Scriptwriter is Mad, Crazy Good
This scriptwriter is mad, crazy good -- they say a mark of a remarkable script writer can draw in the audience despite the story’s complexity. To slowly but swiftly and persistently keep an audience engaged, guessing, and wholly invested in each character, the heroes and villains, takes a lot of talent. This writer’s ability to spin the web of the story extends further and more profound than what’s visible on the surface, and that’s why despite being confused at times, I remain engaged without judgment for the haze of confusion to clear away that effectively happens at the opening of each episode. I love this writing style. But as good as this writer is, the actors, director, and editing team interpreting the script are even better. Kang Ha Neul and his cast of friends and foes leave me wanting for more each time. One of the better thrillers out there that is deliberate with the choices it makes, heightening and amplifying the cohesive and focused story goal with a consistent and escalating related conflict that is exciting as it is complex.I I truly enjoyed this intensely complicated yet surprisingly fulfilling journey that Insider laid out. I want to give a massive shout-out to Lee Yoo Young for how well she plays Oh Soo Yeon. I never truly appreciated her acting until this one. Given the right part, I believed she could deliver even better, and she's proved me right. Every character plays a key role, especially the villains in Heo Dong Won as Yang Jun and Jung Man Shik as Yang Hwa, they are worthy of praise. It's easy to be slighted when playing against Kang Ha Neul, who is golden as the very complicated yet brilliant Yo Han. Still, Kang Young Seok in the role of Jang Seon Oh and the ever-so-engaging Choi Dae Hoon as No Seung Hwan definitely held their own and deserve to be recognized for their brilliant acting. Insider must not have been an easy drama to write. Kudos to the writer, the director, and the production team. I hope this drama gets awards as it's up there with some of the best of 2022.
One of the better written, directed, acted, and edited dramas I have seen since My Mister. Undoubtedly one of the best of 2022. I loved how complicated yet engaging this drama was; the writer threw a lot at us, and sometimes I felt like I was drowning but not once was I bored. On the contrary, I couldn't wait for the next episode, especially the first three to five minutes that connected all the missing dots. I will miss the whole cast; everybody played a crucial role in making this drama the success it became. As I wrote yesterday, everyone is deserving of an award. But especially the writer for penning such an intricately complex story that, in its complexity, made all the sense possible, Kang Ha Neul, Lee Yoo Young, Kang Young Seok, and Choi Dae Hoon, who has a special place in my heart.
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The drama is based on a manga that I haven’t read so I can’t compare but from the overview, I am sure this story can make a fine anime if that’s ever planned. I always said that Japanese tend to pick interesting and different plots for their dramas; this is definitely one of those intriguing topics that invade Japanese seasons each year. The plot may seem a little heavy due to some episodic procedures but it’s smartly written to overtake certain sensitivity against the episodic pattern.
S - Saigo no Keikan (aka S - The Last Policeman) is about Special Forces in the Japanese police organization and their way of handling terrorist attacks or situations. The main focus of the drama is NPS, a new special force that gathers the qualities of two older Special Forces SAT and SIT. NPS’s purpose is to secure criminals without killing them, that’s the main belief of the force, its members and our main lead. The operations’ build-up feels quite real although the final outcome can be fairly dramatized for the sake of emotions.
Despite being a straightforward action drama with lots of gun shooting and explosions, the drama’s main focus was the ethics and the feelings behind each case. It’s indisputably not brainless action for the sake of entertainment, it’s also not action games for the sake of thrills, military techniques or the suspense; it’s action for the sake of human emotions and relationships. It was an interesting take of the police, its higher-ups and the power struggle between Special Forces.
