This review may contain spoilers
I felt more frustration than "love" unfortunately
*UPDATE: Finale was a big MEH for me as predicted. Sad Panda.*I will likely come back and update this once the final episode air.
SO, the acting is wonderful. I love the characters and the storyline and this is definitely one of the steamiest shows on Viki. I love everything this show could have possibly been. I still love the show but feel more frustration than "love" a lot of the times which is why I'm giving it 7 stars instead of 10 for right now.
My issues:
1. For a drama romance to work, there has to be a bit "more" to keep the main characters apart. In my personal opinion, after 10 episodes, the "why not" just isn't there and it drags the entire storyline down in a major way.
2. The Chu Kehuan's ex is a bit of a one-dimensional & psychotic/dependent/weak character on ALL levels and it makes her whole storyline aggravating to watch. Since they also keep shoving her in our face as a "reason" the main character's don't just get together already, it makes episodes painful to watch and honestly, cringe-worthy. When she keeps repeating the same shit over and over again about "10 year relationship" and "but I love you" and so on. So. Painful. Already.
3. Speaking of #2 above, we all know from little hints that she has some hidden secret of WHY she got an abortion all those years ago and broke her man's trust in their relationship, but IF & WHEN she finally reveals it... do we even CARE??? No. No we do not, so that plot point is null and void and won't make any impact on us as viewers because she's a douche and we couldn't care less at this point.
4. ZWW's ex, 321. He might be CLUELESS and a bit of a bore AND he has 0 skills when it comes to knowing what a woman thinks, and so on, BUT I feel like the writers turn him into a bit of a manipulating, violent ASSHAT in a single episode because they didn't know what else to do to vindicate ZWW's decision (as if she needed any other reasons) AND to keep the plot moving along with drama thrown in for good measure in nearly the last episode. Now, with ONLY TWO episodes left and the previews showing 321 still showing his ass in the next episode, well, I don't foresee us getting MUCH actual ROMANCE/happiness between ZWW and Chu Kehuan that we've all been anticipating with bated breath.
OK... I have more issues with the show than I realized. And, sadly, I'm only watching the last episode because I love the actors and have invested way too much time NOT to see the ending. :/
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Friends, being too forgiving only makes you more attractive to the kinds of men who mistreat women and therefore need to be forgiven a lot.
Content Warning: contains a sexual assault scene while the female lead is unconscious. The assaulter is forgiven instantly and never truly held accountable.
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Absolutely Beautiful
I LOVED this series! I know unrequited love is very common in BL’s, but this one just hit different! And the actors!! Not only did they do a PHENOMENAL job, they are HOOTTT!!! Like, seriously. Super hot. My new BL bias is YU!!! (Sorry Mew and Saint!) Zhou Shu Yi (YU) and Gao Shi De’s (Sam Lin) chemistry is off the charts in this series! The pacing was absolutely perfect, not too slow, not too rushed. I don’t want to give any spoilers, so I won’t get into the specifics of the plot. This series is about a boy who has been secretly in love with another boy for years, and even instigates a love/hate relationship just to be close to him. Pretty bold move! The chemistry is FIRE, while also managing to be super sweet, soft, and cute. Sometimes in the same scene!! This series is REALLY well made, the storyline is awesome, the actors are phenomenal, and it has that perfect mix of sizzle and sweet! I DEFINITELY recommend watching this series! Seriously. It’s epic.Was this review helpful to you?
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1This review may contain spoilers
"Your hand touching mine. This is how galaxies collide.”
One of the best Korean BL drama with super charming characters . A super healthy storyline .OVERVIEW - Do Hoe , a brilliant student who grown in a brutal and abnormal atmosphere without his parents love and care . He never felt happiness in his life like other children but suddenly he met Ju Yeong who carried the light of his love in Do Hoe's life .
POSITIVE - Super handsome and soft hearted ML with charming and cute MC . Their chemistry is unbeatable . The way they always stand side by side in each other's trouble really makes my heart melt .
The visuals , cinematography are awesome . Really felt like I was watching a high budget drama . Smiles of both ML and MC are heartwarming . The ice cream and rain scene in ep 1 were definitely romantic .Tiny slow music when they did eye contact ...ah it's ear candy .
NEGATIVE- I haven't found any negative points yet .
OVERALL- People who like to watch healthy, slow burn romance dramas then they can try it . It's really so good.
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As a European, single, career woman in my 30's I have come to expect certain things from my life and people around me.
1. Respect from colleagues for all the hard work I put in
2. Understanding that the hard work has left little room for dating
3. Evenings spent watching dramas because of the aforementioned hard work and singlehood
I started watching "The woman who still wants to marry" because I heard it was going to feature single career women in their 30's and noona-love...
Finally!, I thought. Women I can relate to.
And who doesn't like the added bonus of bit of escapism, in the form of gorgeous young men falling for older women? Yum!
Boy, was I in for a rude awakening.
