I wasn't familiar with the traditional story of Don Quixote, but that wasn't necessary because this drama really didn't stick to the traditional story. What the drama took from the Spanish story was a theme of "unconventional chivalry" and really played it up.
Assuming that you read the synopsis, this story is a Secret Garden type of switch but without the romance. (if you didn't see the Kdrama Secret Garden -you need to- but think Freaky Friday). Yes there is essentially no romance in this drama but you really don't miss it. The main characters are like fish out of water and it makes it hilarious to watch.
The two main characters are played excellently by the already awesome Matsuda and Katsumi Takahasi. I loved seeing Matsuda smile and be really dorky then witch to being all Yakuza, if you are a fan of his then there is no reason not to watch. Katsumi was really good to playing a totally dweeb young man , he made it believable.
All in all, this a undeniably great drama. It sucks you in, has great topics and situations and by the end you feel as if you too have gained 2 friends. Even if you see the end coming in this drama, the characters are so likeable that you want them to do their best. All the episodes are good and there is no need to fast forward, and i normally need to fast forward. If you feel like getting away from all of the plotting and scheming that some of the other dramas have, this is a good refreshing one. Watch it. Like now.
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Cast - Well, let's take a look at the cast first: Ken (Wonpuapan Theeradeth) plays the lead - Paat. He's a tea farmer, not terribly well behaved or educated but proud of rebuilding his family fortune and farm. I'm sure it's a part that Ken could play in his sleep but he really made you feel his sadness and anger at what he viewed as betrayals from his deceased wife and society in general. Yes, he's got a few friends and his workers see him as fair but that's about it. Think, walking thundercloud. It's a convincing act!
Every grumpy/mean lead needs a heroine to change him. In this drama, it's Namtarn (Wongsarattanasin Pichukkana) playing Rojanasnai, the innocent heroine. Friendly, good to her family (who does not treat her well as she's the adopted daughter) and a good student. Plucky to a certain extent but your are mostly believing it because she seems like a genuinely nice person. I've read this ingenue part was her debut role and she acted it convincingly.
The other main parts are all acted convincingly so I guess these actors did their parts well. Only a few seemed over the top and that eventually toned down. If you watch lakorns, you'll be familiar with the stereotypical roles - foolish servant vs. the proud servant, the brave soldier (in this case, the police officer), the villainous drug dealer, the humble, hardworking farmers, the ferocious beauty, the spoiled sister, etc. One item of note - the older actors playing the dads, moms, etc. were especially good.
Plot: Their forced-cohabitation romance comes about because their families' promises to wed their children together. It's a classic asian dam trope but with more of a city/country clash to it. He thinks she's too soft and she'll give up on the marriage. There is a fair amount of revenge-based behavior but it doesn't get too bad. In the script, his friends and mother know what he's trying to do and tell him to cut it out - but it still isn't something you'd want to experience. The side characters and plots - the women who want Paat, the drug dealers who want Paat to stop interfering in their trade and the guys who like Rojanasnai - all are well done. Even the monstrously bad behavior of her obviously mentally-unbalanced sister (whose been spoiled because her parents don't want to set her off) has some believable aspects. There are also some nostalgic plot lines involving the Hmong people now living in Thailand. Outside of the "will they or won't they fall in love" plot line - the most obvious storyline is about how lovely living in the Thai countryside is. The countryside and the tea plantation is filmed beautifully and seems like ad for Thai tourism at times.
Music: Nothing terribly special but nice. It doesn't overpower the plot although the theme song does get used a lot at what were probably commercial breaks.
Rewatch Value: You know, if it popped up on my playlist, I'd rematch it. Ken and Namtarn made a nice, believable couple There were some nice kisses and some witty dialogue. The countryside looked very soothing. I'm not watching lakorns for realistic, gritty modern life so, yes, it has a pretty high re-watch value.
I hope I'm not making this sound horribly bland. It's not a ground-breakingly exciting drama but it isn't the worst thing out there. It might help you acquire a taste for Thai lakorns.