Acting wise, this drama’s producers knew how to choose their leads, supporting roles and even guest stars. Mukai Osamu and Ayano Go had a good chemistry as opposites in the same line of work. Although Ichigo’s character would sound a little cheesy with his over-concentration on not killing any criminal but he managed to keep the character interesting until the very last end. However, Ayano’s Soga was more penetrating with a cold character and a detailed back story. Another interesting character must be Odagiri Joe’s Masaki Keigo, the actor does crazy roles so well; I am glad I will be seeing lots of him this year. If we talk about acting then we shouldn’t forget the veteran Omori Nao and other cast members that delivered so well no matter how small the role was.
The action department was quite intriguing at times, even though shooting and bombs’ explosions weren’t present each episode but the Special Forces techniques and operations’ codes were believably made. The OST and cinematography were also pretty fitting for the drama.
Watch if:
-You’re looking for a good Japanese action drama.
-You like dramas that focus on special themes.
-You’re looking for a good casting line-up.
Do not watch if:
-You can’t stand the episodic pattern.
-You dislike the Japanese way of making action dramas.
-You’re looking for romance.
S - Saigo no Keikan is an entertaining drama with lots of action to keep you entertained mixed with dramatic moments to stimulate emotions. I will be impatiently waiting for the film!
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1A cacophony of crows.
The Story of Minglan is a leisurely and meandering account of how with patience and cunning, Sheng Minglan, the low born daughter of a concubine triumphs over many challenges to achieve both personal and social success. Minglan's father is a middling court official who over indulges his favorite concubine and allows her to turn his household upside down. The petty tyranny of harem rivalry leads to tragedy and Minglan ends up being raised under her grandmother's wing. Minglan's great misfortune has a giant silver lining because this formidable old lady is a force to be reckoned with. She sees to it that Minglan is well schooled and helps her navigate the many pitfalls of harem politics. Minglan blossoms into a quietly underestimated young lady who catches the eye of the most eligible bachelors despite her low status.This drama digs deep into what lurks beneath the genteel façade of Confucian propriety among the status conscious Song dynasty nobility. The deceptively sedate, mundane, humdrum of women living lives of quiet desperation, occasionally broken by shrill outbursts that crescendo horrifyingly in a cacophony of crows. My eardrums barely survived the assault of this panoply of nasty, caterwauling women. The early arcs on Minglan's childhood and coming of age are the best, most empowering ones. The drama climaxes at her vengeance arc, where I found her quiet scheming and utter ruthlessness chilling and impressive. After that the domestic bliss arcs drag on far too long with the couple dealing with repetitive villains with all too similar modus operandi. We really did not need to see version 2.0, 3.0 etc of essentially the same not very smart wicked women archetypes that are too handily dealt with by our power couple.
Zhao Liying delivers a credible portrayal of a docile, Song dynasty noblewoman with hidden depths. The way she digs into you with her eyes, the fleeting cunning smirk and brief flash of fury in her placid gaze foreshadows her evolution into a full-on temper tantrum throwing wife! That said, Zhao Liying is still best at fierce roles rather than as a docile still waters run deep kind of character. Zhao Liying and Feng Shaofeng paint the perfect picture of domestic bliss.Their chemistry is that of a long married couple in harmony and less of the sizzling kind that flared up between her and Lin Gengxin in Princess Agents. It is rare to see Zhu Yilong in a costume drama and I felt real sorry for his Qi Heng who unlike both Gu Tengye and Sheng Minglan, has no free will as he is unable to free himself from the social strictures of his time. The cast overall is very strong with many veteran actors that deliver comical parodies of the ridiculous pretensions of the Song aristocracy.
I am afraid I did not enjoy this very well made drama as much as many other people did. The 70+ episode narrative goes on for too long, conveying an unnecessarily realistic impression of how suffocating it was to be a Song dynasty woman. Considering Gu Tingye's incredibly modern attitudes with respect to polygamy and empowering his wife, I am convinced it was impossible to be a Sheng Minglan in those times. Some of the early arcs are worth 8.5 but the story climaxes too early and is bogged down by repetitive plots in the latter half. This weighs my overall rating down to 8.0. This is a drama that patient viewers with robust eardrums will enjoy more.