I'm not oblivious to the fact that, in Korea and Japan, unmarried women over the age of 25 are considered "Christmas Cake". Something that goes bad after the 25th. (Horrible expression btw. Just horrible!)
The previous noona-love dramas I've seen have mostly focused on the woman's inner struggle. Angst and denial of her unsuitable feelings, and so on.
She may have gotten sideways glances while flaunting her young lover publically. But that's about it.
Never mind that this would never happen in real life. Drama magic and suspension of disbelief achieved. Squeee!
In "The woman who still wants to marry", however, our two noonas are bombarded by hair-raising amounts of malicious gossip, disapproving parents and disrespectful colleagues.
The amount of shit that these poor women have to put up with is really disheartening.
If this piece of drama fiction is any reflection on how smart and driven women are treated in Korea... then I have found a whole new level of understanding for all those older and successful über-bitches we tend to see as villains in dramas. No wonder they'd eventually become cold as ice - if this is how they've been treated since their 30's.
While the romance is a big part of this drama. (Two lovely noona-love stories, no less.) The adversities these women face, simply because of their age and ambition, leave such a bitter after taste that it many times overshadows the sweetness of the romance.
I would ask someone who is considering watching this these 3 questions:
1. Are you under 30?
2. Is seeing Kim Bum fall in love pretty much your sole motivation for watching?
3. Do you normally not have problems suspending disbelief when it comes to ill treatment of women?
If your answer to the above questions is a resounding "Yes", then you'll probably enjoy this drama.
If your answer is "No", then you may want to look elsewhere for your escapist drama fix... or at least watch with an awareness of these issues.
I don't regret watching this drama. If for nothing else; Kim Bum pulls off one of the best "grand gesture"-scenes in recent memory. I finally get why women swoon over him now. I do.
It does make me sad though - to think that there are places in the world where it doesn't matter how hard you work to prove yourself. If you are a woman and over 30; you are supposed... no, demanded!... to give up your job and become a stay at home mom. Whether that life appeals, fulfills or excites you in the slightest. That's your duty.
Even if you marry Kim Bum - it would be nice to know you have a choice. Right?
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one of the best m/m couples of all time, watch this!!!
Overall: it's important to know that this is a Thai lakorn i.e. soap opera. So there is a lot of family drama, exaggerated acting and a bunch of content warnings. It has one of the best m/m couples with amazing chemistry and my main complaint is we didn't get more screen time with them. I could write essays on several of the main characters because they had reasons for what they did even if I didn't agree with their actions. Watched on One31's YouTube Channel https://www.youtube.com/playlist?list=PLXopbKxiivxpBd7rbwDldPMmtdoclonyk updated 2024: Jam & Film were leads again in "Laws of Attraction" however, they stated that they would not be romantic leads together againContent Warnings: multiple murders, attempted murder, homophobia, slaps/beaten up/violence, blood, corporal punishment, manipulation, drugging, kidnapping, self harm, suicidal ideation, unwanted outing, and there is a maaajjjjor content warning towards the beginning of episode 1 that is a spoiler and I listed it in the comments
What I Liked
- the half brothers' relationship is my favorite fictional sibling relationship of all time (10/10)
- the m/m couple is one of my all time favorite m/m couples, they have amazing chemistry (10/10)
- there is some really great communication and misunderstandings don't drag on forever
- one of the only times where a character (Jiu) makes a promise and works extremely hard to keep that promise
- the women have major agency, I didn't always agree with their actions but they got sh*t done
- Pin could have been a stereotypical passive female character but was not, and I really enjoyed her character
- the martial arts/fighting scenes were fun to watch
- clear on when the series takes place (starts in 1931 and then a 12 year time jump so 1943); also enjoyed the historical setting
- understandable actions for most of the villains
- Tian dad's character arc
Room For Improvement
- the m/m romance needed waaayyy more screen time (they get only about 5 to 15 minutes per episode out of 1hr+)
- the initial drama dragged on too long, I was hoping for more plot twists and drama to pop up, it really improved at episode 7
- the exaggerated acting from some of the characters was not my thing, it got better towards the end
- the screaming from multiple characters
- lower budget, like with that cgi and the magical glitter
- unrealistic (talking during the major content warning, how a wild animal would behave), I didn't really deduct that much for unrealistic stuff because it's kind of part of the soap opera genre
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This review may contain spoilers
***May contain spoilers***I love this movie, cute, lovely, bittersweet, relatable, all rolled into one. I love movies that talks about the reality of loving someone and yet having a dreams and this two conflicts each other and that you have to choose one and regretting at the end. I love the two leads, the acting sre excellent. You can see the transitions as they grow and mature. What makes this a beautiful, is that how the storytelling is just honestly being told. I cried, it is sad, it's painful. God, I feel them, the love in the family is so real!
We really need to constantly remind ourselves that we need to express and demonstrate our love and care to the people we love. This movie just provided a realization that we need to express our love no matter how. The additional scenes of real people saying all kinds of emotions that they cannot tell to their loved ones or lost love, I am just having goosebumps.