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I like the way its scriptwriter measures various contents in Good Luck!! because they are well-balanced. Most of the story lines are revolves around the career of Shinkai. Every details and his job in the airlines (such as safety, seniority, check lists, training, and even periodic medical check-up) are portrayed very well. It's not suprising that this big-budget drama is supported by a premium airlines in Japan, All Nippon Airlines, so it didn't fail its expectation. Not only the pilot's everyday life, but his relation with fellow pilots, family, girlfriend, and neighbor are amusing as well. It's all natural and very realistic. Some anticlimax near the end may have deducting the overall points of this drama, but that's not a great deal.
Perhaps what bring this drama into life are the actors portraying the characters, particularly Kimura as young first officer (one rank below captain) Shinkai and Tsutsumi (my personal favorite actor) as Captain Koda. While Kimura plays his usual style, Tsutsumi stole the limelight with his superb acting and depth. The supporting casts play well too, while the actress playing the veteran flight attendant Togashi deserves honorable mention. Even some actors who are not known for their acting prowess play well here.
Last but not least, this solid drama may make you turned into an aviation enthusiast like I was. If it's not, at least you will be entertained along the show.
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This review may contain spoilers
Building 19; An Underrated Show
19th Floor or Building 19 as I think it should have been called because we never really saw 19 floors but the number on the building itself. This show was ridiculously underrated and that's sad. I didn't expect it to be good and only really knew ML, FL, and Bai Shu's characters from a few previous series. But it had a great storyline that never dragged and only a few baubles.Pros: A show has to be good for me to watch it with AI subs as it's something I very rarely do because they give me a headache. But even before I knew when Viki was actually going to drop with subs, I was invested in watching. I'm so glad that romance wasn't the priority shoved in there like most even sci-fi shows have done. The teamwork and friendships built gradually amongst the players of this life or death game was the main theme. We did end up with two couples ultimately but it was a very toned down process that wasn't forced.
Favorite characters were def ML and FL; the essential high IQ and EQ alpha male (GX) and female (CY) who really in a sense were childhood sweethearts. He had searched for her high and low and they ended up in the game together as her father helped him find and protect her. All of the members of the team went from annoying, having issues, or jackasses to great friends and supportive of each other. Absolutely everyone evolved and grew. I'm actually glad Uncle Lin never regained his game memories because someone else taking over his body and the rest of that would have been pretty traumatic. There were 3 fathers in this series that had daughter issues including the villain but he was just insane. I wish GX hadn't sacrificed himself to save him. I would have let him fry. Thankfully it didn't take GX too long to return to the land of the living and have his memories restored.
The basic premise of this show is that a villain (YML) hijacks a game from two other creators and creates a horror show where players must "die" somehow or figure out a way to pass each level to survive. Players never choose it, but a chip is implanted in their heads because they tried a free VR game and the device implemented it. Those that die in horrible ways, end up in a coma with their lives basically in this dude's hands. And all of this because of his own selfish actions and being unable to save his daughter but because the paramedics didn't get there in time, he blames the world and wants everyone to suffer.
The CGI was truly amazing how realistic they made each world. They showed a video of each level in the game and how it's created. There are comical moments too and tear jerking ones. They also showed each important person's family life and how imperfect it already is plus each night, they get sucked into the game no matter where they are; sitting, standing, on the toilet. All of the twists and turns of this series really had you wanting more. Even YML up until his last episode, you wanted to use a flamethrower on.
Cons: Starting with YML; he was just a loony that deserved jail time or to die in his own game. So him being saved by GX and from just a few of GX's words understanding his mistakes that for 29 episodes he didn't get wasn't very believable. Yes, this was an AI-VR sci-fi show so reality was superficial but this was basic human nature stuff and a leopard doesn't change his spots so fast.
The fact that the group actually believed him when he said he'd remove the chip was poor writing. Also when they sneaked into a high tech building on some occasions but got caught in others was unbelievable. A place like this that had guards and cameras everywhere, how could you not get caught? Or think you were in the clear? It was very unrealistic and this happened like 4 times. Another weird plot hole was that in the last episode the policeman speaking to the press said they'd been investigating this for months and had "the masses" tell them this was going on; what masses? Her dad that was in Uncle Lin's body? Only the ones in the game knew about it and the doctors that were made to disappear or director of the hospital. Where did this mountain of evidence come from that they'd been compiling? The group was afraid to go to the police because they didn't think they'd be believed. Meanwhile, the police supposedly knew and yet didn't do anything about it until they mysteriously and randomly showed up at the place when YML was chucked into reality by GX in the second to last episode to arrest him? Makes no sense.