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loved everything about it except ending
In the last few episodes, they showed all happy moments then I understood something bad is going to happen in the ending, as expected I didn't like the last two episodes. The last two episodes ruined my overall experience of watching this show, felt like 15hrs that invested in this show went waste. I was too involved in drama throughout, maybe that's why I feel this much disappointment. I absolutely loved all characters, that's why the last two episodes were like hell for me. goshhh i wish I could change that part of the story.anyways for talking about positives, ML is super cute, the characters that you may dislike in the beginning will make you fall in love with them eventually. people who just watch for entertainment and don't get much involved in the story can enjoy this show as one time watch.
I know no writer or director is going to consider my review but still wanna mention that 90% of the audience like happy endings. for god's sake don't play with audience emotions towards the end of the show. many awesome fantasy dramas keep us involved in the story but breaks our heart towards the end, I know for writers its creative work, and they have their own imagination and understanding of the story and what they want to deliver to the audience but we would appreciate if they keep in mind that we watch dramas/shows for entertainment, so please don't spoil endings for us, just let us leave with a smile of our face after finishing watching it. don't ruin our overall experience with overdramatic endings.
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The sparks and the spices
This dating reality show is so enjoyable. There are sparks but at the same time spices as well. The whole concept of the dating show is interesting especially the phone call to express the feeling part. The phone calls kept me at edge. Like I could never predict who each of the contestant would call. It was interesting and at the same time agonizing especially the phone calls involving the love triangles.WARNING: Major spoilers ahead!!
Honestly Junseong and Sungho are the best part of the show for me. I rooted for them since the very first phone call. "Roommate, hi" was what got me into the show and I fell deeper and deeper episode by episode. I couldn't help but cheer for Junseong. He was so sure about who he wanted and the way he expressed his feelings in the most sincere way whenever he got the chance to, every second of it was absolutely worth witnessing. On the other hand Sungho was sure about his feelings towards Seonwoo until he wasn't. He wavered ever since the first call from JS. From "friendship 100% love zero" to "Beside Junseong, others are like friends or colleagues to me", he came a long way. And damn their dates were an absolute delight to see especially the one after call match. The sparks were flying everywhere. They really stole the whole show for me,
Moving on to Seonwoo, I won't lie at first it really felt like he was leading everyone on and I wasn't quite a fan of it but as I watched more of him, he grew on me. And the love triangle of Hyun Joon, Minsung and Hyun Jin, it was a bit of a mess. For most of the part except Hyun Joon, the other two seemed confused. They were certain one moment and the next moment they were not. It was honestly agonizing to see but I do get it that none of them were actually at fault. However, I liked Min Sung and Hyun Joon together. Their date was cute. But it's commendable how Hyun Joon stood up for himself. Also, Yunghee damn he was so consistent and his efforts towards SW melted me. And Jeongwook this guy deserves nothing but happiness. He is such a softball mahn. I wish each one of them a happy life. I hope they live it to their best and also find the one they love and who loves them back too.
Overall an enjoyable show that kept me awake one whole night and even after I caught up to the recent episodes I could not stop myself from binge watching it. Highly recommended!!
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1This is a fabulous show with a lot of depth - one of the best out there
DO NOT BELIEVE THE NEGATIVE REVIEWS. This is one of the best historica dramas out there. The only thing I agree with: the poster is misleading but only a little, because at the heart, it's a socio-political drama. This shows highlights:The foundation of trust and friendship is what matters most;
that agency of women has been hard fought and we are still fighting;
people in power will do anything to keep their power unchecked;
social injustice unhinges people; revenge is never pretty and is a vicious cycle, and one day someone has to sacrifice something to break it.
learning to be humble and thankful for things we often take for granted (freedom to make choices, having enough to eat, having a roof over the head, trusting people around you when anyone could kill you anytime);
And it's about making the right choice. This drama also features one the most FEMINIST heroes that I have seen in a very very long time. It's unbeleivable how beautifully that arc has been shown. His belief in his woman's capabilities is limitless and is a pure delight to watch. He is never the knight in the shinning armor, and only steps in if his woman is facing trouble because of others' prejudices. As Jay Yi beautifully says in one instance "he is a man who breaks down high walls for a woman who is stuck behind it'.