Great movie to watch. Soundtracks is excellent especially at the end. Highly recommended.
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What started off as just your normal cliche' filled K-drama, appeared to be a pretty decent story. It seemed it could possibly surprise you a bit, and then you set yourself up with great expectations. Then, out of nowhere, the storyline starts to fall apart at the seams. It's like the writer wrote themselves into a corner just after the first five episodes. All this talent from actors... wasted on pathetic dialogue and pointless scenes. But worst of all, it went from just your usual amount of cliches to being riddled with cliches. Could they possibly get anymore in? Was there a contest for Drama With Most Cliches happening somewhere????
You remember in Dragonball Z how there would be almost like 5 minutes of the characters doing nothing but standing around staring at one another? Yea, that sucks. You know how 1 song plays on the radio 7 times in one day? Yea, but imagine that 1 song playing 7 times within just an hour... every... episode. A horrible, horrible song. No wait, a horrible, horrible chorus of a song THAT DOESN'T EVEN MAKE SENSE. A chorus of a song that will haunt you in your dreams and make you want to punch your computer screen as soon at you hear its impending arrival. Love cannot be the "moment" of anything!!! It's an emotion, damn you!
Something strange happened, though, and it's that I came to completely root for the bad character. This had nothing to do with how the story went, but with how well Kim Woo Bin played his character. If there would be any reason I'd have to recommend to you, dear reader, to watch this, It would be him. The chemistry between the two main characters was non-existent, and Park Shin Hye proved herself (at least to me) to have been a very poor casting selection for the role as she was dull and brought nothing to it. Lee Min Ho seemed to do much better in scenes with every other cast member besides her. Actually, most of the other actors showed fairly good effort in trying to work with what they were given. However, none of it can quite come together for the supporting roles if the main ones are so bad off.
Outside of Kim Woo Bin, other unexpected thefts of the spotlight for this show were: Krystal Jung as Lee Bo Na; the wonderful dynamics between Kim Sung Ryung as Han Ki Ae and Kim Mi Kyung as Park Hui Nam; and Choi Jin Hyuk as the crown bearer Kim Won.
If you decide to watch this, go in with no expectations at all and understanding it will be hard to quit even if you find yourself hating it. It is, indeed, an addictive drug with bad side effects. You've been warned
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So yes, saying that I was excited for Moon Lovers was putting it very mildly. I was exhilarated. Ecstatic. A lot more words with an E. And they made us wait even longer by making it a pre-produced drama and waiting a whole year before it actually came out.
But the best part? It didn't disappoint one bit. I mean, after such high expectations, it is only natural to feel a little let-down just because of all the hype you've been experiencing. But Moon Lovers actually ended up surpassing all my expectations. The drama was perfect from the beginning till the end.
Coming to the plot, it was extremely well-paced. I mean, for dramas it is rare to find such consistently well-paced dramas. Sometimes the beginning is not that good and sometimes the plot dies down after ep 12-16. But here, you never feel like there is too much or too little. It is really hard to skip anything. You just don't want to. Another important fact is that because an older version is already out there, viewers are prepared for a possibly sad/tragic ending. Even if you come without knowing anything about the parent story, the vibe of the show itself whispers the possibility of an un-fairytale-like outcome. There is an intense and gloomy feeling in the show.
The characters are the strength of the drama. I mean, can we talk about the fourth Prince? He is going down in history as one of my favorite characters ever. Firstly, he is so sexy. I mean, you simply can't get enough of him. I have never really been into Lee Jun Ki before but after this, I plan to check out all his dramas. I have seen a couple of his shows but I never realized he was THIS good. The character of Wang So is so complex and so hard to deliver. And yet, Lee Jun Ki plays him so effortlessly, becoming one with the character. What is even more surprising is that he is such a cutie in real life (lol). I really don't know anyone more perfect for this role. I mean, Kang Ha Neul's character turned to the dark side too but it was nothing compared to Wang So. Wang So was simply..addictive!
Coming for Hae Soo. IU faced a lot of flack for her poor acting skills but I felt she was good in her role. I mean, she wasn't as good as Jun Ki or Ha Neul but she did really well. You could feel her transformation from a 21st century person to Goryeo lady to a woman with a lot of scarring experiences. In her previous works she has only done cutesy roles. I really enjoyed her work in this, she showed her versatility as a serious actor. The 13th Prince. He was gentle and kind and the most perfect friend. I loved his chemistry with Woo Hee. It was surprisingly great!
Wang Eun was a big baby but he was a sweetheart too. I wouldn't say Baek Hyun is a good actor but he was given an easy role and it was handled well. Ji Soo was a delight to watch! So far I have loved him in all his roles (I think I have watched everything he has starred in). The rest of the cast was really good too. My favorite among supporting characters was General Park. His acting was so on-point even though he only starred for a few episodes. I liked his daughter too. Ji Mong was a delight to watch. And court lady Oh Sang Goong, I loved her! I can really go on and on about the characters - the good ones and the bad ones, all did well. The acting was so good here, I just couldn't get enough of it. I cried with them and laughed with them.
