Subtle yet deep romance with a thrilling plot
This drama has something very subtle yet beautiful about it. There has been a few dramas like that that I can think of. For example, Doctor John, Goblin, Nine: Nine Times Time Travel - that underlaying melancholy and pain of the characters, the steadily growing plot and the subtle but deep connection between the two leads.The story started out in a rather subtle way. We got hints of the plot elements there and there but the context wasn't fully there. With time, the drama goes deeper and deeper and all the connections between people hold so much more weight. The leads' romance was a slow burn but they're adorable together. Life is really tough for them, somehow there are a lot of enemies surrounding them, but their connection is genuine and beautiful. It is equal amounts of cute, fluffy and mature, deep. Thinking about our reserved yet polite and kind male lead, Jeong Hoon, and his sweet, tender smiles that just lights up the whole screen, makes me giggle and roll in the sheets. I love him. He deserves all the best things and more.
It's a SLOW BURN, okay, but oh how delightful it is to be the witness of that. If you're into that.
It surprised me how much...mystery/thriller elements this drama has, but somehow it has a perfect balance with the surrounding smaller plotlines and the main romance. Also, despite hating a great amount of characters, we also get to love even a greater amount. What's even better is that the characters are not one-dimensional, they actually have complex sides to them. We actually get to KNOW a variety of characters. Basically there are little to no characters that are thrown just for the sake of filling up space.
Doesn't mean this drama has no flaws at all, though. More than flaws, it's the use of kdrama cliches. It doesn't make the drama bad, we love kdramas despite seeing a repetition of things over and over again, it's just a bit frustrating to see this otherwise fascinating drama take on a kdrama cliche approach. It felt original in its strong execution, cast and plot but sadly it still got stuck in some of the 'kdrama rules' that this wonderful story could have lived without.
Has this drama used its full potential? Well, no. Does it have some superb, never seen before ending? No again. But at the end of the day I don't regret the time spent watching it and am still helplessly in love with its characters.
I guess my advice for the future viewers would be to watch it for the tone (melancholy, slow burn, melodrama) and cute romance while enjoying the surrounding thrilling mystery, but not get too deep into thinking everything has to makes sense in the drama. Best way to dive into this is by toning down your expectations a liiiittle bit to not be disappointed.
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The plot is quite ridiculous honestly. It makes little or no sense. However, the cast is lovely and the main actress played her role quite well. I have seen her works previously and trust me, she has improved immensely here. This was a drama for me in which I stopped caring about the romance after midway. The murder mystery and villain was what it was all about! The villain is damn good and it helps that he was so, so attractive to look at. :D
This drama had some high-riding moments where you'd wonder who did what and why. A lot of things were wonderfully executed. For me this drama was a solid 9-9.5 till the last four episodes where things happened out of the blue.
This drama is no different from any other Kdrama because like every drama out there, it starts out with a bang and ends leading upto nowhere.
The OST was nice to listen to. It wasn't my favourite but it wasn't bad either.
I recommend this drama to people who don't mind mindless fun. Watch the first couple of episodes to judge if you like it or not.
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So yes, saying that I was excited for Moon Lovers was putting it very mildly. I was exhilarated. Ecstatic. A lot more words with an E. And they made us wait even longer by making it a pre-produced drama and waiting a whole year before it actually came out.
But the best part? It didn't disappoint one bit. I mean, after such high expectations, it is only natural to feel a little let-down just because of all the hype you've been experiencing. But Moon Lovers actually ended up surpassing all my expectations. The drama was perfect from the beginning till the end.
Coming to the plot, it was extremely well-paced. I mean, for dramas it is rare to find such consistently well-paced dramas. Sometimes the beginning is not that good and sometimes the plot dies down after ep 12-16. But here, you never feel like there is too much or too little. It is really hard to skip anything. You just don't want to. Another important fact is that because an older version is already out there, viewers are prepared for a possibly sad/tragic ending. Even if you come without knowing anything about the parent story, the vibe of the show itself whispers the possibility of an un-fairytale-like outcome. There is an intense and gloomy feeling in the show.