Personally, though they made weird overtures with that random dude in the last 3 minutes of the show that there may very well be a season 2, I don't want it. Cast will most likely be different and the reason for it wouldn't make sense anymore. Leave well enough alone. Should have just ended it on our group walking away together from that alley fight.
Would I recommend it? Absolutely! Just wait for Viki to drop with proper subs; it's a great series if you like sci-fi despite some flaws in the cons. All of the actors did a good job. Worth the watch.
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Death will happen, no matter what. But what is important how you treasure the presence of these people for as long as they live.
I love the way the actor showed such gentleness while embalming the dead. Every process was done so delicately and filled with respect to the deceased.
A very touching movie indeed. I cried more than twice in it.
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Creation of the Gods Ⅰ: Kingdom of Storms
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Sons of a tyrant.
Wuershan's Creation of Gods trilogy is the culmination of an eight year labor of love that is the most ambitious and grand scale adaptation of Chinese classic Investiture of Gods ever. This Homeric, often chaotic tale of gods, demons and men that blends speculative history with myth and legend is probably the most widely adapted ancient Chinese vernacular novel. This grandiouse, exhilarating, action packed, and painstakingly crafted production is a visual triumph and an immersive adventure that is best experienced on an IMAX screen.Kingdom of Storms is the first instalment that focuses on the origin story of the King Zhou of Shang and how he incurred the wrath of the heavens to the extent the gods intervened. In a departure from canon, this adaptation does not lay the moral decay of King Zhou solely at the door of the hedonistic, fox jezebel Su Daji. This version holds King Zhou accountable, clearly asserting that his ambition and moral flexibility already put him on the dark path from the get go. This is a more layered and manipulative King Zhou, who adopts all of his noble hostages including Ji Fa as foster "sons". He ruthlessly indoctrinates his own son Yin Jiao as well as his hostage sons into choosing to be sons of a tyrant over their own fathers. All of the sons are pushed to decide whose son they really are and what kind of man they wish to become. This recurring theme of conflict between father and son and right and wrong adroitly weaves most of the sub-plots together.
Kris Phillips with his magnificent build and his imposing, quietly menacing , almost mesmeric screen aura is impeccably cast as King Zhou. He so much looks and breathes the part that it is easy to ignore his at times bizarre Mandarin and the occasionally stiff acting. Although the stunningly gorgeous Naran is bewitching as Daji, the role lacks complexity. She doesn't get to do much more than alternate between a sensuous seductress and a cunning and feral animal spirit when cornered. This debouched couple lights up the screen with their dark chemistry but I could have done with a bit less of their wanton cavorting that comes off as too unsubtle Hollywood. Beyond their honed physiques and stunning atheleticism, both Yu Shi's Ji Fa and Chen Muchi's Yin Jiao won my heart with their brotherhood and their portrayal of initially bewildered and disillusioned sons who grow up to become fearless and resolved men. They stand out among the dazzling number of up and coming young actors who managed to make an impression in this whirlwind production as does Ci Sha's not so hot headed Yang Jian. The deities don't feature as prominently in this first chapter but I much enjoyed this first glimpse of the diabolically mischevious Nezha.
For those unfamiliar with the chaotic original works, the storytelling may seem cluttered with vignettes at the cost of plot advancement as this largely sets the stage for what culminates in the battle of all battles between good and evil. Beyond an almost gratuitous amount of wildly, intense action scenes, the narrative pays homage to key features of the original works from Ji Chang's meat pies to Bi Gan's seven chamber heart. It culminates in Ji Fa's hair rising escape from the Shang capital Zhaoge. Keep watching after the credits roll as the following epilogue sets up the next instalment where hopefully we see a lot more plot movement. This is a very difficult and messy novel to adapt but so far, I am very impressed with how cogently and fittingly everything ties together. This promises to be the best adaptation by a long mile of this well loved novel, the first part of which warrants a highly enthusiastic 8.5/10.0 from me.