The music. OH MAN, the music. I love each and every song. This hasn't happened to me since Dream High (I think). I really can't pick a song that I like more than the other.
I am definitely DEFINITELY rewatching this. I know for sure.
The biggest tragedy that comes out of this drama is that the Korean audience could not fully appreciate the perfection that this drama was. The ratings were so low there. Thankfully, it did well everywhere else and made up for it.
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The Princess Bride.
Lost You Forever is a dark, beautiful, suspenseful and, poignant tale of intrigue, treachery and longing. This drama is immersive with its air of mystery, the shiver of danger, a whisper of regret and a sense of profound loss and longing that saturates every scene. It is a story about love but it is not a love story. It is a far more complex and expansive exposition of the many kinds of love and how it can be restraining and boundless at the same time.Set in Dahuang, a magical, treacherous and unpredictable world where humans, demons and deities co-exist, two forsaken royal orphans vow to always cherish and protect one another. Shattered by a broken promise, Xiao Yao loses herself, misplaced during a time of great turmoil. She assumes the appearance of a man and lives among the humans and demons of Qingshui Town as the village fertility doctor. This is the most exciting arc because everyone has secrets and danger lurks around every corner. When cornered, Xiao Yao is most adept at grovellng, lying or poisoning her way out of trouble. Yet she is carefree, uninhibited and almost contented in Qingshui Town with her found family. Alas, destiny catches up with her as Cang Xuan, Tushan Jing and Xiang Liu all converge upon Qingshui Town, shattering her refuge.
The latter arcs take on a political tone as Cang Xuan emerges as a contender for the Xiyan throne with Xiao Yao clearing the path for him. They must establish Cang Xuan's support base among the restless and resentful Central Plains; where the noble clans and families have complicated blood ties to remnants of the defeated Chenrong state. Xiao Yao is the princess bride, a chess piece that Cang Xuan dangles temptingly in front of the scions of the powerful aristocratic families he seeks to win over. Marriage to him is simply a means to seal alliances. He supresses his heart's deepest, secret longing by sheer willpower. Zhang Wanyi adroitly portrays Cang Xuan as a consummate politician, a very dangerous, smiling tiger / xiàomiànhǔ 笑面虎 who has his enemies in a death lock before they even know it. Love is not of paramount importance for Cang Xuan and Xiao Yao, whose destinies are interlocking as a result of their childhood oath. They work towards a greater purpose with one heart and one mind. Anyone and everyone else is always subordinated to this purpose. They are both unattainable characters who have already carved out so much of themselves for each other that there is not much left for anyone else. This is why what Xiao Yao seeks is an unequal relationship with essentially, a doormat. The princess in her however prefers that it is a doormat made of fox fur rather than a rather foolish, entitled product of too much in-breeding.
Xiao Yao is by far the darkest, most complicated, and most independent female protagonist I have come across in Chinese dramas. This is an awesome and challenging role that Yang Zi delivers magnificently. As someone who had a huge allergic reaction to her earlier works, I am speechless at her portrayal. Her Wei Xiaoliu has decisively unseated Ni Ni's Fang Weizhi as the most convincingly acted female disguised as a male character. But it is her heart-wrenching homecoming scene that can squeeze tears from a rock that truly captures the depth of Xiao Yao's sense of abandonment and despair over the person she lost forever. I can't think of another actor that has so visibly taken their acting to a high a new level the way Yang Zi has. That said, no power on this earth will make me revisit her past roles though I enthusiastically look forward to her future ones.
Tushan Jing is the weakest link in this drama both in terms of how the character is written and portrayed. Despite his stunning physical appeal, this is not a role that a promising but inexperienced actor like Deng Wei is ready for. He pulls off a charismatic and endearing Ye Shiqi that melted Wei Xiaoliu's stone-cold and lonely heart. But he lacks depth and range and visibly struggles to get into character as Tushan Jing. His perpetual stricken, deer-in-the headlight expression threw me out of some of the drama's best, most intense moments. When the Haoling King assures his daughter that the shrewd and canny Tushan Jing must have already guessed her identity, the camera pans to a dumbfounded looking Tushan Jing! I burst out laughing even though I am absolutely sure I was not supposed to. It does not help that the character's weak and indecisive waffling does not match Tushan Jing's reputation as one of the most brilliant and cunning minds of Dahuang. There is clearly also a writing issue but it does not excuse the actor's inability to make the character seem deeply conflicted rather than just weak and lacking basic smarts and survival instincts. This is a glaring weakness that weighs on both my viewing experience and my rating.