The characters are the strength of the drama. I mean, can we talk about the fourth Prince? He is going down in history as one of my favorite characters ever. Firstly, he is so sexy. I mean, you simply can't get enough of him. I have never really been into Lee Jun Ki before but after this, I plan to check out all his dramas. I have seen a couple of his shows but I never realized he was THIS good. The character of Wang So is so complex and so hard to deliver. And yet, Lee Jun Ki plays him so effortlessly, becoming one with the character. What is even more surprising is that he is such a cutie in real life (lol). I really don't know anyone more perfect for this role. I mean, Kang Ha Neul's character turned to the dark side too but it was nothing compared to Wang So. Wang So was simply..addictive!
Coming for Hae Soo. IU faced a lot of flack for her poor acting skills but I felt she was good in her role. I mean, she wasn't as good as Jun Ki or Ha Neul but she did really well. You could feel her transformation from a 21st century person to Goryeo lady to a woman with a lot of scarring experiences. In her previous works she has only done cutesy roles. I really enjoyed her work in this, she showed her versatility as a serious actor. The 13th Prince. He was gentle and kind and the most perfect friend. I loved his chemistry with Woo Hee. It was surprisingly great!
Wang Eun was a big baby but he was a sweetheart too. I wouldn't say Baek Hyun is a good actor but he was given an easy role and it was handled well. Ji Soo was a delight to watch! So far I have loved him in all his roles (I think I have watched everything he has starred in). The rest of the cast was really good too. My favorite among supporting characters was General Park. His acting was so on-point even though he only starred for a few episodes. I liked his daughter too. Ji Mong was a delight to watch. And court lady Oh Sang Goong, I loved her! I can really go on and on about the characters - the good ones and the bad ones, all did well. The acting was so good here, I just couldn't get enough of it. I cried with them and laughed with them.
The music. OH MAN, the music. I love each and every song. This hasn't happened to me since Dream High (I think). I really can't pick a song that I like more than the other.
I am definitely DEFINITELY rewatching this. I know for sure.
The biggest tragedy that comes out of this drama is that the Korean audience could not fully appreciate the perfection that this drama was. The ratings were so low there. Thankfully, it did well everywhere else and made up for it.
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This review may contain spoilers
pretty faces, no value.
overall, boring. i mean, i did like that in some ways, but there shouldve been more to it.
considering this show takes place on an island you think they would take advantage of their surroundings and maybe go on hikes or zip lining, or challenges for contestants like surfing or something. instead there were like three “challenges” where they ran into the water or push each other around in mud. all of the contestants also just stay on the beach and complain how hot it is all day. which btw, how will they call this hell when everything is provided for them and there aren’t any actual hardships besides lack of phone lol. like why didnt they have them explore together or do something challenging?
it felt like i was mostly just watching them have excessively deep convos about their feelings for each other. it’s ridiculous how attached they get to other contestants because theyd have been there for a day and theyre obsessed. i wish the series had taken longer so the relationships made more sense. and none of the contestants were sincere, it was clear they were there to promote their social medias or business. the ones that were sincere had no screen time.
as for the commentators, they kept trying to make drama where there wasn’t any. like a zoomed in shot of someone’s face suddenly meant that they were torn apart on the inside. plus, they kept excusing a lot of the male contestants behavior, calling sehoon admirable for chasing after jiyeon even though she stated she didnt like him.
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This review may contain spoilers
LONG POST AHEAD.Ok, so, if you want to watch a light-hearted series of solving crimes, and enjoy the atmosphere of The Republic of China in the mid-1920s, then this series is suitable for you. The cases were well-written and the deduction was logical. Lu Yao and Qiao Chusheng, two male characters in this series, also have a good chemistry. Qiao Chusheng provided Lu Yao a comfortable life by buying things and protecting Lu Yao, and Lu Yao solved the cases for him, improved his reputation. Their chemistry was a big plus. Beside that, the filming set and the clothes were beautiful and stylish.
Now, let's come to the minus side of this.