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This review may contain spoilers
Lighthearted romantic comedy centered in convenience store
8.5/10 is my rating. This is a 2020 South Korean comedy romance with 16, 70 minute episodes.Choi Dae-hyun (Ji Chang-wook) encounters a gang of female high school students after suffering a setback in a relationship. The leader of girl toughs, Jung Saet-byul (Kim Yoo-jung), Saet-byul tries to bully Dae-hyun Into buying cigarettes but instead steals a kiss from him. She was immediately attracted to the handsome young man who made a sweet gesture of flowers and a stuffy to a girlfriend who obviously did not appreciate it.
Three years later, Dae-hyun has resigned from the corporate world and is running a family owned convenience store. A chance encounter brings Saet-Byul back into Dae-hyun’s life and when she notices he is looking for a part timer she persistently seeks the job to be closer to the man she likes. Da-Hyun is two years into a relationship with another girl who does not see his worth. Saet-byul is determined to show she is no longer the troubled young girl Dae-hyun first met and steal his heart in the process.
Spoiler alert! I really loved the female lead character Saet-byul she is basically a street toughened kid in the beginning. Being poor is hard wherever you live and it was admirable how she sacrificed herself to give her sister a stable teen age life and start on adult hood. The sister acted just as expected when she was young but showed great character growth when she expressed to Saet-byul that she knew and appreciated what she had done for her. I liked that the younger sister was able to be successful as an idol. I liked all of both of their friends and it added a lot of interest with the things that happened in the multiple relationships. Choi Dae-hyun was perfectly sweet as the male lead character. He was responsible, stable and noble. The second guy was a gorgeous idol who was hopelessly in love with the beautiful Saet-byul he credited her deceased father for the foundation of his success and felt responsible to watch over the two girls. I did get a little bit of second guy syndrome. I loved how Choi Dae-hyun‘s family took Saet-byul in when she had nowhere to go and even later took in her little sister. It was something my parents would have done so I could identify. The love story was sweet and the two looked amazing together. Kim Yoo-jung is so pretty that she was an incredibly believable pair with handsome Ji Chang-Wook. I highly recommend this as a light hearted feel good romantic comedy.
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This review may contain spoilers
no regrets
This was a very intriguing sci-fi series that presents a lot to think about. I personally loved this. The story is based on the premise that that brain can survive for 4 minutes without oxygen before permanent damage occurs. What happens to our consciousness in that time period? "4Minutes" explores this idea, and I thought it was really cool. The series isn't without its flaws and holes, but it was still thrilling. I was kept intrigued until the very end.-------------------------------------------
● SHORT REVIEW
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[ --LIKES-- ]
✔ Piecing together the timeline. It was intriguing to see what happened in reality and what's altered history.
✔ Our main characters are very grey characters and that made them interesting.
✔ I like the way the story is told. We get different pieces of the story through different characters' perspectives.
✔ There's a certain realism to the story that I liked. We're powerless to change the past, but we can take responsibility for it, learn from it, and move forward. The consequences of the characters' actions aren't magically erased.
✔ There were some really nicely done scenes. One scene I liked was when Dome was coming home to Tonkla from the hospital. It transitioned from Great's dream to Tonkla's reality. It could also be seen as a representation of Tonkla missing his brother. I also really liked the scene when Great is lying unconscious in the hospital, Tyme is asking for forgiveness and saying he'll take Great out for a meal. I think this corresponds with the scene in Great's dreamworld early on where Tyme gives him the Thai tea and ask him for a meal afterwards. (Great saw flashes of the stickynote from Tyme asking for forgiveness). It shows that Great could hear Tyme's words and it influenced Great's dreamscape.
✔ CATS! Idk, I just liked cats, even Tonkla's instigating ghost black cat.
[ --DISLIKES-- ]
✖ Some characters were introduced that didn't feel very significant. For example, Tyme's ex-girlfriend Nutcha. Yes, I know the scene wit her shows the change in his character, but ultimately, that could be achieved without needing to insert her character.