Xiang Liu is Xiao Yao's greatest nightmare, a demon that she is bonded to by a spell no one fully grasps. He is her soul mate; they are both lonely, realistic characters trapped by a cause that is bigger than themselves and thus have no free will. Tan Jianci's masterful, subtly tragic rendering of this vicious, resentful and enigmatic nine-headed demon with a shockingly passionate heart has catapulted this fantastic actor to a new level recognition. His styling is spectacular but what takes my breath away is how with the angle of the head or a flicker of an eye, his expression can change from unholy amusement to vicious cruelty; from tortured to pure, unbridled joy and affection. I don't know how Xiang Liu's story ends but the fact that he is committed to a lost cause that pits him against the person Xiao Yao protects at all costs fills me with dread. I cannot see any scenario in which this ship does not somehow sink but my heart won't listen to my head that urges me to get on the lifeboat to safety before it is too late.
Season 1 sets up the backstory of a world torn apart by war and introduces many well-written and multi-faceted characters that were collateral damage in the conflict. Intricate relationships and debts that will at some point come due accumulate between the various stakeholders. After some draggy politicking, Season 1 ends triumphantly with an unexpected twist and sets the stage very nicely for Season 2. I expect Season 2 to reveal even more secrets from the past that will force Xiao Yao to make some impossible choices. How unbreakable is her bond with Cang Xuan? Will the tragic story of Chi Chen and the Xiling witch repeat itself? Will Deng Wei finally get his act together and give us the real Tushan Jing? Will Xiao Yao shock us with her marksmanship by shooting her rival in her black heart? I hope we will not have to wait too long to find out. At the same time, I am grateful that this breaks in a good place for a time out. I have come to care too much for these characters and something tells me that this is the kind of story where even those who get what they want may not truly want what they get.
So far, Lost You Forever is the most addictive and immersive drama I have watched in 2023. I rate this a 9.0 for now because there are some notable flaws but if Season 2 comes together well, there is scope for me to revise it up.
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This review may contain spoilers
In the past year the BL community has had the odd experience of three expensively-produced BL productions reaching their final few episodes only to collapse under their own aspirations, angering viewers and overshadowing all of the elements that they might have gotten right. In all three instances it can be said that these series (HIStory 3: Make Our Days Count, 2gether, and The Shipper) were trying to do something "different" with the BL genre. For 2gether, the intent was to reach a more global and conservative audience by toning down the gay aspects of Boys Love and replacing them with bromance. For HIStory 3: MODC and The Shipper, the directors aspired to transcend the BL genre and deliver something more realistic and thought-provoking. Unfortunately, the way both of these series did it was by killing off a beloved main character.
For me, a main character's death is as inappropriate in a BL production as a high-kicking chorus line would be in a production of King Lear. In the case of The Shipper, an artful story was already being told very well, and the series actually did seem to be transcending the genre. So many commenters on the MDL page have mentioned how the body-swapping theme sounded unpromising at first, but after giving the series a try they found that it played exceptionally well. Why, then, did the series end up killing off one of the main characters, even before they'd had a chance to actually be in a relationship with their partner?
I still have yet to learn how Kim's death in The Shipper served the themes of the series. At least in the case of MODC, the director had a theme that she wanted to promote ("make sure you cherish every moment with the person you love because you don't know when they'll be gone"). Attaching such a theme to a BL series proved to be a mistake, but she had her reasons.
For The Shipper, the character death seems gratuitous because its theme about ships, shippers, and the people being shipped doesn't need for anyone to die in order to get its point across. (Plus there's that tease about a sequel in the very last moments of the final episode. If Kim can live on in a sequel then why not in the original?)
Now, I've seen where because the main character of The Shipper is Pan and the "real" Kim has limited screen time, people have said that the series doesn't qualify as BL. Pan's journey, though, is mainly about discovering who the real Kim is, and as she learns more about him the viewers learn along with her and their affection for him deepens. By the time she hits the paydirt that yes, Kim and Way have a relationship that goes beyond friendship, we've become completely invested in that pairing. We're in it to win it! We thrill over Way's epiphany that he actually loves Kim, then get even more excited over the proof that Kim also loved Way, and from that point on Kim has become as important to the series as any of the main characters who've had more screen time.
How sad, then, that none of these revelations can ever get acted on or rewarded because one of the boys turns out to be dead. We discover that what's been served up is a full-blown BL storyline but with a tragic ending. And if anything doesn't belong in a BL storyline, it's tragedy.
It must be said, too, that the longer Pan stays in Kim's body the less appealing she becomes as a character, deciding to intervene with the people in Kim's life to make sure they know that he's actually not a good person. At one point I became disgusted by her judgmental attitude and smug sense of superiority. I'm not convinced that she ever truly lived that down, thus weakening her standing as a main character that people can sympathize with completely. In this regard Way is the much better person, and all the more deserving of the happy ending that the series squanders on Pan.
It also bothers me that the hetero-normative couple gets the happy ending while the m/m couple gets the dead boyfriend. Back in the 1950's, death was in store for most gay characters because the morality of that era demanded that they meet a tragic fate. In this sense The Shipper is terribly unenlightened and regressive. It would have been so easy to give both the m/f and m/m couples a happy ever after, and it would have more effectively communicated how every kind of love deserves nurturing and respect.
