're ugly", "Only prostitutes take off their clothes like that in front of men", Jong Soo is the typical traditional male who applies the scrutiny of appearance and behaviour. To Jong Soo, Haemi is the target of his sexual fantasies, the serrogate of a mother figure, and just an "ugly" girl that he doesn't remember from his past but a smoking love interest after her physical transformation. Ben takes on the role of playboys in society, those who pretend to respect and treasure women because "women like that are interesting", but actually see women as objects of possession, and to the extreme in this case, "trophies" that can be collected.
There could be more themes in this movie waiting to be discovered, but the above is my take on its more easily accessible themes. Burning is a masterpiece when it comes to having multiple themes perfectly woven together and presented through a single sit-through. It is a hidden gem among the countless fast-paced Korean films of this era, as it manages to go against the tides to adopt a more relaxed pace of story-telling, and such attempt was highly successful.
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I was surprised to see how amazing this movie was made to be. I mean, I expected to be good, especially since the main lead is one of my favorites but the story of the movie was a tear-jerker.
It made you cry and smile at the same time because of how creatively the plot was. The actors did an amazing job and I think I've re-watched it about 3 times now in the same month. I don't re-watch movies, especially foreign ones, but this one was worth every single time.
If you do happen to stumble upon this, WATCH it! I promise you will not regret it!
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