The female character, Bai Youning, a journalist, is very irritating. Yes, in the first few episodes, I could still empathize with her, and hope that she could have some developments. But she just didn't change. After 7-8 episodes, she still wrote tabloids about cases. She belittled Lu Yao, and even pretended that she was kidnapped, made Lu Yao and Qiao Chusheng worried to death and tried to save her. She was just too annoying, and her chemistry with Lu Yao was just unbearable. I could not understand how Lu Yao could love her, because all they did through nearly 32 episodes was bickering and fighting. But then, in episode 30, they kissed, episode 36, they got married and went to Paris, left Qiao Chusheng all alone in Shanghai after all. Poor Chusheng, he had done anything and everything to protect both Lu Yao and Bai Youning, but he was left alone in the end.
In conclusion, if you don't really mind about the ending, then this series is suitable for you. If you do, then please consider twice before watching it.
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Beautiful Gong Shim began as a drama with infinite promise in the rom-com area. The two main characters are quirky and at first glance, you just expect a cute little romance that you can enjoy without much thought. I'll also point out that the first few episodes included some of the most ridiculously funny moments I've ever experienced in any drama, so my expectations were incredibly high as the rest of the episodes came out.
A little past halfway through it, though, the plot tried way too hard to be serious and suspenseful, thus losing its initial humorous merits. The feeling is somewhat like listening to your grandparents tell stories: at first, you're pretty interested, but it quickly gets boring, yet you feel an obligation to sit there until the very last word. I stopped finding things to laugh at. The romantic moments were less rewarding in the midst of the mess of the conspiracy plot the writers drew up for no apparent reason. The characters deteriorated and lost every trait that made them unique.
If there were one redeeming aspect of this drama, I'd have to say that it's Nam Goong Min. Usually a professional in depicting a psycho serial killer in other dramas, this time he's the lead male with a fair amount of goofballness. He was a joy to watch, but his character was not spared in the enormous *let's-make-everyone-generic* massacre. Everyone else fulfilled their roles nicely, but Goong Min's really the star of this show. (Which is interesting, as I thought the directors would give Minah more of a spotlight but she really dropped off the radar late into the drama. I could say less of the wig they made her wear though.)
The music was fun; there were multiple tracks that cheered me up along the way and altogether, they were nice to listen to.
In general, I'd recommend watching maybe the first ten episodes, if not less. The beginning is worth watching, as it puts a smile on your face pretty frequently. It's just the second half that becomes appallingly boring (trust me, you probably wouldn't even miss anything if you skipped straight to the last episode as soon as the story even starts to drag).
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Friends, being too forgiving only makes you more attractive to the kinds of men who mistreat women and therefore need to be forgiven a lot.
Content Warning: contains a sexual assault scene while the female lead is unconscious. The assaulter is forgiven instantly and never truly held accountable.
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We Are: Entwined Hearts & Uncharted Paths
Should you watch "We Are"? Honestly, it's a bit of a mixed answer. The storyline is quite simple, without much depth or intense drama. But if you're looking for a show that emphasizes healthy friendships and relationships, "We Are" does a great job of that. This was something I was really hoping for, and it delivered well in that aspect. The genuine connections and positive interactions between the characters are refreshing and heartwarming.While there are some enjoyable moments, the pacing really becomes an issue, particularly between Episodes 9 and 13. This section felt especially slow and could have been condensed, making the whole series tighter and more engaging, probably fitting better into 12 episodes.
So, while it might not be the most thrilling series out there, its charm comes from its simplicity and the heartfelt bonds it shows. If that sounds appealing to you, it’s definitely worth a watch.
"In this group of friends, even though university life is tough, life's ups and downs, plus love's twists, keep things always stirring.
We are... friends who argue but care so much about each other that sometimes, we end up flirting."
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1This review may contain spoilers
"Your hand touching mine. This is how galaxies collide.”
One of the best Korean BL drama with super charming characters . A super healthy storyline .OVERVIEW - Do Hoe , a brilliant student who grown in a brutal and abnormal atmosphere without his parents love and care . He never felt happiness in his life like other children but suddenly he met Ju Yeong who carried the light of his love in Do Hoe's life .