A happy ending for all would also have been befitting the BL theme of the series.
I would have liked to listen in while the creative team for The Shipper worked on the storyboards and reached the decision that Kim would be killed off. What the heck were they thinking? They obviously misread their audience in a fundamental way, and I can only hope that GMMTV takes heed of misfires like The Shipper when they hire the next production company to mount a BL series.
In about three months I plan to do an experiment where I'll approach a few BL fans at random and ask them what they remember most about The Shipper. I think I know what the answer will be. In the meantime I'll be checking in with The Shipper's MDL page every now and then to see how many comments are NOT about the crappy ending. (Not many, I bet.)
This is the danger of messing with a genre that people absolutely love. But, after what amounts to three disastrous decisions in three expensively produced series, I'm starting to wonder if anyone in charge really cares.
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This review may contain spoilers
Not your usual RomCom, yet a love triangle on top of a socially critical labour dispute mission
The protagonist's name "Byeon Hyeok" means "revolution". The wordy title "Revolutionary Love" already hints that this is about a Romance. But this title also contains the second plot line: the love that leads him to revolution - to resistance and struggle for the rights of irregular workers in the company of a powerful Jaebeol. One way or another, Byeon Hyeok is at the center of events - as the eldest son of Jaebeol of the Gangsu Group, who is in love and choses the barricades (and new ways) within the corporate culture of his father's business group.Basically, the topic of such a labor dispute is rather socially critical and highly explosive, because there is practically no legal representation for the irregular part-time workers in South Korea. The number of non-regular employees is four times higher than among the other OECD member states. Employment relationship is not well protected. There is no union representation. Irregular employees usually only receive about half the wages of a permanent employee. The time limit is barely a year. Since the Asian crisis, this form of employment has proven to be cost-saving and convenient for small and large companies, so that it has been retained on a large scale to this day. "Revolutionary Love" cleverly focuses on this aspect of the South Korean working world as this critical topic is sort of camouflaged with a lot of slapstick and speed on the humorous note ... and of course there is the romance...
The role of Byeon Hyeok is a showpiece for Choi Si-won, who, with his wide array of physical, wordless visual grimaces and gestures, softens the actually frustrating labour dimension by Korean standards to a level that makes it accessible to the masses on public cable TV (and 'permissible' for the powerful). At the same time, Choi Si-won has the necessary sincerity to also show his sensitive side and create space for the closeness of a romantic relationship. In contrast to the comedic character of Byeon Hyeok is his 'friend' Kwon Jae-hoon, whose leitmotif ´seriousness´ can hardly be surpassed. In between, the head of the "revolution" whirls: the street smart Baek Joon.
"Revolutionary Love" is a KDrama that is often underestimated by Western viewers in its ambitious socio-critical and labour policy claims. It knows how to touch with the protagonists' love triangle despite the labour dispute mission. Yet, be aware, it is not your usual RomCom.
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家和万事兴 (Jiā hé wànshì xīng) Prosperity Starts from Harmony at Home
家和万事兴 is a motto that is embedded in every Chinese people’s heart. This philosophical adage reflects in their everyday life and is vividly portrayed in this outstanding story. The Story of Xing Fu is partially adapted from Chen Yuanbin's novella The Wan Family's Lawsuit (万家诉讼) which was also made into a movie in 1992, Qiu Ju’s Lawsuit (The Story of Qiu Ju), directed by the acclaimed Zhang Yimou and acted by the gorgeous Gong Li. The earlier story was set around the 1980s when rural life was harsh, and the country’s economic miracle was still at its infancy.In this new story, The Story of Xing Fu, set in the late 2010s, viewers can see the marked improvement of village life compared to the 80s, but the rural-urban differences are still very distinct with the sophisticated urbanites looking down on the poor villagers; the divide is even more brazen now than the old days.
Xingfu (Zhao Liying) is a rural woman who is strong headed and lives life guided by her uncompromised principles of honor and integrity; right and wrong for her is black and white. Though not well educated, she would go all out to find justice when a person’s right is being infringed, for she is a person who would go all out to help whoever needs help. She is fearless to take on the rich and powerful if she needs to, because she believes the rule of law will always prevail. After she marries to a farmer, Wang Qinglai (Tang Zeng) from a neighboring village, she comes to live in the Wan Family’s Hamlet.
The Wan Family’s Hamlet is a settlement founded and led by Wan Shantang (Liu Wei) as the respected village head. The residents there are mostly Wan Shantang’s relatives with Wan (万) as their family name. Hence, the Wang (王) family, Xingfu’s in-laws, becomes an odd-one-out and feels like an outsider. For this reason, the Wang family always keeps a low profile and tries to please everyone especially Wan Shantang, hoping with the village head on their side, they would blend in more easily.