It IS a romance but not the regular kind we see today. It's more a vehicle that moves the narrative forward. Yi Hwan (the Crown Prince) falls in love with a woman he has no chance with - she technically belongs to his best friend (whether she wants it or not, she is just an object in the eyes of the soiety she lives in), while the best friend has this unhealthy attachment to a woman he has never met as an adult, making life truly difficult for the Prince; plus she does not fit any criteria to become his Crown Princess even if she were to be absolved of the murders (The Crown Princes were governed by strict rules of marriage, he had no choice in who he could marry as it was always a politica decision taken by the royal parents; the Kings however were not bound by any of it, they could choose their own Queens if they wanted). Min Jay Yi, duty bound to marry the man her family chose for her, marriage being a contract between families with no place for choice/love, is now an accused murderer on the run and, not only she loses everything - her family, her home, her reputation, her identity, but she also ends up falling in love with the most unatainable man she could imagine.
Hence, they have no chance with each other. But when does heart ever listen to reason? Yes, they never touch each other and totally adhere to the Josean principles of physical space between a man and a woman at all times. But their relationship is so wholesome, beautiful and pure that it harks back to the times when romance was all about yearning and longing. Don't miss their interactions, they confess to each other throughout without saying the actual words and it's beautiful to behold. And their interactions are hilarious at times. He is stuffy, morally upright, naive and insanely competitive. She is fiesty, unconventional, motor mouth but keeps her innermost feelings bottled up because that's how she has been raised. He falls for Jay Yi for the world she shows him outside of his very lonely existence (she is fearless and she drinks haha!), someone he can trust, rely on, beleive in, and laugh with, while she falls for his progressive thoughts, and benevolence. Both are brilliant people and never fail to complement each other for that. Or take each other down a peg when the situation demands.
All of these are packaged into a constantly moving narrative, packed with super funny moments and sparkling chemistry between Park Hyung Sik and Jeon So Nee. The side characters are to die for - Myung Jin and Ga Ram (Lee Tae Sun and Pyo Ye-Jin) are fabulous and the four make an investigative team (Shield team) that eventually resolve the mystery, with each of them bringing something to the table. These four could easily have a spin off show. Jeong Da-Eun as princess is super adorable and a very interesting character. The main villain is one dimensional but at the end, that makes his end supremely satisfying to watch. But it's the backstory that keeps you hooked.
The cast is steller, but Park Hyung Sik is ethereal as the Crown Prince. Not only he is blindingly good looking, but boy, can this man act. He brings Yi Hwan to life, and he does it with just his voice and his eyes. You cry with him, you laugh with him, you feel his heartache, you feel his jealousy, you feel his helplessness and rage at the injustices he is trying to fight . This is an award winning performance and hope he gets recognized for it. Jeon So Nee is a perfect foil to him. She starts ordinary and then grows on you. The fact that she is drop dead gorgeous is a bonus (take her out of the Eunuch uniform, put her hair down, put her in a plain unfashionable white gown and she takes your breath away). She goes through various stages of her performance with aplomb, and absolutely aces it in the emotional scenes (her confession will give you goosbumps and stay with you for a long time). She is an actress to watch out for.
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The acting is excellent. Unexpectedly the chemistry between Kam Woo Sung as Dong Ha and Choi Soo Young as Bom Yi is palpable. The age difference between them in the drama is 18 years and in real life is 20 years. I think some people might have a problem with it. However, Bom Yi is the kind of person in whom everyone would fall in love. Bom Yi's personality is well written and portrayed. Choi Soo Young is beautiful and seamlessly kept balance between optimism and depression I have totally fallen for Kam Woo Sung. His portrayal of loving strength is perfect. I would definitely want to be in a relationship with that kind of person. I am now going to find time to watch every thing he has done. The other actors are good too, but I came to not care much about anyone other than the main leads and the children,
The music is beautiful.