✖ The romances in the story felt under-developed. Romantic chemistry is not the same as sexual chemistry. I originally watch the version without all the sex, but I went back to watch those scenes just to see if it changes how I felt about the chemistry between all the couples. While the sex scenes were steamy, it didn't add much romance-wise. I'm not saying there is zero chemistry, just not enough for the romance to leave an impact on me or to justify some of the actions/events. Were they sexy as heck, though? Yes.
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● IN-DEPTH REVIEW
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[ --STORY/PLOT-- ]
Some may argue the "it was all a dream" trope as bad in that nothing that happened mattered, but it mattered to me. It doesn't change reality or the things that happened, but it changes the character and our perspective of the characters. That, to me, is important. Great is actually that not great of person in reality previously. He made a lot of mistakes, but what makes him redeemable is that he regrets them. This is why the first five episodes are important. If we only saw reality as it was, I don't think I would like Great as much. However, because I saw his attempt to change things in his dream, I know there is a good person there. A little over the first half of the series takes place in Great's mind, but it's still an experience that he and the viewers can learn and draw from.
I really like the idea in the series that we are powerless to change the past. It feels real. The sad truth is that Great was not able to save any of the people he wanted to. As disappointing as that may be, it's a reality he must face and deal with. Our regrets should be a learning experience to do better and be better. Fear can impact our decision making. It can cause good people make bad choices, many that we cannot take back. What matters afterwards is that we ultimately take responsibility for it, and we see Great doing that in the end.
I think the sci-fi aspects of this series was fun. However, the series still has it flaws. Most of it, however, has to do with the romance aspects. For me, I just wasn't really feeling the intensity of the love of either of the main couples. I'm not saying it was bad, it was just ok. Steamy sexy scenes aside, there were also some cute moments here and there, but the romantic aspect and chemistry never really made me feel strongly any type of way. It didn't make my heart flutter. It didn't feel intense or epic enough to justify some of the actions and events that happened. Did Korn really love Tonkla so much that he was willing to kill himself for his secret lover's death? Plus, he also learned that Tonkla cheated on him and also shot his brother. Was Tonkla, to him, really worth dying for? Apparently, the answer is yes, but his behavior never really convinced me, and I wish we could see more of Korn's feelings in action outside of just sex.
I have the same feelings about Tyme and Great. Was their love really so powerful that Tyme was about to call out from his dreamworld into Great's dreamworld to get the latter to wake up? In the real world, they didn't have many sweet or good interactions. In fact, most of their nicer moments that left an impression on me were all in Great's or Tyme's 4 minute dreams. So maybe, they both fell deeply in love over these made-up interactions and scenarios in their respective dreams? But if ignore all the dreamworld stuff, and just look at the events of reality, there really isn't much foundation for their relationship. I guess, sometimes there is an invisible spark and we just feel the way we feel. However, for me, as a viewer, I just wasn't seeing or feeling it. With all that said about the romance and chemistry, I want to reiterate that it wasn't bad. It just didn't seem strong enough to justify some of the events or characters' actions. It was just ok.
[ --ACTING/CAST-- ]
I can't remember off the top of my head if I have seen anything with Jes. I know I have some things I plan to watch with him in it, but not sure if I haven seen anything yet with him before this. Bible, I have seen him in "KinnPorshe" and I loved him as Vegas. I like him as Great, too. Great isn't as deep or impactful was Vegas was, though. Bas and Aiz's characters are listed as supporting roles, but to me, they were also main characters. Korn and Tonkla's story were very pivatol to the whole plot, so not sure why they are only listed as supporting characters. Also, Tonkla's character, I think, had the most depth out of the the four. His acting also left the most impression on me.
[ --MUSIC/OST-- ]
The opening theme is nice. There were also some nice scores. The series even has it own cover version of "Why Don't You Stay" originally from Jeff Satur. I don't think there was anything that wowed me or that I had to look up for my playlist though.