POSITIVE - Super handsome and soft hearted ML with charming and cute MC . Their chemistry is unbeatable . The way they always stand side by side in each other's trouble really makes my heart melt .
The visuals , cinematography are awesome . Really felt like I was watching a high budget drama . Smiles of both ML and MC are heartwarming . The ice cream and rain scene in ep 1 were definitely romantic .Tiny slow music when they did eye contact ...ah it's ear candy .
NEGATIVE- I haven't found any negative points yet .
OVERALL- People who like to watch healthy, slow burn romance dramas then they can try it . It's really so good.
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NO SPOILERS . Is it stockholm syndrom or can love bloom from overcoming hardship together?
The story : On his quest for revenge, Wei Zhao crosses paths with Jiang Ci, who spoils every plans he makes.However, getting to know each other they are drawn to one another.
First of all, when I saw how Male Lead treated Female Lead, I could not help but wondering if Female Lead suffered from stockholm syndrom ? How can she fall for someone who harmed her like that ?
Then, as the story progressed I understood that those two share a special / unspeakable bond.
They managed to find love and had a great chemistry in the middle of such dire situations. And this, in it-self is a challenge.
ML and FL still brought me with them as I witnessed their slowburn romance, full of attraction, riddles, subtile messages, amorous glares...
So as much as I was shocked by ML at first and also feared for FL's life, I was rooting for Wei Zhao and Jiang Ci's love in the end.
Pros :
- Smart countryside Female Lead .
- Smart high ranking court officer, Male Lead.
- Good action scenes.
- Mortal Enemies to lovers trope. Male Lead's killing spree goes far, as he is aiming at Female Lead and that's surprising.
- Great acting.
- Great revenge quest for the hero whose kingdom's population was slaughtered and enslaved.
- The plot is complex. That's a good thing because it is promising and can surprise the viewer. At times your blood might boil for witnessing injustices. But this is proof of a good story.
- Very emotional topics are dealt with : genocide, slavery, fight for survival, conspiracy, rebellion, human trafficking...
- Sprinkle of romance, which I think is great because the emotional and political story make the romance more endearing.
- Well written script filled with symbolism and duality (every plot point faces its opposite) : slavery/freedom, conceal /show, belitteling/praising... So you can have different level of understanding of the narrative because the writer thinks that you are smart enough to piece them together. I like that.
Cons :
- As the drama aired, I thought is was one of the last performances of Jeremy Tsui as a Second Male Lead before retirement. I was sad ?! And hope to see him again. Good news, he is coming back to acting. My wish was granted, I am very happy. He is such a great actor.
- Sadistic assassin Male Lead who supresses his emotions and live like a machine. That's a Red Flag.
- There are some glitches in the CGI. For example here : they stopped the CGI before finishing the scene (^_^) I laughed so much o_O
Are they saving money on CGI budget ? This is weird to see the raw images with subtitles.
https://postimg.cc/Z0WqXVqy
Overall this is a good show : I laughed, I was afraid, relieved... until the very last minutes. The ending was a climax.
It was the most satisfying ending to me, it did justice to the drama and it was also very realistic. I could always dream of a season 2 with an alternate ending that would have sparked even more conspiracies than this one. But the writers did justice to the story of a hero. And I liked it.
Highly rewatchable because there is hidden meaning everywhere, you will discover new clues and symbols at every rewatch.
If you like enemies to lovers stories with intelligent leads, this is for you.
The songs of the OST fit the story perfectly : https://www.youtube.com/watch?v=PngeJrUTSVo
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As a European, single, career woman in my 30's I have come to expect certain things from my life and people around me.
1. Respect from colleagues for all the hard work I put in
2. Understanding that the hard work has left little room for dating
3. Evenings spent watching dramas because of the aforementioned hard work and singlehood
I started watching "The woman who still wants to marry" because I heard it was going to feature single career women in their 30's and noona-love...
Finally!, I thought. Women I can relate to.
And who doesn't like the added bonus of bit of escapism, in the form of gorgeous young men falling for older women? Yum!
Boy, was I in for a rude awakening.