All disputes by villagers in rural China are usually settled out of court through intermediaries such as the village heads. Local police may be involved as a mediator to bring the disputing parties together to come to a settlement. This drama carefully portrays this side of life for most of the Chinese population (majority of the population still lives in the rural areas and small cities).
Therefore, when Xingfu’s husband was accidentally kicked by Wan Shantang in the groin, she is unhappy with such settlement and files a lawsuit against Wan Shantang, something that is out of the ordinary. As things eventually turn out, Xingfu is indebted to Wan Shantang, and the lawsuit is forgotten. But as everything is going smoothly for all, the law catches up with Wan Shantang and he’s imprisoned. Outraged by her action which is seen as being ungrateful by the villagers, Xingfu and her husband are forced to leave the hamlet to avoid their awkwardness at home and become migrant workers in the city.
Chinese families often sacrifice themselves and send family members who have the most potential to the cities to work or for higher education, in the hope that the ones that ‘make’ it would reciprocate and help take care of the rest of the family. The concept of investing in one person and when the person gets wealthy, he/she would help bring up the rest of the people, permeates the whole society. Wang Qinglai and his family work hard and send Wang Qingzhi (Liu Yanchen), Qinglai’s younger brother, to study and work in the city. When Xingfu and Wang Qinglai come to live in the city, Wang Qingzhi is expected to take care of them.
‘Guanxi’ (connection) and ‘renqing’ (favor) are deeply rooted practices of the Chinese tradition. As the government tries to weed out nepotism and corruption, such practices become prohibited especially in the cities. Wang Qinglai doesn’t realize the pressure and predicament he has put his brother in, as such tradition is viewed undesirably in the city. The drama tries to portray realistically the conflicts between the brothers in the job finding process.
There has been massive rural – urban migration in the last 40 years in China, causing unsustainable pressure in the cities. Rural farms are being deserted, children are growing up without their parents, and elderly parents are being abandoned by their city-bound grown-up children. Wan Shantang tells Xingfu that, though it’s a must to leave the village to see the world sometimes, she must not ever forget where home is. After all, life is meaningless if one loses one’s family. These heart-felt words are meant not only for Xingfu, but for all viewers alike: do not lose your family in the pursuit of wealth and materialism. In the end, you may end up with nothing. Silently the writer is telling the viewers that, wherever we may be living, family is where home is.
In this drama, Zhao Liying is not that glamorous girl. She's a typical village woman with unflattering hairstyle and old-fashioned clothing that is worn by most women in rural China. Her growth after living in the city helps her look more sophisticated later as an inn keeper, but most of all, she becomes more flexible and articulate for the well-being of all the residents of the Wan Family’s Hamlet. Zhao Liying’s portrayal is convincing, bringing alive the Xingfu character who initially has a one-track mind and later develops into a savvy business woman with compassion and understanding. She learns that not everything is as clear cut as in black and white; at times, there are the grey areas and she needs to be flexible enough so that everyone can live in harmony, as it goes, “Prosperity starts from harmony at home” and Wan Family’s Hamlet is home.
I really like the amicable, but straight-shooting Wan Shantang character who is kind and upstanding but occasionally impatient and explosive, and Liu Wei’s portrayal is so wonderful and authentic. Acting as his son Wan Chuanjia, Cao Zeng’s portrayal is equally good and believable.
Luo Jin plays a supporting role here as Guan Tao, the lawyer. As always, Luo Jin exudes an affable demeanor and though he’s not the lead here, his character is well loved, and his chemistry with Zhao Liying is wonderful although their relationship is only platonic. All in all, the whole cast puts in the best of their acting and every character has its flaws, and is realistic and believable.
My Verdict
Just as the brutal treatment of the Tangshan (China) girl’s incident came to the attention of world media recently, the airing of The Story of Xing Fu is timely. The beginning episodes of this drama almost eerily replicate what happened in the Tangshan incident and its handling by the authorities. It is sad to see how many similar cases swept under the carpet, each condoned by the society. There is a lot of injustices, class differences, and gender supremacy, which is an on-going issue, and is not unique only to China; it happens in many societies, including in the open west. I'm glad that Zhao Liying took up this project to bring awareness to the injustices in the rural Chinese society where women are constantly suppressed, discriminated, and wronged.
Director Zheng Xiaolong, who also directed the Legend of Mi Yue, one of my most favorite historical dramas, together with Director Liu Xuesong have brilliantly portrayed the lives of ordinary people in everyday rural China where much of the population lives, bringing out their challenges, ironies, and resignations in facing a changing world. The picturesque scenery of the village is breathtaking. This drama has no romance, no nail-biting plots, no mysteries, just plain slice of life. Many viewers may find it boring, but that's missing the point.
Sacrificing individual’s rights for greater good is touted in the Chinese society; benefits for the community is more important than for personal gains, and this value is repeatedly reflected in this drama. Hence, all conflicts here are being resolved through the concept of “prosperity starts from harmony at home” in mind. It is perhaps such simple value that brings the Chinese societies together, and they become united and great overall for the world to envy. This, is the point of the story.