[ --REWATCH VALUE-- ]
I will definitely be rewatching this at some point. As with any series that deal with time manipulation in any aspects, there's usually details that could easily be overlooked or missed. Plus, this was very interesting to watch. Maybe I will find more holes or questions. Maybe I'll watch the Sultry version as a whole. I watched the cut version this time and only went back at the end to see those sex scenes seeparately to see if those added anything to the chemistry/romance, but maybe I'll rewatch the sultry version all the way through. Maybe I'll feel differently about the romantic chemistry. Even if I don't gain more insights or answers, it will still be a fun watch again.
[ --FINAL THOUGHTS-- ]
The action and sci-fi mystery aspects of the series definitely kept me hooked. It was a lot of fun while also having depth and things to think about. The big lesson we can draw from this series is that we just have to face reality, however bleak it may be. The world is going to be stained by our mistakes and regretful choices. We can't go back and change th past, but going forward, we can only aim to make the least regrettable choices. And for me, this series is one of those least regrettable choices.
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● NOTE
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I'll always conclude my review by saying that ratings and reviews is not really a indicator of whether you may like or dislike something. We all have different tastes and standards. Don't let a bad rating, review, or comment discourage you from watching something. My advice will always be to give something a chance if the premise interests you, and only use the ratings/reviews to determine priority if you already have a list of other things to watch or if deciding if you want to continue it after a few episodes. Also thanks reading my review!
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Viewers fresh from home or even on the cusp of building their own families may relate most to the tale dictated by Tonbi. The same might be said for those who, already having experienced much of life, are adjusting to empty nests. This drama builds an effectively nostalgic hometown backdrop, complete with unique landmarks and quirky, over-exaggerated denizens. With such a setting, themes and happenings are explored which remain universal despite whichever specific focus is placed on them. The result is a warm, emotional ride which is rather easy to connect with.
Several aspects struck me as slightly uneven nonetheless. The plot relies on various coincidences and, while I can allow for the fact that life sometimes hands out beautiful symmetry, there are too many to shrug. Many point out that Japan stumbles often with romantic love. As expected, few romantic relationships in Tonbi (including one which later becomes a major plot point) felt honestly loving. Because the true focus centers on bonds between parent and child, this is relatively forgivable. Lastly, much of the story is told by son Akira, either through flashbacks or as stories told to others. For the most part this works just fine, but these sequences frequently show characters from their own perspective. While it would be nice to have that level of insight in real life, this staggers somewhat strange. Even for a community of people as open as these, we rarely know everything others experience alone (especially our parents).
Near the start of Tonbi, I spent a reasonable amount of time deciding whether Uchino Masaaki was performing well. His Yasuo is larger than life, initially more like a dumb but lovable hound unable to control itself when excited than an actual person. Yet when all parts of his portrayal are placed together, brilliance flows forth. My favorite bits were his emotional revelations, becoming acquainted with the vulnerability and loneliness of the character. Sato Takeru improves every time I encounter him. His scenes often feel quite natural lately. While his Akira does not induce the same level of interest as Yasuo, the chemistry with Uchino-san makes this drama. A true degree of familial love seems to pass between them, whether they are sharing warm moments or standing in conflict.
Instrumental pieces in Tonbi are light and subtle. There are various gentle themes which play at pivotal moments, particularly those when a character is reminiscing or about to experience change. Overall suitable, the tender and unobtrusive way they are presented is simply wonderful. Fukuyama Masaharu provides the gorgeous theme ("Tanjobi ni wa Mashiro na Yuri wo"), with a voice that croons nostalgia with every syllable. Whenever it played during the final moments of an episode, my heart swelled.
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This review may contain spoilers
Two outsiders. One equation: trust + time = transformation.
Some films shout. Others whisper — yet linger in your mind long after the credits roll. In Our Prime belongs to the latter.An older man hides his brilliance behind a janitor's uniform. A young student, adrift among numbers and expectations. Two people, like distant islands — until they start to truly hear each other. What follows isn’t a grand gesture or dramatic spectacle. It’s something far rarer: a genuine connection.
Mathematics here is more than curriculum. It’s a space for thought, a shared language, even a kind of comfort. The film doesn’t promise glittering careers or textbook triumphs. Instead, it shows what can unfold when someone believes in you — not to solve the problem for you, but to walk the path with you.