I won't rewatch this, but I can see someone might want to rewatch it.
I highly recommend this drama.
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such a disappointment
I swear I want to scream at the screenwriter! UGHHHH... Why is everything so damn downplayed?? The story sets up these HUGE emotional bombs and then delivers them like… a casual Tuesday lunch chat. Le finding out who his mother really is should’ve been a massive turning point — raw, messy, emotional. Instead it gets tossed out in the middle of a meal like someone mentioning they forgot to buy soy sauce. And that’s literally just one example.I kept watching thinking, “Okay, maybe it’s slow-burning, maybe the payoff is coming.” NOPE. It’s just anticlimax after anticlimax, like the script is actively allergic to drama. How do you ruin your own plot twists?? How do you make every reveal feel like a footnote??
And honestly, Qin Lan’s acting is not helping. At all. She just refuses to go anywhere near heightened emotion. It’s like she’s scared of showing anything stronger than gentle disappointment. It’s the same in every drama of hers I’ve seen — beautiful to look at, elegant, calm… but the moment the character is supposed to explode, break down, do something, she stays on that same soft, neutral wavelength. It kills the momentum.
I’m frustrated because the premise actually had potential, and the setup hinted at something deeper. But nope — everything is toned down, flattened, and delivered like the actors are reading text messages instead of living through trauma. I thought it was going to get better. It didn’t.
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Back to 17 changes your 27's love story
Back to Seventeen is a solid short love story.Considering it is just 3-4 minutes per episode, this drama is worth watching! I enjoy watching it every day since it started airing 1st eps. I also love the ending even though we only get them as a couple for the last 30 seconds haha
(+) Everything is so good: plot, editing, background music, lead chemistry, happy ending
(-) Not enough couple moments *uppsss
Thank you for giving us a good short drama, Back to Seventeen's producing team. Well done!!!!
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A Heartwarming and Wholesome Youth C-Drama That Feels Like Home
WOW! Just finished this and what a beautiful drama it was! I binge-watched all the episodes over the past few days and it was an absolute rollercoaster of emotions! I rarely binge-watch dramas since I usually prefer ongoing ones, but with some free time on my hands, I gave this a shot. Honestly, it is one of the best youth dramas I have seen.I am truly in awe of how wholesome and heartwarming youth C-Dramas can be.
I especially adored our main couple, Xichi and Huan’er. Their journey from strangers to neighbors, classmates, friends, best friends, lovers, and finally family was so naturally and beautifully written. Their relationship felt so genuine, and you could really see and feel how much they cherished each other’s company.
It has been a while since I have seen such a well-balanced relationship in a drama. Both of them gave so much to each other, offering unwavering support along the way. They were both walking green flags, wholesome, funny, and downright adorable. I am really going to miss them.
Another highlight for me was the parents of the trio. I do not think I have ever liked so many parents in a C-Drama before. They had distinct personalities that made them feel like real people rather than just being there as “the parents” of the main characters. It was so refreshing.
The humor in this drama was also totally my style, with no over-the-top slapstick or forced comedy-relief characters. I especially loved Xichi, as he was such a funny and witty character. But the humor did not stop with him, since his friends, classmates, and even the parents all had their own hilarious moments.
Overall, I absolutely loved this drama and highly recommend it if you enjoy youth and family-centered stories. Even though I am a romance lover and could not wait for them to grow up and get together, I have to admit that I enjoyed the middle and high school scenes the most. The university portion felt a bit superficial and lacked the depth of their earlier years. I found their home life far more engaging, which is why I think the title "Always Home" was the perfect choice. That sense of warmth and belonging was truly the heart of the story.