I'm not oblivious to the fact that, in Korea and Japan, unmarried women over the age of 25 are considered "Christmas Cake". Something that goes bad after the 25th. (Horrible expression btw. Just horrible!)
The previous noona-love dramas I've seen have mostly focused on the woman's inner struggle. Angst and denial of her unsuitable feelings, and so on.
She may have gotten sideways glances while flaunting her young lover publically. But that's about it.
Never mind that this would never happen in real life. Drama magic and suspension of disbelief achieved. Squeee!
In "The woman who still wants to marry", however, our two noonas are bombarded by hair-raising amounts of malicious gossip, disapproving parents and disrespectful colleagues.
The amount of shit that these poor women have to put up with is really disheartening.
If this piece of drama fiction is any reflection on how smart and driven women are treated in Korea... then I have found a whole new level of understanding for all those older and successful über-bitches we tend to see as villains in dramas. No wonder they'd eventually become cold as ice - if this is how they've been treated since their 30's.
While the romance is a big part of this drama. (Two lovely noona-love stories, no less.) The adversities these women face, simply because of their age and ambition, leave such a bitter after taste that it many times overshadows the sweetness of the romance.
I would ask someone who is considering watching this these 3 questions:
1. Are you under 30?
2. Is seeing Kim Bum fall in love pretty much your sole motivation for watching?
3. Do you normally not have problems suspending disbelief when it comes to ill treatment of women?
If your answer to the above questions is a resounding "Yes", then you'll probably enjoy this drama.
If your answer is "No", then you may want to look elsewhere for your escapist drama fix... or at least watch with an awareness of these issues.
I don't regret watching this drama. If for nothing else; Kim Bum pulls off one of the best "grand gesture"-scenes in recent memory. I finally get why women swoon over him now. I do.
It does make me sad though - to think that there are places in the world where it doesn't matter how hard you work to prove yourself. If you are a woman and over 30; you are supposed... no, demanded!... to give up your job and become a stay at home mom. Whether that life appeals, fulfills or excites you in the slightest. That's your duty.
Even if you marry Kim Bum - it would be nice to know you have a choice. Right?
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Fortune favors the bold.
Flourished Peony 国色芳华 is the first part of a sweeping two part story about a woman's quest to restore her mother's legacy and control her own destiny. It is set during China's cultural golden age when peonies were sought after as the "Queen of Flowers", a symbol of beauty and prosperity. He Weifang or Mudan (Peony) is a merchant's daughter with a rare talent for cultivating exquisite peonies. She is exploited by her grasping in-laws who have designs on her dowry and disdained by her husband Liu Chang, who pines for a county princess. She intrigues corrupt Flower Envoy Jiang Changyang when he overhears her wickedly praying her husband be plagued with piles, baldness, unfaithful concubines and bomb out in the imperial exams. Amused and empathetic, he helps her end her loveless marriage and finances her business ventures. Cheering her on from the sidelines, he lends the rare helping hand when she is in over her head. She gets him out of a tight spot and an unspoken trust, friendship and romance flowers between them.Mudan’s journey—from a submissive daughter-in-law to an independent businesswoman—unfolds amidst feudal Tang society, where class divisions, filial piety, and arranged marriages were societal constraints on both men and women. While the narrative highlights the systematic nature of women's subjugation and their lack of legal rights and agency, it is framed in the context of a feudal society where no one truly has free will. Thus, a promising scholar from an official family cannot hope to marry a county princess, a county princess can no more choose her husband than a merchant's daughter, and even an insouciant Flower Envoy must entertain a union not of his choosing. I really appreciate this kind of social commentary that is sharp, yet balanced and contextual.