There’s no melodrama, no inflated conflict. Just quiet gazes, thoughtful words, and a camera that respects its characters enough to let them breathe. In Our Prime finds dignity in the act of thinking and tenderness - in the simple gesture of someone offering a pencil, not to provide answers, but to begin the search.
With quiet sensitivity, "In Our Prime" tells a story of marginalization and a sense of belonging, of the silent power of recognition — how subtle forms of acceptance can reshape a life.
Gentle and empathetic. Uplifting and sincere.
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That being said, I don't think it was that bad. It isn't the most groundbraking suspense drama you'll find, it isn't the best written thing you'll see, but for the lack of experience these girls seem to have, the fact that it's "one of those idol dramas", the budget and the amount of episodes, I've seen much worse. To be honest, it's a very binge-watchable drama and it keeps the tension more or less throughout, so I don't regret watching it.
The plot starts in medias res, which I really appreciate in a suspense story, and I wish it had kept the focus it had on the beginning throughout the entire thing because, as the episodes advance, it gets unecessarily complicated for a story that didn't need so many unconnected twists and turns. And, for what I've seen in some comment threads, I'm not the only one left with more questions than answers when it's all said and done. I wish there had been one big focus instead of small things that have a common thread, kind of, if you squint.
Still, for all its complicated messes with the plot and its unanswered questions, it did leave me wanting to discuss it to try figuring out what just happened, and I consider that a good thing; I had left complicated dramas wanting to never look back in the past, but this is not one of those, at least. It's a mess but it's an interesting mess. And hey, I commend these girls for starting out with a suspense/horror/mystery drama rather than a typical school drama which would have probably hidden their inexperience a lot better but it would have been a lot less interesting to watch.
If you're looking for suspense with minimum to no gore, a sort of idol version of SAW, which will keep you wanting to know more, even if it's to try figuring out what on earth you just watched, and don't mind very inexperienced performances and some clear fanservice-y moments attempted to be disguised as representation (that's the idol industry for you, though, it's a general recurring problem), give this one a shot. And then DM me and tell me what you think just happened.
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Cherry Magic! Thirty Years of Virginity Can Make You a Wizard?!
26 people found this review helpful
A Series with Heart and Soul
One of the main aspects that stands out about Japanese drama is their way of including a heartfelt and inspirational message in their stories. I came across Cherry Magic on MDL two months before its official airing date. The plot summary and casting choices intrigued me. I had recognised both of the main leads, Akaso and Machida-san from their previous works, Nee Sensei, Shiranai no? (2020) and Joshi-teki Seikatsu (2018). Since Ossan’s love (2018), Japan has become more open to exploring BL/LGBT genre and well-known actors and actresses featuring in the genre. Considering those points, I had gone ahead and read the first two volumes of the original manga by Toyota-san’s Cherry Magic. The manga’s direction was lighter than other shounen-ai works, and I appreciate Toyota-san writing the characters in a likeable manner.The story could have taken many different directions; however, I appreciate the staff and crew’s mindsets on the drama structure's focus. Having read the manga (Vol 1~4), and watched the drama series, I could sense the amount of thought that went into making the show fitting for a live-action adaptation while bringing heart and soul to these characters.
Most Asian dramas tend to over sexualise and romanticise unhealthy relationships, especially within the BL and LGBT genre. Therefore, the direction of Cherry Magic proves that none of those portrayals is necessary to create an exciting and engaging show. The show features a fair focus on realistic obstacles, including workplace struggles, the risk of striving for your dream goals and self-acceptance.
Acting:
The acting was top-notch; I could feel the character’s emotions, including the scenes without any dialogue. I loved how the main and some of the supporting casts were given a chance to show their range. It helped me become more invested in their characters. Setting the characters in a genre with both slice of life and a supernatural element could be quite challenging. Therefore, I believe the writers did an excellent job writing the main and supporting characters in a relatable and somewhat realistic approach.
Setting:
It was refreshing to see a drama set in a workplace setting with the given genre. It brought more opportunities to explore some realistic obstacles and a sense of relatability towards a mature target audience.