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Takashi Miike is one of my favorite directors. Being the lord of gore is one of the main reason why I like him and Ichi the Killer is absolutely the epitome symphony of violence Miike ever made. I am into bloody productions: mutilation, torturing, splatter-gore, cutting body parts to pieces, heads rolling and everything that belongs to the category; you can call me eccentric or a psycho but those are my personal references and a part of my real life job. However, the reason why I liked Ichi the Killer and many of Miike’s films is not the gore for the sake of gore, it’s true that I like that element but it’s not enough to make me like a film, there has to be a message and a meaning behind it all.
Ichi the Killer has a dark graphic storyline; it tells the story of Ichi, a psycho killer who split people to halves and sometimes to little pieces through razors in his shoes and Kagihara, the masochist who’s looking for the killer of his gang’s leader who happens to be Ichi. That’s the general plot but there’s much more behind the events and the characters’ development, the hidden meanings and the final reveal of the characters’ relationships was pretty amazing and let’s not forget the mind-boggling ending that keeps your imagination wild. None of this would have been done without the fantastic performances of the charismatic brilliant actor Asano Tadanobu and Omori Nao, who had to play a childish character at one second and a sadist killer at the next moment.
Now let’s talk about violence, the main lead in this film; it was creative and pretty well-made sadist type of violence. People call Miike a “cult” or a “sadist” director and he probably is, the way he shot the explicit gore scenes was truly brilliant with all of those cutting and blood’s splashing everywhere. It makes this film one of the kind if we consider how far he went with bloody scenes, I haven’t seen that anywhere before. What also makes the violence special is that it was entertaining, I found myself laughing at few scenes and no, it’s not because of my sick personality; there were some amazing dark humor moments inserted in this film because Miike can mix gore and comedy so well (think Dead or Alive trilogy).
Watch if:
-You like gory films with a meaningful storyline.
-You like Takashi Miike’s way of making films because this is probably his best work.
-You like bizarre Japanese productions.
Do not watch if:
-This is absolutely NOT for the faint of heart.
-You dislike anything that has to do with gore or you can only handle a little amount of it.
-You dislike over-the-top violence.
-You’re easily disturbed or grossed.
Ichi the Killer is the highest level of cinematically shot violence. It’s without doubt not for everyone, it can be a hit or a miss, some would find it a masterpiece and others would run away from the first few scenes. It’s bloody as hell and I completely loved it.
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LONG POST AHEAD.Ok, so, if you want to watch a light-hearted series of solving crimes, and enjoy the atmosphere of The Republic of China in the mid-1920s, then this series is suitable for you. The cases were well-written and the deduction was logical. Lu Yao and Qiao Chusheng, two male characters in this series, also have a good chemistry. Qiao Chusheng provided Lu Yao a comfortable life by buying things and protecting Lu Yao, and Lu Yao solved the cases for him, improved his reputation. Their chemistry was a big plus. Beside that, the filming set and the clothes were beautiful and stylish.
Now, let's come to the minus side of this.
The female character, Bai Youning, a journalist, is very irritating. Yes, in the first few episodes, I could still empathize with her, and hope that she could have some developments. But she just didn't change. After 7-8 episodes, she still wrote tabloids about cases. She belittled Lu Yao, and even pretended that she was kidnapped, made Lu Yao and Qiao Chusheng worried to death and tried to save her. She was just too annoying, and her chemistry with Lu Yao was just unbearable. I could not understand how Lu Yao could love her, because all they did through nearly 32 episodes was bickering and fighting. But then, in episode 30, they kissed, episode 36, they got married and went to Paris, left Qiao Chusheng all alone in Shanghai after all. Poor Chusheng, he had done anything and everything to protect both Lu Yao and Bai Youning, but he was left alone in the end.
In conclusion, if you don't really mind about the ending, then this series is suitable for you. If you do, then please consider twice before watching it.
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