Mudan has fantastic business instincts and is a confident, persuasive, and a savvy risk-taker that dares to seize the moment.She is ahead of her time and champions modern values in terms of women's rights and roles. While the obstacles women faced are realistically depicted, fortune favors the bold and Mudan overcomes them confidently and resourcefully. This kind of too capable, superwoman character would be suffocating and alienating if Mudan's resourcefulness and confidence were not also flaws that drive the plot. Anyone else would keep a low profile upon learning that Liu Chang and his dreadful parents are in Chang'an. Not Mudan!. With a misplaced sense of invincibility, she glories in her success and growing reputation, inevitably bringing herself to the vengful Lius and the jealous Youzhen's attention. Fear not, her plot armor is so thick that some poor patsy inevitably pops up just in time run into the white truck of doom for her! Thus she never truly suffers the consequences of her miscalculations and over-confidence.
Even though Sheng Yi's arc could have been tighter, her story is moving, realistic and compellingly portrayed. She is the most miserable and oppressed character in this story as a result of both her low status, her gender and her upbringing. Even though her actions are controversial and frustrating, I empathised with and rooted for her the whole way. Unlike Mudan, Sheng Yi is a product of her times; it is natural for her goals to be aligned with prevailing social norms. Whereas Mudan's modern values and opinions don't quite fit with the ancient Tang society. Sheng Yi makes a passionate case that not every woman wants or needs to be Mudan. Sadly, Mudan cannot fathom how given a chance to be free, a woman would choose to cling to traditional roles. Her tone deaf conversation with Sheng Yi where they both talk past each other highlights how two people can care deeply for each other without understanding one another. This is one of Mudan's blind spots as learning nothing from Sheng Yi, she blithely steamrollers Lv Gengchun into turning her medical practice into a for profit business.
This storyline unfolds at a slow pace that is barely noticeable as the atmospheric set and costumes, the rich dialogue and the tension between the deep and complex characters is immersive. Even though many plot arcs are quite cliche, the characters are captivatingly written, with flaws that can lead to significant setbacks and/or their downfalls. Both Liu Chang and Youzhen are insufferably arrogant characters who go to extreme lengths to get what they want only to learn they don't want what they get. Wei Zheming is persuasive as Liu Chang, an erudite but weak character who genuinely believes himself to be a better man than her really is. While the antagonists are smart or powerful enough to pose a credible threat, they spiral downhill into cliched obsessive archetypes for the convenience of the plot or to elevate Mudan or Changyang. But their stories are not over and there could be a reversal in the second part of the story that delivers a more nuanced and complex antagonist than what we have seen so far.
As someone who is no fan of romance, I find the delightful slow-burn connection between Mudan and Changyang to be the highlight of the drama. Unlike too many other stories that rush into love, this relationship develops organically and leisurely. The chemistry between Yang Zi and Li Xian is palpable and their bond feels deep, mature and authentic. They are both consummate actors that skilfully convey how their characters are savoring that delicious, giddy moment where they know they will be lovers but they are in no hurry to take that next step. Instead they are just basking in the strong foundation of their mutual trust and friendship while anticipating the passion that lies ahead. I love how Yang Zi has disappeared into this role and is not just Yang Zi being Yang Zi. And it has been too long since I have seen Li Xian's crooked smile and how he effortlessly conveys that there a lot more to Jiang Changyang than what meets the eye with just a few subtle expressions. I can't wait for the second part, which should reveal more of our enigmatic Flower Envoys and take his relationship with Mudan from confidantes to lovers.
The first part of the story ends somewhat anti-climatically with Mudan almost too effortlessly accomplishing what she sets out to do and with many sub-plots left open. The profound social insight, engaging storytelling and fantastic acting papers over some of the more predictable sub-plots. Unlike most empowerment dramas, it avoids separating the male and female lead but still indulges in some contrived plot points just to prove that women can make it with minimal help from men. Even though Mudan and Changyang's story is unfinished, I like it well enough so far to rate it an 8.5/10.0. If everything ties up well, my final rating for this story can be a 9.0 or even better.
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This review may contain spoilers
In the past year the BL community has had the odd experience of three expensively-produced BL productions reaching their final few episodes only to collapse under their own aspirations, angering viewers and overshadowing all of the elements that they might have gotten right. In all three instances it can be said that these series (HIStory 3: Make Our Days Count, 2gether, and The Shipper) were trying to do something "different" with the BL genre. For 2gether, the intent was to reach a more global and conservative audience by toning down the gay aspects of Boys Love and replacing them with bromance. For HIStory 3: MODC and The Shipper, the directors aspired to transcend the BL genre and deliver something more realistic and thought-provoking. Unfortunately, the way both of these series did it was by killing off a beloved main character.