Much analysis has been made on the drama’s setting, placement of props and editing by fans. Although the production value is relatively standard, the staff considers all the mentioned elements, therefore, reflecting the character’s emotions with their given surroundings. I appreciate the setting being viewed more than a stage or an aesthetic; it made me rethink the use of colour palettes (e.g. Blue for gloomy mood by Kurosawa).
Music:
I fell in love with both the opening and ending songs featured in the show. The lyrics had much depth and connection with our two main characters. I found it interesting the opening represents Adachi’s internal feelings while the ending represents Kurosawa’s perspective. Both songs complement each other, and the visuals fit the songs melody. The soundtrack is both amusing and emotionally moving. From my perspective, I did not feel any of the ost or songs were out of place.
Last thoughts:
If you are used to seeing skinship and rapid development featured in romantic relationships, the show may not be your forte; however, I recommend you give the series a watch.. While watching the show; it reminded me that falling in love can be a wonderful thing in life despite the depressing and heartwrenching moments.
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This review may contain spoilers
**Note: this review contains minor spoilers. **There are dramas that you watch and shortly forget about. There are dramas that you occasionally recall, but are not too memorable. Then, there are dramas that remain with you for a long time and immediately come to mind when asked about good dramas in general. Jejoongwon undoubtedly belongs to the last group. It has a “complete package” that is sure to please its viewers.
Jejoongwon tells the true story of the first western medical hospital in Joseon era Korea. There are three central stories to Jejoongwon: the so called “rags-to-riches” story, the rivalry between two very competent people story, and the love story. All of these sub-stories are told in a very different manner than most k-dramas, and provide something for everyone to enjoy.
The “rags-to-riches” part presents a man, Hwang Jung, belonging to the lowest class in the Korean caste system, the butchers (who were considered so low in status, they weren’t even allowed to have family names and were referred to by nicknames given to each other), who defies all obstacles (and there are many!) to become one of the first physicians of Korea.
The rivalry is between Hwang Jung and Beak Do Yang, the son of a nobleman with a keen interest in western medicine. The two have a natural affinity to medicine and are both outstanding at what they do, but one will always be better. The progression is unlike what many would expect, and doesn’t overpower the larger story at hand.
The main romance is between Hwang Jung and Yu Seok Ran, the daughter of an interpreter. Their romance is very gentle and gradual, but very fervent and touching nonetheless. Yu Seok Ran is a very unique k-drama heroine. She is ahead of her time, intelligent, kind, and self-assured. She also has a wonderful relationship with her father that is very moving and hard to come by.
At its core, Jejoongwon depicts the lives of three very different people who all see a similar future for Korea. They recognize that times are changing, and aid in the modernization of Korea through medicine.
The story is extremely well written. Taking historical events and rewriting them into a drama must be a difficult task, but it was executed very well. The characters were well developed and scene transitions were especially done well.
The acting was exceptional also. The casting of roles was very fitting for the characters. The role of Hwang Jung was played to perfection by Park Yong Woo. Hwang Jung is a man that has had to be invisible when facing member of the other classes for all of his life. He was not allowed to look at them directly, and needed to stick to the butcher’s neighborhood as much as possible or else be beaten and spit on. This causes confusion for someone who was instilled with these ideas since childhood and now has to live among people of the upper classes. Everything from Park Yong Woo’s facial expressions to body language expressed exactly what Hwang Jung was feeling throughout the story, a feature that is hard to find in many actors. Han Hye Jin has a great screen presence and brought Yu Seok Ran to life beautifully. Yun Jung Hoon also did a good job as Beak Do Yang, though not great.
Jejoongwon has one of the best OST’s I’ve heard in a while. The music fit the story well and increased emotional reactions to the scenes at hand.
The cinematography was not outstanding, but there were a few shots that were admirably filmed. I do wish there were more of those shots, but I was satisfied with everything else being done well.
In short, this was a very well produced drama that has sadly been overlooked, but deserves its recognition. A great story, excellent acting, plus a good OST to intensify the viewing experience, I recommend to this to everyone who has not had the chance to watch it.
**I have tried to make this review as objective as possible, but it is very hard to do with something that has moved me this much.**
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