This drama is for viewers who want to learn more about the real face of China, and for viewers who appreciate the beautiful countryside and its tranquility with a laid-back simple lifestyle.
GREAT WATCH!
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The Scooby-Doo Gang Minus A Goofy Dog
I was anticipating the reunion between Jung Il Woo and Yuri after being blown away by their pairing in Bossam: Steal the Fate. So when I saw that one of the genres was crime & mystery, I was looking forward to a detective show where both leads would deploy their abilities and work (and flirt) together to solve crimes and deal with the darker side of humanity.Well, this show was that but not really that either. I can only say that it was a novel, mash-up of genres and had an interesting, chaotic dynamic about it. The show kicked off with great energy and mostly maintained the fast paced action throughout that kept me interested. I knew that there was comedy but I did not expect such silly, slapstick humor and ridiculous set ups. I supposed the opening credits in comic book style should have given me a hint that this show did not take itself seriously. Each episode required one to suspend disbelief, sit back and enjoy the ride which I totally did. I found every episode hilarious and entertaining.
Even though the show was all over the place, with tons of inconsistencies and plot holes, there was still a main storyline with the ML, Eun Seon Woo trying to find the murderer of his mother. Actually a prominent chaebol, Seon Woo opened a detective agency as a front for his investigation. Helping him was his sidekick and probably only friend, Yang Jin Mo, a brilliant lawyer who was also incredibly tech-savvy. I gotta say, Yang Jin Mo had the best lines throughout the show and Eum Moon Suk played this funny character very well.
Along the way, Seon Woo met Don Se Ra and ended up having her as part of his undercover team and while the romance between the two main leads took a slower path, culminating only in the last couple of episodes, Yang Jin Mo and Se Ra’s best friend and baker, Sa Na Hee played by Song San Eun, went on a much faster track.
The four main characters had great rapport and played off each other so well. Il Woo again impressed me with his ability to emote different feelings via his micro-expressions and his eyes, oh his eyes…Yuri took Don Se Ra, a character that I found irritating at first due to her self-righteous stubbornness and evolved her into a likable FL. The chemistry between Il Woo and Yuri did not disappoint! Even though I had hoped for more kisses to make up for the lack of in Bossam, I still enjoyed watching their interactions on screen. Jin Mo and Na Hee, on the other hand, made me cringe but also laughed a lot - their overacting and silly antics never failed to tickle my funny bone.
Really, these four reminded me of the Scooby-Doo gang minus a goofy dog. They even had a van that the real Scooby-Doo gang would be proud of! I was happy to see Lee Joon Hyuk who was also in Bossam as Director Hong. He was another character that delivered the right amount of comic relief.
The antagonists fell flat for me though with some wooden acting but Hong Woo Jin deserved kudos for playing a secret psychopath.
The music track was great - the opening song and the other ones were upbeat and lent an uplifting tone that was apparent throughout the show. For posterity, I added the list of songs below.
Overall, even though I can see why “Good Job” could be a hit or miss with most people, I would recommend that you give it a try. It is watchable, bingeable really with only 12 episodes, has many great moments and ends on a high note.
OST list:
Closer - JAY B & Youngjae (영재) |
https://www.youtube.com/watch?v=rheg1w0k3Us
https://open.spotify.com/album/4RxzSoaDzWmFEeJB2H23br?si=GxbNoKerROeB5f5YvmCEfA
Savior - Baekho
https://www.youtube.com/watch?v=AXQAAqjzQbI
https://open.spotify.com/album/1Dvc61AhWBaCxtzWZvNcUh?si=LMSqeE2MQ16yOqsurlpRcw
하루 (A Day) - SUMMER CAKE (썸머케익)
https://www.youtube.com/watch?v=8pZnAmfnEHo
https://open.spotify.com/track/24thngWyztJ8opjZgam2DE?si=6ae7eb1324f24161
Spring ‘봄’ - Yerin (예린)
https://www.youtube.com/watch?v=iOqqlE20x5w
https://open.spotify.com/album/0W13rQuiY4xY5cISSa9uni?si=F5nHO9_1S9GxKwJJJIb3_w
Obvious (뻔해) - SOULSTAR (소울스타)
https://www.youtube.com/watch?v=QVvZ7NEvZBw
https://open.spotify.com/track/20eeWxB72UDma9z1nGk3Ah?si=c22c91920c9542e9
Like You 굿잡 - 찬주 (Chanju)
https://www.youtube.com/watch?v=EC0AqWa-eEA
https://open.spotify.com/album/0dnFHJfAFIirCZkXbu4AGS?si=LF2r3EwbR2qY6XnipPhJoQ
Key - Bryn (브린)
https://www.youtube.com/watch?v=H1nB6wwWsmk
https://open.spotify.com/track/54yc7L3u6ZeWofDvlWybZI?si=8e28553e995a497f
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