For me, a main character's death is as inappropriate in a BL production as a high-kicking chorus line would be in a production of King Lear. In the case of The Shipper, an artful story was already being told very well, and the series actually did seem to be transcending the genre. So many commenters on the MDL page have mentioned how the body-swapping theme sounded unpromising at first, but after giving the series a try they found that it played exceptionally well. Why, then, did the series end up killing off one of the main characters, even before they'd had a chance to actually be in a relationship with their partner?
I still have yet to learn how Kim's death in The Shipper served the themes of the series. At least in the case of MODC, the director had a theme that she wanted to promote ("make sure you cherish every moment with the person you love because you don't know when they'll be gone"). Attaching such a theme to a BL series proved to be a mistake, but she had her reasons.
For The Shipper, the character death seems gratuitous because its theme about ships, shippers, and the people being shipped doesn't need for anyone to die in order to get its point across. (Plus there's that tease about a sequel in the very last moments of the final episode. If Kim can live on in a sequel then why not in the original?)
Now, I've seen where because the main character of The Shipper is Pan and the "real" Kim has limited screen time, people have said that the series doesn't qualify as BL. Pan's journey, though, is mainly about discovering who the real Kim is, and as she learns more about him the viewers learn along with her and their affection for him deepens. By the time she hits the paydirt that yes, Kim and Way have a relationship that goes beyond friendship, we've become completely invested in that pairing. We're in it to win it! We thrill over Way's epiphany that he actually loves Kim, then get even more excited over the proof that Kim also loved Way, and from that point on Kim has become as important to the series as any of the main characters who've had more screen time.
How sad, then, that none of these revelations can ever get acted on or rewarded because one of the boys turns out to be dead. We discover that what's been served up is a full-blown BL storyline but with a tragic ending. And if anything doesn't belong in a BL storyline, it's tragedy.
It must be said, too, that the longer Pan stays in Kim's body the less appealing she becomes as a character, deciding to intervene with the people in Kim's life to make sure they know that he's actually not a good person. At one point I became disgusted by her judgmental attitude and smug sense of superiority. I'm not convinced that she ever truly lived that down, thus weakening her standing as a main character that people can sympathize with completely. In this regard Way is the much better person, and all the more deserving of the happy ending that the series squanders on Pan.
It also bothers me that the hetero-normative couple gets the happy ending while the m/m couple gets the dead boyfriend. Back in the 1950's, death was in store for most gay characters because the morality of that era demanded that they meet a tragic fate. In this sense The Shipper is terribly unenlightened and regressive. It would have been so easy to give both the m/f and m/m couples a happy ever after, and it would have more effectively communicated how every kind of love deserves nurturing and respect.
A happy ending for all would also have been befitting the BL theme of the series.
I would have liked to listen in while the creative team for The Shipper worked on the storyboards and reached the decision that Kim would be killed off. What the heck were they thinking? They obviously misread their audience in a fundamental way, and I can only hope that GMMTV takes heed of misfires like The Shipper when they hire the next production company to mount a BL series.
In about three months I plan to do an experiment where I'll approach a few BL fans at random and ask them what they remember most about The Shipper. I think I know what the answer will be. In the meantime I'll be checking in with The Shipper's MDL page every now and then to see how many comments are NOT about the crappy ending. (Not many, I bet.)
This is the danger of messing with a genre that people absolutely love. But, after what amounts to three disastrous decisions in three expensively produced series, I'm starting to wonder if anyone in charge really cares.
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Silk Knives
A Splendid Match unexpectedly became one of those dramas where I kept waiting to be annoyed…and somehow ended up finishing.
This is a family drama wrapped in romance, household politics, complicated loyalties, unfortunate timing, and people repeatedly making painfully understandable mistakes. Less political chess, more emotional consequences.
Think family grievances, household loyalties, emotional debts, and people repeatedly trapped between duty and feeling.
This is also the kind of drama where soft words frequently hide sharp consequences.
The politics are not exactly:
“everyone gather around while I execute a 14-dimensional chess move.”
The writing frequently wanders into melodrama territory.
And there are frequent moments where the plot politely asks you to suspend disbelief and simply continue moving.
But somehow?
I minded it less here.
Because even when people behave dramatically, and occasionally irrationally, I could usually understand why.
Messy?
Absolutely.
Emotionally recognizable?
More often than not.
And perhaps most importantly:
these people occasionally look like they have lived through mild inconvenience before.
I know.
The standards are in hell.
But seeing actual skin texture, shadows, and lighting that occasionally remembered human faces are supposed to have dimension felt oddly refreshing. Nobody looks permanently trapped inside soft-focus perfection.
Thank you.
Beneath the drama, there is something slightly more mature than expected. Less interested in exaggerated romantic fantasy, more invested in complicated loyalties, family tensions, political obligations, and people making painful decisions for reasons that feel emotionally believable.
The Jinzhao / Chen Yanyun / Ye Xian situation worked better for me than expected too. Not because this becomes some dramatic “choose your favorite man” competition, but because each relationship quietly represents something different emotionally: longing, timing, emotional dependency, partnership, loss.
The romance itself works less through dramatic intensity and more through the quiet accumulation of trust, consistency, and emotional safety.
Meanwhile, the Fu Huailian political situation slowly collapsing into tragedy gave the later episodes more emotional weight. Watching loyalty gradually turn into collateral damage ended up more compelling than the drama gets credit for.
Does everything work?
No.
The scheming is far from brilliant.
The pacing stumbles.
Parts of the drama absolutely could have been stronger, especially toward the end.
But truthfully?
I still ended up enjoying it more than expected.
At this point, a costume idol romance where people mostly behave according to recognizable emotional logic already deserves partial credit. Add an atmosphere that feels appropriately grounded for the world these characters inhabit, without constantly exaggerating itself for dramatic effect, and I found myself appreciating the restraint.
Recommended for: viewers who enjoy slow-burn romance, complicated loyalties, emotionally messy relationships, unfortunate timing, and watching emotionally complicated people make painfully understandable mistakes.
Not recommended for: viewers expecting flawless plotting, high-level scheming, or enough emotional maturity to prevent half the problems in this drama.
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Lust, love and a whole lot of drama
What a difference a budget makes...Same Same But Oh So Different...
Love at second sight....
As I recently watched the first version (same cast, different budget), of this drama I was a bit unsure if watching this adaptation would be worth it but my oh my was this a good choice, a very good choice as this version gave me all I was missing in the first version and more... a lot more , okay it gave mes some highly problematic content as well making it impossible for me to give it a full 10 even if part of me was so entertained I wanted to give it a 15... but enough about that.
What this drama does offer is a lot of fan service, entertainment, some important issues here and thare chemistry that is off the charts, friendship, toxic masculinity, sweetness, and everything but relations goals. Again not something I would want to be part of but highly entertaining to watch. It also made me fall head over heals for Mark (War Wanarat Ratsameerat) as a person who was both adorable, funny, bad ass, sassy, honest and brought out my protector instinct making me want to just give him a big hug most of the drama .
There is also a slight realism to the portrayal of duality in relationships.. falling in and out of love meshing in a big complex web of emotions... loving two people simultaneously, pain, confusion, coming to terms with all kinds of stuff,,. and so on was portrayed pretty well, and is what I assume bothered some viewers but I actually loved how they portrayed this side of infidelity and relationships gone bad... But then I do love watching conflicted emotions, angst, lust and pain. So if you are bothered by any of this stuff you may not enjoy this drama at all or at least not as much as I did.
In my opinion there are not truly annoying characters or elements making it an easy binger and again a lot of fun to watch, but again kids, do not try, well anything of this at home.
So if you are looking for a feel good fluff piece where people actually seek consent move along there is nothing to see here... but if you want som highly entertaining drama, mistakes, steam and real drama this is definitely a good place to look for it,
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